Recent entries

    Leipzig Book Fair ()
    #12651 Copy

    Questioner

    How would - just really generally - the Ghostbloods react if they found or met Hoid?

    Brandon Sanderson

    (laughs) They... Some people among them know of him.

    Questioner

    So they know he's around.

    Brandon Sanderson

    Some of them do, not everybody. But they are aware of his existence. At least in lore, they don't always... Not all of them have connected the King's Wit to this person's lore, does that make sense? So what would they know? They'd probably want to get him and interrogate him. They would want to know what he knows, but he is really slippery and it's hard to get out of him what he knows.

    Leipzig Book Fair ()
    #12652 Copy

    Questioner

    I was wondering if the Chasmfiends have... like their own Gemhearts...

    Brandon Sanderson

    Yes.

    Questioner

    It's probably not a coincidence that emeralds that can hold most of the Stormlight. So are Chasmfiends, do they take energy from Stormlight?

    Brandon Sanderson

    Yes, yes, yes, yes. That's part.

    Questioner

    So there is a huge energy source there, they can supply it with eating so...

    Brandon Sanderson

    It is actually most beneficial during their metamorphisis, as you'll notice that the chrysalises are not as big as they get, and so yeah. They depend on the Stormlight and they depend on the Spren that they are bonded to keep them from crushing themselves. So Chasmfiends couldn't exist off world for multiple reasons.

    Questioner

    I'm guessing that for Chasmfiends the absorption of Stormlight is different because there is a whole shell thing that is thick.

    Brandon Sanderson

    Yup, yup.

    Leipzig Book Fair ()
    #12653 Copy

    Questioner

    I was wondering: Stormlight doesn't cross walls, because people put their spheres outside. But it crosses the glass of the spheres. Is that material dependent or...

    Brandon Sanderson

    It's thickness dependent. In the third book there's actually a little place where it's mentioned. Some people put it right inside a little, kind of thin rock portion and the Stormlight can still reach it. So I did that quite intentionally.

    Sofia signing ()
    #12660 Copy

    Questioner

    So, is she [Rysn] going to get a novella maybe?

    Brandon Sanderson

    Rysn is probably not going to get a novella but Rysn is a character who's going to have a nice novelette in each story, in the interludes. Maybe not quite to novelette length on each of them but she, in each of the first five books you will get a scene from Rysn.

    Questioner

    I think she's a very interesting character because in a way she epitomizes what you just said about being exposed to different cultures and--

    Brandon Sanderson

    Right, that's kind of her thing, is she goes and visits the different cultures of Roshar.

    Questioner

    And then we get to visit them too. 

    Brandon Sanderson

    Yeah. She's got a potted plant, she's got some grass actually, there's some grass that doesn't respond to the storm. So she's one of my favorites, I intend her to be in each of the interludes and have her own kind of little story running through the books.

    Questioner

    So now we know, when you think about--

    Brandon Sanderson

    Absolutely, there is a Rysn point of view in Oathbringer.

    Sofia signing ()
    #12661 Copy

    Questioner

    Do any of the worldhoppers that we've met so far-- Do they all just use this sort of perpendicularity to travel?

    Brandon Sanderson

    Perpendicularity is the primary way to get between planets.

    Questioner

    But are we going to get a conventional inter-planetary travel, like based on Allomancy maybe?

    Brandon Sanderson

    You have seen conventional inter-planetary travel in Arcanum Unbounded, in the story Sixth of the Dusk, which takes place many hundreds of years after most of the stories in the cosmere. So yes. 

    Questioner

    Ok so that's where it's--

    Brandon Sanderson

    Yeah there's actually space travel involved in that story but not from the main characters, they just reference them, but yes.

    Sofia signing ()
    #12663 Copy

    dragonssleepinfire

    In Words of Radiance--

    Brandon Sanderson

    Yes?

    dragonssleepinfire

    After Eshonai bonds the stormspren, she starts hearing this screaming voice in her head.

    Brandon Sanderson

    Yes?

    dragonssleepinfire

    Is that her voice?

    Brandon Sanderson

    Well, um… It is a combination of her voice and something that is happening with Roshar, and at the end of the next book you'll get a big clue.

    Supanova 2017 - Sydney ()
    #12664 Copy

    Darkness (paraphrased)

    What does antiseptic look like in the Cognitive and would it frighten away any rotspren or grinders there?

    Brandon Sanderson (paraphrased)

    Mmm… no it would look like a bead unfortunately. You could manifest it, like how you see Kelsier doing with stuff but really… no. Maybe if you got some antiseptic in [into the Cognitive Realm], the rotspren might recognize it but just the soul of it, no.

    Supanova 2017 - Sydney ()
    #12667 Copy

    Darkness (paraphrased)

    Did the person Sigzil tried to kill actually die, and then afterward become not dead?

    Brandon Sanderson (paraphrased)

    We'll RAFO that, mostly because I intend to dig into Sigzil's past more.

    Darkness (paraphrased)

    Ok so you're probably going to RAFO who it was?

    Brandon Sanderson (paraphrased)

    Yeah… mmhmm… but we do get a Sigzil viewpoint in this next book so…

    Darkness (paraphrased)

    Good! I like Sigzil.

    Supanova 2017 - Sydney ()
    #12668 Copy

    Darkness (paraphrased)

    Was Ivory watching when Shallan was in Jasnah's bathing chamber and that whole swap thing kind of went down… what did he relay to Jasnah…?

    Brandon Sanderson (paraphrased)

    Umm… he would've been there… but I don't have an answer for that, mostly because I haven't considered it.

    Supanova 2017 - Sydney ()
    #12680 Copy

    Darkness (paraphrased)

    Is there any Spiritual or Cognitive effect on the subject of Shallan's memory collecting?

    Brandon Sanderson (paraphrased)

    Well… …

    Darkness (paraphrased)

    Simply from taking the memory, not from the consequences of seeing the pictures or anything.

    Brandon Sanderson (paraphrased)

    Right… no, I would say no, but there is a sliiiiight Spiritual Connection happening. So, so… but it doesn't really have an effect on the person.  I mean, you could say, you could make the argument that any slight Connection like that does have one. But I don't want you to read that much into it. So the answer is yes, with an asterisk of no.

    Supanova 2017 - Sydney ()
    #12686 Copy

    Darkness (paraphrased)

    Further on in that… do different gemstones hold a different flavor, or different "frequency" of Stormlight?

    Brandon Sanderson (paraphrased)

    Umm…. Nnnnnnnnooooooo… But kind of? Here's the thing: So with the gemstones on Roshar… scientifically some of these gemstones are just really close to one another. Like chemical formula and whatever. But, their cognitive selves and their spiritual selves are gonna be very different because of human perception, right? (sure) And so, the answer is both a no and a yes because of that. So people's perception has sort of changed how the magic works, to an extent… but it's the same amount of investiture, just with slightly different flavorings.

    Darkness (paraphrased)

    Right, so… is it easier for a Soulcaster to turn rock into smoke with a smokestone as opposed to a ruby?

    Brandon Sanderson (paraphrased)

    So… Soulcasting… is gonna really depend on whether you're using a soulcaster.

    Darkness (paraphrased)

    First is for a Soulcaster, second is for a Surgebinder.

    Brandon Sanderson (paraphrased)

    A Surgebinder is far less constrained than someone using a device accessing surges, right? A Knight Radiant is far less constrained than somebody using a mechanical means of accessing magic, and I would include Honorblades as a mechanical means of accessing a surge.

    Darkness (paraphrased)

    Cool! So with the whole Jasnah scene, she inhales Stormlight, for using Soulcasting. So how is it the Soulcaster appears to glow more fiercely instead of growing dimmer in that scene?

    Brandon Sanderson (paraphrased)

    Um… heh heh heh… So… this is perception on Shallan's part, watching and kind of resonating with the Soulcasting, and some weird things are happening that she sees, and not necessarily anyone else is seeing.

    Darkness (paraphrased)

    I love that! Alright… Also, did Taravangian recognize that Jasnah was not Soulcasting traditionally? Like was it the hand sinking into the rock that gave it away?

    Brandon Sanderson (paraphrased)

    Taravangian knew and already suspected.

    Supanova 2017 - Sydney ()
    #12687 Copy

    Darkness (paraphrased)

    Ok. Um… did Taravangian arrange for his granddaughter to be trapped, so he could see Jasnah soulcasting?

    Brandon Sanderson (paraphrased)

    Um he used an opportunity, that he could've gotten to through… in a multitude of ways, in order to… check on some things. But it is his granddaughter and she really was in danger.

    Darkness (paraphrased)

    Yep, he really did seem concerned.

    Brandon Sanderson (paraphrased)

    Yes.

    DragonCon 2016 ()
    #12692 Copy

    Questioner

    I have a question about progression of powers for the Knights Radiant. So we see with Kaladin that it seems that there's a definitive border to the Ideals and how you gain them, I guess? It would be hard to touch on the third without having learned the second. Would that-- Is that the same for all of the Orders? Like the Willshapers are much more varied and individualistic, could they go through a different order and if so would that affect how they express their Surgebinding?

    Brandon Sanderson

    Yes, the Oaths are very individualized. In fact you'll get a lot more of this as you see different people, even within the same Order, swearing Oaths. And you'll see how it works, even with a given Order there is individuality to them. So I'm going to give you a RAFO, you can have a card.

    DragonCon 2016 ()
    #12693 Copy

    Questioner

    I'm a creative myself but not really so much an authorial type but a systems designer type. And that's actually what attracted me to your books first, is that their systems are so... meticulous is not the right word. They're so hard.

    Brandon Sanderson

    Right, hard magic.

    Questioner

    And I'm not going to ask you to go over Sanderson's Laws but they add up to this magical materialism almost, which I think works really well with your storytelling. Do you have any particular method for meshing together the rules that you create for a system and creating a balance that allows you to tell a compelling story with it?

    Brandon Sanderson

    That's an excellent question because this is a really interesting give and take. Everything needs to be done in service to the story and the danger of these systems is doing the same sort of thing that an outline does to a story. Too rigid of an outline means you just don't have a good story in a lot of cases. Too rigid of a magic system can actually make certain stories just not work. And I don't think this is the only way you have to do it. For me, this is a lot of the fun but I have to let myself bend.

    A good example of this, alright? I wanted to do speed bubbles... But one of the powers is these speed bubbles, right? You can slow down or speed up time around you in a bubble, right? So what I do is I say "Okay if we can do this, science-y people--" I go to my science-y people, that's the official term, I said "What's this going to do?" And they're like "Yeah, red shift. You're going to irradiate everybody." I'm like "Oh, right." *laughter* "Right, irradiating the room. A flashlight becomes a laser beam." Like stuff like this, I have-- What I do-- The difference between me and a science fiction writer is I say "I still want speed bubbles, so we will build into the magic system why the red shift doesn't happen and I will go with that. I will make a rule for it and I'll be consistent but I can make up a rule." And that is something I will recommend to fantasists versus science fiction writers is this thing. Remember the story is king. Be consistent once you've done something but go ahead and give yourself the wiggle room to build something that's going to become-- be for great storytelling. And that balance between being consistent and telling a great story is where you want to be.

    DragonCon 2016 ()
    #12694 Copy

    Questioner

    You've mentioned in the last couple of afterwords that you get interesting results when you mix types of Investiture.

    Brandon Sanderson

    Yes.

    Questioner

    Twinborn and Surgebinders on Roshar. Can you mix a form of magic with a source of Investiture? Can say Vasher use Stormlight in place of Breaths or would that require tampering via Hemalurgy or something like that?

    Brandon Sanderson

    Most of them require tampering. Some of them are a little bit easier than others. It depends on really what you mean. For instance, white sand can be charged in the presence of any Investiture right? It's just-- But that's not really using the magic, it's just charging it with other Investiture. But, you know, it would be very easy, for instance, if you can get yourself Invested-- Like, for instance, it'd be very easy to use Breaths to fuel Windrunning right? Because the oath and the bond and things like that are going to make it pretty easy. However fueling Allomancy with something else is going to be a lot harder. So it really depends on the magic. It's the sort of thing that there will be lots of science in the books dedicated to making happen in the future and you will find some of the processes these work easier than other ones.

    DragonCon 2016 ()
    #12695 Copy

    Questioner

    As an Asha'man Warder, I have to ask, would you consider going back to The Wheel of Time and writing a book about the Trolloc Wars?

    Brandon Sanderson

    So, remember that part about a piece of art being done? Sometimes that is painful. In fact it-- it hurts that there are certain characters I've said "Their story's done. I don't think I should touch this again." We put on top of that, I don't believe Robert Jordan would want me to do more. Now I have to say that very timidly because it's entirely possible that Harriet or one of her heirs and descendants will decide that there should be more Wheel of Time books. And I'm not going to be one who gets up and "No you shouldn't be doing that!" Right? That's not my choice. And I want more Wheel of Time like anyone else wants more Wheel of Time but my personal decision has been that I think Robert Jordan was uncomfortable with the idea of my writing in his world, even though he asked it do be done. And if I--particularly with the prominence I have--spent more time in The Wheel of Time I risk The Wheel of Time becoming more associated with me than Robert Jordan. And I think that would be a very bad thing. And so the current answer is "No, I--" Well, yes I would consider it. I'd consider it a lot, and the answer is no. I don't think it would be appropriate for me to do more Wheel of Time for a multitude of reasons.

    DragonCon 2016 ()
    #12696 Copy

    Questioner

    He's asking if a larkin is capable of pushing Stormlight into someone as well as drawing it out.

    Brandon Sanderson

    Ahhh, that's an excellent question. They actually feed on Investiture. Like some other people and things that you've seen. *laughter*

    Questioner

    So is that a yes or no?

    Brandon Sanderson

    That is more of a no than a yes. *laughter*

    Questioner

    So that's highly unlikely that that's how Szeth was resurrected.

    Brandon Sanderson

    That is correct... You did see how Szeth came back foreshadowed earlier in the books. So if you watch for it, the means by which that happens is in there.

    Questioner

    How early? *laughter*

    Footnote: Szeth is resurrected by of a fabrial manipulating Progression, which can be seen in one of Dalinar's visions in The Way of Kings.
    DragonCon 2016 ()
    #12697 Copy

    Questioner

    So with your Cosmere books. I started reading with Mistborn, and I got through the trilogy, all three books-- I read really fast, so I was done with all three of them in under a week. And so I went looking for some of your other books, and I think I came on The Way of Kings and I started noticing there were little bits of connections because it's not really apparent--

    Brandon Sanderson

    Yes.

    Questioner

    --that they're connected until you start looking into it. And of course then I go online and figure out there's this whole wikipedia--

    Brandon Sanderson

    Then you went down the rabbit hole. *laughter*

    Questioner

    Then I went down the rabbit hole and then I go "Oh look, all of these worlds are interconnected. And there are these characters who are supposed to be Worldhoppers or something." I could not figure out where the origin of where you learn these people are actually from the other series.

    Brandon Sanderson

    So where did people learn this. So first I'm going to give the caveat, if this daunts you, don't worry it's all cameos right now. You don't have to read the books in a certain order-- Well you should read the series in order, but you don't have to read the series in a certain order. You're not missing out on something, you can read the books and if you don't see it, it's okay. It's meant to be cameos... It's supposed to be very subtle.

    However, where they're getting it is Hoid is almost always mentioned by name. That was the first clue to people. Once in a while he doesn't use his name, in each series at least he's mentioned his name. And people started connecting that name. And I will usually give little tells where they Galladon in The Way of Kings because he spoke in Dula, and so they caught the same words that he used, even though he spoke another language. Some of the words were words he used in Elantris. They were like "Oh." So there's always going to be some connection there.

    Watch for people who use the wrong words. For instance if someone says in The Stormlight Archive, if someone uses the word "coin", they're probably using magical means to translate and they're thinking "coin" when they mean "money" or "sphere" and they don't use coins on Roshar. And so you'll have people make mistakes like that in-world, and they'll talk about things the wrong way. And that'll be part of the way you can connect who doesn't belong there. I intend it to be very subtle however. I think in The Way of Kings Hoid is the only one who uses "coin" and things like that. If you watch out for stuff like that--

    But here's the thing about it, at the same time I learned from Robert Jordan fandom that fans will theorize about everything. *laughter* And I realized-- I had to make a decision pretty early on. And this decision-- Some authors do it one way, others do it another, I decided I had to be okay if the fans guessed what I was doing. Because if I put the foreshadowing in then it's going to be a mark of respect if people figure it out. And so if you're one of these people who dig in deeply, you will figure out some of things that are going on and they won't be surprises when the book comes along. And I think that's okay for the fans that are doing that. I will warn you, I'm not going to change what's happening, just 'cause you figure it out. So if you don't want massive spoilers you shouldn't necessarily hang out to much, because they are going to get it right. I will put in the foreshadowing so that it is possible to guess what's going to be happening and things like that. Because if I don't it won't feel like the book is fulfilling, if that makes any sense.

    That's just a little warning to you guys. But so far there are some things they haven't figured out yet that I think they're going to soon, but they haven't quite yet.

    DragonCon 2016 ()
    #12698 Copy

    Questioner

    I don't really read much, but-- *laughter* I listen to all of the audio books of all your books... And one thing I really respect that you do is you're very punk rock about how you approach things. Like "Three [prologues], yeah why not?" It actually reminds me a lot of Final Fantasy, like when that came onto the scene it was just "Dang, these guys are doing everything. The best, the newest, the freshest thing." And I was actually curious, have you ever actually played Final Fantasy, where you inspired by it? Especially because the swords are HUGE like in Final Fantasy.

    Brandon Sanderson

    I will admit, there's a bit of me saying "Man, what would it take to make giant swords realistic?" *laughter*  Like I actually-- No, this is real. Like fantasy art, and particularly Japanese fantasy art, has these oversized weapons that's completely unrealistic. But that's a challenge to me.

    I actually played-- Like I have Final Fantasy cred. *laughter* I played One, on the original Nintendo, right? When it was released. And I have actually played them all. Ten is my favorite. As an aside, what I loved about Ten was-- The voice acting really helped, but I loved that-- Like Ten is what taught me that you don't have to have an angsty, depressed character. Angsty, depressed characters are awesome but sometimes you can have a hero who's not angsty and depressed and it works out alright. But I would call myself deeply influenced by that, certaintly.

    DragonCon 2016 ()
    #12699 Copy

    Questioner

    Stormlight feels very different to me on so many levels. You've got the interludes where we get to get a lot of worldbuilding, we get to see more of the planet than just one place. But there is also this sense that a lot of your books we're experiencing the aftermath of something. And in Stormlight that something is coming. How is this affecting the way that you are building your world for us?

    Brandon Sanderson

    So, this one's going get you a story, okay? So here's the story... So, alright, darkest time in my writing career, okay? Was when I was writing books 11 and 12 unpublished. I was getting rejection letters, and they were rejection letters for things like Elantris and Dragonsteel, which I was really confident in. Elantris, Dragonsteel, and White Sand were the good books during the era of unpublished Brandon.

    White Sand by the way, is out as a graphic novel now. You can also read the prose version by emailing me through my website form, we just send it out for free, so you can compare it to the graphic novel. And by the way, Dragonsteel, you're like "Oh, Hoid's origin story", we'll do that eventually. The Shattered Plains started in Dragonsteel, and I pulled them out, and I pulled Dalinar out, and a bunch of stuff, when I built Stormlight. And so it's really a schizophrenic book now-- Schizeophrenic is the wrong term, but half of it was what became Stormlight, and half of it is Hoid's origin story. So, the half that is Hoid's origin story will eventually get a book.

    Anyway, darkest point-- I'm not selling anything, everybody is telling me like "Your books are too long". This is the number one thing I'm getting from rejections, "Your books are too long, and your books are not market friendly, in that the worlds are too weird". I'm getting this-- You gotta remember this is-- I love George but  this is right after George got huge, and George introduced gritty, low magic, earth-like fantasy as kind of "the thing" that was big. And his books were large too, I don't know why people kept telling me mine were too big, but they wanted gritty and they wanted low magic and they wanted earth-like. So I was getting rejection after rejection on these things. What people were buying were things like Joe Abercrombie's stuff, which is great, Joe's a great writer. But you know, short things that gave people a similar feel to George RR Martin, but you know, but were low magic, kind of earth-like medieval societies. Basically shorter versions of George is basically what they wanted. So I actually would go to cons and they would be like "Have you read the beginning of Game of Thrones? Write something like that" and so finally against better advice, I sat down and said "alright I'll try something like that". And you guys do not want to read Brandon Sanderson trying to be George RR Martin. *laughter* It was embarrassing, and so I wrote these books, each something different.

    And I like trying to do something different, I'm not sad I tried to do something different, but at the end I was like "I can't do this, these books are crap". The worst books I wrote were the two that were like books 11 and 12. Like I shouldn't be getting worse as a writer, the more books I write. And so I was in a funk and I finally just said, "You know what? Screw it, I'm gonna write the biggest, baddest, most awesome book that I can!" They say they're too [long], this is gonna be twice as long! They say that worlds are too weird, I'm gonna do the weirdest world that I've always wanted to do. I'm gonna write the type of fantasy book that nobody's writing that I wish they would write. And I'm gonna break all these rules that say 'Oh don't do flashbacks'. Screw you, I'm gonna put flashbacks in every book! They say 'Don't do prologues', screw you, I'm doing three prologues!" *laughter* It really does, because Way of Kings starts with the Heralds. Prologue. Then it goes to Szeth. Prologue. And then it goes to the viewpoint of the guy in Kaladin's squad. Also a prologue. And then it jumps like eight months and then we start the story. I did all the stuff they told me not to do because I just wanted to make the biggest, most coolest and baddest epic I could-- bad in a good term.

    And I finished this book, which was basically flipping the bird to the entire publishing industry, right? And that-- Within a month of finishing that is when Moshe, who I told you is bipolar, got manic and read through his backlist of books that people had sent him, including one I'd sent him two years earlier, which was Elantris. He'd never looked at it, he read it in a night, he called me manic, and said "I wanna buy your book!". And actually what happened is, he called me and I'd moved since then, and gotten a new phone number. We used to have landlines back then, I know. I had a cellphone by the time he called me but before I had my landline number on it, and I'd actually--this is gonna date me--my first email address was AOL. I was like "Free email." And then I realized AOL-- I wont speak ill of-- Yes I will. AOL sucked. *laughter* And so I'm like "Well I need to get my own email address", so I went and got one, but that meant the email had changed. And I sent to anyone who actively had one of my books on submission like "This is my new contact info", but he'd had it for two years. I figured I was never seeing it-- If you were on the last panel, I mentioned that I sent things into Tor and they vanished, and I never got rejections-- I never got rejected from Tor, I sent them four books, they're still just sitting there somewhere I'm sure. But, so I finished this big beast of a book, right, and then I sell Elantris, and I'm like "Great, now I don't know what to do". So my editor is like "Oh what are you working on now, I want to see that too", so I sent him Way of Kings, and I still remember when he called me, he was like "Uhh... Well this isn't the sort of thing that new authors usually publish. Can we split it?" and I said "No, you split the book and it's a really bad book, 'cause you have all the buildup but none of the payoff". And he's like "Ughhh", and I said "That's alright, I've got this idea for Mistborn", I pitched him Mistborn. "I'll do Way of Kings later", there were some things I wanted to fix about it, it actually needed something, and I didn't know what that something was yet, and I didn't learn it until working on The Wheel of Time, but that's a different story.

    But you're asking why is Stormlight so different. Well Stormlight is a series like of my heart. This is the book that I wrote when nothing else mattered, and I thought I might never get published and I just wanted to do what I felt that the genre needed that nobody was doing, right? And so I felt like fantasy needed to be pushed a little further in its worldbuilding, and so I did that. I felt like-- There just a lot going on. The interludes were kind of my solution to the problem Robert Jordan and George RR Martin were having, which, they're fantastic writers, I was able to learn from them. And Robert Jordan, I think one of the problems he had was that he fell in love with the side characters, and then these side characters took over the story to an extent that then it was hard to manage. I'm not bashing on Robert Jordan, he talked about this, he talked about book 10 and how being a parallel novel was a mistake. I could learn from his mistakes, it doesn't make me a better writer, what it means is I can learn from what they did. And I said "Okay, I'm going to put pressure valves in my book, I'm gonna put a short story collection in each novel where I get to write about side characters, and those who wan to skip them can skip them, and those who don't can read them", and I'll just make sure that I contain them in these short stories, these interludes, and that lets me do what I want but also lets the book keep its focus. So I'm doing a lot of things with these books that were like my love letter to the epic fantasy genre, and so I'm enthusiastic that you actually all like it and are willing to read them. *applause*

    DragonCon 2016 ()
    #12700 Copy

    Questioner

    I wanted to ask-- So you--I think more than almost any other fantasy author--you create universes and then you leave them behind. Entire uni-- I almost feel like you could sit down-- you could have like pages of a physics lecture in each of your universes and you would have equations for how it works. Do you have-- Have you always had these ideas for these various universes with gods and magic systems and things like that, or are you always creating them, sort of as you go? 

    Brandon Sanderson

    It's yes and no. A lot of the ones you're seeing in the cosmere are things I created at the beginning to be kind of what the cosmere was. But I left some holes intentionally cause I knew I would come up with cool things that I wanted to add, and so I built in that wiggle room, and I'm always coming up with new ones. And there are way more that I want to do than I can write, like the one I keep wanting to find a chance for is--

    Do you guys know how Nikola Tesla tried to create wireless energy? I think I've talked about this one. Like, he tried to create wireless energy, and I'm like "What if there were a world where that happened naturally?" Where you had a natural current going, and you could like set your lantern on the ground and it would create a current from the sky to the ground and your light bulb would just turn on. You don't need electricity. And how would-- What if we have giant toads that could shoot out their tongues that would create a current,  and they're like taser tongues? *makes zapping noises* Stuff like this. And so, I started jumping in to looking at electricity and things like this, and current and whatnot, and that's just all back there and I'm like "Aww, someday I need to be able to write this." But there are so many things that I want to write that I just don't have the time for, so it's a yes and no.

    Questioner

    So do you have, like, "what if" questions and then you build a universe from there?

    Brandon Sanderson

    Usually they're "what if" questions, but Sanderson's Zeroth Law--I've got these laws on magic you can look up,  they're named humbly after myself--so Sanderson's Zeroth Law is "Always err on the side of what's awesome". And usually it's less even a "what if?" and it's a "That's so cool, taser toads!" Like if you really want to know the truth of where The Stormlight Archive started, there's all this cool stuff, like part of it was like "What if there was a storm like the storm on Jupiter". And then I eventually changed it to a storm that goes around the planet, something like that, but the real truth was "Magical power armor. YEAH! Magical power armor is cool! Plate mail power armor! Why would you need plate mail power armor?" Y'know, and it starts with the really cool idea. Mistborn started by me drifting in a fog bank at eighty miles per hour in my car and loving how it looked as it drove past and saying "Is there a world where I can imitate this feel, where you look out and it streams by." It's those early visuals or concepts that make me say "Oh yeah, I wanna do that!". That is where my books really come from, and then I layer on top of them the "what ifs?" and trying to build a realistic ecology based around these ideas.