Does Szeth-son-son-Vallano's Surgebinding require an honorspren like Kaladin's?
No, it does not. (Hm....) Gold star to you.
In what ways do you feel that finishing The Wheel of Time helped to prepare you for The Stormlight Archive and how did it change your writing in general, if at all?
I gained three things, I feel, by working over the years on [The Wheel of Time]. (And, in particular, by studying [Robert Jordan]'s work in depth.) I learned how to better balance lots of different viewpoints, I got a better grip for foreshadowing and subtlety over many books, and I gained a deeper understanding of how to write a really sold third person viewpoint.
Are any of your books' locations (barring Legion) based on real-life places? If so, where? If not, what propels your creative drive to make new worlds?
All of the keeps in the Mistborn series are based on real structures I've visited. The mists are based on a trip to Idaho, were I drove through a fog bank at high speeds.
Warbreaker's setting was inspired, in part, by a visit to Hawaii.
Much of Roshar is inspired by tidal pools and coral reefs.
When Shallan is appealing Jasnah, Jasnah reveals that she has heard about Shallan's step-mother, Malise Gevelmar. Has Malise Gevelmar ever met Jasnah or one of her associates (excluding Shallan)?
No, she has not. You'll learn more about Malise in [Words of Radiance]. She really is just a rural lighteyes of not much consequence. Shallan's mother, however...
You've confirmed that several Heralds have appeared or been mentioned in the modern (non-prelude, non-vision) parts of The Way of Kings. Have any members of the Knights Radiant (the one from the days of Urithiru, not near-Radiants like Kaladin) appeared in the modern parts of The Way of Kings? And if you have to RAFO me, could you give me a hint about the Heralds?
I can answer that--no, no Radiants from those days have appeared on screen in [The Way of Kings].
A Coinshot able to store weight can, as you showed us with Wax Push in a ridiculously powerful manner, as the weight/mass is the largest factor which controls the Push strength.
I'm wondering if the same can be done with soothing(or rioting). If you where to increase your identity, that may/should increase your emotional imprint(or whatever you might call it), would your soothings/riotings become vastly more powerful in a similar way as weight makes steelpushing more powerful?
And if it does, is this how the Lord Ruler improved his Soothing in such a spectacular fashion?
Well, the Lord Ruler--don't forget--could compound any Allomancy he wanted. That creates some crazy effects. As for what you discuss in your first question, I don't want to touch too much on Identity yet as I am saving it for later books. Talking too much here might undermine my ability to reveal interesting and cool things in books when the time is right. I like your theory, and it has merit, but I'm not going to give you a yes or a no as it delves too much into what Identity, as an attribute, can do.
Would it be fair to describe the three realms as the Spiritual Realm providing motivation/general directives (gravity, desires, energy, etc.), the Cognitive Realm interpreting and applying those directives, and the Physical Realm as where these directives--as interpreted by the Cognitive Realm--are actually implemented? All of this with interactions/change flowing back and forth between the Realms as well (Physical phenomena affecting thought affecting the spirit, for example).
Ha! That's a very interesting way to look at it. The theory isn't all there, but it's thinking along the right lines.
We know that there are 10 orders of Radiants and 10 different powers, with each order having access to 2 of them. Any reason why this "class restriction" exists (they are lot more combinations possible with 10 powers)?
There is a reason. I don't know when I want to get into it, however.
If you are standing inside of a time bubble, and throw a spear out of the bubble, what happens to that spear as it traverses the border of the bubble? Are different parts of the spear ever in different "time zones," going fundamentally different speeds?
On that line of reasoning, what would happen to a train and its occupants if Marasi stood next to railroad tracks holding up a Cadmium bubble while that train sped by?
In general, a large object going through a time bubble is not going to notice. An object is either in or out, and it depends in part on how the object views itself. People inside the train would be inside of its influence, and wouldn't notice the bubble. The spear would go from one to the other, but would never be in both.
Do Breaths inherently possess the ability to interpret and carry out commands, or does the Awakener need to impart that decision making ability on Awakened objects?
If the Awakener does need to impart the decision-making ability, then does Awakening consist of an Awakener copying a portion of his/her Cognitive aspect (as determined by his/her visualization and verbal Command) onto the Cognitive aspect of the object being Awakened, with Breath then providing the "juice" for the object to actually follow its Command: powering both physical motion and "cogitation" based upon the copied Cognitive aspect?
If so, is that copying what drains color?
You're very close here.
What would happen if, right after someone died, they were made into a Lifeless, and then Endowment tried to Return that person?
Oooh...now that's a spicy one. Endowment's gift of a superpowered Breath would come down, strike the Lifeless, and all kinds of craziness would occur. You'd end up with a drab god, which would be hilarious.
Do Stephen's aspects exist in the way bonded spren exist (independent Spiritual and Cognitive aspect but tied to a human.)?
Legion does not exist in the cosmere, so Realmatic Theory is not at play in the story.
Did Razon's camera use the same Spiritual gravitational anchors as time bubbles?
Is there any use to being a copper Compounder, from a Feruchemical point of view? I think the same point would also apply to an aluminum Compounder.
Some combinations, like some abilities themselves, aren't really that useful. That said, being able to Compound copper...that could do some things. Aluminum, not so much.
Now that you have finished writing [The Wheel of Time], how does it feel going back to telling your epic story that you have wanted to share with the world and being able to write a story naturally without the outside constraints that came with [The Wheel of Time]?
What if anything has been the biggest challenge getting back into writing Stormlight Archive after working so hard on [The Wheel of Time]?
It feels great, though it's a feeling I've felt before. It was the feeling I had when jumping out of the Mistborn world after finishing all three books and instead doing Warbreaker. For most of the process with [The Wheel of Time], I didn't feel 'constrained' really. It was more a sense of difficulty--it was difficult to do for unique reasons. Matching [Robert Jordan]'s story, making certain to keep characters consistent, that kind of thing.
It is refreshing to move to a new project, but this one presents difficulties of its own. I have to follow up The Way of Kings, which I feel is the best book of my career so far. I poured twenty years of effort into that book. Now, the sequel needs to be equally awesome, which is a real challenge.
Also, I keep wanting to use [Wheel of Time] curses.
Does the world map in The Way of Kings show all of the landmasses of Roshar? Does that make the continent on Roshar a Pangaea-like supercontinent? And as I think about it, are there tectonic plates on Roshar?
It is a supercontinent. I won't say there is NOTHING out there, but (unlike Scadrial) there is not another full continent. Plate tectonics are not a factor on the supercontinent.
Do you have any of the Power Nine, and if so, which ones?
Pearl, Emerald, Ruby, Time Walk, Recall. Four left to go. I try to pick them up at times when it means something--for example, I bought my Ruby in Taiwan during my visit there earlier, and my wife gave me one as a gift...that sort of thing.
What aspect of a new setting do you find to be the most difficult to develop?
Hmmm.... The everyday stuff is actually the hardest. For example, the question about racist jokes. They'd have them in world, but getting everything like this into a novel can be tough--particularly since it has a chance of squeezing out the story if you do too much.
A few months ago, I discovered listening to classic jazz just really got me into the mindset for my current novel, and I think it might be because the story is set in a time similar to the America in the 1920's; do you ever try to match the music with the setting of a specific book or scene? Is there any one artist or style of music that works no matter what?
Yes, indeed I do. I actually listened to era-appropriate music when working on Alloy of Law. In general, a good soundtrack can work no matter what, but for some scenes I need something more powerful. (Szeth's scenes in [The Way of Kings] were usually to Daft Punk.)