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    The Hero of Ages Annotations ()
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    Brandon Sanderson

    Kelsier's voice here has gotten to the point where Spook no longer questions its presence, though he still hesitates to do what it says. For those of you who are paying attention to the connections between the books, it should start to seem more and more like the voice that Zane heard in book two. This one is a little bit more powerful and controlled than the one Zane heard—but then, Ruin is free now and can affect things more directly.

    The Hero of Ages Annotations ()
    #5802 Copy

    Brandon Sanderson

    Spook Escapes the Burning Building

    This scene with Spook bursting out of the burning building, trailing smoke, is one of two big focal scenes I imagined for his storyline. Interestingly, I had planned on three focal action scenes, and ended up skipping one as I drafted. I planned to have assassins attack the ministry building and Spook fight them off, but could never quite work it into the pacing of the story, and I figured that after this scene—which works so well to convey what I want—another scene was unnecessary.

    The Hero of Ages Annotations ()
    #5803 Copy

    Brandon Sanderson

    Chapter Forty-One

    Sazed and Breeze Discuss the New Survivor

    I'm not sure whether this is an appropriate use of the term ostention or not. I guess Dr. Thursby, my folklore professor at college, will have to read the book and let me know. Seemed like it worked for me.

    For a lot of my readers, this opening paragraph—with Sazed acting like his old self—was a very triumphant one. They said "Finally, Sazed is back!" in compliment. However, I took that as a sign that something was wrong in the earlier chapters. True, it's a good archetype to have one of your characters do something wrong for a time before finding redemption. However, the problem with Sazed is that the thing he'd done wrong as a character was boring. You never want that as an author. In the rewrite, I hope that the difference between Sazed in this chapter and previous chapters is still there—just not as stark.

    The Hero of Ages Annotations ()
    #5804 Copy

    Brandon Sanderson

    Ruin Interferes with Communications

    Another note on what Ruin is up to here. He figures that keeping supplies from Elend—and not letting him know about the chaos in Luthadel—will make him more likely to attack Fadrex. So, Elend and Vin get it wrong. In this case, Ruin is more successful than when he helped destroy the koloss, and his ploy has the desired effect. By putting the pressure on Elend, Ruin hopes to make the emperor more impulsive and more likely to follow his gut, which is telling him just to attack.

    The Hero of Ages Annotations ()
    #5805 Copy

    Brandon Sanderson

    Lieutenant Conrad

    Lieutenant Conrad is Tom Conrad, another roommate. Tom was my first roommate ever—a computer stuck us together in Helaman Halls at BYU, and wacky high jinks ensued. We roomed together for two years, after which Tom decided he wanted to pay less for rent than we were paying. He then moved into the crawl space beneath a trailer home off campus. (Well, not really, but it sure felt like that when I visited.)

    The Hero of Ages Annotations ()
    #5806 Copy

    Brandon Sanderson

    Discussing How to Defeat Ruin

    This chapter is mostly intended as a reminder that something larger is happening. I worry a lot that the reader will see the struggles for Fadrex and Urteau as a step down in conflict from book two, where Luthadel itself was besieged. In other fantasy books, the heroes would go on some quest to find a magical object or person that could defeat the dark god for them.

    And in a way, that's what they're trying—searching out some mythical answer that may or may not be there. However, my goal with this book was to show that when faced with something as powerful and incomprehensible as Ruin, there isn't much that common people—even Allomancers—can do. They're fighting their best, but how do you even start to deal with something like Ruin?

    The Hero of Ages Annotations ()
    #5807 Copy

    Brandon Sanderson

    Chapter Forty

    The Creation of New Inquisitors

    It was very convenient for the system I built into Hemalurgy that the Inquisitors were designed and commanded to hunt down skaa Mistings. There were always enough of those that they could create new Inquisitors to replace the ones who eventually died of old age.

    The Inquisitors were always so determined to catch the skaa. So passionate. With good reason, for that was the only means by which their race—and Inquisitors are a separate race, just like the koloss and the kandra—could perpetuate itself.

    The Hero of Ages Annotations ()
    #5808 Copy

    Brandon Sanderson

    The Blessing of Stability

    It's mentioned in this chapter, and in the preceding chapter's epigraph, where the epigraph author notes that it is "rarely used." There's a simple, rational reason why you never see this one getting used in the book.

    I added the Blessing of Stability after the fact.

    You see, I realized that I needed at least one more Blessing to fit with what I'd built for Hemalurgy. I needed another mental power to complete the set of four. Two are the basic physical powers from Allomancy and Feruchemy: strength and fortitude from one, increased power of the senses in another. However, for Allomancy and Feruchemy, the mental powers deviate from one another. So I wanted the same thing to happen here. Hence the Blessing of Presence—which makes the mind more stable.

    But after writing the book, I realized I needed a forth. The Blessing of Stability was born, and I wrote it in in a few places just to make token note of it. I like the concept for the power—that of making one emotionally stable—and am kind of glad I don't show anyone using it. I can show it off better in a later book.

    The Hero of Ages Annotations ()
    #5809 Copy

    Brandon Sanderson

    The Mechanism of Hemalurgy

    The Blessings and the workings of Hemalurgy gave me some trouble as I designed the second and third books of this series. On one hand, I liked the way Hemalurgy worked by stealing powers from Allomancers or Feruchemists and giving them to other people. However, if I was going to limit myself to sixteen metals and be able to steal both Allomancy and Feruchemy, that meant I needed a mechanism to determine which power got stolen. If, for instance, you drove a pewter spike into a person who was both an Allomancer and a Feruchemist, then how would that spike know which power to suck out and grant to the one who would gain it?

    As I was toying with how this would work, I realized that I needed to work the kandra and the koloss into this as well. Only, it was ridiculous to assume that the Lord Ruler would kill Allomancers to make koloss. There weren't enough Allomancers, for one thing—plus it would be foolish to lose the power of an Allomancer to gain an inferior tool in a koloss.

    So that meant koloss had to be made out of regular people, not Allomancers or Feruchemists. Suddenly I had another set of abilities that Hemalurgy had to be able to steal—the basic pieces of Preservation inside the souls of all men.

    Hence the decision that where the spike was placed in the receiver, and how it was used to kill a person, influenced how the power was shaped. Now a pewter spike could steal any of a number of powers, based on how it was used. And regular people could be used instead of Allomancers—however, when that happened, the receiver was twisted much more than if an Allomantically charged spike or a Feruchemically charged spike was used.

    My rationale for this is that if the spike is pulling out the pure power of Preservation—part of the power of all creation—and twisting it, it would change the body of the recipient greatly. Twisting them through use of the twisted power.

    The Hero of Ages Annotations ()
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    Brandon Sanderson

    Rumors of a New Survivor

    Oh, and uh . . . I should talk about the chapter, eh? Well, I needed Sazed and Breeze to start hearing the rumors about Spook, but I didn't want them to figure out that those rumors were actually about Spook quite yet. I liked the connection between Spook and the Survivor, so I extrapolated how the religion would deal with new leaders and new mystical forces. And the Survivor of the Flames was born. Ta-da!

    The Hero of Ages Annotations ()
    #5812 Copy

    Brandon Sanderson

    Chapter Thirty-Eight

    Preservation's Power

    All right, so maybe I lied about there only being three magic systems in this book. It comes down to how you term the powers of Preservation and Ruin, who kind of blanket the entire system. There are a lot of things going on here, and—well, the truth is I don't want to mention all of them, for fear of spoiling future books. However, I'll give you a few rules to apply.

    First, to these forces, energy and mass are the same thing. So, their power can take physical shape—as Preservation's did in the bead of metal Elend ate. Second, there is a bit of Preservation inside of all the people—and it's this that allows the people to perform Allomancy. It needs to be awakened and stirred to be of use, but when it is, a proper metal can draw forth more of Preservation's power. It's like the metal attunes the bit within the person, allowing it to act as a catalyst to grab more power.

    Allomancy is not fueled by metal; it is fueled by Preservation. The metal is the means by which a person can access that fuel, however. If there were another way to access it, then the metal wouldn't be needed.

    Preservation's touch on people differs. Some have more, some have less. This doesn't make them better or worse people—indeed, some most touched by Preservation have been among the worst people in the world. As Ruin later points out, there is a difference between being evil and being destructive.

    Regardless, if a person can get more Preservation into them, they become better Allomancers. Hence Elend becoming a Mistborn. Like all people, he had the potential within him—it was just too small of a potential to be awakened through normal means. That little jolt of Preservation's body, however, expanded and awakened his Allomancy.

    As a tidbit, that was a side effect of what that bead of metal did. It wasn't the main purpose of the bead, and if another Allomancer were to burn it, it would do something else.

    The Hero of Ages Annotations ()
    #5813 Copy

    Brandon Sanderson

    Human's Origin

    Human is a very special koloss. He's quite a bit older than most, his creation running all the way back to before the Lord Ruler's death. He was originally the leader of a rebellion out in the southeast—the same area where Clubs spent his youth fighting. Human, then known as Vershad, was one of the more successful leaders of the wasted men—those who live out in the desert outside the borders of the Final Empire, but come in to raid and steal supplies from outlying villages.

    Charismatic and intelligent, he managed to keep his band alive even once the Lord Ruler turned his attention on them. Rather than ravaging villages, Vershad would convert them—quietly, carefully—to his side and get them to give him supplies. In turn, he would "raid" them and destroy the lords' mansions, causing chaos and letting the people get a sideways revenge against their masters. In the chaos, it would be assumed that the raiders got away with the skaa food, and it would be replenished.

    The Lord Ruler tired of such games and eventually sent his koloss against Vershad and his men. As clever as they were, they weren't able to stand against a well-laid betrayal and ambush set by an Inquisitor—one who controlled a troop of koloss. The raiders were slaughtered, and Vershad himself was turned into a koloss for his crimes.

    He retained enough of his determination and his intelligence, however, to make a remarkably clever koloss. (There is some variety to koloss, based on who they were before the transformation.)

    The Hero of Ages Annotations ()
    #5814 Copy

    Brandon Sanderson

    Chapter Thirty-Seven - Part Two

    Human Tries to Make a New Koloss

    Yes, koloss are people. I assume that many of you guessed this. Then, again, many of you probably didn't. The clues are there, if you care to look—including the fact that small spikes were found in the koloss bodies after the siege of Luthadel. (It's mentioned at the end of book two.)

    Unfortunately, the heroes just don't know enough about Hemalurgy to make the connection until this dramatic reveal by Human. There are only three magic systems in this book—all related, all dealing with metal. It's mentioned in book two that koloss, Inquisitors, and—yes, even kandra—are related in some way. All were created by the Lord Ruler during his Ascension.

    And all were created from existing material, one might say. There's a little more depth to the kandra, since they're a race that (kind of) breeds true. You'll see as the book progresses. However, all were created through Hemalurgy, and the spikes are very, very important.

    The Hero of Ages Annotations ()
    #5815 Copy

    Brandon Sanderson

    The Elusive Allomancer

    It didn't occur to me until doing this annotation that Vin's ability to pierce copperclouds has been a kind of minitheme for all three books. She discovered the power early in book one, and by using it was able to save Elend's from getting killed by Shan and her assassins. In book two, it let Vin try to track down the spy, while also letting her hear the pulsings of the Well of Ascension before they were powerful enough for other Allomancers to recognize.

    Now, in book three, it lets her discover this hidden Allomancer and begin chasing him down. Where she got her ability to pierce the copperclouds is a major factor in what is happening in this novel and how the plot will play out in the end.

    If you're wondering, then yes—this is Ruin appearing to Vin and acting as a Mistborn to distract her. Right here, he's worried about the siege. He wants Vin and Elend to just attack the city and move on with it. He's frustrated that his pawns aren't doing what he intended them to do—at least not as quickly as he wanted. So he helps Yomen here by distracting Vin, hoping that by having them get attacked and losing some of their koloss they'll get angry at Yomen and strike back in retribution.

    The Hero of Ages Annotations ()
    #5816 Copy

    Brandon Sanderson

    Half the Koloss Die

    I had to have Elend lose some of his koloss, as just in the last chapter he was thinking that he'd be able to take the city for certain. It would mean losing a lot of lives—mostly on the other side—but he figured he could take it. That left only his morals keeping him from invading.

    This way, we've got a double problem. Yes, he worries about the morality of invading—but he now also has to worry about the cost to his own army. It's much more of a risk, which means more conflict and more tension. Hopefully.

    The Hero of Ages Annotations ()
    #5817 Copy

    Brandon Sanderson

    Chapter Thirty-Seven - Part One

    The Camp Gets Attacked

    There's an old adage in writing. If things feel slow, have the protagonists get attacked. (I wonder what literary fiction would be like if they tried this out. . . .) [Editor's note: Pride and Prejudice and Zombies?]

    Anyway, I'd planned for this scene to happen a little later in the book, but I felt after Elend's last scene—mostly discussion and wrestling with inner demons—that we needed something quick and action-oriented to speed things up. So I moved the battle up to here and had the camp get attacked.

    In a way, therefore, Vin's thoughts at the beginning of the chapter were my thoughts. Finally, a fight! A few of my writing group members echoed this feeling when they got to this chapter, which let me know I'd made the right choice. (Maybe it should have been even sooner.)

    The Hero of Ages Annotations ()
    #5818 Copy

    Brandon Sanderson

    If the number sixteen seems obvious to you, please don't blame the characters for not figuring it out. Remember, for a thousand years they've had it reinforced over and over again to them that there are only ten Allomantic metals. Sure, you've got the handy illustration in the back of the book showing you all sixteen in a circle, but the characters don't have the benefit of being able to read the novel.

    The Hero of Ages Annotations ()
    #5819 Copy

    Brandon Sanderson

    The Number Sixteen

    Demoux's problems here are intended to give me another means of reminding the reader of the statistical anomaly found in the numbers of people who fall sick to the mist. As I wrote the draft, I'm glad I was forced to keep Demoux alive, as doing so gave me a character who was intimately connected with the problems of the mists and the things they were inflicting on people.

    The Hero of Ages Annotations ()
    #5820 Copy

    Brandon Sanderson

    Chapter Thirty-Six

    Talking Scenes

    I realize that my books contain an awful lot of scenes where people stand around talking to each other. I try to keep them moving as much as possible, changing scenery, making the dialogue dramatic, allowing the characters to make conclusions and decisions. But, at the core, my stories consist of a lot of people discussing and weighing options in their heads.

    I worry that sometimes I need to make things a little faster paced. I wanted to avoid too much of Elend brooding. In fact, one of the earliest rewrites of the book I did (one I did before I finished the novel, which is rare—I usually don't rewrite until I finish the rough draft) was done specifically to make Elend a more active character. In that same rewrite, I tried very hard to work out his character arc. (It just hadn't been working in the first draft.)

    This was what I came up with. The emperor who knows he will end up having to make a very difficult decision, and fearing that he'll do what's right for his people—even if it seems morally wrong at the time. I didn't want to have many chapters of him brooding, but that sort of decision can't be off-the-cuff. For his character to work, I needed him to wrestle with the question—even go back and forth on it, as we as people often do.

    The Hero of Ages Annotations ()
    #5821 Copy

    Brandon Sanderson

    The Voice Is Real

    One of the most important events in this chapter was when Kelsier's voice told Spook "You're not in danger." This presents strong evidence that Spook isn't simply hallucinating. The voice knew who was coming before Spook did, and has information Spook does not.

    The discovery of the metal vials in the burning house should have given enough proof of that, I thought. However, some alpha readers still had trouble. They wondered if Spook was simply making up all the things he was hearing.

    The Hero of Ages Annotations ()
    #5822 Copy

    Brandon Sanderson

    Spook's Timeline

    One of the problems with Spook's sequences is that I had to break the chapters timewise longer than I'd wanted to. Originally, these latest three or four Spook chapters happened in the course of a week's time. However, when I added them into the rest of the book, I realized I had to space them out a lot farther because of the things happening in Vin and Elend's timeline.

    So it's a little bit awkward. Three chapters ago, Spook heard men mention the rumors Durn was spreading about him. Then we had two chapters dealing with Sazed and Breeze's arrival. Only now can Spook finally track down Durn and demand to know about the rumors he was spreading.

    It would have made much more sense to have had Spook find a way to do this earlier, but I just couldn't work it in until now. The “count the skulls” thing is coming up too; I haven't forgotten it. Unfortunately, it suffered from this same issue.

    The Hero of Ages Annotations ()
    #5823 Copy

    Brandon Sanderson

    Chapter Thirty-Five

    How Hemalurgy Works

    The epigraphs to this chapter and the ones around it talk about Hemalurgy. I'm feeling that by now, you've figured out what it does. You use a spike on an Allomancer or a Feruchemist, killing them and charging that spike with power. Then you drive that spike into someone else, and they gain that same power. (Though they get a little bit less than the person who died. In some cases, if the spike sits outside of a body for a long time, it can lose a lot of its potency.)

    Though this mechanism doesn't add any new powers to the world, I really like the way it works. With Allomancy and Feruchemy, we already have a lot of different magic powers to keep track of. I wanted something from Hemalurgy that wouldn't simply add to the list of abilities, but would instead fit with the feel and the nature of the magic. Something to balance Allomancy, in which a lot of power can be obtained without much direct cost to the Allomancer.

    Hence, Hemalurgy. In a way, it has the most potency of all the powers, for with it you can make anyone an Allomancer or a Feruchemist. You can steal single powers from the other two arts, then mix them in a person as you wish. It adds a different element to the world—a way to obtain more power, a way for a common man to become like Vin or Kelsier, but at a terrible price. It works perfectly with who I wanted Ruin to be and what I wanted the conflict of these books to become. What is the cost of power?

    Cause and effect, action and reaction.

    The Hero of Ages Annotations ()
    #5824 Copy

    Brandon Sanderson

    Marsh's Target is Drunk

    Though it's apparently not completely clear in the text, the nobleman Marsh kills didn't know an Inquisitor was coming for him. He wasn't drunk because of his despair over his impending death; he was drunk because of his despair over the state of the city, his fortune, and the world in general. It was a coincidence that he was unconscious when Marsh arrived, which is why Marsh was so annoyed at missing out on the anticipatory fear that killing the man would evoke.

    The Hero of Ages Annotations ()
    #5825 Copy

    Brandon Sanderson

    Metal Triangles

    The triangles Marsh uses to kill people were requested by my writing group. For those up on your obscure Mistborn trivia, in book one we get some glimpses (really our only glimpses) of the ceremonial aspect of the Lord Ruler's religion. In that religion, the common people—even the nobility—were not asked for devotion or faith. They were required to obey and fill their roles in the Lord Ruler's empire, but they never had to worship.

    The priests, however, were required to do more. They had to perform daily prayers and ceremonies to the Lord Ruler, worshiping him and maintaining a religious air that the rest of the world never saw or knew about. Involved in these rituals, on occasion, was the process of slicing one's body with small triangular razors. When Vin and Kelsier infiltrated Kredik Shaw in book one, one of the Inquisitors shot a handful of the razors at Vin.

    My writing group wanted a return appearance of these things, though I don't know why. Still, I stuck them in, as they were a nice reference back to book one.

    The Hero of Ages Annotations ()
    #5826 Copy

    Brandon Sanderson

    Chapter Thirty-Four

    Marsh Kills a Smoker

    This chapter was a late addition to the book. My agent, during his second read through the novel, noticed that Marsh basically disappeared through the middle of the novel—much as he had in book two. In addition, the reader got very little sense of what was happening in the Central Dominance while all of the characters were out taking care of other cities. In my books, the cities themselves tend to be characters, and Joshua was disappointed to not have at least a few token mentions of Luthadel in the middle of book three.

    I agreed with him, and that's where this Marsh chapter—along with the next one—came from. An attempt to have him doing something, rather than just sitting around being controlled by Ruin, while at the same time showing some of what is going on in places where there aren't any main characters to narrate for us.

    The Hero of Ages Annotations ()
    #5827 Copy

    Brandon Sanderson

    Kandra Blessings

    The Blessings are still a little confusing, I fear. Originally I designed a Blessing as a single bit of metal in each kandra's shoulder. Eventually, however, I realized that I needed to change this for magic system cohesion reasons. I changed it to be two bits of metal, one in each shoulder. So, each kandra has one Blessing, but that Blessing consists of two bits of metal.

    Each kandra only gets one Blessing from among the different types. There will be more on this in the book later, of course.

    The Hero of Ages Annotations ()
    #5829 Copy

    Brandon Sanderson

    Chapter Thirty-Three

    TenSoon Escapes

    TenSoon's escape shocked the other kandra. They probably should have taken more precautions, but they thought they'd done all they needed to. The two soldiers with the Blessing of Presence should have been enough to keep him from running, and the blocked doorway out was—in the minds of the Seconds—a major obstacle. Mix that with the fact that TenSoon had shown no resistance, and had come to his fate willingly, and you have a group of Seconds who had a false sense of security.

    The Hero of Ages Annotations ()
    #5830 Copy

    Brandon Sanderson

    Vin's Identity Acceptance

    This is a very important chapter for Vin, as it finally ties up a conflict that had been tormenting her since book one. All through the first and second novels, she struggled to find a balance between her different identities. Was she a noblewoman, the wife of an emperor? Or was she a thief, trained on the streets? It might seem at first glance like this would be a simple balance to work out, but as I dealt with it in her personality through the books, it seemed a very weighty process to me.

    She's come far enough that she can finally recognize why it is that she turned away from noble culture and activities. And she can also see why doing so was wrong.

    Vin is half noblewoman. Her father, if you recall, was an obligator—a member of a very important noble line. (House Tekiel, if you're wondering, though upon joining the obligators he forfeited his surname.) And, while I don't think parties and ball-going are genetic attributes, she does have a heritage. Elend fell in love with her while she was attending those balls and being Valette. It's good that she finally realized that she wasn't being false; she was just showing another aspect of herself when she attended those parties.

    The Hero of Ages Annotations ()
    #5831 Copy

    Brandon Sanderson

    Chapter Thirty-Two - Part Two

    Elend's Verbal Sparring with Yomen

    Something to notice about the conversation between Elend and Yomen is that Yomen's arguments are quite good. Better than Elend gives them credit for being, I think—though I might revise as I go through the copyedit to have Elend notice this more.

    Either way, I hope one can see why Yomen would resist making a treaty with Elend. This is a sticky situation, and in this conversation I think Elend comes off poorly. Partially because his old ball-going self is resurfacing, but partially because his role has been reversed. In book two, he was under siege and was trying frantically to keep his city from being conquered. Now he's forced to sit on the other side of the table and be the one who has come to conquer.

    The Hero of Ages Annotations ()
    #5832 Copy

    Brandon Sanderson

    Elend Talks to Telden

    I doubt many people remember Telden, but he was a minor character from book one. We saw him in five or six scenes, interacting with Elend. He was the dandy of the group, and together with Elend and Jastes, formed a trio of friends who were in line to rule powerful houses eventually. (Though, Telden was fairly distant in the succession of his house, I believe.)

    Anyway, his reappearance here is another hark back to the first book. We'll see a bit more of him, just like we did of Jastes in book two.

    The Hero of Ages Annotations ()
    #5833 Copy

    Brandon Sanderson

    Chapter Thirty-Two - Part One

    Backsliding

    As I mentioned a couple annotations ago, this chapter is one of my favorites. That, however, doesn't mean it doesn't have flaws. It has a lot of them, the most important one being the fact that it's just a tad out of place. It's almost a chapter from book one pulled and stuck into book three, where it has no business being and is likely to get clubbed on the head and dragged into a dark alleyway.

    Book one was far more lighthearted than this final book is, and while I love having this chapter in the book for the nostalgia it evokes and for the opportunity it gives for banter, I will acknowledge that some people may find it out of place.

    There is a strong rationale for it being like it is. Elend hit on this while dancing with Vin. The familiar setting and situations brought out the person he used to be when he attended the balls. I think we all do this. When I came back home after my first year of college, I was shocked at how quickly I fell back into being the person I was before that year, which had forced me to stretch and grow a great deal. I was home, and the high-school me resurfaced.

    Well, this chapter has the high-school Elend. He goes too far and makes too many wisecracks. He should have known better. In fact, he did know better, and he almost immediately regretted treating Yomen as he did. One other thing to remember, however, is that this is Elend's first real parlay with an enemy king. His previous two conquests were made by Vin and were negotiated via the use of a lot of Allomancy and a rather large koloss sword.

    The Hero of Ages Annotations ()
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    Brandon Sanderson

    The Inscription on the Cache's Steel Plate

    The Lord Ruler's words here are probably the most altruistic things he wrote in his entire life. Elend worries sometimes that he's becoming like the Lord Ruler, and the truth is that—in part—he is. The difference is that the Lord Ruler started out as a spiteful, petty man and learned through the power he held to be more responsible with it. Elend was a good-hearted, idealistic man—and leadership tempered him into someone a little more realistic.

    I guess I'm saying that power doesn't always have to corrupt. In many ways, I think it can change a man for the better.

    The Hero of Ages Annotations ()
    #5835 Copy

    Brandon Sanderson

    Sazed Thinks about Kelsier's One Flaw

    Kelsier's hatred of the nobility—and the terrible brutality he manifested in killing them—was indeed his greatest flaw. Some would disagree with me. I've read a lot of fantasy, particularly lately, where Kelsier's style of brutality is the norm for characters. Anyone who isn't like that is chewed up and spit out.

    The Hero of Ages Annotations ()
    #5836 Copy

    Brandon Sanderson

    Sazed's Speech Patterns

    Sazed thinks here, I am, unfortunately, in charge. Look back at the very first epigraph of the book. Notice a similarity? All of the epigraphs in this novel use Sazed's distinct language style. They sound so much like how he talks that I thought, at first, that it would be blatantly obvious from the first few chapters. Fortunately for me, most people don't pay that much conscious attention to how characters speak.

    The Hero of Ages Annotations ()
    #5837 Copy

    Brandon Sanderson

    Chapter Thirty-One

    The Crew Moves into the Cavern

    Some of my alpha readers were far more worried about Sazed's team getting trapped in the cavern than I was—and of course one of the most vocal was Skar, my military friend. They figured that it would be so easy to box Sazed and company into that chamber that it was a tactical mistake for them to stay down there.

    I, however, figure that the dangers of possible assassins from the Citizen and of the building being rushed by soldiers were far more serious threats. If I were Sazed and Breeze, I'd rather be trapped in the well-stocked cache than in danger up above. But to each his own, I guess.

    Words of Radiance Omaha signing ()
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    Questioner

    When Hoid is talking to Dalinar he seems to expect that Dalinar may have heard of Adonalsium.

    Brandon Sanderson

    Adonalsium.  Yes.

    Questioner

    Why is that?  Why would he think that Dalinar would have knowledge about that?

    Brandon Sanderson

    He thought that Dalinar was part of some of the secret societies on Roshar, and he had thought his way into thinking Dalinar was part of them and that was how Dalinar was knowing certain things he was knowing.  Which he really wasn't, he was getting from the storms and things like this, but he thought that Gavilar had confided things in Dalinar and that Dalinar would know more about this.  And so he was kind of testing to see, and he was wrong.  

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    #5839 Copy

    Questioner

    In Words of Radiance and The Way of Kings, was there something important about the stone and the herald <in> the *inaudible* <scene> that has to do kind of with the stone, and maybe Tien giving him rocks?  Am I reading too much into that?  

    Brandon Sanderson

    Some of that is reading too much into it and some of it is real. I'm not going to tell you what is what. But the st-. . . there is definitely something about that.  

    Words of Radiance Omaha signing ()
    #5840 Copy

    Questioner

    We all appreciate that you write real heroes who always try to do what's right, instead of the anti-hero.

    Brandon Sanderson

    There is a lot of anti-hero out there right now.  And I will let that to other writers.  I am more interested in people who are basically good people who are sometimes put in very difficult situations.  That is more fascinating to me than someone who has no morals or has very little of them.  

    Words of Radiance Omaha signing ()
    #5841 Copy

    Questioner

    So Wit, is he in any other books besides The Way of Kings?  

    Brandon Sanderson

    Yes.  He has a nice big feature in Warbreaker.  He appears in all the others just in little pieces here and there.  In Warbreaker there is a storyteller that she meets with the dust and things like that and his name his Hoid.  

    Questioner

    What was the other one you said?

    Brandon Sanderson

    He's in all of them, but in Elantris he's a guy with a hidden face that Sarene hires to carry supplies into Elantris.  In Mistborn he's a guy that Kelsier meets with that pretends to be blind, but then Kelsier notices he is not really blind.  He's an informant that Kelsier gets information from.  

    Words of Radiance Omaha signing ()
    #5842 Copy

    Questioner

    If I were to start reading your books, which you would recommend I start with?

    Brandon Sanderson

    Normally, I recommend that people either start with a book called Mistborn or a book called Warbreaker.  Warbreaker is a standalone.  It has a little more romance to it and it's a little lighter. Mistborn is a little more action oriented and a little more plot focused.  So it just depends what you're interested in.  

    Calamity Philadelphia signing ()
    #5846 Copy

    Sandastron

    I’m very curious about pewter. How much Feruchemical pewter, steel, and gold would you have to take in in order to be equal to burning pewter and flaring.

    Brandon Sanderson

    Oh…um, okay. So you wanna...ok, let’s back this up. So you wanna know feruchemically what would it take to match burning?

    Sandastron

    Yes.

    Brandon Sanderson

    Okay. So burning pewter, I kind of imagine...roughly doubling. Roughly.

    Sandastron

    Double your strength?

    Brandon Sanderson

    Yeah. But without the muscle mass change, it’s a magical boost. So because of that it has some pretty dramatic effects, like when Vin jumps and things like that.

    Sandastron

    So it’s only a double, so would flaring it bring it any higher?

    Brandon Sanderson

    Yeah. Flaring would go higher.

    Sandastron

    Would it be like triple?

    Brandon Sanderson

    Maybe like triple.

    Sandastron

    Maybe like tripling...that’s fascinating. So I always thought normal burning would triple it and flaring would quadruple.

    Brandon Sanderson

    Yeah I always felt kind of double. You won’t see people burning pewter and lifting a car.

    Sandastron

    Right, exactly.

    Brandon Sanderson

    You see people burning pewter and delivering a really solid punch.

    Sandastron

    Gotcha, thank you. That is fascinating…and would it be about doubling speed and healing ability?

    Brandon Sanderson

    I haven’t worked out the numbers on that exactly. I have an instinct that says thatburning pewter, healing goes a bit faster but I have to look in the books and see what we’ve done in the past and then kind of canonize it.

    Calamity Philadelphia signing ()
    #5847 Copy

    Sandastron

    If someone burned atium in the modern era, after Sazed changed things around, would it do the same thing that it did in the previous era?

    Brandon Sanderson

    Yes it would.

    Sandastron

    It would? Interesting.

    Brandon Sanderson

    If you could find some.

    Sandastron

    If you could find some…

    Brandon Sanderson

    If it didn’t then Marsh would be dead.

    Sandastron

    Good point.

    Brandon Sanderson

    If it changed its powers.

    Calamity Philadelphia signing ()
    #5850 Copy

    Questioner

    How do you strike a balance between making sure you write something descriptive enough to get the scene across that you want but not overdoing it with too much...

    Brandon Sanderson

    Usually the thing to do, is to try to be really concrete. Don’t just say “a dog” say “a wet dog, limping and whining” and describe one really powerful sentence or two, and leave it at that. Describe a few of the small, powerful details and let the readers fill in the rest is a good rule of thumb. If you like things more descriptive you can go up from there. But that’s kind of where to start.