I started working on THE WAY OF KINGS fifteen years ago. I wrote the first version of the book in full back in 2003. It was always planned to be big. You don’t grow up reading Robert Jordan, Tad Williams, and Melanie Rawn without wanting to do your own big epic. When I showed it to my editor back in ’03, he thought it was too ambitious to be published, at least as my second novel.
There are thirty magic systems in this world, depending on how you count them, and around six thousand years of history I’ve mapped out. There are dozens of cultures, a continent of enormous scope, and a deep, rich mythology. However, when I say things like that, you have to realize that very little of it will end up in the first book. The best fantasy epics I’ve read begin with a personal look at the characters in the early books, then have a steady expansion into epic scope.
I’ve spent many years thinking about the epic fantasy genre, what makes it work, what I love about it, and how to deal with its inherent weaknesses. And so I’m trying to make use of the form of the novel (meaning how I place chapters and which viewpoints I put where) in order to convey the scope without distracting from the main stories I wish to tell.
Anyway, I don’t jump between dozens of characters in this novel. There are three central viewpoints, with two or so primary supporting viewpoints. I intend the first book to be its own story, focused and personal. I don’t want this to be the “Wow! Thirty Magic Systems!” series. I want it to be a series about a group of characters you care about, with a lush and real world that has solid and expansive depth.
In other words, I promise you a variety of magics, mythology, history, and cultures . . . but not all in the first book.