The effects of trellium *audio obscured*
Yes, they are, sorry. These are the sorts of things the future series will be dealing with.
Found 78 entries in 0.158 seconds.
The effects of trellium *audio obscured*
Yes, they are, sorry. These are the sorts of things the future series will be dealing with.
So when you use an Allomancy metal--I know you had mentioned it once time, like *inaudible*... My question was, when that happens, is the metal like actually gone, or like conservation of...
No, it's becoming Investiture. Yeah, so... Investiture, energy, and matter are the same thing in the first category of *inaudible*.
At the end of The Bands of Mourning, Wax starts seeing what seems like souls, as he’s holding the Bands. He sees lines. He ponders that man/metals they’re same thing. Is he seeing Investiture there?
Yeah, to an extent he’s seeing—yes. He’s seeing the Cosmere equivalent of atoms, Investiture, and energy waves all being the same thing.
Okay, so kind of a building block of things.
Yes, it’s almost like he’s seeing the axi, right, the atoms.
Shardblades, they sever <limbs? people’s?> connection to the Spiritual Realm. So, that being said, they cut inanimate matter like a regular sword but inanimate matter is projected into the Cognitive Realm. So does inanimate matter have a Connection to the Spiritual Realm? In the same way living things do?
Yes, but it doesn’t have the same thing going on.
How accurate would you say the northern continent on the Sycla map is? Is it horribly inaccurate?
This map has severe deficiencies, especially in the northwest.
Is there any reason why the cities seem to be on the borders?
Seem to be where?
On the borders, or coastline, like literally all of them.
So Brandon can tell me if I'm wrong on this, but normally at the level of technology we're at in this world you've got to have cities near water. That's really what it is. Early cities are almost always near a source of water.
And so the rivers are just the borders?
Yeah. I mean we have the rivers that come in through the border in some places but rivers also are just a great border between places. Especially when there is-- when you're not building bridges over all of them. I will tell you... I won't answer what's going on up here.
Is it really this enclosed though? Like it's pretty enclosed?
It's pretty enclosed. This right here is pretty distorted, I will tell you that. And I made it look bigger than it is...
Eric, we will eventually release a more correct map.
This was a choice made by Calamity. He could do what he wanted to do, and he chose to do that.
As a slap in the face?
If an Elantrian bonded to a Seon were to travel to Roshar, [would it] act like a Nahel bond?
It would act very very similarly, yes. But it would be like... it wouldn't necessarily do the exact same thing. Like if you got two radios tuned to a frequency, <they> wouldn't necessarily pick up another radio frequency, or things like this. I don't know, that's a bad metaphor, I need to think of a better one. But it would be treated exactly the same way but it might not grant the same powers.
I’m interested in Adonalsium. Out of the people that were leftover from just before its Breaking [Shattering], did they think it was a good idea or a bad idea?
Uhhh… Opinions are mixed.
Is it mixed between the Vessels and the non-Vessels?
Most of the Vessels support the decision that they made. I would say of those remaining, who are not Vessels, the majority think it was a bad idea. I would say it’s split between them (?), it’s not 100%
What’s the number of [people on Yolen?] remaining that are not the Vessels
Not many. It is a number that you could count to reasonably.
So any chance of a horror story?
Yes. I actually have written one I consider horror. A short story. It was in a horror anthology. We're going to publish it with *inaudible* [anthology]. You'll be able to read it. But--
It's non-cosmere, yeah. It's [the most horrifying thing I can] *inaudible* It's not going to read like one until you figure out what's going on. It's not like horror... monster movie horror, you know?
Yeah, I mean it's still [wacky] magic and things like that, but when you realize what's going on. Yeah.
Kind of an interesting question I guess, and it's mostly, like, Emperor's Soul.
It's funny because I was reading that book and I almost, almost thought that you put a twist where, like, her soul was stamped, and actually she was, like, not exactly who she thought she was. Did that ever cross your mind?
I did, but at some point, um--
Maybe it's a bit cheesy, I dunno.
--sometimes you twist so much. I felt that the more impact thing was the fact that she was planning this whole exit strategy to wipe herself away. I thought that was more telling about her than having her soul stamped. I did consider it, but it just felt like it was one of those over-twists, does that make-- make sense?
It might have--yeah, cause that's supposed to be a classic, like, "oh, *inaudible*" But anyway...
But you know, I mean there's some books where I've done--where I've like--this is the classic twist, and I like it, so I do it anyway.
So, when you were starting to write your books, did you have the idea for-- Like [???] magics tied together or did you have that from the beginning?
Oh, excellent question. So, he's asking about the Cosmere, where all my epic fantasies are tied together. Where did that come from. I can trace a few paths back in my brain where that came from. What I can say is that it was built in from the beginning of the books you have been reading. But you remember, those weren't my first written books. I wrote thirteen novels before I sold one. Elantris was number six. Way of Kings was number thirteen. And so-- I love this idea of a big, connected universe. The first person I can remember doing it, that blew my mind, was when Asimov connected the Robots and the Foundation books, which I thought was so cool when I was a teenager.
Another path that I trace this [concept?] also, though-- I don't know how many of you guys did this, but when I'd read a book--I still do this, actually--I would insert behind the scenes a kind of character that was my own, who was doing stuff behind the scenes. Like I would insert my own story into the story, just kind of take ownership of it in a strange sort of way. I remember doing this with the Pern books. I'm like "Oh, no, they think that person is who they think they are, but nooo! This is this other person!" And so I had this kind of proto-Hoid in my head jumping between other people's books.
So when I sat down to write Elantris, I said "Well, I want to do something like this". All the people I've seen doing this before-- and they've done it very well. Michael Moorcock did it, and Stephen King did it, and things like this, I'm not the first one to connect their books together, not by a long shot. I felt like a lot of them, they kinda fell into it, and as a writer, having seen what they did, I could then do it intentionally, if that makes sense. And so I started out with this idea that I was just gonna have this character in-between who is furthering his own goals, and built out a story for him, and then I went-- After I did Elantris, I wrote a book called Dragonsteel, which isn't published, and it was his origin story, for this character. And then I wrote some more books, and so, of course-- and things like this. Eventually Elantris got published and the other ones didn't, and they weren't as good as Elantris was. And so I took them all as kind of "backstory canon", and moved forward as if they had all-- they were all there and they had happened, but nobody else knew but me. Which allowed this cool foundation for you like "wow, that stuff has happened", because I had books and books of material that I could treat as canon in this way, to let me know where thing were going. So it wasn't planned-- It was planned from the beginning, but not the beginning of my writing care. From about book six was where it started.
Going back to The Wheel of Time for a second... One of my favorite things about A Memory of Light is you had so much-- I guess free rein with parts of it... Can you give me an example, or a couple of examples, of something that you got [???] I could be totally wrong about this situation but say like, when [???] was first creating a weave to see a whole battlefield. Was that something you did, or was that actually Robert Jordan's.
Excellent question, I'll go through a few of these things for you, that one was me. One of the things that was awesome, but also a little bit difficult is the wrong term-- Anyway, it was awesome to be able to come into The Wheel of Time as a fan, and have read the books for twenty years and be thinking about "Wow, I wish this would happen", and then say "Wow, I'm gonna make that happen" ...But as I was doing it, I was also realizing it was dangerous, because there was a real danger for putting in fanservice type stuff, not in the traditional meaning of fanservice, but like the fanservice of "Narg showed up in the Last Battle again" or things like this. Like little fan jokes. I found that I had a lot of temptation to put those in, and so I had to ride this really careful line where I was saying "What do I as a fan want, to make the book more fulfilling not just as a joke".
One of the things that as a writer I've always wanted to see was gateways used for more than they were used in the books leading up to that point, you know, teleportation, instant travel has a lot of ramifications. One of the things I kind of put on myself was that I didn't want to create a lot of new weaves, because I knew if I did, I'd really risk taking it to far away from Robert Jordan's vision. So I said "Let's stick mostly to the weaves he's used, and see if I can use them in more innovative ways". This whole idea of taking the magic and digging deeper into it rather than going wider with it. And so a lot of the stuff with gateways is me. A lot of--
So for instance, I also went in and said to Harriet coming in, "Every book that Robert Jordan's done, almost all of them, has added a new character who's become a main character who used to be a side character. If we don't do that for these last books it's gonna feel weird to people. So I would like to take one of the Asha'man and bring them to prominence, and make them a viewpoint character and do what Robert Jordan's done" and so that's where Androl came from. And they're like "Well there's nothing in Robert Jordan's notes other than this little bit about his profession, take him and play with him, and do whatever you want." And that was almost a little pressure valve for me, to put the more "Brandon-y" sort of things, goofy magic system stuff with that, and that pressure valve allowed me to not really-- knowing my writing style, I was able to make the rest of it be a little more Robert Jordan-esque, if that makes sense.
You see that pressure valve there, you see it with Perrin in the Wolf Dream, in the world of dreams, because-- I've said before, Robert Jordan didn't leave very much on Perrin. Perrin is a big, empty-- big blank slate for these books. We knew where he ended up at the end and that was it. So Perrin was the other sort of "Do whatever you want, Brandon" sort of thing. He left a lot more on the other characters. So if you're reading a Perrin scene or if you're seeing them play with gateways, you're seeing me kinda let Brandon leak out a bit more. And this was done intentionally, I'd say part was a pressure valve, but also when I was given this, Harriet sat me down and said "You are the author now. I didn't hire a ghostwriter on purpose. I didn't want somebody who was just going to be Robert Jordan, because that would make a bad book", in her opinion. "What Jim-- Robert Jordan can't finish this, so you need to do it and yes, we want to stay true to his vision, but you are the writer now." And she was very clear on that, and I've always remembered that and how much that meant to me, being-- You know, she was the ultimate authority, but I had creative control to do whatever I felt the books needed, and the she-- her job was to rein be back if she though I went too far, and make sure the voice was consistent and things like that. So I got to do a lot with these books that I don't think a ghostwriter would have been able to do.
There's one little mentioned that Iadon's first wife is the one that's *unintelligible*. Is there ever-- is that ever important again?
Um, not specifically.
<audio obscured> in the Firefight-- The Reckoners series, was there a particular character you gave the <audio obscured>
So the question is: In The Reckoners, was there a particular power that I gave to someone because I just thought that power was cool. And yeah, the tensors. They can turn things to dust. For years I'd been walking around looking at our society where we have all this metal and this wood around, and things like that. I just loved the idea of just being able to turn it to dust. Maybe it's like a "reducing things to their more primal state" or whatever-- but anyway it was one of those magics that was in my head for a while. And really superheros are magic. I don't pretend that they're science fiction, they're magic. So I just designed these magics that feel cool to me.
When did Lift meet Hoid? *inaudible*
Lift met Hoid in between the visit to the Nightwatcher and her first <interlude>.
Do you have a favorite character?
I don't. That said, Dalinar's *inaudible* been with me the longest, so...
Yeah, so I've got a special fondness for Dalinar.
Who would win in a fight? Vin or Kaladin?
It depends on if you convince Vin the need to *inaudible*. Kaladin's a soldier. He wins on the battlefield. He does not win if you sneak up on him at night.
*Written:* How much compounding would a nicrosil Twinborn would need to do to get a metalmind that is as Invested as Nightblood?
*Reading question:* How much compounding would... *mumbling*
Wow, so much.
*Writes:* Wow so much.
*Written:* A thousand breaths doesn't seem to be that much--the God King has tens of thousands. Would a piece of stone, wood, cloth, or plain metal that has a thousand breaths be as Invested as Nightblood, or is there something more?
No, it needs more. Needs more.
*Writes:* Needs more.
Does that-- is it taking stuff from people it kills?
That's a RAFO, good question.
Are Cognitive elements like spren and seons only present on physical planes or worlds where Shards have been [Splintered]?
No. But it does require <Cognitive *inaudible*>. Alternately the Shard would have to give up pieces of their power for that. But it doesn't have to be that they were [Splintered] by someone. Seons existed on, sorry, spren existed on Roshar before the Shattering. Not as many.
Do you know the part in Wheel of Time when Mat is-- seems to be trapped in his *inaudible* ways before he meets Verin?
In the town? I always think, when I read-- Every time I feel like-- Is it a <tone> war?
It is, yeah.
Writing the characters?
And is there any correlation between that and Legion and you?
Oh yeah, most definitely. Legion is... You know, I'm-- I don't actually hear voices or see things. But there is this sort of part of you that becomes a different person all the time. I can see if I were more unhinged I'd be like that or like Shallan.
Where does the concept for the broadsheets come from?
So I get together with my team: which is Ben McSweeney who does a lot of the artwork, Isaac who does all the symbols and maps, my editorial assistant, and myself. And then we brainstorm as many cool things as we can, and then Isaac lays it out, Ben does all the art, and then together we all just write different *inaudible* for the articles so it feels like a newspaper that a lot of different people are writing.
That's awesome. Thank you very much this is very cool.
That's how we do it.
Isaac wrote the Allomancer Jak pieces in the next one so you should read that one. It's really fun, it's his debut of fiction.
Can somebody travel to the Spiritual Realm, the same as the Cognitive?
Yes, but it's a very different experience. It is possible… You may have seen people do it...
As in you're not sure, or you're being obnoxiously vague?
As in, you probably have but he's having trouble remembering it.
No no no... For instance, Elend burning atium and duralumin pulled most of him into the Spiritual Realm.
Oh, that's what happens there.
Yeah. He kind of got yanked into- You also have seen people Ascend with the powers and dip into the Spiritual Realm for a little bit.
Yeah. But they could be on both, or either, or both at the same time. But you have seen Vin stick into the Spiritual Realm. And it happened to Sazed/Harmony...
Oh! So is that where the gods live? Kinda?
Most of the bulk of the Shard's energy of being is contained in the Spiritual Realm, yes. Except for one notable exception!
The <mists? mistwraith?>?
Can you tell us about a cultural inspiration you’ve used in a world that we have not seen?
I wrote one that was based off of Mesoamerican- there’s a tribe out of Costa Rica. And I didn’t get the story done, but I used that one… it was really an obscure tribe, which made it really hard to name things and stuff like that. What else have I done that you haven’t seen… <thinking noises> There’s Polynesian stuff you haven’t seen, but you’ve also seen a lot of it [already], so…
3 inaudible RAFOs [58:08-58:10: "Does Nightblood <know that?> Vasher <is there? level?>"]
The Alethkar culture, being competitive and all that. Is that [like a forethought of] capitalism and stuff like that?
Yeah, I wouldn't say that it is specifically. That could be in there in the back of my mind. There were very competitive cultures long before capitalism was around. They would certainly like capitalism, but there are other influences causing this in Alethi culture.
Are we gonna hear what happened after the Heralds gave up their oath and *inaudible*
You will-- you will see more of that.
Is there uh-- is there gonna be more side characters like Taln? Where they kind of like *inaudible*
Um, Taln and Ash--two of the Heralds--are main characters in the second five books, so that's where you're going to see *inaudible*.
How many times has Vasher been to Roshar as of Oathbringer?
Uh... RAFO, but at least twice?
Multiple Investiture? Possible? Have we already seen it?
Yes. And yes. Well, you've seen it, but you wouldn't be able to know.
With that, is the planet they're on that matters?
For most of the magics, no.
Okay. Since there *inaudible*.
Among other things, yes.
[...] The [...] written on a Shard, is there a correspondence [correlation] between that and when the Blades, and the armor in Words of Radiance and The Way of Kings [...] on a Shardplate?
Yup, yup. There is a direct correlation there.
I mean the naming convention is the same naming convention.
I haven’t answered that yet, and I’ll remain close-lipped on it for now.
Where did the worldhoppers get their powers, because if all powers come from the Shards, and the Shards came from the breaking of Adonalsium, so how can Hoid have his powers before...
That is correct. So before the breaking there was magic in existence. For instance, the spren on Roshar, some of them predate the breaking-- the Shattering.
So, if spren are caused by thoughts, and the Shards caused some of the humans, and humans cause thoughts, then there were people alive before
Then there were people on Roshar before the breaking of Adonalsium.
So the reasons the fans...*inaudible* ...because I've found-- there's some authors I've read who allowed that to happen, and it seemed like it could compromise the integrity of the book. However, once in a while someone will ask a question, I'm like, "...yeah," right? Like someone asked about-- if Shallan might have some latent bi tendencies, right? And she'd been admiring women throughout the books. I'm like, "Yes, she probably does." Like that's something that was there that I hadn't vocalized, so that happens. And once in a while they ask me questions I'm just stumped on because I hadn't even considered it. In those cases I'll either say that or I'll just say, "RAFO, I need to think about it."
Yes, yes. Well, you come up with the fundamentals of a magic... *brief interruption* ...then some questions can be easily answered. If you know, okay-- how-- Like with Elantris the fact that they could do it in any medium. They could chisel it. They could do all of these things to get the-- if they want to get it drawn in the air, says that, you know,... *inaudible*. And so if you have the fundamentals and they are consistent, you can extrapolate. And the fans should be able to extrapolate too.
At the end of the first Mistborn trilogy it's really significant that 1/16th of the soldiers who got really sick are now atium Mistings.
Yes. Sixteen that he-- when Preservation set that all up. He, number one, was not all there. But he was trying to create sixteen as a symbol to say, "Hey, catch this. I've given you a clue-- uh-- help." And so it was devised specifically for that. "*inaudible* Something's going on here."
But we know that there's more than sixteen metals. Wh--
So were there-- were 1/16th of the rest of them just *inaudible* just not significant?
Did he bump one of the other types then to make it sixteen?
No, no, they would have been Mistings of other types as well.
Okay. Do you have in your head *inaudible*?
Yes, that's right. It would probably have been one of the metals that was difficult to get at that level of technology. It would have been chromium - chromium would be hard gather at that time. Actually, no, it would have been aluminum. *about a minute later, while signing someone else's book* Hold on, there's a caveat to that last answer. Let me finish signing this and expand on that. *pause* So, it would still have been aluminum, but not for the reason your thinking. It would have been aluminum, but there's an asterisk next to that answer.
Hard to get chromium.
I've been thinking about--
Oh no! He bumped aluminum. Yeah, he bumped aluminum. Sorry I had to-- I changed my mind.
*a moment later*
Okay, Chad? I have a <qualification> for you. I'll do this and then we'll...
*a moment later*
On the sixteen or the *inaudible*...
The sixteen. So the answer is "yes," but it's not something-- it's not what you're thinking it is.
Alright, there's an asterisk on it, okay? There's an asterisk on it, it's not what you're thinking. Uh, you're making-- you're making assumptions.
Taln’s Scar. Was it present throughout the entire timeline and just not mentioned in books, say Elantris? Or did it appear at a certain point in time?
It did not appear at a certain point. And it is not equally visible through the Cosmere, simply because of where it is in the sky and where they are in relation to it and things like that.
And how much ash in the sky.
Yes… Peter knows exactly where it is.
I am hoping that the map in the anthology...
Yes, it should.
We are really excited about the map. Also the writing, but really about the map.
I’ve seen the little star charts that Isaac’s done for each of the worlds, and they are awesome. Because they’re going to be-- This is more, like it’s the Cosmere Collection, we haven’t hit scientific revolution in most of the worlds yet, so it’s going to be more like if da Vinci had drawn them or something. So don’t expect--
So don’t expect it to be like science fiction star charts yet, but they will be very helpful in these sorts of things.
Could you nudge Isaac to release a wallpaper version or a poster or a printable of any of those?
Okay yeah, I can totally make him do that. Like if the full Cosmere one turns out well I’m sure he’ll want to do something like that.
Is there anything about Eshonai *inaudible*?
So Eshonai is one of these people who's *inaudible*. She's *inaudible*, right? It's that question of what is that-- the driving force in her life. *inaudible* ..."trying to take care of my people." *inaudible* for Eshonai, but yeah. There's something in her, and that is also part of what's drawing a certain spren, as you'll see, in the books.
I'm curious how you were <feeling about whole process of> the graphic novel. <Specifically how you felt about the whole thing translating,> because I have the draft.
<You were kind enough to send me that.> You know, you were very descriptive.
<And it didn't translate well?>
Not so much-- although I did see <glimpses of you popping through>.
Yeah, so, I focus on the positives. <But there might be some things I might not agree with.>
I think that's fair. Of course.
And I-- what we came up with was the < a list of a few things>... *inaudible* Like the only one that really bothered <me> was... where is the big battle?
*searches through the graphic novel*
<The big splash page> right there. I'm like... <when did this turn into> white people verse brown people? You've read the book. This isn't about white versus brown. This is, again, how did we end up with white versus brown? Why aren't these people wearing armor? These guys are the ones that are outcasts and these are the high society.
And so when I got this stuff, I was like, "Uhh..." These panels where they'd done earlier where they have the skin tones and the <the clothes for the Darksiders>, I'm like, "Really good!". But then when that one came together I was like, "Oh great, oh great, here we go." And when you put the whole thing together, some things came out really cool. Like I think the Darksiders turned out cool. The Darksiders were awesome. The magic turned out really great. But again, I'm like, "Where's the armor? Where's the cultural markings? Where's that stuff?".
But yeah, yeah. The thing is, the guy who's drawing them is Asian, right? So <he should, you know?>... alright, so that's my thing. But again, you've read the book. Like, where's <that detail?>... But that's-- when you give the story to someone else you have to let them <do what they will>.
What are your favorite books?
Dragonsbane by Barbara Hambly--it got me into reading. Les Misérables--my favorite classic. And then book four of The Wheel of Time. *inaudible*
Really? Book four?
Yep, book four. Rand going to the pillar in Rhuidean? It's my favorite. Have you read those?
No, okay. It was one of the experiences I loved growing up. And I still love it, despite the fact that I *inaudible*.
Yeah, that's got to be pretty awesome you got to finish it.
Oh man, it was awesome. I didn't know them. They just called-- his wife called me on the phone and asked if I could do it. Just out of the blue. No application or anything. "I like your books. Will you to finish this."
What was Szeth's reasoning for following Dalinar? From what saw he's only met Dalinar once or twice and wasn't aware he is a Bondsmith.
It wasn't about being a Bondsmith. It was partially about how everyone reacted to Dalinar and partially... Let's see if I can explain this.
Was it, like, 'cause in--
Well, part of it was that. Definitely part of it was what he had seen and things like this. Part of it was how everyone, like-- he knew about Dalinar, right? He had fought Kaladin a couple of times. My own justification for it when I was writing this, 'cause I actually did think about this one, like, Dalinar has a magnetism to him. And Dalinar has a reputation. And Dalinar lived up to the reputation, and Szeth was just looking for something-- The reputation was in some ways more important than the man. For instance, there's a chance in that same situation that Szeth would have followed Amaram. Right? Fortunately he made a better choice than that but-- Anyway.
You're thinking about a similar feeling of the honor because obviously Dalinar is really honorable toward the end and then he's got the same, Szeth's got the same--
Yes. Yes, but at the same time that gives a little bit too much credit to Szeth, to be perfectly honest.
Are you ever going to expand on the cosmere in its own book or is it going to be a long *inaudible*?
Yes, the thing that started it all, Dragonsteel, is going to be about the cosmere a lot more, and the third Mistborn trilogy will be also.
I like how you have that background going through all your different cosmere novels, tying them together
I want to make sure that it never becomes the forefront until I am warning people, "Now, you need to know this stuff."
The metals that were formed from Shards, like atium and lerasium. Are they somewhat naturally occurring, like in pools of power, or are they specifically [?]?
They are somewhat naturally occurring.
Really? Even on other Shardworlds?
Oh. They could exist somewhere else. There are some special circumstances on Scadrial, but yes. The idea is that the pools are one state of this mythological matter.
So if you have the physical state and the liquid state, is there a less liquid state? Because some of that's being used.
Um... Oh. Yeah. Yeah. But, I mean, it's such a drop in the bucket compared to the actual Shards. So that it is a statistically insignificant amount, but it is an amount.
So Harmony's pool, wherever it is is statistically larger than...
So I think [Kelsier] will ever get the Shard of Survival?
Uh, That's definitely a big uh... We'll find out eventually.
Let's say Lift received two Hemalurgic spikes: one for Allomantic bendalloy and one for Feruchemical bendalloy. Then she eats a bunch of pancakes, stores the nutrition in a piece of bendalloy, burns it to compound nutrition. Can that nutrition be turned into Stormlight?
Yeah. Yeah, but remember she didn't have to be-- so basically what that-- Is just a really complicated way for her to turn Allomantic Investiture-- so that it can allocate Allomantic Investiture into Stormlight. That would be a complex method of doing that. Just transferring one type of Investiture into another. It's just basically drawing from Ruin and she is then turning it into Stormlight-ish? It's a complicated thing, but that's basically what happens, just really crazy.
Okay, so-- but it is the same sort of thing, right? *hesitant nod from Brandon* And--
I hope that eventually in the cosmere they will find easier ways than that.
Can a Shard go to a planet, create an autonomous Splinter, and then leave the system of the planet and then *inaudible*
Yeah, that's possible. In fact, that's happened. You've seen that happen.
I wondered if I could follow up to that Machiavelli question. Would Elsecallers be a-- one of those other, uh-- one of those...
So, yeah. Elsecallers are fairly compatible. Like, Elsecallers feel like the journey is... the journey is the entire species, right? And that the journey is the destination. *inaudible*
If a Shardblade was put through Wayne's eye, would he able to use his ability to [heal the wound]?
Yes, he should be able to heal that.
So if someone is storing weight-- Feruchemy-- Can you store enough that you can actually float like a balloon?
Uh, your clothing and stuff will still have weight.
If you were, like, completely naked and just *unintelligible* your hand up a wall, you will?
Yes. You will-- You could float, yeah. That's-- I mean, you could get your weight so low that it's basically like being in microgravity, which is...q
Like 99%? Like a vacuum balloon?
I love the Hoid scavenger hunts that have been going on. What does he-- what powers does he have, what magic has used *inaudible*?
If you watch in these books, he has used on screen so far three of the different magics.
And have we seen those three-- do we know what those three are?
You know at least two of them. Very deep clues-- very more obvious clues are in this book [WoR].
And I haven't gotten to yet-- you can see where I am.
Yeah; watch where he and Kaladin have some interactions. If you watch carefully you will see something in what he mentions. You've already seen him and Shallan, that scene in one of her flashbacks.
I was almost-- I was reading that scene like "that has to be..."
Yeah, in that scene he uses one if you watch.
So, in Edgedancer, there's a spot where they're going through all the weird things going on in the city, and they're talking about some spren that only shows up if she dumps water out. Is that significant, or is that a crazy person? ...The spren that shows up every morning if she leaves water out?
Yes, that is true.
Okay, she's is not crazy?
She's not-- Okay.
Are the spren intelligent?
Sapient spren, no. But she may have the cause and effect mixed up. She may not have the cause and effect correct. She might have correlation and causation mixed up.
The question I was a little more interested in was not so much the interludes, but like Gaz *inaudible*?
So Gaz was always planned to come back. Which is why there's kind of a mystery to him in the first book, like "where did he go?" It's something Robert Jordan did that I like. I don't know if you read-- oh you did, you read-- So like when Bayle Domon shows up again; and some of the characters getting woven in, I like that. And so you will see that sort of thing happening, it's just something I'm fond of that he did.
I'm so surprised that Gaz showed up.
And the other thing about Gaz is: one of the things I like to do in my fiction is show that the light through which someone is seen and perceived changes a lot of who they are. We all do that, we go to different situations and we're different people. And Gaz you saw all through Kaladin's eyes as one person and I want to show you through someone else's eyes without the initial problem they had together would see him very differently.
How did you come up with Kaladin?
With Kaladin? Um, it was the idea of healer who finds out that they're really good at killing people. Yeah, he's really good at killing people. And that comflict of, "Am I a healer or am I a hurter?" Like, "Can I hurt to hurt to heal?" *inaudible*
I know the Cosmere has been around for a while. *inaudible* I guess it's a hard thing. Like, how soft...
No, it's all still evolving. It will continue. Like, you can't get so locked into an outline--even though I have them--that you don't change it when something better comes up. A big example of this is Adolin, right? Adolin was not *inaudible* character. And yet in the first book I needed *inaudible* I needed a viewpoint of somebody who was not imagining things, right? Somebody who was kind of more normal guy-ish. And he has a huge thing in the book. So now the outline of all ten books has changed because *inaudible*. And so, you've got to be willing to do that, I feel, as a writer.
So in the past five years or so the contents of the magic system has come to kind of dominate current popular fantasy.
Because it's become so culturally prolific, do you feel that authors are going to soon reach a point they don't have time to actually systematize--where they have to explain their system? Can't they, like, go back to the way *inaudible*--
So you can just have magic that *inaudible*, but it's still cohesive and logical and effective?
Right, so the question is, "Magic systems in fantasy have very much moved toward 'the explained'." The rule based magic systems. Particularly--I'd say it's been about ten years. Me and Rothfuss and Brent Weeks and some of these kind of-- That was because we were kind of a reaction--reacting against soft magic systems we'd read growing up. It shouldn't be too much longer. He's asking, "Will they go back the other way?" It shouldn't be too much longer before you see people reacting against us. So yeah, it's totally gonna happen. And there, you know, there are great books like Uprooted. It's already started to happen. Uprooted by Naomi Novik is a very soft magic system. It's a fantastic book. And so there's an example. I'm sure you'll see more, I mean-- I don't think China Miéville's ever explained his magic much. But yeah, I think that you will see something that gets really big, that is a reaction to what we're doing. That's just how--that's how storytelling goes, and things like this. I think you're right to wonder if it's going to happen, and I assume it will.