Can you tell my anything about Elend's mother?
He shares much more with her than he does with his dad.
Did she have much of an influence on him, growing up?
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Can you tell my anything about Elend's mother?
He shares much more with her than he does with his dad.
Did she have much of an influence on him, growing up?
Elend and Kelsier's relationship, what would it be like? I was thinking it would be, like, playful annoyed exasperation?
Kelsier would have really come around on Elend, is my instinct. Partially because Elend came around on Kelsier. If you read the later books, he really understands a little more. He's much more of a realist than he used to be. Which Kelsier would appreciate. I would imagine that Elend would be a little frustrated with Kelsier. But Kelsier would just start treating him like a minion, rather than someone to... And that's a sign of affection. If he orders you around, that's a sign of affection.
The Inscription on the Cache's Steel Plate
The Lord Ruler's words here are probably the most altruistic things he wrote in his entire life. Elend worries sometimes that he's becoming like the Lord Ruler, and the truth is that—in part—he is. The difference is that the Lord Ruler started out as a spiteful, petty man and learned through the power he held to be more responsible with it. Elend was a good-hearted, idealistic man—and leadership tempered him into someone a little more realistic.
I guess I'm saying that power doesn't always have to corrupt. In many ways, I think it can change a man for the better.
On a more serious note, this section contains some of the more lengthy additions to the rewrite. Elend's speech, and the arguments against it, were all added in the very last draft. As I said before, the first draft had Elend giving a much different proposal, as the army hadn't arrived yet.
This works TONS better. I worry that Elend comes off a little too strong–or, well, not weak enough–in this scene. I originally included it to show some of his faults as a leader. However, other readers have indicated that they thought he came off as too weak. Even if this is a book about Elend becoming a leader (or, at least, that’s a big chunk of the novel) he doesn't have to quite as hopeless as I originally painted him.
So, perhaps we've got a good balance going on here.
Elend Organizes Off Duty Troops to Salvage
Hopefully, this sort of thing is what you've been waiting the entire book to see from Elend. He's finally acting like a king; making decisions, being in control, doing something. It comes too late to save his throne, but it will do a world of good for his people.
In this, I think I was successful in the book. Elend didn't win the struggle for the throne. He's not king. However, he won the struggle with himself. There was a cost to his idealism, but he gained much more than he lost.
You might want to note the Goradel cameo here. He's a character I use a lot more in book three, so I wanted him to at least show up in this book.
Chapter Thirteen - Part Two
This Elend scene here is almost a direct parallel of the scene in book one where Kelsier first introduces the plan to his people. Elend has a much harder time of it. In fact, this scene–in conjunction with the scene with the Assembly–is supposed to establish Elend as what he is: a man with great ideas, but poor leadership techniques. He's brilliant and scholarly, but he doesn't know how to get people to do what he wants.
This is reflected in his speech patterns, and has been since book one. He likes to use the phrase "Now, see," followed by an observation. He doesn't command, and when he argues, he uses very passive sentences. All of this is–hopefully–makes your subconscious see him in a certain way.
The only reason he convinces the crew to go along with them is 1) he's right, they like to gamble, and this is the type of plan they like and 2) they already know him, and his ideas have earned a measure of trust from them.
When necessary, Elend CAN give a brilliant speech. He can make people dream and hope. He just isn't good at arguing, and is rather poor at being a dictator.
This scene, by the way, is another substantially rewritten one. I focused a lot more on the idea that the crew was going to have to deal with a long siege in the rewrites.
Elend comparing himself to Kelsier is a kind of theme for him in this book. I wanted Kelsier to leave a long, long shadow over these next two books.
A lot of people couldn't believe that I killed Kelsier, since he was such a ball of charisma, and the driving force for the first book. (A lot of others CAN believe it, but are rather annoyed at me for doing it.) However, I happen to like this book specifically because of Kelsier's absence.
He overshadowed everything when he was alive. Elend could never have developed as a character–and even Sazed and Vin would have had trouble–as long as Kelsier was there dominating everything. He was a character at the end of his arc–while the others are still only just beginning. It's so much more interesting if they have to do things without him.
Just part of Kelsier's arrogance, I guess. Both as a character in the book, and externally to it. He dominated so much that he had to go.
Vin and Elend Traveling North
Next, we have the happy couple scene. I figured that after all of the problems, confusion, indecision, and the like, these two deserved a couple of days to relax. This is, then, their version of a honeymoon. Not much to say, other than to note that Spook is going to start coming a little more to the forefront in the next few chapters. I want to introduce some of his conflicts and character issues to provide a lead-in to the next book, where he's one of the major viewpoint characters.
Elend and Straff Spar in Straff's Tent
As Elend suspects, Straff is lying through his teeth about the treaty with Cett. Straff would be too frustrated by making an alliance with someone he feels that he should be able to conquer, particularly after such a short time at siege. He's not fond of Eastern noblemen, a trait common in those from Luthadel, and he's annoyed that Cett forced him into the siege in the first place.
He has contacted Cett to feel out the other man's position, of course–which is how he knows that Cett isn't interested in the city, only in the atium. Or, at least, that's what Cett claims. Either way, Straff isn't about to split the atium cache–if he were to find it–with someone else. Particularly not a man who could prove to be such a strong rival.
Elend threatening Straff here is what I see as Elend's first big character turning point. It's brash, but it's also kingly. He stares down a much stronger foe through sheer force of will, though he does add in a very powerful threat.
We get a quick Elend Scene here. This is the best I could do for a climax for him, since he really doesn't have much of a part in the book. (I think he only gets three viewpoints or so.) Considering the limited time, I think this is a fairly good character climax for him. He gets to stand up to his father and try to put some of his beliefs into action. One of my favorite lines is when he's sitting and thinking about the realities of a skaa rebellion, only to realize that he's on the wrong side.
Vin comes to tell Elend what she's discovered.
The way Elend treats Vin in this chapter puts a few people on edge. If you're in that group, realize that I want you to feel this. And, not just for plotting purposes. I just think it's more realistic.
People get tired. People have trouble focusing. And people treat even those they love with indifference sometimes. This is particularly bad of people like myself–men who are quick to get focused on one project or another. I've done things just like this to my wife, unintentionally ignoring her because I am so tied up in my current project.
It's not a good thing, but it IS natural and normal. Unfortunately, it prompts something very important: the return of Reen's whispering voice in the back of Vin's mind. She's been free of him for a long time now, but I thought it appropriate to bring him back. After all, that voice–partially a representation of her subconscious–was a large part of her character in the first novel.
A lot of your works that are stand alone novels or seemingly completed stories, you have announced or started working on sequels for. Are there any stories that you feel complete and don't need to work on the same world or characters again? Or do feel there is always some new tale to tell about every world you make?
It's hard, because the way I plot I always have to know what happened before the book and what will happen after the book. Knowing that doesn't mean that I have to continue. It's also hard, though, to say no to fans who are so passionate about a specific project.
The Vin/Elend story is most certainly done. As is the Raoden/Sarene story, as is Siri's story from Warbreaker. So there are completed threads. There might be other stories to tell in those worlds, though, so I'll avoid closing the door on them for now. (That said, it did feel very good to finish The Wheel of Time for good, and look forward to putting some of my own works to rest in a similar way.)
How do you think Elend would deal being on Roshar with the fact that men can't read?
Oh man, he would have so much trouble with that. He'd have huge problems... Though he wouldn't look Alethi to them, they'd be like, "Oh the Shin do weird things."
Elend reveals that he's joined the Church of the Survivor
Unfortunately, this entire chapter is a big mallet driving the wedge down between Vin and Elend. The next chapters are why I had to make sure I established their relationship earlier in the book, so that readers would hope for them to stay together as the novel progressed. However, I suspect that at least a few readers are pulling for the Vin/Zane thing to work out.
Either way, it's better–narratively, and character-wise–to have Vin figure out Elend's plan on her own. It gives her the chance to show how she's grown. She sees things like a politician. Though she's hard on herself, she knows a lot more about these things–and is a better match for Elend–than she gives herself credit.
I actually think this is a clever, clever move. Elend has done a lot of work for the skaa, but he's never really worked to make himself seem like one of them. This establishes him as on their side, solidly–but also gives him a kinship with them. He doesn't worship the Lord Ruler. He worships their god. That gives him a lot of credibility with them.
I just really like Elend and Vin's relationship. It's one that really shouldn't work, but for some reason, they just get along so well in my head. I doubt that they could explain it either–but the two fit together in a very strange, "opposites meet" kind of way. They actually have a lot more chemistry, for me, than Sarene and Raoden–though those two are far better matched for each other. Maybe that's because the frustration and confusion Elend feels seems very realistic to me. He never really does know what Vin is feeling, even though her emotions are so blunt and simple when we're in her viewpoint.
It was extremely important that Elend reject Vin in this chapter. I worry that I got a little bit into convenient motivations in this chapter–I always hate it when men and women have relationship problems in book simply because it's the place in the story for things to go wrong. Weak conflict–something a friend of mine calls "Deus Ex Wrench" is a problem with most romantic comedies.
Better to have realistic, rather than feigned, tension. I hope that I was able to manage that in this chapter. Elend is being almost completely honest with his emotions here–he has just discovered that Vin was lying to him all along. Rather than feeling bitter, however, he feels like a fool. He's realized that the game was playing him all along, and he's disappointed to find that Vin is part of it. That, in turn, persuades him that he should just give in and do his duty to his house.
And so, he turns her away. The vital part of this all, of course, is that it gives Vin the chance to love him–and protect him–even though he's rejected her. This is perhaps the most important step for Vin in the entire book. She's learning the things that Kelsier talked about, the truth that she needed. With this in hand, she can trust people, even knowing that they might betray her.
The Audacity of Vin and Elend's Visit
Visiting this party in the way Vin and Elend do is supernally arrogant. I realize this, and I feel that it fits who they are and what the crew stands for. It's bold, in your face, and even a little reckless. Yet it's also dramatic, and it will have quite an effect on the members of Yomen's court.
Is Mistborn: The Final Empire based on the French Revolution.
Yes it is. Specifically the stuff with Elend.
So Elend's name came from the Germanic word for misery and Straff's name means punishment. The question is did I do this intentionally. I didn't do either one intentionally. I don't speak German, what I did was I went to Germanic morphemes, I didn't even know what they meant, and just got a feel for "Okay this is Germanic, this is Germanic" and then put those aside and said "Alright can I come up with a bunch of names that sound Germanic" once that mood is in my head. Because English has a lot of Germanic influences I guess I did it too well and I named a whole bunch of people things that are actual words in German. *laughter* But you know I'm actually fairly pleased with that, it means I was doing my job. But you know I didn't intentionally make them mean anything in German, at least this time I didn't accidentally pick a swear or something, which I’ve done before. *laughter*
Part Three Wrap-up
I named this section of the book "King." However, that's supposed to be a slightly ironic title, since Elend gets deposed at the end of part two, spends this entire section working to get his throne back, then eventually loses it anyway.
The irony is that during this section, in my mind, Elend really learned to be a king. Yet it's the place where he has it most brutally pounded into him that his rule is not wanted.
Idealism has a cost. Or, at least, I think it SHOULD have a cost. If you are holding up your ideals as true, then you should have to be willing to sacrifice for them, otherwise it just doesn't feel right. I don't think this is me forcing the story to prove a point—I think it's me trying to represent, as accurately as I can, the way the world works.
The measure of Elend Venture is not going to be what kind of king he would make. It's going to be the kind of man he makes once he's been rejected.
And so, the circle is complete. Sazed returns to the south and visits the Conventical again, Elend returns to the city wall.
Hopefully, I revealed this well enough for you to understand what you need to in order to make this book work. There are a lot of holes, I know. I've already apologized for that–we'll answer all of them in book three.
For now, understand that something was imprisoned, and it hijacked the Terris religion–the prophesies–and used the Well of Ascension to get free.
Book three is about the real theme of these books. Survival. It's going to be a tough road.
As a wrap up, I guess I'll say that for me, this book was about Vin and Elend testing and proving their standards. In the beginning, they both made certain determinations about themselves and what they wanted to accomplish. Elend intended to make a good government and not be an exception to his own rules.
Vin intended to love the good, kind man of Elend rather than the man of the street–the hard, strict man that was Kelsier. (See Chapter Ten, where Vin snuggles in the chair with Elend, for an in-dialogue outline of her belief system for this book. This is the offering of the challenge. The trial comes later.) They are both tested, then, in these assertions–Elend by losing his throne, Vin by being forced to take a long hard look at her own heart and what she really wanted. To her, Zane represented the past. Did she return to that, or did she look forward to the hope–and the future–that Elend represented?
They both hold strong. That's the true victory of this book. The release of Ruin disregarded, this book marks great success for the characters. They were tested in their absolute most vital of personal convictions, and they passed. This prepared them for the final book. Now that they'd proven their ideals, they could bear the weights and griefs of the empire.
Of course, there is also Sazed. One of my goals in writing this book was to fix Elend and Vin. But another big one was to break Sazed. While they held firm to who they were, he has been forced to reassess his convictions, and he finds them wanting. Chapter fifty-four was one of the saddest chapters for me, personally, to write. In many ways, Elend and Vin have nearly completed their arcs as characters. But Sazed and Spook have just begun. And that is what leads us into Book Three.
Mistborn Era 1, Elend had a lot of books in his library, and he really wanted to become a better leader. Would there have been any books from other Shardworlds that could have ended up in his library?
That is possible, but he did not read any.
I love *inaudible* this series. How did you come up with Elend?
So, I wanted an idealist *inaudible* revolutionary stuck in a world that wasn't ready for one yet, and that was my pitch to myself, right? Like if you took, you know, someone like... one of the great *inaudible* like Hamilton or somebody and just stuck them in a world that just was not ready for their ideas. How would that go?
That sounds like the *inaudible*. Don't you have that in mind, like...
Yeah, but he-- he that was-- yeah, yeah. His plan was-- be an idealist. The second book is where he realizes he can't make the same path he wants to, and third book is kind of reconciliation of how he can create this step that will eventually lead to Democracy and things like this, which you eventually then get to see in later books.
Elend is already progressing nicely as a king. There's a lot more time passing in here than I'm showing–lots of training and lessons. One of my worries is that Elend will develop too quickly. However, considering the situation he's in, I suspect that he knows he has to either adapt quickly or be destroyed. A few tense months can really change a person a lot.
Homicidal Hat Trick
My editor tried very hard to get me to cut the "homicidal hat trick" line. Not because it wasn't clever, but because he felt it was anachronistic, as the phrase is commonly a metaphor for some quite modern sports. However, I was able to prove via Wikipedia (which is infallible) that the term was used as early as the nineteenth century and didn't always refer to sports, but to three wins in a row in even simple games of chance. So, grudgingly, he let me keep it.
I love the line because of the way that little section harks back to the old Elend. He's still in there, hidden behind the emperor-at-war exterior. The old Elend could be clever and awkward at the same time, just like he is here when he tries to make a point to Vin but comes dangerously close to an insult instead. That's the same guy as the one who would, while standing on the balcony at a party, compliment a lady and then immediately turn back to his book and ignore her.
And, on that note, I believe that I warned you about the coming ball scenes. We're going to have another nostalgia chapter fairly soon, and it's one of my favorite chapters in the entire series.
I chose to only show a few sections of Tindwyl training Elend–I figured that these could get laborious if I did too many of them. This isn't "My Fair Lady," after all.
We never get to see Elend learning to duel, for instance. As a writer, I tend to react strongly against things I've seen done too often. That doesn't always make me not include them in books, but sometimes it does. Training a man with the sword, for instance, seems to have been done enough that you can just assume that it happened–and imagine it happening–without me going into detail about Elend’s practice sessions.
This scene that is included, however, is rather important. Elend's new look, and his decision to let his hair get cut, represent the first change we pull off for him: The visual one.
Will we ever meet Elend and Vin again?
Elend and Vin have had their stories told.
So I'm in the middle of Hero of Ages, and I'm noticing there are constant parallels between Vin and the Hero of Ages and Elend and the Lord Ruler?
That's done intentionally.
Is it going to hurt?
Is the ending going to hurt? The ending is the right ending. It's going to be satisfying, but it also might hurt.
The Lord Ruler's Final Message
This plaque from the Lord Ruler was very difficult to write. Originally it was much shorter, but I expanded it during the last draft because I felt it was just too useless. Even still, it doesn't say much. And that's the problem.
I was always intending the Lord Ruler's final plate to contain no answers. It works into my themes for this series—this was the "quest" book playing off the epic fantasy ideal of the powerful object that must be discovered and used to fight the evil. Except that this time, I wanted them to get to the place they'd been questing toward and find it empty, with no answers from the Lord Ruler. I felt this would only heighten the sense of hopelessness the characters are feeling in trying to fight Ruin.
The problem is, rereading this plate I realize that I've done exactly what I wanted—but that it's also a really, really big letdown. I hate letting down readers. It feels like breaking promises. After consideration I think this is still the best thing to do, but I wish I'd found another way to deal with this.
Note that the circle with a dot here is completely lost on Vin. The size of the circle in relation to the text around it, and some numerical clues scribbled around the perimeter of the circle, are indications of the size of a scale map it should be placed upon. If placed the right way, the dot will point directly at the Pits of Hathsin.
Vin's awesome, but she's barely got a basic education. A complex mathematical puzzle like that one is completely lost on her. If Elend had had the time to study the plate, he might have figured out where it was pointing. There wasn't time, however.
The Lord Ruler did leave a very important clue on this plate. However, I feel that obscure clues like this are deciphered far too often in books like this one. I think realistically if you're going to leave a clue like that, chances are good that it will end up getting missed or misunderstood. Which is exactly what happened here.
I wasn't planning on Elend getting as big a part in this book as he ended up having. However, the more I wrote scenes with him, the more interested I became in him as a character. He doesn't exist just to provide a romantic interest for Vin–he exists to show the human side of the nobility. I knew that I needed at least one nobleman who was presented favorably, otherwise Kelsier's harshness wouldn't have the contrast it needed. So, I designed a young man that Vin could meet at the balls.
Yet, when I started writing the scenes with Elend, I found them flowing very easily. I really liked his voice and his relaxed affability. Mistborn, being about such a harsh world an society, threatened to become too dark. I needed another character like Elend to provide moments that were more lighthearted. He also gives us scenes that are interesting in a more thoughtful way, rather than a dark way. He turned out much better than I'd hoped, and is probably the biggest and most pleasant surprise of the novel.
Part of humanizing the nobility was to show Elend being interested in the skaa. I had to walk a line with him. I didn't want him to be TOO interested, or sympathetic, toward the skaa. He's a nobleman, not some crusader for the rights of the oppressed. Yet, I wanted to show through his simple interest that he wasn't cruel. I also wanted to show how little some of the noblemen know about skaa. The things Vin wonders–if the nobility even know about much of the suffering in their world–are valid. Someone like Elend, who spends most of his time at balls or being waited upon in his keep, wouldn't really understand the life of a skaa.
Sazed In Charge of the City
Sazed's in charge here. There's one small problem with that. Sazed's not very good at leadership.
It's not his fault. He just doesn't have the skillset for it. Unlike Elend, who had a buried desire to lead–and the skills to become a king, if he learned how to use them–Sazed just wants to be a quiet scholar. We saw this when he gathered the crew and couldn't keep them from arguing. We see it again here.
He's much more in his element when he looks through the book he wrote with Tindwyl. Though, of course, losing her is starting to hit him pretty hard. He keeps wavering back in forth emotionally, and that's intentional. He is confused, and doesn't know what to do.
Here's another Couple of things we'll find answers to in book three:
How Vin drew on the mists, and why she could do it.
Why she can feel the pulsing of the Well and nobody else can.
Chapter Thirty-Two - Part Two
Elend's Verbal Sparring with Yomen
Something to notice about the conversation between Elend and Yomen is that Yomen's arguments are quite good. Better than Elend gives them credit for being, I think—though I might revise as I go through the copyedit to have Elend notice this more.
Either way, I hope one can see why Yomen would resist making a treaty with Elend. This is a sticky situation, and in this conversation I think Elend comes off poorly. Partially because his old ball-going self is resurfacing, but partially because his role has been reversed. In book two, he was under siege and was trying frantically to keep his city from being conquered. Now he's forced to sit on the other side of the table and be the one who has come to conquer.
Elend talks about Arrogance as a kingly attribute
Arrogance. Elend is just voicing some of my own philosophies here–though in my life, they were applied to writing, not kingship.
You have to be arrogant to be an author. It's tough, sometimes, to continue to believe that people should be willing to pay you for your work. You have to keep working, ignoring rejections, soldiering forward. There's an arrogance to that. Call it self-confidence if you wish, but it's the same thing.
I believe you can be arrogant about some things, yet humble about others. In fact, I think you need to be.
Elend talks to Tindwyl, then returns to his room and puts his uniform on.
Elend's relationship with Tindwyl cracks me up. That is all.
During this conversation between the two Terrismen and Elend, I think Sazed speaks my philosophy on characters and writing. They have to do what is important to them. I don't like to advocate situational ethics, but in some cases, that philosophy is appropriate. If you're a Jew who follows Kosher, then you don't eat pork. (Among a lot of other things.) For that person, I think it is morally wrong to break Kosher–because you've made a promise to yourself and God that you won't. However, is it wrong for someone like me to eat pork? No. I haven't made that same promise.
The same goes for my LDS belief in not drinking alcohol. I've promised not to–but that doesn't make another person bad or evil for drinking. They haven't made the same promises I have. It's about remaining true to yourself. There's nothing inherently wrong with alcohol (Christ himself drank it, after all.) But there's something wrong with making a promise, then breaking it.
In this case, it was right for Elend to do what he did. Another king could be a good man and make the opposite decision without rebelling against his own personal morals. There are a lot of absolute rights and a lot of absolute wrongs in life, but there are far MORE rights and wrongs that depend on who you are as a person, I think.
Sazed, however, IS setting himself up for some difficulty later on with some of the things he says here. You'll see what I mean at the end of the book.
Elend Decides to Attack
Elend makes a decision here—an important one. The waiting is over, and the siege has ended. He's under the same stress as Janarle, but he's not going to run. He's going to fight.
It's probably the wrong decision. But I've often heard that being a military leader isn't always about making the right decision. It's about being able to make a decision when a decision is needed.
Elend and Vin Visit Sazed in Turn to Ask about Relationships
I didn't want this scene to feel too much like a sitcom, and I tried hard to make it realistic. But having both Vin, then Elend come to Sazed with their problems has some inherent issues. It feels a little comedic, and perhaps too coincidental.
However, despite those problems, I really like the scenes. They show off the difference in the two characters, and particularly show how Elend has changed over the course of the book. He comes in, confident, ordering people about even as he asks for advice. Vin is more hesitant. Her confidence is in other matters, and here she has trouble expressing herself. It's a nice reversal.
However, the fact that both of them think first of Sazed, and that both of them just really need to speak their minds—without him doing much more than confirm things they already felt—shows again how similar they are.
And I really do think the key and lock speech is one of the most wise things Sazed has ever said.
Have you ever thought (just for fun) which KR Order your characters for other books would fit the best? Like, Sazed is Bondsmith, Kelsier is probably Skybreaker.
Which Rosharian Shard, Honor, Cultivation or Odium, better fits with Dalinar's personality?
I'd agree with the other commenter that Kelsier isn't much of a Skybreaker. But picking orders would depend on what point in the person's life we're talking, and the situation. It's not a hard-fast rule.
For example, young Dalinar is very Odium. Modern Dalinar is very Honor.
What about Magic: The Gathering color alignments?
Like, would Kelsier be Red/White or Red/Black?
Kelsier is blue/black. Vin is Red/green. Sazed is white/green--with arguments for mono-white. Elend is red white. The LR is white/black.
This actually surprises me a lot. I would have expected Sazed to be Bant-colored, and Elend seems much bluer than he does red.
Actually, I don't know why I said red/white for Elend. Must have been answering quickly. You're right, blue/white is a better match for him. Ham is red/white.
Elend Returns and Gets the Letter Deposing Him
And, finally Elend gets deposed. I worry about this plot twist coming out of nowhere, though it is quite well foreshadowed. Elend mentions at one point that the Assembly can choose new kings. He's missed several of their meetings, and–because of his earlier proposition–they can't do anything about the armies until he decides to let them.
That put a lot of pressure on the Assembly, and they were made to feel irrelevant. There are, of course, other forces pushing and pulling at the Assembly–and you'll find out about those later.
Elend made a big mistake here. He was so busy being king that he forgot he himself had set up a constitutional monarchy. His enemies DIDN'T forget about this fact. In Elend's defense, both Straff and Cett have a lot more experience with leadership than he does.
Elend Nominates Penrod
I hope that this chapter feels thick with some good political wrangling. Elend pulls of some fairly good maneuvers here, especially considering how far he's come. True, he was coached in a lot of what he did here, but the fact remains that he's learning and growing.
Vin and Breeze give him a little TOO much credit for getting Penrod to nominate him, however. While Elend hoped that by nominating Penrod, he would get a nomination in return, he wasn't counting on it too much. No, in this case, Elend's basic goodness was simply being manifest. He figured that if not a single one of the Assembly was willing to nominate him to be king, he had no right to nominate himself. Better to let the matter die here than force a vote when nobody was even willing to consider him for king.
Vin waits for Elend to reveal his plan before the Assembly
I had to do a couple of drafts of Elend's "It doesn't change things" section with Vin. I didn't want to reveal his plan–I wanted Vin to work through it–but I also didn't want it to seem TOO forced that he didn't tell her.
I settled on this, which I think has a nice balance. However, you're in dangerous territory as a writer any time you have characters conveniently forget to tell each other things–or when you keep viewpoints characters plans and schemes back from the reader.
I have a history of fudging these things a tad in this series. I don't give myself that much leeway in all of my books–but I figured with the Kelsier "Real Plan" surprise I had in the last book, I have established that the characters don't always tell the reader every single thing they're plotting.
Nothing is worse than trying so hard to do the right thing, then discovering that it was the worst thing you could have done.
I wrote this final chapter to be a slight upswing in the plot so that we wouldn't end on such a sour note. No, I didn't kill Elend. I sure wanted you to think that I would, but I never planned to. I had always intended them to discover where the first Mistborn had come from when they reached the Well of Ascension, and this bead of metal is very important to the cosmology of Scadrial and, indeed, the entire overarching story of my books as a whole .
Elend was intended to become Mistborn from the very early stages of this book's development. So, I figured I ought to do something to him that would make him NEED to be Mistborn. Why did I want to make Elend Mistborn? I know it bothered some readers. I felt I'd explored his character as well I could in this book, and I needed something to upset the balance–tenuous as it is–that he'd arrived at here. He's not going to replace Vin–you'll see in the next book that Elend as a Mistborn doesn't change as much as you might think. But it does put him in new situations, and those situations allow him to progress as a character in the way I felt he needed to.
Anyway, this will make for a very interesting book three. Also, the mist spirit–now, maybe, you can see a little of what it was trying to do. It was struggling to find a way to get Vin to NOT go to the Well of Ascension. Giving hints to Sazed, scaring her, threatening Elend, pointing in the opposite direction. However, it is rather hampered in what it can do, as we'll find in the next book.
Elend Discovers that the Koloss have been left to Destroy, then Elend Executes Jastes
And here we have the scene where Elend Kills Jastes. This, more than anything, is a sign to Elend of the way the real world works. This chapter is a sign of innocence lost, and a measure of the price of idealism. Elend will never be the same man after this.
Some of my alpha readers rebelled against this scene, but–unlike the scene where Kelsier used Demoux to kill a man in book one–I decided not to cut it. This event says too much about what has happened to Elend, and it means too much to his character. However, I did arrange things a little differently. In the original draft, Elend struck and killed Jastes, then explained why he did it. In this version, he outlines Jastes' sins first, then takes his head off.
Now, finally, Elend and Vin have discovered Sazed's lies. Did you wonder about him sending the two of them off to climb the mountain in the winter? Spook was around to stop that, in case you were wondering.
And yes, Spook knew. Considering how long it took Vin to get over the fact that OreSeur knew about Kelsier's plan to die, you can imagine that she's not soon going to forgive Spook for this one. In his defense, he was pulled about between some very strong emotions and motivations, not the least of which being his uncle explaining that if he DIDN'T go, nobody would be there to explain the truth to Vin and Elend and keep them from trekking all the way to Terris. Besides, Spook didn't want to die, and this path offered him an escape. Can you blame him?
He'll blame himself. Book Three.
Chapter Eighty-One - Part Three
I rewrote Elend's death scene a number of times. In the first draft, it happened much more quickly. He and Marsh met, Elend's atium ran out, and Marsh cut him down. Elend always got his "we've won" line, but Human wasn't getting viewpoints, so we didn't cut there. Nor did we have Vin fuel Elend's metals or have him burn duralumin and atium at the same time.
I just felt he needed more. Part of this was due to the reactions of alpha readers, and part of it was due to my own desire to make his last scene more dramatic. I wanted there to be a closeness between him and Vin at the end, and I also had too many people asking what would happen if you burned duralumin and atium at the same time to ignore that possibility.
So, I rewrote several times, eventually landing at this version. As for why I killed him . . . well, for the same reason that I kill any character in one of my books. It just felt like the right thing to do. It's hard to explain when we get down to specifics like this. On one hand, the rational side of me can explain that there need to be casualties to make victory worth something, and Vin needed to lose Elend so that she'd be willing to do what she had to in order to kill Ruin. Logic says that this book was about Vin and Elend defeating Ruin no matter what the cost to themselves, and allowing them to give their lives for the victory was noble and completed their character arcs.
Emotion, however, is what drove me—not logic. It just felt like the right thing to do. It was the right ending for the book. Now, I could have chosen a different ending. I know that I could have. It would have felt contrived to me, and would have lacked bite. Yet perhaps readers would have liked it better. I honestly don't know what doing this (killing both of my main characters) will do to my readership and if people will still want to buy my books after this. The founder and president of Tor Books, I know, would have preferred that I didn't kill my two main characters.
But in the end, I went with what I knew was the better ending. By doing this, at the very least I've earned something. From now on, readers will know that nobody is safe in my books—and that will create tension, will make the novels feel more real. (Note that I didn't do this because I wanted to make readers feel that way. It's just a side effect.)
Either way, this is where this book was pushing from the beginning. Vin and Elend followed in Kelsier's footsteps. They were both ready to give their lives, and in doing so, saved those they love. In my opinion, that's not a tragic or sad ending. It's just an honest one.
Elend Fights the Koloss in the Village
This chapter gets my next award for favorite chapters in this book. (I think this is number four.)
The next few Elend chapters run him through the ringer—and yet at the same time let him shine. He's alone, forced to work through his problems without Vin, Tindwyl, or the others to support him. It's time for him to decide who he really is and what he really wants.
This chapter begins that. Elend's frustration at not being able to protect his people finally bursts from him, and his passion drives him to do as Vin did in book two. Yet there is far less beauty to his attack than there was to hers. Elend is powerful, but with Allomancy he also has to be blunt.
I love the imagery of this scene in the village, Elend fighting by the firelight of burning buildings, ash and mist in the air, koloss dying by the dozens. It's his first real chance to be a Mistborn, in my opinion, and he is kind of surprised by what it does to him.
He's not finished working through his need to protect the people of his empire. In a way, he's just beginning down the path of what he needs to work out. However, this is a pivotal moment, where he finally acknowledges what it is that has been bothering him so much. He doesn't just fear that he's becoming like the Lord Ruler—he fears that he's becoming like the Lord Ruler but doing a much poorer job than his predecessor ever did.
Apparently, both the names "Elend" and "Straff" are words in German. I certainly didn't intend that, though I did try to make the names have a similar feel, since they're father and son. It's funny how often we fantasy writers come up with words that actually mean something in another language.
Sazed Watches Vin Defeat Straff's Army
Sazed's scene here was one that I rewrote a couple of times. He watches the battle and doesn't participate. He was particularly hard to write here. He's got so much going on inside of him–he just lost Tindwyl, and with her went his faith. But, at the same time, he is expected to be a part of things–and his natural curiosity still makes him wonder if Vin is the Hero of Ages.
The thing is, Sazed doesn't really believe in the Hero of Ages any more. So, the trick I had was how to make him perceive the scene here? Lacking faith, yet still curious? It was a difficult line to walk.
Elend becomes emperor despite all of his attempts to set up a democracy. He has the throne given to him by force. In a way, this isn't exactly betraying his wishes to let the people do what they want. Elend deserves this throne. Cett came looking for someone to follow, Elend is actually the rightful Venture heir to Straff's army, and Penrod. . .well, he was made a subject king beneath Elend, so he didn't really lose his throne.
It's a stretch, I know, and the Elend at the beginning of this book never would have accepted it. The Elend at the end, however, will take it and do his best for the people as emperor. Even if it hurts him to do so.
Breeze and Clubs watch the Army go
This is supposed to feel like everything is falling apart. I like that Elend doesn't see how much danger he's in now that one of the armies is retreating–as clever as Elend is, Clubs is the expert on warfare. Elend is an optimist; he finds it hard to look at the bad side of things. To him, an army leaving is good.
Still, even he knows that they're losing control. A battle is coming, and where it does, Luthadel–and those within it–will be in serious trouble.
When plotting a series of books, how do you account for plot changes you didn't foresee you had to do? For instance, I read that Elend was originally going to be a minor character, but the end of Mistborn wouldn't have been the same without him. How did you work him into the plot later on without breaking the story?
After I wrote the first book, and Elend grew more important in my mind, I reworked the three-book-outline. Usually, when I build a series, I spend a lot of time on the first book and then have a few paragraphs on the rest. Then, after finishing the first book and seeing how it worked (and how the tone was) I go and do much more in-depth outlines for the rest of the series.
When the first book is happening, things are much more 'anything goes' as I don't have any established canon yet. I allow myself to toss the rest of the outlines out the window, and just try to make the first book the best it can be. From there, I have continuity, and I feel it is important to maintain that for the integrity of the series.
Vin and Elend's Plans and Progress
This is my personal favorite of the opening chapters. I love how it establishes what Vin and Elend are trying to accomplish, but at the same time shows how stretched thin they are. Both bounce around from one emotion to another, and the argument near the end of the chapter is a good example of just how exhausted they both are.
Elend is more forceful now. He's become a wartime leader, a much different man than he was in book one, when he went to parties and read books. He's fighting to find a balance between being the man he thinks he should be and the man he knows he has to be. It all works very soundly for me.
Chapter Thirty-Two - Part One
As I mentioned a couple annotations ago, this chapter is one of my favorites. That, however, doesn't mean it doesn't have flaws. It has a lot of them, the most important one being the fact that it's just a tad out of place. It's almost a chapter from book one pulled and stuck into book three, where it has no business being and is likely to get clubbed on the head and dragged into a dark alleyway.
Book one was far more lighthearted than this final book is, and while I love having this chapter in the book for the nostalgia it evokes and for the opportunity it gives for banter, I will acknowledge that some people may find it out of place.
There is a strong rationale for it being like it is. Elend hit on this while dancing with Vin. The familiar setting and situations brought out the person he used to be when he attended the balls. I think we all do this. When I came back home after my first year of college, I was shocked at how quickly I fell back into being the person I was before that year, which had forced me to stretch and grow a great deal. I was home, and the high-school me resurfaced.
Well, this chapter has the high-school Elend. He goes too far and makes too many wisecracks. He should have known better. In fact, he did know better, and he almost immediately regretted treating Yomen as he did. One other thing to remember, however, is that this is Elend's first real parlay with an enemy king. His previous two conquests were made by Vin and were negotiated via the use of a lot of Allomancy and a rather large koloss sword.