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    State of the Sanderson 2020 ()
    #1901 Copy

    Brandon Sanderson

    INTRODUCTION

    Well, this has certainly been quite the year, hasn’t it? Dan Carlin on his podcast likes to quote the old (supposedly) Chinese saying that goes: “May you live in interesting times.” I think I better understand why that phrase is usually used as a curse, not a blessing.

    I like it when things are different; it is good for my writing brain to live in a different way. However, I’d prefer this experience not come at the terrible expense many people have paid this year because of COVID. I hope the vaccines are widely available soon.

    For now, if you can appreciate one silver lining to the pandemic, it’s this: A year of staying home and not touring has led me to be rather productive. I’ve been able to work on a lot of behind-the-scenes projects that will eventually come to light—as well as meeting all of my deadlines for things I wanted to accomplish this year. So hopefully, my stories provide you with a little relief from these “interesting” times.

    If you missed it earlier this year, we released a book I call The Way of Kings Prime. This is the (very, very different) version of the book I wrote in 2002 that I decided not to publish. I started again from scratch in 2009–2010 to create the book actually published as The Way of Kings. If you’re done with Rhythm of War and want some more (non-canon) Cosmere, feel free to give this older one a read. It’s very different.

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    Benjamin Susla

    Did Hoid confirm that Cultivation is a dragon?

    Brandon Sanderson

    I don't know if Hoid did. I can confirm it for you. Cultivation is. 

    If I RAFO'd that one, everyone would be "Oh it's a secret still." It's not. I could RAFO it so people continue to theorize, which I sometimes like. But it's not suppose to be a secret.

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    Adam Coventry

    Is the important part of the fourth oath of the Windrunners forgiving yourself? Kaladin had to accept that it wasn't his fault for the people that died, and it seemed that Teft was going down a similar path.

    Brandon Sanderson

    Yes. I can expand on this one, it doesn't mean that every one of them will take exactly the same shape, but that is a major component in that oath. Speaking those words involves that for most Windrunners. How about that?

    I like the oaths being a little more flexible along those lines, just because they work for more people that way. I like that the oaths express the individuality of the person, and the specific things that they are working on, and getting better at, and learning through the process.

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    Dallen Powell

    Is it easier to travel in the Cognitive Realm because people in the Physical Realm don't understand the immensity of space, and their lack of comprehension condenses the Cognitive Realm?

    Brandon Sanderson

    I'd say that's a factor, yeah. Definitely a factor. I think it's impossible to comprehend the immensity of space even with all the visualizations I've seen.  Yeah, definitely. Good question. 

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    #1911 Copy

    Brandon Sanderson

    One of the big revisions I did to Dawnshard was: I didn't have viewpoints from him originally, Nikli, because I wanted to maintain the mystique of them [Sleepless]. I realized after the beta read that the coolness of seeing through their eyes was more important, and indeed there was an issue with Dawnshard. I expected, because people had read Oathbringer, and the scene in Oathbringer, that they would immediately pick out who the horde, the Aimian, on the crew was. The tattoos were suppose to make it very obvious what was going on. 

    The emotion I was looking for in the book was not mystery, but instead suspense. These are two kind of complementary emotions, and suspense is - at least as how I'm defining it right now - "Oh no! This terrible thing is going to happen. How are they going to deal with it?" And mystery is "What terrible thing is going to happen? And who is going to cause it?" These are two different emotions.

    If you go into Dawnshard with mystery being your primary expected experience, then what happened to beta readers is, they're like, "Well, Brandon's always tricky about these things. So the fact that he has a person with tattoos on this says that's not the person. That is not the Aimian; that's too obvious. So let's watch and see how he tricks us about who the Aimian is." When my intent was "Here's the Aimian. Be scared because he has a good relationship with Rysn, and terrible things are probably going to happen." That's sad and scary and tense. I realized after reading the beta read, "Oh this is not landing. I need to add a viewpoint as early as I can realistically get it in the story that says 'No, no no no. This is the Aimian. This is the horde. You're right, you're suppose to be worried about that. Not questioning about that.'" So I added that scene. I'm really glad that I did, because I enjoyed writing it. I think it adds a lot to the lore, and it is a fun scene to read, I think.

    I'm very happy for the beta readers being confused on that point, because I think the story landed way better for a lot of the readers, because they could let go of wondering who the Aimian is and focus on the emotion the story is actually stoking in them (or it's trying to), which is the suspense of watching what's going to happen when it happens. 

    This is the reason why I really depend on beta reads, is for reasons like this. When what I'm trying to do doesn't land. A lot of the people talk to the beta readers, I hear, and say, "Why did you talk him into changing this thing that I love!?" That's not what beta readers do. That's not what they're there for. They are there so I can see if what I'm trying to do actually lands, and if it doesn't I can reassess and find a way to make it actually land. Because if you read all of Dawnshard, thinking that the mystery of who is the Aimian is suppose to be the big reveal, and then it just turns out to be the most obvious person, you'd be like, "Wow. That mystery was lame!" Hopefully instead if you read it saying, "Oh, there's an Aimian on this crew. I see who it is. They are gonna try to kill the people on board. That's sad. Hey! I'm kind of liking this character. That's even sadder! How is this ever going to get resolved?" Hopefully that's the emotion you had.

    Footnote: Scene in Oathbringer is I-4: Kaza
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    jamlyon

    What happened to Plamry in Dawnshard? When he and Nikli were stranded to keep them from interfering.

    Brandon Sanderson

    He was not involved in any of it. He got left when his friend and superior melted into bugs. He's probably having a hard time with that. He was left there and then recovered at the end of the book, after the last chapter. I believe that's what your asking. Plamry is okay physically. What it does to various people to watch people you have known melt into bugs... depends on the individual.

    I've been waiting so long to do more stuff with the hordes. They are one of the very first science fiction races that I developed long ago. They actually appeared in Star's End (which is my second novel, which is terrible). I quickly moved them to the cosmere once I developed the cosmere, because I love them. I think they are lots of fun. They do all kinds of cool things. I really like that there's a really legit species that you refer to as "it," because that's what they are. That's how they see themselves; the swarms. They're one of my favorites, but they did not match being part of the main narrative of The Stormlight Archive for lots of reasons. There is already lots of weird stuff in The Stormlight Archive. They're mostly around because I want to use them later. I was really happy to be able to write a book where I inserted a viewpoint.

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    TheVanillaRogue

    You mentioned having to pull in plot from the future books for Rhythm of War, because it was originally going to have more flashbacks. What sorts of things got moved up?

    Brandon Sanderson

    Let's see... what was I thinking of when I said that? So, there's been so much rejiggering. The Kaladin scene I mentioned [Kaladin jumping off the tower to save his father] was originally in the third book when I outlined it. It was not in the fourth book. It didn't fit the third book, and it's much better here. That old outline... I'd have to think about what did I actually... I'm sure I was thinking of something, a plot thread that I pulled in while I was doing it. But I don't know what it necessarily was. 

    It was not the Taravangian stuff; that was planned for this book all along. I don't remember what it was. I'm sorry. This is just me; I'm sure I was working on a scene where I'm like, "Oh yeah, I'd planned to do that later, and now I'm doing it here."

    I have no idea what it was. I'm sorry. 

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    bb m

    Has Hoid ever used Allomancy on Roshar or in The Stormlight Archive.

    Brandon Sanderson

    Yes. On screen he has. I've mentioned times when he's pulled on emotions, or pushed on emotions? I think he... I'd have to look at the scene and see which one he's doing. But he is playing with people's emotions using Allomancy in a very obvious way. There are other places. He doesn't do it a ton. Wit, as you can see in Rhythm of War, considers too extravagant use of the various arts to be cheating to an extent, because it makes things too easy. There are other reasons to not do it, though. He would become visible very quickly to entities to whom he wishes to remain non-visible if he were aggressively using Allomancy. Allomancy is not a very quiet skill.

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    Link Law

    Who is Renarin's crush?

    Brandon Sanderson

    Should I answer this? How about this, it is not supposed to be... I'm not trying to be tricky. If you think it is someone hinted at by the book, that is who it is. I'm not pulling a fast one on you. Basically, I am letting the characters come to their own realizations as they move through the story. But I have liked how it has grown, and I am not planning to change it, and I am not playing to be tricky with you about this.

    Adam Horne

    And I think you were subtle enough and obvious enough, because many people in the chat have guessed. People are saying it.

    Brandon Sanderson

    Well, they're saying lots of things, I assume.

    Adam Horne

    They're not.

    Brandon Sanderson

    So Adam just undid my RAFO. I can't see the chat, but as Robert Jordan says, this should be intuitively obvious to the casual observer. I expected this one to be obvious; I'm not trying to trick you. But the characters have not reached the same conclusions that their emotions have, yet. Does that make sense?

    This should come out in book five, so you shouldn't have to wait till the back five for anything to happen there.

    Footnote: The person that everyone in chat guessed was Rlain.
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    Rexozord

    Did Shallan kill Tyn with Pattern or Testament?

    Brandon Sanderson

    I'm gonna let the fanbase theorize on it a little longer. I think this one is pretty clear, but I'm gonna let you guys work on those timelines, and eventually we will release our timeline, and we can see how well you did. But this is one of the things I expected people to theorize on once the book came out, and I would like to see how good a job I did. If there are holes across these ten years of writing this series that I did not consider, that you guys find, cause you totally can do that. I am definitely not flawless when it comes to these things.

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    Kevin Andres

    In the vision Dalinar had in Way of Kings where he was flying with another Radiant, he asks how to summon his armor, and the Radiant he's with acts confused and tells him to talk to the quartermaster, or something along those lines. Did Radiants lend out their armor to lower rank Radiants?

    Brandon Sanderson

    This did happen in the past.

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    Brandon Sanderson

    I do consider Stormlight television more likely than film, which is why I say it like that, but who knows? I mean, there is a world where we could conceivably do Way of Kings as a film, a longer film, two and a half hour sort of film. The big streamline that would have to happen is: Jasnah would have to be at the Shattered Plains, not at Kharbranth, and Shallan would have to find her there. And become her ward, and we see Dalinar's story through Shallan's eyes as she is going through her plot, rather than having quite as many... Dalinar doesn't become a viewpoint character in that version of the book, we see him through Shallan and Adolin's eyes, basically, mostly through Shallan. And we'd do our A story as Kaladin and our B story as Shallan. But that is not unlikely that we would do, even if we did a television show, we would just then expand those parts. Everyone agrees, I'm sure they all agree in the chat, it just works better as a nine episode miniseries in this new style than it would.

    Moving Shallan to the Shattered Plains, I think, is a good move regardless of what we do. Because even if we do a television show, The Way of Kings audiobook is, like, 50 hours; and a television show would be 9 hours. You still need to shrink a whole bunch. When you guys see the Wheel of Time television show, they did a fantastic job; they still had to cut out a ton. Even with 8 or 9 episodes (I think they're doing 8), you just can't fit it all. I do kind of feel like that would be a good move, but we'll see. That is why I won't do it, most likely, until Mistborn has been done, because Mistborn is the proof of concept to get everyone on board for Way of Kings.

    And people say, "Do Way of Kings as animated!" While I'm not opposed to the idea (I think a good animated version could be done), if we made an animated version of Stormlight Archive, it would play only to our fans, and to animation fans, perhaps. It would not gain a larger audience. The unfortunate truth is that animation for adults does not gain audience, right now. So we could do a cool one just for the fans, I'm not saying no to that. Or perhaps someone else breaks out the genre and makes it, with these new animation studios that are doing things for Netflix, to the point that it does become... I should say animated non-comedies, because of course something like The Simpsons has proven that you can do it. But animated dramas for adults just do not break out of their fanbase. Some ones for teens and younger have, and Last Airbender is of course the shining example of something that became a cultural phenomenon through an animated drama. But people just don't watch them as much as we would like. And the main reason for me to make a television show of Stormlight is to try to reach a different audience, a larger and different audience of people who are not willing to pick up a 400,000 word book but who would enjoy the story quite a bit. That is one of the purposes of doing a new medium, in my opinion. And so I am hesitant about animation for that reason.

    It's an unfortunate aspect, I wish it weren't the case, but it is the case right now, which means that we would not get the budget that we would want. Even for animated, we would not get the budget that we want, we would not get the promotion that we want, and we would not reach the people. We would reach you guys, who want to see it, and that might be enough of a reason to do it, don't get me wrong. That's why I say it's not off the table. But I would want to see what a Final Empire film does, and the reception, first, of that. If that doesn't work for some reason, then I might say "Let's just make the best Stormlight animated that we can, so that we have it as a fandom, that I can just make this cool thing." And then maybe we would do that. But I'm hoping that what happens is that we're able to do a Mistborn film that is successful, and then I can use that to say, "All right; let's do a television show." You might say, "Brandon, people are doing Witcher, people are doing Wheel of Time, so couldn't you sell that first?" It is a possibility, it could happen. The problem is, people read Stormlight and they say, "Number one, this is huge; and number two, all of these spren and things are gonna cost a lot of money." A lot more money than The Witcher costs, because the Witcher you can go film on scene.

    Now, something's changing in that regard. The Mandalorian is changing some things in, I think, exciting and good ways. And I really enjoy The Mandalorian, I think it is really well made. But we're not going to talk about the narrative aspect of it, we're gonna talk about the aspect that The Mandalorian is basically all CG with very small sets. They definitely do build physical sets, and they're really good at blending the practical effects, the physical effects, with digital effects, to the point that you're never quite sure, is that CG or is that a set? But much more of it is CG than we expect, and I think what that is doing is opening the doors for much more fantastical worlds done in the same manner. Because basically all of Stormlight would have to be CG, just almost everything about it. You could maybe get a few shots in southern Utah in some of the canyons, but maybe not. I think that anyone looking at that says, "This is basically all a giant CG thing," and that's expensive right now. But if those costs come down because of new technology, CG is coming down in expense over time, then perhaps. But right now, when I go to Hollywood and I say, "I have this cool thing called The Stormlight Archive, let's make this a television show." They come back and say, "This is too expensive for us to justify right now." So that's why there's not one yet.

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    Sweetchasemel

    Is there's a real life analog to what the singers sound like when they're speaking to the Rhythms?

    Brandon Sanderson

    Let me get back to you on that. This is actually, that's a RAFO, but it's a RAFO with an explanation. I have tried to find one that I like. I have not yet found one that I like. I'm sure it exists, or I have faith that it exists, but I haven't gotten one I like. We will definitely have to have one when we make the television show or movie, which I am fully confident that someday we will. So if I were to say yes to that now, and talk about some of the ones I think are kind of closer, then we may have to change that entirely when we make the television show.

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    Adam Horne

    Do you reserve the right when you answer one of these questions, to change your mind later?

    Brandon Sanderson

    Yeah, it doesn't happen that often, but I do mention that, on occasion, that Words of Brandon are not as strong as the book continuity. You have to understand when I'm answering these things, I'm answering as I feel right now, and there are times where the book demands rewrites to not-yet-canon things in the books. Occasionally it requires rewrites to small canon things. Like when we decided, "When Brandon wrote Way of Kings, he used too many metaphors that they just wouldn't use." And we went ahead and tweaked some of those. That's a thing we don't like to do very often, but there are certain times where the book can just genuinely be improved by changing and tweaking a few things. We do sometimes take those steps when we're doing an updated version for the leatherbound or something like that.

    But I don't really consider the things that I'm telling you as Words of Brandon to be canon. I consider them insight into the development process of the stories at their current state, and there are things that I will change. This just happens when you're writing a book, where you're like, "Wow, that thing I was planning; that was a bad idea." I can either keep consistent with what I've said and what I was planning and make a worse book, or I can make a stronger book. I try to consider the books as they're written to be canon, revising at that point. Except for ways I have tricked you and things like that (I try to avoid that), but I do not take much into consideration what I've said. I do take it into consideration, but it's not going to prevent me from writing a better book, how about that.

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    Asha'man Rich

    Why was Kaladin called Stormblessed even before he became Radiant? He wasn't surprised that people called him Stormblessed before the highstorm.

    Brandon Sanderson

    I don't use it very often this way because it would be confusing, but it's a not-unheard-of term for "lucky" or "blessed" in Roshar. An antiquated one, but not unheard of. You're not likely to see me using it very often, because it's become a title for him. And indeed, most people on screen know of him and now know that as his house name. So the word is shifting in meaning, but he was called that because they thought that the storms favored him. Certainly once he survived the highstorm; it was more proof to some of them who had already started thinking it.

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    Jeremy Mahieu

    If Adolin said the First Oath to Maya, would the Stormfather have to accept it if Maya did?

    Brandon Sanderson

    No. Not necessarily.

    There's more going on here. Even if Maya would... Does he mean the oath? Is he wanting to be part of that Order? There are so many things in that that could prevent... And even, would the Stormfather be the one answering, in that case? Which would probably be a "no."

    All kinds of versions of "no" to that question, though it is a good question.

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    Drew Berg

    Is Tien's spren still around, or are they recovering like Syl did after her prior Radiant's death?

    Brandon Sanderson

    We'll RAFO that for now. Tien's spren is not going to be a deadeye. Tien didn't break his oaths, Tien was killed. So we'll RAFO what's up with his spren for now. But you can rest assured that it's not any of that.

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    Kimbobhi

    Is it possible to Surgebind using gaseous Investiture other than Roshar's?

    Brandon Sanderson

    So here's the thing. It depends on your definition of Surgebinding. Surgebinding would be the Rosharan definition of all of the magics. They would call the Metallic Arts Surgebinding. You are binding the powers of creation, which the word "Surge" is that word translated from Rosharan into English, that's what the word means in Rosharan, is the powers of creation. The fundamental forces which inspired me to make this. So they would consider all of them to be Surgebinding. And that's just what you're doing, you are binding and using those powers.

    Other people, including Khriss, would not agree with that definition. They would say: Surgebinding is specifically binding, through the Nahel bond, the spren, the specific manifestations of Investiture on Roshar, by using specific sets of oaths in order to gain access to those powers. So she would say: no, that is not Surgebinding when someone uses Allomancy. I would lean with her on that one, but the other one's a viable definition.

    What you're really asking is, can someone, one of the Rosharan, the Knightly Radiant Orders, could they power that with a different form of Investiture from a different planet? And yes, this is possible, though there might be some difficulties in making it work, which I haven't explained entirely yet. But yes, this is possible. In fact, it is possible to power all of the different magics with the different forms of Investiture. That is a possibility

    This is one of the reasons why Mraize and Thaidakar are so interested in Stormlight. Because if you could get Stormlight off, and you can crack that... just way easier to get Stormlight than it is to get the other ones. Like Breath, you could consider easy, but hard to morally harvest; in fact, perhaps impossible. If you want ethical, sustainable magic, then Roshar is a much better bet than some of the other places that you could...

    Adam Horne

    Does that mean Mraize and [Thaidakar] want an ethically sustainable...?

    Brandon Sanderson

    They're really interested in the sustainable part. I would say that they both would say "yes" to that question. They would consider their actions to be, on an ethical spectrum, at least in the neutral area, perhaps. Others would disagree with that.

    Adam Horne

    Where would they fall, philosophically speaking, like Kantianism, or?

    Brandon Sanderson

    I'd have to think about that. That's a good question. Certainly not as far on the utilitarianism side as someone like Taravangian, who's about as far as you can go. But Jasnah is pretty far on that side, also. Though she considers her version more of a "what is the greatest good I can do with any action I take?" (Which one is that? It's not Kantian, but you know what I mean.) That is a little on the utilitarian side. Not a little, that's... not as far as Taravangian, but that's definitely, yeah. They would maybe be in between those two, maybe. Depends. They're not the same individual, they would have different lines.

    There's gonna be (let's just say) future books that explore Thaidakar's relationship with that. But you have seen in other books the lengths that Thaidakar is willing to take in order to achieve his goals. He is not far off from Taravangian in some of those things that he has done.

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    James Smallwood

    Can the Voidspren bonded by the Regals be killed and become deadeyes?

    Brandon Sanderson

    Voidspren bonded by the Regals, right, okay. I'll RAFO that for now. I haven't gotten into the mechanics of the Regals nearly as much as I want to eventually get into it.

    Let's just say something weird is happening to make deadeyes. They didn't exist before the Recreance. There should be a relationship here that reminds you of something else you've seen in the Cosmere.

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    James M

    According to Cord, Rock drew the Bow of Hours at the dawn of the new millennium. Roshar is at year 1173. Do Horneaters have a different calendar, or is Rock just really really old?

    Brandon Sanderson

    No, Rock is not really old, that's a different calendar. Rock is not old enough to have drawn that bow 74 years ago.

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    Shaed cloak

    How do proper lighteyed women play instruments that require two hands?

    Brandon Sanderson

    With gloves. If they want to.

    The whole thing breaks down, just like a lot of sexist societal constructions, when you actually start to pick at it. Because you'd be like, "She's playing a flute. That's 'one handed,' is it?" "Yes it is, look, she's holding it one handed and blowing." "And those fingers that she's using in order to make...?" "Oh, those don't count. That's still a one-handed art." "Why is that one-handed?" "Because we said so; haven't you read the book?"

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    enceladus_47

    Does Shallan's "I killed my spren" count as a truth?

    Brandon Sanderson

    I'm gonna leave up to theorizing, figuring out the timeline that's going on with Shallan. What we can say is that Shallan is reconstructing, in many cases, oaths she has said before. And it is working slightly differently than someone who is saying new oaths. And indeed, saying she killed her spren is one of those steps. I'll leave it to you to try and parse through that. It's actually pretty complicated. We have a nice big page explaining all of this stuff internally, to make sure that we're keeping it all straight. Because she has violated oaths and reconstructed them, is basically what's happening. And she is regressing, and she's doing a... 1.1 steps forward, 1 step back, sort of thing, kind of frequently.

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    Sockoiid

    The UV wavelength is wider for Voidlight. Is there an Investiture reason why the bands are wider instead of brighter? Wider bands doesn't make sense in physics, due to Snell's law, but brighter works.

    Brandon Sanderson

    The reason I did this, I actually did this very intentionally. This can go two ways. What I'm hoping you'll see is: this is Brandon understanding the physics of our world and saying, "It's okay to let go, because I am not using the physics of our world." This is supposed to say to you, "All right, I understand this doesn't work the way it's supposed to." Because what I'm doing with the constructive and destructive interference requires Cosmere intervention in order to actually work. Destructive interference is not magically different in any way than constructive interference, or than any other sound wave, it's just where you position it. You couldn't look at it by itself and be like, "Oh, that is the anti-song to this song." That's not how it works. The anti-song to this song a song that is aligned differently; they sound the same to you. They're just played in such a way that is destructive interference. And I needed there to be a dividing line that said, "We are actually working in Cosmere physics here."

    And the main reason to do that is that, the nuts-and-bolts reason, is so that those who knew their physics could be like, "Ah, okay, we are in a fantasy world. We are in a world where people don't irradiate each other with redshifts, and indeed this destructive interference can be magically known as the opposite of this other sound because humans beings are considering it so and that makes it so." And there are a couple of other things about the physics through the books that are done that way.

    What's the in world reason that it's like that? That is a RAFO.

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    Katelyn Gigante

    After the epilogue, when Odium took Hoid's memories, did he gain them or just remove them?

    Brandon Sanderson

    He removed them, he did not gain them. He excised them, he performed a little surgery on the Breaths. You have seen this happen before in the books, though I will not give spoilers to another book. It happened on a different world.

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    Nouf

    What does it mean that Kaladin is close to Honor, and how did that factor into him staying conscious while every other Windrunner in the tower didn't?

    Brandon Sanderson

    The nuts and bolts answer is, Kaladin basically was in a place where he could say the next oath, and should have said the next oath, and indeed knew the next oath, and it was on his tongue, and he refused to. So basically he was as close to being the next level of Knights Radiant as a person could humanly get, because everyone considered him ready except himself. He even knew that he was ready, but by saying it, it would require him to give up something that was precious to him, which is his feeling guilty. A precious part of his identity as he saw it. And he would have to relinquish that. That's the bulk of it.

    The other bulk of it is, the level to which Kaladin tries to protect, the level to which Kaladin exemplifies the Ideals of the Windrunners, and indeed of the way that Honor would have all Knights Radiant act, is so over the top, in alignment with the way Honor would like it to be, that it could even be considered unhealthy. Remember, Honor didn't always encourage healthy relationships with things like the power, particularly later in his existence. So either way, Kaladin is just kind of extra aligned with that intent, if that makes any sense.

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    Flannybuns

    How can splintered seons like Mraize's leave their planet, while spren cannot?

    Brandon Sanderson

    That is a big mystery in the Cosmere, so it is a RAFO. This is actively... The answer to that question is a big step toward doing what Mraize wants to do. And they haven't figured it out yet. There are lots of theories. And indeed, Elantris and its magic systems tend to be the oddball among Cosmere magic systems in a lot of ways. This is all related to how things work and the various things that are odd about the Elantris magic system. So I'm going to RAFO that with a "why don't you theorize along those lines?" They are trying to figure it out, and obviously they do, because (spoilers) I have read things that indicate that this is possible in the future.

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    Soni

    Is there a reason for why so many early Radiants were family? Including theorized ones, we have Tien and Kaladin, Jasnah and Elhokar, Dalinar and Renarin, Shallan and Helaran...

    Brandon Sanderson

    Yes, so I can give you the "how the sausage is made," I call this the narrative reason vs the in-world reason. I can give you both.

    In-world reasoning is that, when these bonds are forming, these human beings have bonds to other people, and that naturally leads the spren along those bonds. When Kaladin is forming a bond with a windspren [honorspren], and windspren [honorspren] start looking, or even other sapient spren start looking for people, they're going to notice. Remember, they're coming into the Physical Realm, it's very hard for them. They're doing this partially from the Cognitive Realm, searching and trying to get pulled through by the attention and the bond that is forming. They're naturally led to other people who are related. You could even say that, because of Tien, Syl found Kaladin.

    I built this in for a narrative reason, and the narrative reason is: we generally are going to want to have a larger than average number of people among the core characters, who are involved in the magic system, and involved in the narrative. Because the magic system is so important in my books, I knew that I was gonna have a lot of friends and family of main characters end up with spren bonds.

    But I don't think this is unusual. In fact, I think this is more true to life. It's not one of those coincidences we make up for a book; it's one of those coincidences that happens in life that seems unusual. It seems unusual if you look at it and say, "There are five people who became full-time in the publishing industry during the year Brandon was a senior at BYU. And they are all friends; in fact, they were all friends before they got published." This seems unusual; like, why didn't anyone else? There is nobody else that I know that broke in into the industry from that year. Maybe it happened, but nobody I knew who wasn't in our immediate friend group. Well, this is not that surprising if you actually look at it, because when one person breaks in, it becomes so much easier for everyone else that knew that person. Not just for networking reasons. (Networking reasons: obvious). The other obvious one is: the people are gonna know each other because they're all gonna be moving in the same circles, looking for each other without knowing it. They're gonna be looking for other good writers, and they're gonna be making connections with them. They're gonna notice when people ask questions in a class that are the right kinds of questions to be asking about getting published.

    But even beyond those two things, once I broke in, Dan Wells has said before he realized, "Brandon did this; this is real. He actually did this. I can do this." And indeed, he went and broke in. Once this thing that seems impossible, whether it's becoming a full time novelist, or forming a spren bond and becoming a Knight Radiant; once you've seen somebody do it, it becomes way easier for you to conceive of yourself doing it. This is why C. S. Lewis and J. R. R. Tolkien were in the same writing group. This is why you see this sort of thing happening all around the world and in all sorts of professions, that people who were friends together... Every time that people are like, "Wow, these three major Hollywood stars knew each other in high school." Well, yes, that is actually more likely to happen than not, because of all these reasons I've talked about.

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    Phillip Denny

    Is there a "how the sausage is made" reason why there are 16 Shards, instead of 15 or 17?

    Brandon Sanderson

    Yeah, it splits really nice on a table. When I was developing the Cosmere in general, I was looking for... the division of multiples of 2 is just so much fun for designing things like the Allomantic Table. You can do that with 10, you can do that with 15, yes. I find aesthetically pleasing the way that 16, 8, and groups of 4 work, and that's how I arrived at that number.

    I also did have some kind of boundaries on myself. I needed it to be a large enough number that it could cover the full group that I wanted to do in Dragonsteel, but it had to be small enough that people could track them all. 16 is a little on the high end for that, but doable, I believe. Particularly since you really only have to track all 16 when I write the Dragonsteel stories. (You'll really have to track 17 because we have Hoid, who did not take one.) But lately, you have at least one of the Shards being combined, and others of the Shards no longer being relevant to the course of stories, and things like that. So you won't actually, in the future, have to track 1.

    But it was a nice number for what I wanted to do; not too big, not too small, and I liked how the divisions broke down. And I knew I was going to do 10 with Roshar by that point. If I was gonna pick 10, I would have to use 10 again in Mistborn, which I could do, but I wanted to have different themes. I wanted their tables and math to look a little different visually on the page, since they were two pillars. So 10 and 16 felt like the two good pillars. The Aether world is a 12 world, so we'll have a 12 also. The Aether world does not play into things nearly as much, but it'll depend on how many books I write using the Aethers in the future.

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    Cody Taylor

    What was the scene in Rhythm of War that you had planned or thought of twenty years ago?

    Brandon Sanderson

    Kaladin jumping off the top of the tower to save his father. Into the storm. I have been working on that scene in one way or another, like, forever. This was a scene I was planning in the original write of Way of Kings, though I don't think it was his father in that, because the relationship with his father was not the same in Way of Kings Prime. It was probably Dalinar back then, but it's been twenty years or so. But this scene of Kaladin jumping off, going into the darkness of a storm, and emerging like a lightning bolt afterward, is one of those pivotal, foundational scenes that built the core of how the Stormlight Archive was going to work, narratively.

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    Maxwell Goode

    Before he betrayed Bridge Four, had Moash attracted the attention of any Honorspren, like the other members of Bridge Four?

    Brandon Sanderson

    So this was pretty early, so I would say probably not. But that's a RAFO. I can see opportunities in the future where I would want to retcon that. I don't think he did, I don't think most of them were attracting spren until middle of Oathbringer or early in Oathbringer, when we actually had kind of a mass influx of Honorspren who decided not to follow the rules and kind of, as a group, came looking for Knights Radiant. But it's not outside the realm of possiblity that Moash had attracted a rogue Honorspren like Syl. I don't have it right now as happening.