Recent entries

    Shardcast Interview ()
    #101 Copy

    Brandon Sanderson

    Usually I try to have a couple of things that have been very well foreshadowed that you are able to expect, and then hit you with that left hook of something that is foreshadowed but kind of in a hidden way. Like what happened with Taravangian at the end [of Rhythm of War]. Theoretically after the fact it should feel inevitable that that's where it went, but can still surprise you. My goal is to have some of those in every book, but those get harder and harder to do as the fandom learns my tricks, and people have more time to philosophize. This is why Stormlight is two sets of 5 instead of one 10-book arc. Even though some of the things will persist into the second 5. I needed to get all the stuff that I properly foreshadowed dealt with, so I can start foreshadowing new things. And kind of let you have a mind reset button on the plot arcs that we're talking about. It's not a reset really, the story continues on. But because I'll be able to reintroduce things in book 6, it can feel like a new series to an extent and can therefore start brains working a different direction.

    Shardcast Interview ()
    #102 Copy


    Has people knowing more about the Cosmere changed how you've written the books? Have you put in more connections or less than you planned?

    Brandon Sanderson

    No, I've put in more. I always wanted there to be more but my instincts said don't do it. Because people were pretty anti-continuity for a long time. They wanted continuity in a series, but this sort of stuff... it's a hobby horse of mine - a pet theory, that I think people becoming familiar with the internet, and becoming comfortable with fan wikis is what made the MCU possible, and is what made the Cosmere work. 

    WandaVision - which I've just watched the first two episodes of - doesn't feel like that could exist in a previous incarnation without the internet for people to look up, 'Who are these people? What's going on here? Who are these cameos?' It's just too weird to exist in a pre-internet era, my gut says. 

    My publisher was saying 'Don't do this, you don't want people to feel like they're diving into something too deep that will scare them away.' So I was really cagey with it at first as you can tell from the books. And it turns out we're in a different era. We're in an era where this sort of thing is not so threatening. Also my popularity has influenced that as well. The fact that the books sell really well, means that there are good fan wikis, which also means that there are people talking about the stuff behind the scenes in the books. It means I can be a little bit more free with that. 

    I still want each series to have its own identity. When I do crossover things, I want them to use the crossover each in their own way. So it doesn't become a big hodgepodge of ideas. The further I've gone the more comfortable I've been making these crossovers happen, and I've been able to experiment and see which ones work best, and what people like. I've also come to better understand it's okay for their to be a chapter where Vasher explains deep cosmere magics. As long as that's not the core of the book people can read that, and people will be like 'he knows lots of weird stuff, oh well', and to them it reads like Star Trek technobabble. But to those who follow these things it will give some structure, and delve a little bit further into how some of this works. 

    Shardcast Interview ()
    #103 Copy


    In 1966, Ursula K. Le Guin coined the term ansible, for devices that facilitate faster than light communication. Since then the term has been used pretty widely in the science fiction genre, and by you in Words of Brandon. In Stormlight [Archive] you have the word fabrial and artifabrian for magical technology. How would you feel if fabrial escaped you? 

    Brandon Sanderson

    Oh that would be awesome, that would be really incredible. 

    Shardcast Interview ()
    #104 Copy


    Especially with the livestreams this year, you get lots of questions from the fandom. How do you feel about the culture around Words of Brandon? Do you ever worry that the fandom takes them too seriously?

    Brandon Sanderson

    Well, yes, I do worry. I try to explain a Word of Brandon is not written in stone, and I think that people know this by now. A Word of Brandon is how I am planning to do it, but it's not canon until it's in the books. And things get changed as books are worked on and better ideas come around.

    The thing is, I grew up in the Wheel of Time fandom. I am used to this sort of thing. I'm accustomed to it. It doesn't frighten me. I'm just used to dealing with it. It's part of fandom to me. And I would certainly rather have this than the alternative, which is no one paying any attention or caring. The opposite is far, far worse. But I do worry that sometimes people take them a little too seriously. Mostly the ones that I give off the cuff while I'm doing a live signing session, like when I'm at a book signing trying to write peoples names and phrases in their books while they're asking me questions. And I flub those way more often than I flub ones on a livestream where I'm not having to track people's names and things like that. But I will often answer the question I think people are asking, rather than the question they actually ask, because something's on my mind I've been thinking about, and they'll ask a question. And then I'll be like, "Oh yeah; bla bla bla bla bla bla bla." And they're like, "That's not what I asked..."And I'm like, "Oh. Sorry."

    Shardcast Interview ()
    #105 Copy

    Brandon Sanderson

    Back when you guys said "What should we name ourselves?"

    And I said, "Oh you should name yourselves the Seventeenth Shard. That's a cool little nod to something in the universe." Before anyone - you really don't know what they are even yet.


    Are we going to get something from them eventually?

    Brandon Sanderson

    Yeah maybe, it depends if I'm able to write the Silverlight novella, because they would be involved in that.

    General Reddit 2021 ()
    #106 Copy


    Is Moash intended to read as being interested in men?

    Beyond some of the things he says, I relate a lot to his feeling of alienation even within his marginalized group, as a queer poc.

    Brandon Sanderson

    I wasn't intentionally coding Moash as queer - but that doesn't mean I didn't do it on accident. I see him as straight, personally, but having gone so far down a dark path he basically feels nothing anymore.

    Shardcast Interview ()
    #107 Copy


    There has been a question in the fandom ever since [Rhythm of War] Part One, where we learned that the Thrill got tossed in the ocean.

    Brandon Sanderson

    They, at Jasnah's suggestion (which came through Hoid), locked it in an aluminum box and threw it in the ocean. The argument for this being that anywhere they could hide it, the enemy could get to. And an Unmade would be pretty easy to find in the Cognitive Realm. You can't hide an Unmade very easily. Aluminum's gonna help a ton with doing that. So, what you have to do is try to make it as inaccessible as possible. And the most inaccessible thing they could do is lock it in an aluminum box and throw it in the ocean. If they had kept it anywhere in the city or what-not, then the enemy would have been able to find it very easily, even inside an aluminum box. This method was their best guess at being able to keep it out of the enemy's hands. It is not a great solution, unfortunately. There just isn't one that they could find. As we talk about a certain other Unmade who is somewhere locked in a gemstone that might come up in the next book maybe, we'll talk more about this.

    Miscellaneous 2021 ()
    #108 Copy


    You've said that the Cognitive Realm is an infinite plane that expands in regions with high concentrations of thought and contracts in regions with little or no thought, and also that it would be possible to circumnavigate the Rosharan Cognitive Realm. It seems to me that the seeming inherent contradiction between the possibility of circumnavigation and the plane being infinite could be resolved if the plane of the Cognitive Realm is a topology and experience localized distortions but is continuous. Like if the Cognitive Realm for the whole Cosmere were like the the inside surface of a balloon where the high concentrations of (thought) of a planet stretch and warp the local surface, but the whole system still remains bound and continous, and therefore is infinite in its continuity. Is this how you see the Cognitive Realm working? And could you elaborate if this is close or more importantly if it's way of the mark?

    Brandon Sanderson

    I imagine it as an infinite plane with distortions that are planets. So kind of.

    Skyward Three Updates ()
    #109 Copy

    Brandon Sanderson

    Skyward Three Update Three

    Hey, all! I'm here to bring you some good news. I managed to hit my deadlines for the first and second drafts of Skyward Three (tentatively titled NOWHERE) and submitted the book last week to my publisher. This is the third in a sequence of progress reports on the novel, the second of which can be found here.

    Now that the 2.0 draft is done, I'm waiting on the editor to look through the novel and tell me what she thinks. The tight deadlines on this one are because of paper shortages and printing delays in the industry. (Many of my books are on backorder right now in hardcover, for example. We can't even get them.) I had to promise to get this book in under a pretty rigid set of deadlines to guarantee a November/December release.

    I'm pleased with the revisions I did to make the 2.0 document, and once you've read the book, remember to ask me about them--I made some choices that I think will be interesting to writers who like watching how different authors do revisions. I am very pleased with the book, but I'm always pleased at the 2.0 stage. (If I'm not, I don't send the book in.)

    I'm eager to see if the publisher is equally pleased, and then see if beta readers bring up any major issues I didn't notice. That will all happen over the next few months. If everything goes well, I should be giving you a final update for the book sometime late March, early April.

    (At that point I'll do the hand-off to Peter, who will handle the copy editing and proofreading. I'll move on to the final Wax and Wayne book, which I know a lot of you have been waiting for.)

    Thanks, as always, for your patience in putting up with me jumping projects as often as I do. I hope you're having a happy New Year! (Also, note, that I will not be having replies to this go to my inbox, so apologies in advance if I don't see your comment or question.)

    EDIT: I forgot to mention the novellas. (The three tie-in novellas we're releasing to show what the rest of Skyward flight is up to during the events of Book Three.) The timing of these is going to depend on when Janci and I finish them, and I don't know when that will be yet, as they don't have to follow a traditional publishing schedule. (If there are print editions, they'll come along in a future year--this year we'll only be focusing on ebook and audio, which should be simultaneous.)

    In a perfect world, I think I'd release these in the months leading up to Skyward Three--but they could be read after as well, so we'll see how the writing of them goes. I will have more for you by the final update post in March/April. For now, just know to expect them sometime around the book release.


    YouTube Livestream 25 ()
    #110 Copy

    Brandon Sanderson

    Then I need to work on outlines, because Janci has got the second outline for her second novella. I'm really excited by the Skyward novellas. Because what's going on is: the third Skyward book, very pleased with. I really like how it turned out. But one of the issues with this series is, the first book was kind of a... They're all first-person from one character's view point, so it's not like they are ensemble books. But in the first book, the character had a large cast she interacted with of characters who are quite endearing. And in the second book, those characters were intended to continue on. But the way the second book played out, about halfway through, I felt like (because it was in a different location and the whole team had gone) that it just was not working. There was too much of a safety net for the main character, with the whole team being there. And I rewrote the whole book so she was there on her own, isolated. And the book just worked way better.

    But one of the problems is: the outline for the four-book series had Book Three already being a solo adventure from the character in a way I couldn't really write out of the series unless I just cut the book entirely. And I didn't want to do that; I like the character growth that happened in it. But that now means that we have two books in a row where the main character's isolated from her team, that you still probably want to find out about if you enjoyed the first book. So my fix for this is to have a series of novellas from three different viewpoints (Janci picked the viewpoints) that I'm co-writing with Janci Patterson, a good friend of mine for many years and an excellent writer. And, honestly, more in touch with YA than I am, and kind of knows that genre. And I went to her and said, "Hey, would you pick three characters that you really wanna tell about from this other group and write three novellas that kind of progress the story, so that it's one long story in three chunks." And she was really excited by this idea and is writing these.

    So, basically, at the time Book Three comes out, we hope to... (no promises on timing on these; I have to let Janci write at her speed. She's a writer that writes at a good pace, but I want her to have the freedom that she needs.) She's going to write these novellas from three different viewpoints that are, together, going to cover the same time that the third book does, that kind of catch you up on what everybody is doing while Spensa is doing kind of solo adventure stuff. And she just turned in the second of those outlines for me to go over and offer feedback on. I'm only about half done.

    YouTube Livestream 25 ()
    #111 Copy

    Brandon Sanderson

    I'm not doing the [BYU] lectures as YouTube videos this time. We figure we only wanna do these every three or four years; there's no reason to do them every year. But, because of covid, I have to stream the class to all of my students. And I do apologize; it is a closed stream through the university. But we will be creating highlights out of each lecture; maybe there'll be a fifteen-minute or a thirty-minute chunk here that Adam thinks will make a good stand-on-its-own thing, and you will get to see those probably after the semester's done, whenever Adam gets them together. We're gonna be doing that from the Lair.

    YouTube Livestream 25 ()
    #112 Copy


    Which order of Knights Radiant was hardest for conception?

    Brandon Sanderson

    It was definitely the Dustbringers, which I'm not even sure yet, because I haven't done a lot with them in the books. But I wanted the Dustbringers to be more than just "generic fire magic." Not that people haven't done great things with generic fire magic that they have individualized, but kind of the whole idea behind the Surges in the Stormlight Archive is that they are using, as the elements of their society and the fundamental forces, things that you wouldn't normally see as magic systems in a fantasy novel. And generic fire magic didn't fit into that schema very well.

    General Reddit 2021 ()
    #113 Copy


    In Era 1 there was an imbalance between Ruin and Preservation because humans had a bit more Preservation than Ruin in them. After Harmony became a thing did this imbalance become [ir]relevant because both powers turned into one, or is it something Sazed had (or has) to deal with?

    Brandon Sanderson

    This is a RAFO for now--should come up in Era 3.

    YouTube Livestream 24 ()
    #114 Copy

    Brandon Sanderson

    Dragonsteel: Chapter One

    The lumberman’s son was born into a world of magic. Perhaps others would not have thought so, but to a young boy full of curiosity and wonder, the forest was a place of enchantment.

    Jerick saw magic in the growth of the great pines, seeds barely as large as a pebble eventually becoming monoliths, with trunks so wide that when he hugged them, pressing his check against the rough bark and stretching his arms to their fullest, his fingertips still didn’t touch at the back.

    He heard magic in the wind, which blew whispers through the branches, dropping cones and needles to the ground like a rattling waterfall.

    He tasted magic in the fruits of the wilderness, berries both sour and sweet, musty pine scents that tickled the back of his nose.

    He felt magic in the forest’s life. A group in which the lumberman’s son included himself. Like the branch rat, the wolf, the rabbit, and the deer, Jerick was a creature of the woods.

    His first steps had been taken on a floor of pine needles. His home, a simple hut constructed from those same trees that surrounded it. The lumberman’s son knew other, less fortunate children who lived in a village a short distance down the river, a place where the mountainside tapered and the trees fell away into a broad plain. Here, people lived cramped together, their houses huddled like frightened rodents or birds too young to leave the nest. Other lumbermen lived in this village, taking carts or boats each day to the lumbering camps.

    Jerick could not understand these men. They worked with the forest, yet it did not intoxicate them like it should. He did not know how they could leave the beautiful woods each day, instead choosing to live in a place so crowded and suffocating.

    Jerick had friends in the village. They didn’t see things the same way he did. When he showed <Cenn> and the others a tree older and stronger than the rest, they would shake their heads, not understanding its strength. When he found a large fish swimming in the river’s sheltered shallows, its bulbous, unblinking eyes regarding him with an unasked question, the other boys would only try to catch it. When Jerick wondered how the clouds could move in the air when there seemed to be no wind, the others would ask him why he cared.

    So, though trips to the village were exciting, Jerick was always glad to return home. Home to his mother, who would be finishing the day’s washing. Home to his forest on the mountainside, where he could listen to the pines rustling, <fallow owls> calling, and twigs crackling, as opposed to the silence caused by men yelling to one another.

    He loved to accompany his father into the woods. The lumberman was so tall and broad-chested, he seemed almost to be one of the trees. <Ryn’s> arms were thick and rough with hair, his tough axe-calloused fingers like ancient roots, his beard like a thick gathering of pine needles that poked and scratched Jerick’s skin when they hugged. His father had deep, understanding brown eyes and wide lips that were usually parted in a contented smile.

    As far as Jerick could tell, his father was the only person alive who understood the forest better than Jerick himself. <Ryn> could tell the strength and quality of a tree’s wood simply by rubbing his fingers across the bark. He could see birds nesting high in branches that Jerick had assumed were only shadows. And he could always find sweetberry bushes to sate a growing boy’s appetite.

    More importantly, the forest seemed to accept his father. Jerick soon came to understand that this was because his father respected the woods. “Look at the trees around you, my son.”

    (By the way, I’m not gonna do the dialect. I had dialect in Dragonsteel. People from the rural areas don’t say the word “the,” they just say “ta.” So, “Look at ta trees” is what they would say. But I’m not gonna do the dialect.”

    … his father would instruct as they walked together. “Man can be born, grown, and die in the time it takes one of them to get so high. They’ve seen the likes of us come and go.” That would be all he said for a while. <Ryn> didn’t speak much, not like the other lumbermen, who always seemed to have something to say and not enough people to say it to.

    <Ryn> was a King’s Man and cut lumber for the king’s shipping. Like the other lumbermen, <Ryn> used a shiny bronze axe to do his work. The most important possession he owned; bronze was rare. The only other piece of metal Jerick’s family owned was his mother’s bronze cooking knife. Jerick had heard men in the villages speaking of a new, stronger metal that had been discovered recently in the south, something called mountainsteel. They said its name came because it was the same color as mythical Dragonsteel. But to Jerick, it was all the same. He had never seen either one; bronze was good enough for lumbermen.

    As soon as he was able, Jerick followed his father to the lumbering camp. After a few weeks, the burly men welcomed his presence, and he was allowed free rein of the camp, where he watched, thinking of questions to ask his father as they travelled home. He wanted to know what made the men’s arms so big. Why the trees fell the way they did. And what the lumbermen did with all the branches they cut off the trunks. He wanted to know why the King needed so much wood. And how long it took to float all the way down the <Trerod> river to the palace.

    Some of the questions, his father could answer; others, he could not. Some things, Jerick simply noticed and asked no questions. Most of these had to do with his father. For instance, after felling a tree, his father would dig two holes and drop pine seed into each one. The others did not. Every day when the work was done, his father would start a small fire of green pine needles sprinkled with pungent witherdust and let it burn among the trees slated for the next day’s lumbering. The smoke would trigger a reaction in the pine larks and <cheps>, and they would fly or scamper away, taking their young with them. The other lumbermen would scoff at his father’s precautions. But Jerick watched with pride. Actions like these, and dozens like them, were where the lumberman’s son learned the most important lesson his father ever taught him: all life was precious.

    Such was Jerick’s life up until his eleventh year. He wandered the forest, helped his mother with cleaning and baking, ran chores in the lumbering camp. To him, there could be little else to life; he was content, and he wanted nothing else.

    His father, however, had other plans.

     (I consciously did a bit more of a storyteller’s style for this. You can see; that first section’s basically omniscient. This was always kind of meant to be a story that Hoid was kind of telling after the fact. You can kind of see hints of that in some of these sections. Other sections go more into the third limited. But you can imagine that sequence that I just read you all being said by Hoid to people who want to know about what happened and how everything came to be.)

    “Jerick, son, go fetch your mother some water.”

    “Yes, Father.” It was dark outside, and his mother had little need of fresh water, but Jerick complied quickly. His father made few demands; when he did, the lumberman’s son did not question. He did, however, run quickly, so he could return to listen outside the door.

    “The boy notices things, <Martle>,” his father was saying. “He’s quick of mind. The other day, <Javick> and Henry hadn’t been watching the angle properly as they cut. That tree would’ve fallen the wrong way and could have killed a man. Jerick saw the error in an instant. He pointed it out to them. A boy barely two hands old speaking lumberin’ to a pair of men who’d been cuttin’ trees their entire lives. He has more questions than I can answer; though sometimes he answers them on his own.”

    “And what would you be havin’ us do about it?” his mother asked. Jerick could imagine the slight frown on her face as she asked the question, her broad frame seated on the floor beside <Ryn>. His mother was practical in all respects, evaluating everything on its ability to be used. When Jerick asked her a question, the answer always came in the form of another question, usually asking him what he would do with the answer if he had it.

    “There’s that new school in the village,” his father explained. “They say the king himself ordered it built.”

    “I’ve heard of it,” his mother said hesitantly. His mother disapproved of anything that broke with tradition.

    “I’d take the boy to it once a week. He’d be able to learn.”

    “What could he learn that would do him any good to lumberin’?” his mother asked.

    “Probably nothin’ at all,” his father admitted.

    “’Tis an unnatural thing, <Ryn>. It won’t last long; the people won’t put up with it. Schools are for nobbles and kings.” (I used “nobbles” instead of “nobles.” We had a nice little vowel shift in this.) “Not for lumbermen.”

    “I know, <Martle>. There was silence for a moment.

    “Well, then,” his mother said, “as long as you understand that, I doubt there’s any harm in it. Just be sure not to let the boy get a wrong thinkin’ about it. Learning could spoil him.”

    “I doubt anything could be spoilin’ Jerick,” his father replied.

    And so, the lumberman’s son went to school.

    The scholar was the most fabulous creature Jerick had ever seen. (No, that’s not Hoid.) His robes were made of cloth, not furs or skins, and they were a red as deep as the colors of the setting sun. More amazing, his hair was a pale yellow, like the mane of a light-colored horse, rather than deep black like everyone else. His beard was not bushy and wide like that of Jerick’s father, but it was straight and stiff, about a handspan long, and only came out of his chin. It was pulled tight and wrapped with thin strings, making it ribbed, like a bale of hay. The beard almost resembled a slice of bread, with the short end glued to the bottom of the man’s face, and made his chin seem like it was a foot long. His head was covered with a tight cowl that stretched across his forehead and hung loosely against the back of his neck. And his eyes were dissatisfied as he stepped from the chariot, a wonder in itself, and regarded the village.

    Jaw moved slightly, and his face pulled tight, as if he had suddenly tasted an extremely rotten, bitter fruit. Around his neck, Jerick could make out a gleaming castemark; the mark of a man’s rank in life. It was made of gold, rather than the plain wood of those like the lumbermen.

    “Bow, lad,” his father ordered. Jerick complied, joining the rest of the village in bowing for the strange man.

    “Why do we bow, Father?” he mumbled as he lowered his head.

    “Because the man’s of nobble blood, boy,” <Ryn> explained.

    (I’m not gonna do all the accents, but he says “formers” instead of “farmers.” Sound change. The whole idea is that the nobility accent is shifting away from the way that the accents of the lowborn are, which is kind of this fun thing that happens in linguistics. And this is one of the things that causes vowel shifts, where you’ll often see different vowels getting replaced over time. I find that sort of thing very fun. I’m probably not going to read that to you. But you can see it when you read the book.)

    “Lumbermen and farmers must bow before anyone higher than them, whether it be a merchant, a noble, or even crafters.”

    The idea seemed wrong to Jerick, but he said no more. People were beginning to raise their heads, and, for the moment, he was more interested in viewing the odd, brightly-clothed scholar than he was in asking about the nature of the caste system.

    “Classes will begin at noon,” the man declared in a high-pitched voice. The words sounded odd, as if the man couldn’t form them properly. They were sharp and separated; not smooth and comfortable, like what Jerick was accustomed to hearing.

    “What’s wrong with his speakin’?” Jerick asked, furrowing his brow in confusion.

    “That’s how nobbles are speakin’, boy,” his father explained. “They’re not the same as lumbermen. They think differently. They have learning. You’ll get used to it. Now go play ‘til noon; since we’ve come to town, might as well see about gettin’ my axe sharpened.”

    Jerick nodded, his eyes seeking out <Cenn> and <Yon>, two of the boys that he usually played with. However, as his father walked off toward the smith’s, Jerick turned away from the boys. He was still more interested in the scholar than anything else.

    The man was speaking softly to <Millen>, head of his father’s lumbering camp. <Millen> was a short man with graying hair. His head bowed practically to waist level, and he was bobbing subseqiously. Jerick had never seen such behavior from the foreman before. Eventually, <Millen> gestured for the scholar to follow him. The man nodded to his several companions: two packmen and younger woman that Jerick hadn’t noticed before. She must have also been a noble, for her hair was light and luxuriously long, not cropped short at the shoulders or pulled up in a bun. The scholar reached up his hand to help the woman from the bronze chariot. She looked distastefully at the ground, though Jerick couldn’t understand what she found wrong with it. It was, after all, just ordinary mud.

    <Millen> led the four to a house at the center of the village. Jerick had noticed the building earlier; it had been a storehouse, but that had been emptied and its walls washed unnaturally clean by the efforts of a dozen workmen. He’d wondered what it would be used for. Not the school; a building on the other side of town had been prepared for that. It couldn’t possibly be a place for the scholar to live; it was far too large for that. What would one man, even four, do with so much space? It was so silly an idea that Jerick only gave it a passing thought.

    As the five people disappeared into the building, Jerick made a decision. He ignored the calls of the other boys, waving for them to go on without him, and wandered over to the structure, looking as if he were interested in the pile of stones beside the front path. His interest soon changed to a small beetle, a large leaf, and several other objects that progressively brought him closer to the building, until he was standing just beneath the window, admiring a snail as it climbed up the whitewashed wooden wall.

    Though his eyes followed the snail, his ears stretched to catch more of the noble’s strange words. He jumped in surprise as the door opened and <Millen> and the two packmen left. Determined not to run away, Jerick focused his eyes on the snail and tried to look engrossed. The men paid Jerick no heed, and he congratulated himself on his strong nerves, then thanked the snail for remaining so calm, as well. The small creature continued to slide along, completely oblivious to Jerick or its own part in the subterfuge.

    Calming himself with a few breaths, Jerick concentrated again. His efforts were rewarded, and soon he could make out the whiny, snappish voice of the scholar speaking within. “I spend an entire year training in <Trexados>, the grandest center for learning on the continent, and my reward? Forced exile to an insignificant mud pit on the far side of the kingdom.” His strangely accented words sounded less authoritative than they had before. It almost resembled the voices of the younger boys who pled to be allowed to play with Jerick’s friends.

    “Calm yourself, brother,” a second, feminine voice soothed.

    “I cannot and I will not calm myself, <Willan>,” the scholar snapped. “You cannot feel what an outrageous appointment it is. Tomorrow, that chariot will carry you back to <Emory>, leaving me to be forgotten. He must hate me.”

    “Perhaps he simply wants someone to teach the people here.”

    The scholar snorted loudly. “Teach lumbermen and farmers? <Willan>, be rational. What purpose could that serve?”

    “I do not know,” the woman confessed. “It seems ridiculous. But he did appear sincere when he gave you the instructions.”

    “It must be a move by House <Strathan> to discredit us,” the scholar declared as if he hadn’t heard his sister’s comment.

    “Discredit us?” The woman’s voice was now amused. “Brother, no matter how much your trip to <Trexados> inflated your pride, you can’t possibly have deluded yourself into thinking you’re important enough for house politics. You’re the fourth son of a second son. Be glad the family didn’t decide to send you off to the Eternal War and be rid of you.” (That’s where the Shattered Plains are in this book.)

    There was no reply to that comment, but Jerick could feel the dissatisfaction seething through the wall.

    “So, what will you teach them?” the woman eventually asked.

    “As little as possible. The philosophy of the Three Realms of existence is far beyond them. Perhaps I’ll teach them some tricks of mathematics or history, things that might actually be practical in a place like this.”


    “By the Lords, no!” the scholar replied. “You know what damage that could do?”

    “The king implied that’s why he was sending you,” the woman noted. “How will you get around it?”

    “Reading requires materials, <Willan>,” the scholar said with a self-satisfied tone. “Look around this town. I doubt you will find a single scroll of text.”

    Jerick waited patiently for the conversation to continue, but either the two had decided not to speak further, or they had moved to another part of the building. Sighing, Jerick realized how little of the conversation he’d understood. None of it made sense to him.

    One thing was clear; the scholar had spoken to the king himself. And that made him an important man, indeed. Jerick had heard stories of the king and knew from them that only important people ever spoke to the man directly.

    Reaching up, he allowed the snail to slide onto his hand, then rose from a squat to walk away from the building. He placed the snail on a shrub he often saw them eating, then wandered off in the direction the other boys had gone.

    Brandon Sanderson

    The initial premise of Dragonsteel, which you guys will eventually be able to read, is: the King has a bet on whether people from a rural village can be trained to be as smart as people from the noble court. And this is part of the bet. And that’s kind of the initial place that this starts and goes.

    Hoid shows up pretty overtly; he’s got viewpoints in this book. He is not hidden at all; you will see him when he comes on screen, and you will know him. I think he goes by “Cephandrius” in this one.

    You will be able to read that, eventually. Like I said, it’s not bad. It’ll be easier for you to compare when you get to the Bridge Four sequence, which was originally in Dragonsteel, and compare it to the new Bridge Four sequence from Way of Kings and see how the new Bridge Four sequence is so much more strong.

    It is no longer Cosmere canon. Nothing in it really spoils too much. It spoils some of the magic system that’ll eventually be part of Dragonsteel, and some of those things. But when I go back to this planet, it’ll be Hoid’s viewpoint. Jerick has basically been written out of the Cosmere; I don’t know that I will ever do a book about him. It’s possible, but there’s so much overlap between his story and Kaladin’s story, now, that I don’t know if I could do it and make it interesting and distinctive. One young and somewhat brooding man raised to be a scholar from a no-name village is probably enough for the Cosmere. Even though there are distinctive different parts, since Kaladin’s father was educated.

    YouTube Livestream 24 ()
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    My, My Skirt, and I

    Is there chocolate on Roshar?

    Brandon Sanderson

    No chocolate on Roshar. Chocolate on Scadrial. I believe I've even mentioned it on Scadrial, before. If I haven't... in fact, I'm almost 100% certain I mentioned it in the last Scadrial book. But there is no chocolate... there's the possibility that some worldhopper managed to bring a piece of chocolate, but Roshar, the first five books are even a few years behind the Wax and Wayne books in the chronology, and chocolate's kind of coming to be known even in those books.

    So, no chocolate on Roshar. I'm sorry. If you're a chocoholic, you definitely want to choose Scadrial. It is also the closest to instant noodles, so that's where Hoid wants to be.

    YouTube Livestream 24 ()
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    Which of your villains are you most and least happy with?

    Brandon Sanderson

    Least, I'll probably cheat and use Padan Fain. As I said before, after the fact, looking back at the Wheel of Time ending, Padan Fain is the one that I feel I dropped the ball a little bit on.

    Most proud of is a spoiler. The character that you find out is a villain only at the end of The Way of Kings is the villain I am most proud of now. For a while, it was Hrathen. But the amount of depth I've been able to do and work I've been able to do on this character, and the twists and turns that this character has been able to take, I am very proud of, all the different incarnations of how this character worked. He is now the villain I am most proud of.

    Footnote: The villain he is referring to is most likely Taravangian. 
    YouTube Livestream 24 ()
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    How does the revision process for Alcatraz differ from your adult series?

    Brandon Sanderson

    Alcatraz is a very different process from other books, because when I write the Alcatraz books, I like to discovery write the whole book. And I usually approach this like an improv comedy sketch. Where what I'll do is, I'll brainstorm a bunch of 'props' to use in the story. For the first one, this was talking dinosaurs. Just things that occur to me. I make a big list; I'm like, "I have to draw at least three or four items from this list and make a story around it." And then I just start writing.

    Because the books are improv, the revision process, then, needs to do more work to give a structure to the story. So they are really off-beat and a little off-kilter as I write them. I try to retain as much of that as possible, but inject actual story, foreshadowing, and these sorts of things that don't I don't have to do in my other books, generally, because I've outlined them. But I think discovery writing is an important enough skill for a writer to have, because sometimes you go off script in your outlined books, that it's good practice. And I consider the Alcatraz books to be practice for that skill.

    That's what the revision process is. There's also a lot of cutting bad jokes in the revision process of the Alcatraz books. Because things that seem funny when you're writing the book don't always seem as funny in second or third draft. Sometimes it's because you've read it too many times. But a lot of times, you can tell; you're like, "I was just in a mood, and that one does not land."

    YouTube Livestream 24 ()
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    Are you planning on writing more broadsheet stories for The Lost Metal?

    Isaac Stewart

    I'm assuming at this point that I'll do what I've done in the last two. I didn't do much on the Alloy ones, at all. That you, Peter, and...

    Brandon Sanderson

    On the first one, I wrote Allomancer Jak. You wrote the next two.

    One of our goals is eventually to have Isaac writing some Mistborn books or graphic novels, because he's the only person who knows it as well as I do and who could do it justice. People want more Cosmere, so the goal is eventually to do that. But he has his hands full with White Sand stuff right now.

    Isaac Stewart

    Which is preparatory for...

    Outlining a couple of Cosmere stories right now.

    Brandon Sanderson

    But right now, you're the only one who's written canon Cosmere fiction other than me, because the Nikki Savage story is in-world fiction, but it's, you know.

    Isaac Stewart

    And the other Allomancer Jak story. I can't remember exactly what it was; the Lord Ruler's cufflinks?

    YouTube Livestream 24 ()
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    Which of your characters do you feel is the most misunderstood by fans?

    Brandon Sanderson

    If I'm doing my job, people won't misunderstand characters.

    The one I usually answer on this question is Kelsier, who... Kelsier is definitely a heroic figure. He did a lot of right things. But Kelsier is much closer to being a villain than people see, because he was in the best place for him possible, which is being capable of burning something down. He is just really good at tearing stuff down, and he is a great agent of chaos in that regard, and great at coming up with masterful ways to mess up what other people are doing to get what he wants. And what he wanted in that story happened to align very well with the needs and interests of the general population, and he genuinely wants to do good and right by them. It's not like he's some antihero who is accidentally doing the right things. But he is arrogant; he is very, very driven; and he is very, very dangerous; which are a combination that could have led to disaster in other circumstances.

    YouTube Livestream 24 ()
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    What is the weirdest, strangest, most odd and possibly ridiculous magic system idea you've ever had?

    Brandon Sanderson

    I had a really ridiculous world idea, less a magic system, that's just maybe too weird. The really weird worldbuilding idea I had was: people who live on an enormous boulder being pulled by a giant around a very large, very hot surface. And all the light comes up around. And you have to be constantly moving; the population is migratory, otherwise they'll fall off, things like that. It's not big enough to have its own gravity, but it's big enough that... Basically, you would send people ahead who plant crops. There's people planting crops, and the crops grow as you are migrating. And then you harvest them and send crops up to the people at the front, so a group of people is, like, three clans. This whole society built around which of the three you're part of, and they're always following each other. This thing, like, mulches into the surface below and brings up fresh soil that will grow plants relatively quickly, but you've got to be constantly moving. Like, it rotates ever couple of days, basically. If you sat still for two days, you would be crushed under it.

    That felt really cool, and also maybe just too weird for being weirdness's sake. I never ended up writing that story. But I had some interesting ideas for that. Those are the weird... really weird settings often occur to me more frequently than weird magic systems. A lot of the magic systems that don't make it into the books aren't that they're too weird; they just are dumb. Or they just never click. I haven't been able to find a sound-based, purely sound-based magic system that I like. It just doesn't write well on the page. You can do it; Pat has really great writing about music in his books, and I can write about it kind of from a scientific, technical standpoint like I do in Rhythm of War. But every time I've tried a purely sound-based magic systems, it's one of those things that sounds better (pun intended) in concept than it does work on the page. And it just ends up being one of those things that the reader can't experience, they just have to listen to characters try to explain experiencing it. Where I prefer magic systems that the reader, in a way, feels like they're experiencing. When gravity works differently for Kaladin, you could imagine how that feels, and you can put yourself there and walk on the wall and things like that. And all the music ones have been too much more abstract than that. That might be because my music theory background is wanting. I played trumpet all through high school, I took a lot of music classes and things, but I wouldn't consider myself enough of an expert to really talk about it the way that a true musician does.

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    Lucas Blair

    Who's having the best New Years party in the cosmere? Not Elend's book-reading kind of party; the Times Square kind of party.

    Brandon Sanderson

    I would say the best parties are probably happening someplace like Silverlight. Just because they have access to so much more potential shenanigans, how about that. Like, if you want alcohol from across the cosmere, that's where you can get it. And if you want access to the most scientifically advanced aspects of the cosmere as they're understood and known at a given time, you probably want to go there.

    General Reddit 2020 ()
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    So Skyward 3 is focused "mostly on Spensa", meaning there's going to be another POV character?

    Peter Ahlstrom

    That's not what it means.


    Oh ok I just remembered in one of his livestreams Sanderson mentioned the possibility of multiple POVs.

    Peter Ahlstrom

    Yeah, the audio novellas thing is instead of that possibility.

    General Reddit 2020 ()
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    If I were a Knight Radiant before the Recreance, what would my wedding vows be?

    Brandon Sanderson

    I suspect this would be flavored toward your Order, and would vary depending on your ethnicity and religious beliefs. However, something along the lines of uniting the two to be one would be thematically appropriate.

    General Reddit 2020 ()
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    Can Radiant Soulcasters Soulcast objects into ones of different temperatures? For example turning a piece of the ground into molten metal or turning water into ice?

    Brandon Sanderson

    Kind of, but not the way you want. Most things are going to have to be room temperature--so water, but not ice. That said, there are some funky things you can do with pressure and the like if you get more advanced in the skill.

    General Reddit 2020 ()
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    Hello, I was hoping to find out whether some stuff I found vague in RoW was supposed to be vague or not.

    In part one, Navani says that some of the fabrials they found in Urithiru worked in ways they understood, but had "spren trapped in Shadesmar" (which by the end we know refers to spren that have manifested as a fabrial), with Soulcasters being the only ones that confuse her.

    Is the intent here supposed to be for us to make the connection that the older fabrials they found use the different types of metals used in modern fabrials? Or is it supposed to be vague how exactly they compare for now?

    Brandon Sanderson

    The confusion here is that Navani didn't realize that Soulcasters were a version of something like a Shardblade. She thought that by seeing spren in Shadesmar, it meant that the soulcasters had somehow trapped a spren--but they didn't seem to be trapped in a gemstone anywhere in the physical realm. This is what bugged her.

    It's less about the metal, and more about "where is the trapped spren? I know it's there--I can see it in Shadesmar."


    Does this mean that all the old manifested spren fabrials, like the attractors and conjoiners they found in Urithiru and were able to improve, had weird metals like Soulcasters and it was just their identifiable functions that kept them from being confusing?

    Brandon Sanderson

    Yes, that is correct. (This was regarding old manifested fabrials having weird metals as part of them.)

    General Reddit 2020 ()
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    Staenbridge (paraphrased)

    I asked why half-shard fabrials were absent from Rhythm of War, and how they worked. I also asked if honorspren are okay with the mechanism for half-shards, as Taravangian had implied that they used Radiant spren. 

    Brandon Sanderson (paraphrased)

    RAFO because he's planning on going into more detail about half-shards "when it's the right place". Brandon accidentally confirmed that spren are okay with how Soulcasters work, but RAFOed half-shards again. 

    Direct submission by Staenbridge
    General Reddit 2020 ()
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    1) Is Hoid still holding his Dawnshard?

    2) If not, is the Dawnshard currently hold by Rysn the same as Hoid's or a different?

    3) Nikli mentions 4 Dawnshards. Are there more than that?

    4) Are all the Dawnshards currently (as of SA 4) on Roshar? Or in the Rosharan System?

    5) Are there some of them on worlds we have already seen (Scadrial, Sel, Threnody, etc...)?

    Brandon Sanderson

    1. Hoid Dawnshard is a RAFO.

    2. Same.

    3. There are only four Dawnshards.

    4. RAFO on whether they're on this planet or not.

    These are great questions, but Dawnshard info is mostly for the future cosmere books--and so I consider most of it very RAFOy.

    Brandon Sanderson

    Same here meant RAFO. I answer these quickly, I'm afraid, particularly when they come in a list like that.

    General Reddit 2020 ()
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    Considering that bonding a second spren to belong to another Order is possible but never happened, and taking into account that spren get drawn to an individual through their bond, is it possible for an individual to bond another spren of the same Order? If not, then what's stopping them from the bond that doesn't stop bonding to a different Order?

    Brandon Sanderson

    This could happen too, I suppose, but it wouldn't increase their strength in the Order.

    General Reddit 2020 ()
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    I ask this in a vague manner intentionally, but can we expect to see the Shardplate spren of other Orders being able to do different things on command depending on the kind of spren? Kind of like how Kaladin commanded the windspren to form plate on others and hold back the storm?

    Brandon Sanderson


    Dragonmount Zoom Call ()
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    I was wondering if Dawnshards were created at the same time that Adonalsium was.

    Brandon Sanderson

    Dawnshards, I’ll have to RAFO that, mostly because my timeline for all the Yolen stuff, with the Adonalsium stuff, is going to depend on writing Dragonsteel. And right now, I intend those to be post-Adonalsium but pre-Shattering. But I can’t canonize that until I’ve actually written that mythology and lore. Because the original intent of the Dawnshards, when you read Dragonsteel Prime (which we’ll release with the Words of Radiance leatherbound), you will find two Dawnshards in there. And their original intent has changed a great deal as I’ve canonized things and really, really dug into building the cosmere. And you’ll see what my kind of original intent for those was. (Or at least I can talk about it.) And it’s changed since then. The way that they were in that book (and have remained so far) is that they are younger than Adonalsium.

    Dragonmount Zoom Call ()
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    In reference to the events in Rhythm of War, what is the timeframe for Mistborn Era Three? Is it before? Or after?

    Brandon Sanderson

    After. Era Three is after. Era Three is gonna take place around fifty to seventy years after Era Two. And Era Two is happening in the ten years between Books Five and Six of Stormlight. Era Three will be happening in a post-all-ten-books-of-Stormlight world.

    So I have to jump forward in time seventy years on Scadrial, and then jump backward in time and finish Roshar, and then jump back forward in time. I think it’s all gonna work in the jigsaw puzzle of my brain of how all of this is going. But Karen will tell me if it doesn’t work, and we will adjust appropriately. She keeps the timeline and keeps me honest.

    Dragonmount Zoom Call ()
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    Are we ever going to know what caused the chasm line in Elantris?

    Brandon Sanderson

    You will, hopefully, learn a little bit more about that. Not huge amounts. What I’ve said before in the past is that the cause and effect is mixed up. And I can’t say more without giving away spoilers. But cause and effect is mixed up in that world in that event, specifically. We will learn a little bit more. There are some events surrounding it that are interesting. Hopefully, if I can ever get around to writing Elantris sequels. I can’t even 100% guarantee that that will go in there. But it is planned to go in there, now.

    Dragonmount Zoom Call ()
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    Does the fact that Adonalsium has ten letters in his name at all relate to the big magical number on Roshar?

    Brandon Sanderson

    No. Complete coincidence. Good question. Excellent question. I came up with the name years before. The name existed before I canonized Roshar as ten. The name existed when I was working on Dragonsteel, before I even had Roshar. Back when Dalinar existed, but Roshar didn’t yet exist. The connection there is a just pure coincidence one. If I’d been really cool, it would have sixteen letters. And maybe, in their languages, it does.

    State of the Sanderson 2020 ()
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    Brandon Sanderson


    So, there you go! Another beast of a document to keep us on track for another year. This has been one of the stranger time periods in my life, and I suspect you feel the same. I simultaneously feel like I was only just doing this, posting a State of the Sanderson for 2019—and also that the times pre-COVID like that were somehow an eternity ago.

    For now, though, I intend to continue doing what I always do. Keep my eyes forward, and continue telling stories.

    Wishing you the best,

    Brandon SandersonDecember 2020

    State of the Sanderson 2020 ()
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    Brandon Sanderson


    COVID is slowing things down a little—and Stormlight years are always a challenge—so while I was pretty productive this year, it seems impossible to get Wax and Wayne 4 out next year. Indeed, because of COVID delays and publisher worries, even getting Skyward 3 out next year will be a challenge. (Though I’m reasonably confident we’ll do it.)

    So, my schedule now looks like this going forward. As always, this is just an estimate.

    Fall 2021: Skyward 3Spring 2022: Alcatraz 6Fall 2022: Wax and Wayne 4Spring/Summer 2023: Skyward 4Fall 2023: Stormlight 5

    Once I’m done with Stormlight 5, it will be time to have another big talk about the future of the Cosmere. But for now, I have to keep my attention focused on that goal.

    If you want to follow along in 2021, I should be able to finish writing both Wax and Wayne 4 and Skyward 4, bringing those two series to a close. If I have any extra time, I’ll probably try to do a draft of The Apocalypse Guard and maybe finish the Sixth of the Dusk sequel novella. In addition, I’ll be doing drafts on the Skyward novellas as they come in, so I’ll be keeping busy!

    State of the Sanderson 2020 ()
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    Brandon Sanderson


    This year I did something I’d been considering for a while—I asked some of my larger overseas publishers if they wanted to include any updates in the State of the Sanderson. I had a few of them get back, and hopefully we’ll grow this section in future years.

    As a quick aside, I wanted to mention that we’re working to have a broader availability of my Gollancz hardcovers be more easily available in places like the UK and India. Hopefully more on this in the coming months.

    For now, here are a few updates.


    Two of my German publishers sent us a list of recent and upcoming publications.

    From Heyne:

    • Edgedancer / Die Tänzerin am Abgrund: 11 November 2019
    • Children of the Nameless / Die Kinder des Namenlosen: 13 April 2020
    • Oathbringer Vol. 2 / Splitter der Macht: 11 January 2021 (paperback)
    • Rhythm of War Vol. 1 / Der Rhythmus des Krieges: 15 February 2021
    • Rhythm of War Vol. 2 / Der Turm Der Lichter: 24 May 2021

    From Droemer:

    • Skyward / Der Ruf der Sterne: 1 July 2021 (ebook) & 2 August 2021 (paperback)


    Zysk, my YA publisher in Poland, enthusiastically got back to us first with news, follwed by MAG and IUVI. All of my Polish publishers have been awesome, so I hope you’ll support them.

    One of the things I asked these publishers was how people could order the books internationally, if they wanted copies. Zysk has links for those who want to grab the books, though unfortunately this is a place that only ships to Europe. Eventually, I’d like to have links in this section for those around the world who want to order copies, but we’ll start here.

    From Zysk

    1. Skyward (published 2nd of April 2019) and Starsight (published 14th of April 2020)Audio editions of The Skyward Series & The Reckoners Series are available via Storytel.
    2. Zysk plans to publish book #3 in The Skyward Series: “Nowhere”, publication dates to be determined once they receive material.
    3. Polish bookstores which deliver internationally (to Europe)

    From MAG

    Here is their upcoming lineup for 2021:

    • Rhythm of War Vol. 1: March
    • White Sand Vol. 3: March
    • Dawnshard: March
    • Rhythm of War Vol. 2: June
    • Children of the Nameless: June
    • All available 10th Anniversary Editions: Between March and October

    From IUVI

    The whole Acatraz vs. the Evil Librarians series (vol. 1–5) are available to Polish readers.

    1. Piasek Raszida
    2. Kości Skryby
    3. Rycerze Krystalii
    4. Zakon Rozbitej Soczewki
    5. Mroczny Talent

    Audio editions of of Alcatraz Versus the Evil Librarians Series are available via Storytel.

    If you enjoy reading reviews for translated works, here are a few reviews you can check out.


    From Livre de Poche

    At Le Livre de Poche, we are thrilled to work with Brandon Sanderson and Dragonsteel Entertainment to present his novels to French readers worldwide.In 2020 we published simultaneously in paper and digital formats the Omnibus editions of Legion : The Many Lives of Stephen Leeds (Légion : les nombreuses vies de Stephen Leeds) in May, and most recently – last November – the first installment of Skyward (Vers les étoiles) in trade.

    2021 will be a very busy and exciting year for Brandon’s French fans. In January, the two-volume mass market editions of Oathbringer (Justicière) will be available alongside the first part of the highly anticipated Rhythm of War (Rythme de Guerre) in trade. The second part of Rhythm of War should be published in May 2021.

    Finally, the second installment of the Skyward series, Starsight, will come out in trade in September, alongside the mass market edition of Skyward (Vers les étoiles).

    French versions of Brandon Sanderson’s books are available worldwide in online bookstores such as Place des Libraires, Mollat, Décitre, Furets du Nord, Dialogues, and Cultura, or online retailers like, Amazon, Rakuten, Momox, and many others, but don’t forget to ask your local bookseller if they can get it for you!

    You will find all the many ways to get Brandon’s books in French on our website.

    En français

    Au Livre de Poche, nous sommes ravis de travailler avec Brandon Sanderson et Dragonsteel entertainment pour proposer ses romans aux lecteurs francophones du monde entier.

    En 2020 nous avons publié simultanément en papier et en numérique la version intégrale de Légion : les nombreuses vies de Stephen Leeds en mai et, plus récemment, en novembre dernier, le premier tome en grand format de la série Skyward, Vers les étoiles.

    2021 sera une année intense et passionnante pour les lecteurs francophones de Brandon Sanderson. En janvier, l’édition de poche de Justicière (volumes 1 et 2) paraîtra aux côtés de la très attendue première partie de Rythme de Guerre. La seconde partie de Rythme de Guerre paraîtra en mai 2021. Enfin le deuxième tome de la série Skyward, Starsight (titre français à venir) sortira début septembre, en même temps que la parution en poche de Skyward, Vers les étoiles.

    Les versions françaises des ouvrages de Brandon Sanderson sont disponibles à la commande dans le monde entier sur les librairies en ligne telles que Place des libraires, Mollat, Décitre, Furets du Nord, Dialogues, Cultura ou sur les plateformes de vente en ligne comme, Amazon, Rakuten, Momox et bien d’autres, mais n’oubliez pas de demander à votre libraire s’il peut vous les commander!

    Vous trouverez toutes les manières de vous procurer les ouvrages de Brandon en français sur notre site.

    A few reviews from my French-translated books.


    From Mondadori (my new publisher there, who we’re very happy to be with)

    Here in Italy, we published the translation of Rhythm of War the same day as the American release. It was a remarkable feat for which we have to thank Gabriele Giorgi, Sanderson’s inexhaustible and heroic Italian translator, who committed to the cause with the usual abnegation and legendary painstaking accuracy.

    2021 will be a year full of Sandersonian releases: we are working on a three-volumes collection of the graphic novel White Sand, which will come out in the first semester, while in the second semester we are planning the release of Arcanum Unbounded, as well as an illustrated edition of Mistborn: The Final Empire, on the heels of the leatherbound American edition. Surprise releases are also not entirely out of the question, although the whole 2021 schedule is still quite fluid in light of the ongoing COVID-19 emergency, which might cause some delays in the second-semester releases in order to adapt to the shifts in exogenous factors and market conditions.


    From Ediciones B

    We have just released Rhythm of War in trade on 19 November on a simultaneous launch with the US edition. The first print run of the book in Spain was 14.000 copies and we have already reprinted three times in less than a month. (Now we have a total of 30.000 copies printed since publication.)

    The book started very strong in GFK, and reached number 7 of the general trade list of GFK for week 47 and also number 7 of the trade fiction list, with 4.977 copies sold during the first week.

    It also reached number 2 of top 100 of FNAC on the first week of sale, and has been top 1 of November sales in Gigamesh bookstore. It has also been in the top 100 of Amazon Spain during two weeks.

    Before publication, Gigamesh has sold 700 copies in preorder of their limited edition.

    We plan to publish Dawnshard in the summer and our Mistborn 1–3 illustrated edition during the second half of the year. We also plan to publish Skyward 3, depending on the final release date of the US edition and the translation timing.

    State of the Sanderson 2020 ()
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    Brandon Sanderson


    Picture Books

    One of the things I talked about last year was doing a picture book based on “The Girl who Looked Up” from Oathbringer.

    We eventually decided to fold this deal and walk away. The publisher was pleasant, but it became clear we both had different visions of the project, and I wasn’t sure how much control I was going to have over the text and the artwork—something very important to me, especially when it comes to my Cosmere-related works.

    Ideally, I’d still like to do a series of picture books using “The Girl who Looked Up,” “The Dog and the Dragon,” and maybe a few of the other stories-within-a-story that show up in the Cosmere novels. To this end, I actually wrote a different picture book, unrelated to the Cosmere, and am currently shopping it.

    My philosophy again is that I’d like to know more about the market (like with the first tie-in Mainframe stories) before I commit to something involving Cosmere continuity, even in a tangential way. Hopefully I’ll be able to sell this other picture book and get some experience in the market, and then have a better idea of how/when to approach doing the Cosmere Storybook ones. (Where I’d probably want to start with “The Dog and the Dragon.”)

    Board Games and Crafty Updates

    This year saw the release of the Stormlight-themed Call to Adventure board game by Brotherwise Games, who have just been fantastic partners in this area. The board game is fun and has great art. Brotherwise are big fans of the series, and their knowledge of the property shows. More information on their website.

    Additionally, Nauvoo Games ran a Kickstarter for the Steelslayer expansion to their Reckoners board game. We’ve found that Nauvoo creates quality products, and we appreciate their attention to detail on this one.

    Crafty Games also has an expansion coming for their Mistborn: House War board game. This one’s titled Mistborn: The Siege of Luthadel and is currently available for pre-order. Crafty also released some new sets of Mistborn dice this year that are particularly cool, especially the metal ones.

    We also partnered with the folks at Forged Foam, who created these amazing shardblade designs! They are currently out of stock but we’re hoping they’ll be available again soon.

    If you are getting the Orders of the Knights Radiant and Wit coins from our Way of Kings Kickstarter, perhaps you need a beautiful handcrafted wooden coin display to go with it? Dragon Wood Shop is taking preorders now.

    We have a Mistborn card deck in progress with the guys at Kings Wild Project and it is turning out so nicely. We can’t wait for the final product to be out in the world!

    The Kaladin art book is moving and shaking with Petar Panev taking on the art direction.

    And, as usual, our other vendors continue to offer high-quality Cosmere merchandise! Shire Post Mint produces Mistborn coins from two distinct eras in the series. Badali Jewelry features jewelry and accessories inspired by Mistborn, Stormlight Archive, and Elantris. Worldbuilders Market offers a huge variety of products including posters, phone cases, and more.

    State of the Sanderson 2020 ()
    #147 Copy

    Brandon Sanderson


    The film/television world is a strange place right now, with COVID, and a lot of things slowed down or got stalled. So there are no big updates for you on anything here, though I’ve still broken everything down here by series. Basically, I’m afraid I have to tell you there hasn’t been motion on any of them.

    That said, there are some cool things happening behind the scenes on a few of these projects. I hope to have announcements sometime this year that will make you excited.


    This is still owned by Dan Mintz/DMG Entertainment. There has been no motion this year.

    Mistborn/Rest of Cosmere

    I still have all of these rights, and have not yet sold them, though I’ve been working on a screenplay for Mistborn myself and have had some interesting opportunities behind the scenes. Nothing I can announce yet.


    Still owned by Cineflix Media. No updates.


    Owned by Universal Television, purchased last year. I’m eager to see what they come up with!


    Optioned by Gaumont with Stuart Beatie, the writer of the Pirates of the Caribbean franchise, adapting for an animated series.

    Dark One

    Joe Michael Straczynski wrote a pilot for this earlier in the year, and we’re still shopping it around. It’s been a cool experience so far, working with someone who knows the business as well as JMS does.


    Option lapsed this year. We’ve been looking for another home for this.


    Option lapsed last year. No home for this yet either.

    State of the Sanderson 2020 ()
    #148 Copy

    Brandon Sanderson


    White Sand

    I’m moving this Cosmere story to the minor projects for now, since the graphic novels series is finished. (Though Isaac has been working hard on an omnibus version of it, for those who wanted to wait for that.)

    In addition to small fixes to bring the omnibus more in line with the underpinnings of the Cosmere, we’re also adding a 30+-page prologue with art by the amazing Nabetse Zitro, whose work can be found on and on Twitter.

    But as a bit of a teaser, here’s one of his sketches from the prologue, showing Khriss and Baon.Someday, I might do a revision of the original prose novel, which is one of the only ones from my unpublished years that is good enough (with some work) to release. If I do so, I’ll update it to match the graphic novel in terms of characters and narrative—as the graphic novel is Cosmere canon.

    Status: Omnibus in the works

    The Reckoners and Legion

    Both are getting some kind of continuation via Mainframe, my audiobook company. See the announcement up above! I talked last year about maybe doing these, and now they’re both in the works for real.

    Status: Mainframe projects in the works


    Still a cool secret going on here, but I can’t say anything.

    The Apocalypse Guard

    Still plan to do a revision of this and get it out, likely after Skyward Four.

    Other Small Projects

    Things I want to do include: Adamant, untitled Threnody novel, Sixth of the Dusk sequel, untitled Emperor’s Soul sequel, The Silence Divine, Secret Standalone Cosmere Book, that wacky YA Cosmere Book with Magic Kites, Kingmaker (First of the Sun YA novel not involving Sixth), and Aether of Night.

    No progress I can talk about on any of these, though I did do a reading from the Sixth of the Dusk sequel at the Rhythm of War release party.

    State of the Sanderson 2020 ()
    #149 Copy

    Brandon Sanderson


    Alcatraz Series

    I’ve been promising Book Six for a while, and we finally have the publisher on board. I’ve been saying this for years, but the book is now complete. But as I said above, publishers really like more time to publish books than I often give them—so here, I decided to let them guide me, as they want to relaunch the series in paperback with new cover illustrations (the illustrator we’re hoping to get is fantastic), and a box set available of the first five books next year for the holiday gift-giving season.

    Those should be coming out next year or early 2022, with the sixth and final book projected to come out in hardcover sometime in spring 2022. I know it’s been a wait, and I apologize, but the last book turned out really cool. It’s from Bastille’s viewpoint, and is coauthored by me and Janci Patterson, one of my writing buddies. It was the fun time we had doing Alcatraz that made me approach her about the Skyward novellas. If you’re curious, give her books a look. I suggest A Thousand Faces.

    Status: Last book (finally) has a publication date. (Though a vague one. First quarter 2022.)

    Dark One

    We released, in limited print quanities, the first Dark One graphic novel, and it’s awesome. The trade release through regular retail channels is set to be released May 2021. The team put together an incredible visual, based on my outline. I heartily suggest you give it a look, if you like graphic novels. We learned a lot working on White Sand, and I think we leveled up with this one.

    We plan there to be three graphic novels eventually, if people like them. However, if you don’t care for graphic novels, I will do a prose/audiobook version of this in the near future, likely as a Mainframe project. The television show is taking a long time, after all. (See below.)

    Status: Out now!

    The Original

    The first of my Mainframe projects was released! Find it on any audiobook site of your preference.

    For now, we have no firm date on ebook/print editions of this, though I anticipate them coming eventually. (The audiobook company we partnered with has an exclusivity period.)

    Status: Out now!

    Elantris, Warbreaker, Rithmatist

    As you probably expected, no motion here. I didn’t plan for there to be any this year, though all three should get a sequel eventually. I’ve been targeting the post-Stormligh-Five timeline for these. I could see slipping Rithmatist 2 in between Mistborn Era 3 books, for example, when I need a break.

    Status: No motion (Sorry again.)

    Songs of the Dead

    This book, about a heavy-metal-singer-necromancer, is still seeing some revision work done on it. We’re trying to find the right home for it, and have gone to some editors for feedback.

    Urban fantasy is a new type of story for me, so we want to make sure we do this right. Peter and I both did a lot of work on it this year, so I’m hopeful we’ll have news on it in the near future.

    Status: In final revisions, looking for a home

    State of the Sanderson 2020 ()
    #150 Copy

    Brandon Sanderson


    The Stormlight Archive

    This was a Stormlight year, as you got not only a new book, but a novella and a non-canon alternate novel!

    Rhythm of War is spending its third week on the New York Times bestseller list as of this writing, and has spent all three of those weeks as the #1 most read book in the country, per Amazon’s charts. So…huzzah! Thank you so much. 2020 might have been a trash year, but I hope this helped end it on a better note for many of you.

    The book did about 40% better in sales than the previous volume, which is amazing. Thank you all for your support. This series is still in active progress, and I’ll dive into Book Five (the final book of the first sequence) in 2022, for a 2023 release. (Which is when we’ll probably do the Kickstarter for Words of Radiance in leatherbound.)

    I also intend to write a novella about Rock to fill in what happened with him after the events of Rhythm of War. The first group of books won’t be finished until then.

    After that, what happens? Well, let’s get to Book Five, and then I can talk about it more.

    Status: New books!

    Skyward Series

    Skyward is my other active project right now. As I said above, I’m working on the third book (out of four) in the series right now, with a goal to have the rough draft done by January 1st. Hopefully we’ll be releasing tie-in novellas right around the time we release the novel, but I can’t promise exact dates.

    I’ve posted some updates on Reddit where you can read more.

    The short version is that I’m working hard on this project. Once it’s done, I will have one more book in the series I want to write. I anticipate doing that final book sometime in the latter half of next year, after I’ve finished writing Wax and Wayne number four.

    Status: Working on it now!


    While I haven’t been active on this series for a few years, I still consider it a main project. Wax and Wayne 4 (the last volume of Era Two) will be my next project, after Skyward 3. Watch for the status bar for that one to pop up sometime in the spring.

    Right now, I’m planning to refine and update the outline for W&W4 while the beta readers work on Skyward 3—which should be around February. Then I’ll start writing probably in March/April, with a goal to finish sometime around July.

    Once that’s done, and Era Two is closed out, I’ll turn my eyes to Era Three. My goal right now is to write all three books in a row, like I did for the first trilogy, maybe with a novella in between from another world to keep me fresh. That’s likely to be my writing for 2023–2025. Once that’s done I’ll dive into Stormlight 6.