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    Goodreads Fantasy Book Discussion Warbreaker Q&A ()
    #8801 Copy

    JHWOLFSTAR

    I was wondering if you had any certain inspiration for Adonalsium, Hoid, and the Cosmere other than the concept of a Creation story itself. To clarify, I guess I'm asking if you had any other author you read as an aspiring author that did anything similar.

    Brandon Sanderson

    There are certainly authors who have done this sort of thing before. I generally tend to react against what inspires me instead of toward it. I've talked about this before—if I think someone does a very good job with something, I'll try to approach it from a different direction because I figure they've covered that concept. At other times, if an author does something that I thought could have been way cooler, then I will react I guess in that direction...I don't know if that's a reaction for or against.

    Asimov eventually had an overarching plot/universe. Stephen King did it. Other authors have done it, but they have not planned it from the beginning. As well as Asimov did with some of the concepts, I was always disappointed in his attempts to bring all of his stories together into one world because it just wasn't meant to be that way, and it felt like that. It felt clunky—I've always preferred the early robot stories and the early Foundation books to the later ones.

    So I felt that if I was going to have a supermyth, so to speak—an overarching paradigm for these books—it would have to have a number of things. One, it would have to be limited in scope, meaning I wasn't going to try to cram everything into it. That's why ALCATRAZ is not involved in any of this. Number two, I would have to plan it from the beginning, and number three, I would want it to be subtle. In other words, I don't want it to come to dominate any of the stories because I want the books, the series, to stand on their own. I want this to be something that you can find if you're searching, but that will never pull the characters of a given book away from the focus on what is important to them.

    Goodreads Fantasy Book Discussion Warbreaker Q&A ()
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    Collin

    Can you explain the process that you go through to come up with your magic systems. So many fantasy books today have a "black box" type of magic system — in that you don't know how things happen but the caster just suddenly shoots a fireball out of his arse. Yours are in—depth and set out a very distinct give and take that the reader can understand.

    All of your systems are unique, so again, how do you get to the point where you have a complete magic system that you feel is ready to put into a book. Since this is a discussion about Warbreaker, how specifically did you come up with biochroma?

    Brandon Sanderson

    I don't know if I can answer that question in the short space afforded by a discussion forum. But in general with my magic systems I'm looking for a variety of components. Most of them start with just an "Aha, there's something there!" moment in my head—either it's a plot hook or a conflict hook or a visual hook or something like that. I'm usually looking for something that does what I find exciting about magic, which is straddling the line between mysticism and science. And I'm looking for new ways to explore that. So when an interesting scientific concept occurs to me, and I can take it in the direction of "what if," that's something that I find fascinating.

    For MISTBORN, for instance, telekinesis mixed with vector science was interesting to me. In WARBREAKER it was the concept of sympathetic magic—the idea that you can create something that's like something else and it will have power over that. I wanted to try and take it in a direction I hadn't seen before and blend that with the concept of animation, bringing inanimate objects to life. Those were interesting concepts because at one point people believed in both of these things as real forms of magic. They believed they could make it work. The myth of the golem goes way back, and the idea of sympathetic magic was around not too long ago—in fact there are still plenty who believe in it, in various forms of superstition.

    So I look for a blend of concepts. I usually look for an interesting visual paradigm—something that will work in a way that helps the reader visualize the magic. I don't want it to all happen nebulously in the back of someone's head. (And speaking of rear-end fireballs, I do believe I read a webcomic where someone did that. It was Thog Infinitron...I guess it wasn't a fireball.) But anyway, I'm looking for something that you can see and follow the process of what the character's doing in a way that makes sense.

    I find that if there's one thing to take away from this, limitations on magic are more interesting than the powers themselves. And so I'm always looking for interesting limitations, because that forces me to be creative and forces my characters to be creative with what they have.

    Goodreads Fantasy Book Discussion Warbreaker Q&A ()
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    EMJI

    While I loved Mistborn and am excited to see you optioned the film rights already, I think that Warbreaker would translate to film even more easily/successfully

    So I guess my question is, do you agree that Warbreaker will translate to film better? Did you discuss this with the Paloppa Guys? Which of your works do you think is most "marketable" as a medium—to—big—budget film?

    Brandon Sanderson

    I think the magic system of WARBREAKER is certainly better suited to film than a lot of the MISTBORN magic system. However, I think the plot and storytelling of MISTBORN—because of the action/adventure style of it—would translate better to film. Story structure-wise, MISTBORN, particularly the first book, is probably the best book-to-film translation I think I've got. I think WARBREAKER would make a wonderful graphic novel, and someday I would love to sell rights to it in that medium. And certainly if we make a MISTBORN film, the metals would have to work in a very different way. They would probably be understated in the film itself.

    Goodreads Fantasy Book Discussion Warbreaker Q&A ()
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    Other Brandon

    I don't know if I'm remembering this right but I thought I saw somewhere that you said that all your books (yours not WOT) are connected somehow. Is that right or am I going insane already?

    Brandon Sanderson

    All of my books share a single creation myth, a single cosmology. The connection of them—the greater world, the greater universe—they call the Cosmere. There is a character who has shown up in each of my epic fantasies, and it is the same person, not just a repeated name. Currently WARBREAKER, ELANTRIS, and the Mistborn trilogy do all share a common cosmology. My children's books are not part of the Cosmere.

    Goodreads Fantasy Book Discussion Warbreaker Q&A ()
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    Skyler

    If a Returned gives away his/her Breath they die right? So why doesn't Vasher die after he gives his to Denth?

    Brandon Sanderson

    They will die the moment they run out of Breath to harvest. Once a week their body needs a Breath in order to survive. Each Returned has one single superpowered Breath. Imagine it as one breath that propels them up through the Heightenings, but it is only a single Breath. It's what we speak of in Shard world terminology as a Splinter. And when the seventh day comes, if a Returned does not have another breath for his body to consume to keep him alive, his body will actually eat his divine Breath and kill him. So they don't die immediately after they get rid of the Breath, they're sort of put into a state of limbo where if they don't find more Breath by the time that their feast day comes, then they will die. (Vasher did not give his Returned Breath to Denth, just a number of normal Breaths.)

    Goodreads Fantasy Book Discussion Warbreaker Q&A ()
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    Robert

    All your novels are tied together by an overarching magic system, and we usualy see evidence of this in the form of the too-still pools of water. However we did not see any such bodies of water directly in Warbreaker. Is there such a pool in Warbreaker? Is that where the Tears of Edgli grow?

    Brandon Sanderson

    Wow. I've got some very perceptive readers.

    This is speculation that I will neither confirm nor deny.

    Goodreads Fantasy Book Discussion Warbreaker Q&A ()
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    Gordon

    The paintings (I think there were at least two, right?) that remind Lightsong of his dreams and the Manywar etc. Is the Artist someone we know? If not, will we eventually meet him/her in a later book? Does the artist hope to affect Lightsong this way, or is it just some guy giving abstract art to his God?

    Jared

    Is the artist that painted those paintings Hoid?

    Brandon Sanderson

    Hoid did not make the paintings. The goal of those paintings—and this is spoilery, by the way—the paintings are actually what the text implies that they are. They are abstract paintings which Lightsong, having a touch of the divine, is able to see and read into things that aren't necessarily there.

    Beyond that, art is a magical thing in the world of WARBREAKER. When an artist creates a work of art, part of the artist's soul ends up in the artwork. Someone who has many breaths and who's Returned like Lightsong has the inherent ability to see into the art and perceive that. So Lightsong can interpret correctly an abstract piece, based on what the artist is trying to convey, in a way that a normal person couldn't.

    I was not trying to make the artists anyone specifically important. In the case of those paintings, they are wonderful artists—I think they are two separate artists, if I'm thinking of the two paintings that you're indicating. As Lightsong has a splinter of divine nature inside him, he is able to interpret the paintings—to foresee, using them, and to see into the soul of the person who made them.

    Goodreads Fantasy Book Discussion Warbreaker Q&A ()
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    Chris

    I've seen in reviews of Mistborn that a criticsm that pops up from time to time is that you tend to repeat the basic principles of the magic system. I've seen that some feel hit over the head with it. Personally, I liked that fact since the magic system was new and it helped me to remember and understand.

    I'm also seeing criticsm now with Warbreaker that the magic system isn't explained enough to thoroughly understand it. I've pointed out in discussions that not even Vasher understands it all.

    But here's my question: Did criticsm of the magic system's explanations in Mistborn have anything to do with Warbreaker having considerably less explanation in its magic system?"

    Brandon Sanderson

    Wow, that's a very detailed and interesting question. The answer is no.

    ...Okay, there's more to that answer. I accepted the criticisms of the Mistborn books with the knowledge that there was really no other way around it—the way I was writing those books and the complexity of the magic system made me feel like I needed to give those hints. It's not like I'm trying to write down to the lowest denominator, but at the same time I want to make sure that the complicated magic system is a force driving the book—and is something interesting rather than something confusing. Across a three-book epic like that I wanted to make sure that I was not leaving people behind. That's always a balance in a book series. And I don't know where to set that balance. In fact, I think the balance is going to be different for every person. Any given book that you read, some people are going to find it overexplained and some people are going to find it underexplained. I'm always trying to strike the right balance, particularly for the tone of a given book, to make that work for the novel.

    With Warbreaker, as you've pointed out, the magic system is much less understood by the poeple taking part in it. In the Mistborn books the magic system is very well understood. Even though there are little pieces of it that people don't know yet, those peices are easy to grasp and understand and use once people figure out what they are. In the Mistborn books the world is in a state where people have spend 1000 years using this magic system and perfecting it and understanding it. In Warbreaker, they haven't. They still don't know much about what's going on. It's very mysticized. People haven't sat down and spent enough time pursuing scholarly research about it, figuring it out. Beyond that there's no immortal Lord Ruler figure explaining it all to them—or if there is, it's Vasher and he's not telling anyone. And so the magic in Warbreaker has a very different feel to it. I wanted it to be a little confusing, because it is confusing for the main characters.

    I wouldn't say that the criticism of the Mistborn books is what drove me; the needs of the various plots is what drove me.

    Goodreads Fantasy Book Discussion Warbreaker Q&A ()
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    Sandi

    A common thread in both Warbreaker and the Mistborn Trilogy is religion. I really liked how you handled religion in both these books. Mistborn deals with religious searching and Warbreaker is more about religious tolerance. I've heard that you are a Mormon. How much does your faith influence your writing?

    Brandon Sanderson

    This is a surprisingly common question for people to ask me, and I'm always happy to answer it because my religion makes up a big part of who I am. Because I am religious myself, I am fascinated by religion. And so I think that the misuse of religion is a great evil, and the use of religion for good reasons is a great good. In fact, being a religious person, I think that the misuse of religion becomes a much more frightening thing than it might otherwise be, which is why you sometimes see religions as villains in my books. My religion shapes who I am, and it makes me interested in certain things; it makes me fascinated by certain things; it shapes my sense of right and wrong.

    But I don't actually sit down and write books wanting to advocate any particular concept. I feel that when I write books I need to advocate whatever the character believes at the time. Now, what I feel is heroic may shape the characters I create as protagonists, but I don't think that the purpose of the fiction that I write is to preach directly to the reader. I think that the purpose of the fiction I write is to explore different concepts and different types of characters and see how they react to the world around them. And that's a very different thing than sitting down and saying I'm going to preach to people. So I don't think my religion causes me to do that, but I do think it causes me to be interested in these kinds of concepts.

    I'm not even sure how to define myself. In some circles I come across as very conservative; in other circles I come across as very liberal. One of my core beliefs religiously is that I honestly don't mind you believing whatever you want to believe. What I mind is how you treat people who don't believe as you believe. That's what will get me going. So I don't judge someone based on their belief; I do judge them based on how they treat people who believe differently than they do. (That's a concept, by the way, that you may see pop up in a book later on, because I'm actually quoting one of my characters in this case.)

    Goodreads Fantasy Book Discussion Warbreaker Q&A ()
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    Logan

    I really enjoyed Warbreaker, especially the history of the Scholars and their relationships. Have you considered writing a prequel novel that would take place when Vasher, et al were much younger?

    Brandon Sanderson

    People ask me for prequels all the time. They've asked for MISTBORN prequels, ELANTRIS prequels, and now WARBREAKER prequels. My general answer to this is probably not—just because I as a reader don't like prequels. I'm one of those readers that if the ending is spoiled for me, in many ways that can ruin the book. Because of that it's hard for me to decide to write a prequel.

    When I plan my books I design them to have a beginning, a middle, an end, and a past and a future. I know what happened in the past. I know what will happen in the future. I could always write that, and I won't rule it out 100% completely. But telling the story of the Five Scholars is not something I sat down to do with WARBREAKER. I had that all worked out; I knew what they did. The exciting story I wanted to tell is the one that happened in the book. There is a good chance of a sequel, but a prequel is unlikely. If I did do a prequel it would probably be in short story form posted for free on my website.

    Goodreads Fantasy Book Discussion Warbreaker Q&A ()
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    Ashley

    Do you ever plan to use bio‐chroma again? It'd be a shame to see such an interesting and original idea left with a single book.

    Brandon Sanderson

    It is unlikely that I will use this magic system in a different book because it is distinctly tied to that particular Shard. The sequel likelihood is good. There is more to tell in this world, so there is a decent chance I will return and do a second WARBREAKER book (I've been calling it NIGHTBLOOD when I've mentioned it before). That isn't to say that there will never be magic systems that will repeat across series—in fact there's a decent chance that will happen—but I'm not going to say any more on that right now.

    Goodreads Fantasy Book Discussion Warbreaker Q&A ()
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    Ashley

    Do you spend the most time on your magic systems, or do you find yourself spending equal amounts of time on other aspects of worldbuilding/plot such as religion/culture/language/geography? 

    Brandon Sanderson

    It really depends on the novel. With some I spend a lot of time on areas that in others I don't spend much time on at all. With every book I spend a serious amount of time on the magic system. That's consistent—it's just something I like to do.

    For a given book or series I may spend more time on a given aspect. I'd say the other big aspect that takes a lot of time is characterizing the characters the right way. That takes a lot of work, but I tend to do that during my actual writing period, whereas I spend the planning period focusing on worldbuilding and plot. It's when I actually sit down to write a chapter that I explore who a character is, and so it's really hard to pin down timewise which one I spend more time on. And that varies based on the book.

    Goodreads Fantasy Book Discussion Warbreaker Q&A ()
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    Ashley

    What made you decide to release Warbreaker on your website? Was Tor at all irked by this plan? What about your agent or those who purchased international rights?

    I must say that I've purchased the Mistborn trilogy and Elantris, but that I read Warbreaker on your website.

    Brandon Sanderson

    That's all right. I knew that people would do that. I would hope that those who really enjoyed the book will pick up copies, but you know, I don't mind if they just read it and don't pick up a copy—I mean, it's there for free!

    I like the idea of a free sample, and for a writer I feel that a free sample needs to be an entire novel so that you can get a real feel for how that author writes and tells a story. When I listen to music, I would like to be able to listen to an entire album and say, "Okay, is this an artist that I like?" Before I pay money for it. I want people to be able to do that with my writing. And what that means is if WARBREAKER doesn't sell any copies, but it has tens of thousands of people read it who are then willing to buy and read my next books because they know they like my writing, then WARBREAKER is incredibly successful.

    Was Tor irked? I wouldn't say that; I mean, I got approval from them first. I don't think it's what they would prefer for me to do, but they were certainly willing to let me do it. My agent didn't like the concept at all, and I listened to his counsel, but I'm very interested in the way the internet is acting as a medium for entertainment distribution, and I wanted to experiment with that.

    I think it's been a successful experiment. I think that a lot of people who were interested in me because of THE GATHERING STORM and the Wheel of Time announcement were able to try out my books and read one of them for free and therefore somewhat know who I am as a writer. For good or for ill. If they don't end up liking my writing, I'd rather they not have paid for it—I'd rather they not have to pay for something they don't enjoy. I think I'll end up better off—at the very least they'll think, "Well, I didn't really like his book, but he gave it to me for free," and still have a good impression of me. If they do end up liking my book, I would hope that they go and read other copies of my books. And that would increase demand on the libraries or the bookstores. Either way I think I come out ahead.

    Goodreads Fantasy Book Discussion Warbreaker Q&A ()
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    Elise

    I really loved the character Lightsong, he was my favorite and probably one of the most interesting characters I've ever read about. Did you have anyone in particular in mind when you came up with him? How did go about developing him as a character?

    Brandon Sanderson

    Rupert Everett was sitting in the back of my mind.

    Actually, in order to develop Lightsong's character well, I didn't want to imitate any one voice. That's something we always stay away from. But I had been wanting to work on writing humor in a different way from what I'd previously used. I spent a lot of time watching and analyzing the movie THE THIN MAN, the old comedy/mystery/crime film with an emphasis on very witty characters making wisecracks as they investigate a murder. If you haven't seen it, it's delightful. Along with AN IDEAL HUSBAND and THE IMPORTANCE OF BEING EARNEST, those were my three sources of inspiration. I was trying for a blend of those two styles—and then of course added my own sense of humor.

    Goodreads Fantasy Book Discussion Warbreaker Q&A ()
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    Laurel

    You seem to purposefully invent a system of magic for each book/series you create. I think that Warbreaker was one of the most unique I've ever read. Do you have a reason or story behind this habit?

    Brandon Sanderson

    Yes—both. Back when I was trying to break in, I spent many years writing books and not getting published. I was under the impression (it's just one of my beliefs) that it would be easier for me to break in doing a lot of different standalone novels, or first books in a series, as opposed to writing all in one series and putting all my eggs in one basket. For that reason, I got a lot of practice finishing one book and starting a new one that was in a new setting in a new world.

    For me, a new setting/world means a new magic system. Magic is part of what draws me to fantasy, being able to play with the ideas behind it. It's what engages me; it's what excites me. And so part of the real fun of starting a news series is developing a new magic system. In a way that's kind of like the little twinkie or whatever that I'd hang in front of myself in order to get me excited about a new series. I'd be just coming down off a writing high at the end of a book, and I'd still be excited about the old series, its characters and world. Creating a new world is a lot of work, but there's an excitement to it as well. I'd focus on that and say, "Look, I get to create a new magic system, let's see what I can play around with for this book." So because I got used to doing that, that became my modus operandi, my method of working. That still excites me. Oftentimes it's the opportunity to create a new magic system that gets me excited about writing a new book.

    Goodreads Fantasy Book Discussion Warbreaker Q&A ()
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    Jeanne

    You write such wonderful, believable female heroines, who are your role models and influences?

    Brandon Sanderson

    Writing believable female heroines—I should probably back up and point out that I wasn't always good at this. In fact, in the first few books I wrote before ELANTRIS I was terrible at it. That disconcerted me because it was something I wanted to make a strength in my writing. This is partially due to the fact that so many of my favorite fantasy novels growing up, when I first discovered fantasy, were from female writers with really strong female protagonists. So there was a piece of my mind that said having strong female protagonists is a big part of fantasy. I don't know how common that viewpoint is, but because those were the people whose books I read—writers like Anne McCaffrey, Melanie Rawn, and Barbara Hambly—I wanted to be able to do that in my own fiction. Even beyond that you want every character you write to be believable, and it's been a habitual problem of men writing women and women writing men that we just can't quite get it right, so I knew it was going to be something I'd have to work hard at.

    I took inspiration from women I know, starting with my mother, who graduated top of her class in accounting in an era where she was the only woman in her accounting program. She has always been a strong influence on me. I also have two younger sisters who were a lot of help, but there were several friends in particular who gave me direct assistance. Annie Gorringe (who was a good friend when I was an undergraduate—and still is) and Janci Patterson were people I sat down to interview and talk to in my quest to be able to write female characters who didn't suck. I would say specifically that Sarene from ELANTRIS has a lot of Annie in her, and Vin from MISTBORN has a lot of Janci in her. In WARBREAKER, Siri and Vivenna don't really have specific influences but are the result of so much time working at writing female characters that it's something I'm now comfortable with. (Their personalities arose out of what I wanted to do with their story, which was my take on the classic tale of sisters whose roles get reversed.) It's very gratifying to hear that readers like my female characters and that the time I spent learning to write them has paid off.

    Goodreads WoK Fantasy Book Club Q&A ()
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    Vladimir

    I really want to know, Brandon how do you get these ideas about so diverse and innovative magic systems?

    Brandon Sanderson

    It just happens. I don't know. It's a blend of who I am--my science background, what I like in fiction, mixed with the way my mind works, what stories I seek to tell. I can't say specifically where I get the ideas, because they're all different. It's just part of my makeup.

    Goodreads WoK Fantasy Book Club Q&A ()
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    Jet

    The Stormlight archive is a very big book. Do you have plans of including a glossary that's more expansive than the ars arcanum?

    Brandon Sanderson

    If I do make a glossary, it will probably be on my website. Perhaps I'll be able to slip in a longer glossary into future books. The problem is that the first book is already so long, as you said. I just don't have the pages for it now. As the series expands, maybe.The thing is, I've always partially liked a glossary and partially not liked them, because as series get longer and longer, you have to make decisions about what to include and what not to include. Using the glossary in the backs of the Wheel of Time books is somewhat bittersweet because it only covers around one percent of the things you'd want to be in there. So in some ways it's become irrelevant, because most of the things you'll want to look up are not going to be there. It seems like it served its purpose best in the early to middle books, but now if you really want to know you've got to go to Encyclopaedia WoT or a similar site. So maybe we'll just do an online glossary or send people to one of the fan-created wikis.

    Goodreads WoK Fantasy Book Club Q&A ()
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    Jay

    Do Szeth and Kaladin both belong to the same order of knights radiant?

    Brandon Sanderson

    Szeth isn't actually in an order of Knights Radiant. Something different is happening with Szeth that people have already begun to guess. And Kaladin isn't yet a Knight Radiant, but the powers he uses are those of the Windrunners, one of the orders of the Knights Radiant. Szeth is using the same power set. So your phrasing is accurate to that extent.

    Goodreads WoK Fantasy Book Club Q&A ()
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    Gary

    The Way of Kings is certainly a great first book of a series. It does, however, leave one hungry for more. What's the best guess on when for #2? And does it have a name?

    Brandon Sanderson

    I'll try to write it so it can be published in late 2012, but it really depends on how long it takes to write A MEMORY OF LIGHT, since I won't start until after that is finished. As for the title, if it ends up being a Dalinar book it will be titled HIGHPRINCE OF WAR, but if it ends up a Shallan book it will have a different title.

    Footnote: The second book, Words of Radiance featured Shallan as the central character. The Third, Dalinar's focus, is titled Oathbringer 
    Sources: Goodreads
    Goodreads WoK Fantasy Book Club Q&A ()
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    T.T

    Barring the Almighty, did we seen a Shardholder (like Sazed) in this book?"

    Brandon Sanderson

    I think "Shardholder" would get confusing alongside "Shardbearer." Basically, in the Cosmere's terms, when someone holds a Shard of Adonalsium, I call that person a Shard of Adonalsium. They are imbued with the power of that Shard, but they also become the Shard. Fans can use whatever terminology they wish, but this is how I term it.You did at least see the direct effects of two of the Shards of Adonalsium, but I won't say whether or not you actually saw a Shard of Adonalsium.

    Goodreads WoK Fantasy Book Club Q&A ()
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    Flip

    You have quite the world you have created. I look at the map and see a lot of different locations. How many of the named locations are actually going to be used? ... Anyway, I am always curious as to how much of one's world that has been built actually gets used.

    Brandon Sanderson

    You'll have to read and see what happens. I will say this: When I build a map, I don't consider it to be a to-do list. In fact, it makes a world feel unrealistic to me when every single place on the map ends up getting visited. So it's not a to-do list, but many of those locations are very important.

    Goodreads WoK Fantasy Book Club Q&A ()
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    Dustin

    I felt the illustrations added a lot to the book physically and to the story. Will there be more in book two and so on if you have your way or was it a one book experiment?

    Brandon Sanderson

    I'm glad you like what the illustrations added to the book and the story. I plan future volumes to have more of them.

    Goodreads WoK Fantasy Book Club Q&A ()
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    Dustin

    Your sidekick characters (Nightblood, TenSoon in WoA and Syl) are always interesting, sometimes more so than side characters. Is this planned out or does it just happen? Do you control their lines more than other characters? (I really liked Syl's personality if that wasn't clear.)

    Brandon Sanderson

    Thank you. That is partially intentional. One of the aspects of writing characters like them is that if we're not going to get viewpoints from them, their personality has to be strong enough to manifest externally. Which tends to have an effect, if it's not done well--or sometimes even if it is done well--of making them feel one-sided. In some ways I play this up; for instance Nightblood really is one-sided because of the way his personality works, the way he was crafted. He's a construct, and he has a main focus.So with someone like Syl, I really wanted to bring out a lot of personality in her dialogue so that we could characterize her without having any of the internal thoughts and monologue and emotions that I sometimes instill in other characters. But Syl also was meant to be a vibrant splash of color in Kaladin's sometimes dreary viewpoints. Because of that, I really needed her to just pop off the page. So it was done intentionally.

    Goodreads WoK Fantasy Book Club Q&A ()
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    Josep

    Just a nagging question: What happened to Gaz? After some character development he just vanishes in chapter 59 without further explanation. Will he be back on the next books?

    Brandon Sanderson

    I'm planning for you to find out what happened to Gaz. There are sufficient clues that you can guess. But it is not explicitly stated, and I'm not going to say it's as obvious as Robert Jordan implied Asmodean's killer is. I was tempted to spell it out explicitly, but there wasn't a good place for it. I will probably answer it eventually, maybe in the next book, but until then you are free to theorize.

    Goodreads WoK Fantasy Book Club Q&A ()
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    Bahador

    I really like the dialogs between Jasnah and Shallan, covering atheism, god, blind faith, etc.

    Are you going to expand on these philosophical topics? Will it play a larger part in the plot?

    I really enjoyed these moments and hope to see more of them

    Brandon Sanderson

    I'm glad you liked them. These questions are very important to Shallan and Jasnah and to an extent other characters such as Dalinar, so you will indeed see much more of this. I wouldn't include it if it weren't very important to the characters. And what's important to the characters has a strong influence on what's important to the plot.If what happens at the end of Part Five with Dalinar is to be believed, then there is a very interesting theological conundrum to this world. Something claiming to be God claims also that it has been killed. Which then in some ways leaves someone who is atheist right, and yet at the same time wrong. When Jasnah and Dalinar meet, you can expect some discussion of what it means to be atheist if there was a God and God is now dead. Or will she say that obviously wasn't God? Those circles of thought are very fascinating to me and to the characters.

    Goodreads WoK Fantasy Book Club Q&A ()
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    SeekingPlumb

    Question. When writing TWoK, did you write the story lines individually & then weave them together (e.g. Place the chapters as desired.), after the fact? Or did you write the book generally in the order that we see the end result?

    Brandon Sanderson

    I wrote the parts by viewpoint. Meaning that for Part One, I wrote Kaladin straight through and then Shallan straight through. And then I switched for Part Two and wrote Dalinar and Kaladin, and then I switched back. So I did write the storylines individually by viewpoint, but in sections by part.

    Goodreads WoK Fantasy Book Club Q&A ()
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    Louise

    Have you already decided whether it's Shallan or Dalinar for the book 2 central plot? What about the tentative title?

    Brandon Sanderson

    I keep going back and forth. I'll probably have to sit down and completely write out both of their backstories--their flashback sequences--and after finishing that see which one best fits the theme and the plot of the novel, the story I'm trying to tell. So it's going to take a while to decide that, and it would require enough of my focus that I really need to do A MEMORY OF LIGHT first. So we'll know more after A MEMORY OF LIGHT is finished and I begin writing out their sequences

    Footnote: Shallan was the central character for Volume 2 of the Stormlight Archive, Words of Radiance
    Sources: Goodreads
    Goodreads WoK Fantasy Book Club Q&A ()
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    Louise

    Did spren lose their memories and personalities because of the loss of their attached radiants? But retain a basic attraction to things associated with the radiants they bonded to previously?

    Brandon Sanderson

    Not all types of spren bonded to Radiants. You will find out more about this in the future. However, if you're speaking specifically of spren that were bonded to Radiants, then yes, you're on the right track.

    Goodreads WoK Fantasy Book Club Q&A ()
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    Louise

    Which one will you focused more in the future, the Heralds or Radiants? Will you dig deeper into each of Heralds story and some of Radiants?

    Brandon Sanderson

    I feel that I should probably RAFO this one. We are going to delve into the Radiants as orders a lot. But the Radiants as individuals? Depends on what you mean. Kaladin is well on the path toward becoming one of them, though he's not one yet, as Teft is quick to point out. So if you mean focusing on actual Knights Radiant, we'll have to see if anyone actually manages to become one.The Heralds are integral to the entire story, which is why the Prelude focuses on them. Since someone showed up at the end of the book claiming to be one of them, I think you can obviously expect some attention to be drawn there. Who each of the Heralds are and what their natures were is important.

    Goodreads WoK Fantasy Book Club Q&A ()
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    Amanda

    Will Kaladin (or Shallan, or any of the other characters) be going to visit the various places Kaladin saw in his dream, and if so, for extended periods of time or just short trips? I think the interludes are wonderful ways of showing other parts of the world, if I may also comment.

    Brandon Sanderson

    I'm glad you liked the interludes. One of the reasons to include them is to show parts of the world that I won't be getting to for a while, but this is an epic, and there will be characters traveling to various places you've seen. Maybe not all of them, but some places will be visited. Some for extended periods, some for shorter periods.

    Goodreads WoK Fantasy Book Club Q&A ()
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    Meleah

    The inside cover is beautiful. Do you plan to do something similar with every book?

    Brandon Sanderson

    We asked for colored endpages. At first Tor was hesitant; they're very expensive. We kind of begged a bit, then showed them these cool pages and talked about how great the book would be with them, and eventually Tor decided that they would go with it. One of the aspects of doing colored endpages like that is that generally you have to use the same endpages for the entire series, to offset the printing cost. So those same endpages will be in every hardcover of the series. There will be different interior art, however.

    Goodreads WoK Fantasy Book Club Q&A ()
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    Jon

    Did I miss the explanation for why women have a safe hand and why they must keep it covered?

    Brandon Sanderson

    No, you haven't missed it. People have asked about this. There will be more explanation in-world as it comes along, but it's for much the same reason that in some cultures in our world you don't show people the bottoms of your feet, and in other cultures showing the top of your head is offensive. It's part of what has grown out of the Vorin culture, and there are reasons for it. One of them has to do with a famous book written by an artist who claimed that true feminine pursuits and arts were those that could be performed with one hand, while masculine arts were those performed with two hands, in a way associating delicacy with women and brute force with men. Some people in Roshar disagree with this idea, but the custom has grown out of that foundational work on masculine and feminine arts. That's where that came from. One aspect of this is that women began to paint one-handed and do things one-handed in upper, higher society. You'll notice that the lower classes don't pay a lot of attention to it—they'll just wear a glove.As a student of human nature and of anthropology, it fascinates me how some cultures create one thing as being taboo whereas in another culture, the same thing can be very much not taboo. It's just what we do as people.There's more to it than that, but that will stand for now.

    Barnes and Noble Book Club Q&A ()
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    Clippership14

    I'm really curious where the inspiration for Elantris came from. I really enjoyed that book. =)

    Brandon Sanderson

    As with all of my books, there wasn't one single inspiration, but a number of them. A few of them here were: Chinese and its writing system, and how it relates to Japanese and Korean. The difference between teaching others of your faith in order to help them, as opposed to teaching them in order to aggrandize yourself. What it would be like to live in a leper colony. A king made into a beggar. A woman who, like a friend of mine, felt she was too tall and too smart for men to find her attractive. Magical servants that didn't look like any I'd read about before. And the thought of telling a story about someone who was basically a good, normal person—without a deep, dark past or terrible hidden flaw—who got trust into the worst situation I could imagine.

    Barnes and Noble Book Club Q&A ()
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    Melhay

    Of the people that were sick for the 16 days in comparison to just the one day, it is mentioned that they would be able to burn more precious metals (atium). Could it also be possible they are/were Mistborn—with the ability to burn all 16 metals?

    Brandon Sanderson

    Well, what was going on here was a clue established and set by Leras before he died. He wanted something to indicate—should he be unable to inform mankind—that what was happening wasn't natural, but instead something intentional. He worried that men wouldn't be able to realize they were being made into Allomancers.

    And so, the mist was set to do something very specific, as has to do with the interaction between the human soul, Allomancy, and the sixteen metals.

    Each of the 'Shardworlds' I've written in (Mistborn, ElantrisWarbreakerWay of Kings) exists with the same cosmology. All things exist on three realms—the spiritual, the cognitive, and the physical. What's going on here is an interaction between the three realms. I don't want to bore you with my made up philosophy, but I do have a cohesive metaphysical reasoning for how my worlds and magic works. And there is a single plane of existence—called Shadesmar, the Cognative Realm—which connects them all.

    You will never need to know any of this to read and enjoy my books, but there is an overarching story behind all of them, going on in the background. Adonalsium, Hoid, the origin of Ati, Leras, the Dor, and the Voice (from Warbreaker) are all tied up in this.

    Barnes and Noble Book Club Q&A ()
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    Melhay

    Also, We just took for granted that Sazed is with Tindwyl now. Is that so?

    Brandon Sanderson

    Well, here's the thing. What Sazed is right now is something of a god in the classic Greek sense—a superpowered human being, elevated to a new stage of existence. Not GOD of all time and space. In a like manner, there are things that Sazed does not have power over. For instance, he couldn't bring Vin and Elend back.

    Where Tindwyl exists is beyond space and time, in a place Sazed hasn't learned to touch yet. He might yet. If you want to add in your heads him working through that, feel free. But as it stands at the end of the book, he isn't yet with Tindwyl. (He is, however, with Kelsier—who refused to "Go toward the light" so to speak, and has been hanging around making trouble ever since he died. You can find hints of him in Mistborn 3 at the right moments.

    Barnes and Noble Book Club Q&A ()
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    Melhay

    In Mistborn #3 Hero of Ages: It isn't mentioned where all the Steel Inquisitors, Kandra, and Koloss went in the end. Do you feel that they were removed from the world and Sazed took all the lost souls to his better place?

    Brandon Sanderson

    Marsh survived. (He'll show up in the Mistborn sequel series.) The Kandra were restored, and have taken a vow to live only in animal bodies. There will never be any more of them, but they are functionally immortal. So you'll see them again. The Koloss who were in the cavern at the time survived, and were changed to become a race that breeds true, rather than Hemalurgic monsters. More below.

    Barnes and Noble Book Club Q&A ()
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    Melhay

    In Mistborn: There was mention of a man named Adonalsium. We were wondering if this man may have been Preservation, who "died" before Vin took over. Is that who he was or was he someone else?

    Brandon Sanderson

    The man who died before Vin took over was named Leras. (I've occasionally written it as Laras. I've said the names in my head for years, but I'm only now writing them down as people ask me on forums.) Leras, like Ati (aka Ruin), were NOT Adonalsium. (Sorry about the typo on that one in Mistborn 3. I wrote it down on the manuscript, and it didn't get put in quite right. We'll get it fixed.)

    Adonalsium was something or someone else. You will find out more. There are clues in Warbreaker and The Way of Kings.

    Words of Radiance Los Angeles signing ()
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    Dawnshard

    So I asked Brandon at the LA signing if he could tell us about a shard that we don't know anything about (including the survival shard) and he said that there was a shard that isn't on a planet. Now I think this means that the shard is either on an asteroid, or a star. It could also be floating in space or on a moon and influencing from a distance. I will repeat it is not any shard we already know about.