Recent entries

Brandon Sanderson

Some of Blushweaver's sparring here should give you a hint that she's far from the shallow egotist she pretends to be. In a lot of ways, she and Lightsong are perfectly matched, and I imagine this being the reason they ended up spending so much time together. They both have an extreme persona that is almost a parody of the other gods, and for both of them, that persona is but a sliver of who they really are. Blushweaver is more conniving, Lightsong more noble, when you strip everything else away. But they understand each other in a way that I think few people do.

Brandon Sanderson

Lightsong and Blushweaver Visit Hopefinder

I wanted to show some Returned of different ages; I think it's important for people to realize that you can be any age when you Return. There are children, babies, grandmothers, and people in their middle years who Return.

Hopefinder is the youngest person at court currently, though there are a couple of other gods who Returned when they were in their teens. It's hard to tell them from the other gods now, however. (And often, when a god Returns in their middle years, their body transforms to be much more youthful. Not always; it depends on the god.)

Brandon Sanderson

Chapter Thirty

Lightsong Tries Pottery

It's been a while since one of the gods tried something like this. Lightsong isn't the first, of course, to wonder at his old life and realize that some of his skills and abilities came with him to his new one. But he's the first of this generation of gods who has taken any interest in it.

His father was actually a potter, if you're interested in knowing. As for why he knows nautical terms and mathematics, I'm afraid you'll have to wait on that. They come up eventually.

The juggling, though . . . well, that'll just have to remain a mystery.

Brandon Sanderson

The Pahn Kahl Religion

In the Siri section, she mentions the Pahn Kahl religion, but she doesn't know what it is. This happens numerous times in the book, people getting confused about whether the Pahn Kahl are just Hallandren or being unable to describe their religion.

If you're curious, the Pahn Kahl are nature worshippers who focus on the storms of the Inner Sea as a manifestation of their unity of five gods. They believe that all Returned are men who deny the power of the gods and are forbidden entrance into heaven, yet are otherwise just men and not sinners worthy of hell—so they're given a chance to come back to have another try at life, to try to find belief this time.

Anyway, the purpose of having people so confused about the Pahn Kahl was to try to make readers vague about them in the same way. In this case, I want the reader to feel that the Pahn Kahl are unimportant, like the characters do, which is exactly the reason why the Pahn Kahl are so annoyed in the first place. If Hallandren didn't take them for granted so much, there's a good chance they wouldn't be so inclined to rebel.

Brandon Sanderson

Vivenna and Denth Visit the Corpses in the D'Denir Garden

That these deaths happened in this place is a coincidence. Yes, Vasher killed these men because he knew they were connected with Denth. However, he didn't do it in the garden because that was where Vivenna had been the day before. That just happened. (The garden is a popular meeting place after hours for clandestine operations. All Vasher had to do was throw in Nightblood and let him do what he does. To Vasher, that's often all the justification he needs. If the sword can make them kill each other, then they were guilty.)

It was important to have this scene here, however, to reinforce the tension between Denth and Vasher. I also wanted a good chance for Vasher to watch Vivenna. She notices him, but doesn't point him out to Denth—she's too afraid of Denth making a scene, and she just wants to get away from Vasher.

Brandon Sanderson

Chapter Twenty-Nine

Siri and Susebron Discuss Mountains

One of the things I like about having wildly different plots and viewpoints put into one book is that I can use the viewpoints for different things. In the case of this section of the book, we've got death and tension in Vivenna's plot, and we have soul-searching and mystery in Lightsong's plot. Amid this I was able to sprinkle Siri scenes that are more relaxed, with her and the God King talking and falling in love. The scenes add a nice balance to the book.

I made Susebron get better at spelling quite quickly—this is only our second scene with him writing on his board, but already the spelling errors are gone. There is some small justification of this—he's able to use the artisan's script, and he's very clever; besides, the Hallandren alphabet is phonetic. But it still probably happens too quickly.

Having to slog through dialect is just too distracting for readers, however. I wanted to do it once to show his innocence, but I wanted to get past it quickly—as quickly as possible—so that it wouldn't distract from the story. I don't want Susebron to come off as too childlike; I think that would ruin the romance.

All in all, I think that these chapters are some of the most sensual ones I've ever written. I always think that hinting and reserving will always be better than over-the-top romance. The fact that the two of them are forbidden sex because of the danger of having a child, mixed with some of the conversations they have about beauty and their separate lives, makes a very nice tension that I'm pleased to have managed to work in.

Brandon Sanderson

Jewels and Parlin Chat and Laugh

Vivenna isn't in love with Parlin. She has affection for him, but it's the affection one might have for a younger brother. That's all she's ever felt for someone so far, however, as she's never given herself a chance for romance in her life. She's always stamped it out. She was going to marry the God King. No room for childish things like love for her. (That will bite her eventually, of course. In a later book, I'm afraid.)

Her affection for Parlin, however, makes her possessive of him. He's her best tie back to the life she left, and she's always kind of seen him as hers. So you can probably see why she might be annoyed to see him spend time with Jewels.

Denth is right. Jewels might be amused by Parlin, but she's not interested in him romantically. She has other ties, which I believe I discussed in a previous annotation.

Brandon Sanderson

Vivenna and the Mercenaries Meet the Forgers in the D'Denir Garden

This particular plan, as Vivenna says, was her idea. Denth goes along with it, obtaining the forgeries that (falsely) prove that priests have been extorting Idris. However, he doesn't plan to let them get out.

He knew that turning down this idea from Vivenna would either annoy her or even make her suspicious. He has to let her feel that she's in control; that way he can remain in control himself and get her to the meetings he wants. Unfortunately for him, that means letting her do this, creating fake documents that could hurt the war effort.

After she vanishes, he cancels the project immediately, which is why the papers never end up materializing.

Oh, and if you're wondering, she got the letter from her father from Lemex's stash. Some people asked about this.

Brandon Sanderson

Chapter Twenty-Eight

Vivenna Drinks Juice at an Outdoor Restaurant and Plans the Meeting with the Idrian Leaders in the City

Here we have Vivenna showing off her end of the reversal quite well. This is one of the few places where I have a character point out the reversal taking place. Vivenna has learned to blend into Hallandren—she's learned not to judge quite so much. She's still not where she needs to be, but the transformation is happening.

The conversation she has with Denth, where he discusses every man seeing himself as a hero in his own story, is a kind of subtheme for this book. In this novel, everyone does think they're doing what's best. The only exception to that is, perhaps, Denth himself—which makes the conversation particularly poignant.

This is one of the very first conversations I imagined for this book, as I knew it would be very important to a later one, where Vivenna talks to Vasher. And that particular conversation might just have been the first I came up with.

Brandon Sanderson

The toughest thing to balance about Lightsong was how genuine to make his sense of indolence. His discussion with Siri here is probably the most candid he ever gets in the book in regard to the fact that, in part, he's just putting on a show with all of his humor and remarks. They're intended to distract, and are also a subtle commentary on what he thinks of the other gods and the way they're all treated.

The problem is, unless he really is somewhat like he pretends to be, it wouldn't work at all. His advice here to Siri is based on his perception of the world.

When he first Returned, his initial inclination was to act like this. (I believe he brings that out later in the book.) However, after meeting Calmseer and having a relationship with her (it wasn't love, not in the traditional sense; more of a sincere mutual respect that turned physical), he spent a lot of time trying to be the god who everyone expected him to be. He failed miserably, and his people were dissatisfied with him. He blames his failure mostly on the other gods, who mocked him for turning into a hypocrite.

So he returned to being Lightsong the indolent, and he sharpened his wit against the others and let loose with as much vengeance as he could muster. The others weren't offended, however—they just took it as natural that he act that way. We find him several years after that in this book, where he's just given up on being able to change things.

Brandon Sanderson

Chapter Twenty-Seven

Bluefingers Avoids Siri, So She Goes to Find Lightsong

I considered having the men performing the athletics competitions in the court be naked. After all, there's been so much female nudity in the book so far that it would only be fair to balance it out. . . .

I decided it would be gratuitous. Just because the Greeks competed in the nude doesn't mean that it would naturally happen everywhere else. Still, thinking of how much it would embarrass Siri almost made me put it in.

Brandon Sanderson

Lightsong Inspects the Murder Scene Again

The interesting thing about this scene is that it reveals almost nothing about what happened. At least, it doesn't reveal anything to the readers.

However, it reveals a whole lot about Lightsong as a character. I waited until he'd been established before starting to bring up questions like the ones in this chapter, where I begin to dig deeply into who he was before he died. In a way, he's not investigating the murder so much as he is investigating himself—and that's why the scene works, even though we know the information about the murders he reveals. (Though we don't know who that second person was. Unless you read the spoiler above, of course.)

Brandon Sanderson

Also, just so you know, the second person who snuck into the palace was Denth—tailing Vasher, trying to decide what he was up to. Bluefingers let Denth know that Vasher would try to enter, but warned him not to attack the man. Not while it could expose Denth and possibly Bluefingers.

Denth would have attacked anyway, if he'd decided he had a good opportunity. But he didn't, and he decided it was better to watch.

And yes, he'd hidden away his Breath so that Vasher couldn't sense him following.

Brandon Sanderson

Lightsong Sees the Painting of the Red Battle

This is our first major clue (though a subtle one at the same time) that there might be something to the religion of the Iridescent Tones. Lightsong does see something in this painting that an ordinary person wouldn't be able to. A well-crafted piece of art, made by a person channeling the Tones and connected to them via Breath, can speak to a Returned. Now, in this case, it doesn't work quite like Llarimar says it does—Lightsong doesn't actually prophesy about the black sword in the way the priest thinks. In other words, Lightsong isn't prophesying that he'll see the Black Sword (Nightblood) in the day's activities.

Instead, Lightsong is seeing an image of a previous war, which is prophetic in that another Manywar is brewing—and in both cases, Nightblood will be important to the outcome of the battle.

The person Lightsong sees in the abstract painting is Shashara, Denth's sister, one of the Five Scholars and a Returned also known as Glorysinger by the Cult of the Returned. She is seen here in Lightsong's vision as she's drawing Nightblood at the battle of Twilight Falls. It's the only time the sword was drawn in battle, and Vasher was horrified by the result.

It's because of her insistence on using the sword in battle, and on giving away the secret to creating more, that Vasher and she fought. He ended up killing her with Nightblood, which they'd created together during the days they were in love—he married her a short time before their falling out. That marriage ended with him slaying his own wife to keep her from creating more abominations like Nightblood and loosing them upon the world.

Nightblood is part of a much larger story in this world. He's dropped casually into this particular book, more as a side note than a real focus of what's going on, but his own role in the world is much, much larger than his supporting part here would indicate.

Brandon Sanderson

Chapter Twenty-Six

Lightsong Gets Up Early, Excited

Let this be a lesson to aspiring writers. People's reactions to these Lightsong sections—where he goes to investigate the murder—are proof of a long-standing rule of writing. Characters who do things are more interesting than those who don't.

Now, this may seem obvious to you. But let me assure you, when you start to write, you will often be tempted to include viewpoint characters with internal conflicts. Many times, poorly written, these conflicts result in the character being inactive. They can't decide about things, or they're a coward, or they're depressed or indifferent. All of these things are flaws the characters are going to grow out of during the story, and you're very tempted to build them into the character as a way of giving the character more growth and things to overcome.

That's not a bad instinct, but it's much more difficult to pull off than you think. The problem is that a lot of characters like that don't really do anything for the first part of the story. They're reactive, and they don't care about the plot, which makes the reader not care about the plot.

Until you've practiced a while, might I suggest that you stick with characters who are passionate about what they're doing and who try consistently to achieve their goals? Give them different internal conflicts, things that don't keep them from acting. Learning to write a good book is tough enough without tackling an inactive character in your first few stories.

Brandon Sanderson

Vivenna Talks to Denth, and Considers Her Faith

Vivenna's line here—to believe is to be arrogant—is something I've thought about a lot myself. How do you believe that you're right, yet also not be dismissive of others or arrogant about it?

This applies to more than just religion. It bothers me that in things like religion or politics, our natural inclination as human beings is to assume the worst about the other guy. If you look at the recent political elections in the United States, it seems that the other side—whichever side—can never do anything right. There is no candidate that the Republicans could have chosen who the Democrats wouldn't have dismissed completely, and vice versa.

Isn't it possible for you to think that you're right without deciding that any who believe differently are stupid and corrupt?

I believe that my religion is true. And, by the definition of that religion, it means that everyone else is wrong. And yet my religion teaches me to be humble. I think there's a way to do that and hold to your belief, but it seems to require more effort than a lot of people are willing to make.

Brandon Sanderson

Vivenna Talks to Jewels about Religion

I'm very conscious of the fact that all of my major viewpoint characters in this book—Lightsong included—don't believe in the Hallandren religion. That worries me because the book presents a very one-sided view of their beliefs.

Religion isn't a simple thing. In my books so far, I fear that I've presented the religions in a far too one-sided way. Hrathen with his Shu-Dereth, the Lord Ruler and his religion—these were not the types of religions that are very enticing to readers. The characters, even those viewpoint characters who followed the religions, didn't present them very well. (And, in truth, the Lord Ruler's religion—the Steel Ministry—was a pretty despicable religion.)

In this book, I wanted to present several different viable religions. There is something to be said for Austrism, with its goodly monks and teachings on humility through the Five Visions. But it's a very superstitious and xenophobic religion at the same time, and it is very biased against the magic of the world. The Hallandren religion has more going for it than the characters would like to accept.

So, even though most readers might consider this a throwaway scene between Vivenna and Jewels, is a very important one to me. It is the place where we get to see a follower of the Iridescent Tones really stand up for what she believes. Vivenna deserves to be smacked down here, I think.

Brandon Sanderson

Vivenna notices the Tears of Edgli here, the flowers that drive Hallandren wealth and trade. I added these in an early draft, as I realized that there needed to be a cheap, easy source for all of those dyes the Hallandren use. (This was pointed out to me by my friend Jeff Creer, I believe.) The Tears offer something else as well—a reason for the wealth of the people. In early times, dye trades were extremely lucrative, and being able to control a method by which unusual dyes could be created would have been a very good basis for an economy.

I also like what it does for the flavor of Hallandren as a whole. This story happens in the place that is, in most fantasy books, far away. A lot of fantasy novels like to make their setting someplace akin to rural England, and they'll talk of distant countries that have exotic spices, dyes, and trade goods.

Well, in this world, Hallandren is that place. It's at the other end of the silk road, so to speak.

Brandon Sanderson

Chapter Twenty-Five

Vivenna and the Mercenaries Attack the Salt Merchant's Shop

A very quick and efficient way to hurt the future Hallandren war. Denth doesn't mention that there are ways of preserving meat (drying and smoking) that don't require salt—but even in most jerky methods, one uses a brine solution, so his argument is reasonably satisfactory.

Brandon Sanderson

I worry that Susebron is too innocent in his regard for sex. Some readers like this; others think it's unrealistic. He'd have had sexual urges, after all. It comes down to the question, how natural is it? If someone had never had sex before, and had never had it explained to them or had friends to talk with about it, would they know what to do? I'll bet they could figure it out, but I'm not sure it would be something one could simply reason out ahead of time.

Perhaps Susebron's innocence is a bit of a stretch, but I believe it's a possible reaction—if not the average one—to his seclusion.

Brandon Sanderson

The priests know about Susebron's book of stories from his mother, but they haven't had the heart to take it away from him. They know how much he cherishes it, and they don't see any real danger in him having it. They think it's just a memento of his mother.

Brandon Sanderson

Susebron and Siri Chat

This first scene with the two of them chatting is one I'd been looking forward to writing since the beginning. Siri's scenes become much more interesting to me now that she has someone to talk to. Plus, their relationship is—in my opinion—the most natural romantic relationship I've ever written. I'm not sure why that is. They just seem to naturally fall for one another in a way that seems smoother to me than Sarene/Raoden or Vin/Elend.

Brandon Sanderson

Siri mentions sounding out words as she reads. This was actually a very common thing in most cultures, even literate ones, up until the modern era. People would speak to themselves as they read. Even someone who could read, like Siri, wouldn't be particularly accustomed to reading. Their society didn't demand it the same way that ours does.

In her scenes with the God King, I didn't have her sound out the words for reasons of brevity and clarity. However, if you were there watching, you'd hear her reading out loud each word that the God King wrote on his board.

Brandon Sanderson

Chapter Twenty-Four

Siri Visits the Palace Library

The Priests here think that Siri is making a play for power, asserting her will in the palace. They wouldn't have stopped her from reading in the library, if she'd wanted to. Treledees just wants to enforce his will over her and show that she can't bully the priests. They're worried about her trying to assert her independence. They assume she already knows the things in the histories that Bluefingers mentions, and so they aren't concerned about her studying them.

Questioner

Szeth-son-son-Vallano is one of my favorite characters and I was wondering how-- He's so complex, right, which is why I love him. What was your inspiration for him, and how did you get all those amazing layers of--

Brandon Sanderson

What was my inspiration for Szeth? Boy. Talking about my inspiration for characters is one of the hardest things that I do because, while I plan my settings a lot and I plan my outlines a lot, I do not plan my characters in the same way. I actually discovery-write my characters and this is something I do very intentionally because I feel like if I plan the character too much, I plan the life out of them basically. So when I have a plot I basically cast a bunch of people in it. I'll write a chapter with someone in it and I'll throw it away, and I'll a chapter with a different personality, and I'll do that until somebody clicks with that plot. Once I know who they are I'll usually rebuild the outline to fit them, kind of the character has veto power over the plot that I've designed for them. But I just keep casting people in the roles, and with Szeth I think it was the whole idea of when I was building Roshar and I'm like, alright, I know there's going to be a place where there aren't any rocks, the rest of the world is all about this kind of stone sensibility to it so what if it's reversed, what if these people worship stone. What if stone were holy. And so I kind of built out of that, it was his religious ideals that came first. 

Questioner

Are there cats anywhere in the cosmere?

Brandon Sanderson

Yes there are cats in the cosmere. There are lions in Mistborn, and have been mentioned numerous times, so you can assume, extrapolation, that there are also cats in the worlds somewhere. Scadrial, the Mistborn world... is my Earth analogue. When I was designing I'm like, I'm gonna design this one in such a way that I can-- because I knew I was going to be doing 1900's fiction, and 1980's fiction, I wanted it to have some sort of parallel societal evolution and so I put in a lot of parallel cultural things, and things like that. So you can make an assumption that, unless I say otherwise, on Scadrial they have basic Earth ecology, particularly now after events that I can't talk about because they're spoilers.

Questioner

Would it be reasonable to assume that Baxil's mistress is Shalash?

Brandon Sanderson

Hehehe. That is a reasonable assumption, that Baxil's mistress is Shalash, or just Ash as she is normally known. That is a reasonable assumption. Whether I can confirm that it's true or not-- That should be one of the top candidates for who that is. 

Questioner

Any plans on doing anything similar with Aether of Night?

Brandon Sanderson

Any plans to do Aether of Night, which is the next best book? And really the only other one that I want people reading, because the rest kind of fall into the threshold of, yes this is not as good as my current work and it's bad. Aether of Night is two good books put together that don't intertwine very well. I'm more likely to take Aether of Night and take pieces of it, like I did with some other books, and make a new book out of it, than I am to  do a graphic novel.

Questioner

White Sand, I know you're working to convert it into a graphic novel, how close is that graphic novel going to be to your initial--

Brandon Sanderson

Alright, so the question is about a book called White Sand, which is one of my unpublished novels. I wrote thirteen during the days when I was trying to break in. Several of them were good but not great. One of them was great, and that was Elantris, the one I published. There were a lot of practice novels in there and some that, with some revision, could be very good. One of those, the best of them, is called White Sand, and some of the fandom have read that. I mean, if you really want to read it, it's not up to the par of my current books--so read all of those first--but if you've run out of stuff to read you can email me and I email to people, just in my web form. But the book is actually pretty decent, it's got one major flaw, which is that it's really about 100,000 words of story stuffed into about 200,000 words of book, right. I hadn't quite learned how to do pacing quite as well, and the characters aren't quite as complex as the ones that I write now. So we are doing a graphic novel adaptation of that, because I felt that we can trim and add a little depth to characters and it'll be a great book, and it felt like it would be a lot easier for me to do that, working through scripts in a graphic novel format, because you naturally just trim, than it would be to rewrite the entire book. 

So we're doing a graphic novel, I'm doing it with Dynamite, who has put out a lot of really solid adaptations, it's one of the things that they do very well. They've been a blast to work with. Their illustrator is excellent, their schedule, they've been very regular on their schedule. I told them that I really would like to have the entire book done before we release anything, because, I don't know if there's any Wheel of Time fans here, but the Wheel of Time comic book had issues, with release times. So I'm a skeptic, because I know about that whole thing and so we're going to try and get the whole book done. So it's going to be a little while before we actually release it, but theoretically once it's done we should have the whole thing, or at least a sizable chunk of it finished already. So the big difference is going to be trimming that down. We'll also probably do a little bit more stuff with the cosmere than I originally did in it. 

Questioner

In one of your Alcatraz books, what exactly is the meaning of fourteenth, upside-down übercousins?

Brandon Sanderson

*laughing* Ah, this is one of the weird sorting systems that is used by the Librarians and it's a weird word. What does it mean? I have no idea, I just made it up. Sorry! No no, that's not the real answer. The right answer is Alcatraz wrote those books and I've never been to the Free Kingdoms or met the real Librarians, so I have no idea what he's talking about. I'm just the name they put on the cover so the Librarians don't find him.

Questioner

And I also have a question about the nature of spren being dead. Specifically about whether or not they can resurrected. Because ideas can never really die...

Brandon Sanderson

Ideas can never really die--

Questioner

... Cognitive creatures--

Brandon Sanderson

They are Cognitive creatures. This is theoretically possible but very difficult without the people who originally betrayed their oaths.

Questioner

Is Eshonai going to be a Radiant? You mentioned in the beginning that there's going to be ten books, ten Radiants - and Eshonai's book is one of them...

Brandon Sanderson

So. In the past, parshmen were - Parshendi were not allowed to become Knights Radiant. However, what I said, might imply that that could change.

Questioner

[Was] Vasher the one who brought Nightblood to Roshar? *sensing an incoming RAFO* Come on, please!

Brandon Sanderson

*laughs mercilessly* That's a RAFO.

Questioner

Are there any locations on Roshar with red stone?

Brandon Sanderson

Yes.

Questioner

Where did the red stone in Feverstone [Keep] come from?

Brandon Sanderson

Roshar. It comes from Roshar.

Questioner

What alloy did Hoid [use in Shallan's flashback]--

Brandon Sanderson

Let's just say that he was trying to make certain people act the way he wanted them to.

Questioner

Is it very difficult to travel, to worldhop from Sel because most of the world in its Cognitive Realm version is ocean?

Brandon Sanderson

No, that is not the reason. Good question.

IronCaf

What other magic systems - because it seems unique from what we have seen - what other magic systems have that same, kind of, "If you use it a lot it gets better?"

Brandon Sanderson

So, imagine this way-- You're making a metaphor-- It is a little bit more like wedging open cracks in the soul by letting the flow come through, and the investiture comes in. 

IronCaf

So it seems that in Allomancy, it seems to maybe enhance those cracks--

Brandon Sanderson

It can open the cracks more.

IronCaf

Are there other magic systems like that?

Brandon Sanderson

Yes. 

IronCaf

Will we see those anytime soon?

Brandon Sanderson

Maybe. Anytime soon? Let me RAFO that for you.

IronCaf

In what ways is becoming an Allomantic savant similar to, say, bodybuilding or exercising?

Brandon Sanderson

There are some parallels there, you could draw that parallel, definitely.

Questioner

Is Shardplate crem?

Brandon Sanderson

No, it is not, good question. 

Questioner

You said the <Adolin's> grows *inaduble*

Brandon Sanderson

Good question, it is not crem.

Questioner

If an Elantrian bonded to a Seon were to travel to Roshar, would that act as a Nahel bond?

Brandon Sanderson

It would act very, very similarly, yes. But it would be like... it wouldn't necessarily do the exact same things. Like if you've got two radios tuned to a frequency, they won't necessarily pick up another radio frequency, or things like this. I don't know, that's a bad metaphor, I'd have to think of a better one. But it would be treated exactly the same way but it might not grant the same powers.

Questioner

Would Allomancy affect Shardplate or Shardblades?

Brandon Sanderson

It cannot affected Shardblades. Well, "cannot" is a strong word. Things with innate investiture are much more difficult to affect with any of the magics at all. Which is why it's very hard, for instance-- Szeth is not able to bind people, or Lash people wearing Shardplate to the ceiling. In the same Allomancy would not be able to Push on it without some help. Duralumin and a really strong [Steel]Push could probably do it. 

Questioner

I was just wondering if it's actually metal.

Brandon Sanderson

Oh yes. It is metal-ish... it is metal enough for Allomancy to work on it.

Questioner

How much Stormlight is equal to a Breath?

Brandon Sanderson

I haven't looked. It's one of those things that I need to go to Peter and be like "Alright, they are asking us to canonize this."

Questioner

When you were saying you took all the best parts out of Dragonsteel - so you took characters, and you took Bridge Four, - but you said we'll probably see Dragonsteel at some point, what... If you said you've already taken what you think are the best parts of it...

Brandon Sanderson

I will probably be moving stuff that was in the second and third book to a [new] first book and writing that one instead.

Questioner

Who would win an argument - Shallan or Lightsong?

Brandon Sanderson

*laughs* Lightsong. More practice. Maybe eventually Shallan could hold her own, but at this point he would.

Questioner

With the different headings [epigraphs] of each chapter of the Stormlight Archive books, obviously they don't all make sense as you go along, but five years from now, if I read the five books and I am reading at the start of The Way of Kings, all the words, all the last words of people [the death rattles], is it going to be this huge foreshadowing moment--

Brandon Sanderson

It will make a lot more sense.

Questioner

What theologies and philosophies did you draw on to create Vorinism?

Brandon Sanderson

Vorinism is a hodge podge of a lot of different things. Part of is the Jewish Kabbalah--

Questioner

The mysticism of Jewish--

Brandon Sanderson

Yeah, the Jewish mysticism. Part of it is Jewish mysticism, part of is [Islam], but there are a lot of things that are just drawing from philosophies rather than theologies. I'm trying to remember what specifically we were doing... But the main concept was the idea of a church that had been subsumed by a monarchy to the point that the [the church] would be very servile. And that concept led me to a lot of the Vorinism discussions.

Questioner

[The Stormlight Archive] Books 6-10, do you know the Order of the flashbacks?

Brandon Sanderson

I've not decided the order. I know whose they are but I haven't decide the order. 

Questioner

Lift?

Brandon Sanderson

Lift is one.

Questioner

[...] Taln?

Brandon Sanderson

Yes, Taln is one of them. The person who calls himself Taln.

Questioner

The line about "three of sixteen [ruled] and now the Broken One reigns" - did Odium follow three other Shards to Roshar or is he the third Shard?

Brandon Sanderson

Odium is the third Shard on Roshar.

Questioner

In book one [of The Stormlight Archive] Dalinar catches a chasmfiend claw, in book two he catches a Shardblade. Is he gonna keep catching things?

Brandon Sanderson

Yeah, he's pretty good at catching things. I don't know, RAFO?

Questioner (paraphrased)

Can you give me a hint about Odium?

Brandon Sanderson (paraphrased)

Odium is not native to Roshar