Questioner
My question was about your writing process... When you are writing do you become emotionally attached to the characters you are writing about? Does it become hard to distinguish between what you think the characters should be doing and what you actually have planned out for them? And how did that affect your Wheel of Time writing? You didn’t create them, but you took over their story arcs and did you become attached to any of those?
Brandon Sanderson
What an excellent question. I do grow attached to all of my characters, however character is the weird one for me. Character is very hard for me to define how I do it. With my plot I can talk about outlining the plot and these sorts of things. And my worldbuilding, I've written lots of essays about worldbuilding, and building magic systems and things like this. But with character I really sit down with this plot, this world, together and I start writing somebody in a role and I write a chapter and I see how they feel. It's almost like casting someone in the role. If that doesn't work, then I get rid of them, I get rid of that and I write a new chapter using a different character's personality but who feels very much the same in some ways. For instance, Mistborn, I did this quite famously, Vin started with a guy, I tried Vin as a guy and then I tried Vin as a woman, but a different, a very different person from what you read, who was very confident and more Artful Dodger type person, and then I tried the Vin that ended up in the book. I can't really explain to you why I knew those first two were wrong, they just were. So I ditched them and tried again. I do that until I've hit the right character and then I let them start growing and developing as I write the book and if the person they turn into is not the person who would do the sort of things that are in my outline I either have to change my outline, which I will sit down and do, or I'll say "this character is awesome but they don't belong in this role. I will write a book around them later, and find a place for them." And that's-- Usually I just re-write the outline, once in a while I pull out the character and put someone else in that place. If a book is going wrong for me, it almost always because of one of the characters, something is wrong with them, and I wish that I could explain it better. It's actually really thrilling for me, when a character is alive and working well enough that I know they wouldn't do what is in the outline. That's not a sad moment that's a "Aha! I've got something good here. This character is working, they are strong enough on the page that they can balk these constraints that were placed upon them." Because an outline, while it is a great tool, the danger is that the outline constricts your story and it doesn't allow it to actually feel alive. This is when you get these wooden characters that just kind of cardboard cut-out through a book. That's when often the outline just takes too much-- takes over too much of the characters. So it's exciting, but it can be very frustrating when it's not working.
It did happen with the Wheel of Time but in a different way. The Wheel of Time characters were like my high school friends growing up, these were my buddies. I was a nerdy kid who sat in my bedroom and read books, and these were my friends. So writing them I was really worried that it would be difficult to write them. But it was actually very easy, their voices snapped for me quite quickly, I knew what they would do. So much in fact that Mat was a little off in Gathering Storm, I didn't notice it because I was so used to characters coming very easily to me. And yes I feel very much in love with writing them and these sorts of things because of these sort of things but it was because of my past familiarity with them that allowed me to do that.