Recent entries

    YouTube Weekly Updates 2022 ()
    #701 Copy

    Brandon Sanderson

    The other big thing that I want to talk about is Moonbreaker. So for years, I’ve been teasing a project I called Soulburner. You can go back many years in the State of the Sanderson posts and find me talking about this thing. This is a video game I originally started, then pitched to Unknown Worlds, who made Subnautica. They came to me and said, “Hey, would you be interested in developing a world for us to do a game in?” Their pitch was really cool. It’s better than a miniatures game. It’s like a digital version of a miniatures game. I’ll be talking a lot about Moonbreaker in the coming weeks. I’m really excited about it. I loved Subnautica, and so when Unknown Worlds came to me I was excited for the opportunity. This is the first time I have designed the setting for a video game. I wrote all of the worldbuilding guides and came up with the characters and character guides. Dan Wells has been writing audio dramas about these characters. So it’s going to be really cool. The game—I’m not even sure what their timeline is for releasing the game but now we can at least talk about it!

    Miscellaneous 2022 ()
    #702 Copy

    Brotherwise games

    During our last trip to Dragonsteel HQ, we talked to Isaac and Brandon about adding characters [to the Stormlight Miniatures campaign) that weren't previously planned. Our Nale and Rysn miniatures both came out of that trip. During the same conversation, Brandon said, "let's add Zellion."

    "Who?" we asked. We know the Cosmere very well, and Zellion was not a name we'd ever heard. Brandon just smiled and gave Isaac a knowing look. Isaac told us he'd work with Ben to get concept art to us as soon as possible.

    Who is Zellion? To quote a great man, "Read and find out."

    General Reddit 2022 ()
    #703 Copy

    Willbtsg

    According to Wax's conversation with Khriss at the party in New Seran, changing weight while falling doesn't have any effect. However, storing/tapping weight while Pushing laterally through the air follows the conservation of momentum.

    Peter Ahlstrom

    Yeaahh…I will probably have to revise the first part of that discussion when we do the leatherbound for Bands of Mourning. It really isn’t consistent with the second part and how we’ve been accounting for it after it was determined that momentum is conserved. There is at least one scene in The Lost Metal where this comes into play.

    MoriWillow

    Is part of the issue that Wax is creating a false dichotomy between gravity and a Steelpush? (As both the force of gravity and the force of a Steelpush should change as he changes mass?)

    Peter Ahlstrom

    There does appear to be a false dichotomy, but it’s about velocity rather than force.

    General Reddit 2022 ()
    #704 Copy

    ZealousidealBid3493

    The way storing weight works in Feruchemy annoys me to no end, because regular laws of physics just don't work. Sazed once jumps from a height then reduces his weight to be light as a feather, but the energy should, in theory, stay the same, so his speed should increase to account for it, hence smashing into the ground at a massive speed. This is just one of the issues, there are many more like the one you present.

    That being said, I just thought about storing of weight as storing energy, in a sense, so that would fix the kinetic energy issue.

    Peter Ahlstrom

    It depends on where in his jump he starts storing the weight. I’ll have to look at the scene. We worked on making this consistent for the Era 2 leatherbounds, but did not do it for the Era 1 leatherbounds.

    General Reddit 2022 ()
    #705 Copy

    Radix2309

    The Atium we experience in Era 1 is actually an alloy of Atium and Electrum called Nalatium. The stuff produced by the pits was naturally an alloy. 

    Peter Ahlstrom

    The name nalatium is not canon.

    Tetrarchon

    But what about alloys of lerasium with allomantic metals - can anyone still burn them to become a misting of that metal?

    Peter Ahlstrom

    Yes.

    General Reddit 2022 ()
    #706 Copy

    somethingnuclear

    So I don’t know if this is ever addressed but what happened to Wax’s uncle Edwarn’s wife?

    I mean she was with Edwarn and Telsin in the faked carriage accident. The carriage ride was supposedly them trying to go see a particular vista but they couldn’t hike because of Edwarn’s wife’s inability to hike, at which point the carriage had an accident and everyone was reported as dead. As we later find out, this was faked and we see Edwarn and Tesin survived.

    They never mention what happened to Edwarn’s wife, however. Did she actually die in the carriage accident? If so, was that planned and Edwarn basically murdered his wife? If not, Will we see her show up as part of the Set?

    Peter Ahlstrom

    Yeah, she is dead. We may have clarified this a little in the Alloy of Law leatherbound, but I can’t remember for sure. The subject definitely came up.

    General Reddit 2022 ()
    #707 Copy

    Isphus

    Gentlemen, i have gamed the system. [Diagram of infinite energy being generated by Terrisman storing weight on a Ferris Wheel.]

    Brandon Sanderson

    I realize this is mostly for fun, but I will say you have discovered the reason why weight manipulation feruchemy has to play by slightly different rules from most other parts of feruchemy, and why it fascinates Khriss so much. (To the point of going in person to interrogate someone on the subject, something she rarely does.)

    General Reddit 2022 ()
    #708 Copy

    Jay_Gatsby123

    When Vin first meets Slowswift he mentions among other creatures ‘spren’!

    Wonder how he knows about them. What ties does he have

    Brandon Sanderson

    This swap was Peter's suggestion, I believe. He loved the idea of slipping in a minor Easter egg for the latest version.

    Unfortunately, spren weren't in the version of Roshar I had finished by 2005-6, and the writing of Mistborn 3.

    General Reddit 2022 ()
    #709 Copy

    chriseldonhelm

    Do you think you'll do the warbreaker sequal, if it comes before stormlight 6-10 or after?

    Brandon Sanderson

    I'm not promising this one, as I'm going to have to stretch to do Elantris 2 and 3, and they come first. But it is one of my goals.

    General Reddit 2022 ()
    #711 Copy

    Brandon Sanderson

    Well, this [Moonbreaker] is one of the things that was taking my time three years ago. I actually did the "hand off" on this about a year ago, meaning while I'm still involved, the really intense work for me was done a while ago.

    This is, by the way, the project I'd nicknamed Soulburner in my yearly updates. I was deeply involved in the game's development during its initial years. Lately, I've mostly been watching and cheering them on, as the world building and story creation were done early.

    New York Comic Con 2022 ()
    #713 Copy

    Questioner

    In Dawnshard, we see a mural of Adonalsium being Shattered.

    Brandon Sanderson

    Yes.

    Questioner

    It’s, like a circle that splits into four parts, and those four parts also split into four parts.

    Brandon Sanderson

    Yes.

    Questioner

    So I’m wondering if there’s a way to group the Shards in terms of being, or…?

    Brandon Sanderson

    I would encourage people to be trying to figure this out.

    New York Comic Con 2022 ()
    #714 Copy

    Brandon Sanderson

    I don’t roleplay as much, anymore, but I’m very, very fond of roleplaying. And so I’ve always wanted to do a roleplaying system. So when Crafty came to me about Mistborn, I was just very on-board. And in the same way, when we were exploring a partnership with Brotherwise, the first thing I said to them is: “I want a Stormlight RPG; can we do this?” This time I was saying to them. They’re like, “Yes, we can do this; we will make it the way you want it to be.” So, we’re going to be spending a few years building that, and my philosophy on roleplaying will probably come out quite a bit in the roleplaying system.

    New York Comic Con 2022 ()
    #715 Copy

    Skrimyt

    Can Transportation-based fabrials be used to achieve Physical Realm FTL, faster-than-light?

    Brandon Sanderson

    This is theoretically possible, yes. Basically, I am pushing toward competing methods of FTL in the space age, and Roshar is one of the ones that has access to being potentially able to do that.

    New York Comic Con 2022 ()
    #716 Copy

    Questioner

    With White Sand, you’ve expanded into a more visual medium with a new storyline. There’s always talk of when there’ll be an adaptation to the screen. Now, when that comes, will you be interested in doing an adaptation for the screen? Or write a new story for the Cosmere universe that is just solely either television or movie?

    Brandon Sanderson

    It’s an excellent question. It is one I’ve given a lot of thought to, and I’ve eventually settled on: the first thing that I do needs to be an adaptation of a work. This is because, for Hollywood to invest the kind of money we’re asking for, they are going to need it to be proven. One of the reasons they go to books so often is because they’re looking for the things that have already been successful in one medium. Not a guarantee they’ll be able to adapt it; in fact, it’s a really big challenge. But at least it’s a way to go to the money people and be like, “Yes, we want $300 million.” And they’re like, “Oh, really. Why?” And we can be like, “Well, this thing has sold a lot of copies.” It is a proof of concept.

    I will eventually get into, I think, doing things (if this is successful) that haven’t had a book adaptation, but we’ve gotta start with a book adaptation. Just a nature of the way business works.

    New York Comic Con 2022 ()
    #717 Copy

    irongnome (paraphrased)

    If a Radiant summons their Shardplate on Braize will it work?

    Brandon Sanderson (paraphrased)

    Well it depends, in the Physical realm or Cognitive?

    irongnome (paraphrased)

    Physical.

    Brandon Sanderson (paraphrased)

    And you are asking about Shards?

    irongnome (paraphrased)

    Plate specifically.

    Brandon Sanderson (paraphrased)

    Ah, okay. So if they have already been able to summon the Plate before it will work, but it will fail if it’s their first time.

    New York Comic Con 2022 ()
    #718 Copy

    Wizardlvl (paraphrased)

    What type spren would be Axies Black Lotus? Like the spren has he never seen that he really wants to.

    Brandon Sanderson (paraphrased)

    The Nightwatcher. He has gone like two dozen times to the valley but has never seen her.

    New York Comic Con 2022 ()
    #719 (not searchable) Copy

    Brandon Sanderson

    I’ve been saving Szeth[‘s flashbacks] for the end [of the first five Stormlight books]. I was either gonna do Dalinar or Szeth as the last one, and I ended up deciding as I got to Oathbringer that Dalinar’s flashback sequence really matched Oathbringer really well, which meant I moved Szeth to this book, the as-of-yet-unnamed Stormlight Five, which will almost assuredly have a certain set of letters at the start. (If you don’t know, I’m trying to make it symmetrical with Way of Kings. We’ll see if we can make that happen.)

    I intend these flashbacks to… you’ll notice that this kind of a more serene and peaceful start, as a contrast to some of the things that will be happening in the book otherwise at this point (to give no spoilers).

    This is just gonna be kind of a starting look at who Szeth was way back before this all started.

    Brandon Sanderson

    Szeth Flashback One

    Szeth-Son Neturo found magic upon the wind, and so he danced with it.

    Strict, methodic movements at first, as per the moves he had memorized. He was as the limbs of the oak, rigid but ready. When they shivered in the wind, Szeth thought he could hear their souls seeking to break free, to shed bark like shells and emerge with new skin, pained by the cool air—yet aflush with joy all the same. Painful and delightful, like all new things.

    Szeth scraped bare feet across packed earth as he danced, getting it on his toes, loving the feel of Cultivation’s embrace. He moved in a wide circle, getting just close enough to the edge to feel feet on grass before dancing back, spinning to the accompaniment of his sister’s flute. It almost seemed alive itself, providing him a partner for his dance, wind made alive through sound. The flute was the voice of air itself.

    Time became thick when he danced. Molasses minutes and syrup seconds. Yet, the wind wove among them, visiting each moment to linger, before spinning away. He followed it. Emulated it. Became it.

    More and more fluid he became. No more rigidity, no more preplanned steps. Sweat flying from his brow to seek the sky, he was the air. Churning, spinning, almost violent. Around and around, his motions worship for the rock at the center of the patch of ground. For when he was wind, he felt he could touch that sacred stone, which had never known the hands of man—but felt the wind each and every day.

    The stone of his family. The stone of his past. The stone to whom he gave his dance. He came out of the dance finally, panting, drenched in sweat. His sister’s music cut off, leaving his only applause the bleating of the sheep. Molli the Ewe had wandered onto the circular dance track again, and—bless her—was trying to eat the sacred rock.

    She never had been the smartest of the flock.

    Szeth stood, breathing deeply, feeling the sweat stream from his face and pool at his chin, wetting the packed earth below with speckles like stars.

    “You practice too hard,” his sister—Elid-Daughter-Neturo—said. “Seriously, Szeth. Can’t you just relax once in a while?”

    He looked to her as as she stood up from her seat in the grass and stretched. Elid, at fourteen, was three years older than he was. Like him, she was on the shorter side—though she was squat where he was spindly. Trunk and branch, Dolk-son-Dolk called them. Which was kind of appropriate, even if both Dolks were idiots.

    She wore orange as her splash—the vivid piece of colorful clothing that marked their station. A bright orange apron, in her case, across a grey dress and vibrant white undergown that poked through to cover forearms and collar. She spun her flute in her fingers, uncaring, like she hadn’t broken her previous one doing just that.

    Szeth bowed his head and walked over to get some water from the barrel. Rainwater had filled with pure, clean water, not a speck of dirt. He enjoyed looking through it, down all the way to the wooden bottom—I liked seeing things that couldn’t be seen, like air and water. Things that were there, yet not, all at once.

    “Why do you practice so hard?” Elid said. “There’s nobody here but the sheep.”

    “Molli likes my dancing,” Szeth said softly.

    “Molli is blind,” Elid said. “She’s licking the dirt right now.”

    “Molli likes to try things new,” he said, smiling and looking toward the old Ewe.

    “Whatever,” Elid said, flopping back on the grass. “Wish there was more to do out here.”

    “Dancing is something to do,” he said. “The flute is something to do. We must learn to add so that—”

    She threw a dirt clod at him. He dodged easily, his feet light on the ground. He might only be eleven, but some in the village whispered he was the best dancer among them. He didn’t care so much about that. He only cared about doing it right. If he did it wrong, then he still had to practice.

    Elid didn’t think that way. It bothered him how blasé she was about her practicing, but she didn’t like talking to him about it. She seemed like a different person, these days.

    Szeth shook his head, and tied back on his splash—a red handkerchief he wore around his neck—then went to count the sheep. A few minutes, when he walked past Elid on his way to count the ones on the other side of her, she was still laying and staring at the sky.

    “Do you believe,” she said, “the stories they tell about the lands on the other side of the mountains?”

    “The lands of the stonewalkers?” he said. “Why wouldn’t I?”

    Thirty seven, thirty eight... Were’s swallow?

    “They just sound so outlandish.”

    “Elid, listen to the words you say. Of course stories about outlanders sound outlandish.”

    There she is. Thirty nine.

    “But really, Szeth?” she said “Lands where everyone walks on stones? Like, what do they do? Pick them out in the ground and only hop from stone to stone, avoiding the soil?”

    Szeth glanced at their family stone. It peeked up from the earth like cultivation’s own eyeball, staring at the sky, unblinking. Six feet across, but maybe with ore of it buried, it was a vibrant red-orange. A splash for Roshar, like the one he wore. He’d chosen his color deliberately.

    “I think,” he said to her, “that there must be a lot more rock out there. I think it’s hard to walk without walking on stone. That’s why they get desensitized to it.”

    “But where do the plants grow, then?” she asked. “Everyone always talks about how the outside is full of dangerous plants that try to eat people. It’s all anyone ever whispers about. So...there must be soil.”

    True. Unless all these plants were like moss? He had trouble imagining fluffy curls of moss being dangerous, though. Maybe the terrible vines he’d heard about grew from patches of soil but stretched out long, like the tentacles you might find on a ***(Octopus creature from the menagerie in book two.) Or the ones from the things that lived in the tidal pools a short distance down the coast.

    “I heard,” she said, “they constantly kill each other out there. That nobody adds, they only subtract.”

    “Who makes the food then?” he said.

    “They must eat each other,” she replied. “Or maybe they’re always just starving. You know how those ones on the coast are...”

    Those ones. He looked, nervously, into the distance—though you could only see the ocean on the clearest days. His home of Clearmount was at the very edge of a broad plan, excellent for grazing, with the ocean beyond, on the south-eastern edge of Shinovar. An honored location, near the Zephyr Monastery just further along the mountain ridge, where one of the sacred Honorblades was kept.

    In Szeth’s estimation, it was the perfect place to live. You could both see the mountains and visit the ocean. You could walk for days across the vibrant green prairie, and there was never lack of grazing land for the sheep. He bent down next to old Molli, scratching at her ears as she rubbed her head against him. She might lick rocks and eat dirt, but she was also always good for a hug. He loved her warmth, the scratchy wool on his cheek, the way she always stayed nearby—to keep him company—when the others wandered.

    She bleated softly as he finished hugging her, then wiped the salty, dried sweat from his head. Maybe he shouldn’t practice so hard, but he knew he’d gotten a few steps wrong. And had stumbled a few times. Their father said that they were blessed in their lives, as people who could add beneath the Farmer’s eyes. Just the right station in life. Not required to toil in the field, not forced to kill and subtract—allowed to tend the sheep, and develop their talents.

    Free time was the greatest blessing in the world. Maybe that was why the men of the oceans sought to kill them and steal their sheep. If you lived your life out in the lands where everyone walked on stones, your morals withered, and you sought only to take. It must make them angry to see such a perfect place, full of people with time. The terrible men from the oceans couldn’t have that time themselves, so like any petulant child, they simply destroyed it in those they saw.

    “Do you think,” Elid whispered, “that the Servant of the Monastery will ever come out and fight for us? Use that sword during one of the raids to drive off the terrible men?”

    “Elid!” he said, standing. “The Servant of the Monastery would never subtract.”

    “I think you’re wrong,” she replied. “Mother says they practice with the Weapon in there. Why practice with it, except to—”

    “They will fight the Voidbringers when they arrive,” Szeth snapped. “That is the reason. No other.” He glanced toward the ocean, unreasonably worried that one of the strange raiders would hear. “Don’t speak of it. Nobody must know. If they realized the treasures of the monasteries...”

    “Ha,” she said. “I’d like to see the awful ones raid Zephyr, and face down the Servant. She can fly you know. She—”

    “Don’t speak of it,” he said. “Not in the open.”

    Elid rolled her eyes at him, still laying on the grass. What had she done with her flute? If she lost another, and father had to carve one for her again...

    She hated when he brought that up as well, so he forced himself to stay quiet. He pulled back from Molli, and then looked down at the ground she’d been licking.

    To find another rock.

    He stumbled back, part shocked, part terrified. This was a small one, compared to their other rock. Only a handspan wide. It peeked up from the earth, perhaps revealed in last night’s regular rain. Szeth put his fingers to his lips, backing away. Had he stepped on that while dancing? It was in the packed earth of the dancing ring around the stone, right in the path.

    What...what should he do? This was the first stone he’d ever seen emerge. Even the ones in other villages and fields—carefully marked off and properly revered—had been there for years.

    A...a new stone. Was it a sign?

    “What’s up with you?” Elid said. “Molli step on your toe or something?”

    He couldn’t speak, so he simply gestured. She, perhaps sensing his level of concern, he rose and walked over. As soon as she saw it, she gasped.

    They shared a look. “I’ll go get mother and father,” Szeth said, then started running.

    Szeth Flashback Two

    Szeth’s father, Neturo, knelt beside the stone. His mother, Zeenid, was in the town overseeing painting classes, so they’d sent a message to her via Tek, one of their courier parrots.

    Szeth wasn’t certain what frightened him so about finding a new rock. He danced around the other one daily. He loved their rock, and a new one was cause for celebration, surely. Except, he wished it hadn’t happened to him, finding it. Something new meant possible celebration, possible attention, possible change.

    He wanted things just remain calm. Quiet days full of languid breezes and gathering sheep. Nights beside the fireplace or candles, listening to mother tell stories. He didn’t want excitement or some new grand thing. Too much of a chance that it would upset what he already loved.

    “What do we do, Father?” Elid asked. “Call the Stone Shamans?”

    “It depends,” he said. “Depends.”

    Their father was a calm man, with a long beard he liked to keep tied with a green ribbon at the bottom. Head shaded by his customary tall reed hat with the wide brim, he had a good-natured paunch that spoke to his skill and talent as a cook. He had all the answers. Always.

    “Depends?” Szeth said, stepping up beside him—half hiding behind his bulky form as he peeked at the little stone. “Depends on what? We just do what is right, don’t we?”

    Father glanced at their larger stone, then at this one. “A single rock is a blessed anomaly. Two...might mean more. Might mean the spren have chosen this region.”

    “Wait,” Elid said, hands on hips. “What do you mean?”

    “I mean,” Father said, “there might be others, hiding beneath the surface here. Unlikely, but possible. Stone shamans will want to take the entire region, set it off, preserve it and watch it for a few years at least. See if anything else emerges.”

    “And...us?” Szeth asked.

    “Well, we’ll have to move,” Father replied. “Tear down the house, just in case it’s accidentally on holy ground. Set up somewhere else—wherever the Farmer finds land for us. Maybe in the town.”

    In the town? Szeth turned, looking into the distance—though the nature of the rolling hills prevented him from seeing *** unless he climbed up on top of one. It was close enough to walk in an hour or so. He liked it that far away. He found the place noisy, congested, smelly. In the town, it felt like the mountains weren’t right around the corner, because the buildings blocked them out. It felt like the meadows had gone brown, replaced by dull roadways. It felt like the ocean was far off, because you couldn’t smell the breezes coming in off of the water any longer.

    He didn’t hate the town. But he got the sense that it hated the things that he loved.

    “I don’t want to move!” Elid said. “We did something great. We found a rock! We shouldn’t be punished.”

    “If it’s right,” Szeth said, “the we just have to do it, though. Right, Father?”

    Father was silent. He stood up, pulling at his trousers, and waited. Soon, Szeth picked out someone hurrying along the path between hills toward their home. A single woman, wearing a long green skirt as her splash—an audacious amount of color for their station. White apron over the front, curly, light brown hair that punched up around her head like a cloud.

    She was carrying a shovel. Szeth gaped, jaw dropping. That couldn’t mean...

    She hurried up to them, shovel on her shoulder. Father nodded toward the new rock, and mother’s let out a relieved sigh. “So small? You had me worried with that message, Neturo.”

    “Mother?” Szeth said. “What are you doing?”

    “Just a quick relocation,” she said. “We’ll dig up the rock, haul it off a few hundred yards, then place it in the soil there. Let it rain a little, so it seems to have naturally poked up, then tell everyone about it.”

    Szeth gasped. “We can’t touch it!”

    Mother pulled a pair of gloves out of her pocket. “Of course not. That’s why I brought gloves, dear.”

    “That’s the same thing!” Szeth said, horrified. He looked to his father. “We can’t do this, can we?”

    Father scratched at his beard. “Depends, I suppose, on what you think, son.”

    “Me?”

    “You found the rock,” Father said, looking to mother, who nodded in agreement. “So you can decide.”

    “I pick what’s right,” Szeth said immediately.

    “Is it right for us to lose our home?” Father asked.

    “I...” Szeth pulled back, glancing at the house.

    “There might be dozens of rocks down underneath here,” Father said. “If that’s the case, then we should absolutely move. But in the hundreds of years that rain has fallen on this plan, only one has emerged. So it’s unlikely. Moving the stone a few hundred yards will still make the shamans watch this region, but without the rocks being so close together, the worry will be more nebulous.

    “But then again, we’d have to move it. In secret. We’re supposed to reverence stone, treat it as the home of the spren. That’s why you dance to it.”

    “We hate the stonewalkers on the outside,” Szeth said, “because of how they treat it.”

    Father knelt down, one hand on Szeth’s shoulder. “We don’t hate them. They’re people who just don’t know the right way of things.”

    “They raid us, father,” Elid said, arms still folded. “That’s not just them being confused.”

    “Yes, well,” he said. “Maybe those ones are evil. But it’s not because they live in a place with too much stone. It’s because of the choices they make.” He smiled at Szeth and nodded his head, his beard juggling like it did when he laughed. “It’s okay son. You can choose what you want. If you want us to go turn this in now, well, we’ll do it.”

    “Can’t you just...tell me what to do?” Szeth asked.

    “No, I don’t think that I can,” Father said. “Unfair to put you in this spot, I suppose. But the spren did it, so now we just live with that. We can move the rock, or move our home. I’ll accept either one.”

    “Maybe we should let him sleep on it,” Mother said.

    “No,” Szeth said. “No. We can...move it.”

    All three of them relaxed as he said it, and he felt a sudden—shameful—resentment. His father said he could choose, but they’d all three clearly wanted a specific decision. He’d made it, he felt, not because it was right. But because they wanted it.

    But how could all three of them want it if it wasn’t right? Maybe Szeth was just broken in some way that he couldn’t see what it was they did. Maybe it was all right to just...be lax about all of this.

    He still hated this entire situation. If they’d just told him what they intended to do, and then done it, that would have been fine. Why give him the choice? Didn’t they see that made it his fault what they were doing?

    “Let me dig about it,” Mother said, putting on her gloves. “looks small, but that can be deceiving. Wouldn’t want to find out that it’s secretly as big as a house under there.”

    They all stepped back, and mother started digging about it. Szeth winced each time the shovel scraped the stone. That was not a natural sound. He’d hoped that they would, indeed, discover that the rock was enormous—so that the plan had to be abandoned. But in the end, it was really was just kind of small. A foot across at it widest. He could have held it in one hand, if he’d wanted.

    No, don’t think like that, he told himself, putting his hand down to the side. Molli the ewe, seeming to have sensed his tension, rubbed up against him and he felt at her wool, her warmth. Hoping to draw strength from it.

    Even mother seemed a little unsure, now that she’d dug the rock out. She stepped back, leaving it in the hole. She hadn’t touched it at all.

    “You scraped it,” Elid said. “That seems...kind of obvious.”

    “Once we’ve buried it again,” Mother said, “nobody will see those scrapes.”

    “How much trouble would we be in,” Elid asked. “If someone finds out what we did?”

    “I suspect the Farmer wouldn’t be happy,” Father said. He laughed then, and it seemed genuine. “Might require some cake to make up for it. Don’t get that look, Szeth. We show devotion because we choose to. And so, the kind of devotion is ours to make.”

    “I...don’t understand,” he said. “Don’t the Stone Shamans tell us what to do?”

    “They tell us the teachings of the spren,” Mother said, she shouldered her shovel. “But we choose to interpret those teachings. What we’re doing here today is reverent. Enough for me at least.”

    Szeth thought on that for a moment. And wondered—as this was not the first clue in his life, but it might be the most stark one—if this was a reason, perhaps, they chose to live outside of town. Even other shepherd families lived inside the buildings there, beneath the shadow of the monastery.

    He’d gone, with his family, each month for devotions since he could remember. He didn’t dare think that his family wasn’t faithful. Yet...the older he got...the more he had questions like these. It was only today, however, that he’d had to really confront the fact. What did he feel about his parents doing something he knew the shamans wouldn’t approve of?

    They were still all standing there, staring at the rock, when the horns sounded. Father looked up, then whispered a soft prayer to the spren of their stone. The horns meant raiders, on the coast, coming in from the east and the lands of the stonewalkers.

    Szeth felt an immediate panic. “What do we do?” he said.

    “Gather the sheep,” Father said. “Quickly. We must drive them toward Dison’s Valley near the town. The Farmer has troops in the region. We’ll be safe if we move inland.”

    “But this?” Szeth said, gesturing to the rock. “This!”

    Mother, suddenly seeming determined, just reached down and grabbed it in two gloved hands. Together, all four of them froze, then looked inward toward their family stone. It sat there, unblinking, unmoving. None of them were struck down. And Szeth thought he could tell, from the way his parents relaxed after a moment, that they hadn’t been certain what would happen either.

    At least it seemed they hadn’t been secretly moving rocks around all his life. This was a new experience for them. Mother walked over to a nearby tree, then carefully placed the stone into a gnarled nook near the roots. She then hid it over with a handful of leaves.

    “That will do for now,” she said. “If raiders do come to the home, they’ll think nothing of a stone. They don’t feel or commune with them—they ignore the spren.”

    Father and Elid went to start gathering the sheep. Szeth just held to Molli, who bleated softly, and wished this day had never begun.

    FanX 2022 ()
    #721 Copy

    Questioner (paraphrased)

    1. On a scale of 1 to 10, how similar are the processes of Command-Breaking a Lifeless and Unmaking?

    2. Is there more going on behind the scenes when an Allomancer burns pewter? I suspect that the process triggers a "mind over matter" state, where the user's desires are made manifest, albeit in a limited way. If so, can a pewter burner alter their Physical appearance, similar to a Returned (provided they knew they could and had access to enough pewter)?

    Brandon Sanderson (paraphrased)

    1. 7 they are similar

    2a. That is a valid theory. On the right track. 

    2b. Possible in theory

    FanX 2022 ()
    #722 Copy

    Questioner

    Is there a [Stormlight] 4.5 planned?

    Brandon Sanderson

    Yes, 4.5 is the book Horneater. Should be part of the Kickstarter for the Words of Radiance leatherbound next year. You should be able to just get that like you got the other one. That will be Rock's story. The plan is, I will write that at some point, and we'll put it in the Kickstarter next summer.

    FanX 2022 ()
    #723 (not searchable) Copy

    Brandon Sanderson

    This is first draft. So there's gonna be some stuff in this, things might change. Just be warning you.

    This is Kaladin from [Stormlight] Book Five.

    Brandon Sanderson

    Chapter Kaladin One

    Kaladin felt good.

    Not great. Not after spending weeks hiding in an occupied city, forced to stretch himself both physically and emotionally far beyond the reasonable limit. Not after what had happened to Teft. No, Kaladin didn't feel great. But he stood in the sunlight, looking out the window of his room.

    He thought that maybe he would someday feel great again. Knowing that, being able to recognize it, was enough. Indeed, there was an incongruent spring to his step as he walked to his barrack. Why did he feel good? Yes, they had protected Urithiru, but at great cost. Dalinar had set a deadline that was horrifically soon; war was coming upon them, and now Kaladin wasn't going to even be part of it. He was on leave; self-imposed this time.

    He'd said the right words, but had realized that those words weren't enough. Stormlight healed his body, but his soul needed time. Bridge Four and the Windrunners would go to battle without him. He should feel awful. A part of him simply refused to do so.

    He dug through his clothing, stacks of civilian clothing neatly laundered for him and delivered this morning. The world might be ending in ten days, but Urithiru's washwomen soldiered on. None of the choices felt right, and shortly he glanced to the wall where a new uniform hung, sent by the quartermaster to replace the one Kaladin had ruined during the fighting two days before. Leyten kept a rack of them in Kaladin's size.

    Kaladin had stuck it there with a Lashing last night after Teft's funeral, testing something he'd been told by the others: Urithiru was awake now, with its own Bondsmith, and things were... different. That Lashing he had used should have run out after minutes; yet here this one was, ten hours later, still going strong. The extended powers only worked in the city, but he could already see that going forward, this would be a very different place to live. Assuming anyone survived the next two weeks.

    A short time later, Syl poked her head into his room without any thought for privacy, as usual. Granted, his room didn't have a door, but a hanging cloth. Doors were in short supply, and they'd installed their first ones on the examination rooms up the hallway to offer privacy to the patients.

    Not that a door would have stopped Syl; she could squeeze through the smallest cracks. Except, today, she was walking around full human-sized, for some reason, and wearing a havah instead of her usual girlish dress. She was doing that more commonly, as of late.

    As Kaladin did the last buttons on the high collar of his uniform jacket, she bounced over to stand behind him, then floated up in the air a foot or so to look over his shoulder at him in the mirror.

    "Can't you make yourself any size?" he asked, checking his jacket cuffs.

    "Yeah. Within reason."

    "Whose reason?"

    "No idea," she said. "I tried to get as big as a mountain, once. It involved lots of grunting and thinking like rocks. Really big rocks. I managed a very small mountain; like, enough to fit in this room with the tip brushing the ceiling, but super narrow. That's as big as I could go."

    "So, you could be tall enough to tower over me?" he said. "Why do you usually make yourself shorter than me, instead?"

    "It just feels right," she said.

    "That's your explanation for basically everything."

    "Yep." She poked him. He could barely feel it; even at this size, she was insubstantial in the physical realm. "Uniform? I thought you weren't gonna wear one of those anymore. What happened?"

    He hesitated, then pulled the jacket down at the bottom to pull the wrinkles across the sides. "It just feels right," he admitted, meeting her eyes in the mirror.

    She grinned, and storm him, he couldn't help but grinning back. "Someone is having a good day," she said, poking him again.

    "Bizarrely," Kaladin said. "If I understand right, the world is slated to end in ten days."

    "To maybe end in ten days."

    "And the enemy appears to be mobilizing for some reason, rather than just waiting for the deadline. What do they hope to accomplish?"

    "Something nefarious, no doubt," she said.

    "More people are going to die," he replied. "Perhaps people I care about. I won't be there to help them, and..."

    "Kaladin Stormblessed!" she said, rising up into the air higher, arms folded. Though she wore a fashionable havah, she left her white-blue glowing hair floating free, waving and shifting in the wind. The non-existent wind, currently. She raised up until she loomed two feet above him. "Don't you dare talk yourself into being miserable!"

    "Or what?"

    "Or I," she thundered, "shall make silly faces at you all day, as only I can."

    "Those aren't silly," he said, shivering.

    "They're hilarious!"

    "Last time, you made a tentacle come out of your forehead."

    "High brow comedy."

    "A spinning eyeball growing from the end of it?"

    "Every joke needs a good twist."

    "Then it slapped me!"

    "Punchline. Obviously." She shook her head. "Storms. All the humans in the world, and I end up picking the one without a taste for refined humor."

    He met her eyes, and her smile was storming contagious. "It just feels warm," he said, "to have finally figured a few things out. To have made progress, despite it all. To have let go of that weight I was carrying and to step out from the shadow. I know the darkness will return, but I think... I think I'll be able to remember, this time. Better than before."

    "Remember what?"

    He met her eyes, Lashing himself upward, floating until he was eye level with her. "That days like this exist, too." She nodded firmly. "I wish I could show Teft," Kaladin said. "I miss him like a hole in my own flesh, still."

    "I know," she said softly. If she'd been a human friend, she might have offered a hug. Syl didn't seem to understand physicality like a human did, even if she had a more substantial body in the cognitive realm. He got the feeling she didn't actually spend much time there, though; she seemed more natural to this realm than the other honorspren, flitting about like the windspren she sometimes imitated. And indeed today, to cheer him up, she waved eagerly and led him out to the main living room of the family quarters. *inaudible* full human size wearing a havah, but flying about, moving with a swooping motion that was, honestly, a tad ridiculous to watch.

    Kal didn't fall, though, continuing to hover. Because, why not? It felt like he wasn't even using up his Stormlight; or if he was, it was constantly replenished, like what happened when Dalinar opened a perpendicularity.

    In the main living room, they found Oroden playing with his blocks. At Syl's suggestion, they spent a good half hour hovering the blocks in the air for the *inaudible*. It felt a strange use of his powers, literally harvested from the essence of a god. But, when he stopped, Oroden pointed. "Kaddin," the little boy said, pointing. "You need box!" "You," in this case, meant Oroden himself, who had noticed that everyone called him "you," and had decided that was just another name for him.

    Kaladin smiled, hovering up another set of blocks. Syl, shrunken down, hopped from block to block in the air as Oroden swatted and moved them. What am I doing? Kaladin thought after a little of that. The world is ending, my best friend is dead, and I'm playing blocks with my little brother?

    Then, in response, a voice deep from within him. Familiar, almost certainly imagined. Hold onto this, Kal. Embrace it. I didn't die so you could mope about like a wet Horneater with no razor. It didn't seem anything mystical, but instead... well, Kaladin had known Teft long enough to anticipate what the man would have said. Even in death, a good sergeant knew his job: keep the officers pointed the right direction."

    "Pyl!" Oroden said, gesturing to Syl. "Pyl, come pin!" He was off a second later, with Syl following afterwards as he hopped and pointed, then starting spinning around in circles with her twirling around him.

    Kaladin watched, seating on the floor amidst hovering blocks. His mother settled down beside him and nudged him in the side, then handed him a bowl with some lavis grain and spiced crab meat on the top. She wore her hair tied with a kerchief, like she'd always done when working back in Hearthstone. He took the bowl of food without complaint, though he didn't feel particularly like eating. As his mother eyed him, he dutifully started eating away. If there was a group more demanding than sergeants when it came to an officer's well-being, it would be mothers. When he'd been younger, this sort of attention had mortified him. Now, after years without, he found he didn't mind a little mothering. Truth be told, whether he wanted to eat or not, he needed the food.

    "How are ya?" she asked.

    "Good," he said around spoonfulls of lavis. She studied him. "Really," he said. "Good. Not great. Good enough."

    A block flew past, steaming with Stormlight, Lashed upward precisely enough to counteract its weight. Hesina tapped it with a hesitant finger, sending it spinning through the room. "Shouldn't those fall?" she asked.

    "Eventually, maybe?" He shrugged. "Navani has done something weird to the place. It's more than the fact that the tower is somehow warm now, and the pressure equalized. The entire city is infused, like a sphere." Water flowed, now, from holes in walls. You simply had to press your hand to the top of the hole and ask, and it came streaming out. You asked for a temperature, and it came out that heat. Suddenly, a lot of the strange basins and empty pools in the tower made sense. They'd expected spigots, but most locations didn't have those. Just mysterious outlets.

    He smiled as he watched Syl spin around Oroden, twirling himself, then left him with a few blocks as a distraction. She popped to human size again and flopped down on her back next to Kaladin and his mother, her face covered in an illusionary approximation of sweat. "How," Syl said, "do small humans just keep going? Where does their energy come from?"

    "One of the great mysteries of the cosmere," his mother said. "If you think this is bad, you should have seen Kal."

    "Oooh," Syl said, rolling over and looking to her with wide eyes, her long, blue-white hair tumbling around her face. No human woman Kaladin had ever known had acted such a casual way wearing a havah. The tight dresses, while not strictly formal, weren't designed for rolling about on the ground bare-footed. Syl, however, would be Syl. "Embarassing childhood stories?" she said. "Go. Talk. While his mouth is full of food so he can't stop you."

    "He never stopped moving," Hesina said, leaning forward, "except when he finally <clumped to the ground> to sleep, giving us brief hours of respite. I was required to sing his favorite song, and Lirin would have to chase him. And he could tell if Lirin was giving a half-hearted chase and would chastise him. It was honestly the cutest thing to see Lirin being chewed out by a three-year-old."

    "I could have guessed," Syl said, "he would be tyrannical as a child."

    "Not tyrannical," Hesina said. "He merely like things to be the way that they should be. As he saw them. Children often are like that, Syl, accepting only one answer to any question because nuance is difficult and confusing."

    "Yeah," Kaladin said, scraping the last of the lavis from his bowl. "Children. That's a worldview that obviously only strikes children, never the rest of us."

    His mother gave him a side hug, one arm around his shoulders. The kind that seemed to grudgingly admit that he wasn't a little boy anymore. "Do you sometimes wish," she asked him, "the world were a simpler place? That easy answers of a child were, in truth, the actual answers?"

    "Not anymore," he said. "'Cause I think the easier answers would condemn me. Most everyone, actually." That made his mother beam, for some reason, even though it was a simple thing to say. Then her eyes got a certain mischievous sparkle to them. He knew his mother, and knew to be wary of what was coming next

    "So. You have a spren friend," she said. "Did you ever ask her that important question you always asked me?"

    He sighed, bracing himself. "And which question would that be, mother?"

    "Poopspren," she said, poking him. "You were always so fascinated by the idea."

    "That was Tien!" Kaladin said. "That was not me!"

    She returned a knowing stare. Mothers; they remember too well.

    "Fine," he said. "Maybe I was intrigued." He glanced at Syl, who was watching the exchange with wide eyes. "Did you ever know any...?"

    "Poopspren?" she said flatly. He nodded. "Like, the stinky stuff that comes out of you when you think I'm not looking?" she said. "That stuff? The world is ending, and this is what you want to know? You're asking the only living daughter of the storms, princess of the honorspren, this question: how much poop do I personally know?"

    "It's just something that came up," he said, "now and then, when we were boys, if poop actually had a spren, or..."

    "Oh, I know tons," Syl said, barely keeping a straight face. "We had them over for dinner all the time. Stormfather and I. Knew an entire poop family."

    "I do not want to discuss the topic anymore," Kaladin said. "Please, can we move on. I don't need to know more about poop."

    Unfortunately, Oroden wandered over and was watching the conversation with interest. He stepped up and patted Kaladin on the knee. "It's okay, Kaddin," he said in a comforting voice, with a tone of repeating something he'd been told. "Poop goes in the potty. Do better next time and get a treat."

    This, of course, sent Syl into a fit of uproarious laughter, flopping on her back again. Kaladin gave his mother his captain's glare, one he knew from experience was good enough to make any soldier go white. Mothers, however, ignored the chain of command. And the glare only made her seem more amused.

    Brandon Sanderson

    One of the things that's a problem here is: Kaladin knows something he shouldn't know yet, that the enemy is mobilizing. Because this is probably gonna end up being chapter one, so we need to find out that information later. So you will probably find out that information in, like, chapter two or three, and be like, "Oh, why is the enemy mobilizing?" He won't know it yet. Those sorts of things happen a lot in early drafts, where you're writing through. You know the outline, you're not sure where the chapters will end up going, and things like that.

    This, we are planning for 2024. I'm sorry, it's not next year. But we plan to do a big Dragonsteel convention alongside it.

    FanX 2022 ()
    #724 Copy

    Questioner

    If you used Hemalurgic bendalloy in a fabrial, could you theoretically steal any kind of Investiture, even dormant Breaths?

    Brandon Sanderson

    Theoretically, there's a way to accomplish what you want to do, but I'm not gonna give you the details now, but yes, theoretically, there's a way to do that. You're hitting on the right idea.

    FanX 2022 ()
    #725 Copy

    Questioner

    If you were to be on Scadrial as a Mistborn and burn a god metal (such as, say, Honor), what would come of that? Would it be specific to the system that it's from? Or is it kind of like a blanket *inaudible*?

    Brandon Sanderson

    RAFO.

    FanX 2022 ()
    #726 Copy

    Questioner

    We've seen in the multiple worlds of the cosmere the different ways they measure Investiture. And with it slowly starting to converge more and more, and also the seemingly imminent tabletop game in the works...

    Brandon Sanderson

    "Seemingly imminent" meaning "we have decided we are going to do it, but have no idea what we're doing yet."

    Questioner

    Do you have an internal, universal system of measurement for Investiture? And will we get any of that anytime soon?

    Brandon Sanderson

    We are working on it right now. I actually called up some physicists I know (and this is about five years ago, now) and said, "All right, we're gonna need some units of measurement so we can take a Breath and determine how much is in it," and things like that. And it just about broke their brains, because they're like, "There's just so much here." But we've been working on it.

    My goal will be to deliver this to you eventually. But we don't really need it until space age, which is post-Era-Three-Mistborn. But by then, I hope that we will have it. I hope we'll have it before then, but yes, it is something we are working on. It's not something I worldbuild, saying "how much Investiture's in a Breath versus a sphere." It's something we're gonna have to look at what I've done with all of them and come up with something.

    Questioner

    And it's not, like, intentionally secret?

    Brandon Sanderson

    It's not intentionally secret. It is something I've known for a while I would need. But that's why you hire very smart people and make it their problem.

    General Reddit 2018 ()
    #727 Copy

    Snote85

    Let's say I had a really hard/special/magic metal file. I took it to Roshar and started shaving pieces off and catching them in a bowl. Would they dissipate and kinda puff into embers like the Shardplate does in places or would I actually have a bit of metal? If I did, would that metal shaving be able to be burned by a Mistborn? I won't ask what it would do, as I know that's a RAFO, just, would it be possible?

    Mistborn

    Yes, this is possible. Shardplate that grows replacement parts and/or heals itself (through using stormlight) is converting investiture into metal. So, in your theoretical world with a file that could file some off, you'd end up with a substance that you'd call a metal, though not one we have on earth.

    I'll RAFO if a Mistborn could burn it, but what you want to do here could be done. This is assuming that you're using a suit of dead Shardplate, as is commonly seen in the books so far.

    General Reddit 2022 ()
    #728 Copy

    heynoswearing

    So Haunted Man is Nazh right?

    Yoitsthew

    That’s what I’m thinking so I hope one day we get some context as to how he went from an antagonist to someone [Nicelle Sauvage] is galavanting around with! Maybe when u/Izykstewart finishes Boatload of Mummies we’ll know a little bit more about the in between??

    Isaac Stewart

    Maybe someday there will be more context to that. :)

    Miscellaneous 2022 ()
    #729 Copy

    Scott Beckman (paraphrased)

    Which is scarier... Which is more dangerous: a sword that wants to destroy evil, or a Bondsmith with no bounds?

    Brandon Sanderson (paraphrased)

    A Bondsmith with no bounds.

    Scott Beckman (paraphrased)

    Can an unbound Bondsmith take that sword's... ability for himself?

    Brandon Sanderson (paraphrased)

    Not exactly, but something similar. Probably not what you're thinking, but he could essentially take what that sword is, yes.

    Stormlight Five Updates ()
    #731 Copy

    Brandon Sanderson

    Hello, all!  I know some of you may have been waiting for this.  It’s time for the first in a series of updates about your book!  I wanted to wait until I’d made good progress this month before I stopped to write one of these updates, and I do apologize for leaving you in the dark for so long.  I probably should have written one of these back in January, but it’s been an odd year for me, full of unpredictable timing issues. 

    So, let’s get the obvious questions out of the way.  Do I have a title yet?  No.  Still thinking.  I’d like it to fit the format of KOWT or KOW, but I don’t like most of the options that have presented themselves.  It requires more thought.

    When will the book come out?  I’m looking at fall 2024.  I have tried to be very forthcoming about this one—warning people for a while that 2023 might be too optimistic.  And, as I feared, I have been forced to let the date slide quite far into 2024 because of three issues.  The first is that I set myself up for a TON of revisions this year, and they’ve been taking more time than expected.  I still have two books to revise, though I’ve been spending all of August on Stormlight.  

    However, that isn’t the primary reason I’ve ended up pushing back the book.  I’d planned for these revisions, and could have done those while working on Stormlight.  The second reason I pushed the book back is that I knew this book, of all the ones in the sequence, deserved a little extra time and attention.  It will likely be the longest of the series to date, and I have to be careful to juggle all the storylines properly.  I didn’t want to be rushed on it, and—though it may shock you—an 18-month production cycle wasn’t going to cut it. 

    The third reason is one I haven’t been able to gauge as easily as the first two—something new to my life.  Lately, I’ve needed to dedicated more and more of my time to running a company.  I still reserve three days a week solely for writing, but that’s down from four days a week in previous years.  

    The meetings take two general forms.  The first category is meetings with my team.  Things like reviewing the production of the secret projects and leatherbounds to make sure things look and feel right.  Others involve deep dives into concept art for characters and settings, so that when we create products like the upcoming Stormlight miniatures, they can fit with a canon version of the characters.  This is something I resisted for a while, feeling like it was all right if different artists interpreted the singers (for example) differently.  More and more, though, Isaac and I feel that we should have specific canon examples for continuity.  

    Other meetings are editorial related, or publicity related.  Dragonsteel has kind of grown up the last few years, and I want to do it right.  That means being involved, as long as it doesn’t impact my time TOO much.  But all of that needs to be balanced with the numerous film and television meetings that have been happening lately.  Again, I want to do this right—which means being deeply involved in the projects that are moving forward.  (Announcements should be coming in the near future.)  That takes time.  So, the free time that I had during Covid to write secret projects is now being eaten up by a lot of these meetings.

    I’m still finding the right balance, but this last month has seen a lot of good progress on Stormlight.  I’m sitting at 65,000 words right now as of this writing.  Roughly 16% if we assume a 400,000-word final book.  (Though this one will, as I said, likely be longer than that—so that 16% might be more like 15%.)

    Unfortunately, progress is going to slow again as I have a couple of other deadlines due.  My goal right now is to do the last two revisions (Defiant and Secret Project Four) in rapid succession, in September and October, and be back to Stormlight in November.  

    For a teaser, though, here is what I’m working on: I’m going to write this book in phases, straight from beginning to end, through several character groupings.  For example, the first sequence I’m writing is Szeth and Kaladin in Shinovar, including the Szeth flashbacks.  I plan to write all of their plot, from start to finish, before moving on to the next sequence of characters.

    All of that 65k so far, except the prologue, has been on this plotline—and I’m loving how it’s shaping up.  I know the Szeth backstory has been a LONG time coming.  I hope it lives up to your expectations.  There are some interesting lore secrets here to reveal, and the climax is something I’ve been building to since book one—indeed, you’ll find death rattles from the first volume referencing the events here in this sequence.

    I plotted this sequence at 100k.  It’s looking a lot more like 150k now that I’m neck deep in it.  The picture is related!

    I know that four years is a long time to wait for a novel, and it’s been my goal in the past to keep that to 3 years.  My intention is that once this is done, we’ll have another longer-than-normal gap as I turn my attention to Mistborn Era Three (and hopefully the Elantris sequels) before diving back in to do the back five Stormlight books.  From there, I’m hoping to return to a 3-year gap between books until we push to the ending at book ten.  

    A long journey, I know!  But you’ll almost certainly have television and film projects in the interim to keep you occupied alongside the other things I do.  And I continue to feel that Stormlight works best in ultra-long-form novels, rather than the (far more profitable) option my publisher would prefer of one shorter 100k Stormlight book every year.  The experience of the thick book full of interconnected plotlines and smaller interlude flourishes is part of what makes the artistic vision work for these volumes.    

    As always, thank you for your patience.  My job is to make sure it’s all worth the wait, and I am striving each day to show respect for the trust you’ve put in me.  

    Next update should come around the end of the year, where I’ll let you know how my November/December went.  With luck, I’ll have managed another 70k or so across the two months, and land us at around 130k, which MIGHT be the end of the first sequence.  

    Brandon Sanderson

    Full disclosure: Final book might not have a specific glow to it. I told Randy "Some kind of darkness creeping across the land, visualized in an interesting way." This is what he came up with, but this was done BEFORE I wrote the sequence, and so it's only to be taken as concept art not illustrative art, if that makes sense.

    Miscellaneous 2022 ()
    #732 Copy

    /u/CallumQuinnCreates

    Hello Mr. Stewart. Isaac? Lord Ruler?! Well, anyway, I am very excited to hear that you are working on a Mistborn book! Can you give us any updates on your progress? Hope you are well!

    Isaac Stewart

    Very kind of you to ask! I just passed 100k words and am very excited by how it's all coming together.

    YouTube Livestream 49 ()
    #733 Copy

    Letters Words

    For a theoretical Stormlight live action adaptation, it seems like it would be difficult to accomplish filming outdoor scenes while eliminating any signs of plant life that would be completely out of place on Roshar. Would you be open to changing elements of Roshar's ecology to make adaptation easier?

    Brandon Sanderson

    I would not have to do that, considering the budgets that we have been regularly offered. We can digitally remove plants. The real answer to that is, we digitally remove plants; and that's expensive, but that's what we do. There's some places in southern Utah that we can film that are gonna look real good for the Shattered Plains. And then the other places that we would have to film, we can do volume stages for, or things like that. I don't think it's as hard to do as you say

    The bigger issue we have discussed, when some people have been pitching on Stormlight live action, is the spren. How many spren do you put into a scene? Those are pretty expensive (as these things go) effects, and how much are we gonna use, and how do you adapt that? And how do you not make the spren look like Looney Tunes, with someone getting hit on the head and stars spinning around their head, right? We all imagine them not being that, but you gotta make sure that it works. A lot of what's happening with spren is pretty surreal. How do you adapt that and and what's our budget for that? Those are questions that have come up.

    YouTube Livestream 49 ()
    #734 Copy

    StrikerEZ

    Just out of curiosity, what's your current plan on potentially writing other books while you write [Mistborn] Era Three? You've mentioned in the past potentially squeezing in other books between those three books.

    Brandon Sanderson

    Still thinking I might do that. Tor wanted me to set out my schedule, 'cause we're getting ready to sign the contacts for Era Three with Tor. (Our contracts are weird, let's just say. Sometimes we just hand them books, sometimes we do it ahead of time. But this time we're doing it ahead of time.) And they wanted delivery dates, and I said, "I am writing the whole trilogy before I release the first book." It's what I've wanted to do ever since I wrote Era One, I wanted to do this again. So Era Three is going to be a trilogy, written, that won't get released. And I know I'm going to need a break between books to do other things. And so I'm still thinking that I'll do some of these books that I've been promising people in between, and then release them in some order. It's possible I could write these books, and they could be released while I'm finishing Era Three.

    But it's looking like Era Three... it's gonna be a little while. We are pretty sure Stormlight Five is 2024 now. I do apologize on that; though I have been writing on that. These weeks, I only get three and a half days to write, a lot of times. There's so many other things that I need to be doing. Stormlight Five is moving along, but there's too many things going on with it, and I had too many movie things happen this year, it slowed me down, and so we are sure it's 2024 at this point. And then that means, where do we put Era Three? I want to write all three books, I want to have a little time in between each one to write something else. I want the Era Three books to be around two hundred thousand words like Era One was, not a hundred thousand words like Era Two; just feels like the right length. They could get longer than that; they could end up at two fifty or even three hundred thousand. So that's gonna take me a couple of years of writing before I even get them done and ready to go out.

    So, you're gonna get an ending to Era Two. And then you're gonna get an ending to Skyward. And then you're gonna get an ending to Stormlight. Where, there are still things going on in those settings and worlds, but you're gonna get three pretty sizeable endings in a row. And then, we're probably going to be doing other interesting things for a while before you end up getting into Era Two of Stormlight and Era Three of Mistborn. Interesting things such as: a prose version of White Sand that is actually revised and looking good, a non-Cosmere collection of fiction. Dark One, the novelization, is another thing that you can look forward to; my original outline, I'm working on it with Dan Wells, with turning it into a novel, and I'm very pleased with how that's going. These things are gonna have to fill the void while Brandon works on Era Three. And potentially Nightblood and potentially Elantris sequels.

    Sapphire Bombay

    Do you have concerns about constraints on your time over the next twenty years? What books do you plan to write between Stormlight Six and Ten?

    Brandon Sanderson

    That's a good question. I have concerns; I absolutely have concerns. This is definitely the biggest challenge of my career, is fitting everything in. What do I plan to write then? That's a good time for Dragonsteel. Whether I can do Dragonsteel concurrent, because Dragonsteel is so involved (this is the Hoid origin series), whether I can do that concurrent or not is a big question. I might need something a little lighter, meaning fewer viewpoints, shorter novels in between. Which would lend itself toward another era of Mistborn, as I've told people.

    But there's also the possibility that I write other interesting things. For those following the Secret Projects, there is definitely... two of them are related in an interesting way. And another one of them implies lots more, and I won't promise that I'm going to, but these are all things that maybe I will end up doing more of. Consider them all finished, and you can't ask me "when are you gonna do this?" because there are no promises. But who knows what will pop out of the brain.

    YouTube Livestream 49 ()
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    Readyfix7381

    Would you ever consider using the medium of film or TV to tell a Cosmere story that's not based on a book already published, but you write the screenplay for instead?

    Brandon Sanderson

    Yes, I would consider that. As a fan of cinema and of the modern era of television (which is just very long movies, which I just love how that's become the thing that people do now), then I can absolutely see myself doing this. I want to get more experience with it before I would try that, but the original pitch for Dark One (that is a graphic novel, and which we are now writing as a novel) was written as... not scripts, but an outline for a television series. That's how I originally, just... I was starting to work on it, I'm like, "This works so much better this way, this way, this way." So I outlined it that way. So I've kind of done it before. It wasn't Cosmere, and it didn't ever get made, and it wasn't a script, but it was a step that direction. So, absolutely can see that.

    And, you know, there's other things. For instance, I would like to make an Emperor's Soul movie, if the Cosmere ever takes off to the point that people are wanting something other than Mistborn and Stormlight. (Which, I totally understand why people want Mistborn and Stormlight first.) When they have done that and are like, "All right; what else do we have here?" I would like to do an Emperor's Soul. But I'm probably not gonna do Emperor's Soul as the same piece (and I've told people this before) where it is one person in a room the entire time. I would turn it into something that preserves the spirit of that, but is in a lot of different sets, a lot of different locations, with a larger cast, and turn it into something that feels cinemated. That's the one that I would adapt the heaviest, if I were doing that. There's thing like that that I would also like to do that are based on something, but basically I'd say, "What did I love about the piece I wrote? How can I make this for a new medium?" And I would start over with a new script.

    YouTube Livestream 49 ()
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    LewsTherinTelescope

    Back in 2014, you mentioned you'd already written the epilogue to Stormlight Five.

    Brandon Sanderson

    I have.

    LewsTherinTelescope

    Do you still plan to use what you wrote back then? Or have you had to scrap that version because of changes to the plan?

    Brandon Sanderson

    I have come up with some better ideas for how I want that to play out. So I don't know if that actual epilogue will end up in there or not.

    Now, the epilogue is different from the [postlude]. We have the prelude; in Stormlight Five, you will have a [postlude], as well. That will be different from the epilogue, just like the prologue was different than the prelude.

    YouTube Livestream 49 ()
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    Brandon Sanderson

    It's gonna be tricky to pick what I read from Stormlight Five [for the The Lost Metal release party] because I don't want to read something that is a spoiler for those who haven't read Stormlight, 'cause they're there for a Mistborn thing. It's likely you will get Szeth's first flashback, or one of the early Szeth flashbacks that I think is working really well, because that doesn't spoil very much for people who haven't read it, because it takes place in the past.

    Isaac Stewart Interview ()
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    Cosmere.es

    I think that you will be the one who might write the story [for The Arcanist]. Will you be shaping it like a novel? Or more like thinking, because you have all of the experience with the graphic novel, into something that is going to be translated into a graphic novel, as well?

    Isaac Stewart

    I don't know yet what we will be doing with that. I have a lot of notes for what we're calling The Arcanist, but it might wind up having a title that has echoes of White Sand so that it feels like a duology. But also, we want people to be able to pick up The Arcanist and be able to say, "You can read this one without reading White Sand, if you want to."

    We've batted around several different ideas of: do we do it in a graphic novel? Do we do it as a novel and a graphic novel that comes out at the same time? And I don't know if we've really landed on anything that we're going to do at this point, for that. I would like to write it as a novel, and see what happens. There's also something fun about the idea of developing it as a novel and a graphic novel simultaneously; I know that there will be people who have read the graphic novel who would like to continue that story in graphic novel form. So, I wouldn't be surprised, if we get to this one, if it winds up being in both forms. But I don't know exactly at this point what we will do with that.

    Isaac Stewart Interview ()
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    Isaac Stewart

    I should also mention that one other step in between there [Isaac's Mistborn stories] was working on the White Sand omnibus, which was a huge undertaking. I went back and I read all of Brandon's earlier works set on White Sand. His first novel was White Sand; we call that one White Sand Prime. His third novel was a continuation of that called Lord Mastrell. And then his seventh or eighth novel was also White Sand (which is out in the world as an unedited manuscript), which is what the graphic novel's based on. So I went back to all three of those, reread them, created a giant database of names, what happened, what the differences are, things like that. And then I reread the graphic novel with all of this information at my side, and then decided, "Okay, what do we need to do with the Cosmere graphic novel to really update it and bring it really cohesively into the Cosmere?"

    At that point, that's when I wrote about thirty-eight new pages of material. Some of that's based on what was in the manuscript. And some of that are new scenes that I added because I felt like we needed a friendlier introduction to certain characters. Like Kenton, I wanted him to be really sympathetic from the get-go, which is something Brandon would have done (as I talked with him) if he were to revise that manuscript. So I developed a scene that I added at the beginning to try to develop him a little bit more. Adapting another scene with Khriss and Baon to develop her as a character a little bit more, and then be able to carry these scenes in the prologue through to the ending.

    So, in addition, we have fourteen new Ars Arcanum pages from Khriss that I wrote and ran through beta groups, ran through the company. So I'm working on writing in the Cosmere already.

    Isaac Stewart Interview ()
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    Isaac Stewart

    The process of me coming to write more in the Cosmere is very organic. I've been in writing groups with Brandon since probably 2005, off and on. I was there reading Mistborn from very early on to be able to make the maps, but also giving feedback on the manuscripts and giving Brandon ideas on how to expand the world visually. So I've been kind of part of the creation process. I don't want to take more credit than credit is due, but designing Luthadel (the map), designing symbols for that world, and working really closely with Brandon on that.

    When I started working at Dragonsteel, we hit a point with Shadows of Self and Bands of Mourning where there wasn't enough time to finish the broadsheets for that. And I saw, with all of the projects, that was a very busy year for us with Shadows of Self coming out three months before Bands of Mourning. I saw that I needed to step up and do the broadsheet, possibly. So I started putting it together, talked to Brandon, he's like, "Yeah, why don't you try. Give it a shot." I sat down and I wrote an Allomancer Jak short, Gentleman Jak in the City of Fountains. And I thought it turned out really fun; I think I was able to capture the voice of Allomancer Jak. It was a little bit wacky, which I always infuse my stories with a little bit of wackiness. And it was a lot of fun, and so Brandon was like, "Yeah, this turned out great. Let's do the next broadsheet." So I started really kind of writing in the Mistborn world with the broadsheets, so it's just kind of grown organically over time.

    I've had a bunch of stories in my head that I'd wanted to tell for a really long time, and I realize that a lot of the underpinnings of magic and things that are in my stories are similar, or maybe have been influenced by Brandon. Because at this point in my life, my fantasy writing is just influenced by what Brandon has already done because I'm just exposed to it all the time. So we started talking about the idea of porting some of the ideas that I had into Cosmere worlds. And one of these was Boatload of Mummies, which was actually inspired by a Lego set. I had this big giant ship that my brother and sister-in-law had given me one year for Christmas, and that sort of spurred me on to starting to get more Lego sets again, because I loved them when I was a child. But somehow, we also had all of these Egyptian Lego sets, and I had tons of mummies. And I'm like, "What am I gonna do with these mummies?" So I put them all on the boat, fighting the British Empire on this boat. And I'm like, "Huh, this is really interesting. I kinda want to see what that story is. It's kind of like Snakes on a Plane, but it's Mummies on a Boat." So that inspired that, and I started writing that set in our world. And I didn't get very far before I had to do other things; I usually am always working on a fiction project, and that's probably about the time that I was working on Jacob's Journal of Doom, and some of these other things. So I put it on the back burner. But Brandon and I decided that that story was a lot of fun, and how could that work in the Cosmere? And so we started brainstorming some ideas. We already had this character, Nicelle Sauvage (which Allomancer Jack calls Nicki Savage.) I already had this character that I had sort of started developing in the Mistborn world, and we'd seen her through the broadsheets. And so we thought, "What if she was the main character of Boatload of Mummies?" And then, where would this book be set time-wise, and what are the events, the Cosmere underpinnings that are going on there?

    ...

    Atfer I finished that [the White Sand omnibus], I'm like, "Okay, Boatload of Mummies. Let's do that, now." So that's where we're at right now. How do we make a mummy in the cosmere? That's a question, right? What are they doing, why are they there? All these questions come together, and we're forming a story around that. I'm about 90,000 words into it. I massively overwrite, so it'll probably be a fairly long book that we'll then trim down to around 100,000 words. And then we'll see; we'll run it through betas, we'll run it through groups here at work. We'll see if it's something that's good enough to publish. I'm interested in seeing if I can whip it into shape.

    r/books AMA 2022 ()
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    Pillmaken

    In my country (Chile), rural folks use the word "gancho" in exactly the same way The Lopen uses it. Did you know about it and put it into Stormlight? Or was it a coincidence?

    Brandon Sanderson

    It's an absolute coincidence. This is like when I found out that Elend and Straff... I built them using morphemes out of Germanic, not knowing that they're actually words in German (or close to words). No, I just built it out of the morphemes that I was looking for in Spanish, 'cause Herdazians, I'm using Spanish (particularly South American hispanic culture) as kind of an origin, a little bit of Mexican in there, to build them. And I just built the words using the sound morphemes, not even the meaning morphemes. And I guess I did a good job.

    r/books AMA 2022 ()
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    Starman of Admora

    After reading Mistborn, Elantris, and Warbreaker, I couldn't help but notice some recurring themes. What is it that entices you so much about the concept of living gods?

    Brandon Sanderson

    The idea of the Cosmere, the fundamental idea of the Cosmere, was: power of deity put in the hands of ordinary people. That is the Shattering of Adonalsium; that is the origin of the Shards. So when I built the Cosmere, that became one of the key themes of the Cosmere. And so, to tie all of these different books together (that are happening on different planets with different themes and characters and plots), I wanted some few things to link together. And that big linking connective tissue is: what do people do when they have the power of a god? Or even just a little fraction of it. What do they do with it? What happens? How do we explore that? And that theme is a connective tissue binding the Cosmere together, which is why you see me coming back to it time and time again.

    YouTube Livestream 49 ()
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    Brandon Sanderson

    These [film studio proposals] are not sure things; nothing is a sure thing in Hollywood. But I would be surprised if we aren't on set doing things [for an adaptation] in this time next year. I would be shocked if we aren't.

    Expect, in the next few months, some announcements that you might find exciting. I'm gonna let the people with whom I'm working handle that, because they like to do PR their way.

    General Reddit 2022 ()
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    jofwu

    Someone in the last spoiler stream pointed out that there's an OB flashback where Evi is pregnant, and it reads like it's referring to Adolin. But the timing doesn't work out. They supposed she could have had a miscarriage, and it's just never mentioned in the books. The explanation technically fits... But I doubt it was the intent.

    The timeline of the group traveling in Shadesmar in Oathbringer is kind of wacky. The time from Kholinar to Celebrant is extremely asymmetrical with the travel time from there to Thaylen City. I'll be curious to see if they tweak a mention or two of time passing in the OB leatherbound down the road...

    In TWoK it reads like Kaladin spends MANY weeks in Bridge Four before he goes to the Honor Chasm. But when you do the math it's something like two weeks? (ten Rosharan days) One of those things where there's nothing technically wrong, but doesn't seem to have been the intent.

    Another goofy one is that Shallan spent 6 months chasing Jasnah around by ship to petition to be her ward. Which, when you look at travel times elsewhere in the books, is pretty ridiculous. Did they like, sail around the whole continent once or twice?

    The single biggest issue, in my opinion, is that the whole Veden civil war happens in about a month. Navani shares the news about the Assassin in White murdering King Hanavanar at the end of TWoK. That's what sparks the war. Then you have Taravangian showing up in Vedenar in Words of Radiance, prior to the Everstorm, at the end of the war. The Thrill was involved, and tensions were building for a long while... But I'm not sure how they fought a whole war (with their level of technology) in a single month in a country that large.

    Peter Ahlstrom

    I asked Karen about these. She says:

    • Evi's pregnancy

    OB CH 36, where Evi is pregnant, is timestamped 24 years ago.OB CH 49, where Adolin is born, is timestamped 23 years ago.A pregnancy on Roshar takes seven of their months. We give the timestamps half a year of leeway.

    • Shadesmar travel time

    I don't have the calculations handy, but we certainly did them. The ship they got from Celebrant was faster than the one they took getting there, and it took them far enough that they could do a forced march to Thaylen City at a specific number of miles per day and arrive on time. We REALLY spent a lot of time getting this right.

    • Honor Chasm timing

    Kaladin is in Bridge Four 18 days before going to the Honor Chasm. He was already close to suicidal before joining.

    • Shallan chasing Jasnah

    It really depends on how directly they traveled and how long they stay in port. The Wind's Pleasure could have gone back and forth to smaller ports with shipments before they could find one going to the city she wanted to go to.

    • Veden Civil War

    I see it as having been a few small battles in each princedom, but then everyone saw a chance to be king and they converged on Vedenar. That left power vacuums in the princedoms and smaller landlords fought there. I don't think that most of the country was in as bad shape as Vedenar.

    r/books AMA 2022 ()
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    Mundane-Landscape-49

    Why DIDN'T the Rithmatists in Nebrask create a moat of acid?

    Brandon Sanderson

    A moat of acid around such a large perimeter proved too difficult to maintain. Acid loses its, well, acidity when it becomes adulterated with other materials--like rain. A moat of acid is just super hard; harder than water. They do, in places, have at least things like that. However, manpower and battle lines have proven the most efficient method to them so far.

    There are problems with this, and they're learning that they have underestimated their enemies. But the moat idea proved untenable, though it was discussed and tried in microcosm.

    r/books AMA 2022 ()
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    Affectionate_Box1625

    Will we ever see Marsh world hopping?

    Brandon Sanderson

    RAFO, but good question.

    Affectionate_Box1625

    I’d love to see a book with Marsh in Roshar. Any chance of it happening?

    Brandon Sanderson

    There is a chance, but I'll have to RAFO for now.

    r/books AMA 2022 ()
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    Gmaneagle

    If you could invite another author in to contribute to the Cosmere, who would it be or who would be on your shortlist?

    Brandon Sanderson

    To write in the Cosmere, I would have to pick someone I know very well. Isaac is at the top of the list, he knows Cosmere almost as well as I do. After that I would probably look towards my friends, like Dan Wells would be high on the list. It would be nice to have all these amazing authors write in it but I feel I need more of a solid base than what I have right now. Meaning more expansion, more experience of people who are not me writing in the Cosmere and guidelines on how to make a good Cosmere story. It would be very hard to go to some of the great Sci-fi authors and ask them to write in the Cosmere, like “you only have to read 15 novels!”