Elend walks the city wall
In book three, you’ll be given a reason why the koloss diverted to the small village mentioned here before going on to Luthadel.
Elend walks the city wall
In book three, you’ll be given a reason why the koloss diverted to the small village mentioned here before going on to Luthadel.
Sazed and Tindwyl discuss the Deepness
When it says that "Sazed was the one who presented Tindwyl with the accumulated knowledge of the Keepers gathered while she was gone" that's a lot more involved than you might think. It included him reciting to Tindwyl hundreds of hours worth of information, the two of them sitting there, him speaking, her memorizing. It took them months, during which time they really got to know each other well. I think that's probably when he first started to have feelings for her.
I've worried about the romance between them, and not just because of Sazed's nature as a eunuch. Tindwyl isn't presented as the most sympathetic character in the series, yet Sazed is one of the most likable. I worry that readers won't be able to see to the depth of their affection for one another. I didn't originally intend to give Sazed a romance in this series, but when I was working through book two, I saw how many things it would help facilitate. You'll see what I mean later on.
By the way, you should recognize Tindwyl's line about making "occasional exceptions." That's virtually the same language she used with Elend when suggesting that it was okay for him to have a romance with Vin. That was the first hint I seeded that Tindwyl might have a soft spot for romance, and be willing to overlook some of her strict rules if love was involved. In truth, if Tindwyl were going to admit her real feelings to herself, she didn't come to the city for Elend. She came hoping–yet dreading–that she'd find Sazed there.
Demoux's History from Book One
This might be a good place to give you a little bit of Demoux's history, by way of reminder. He was one of the first recruits to Kelsier's army, and Ham promoted him to captain almost as soon as he (Ham) took control of the troops who were hiding in the caves back in book one. When Kelsier came to inspect those caves, Demoux led him around a bit. Then, Kelsier used Demoux in a display where he humiliated a dissenter.
Eventually, Yeden took the army and decided to attack a fortified position. Some of the troops thought this was against what Kelsier had told them to do, and these stayed back in the caves. Demoux was their leader.
He's also named after my good friend and former roommate, Micah DeMoux, who also did the jacket photo of me in the backs of all of my books. Captain Demoux actually looks just like Micah, in my mind, though with the fitness of a soldier.
Vin Follows Demoux
And, this chapter just keeps going! It's one of the ones that suffered a bit from the rearrangement of some of the sequences, in this case I moved the "Chase down Demoux" scene from an earlier chapter into this one to keep the suspense going.
I wanted this scene for two reasons. The first, obviously, is to round out Demoux just a bit and make spotting the imposter a more difficult problem for Vin. However, an equally important part of it was my desire to show how the Church of the Survivor is evolving.
Those of you who have read Elantris know that I'm fascinated by religion. In this case, I want to show a fledgling religion, and try to postulate how one would develop. A lot of the observations made by Vin here, then, are my attempts at tracing the beginnings of religious movement. Right now, there is no doctrine or ceremony—just belief and hope.
And one of those hopes is that Vin will somehow bring the sun and plants back to the way they once were. I don't hit the visuals on the world as hard in this book as I did in the last one. Hopefully, it's present enough in the setting to make you remember that the sun is red because of the haze in the upper atmosphere. Plants are brown, not green, and there are no flowers. The prophesy that Vin will restore these things is new, relating to some of the things that Kelsier used to talk about.
Error in the Hardcover edition
I forgot to mention it in the appropriate chapter (I think it was way back in twenty-six) so I'll mention it here. Maybe I'll move this eventually.
Anyway, the hardcover edition of the book had of the more embarrassing typos in the series. (I think we got it fixed for the softcover.) It relates to Clubs and his Allomantic abilities, which is why this scene made me think of it. Way back in chapter twenty-four, I mistakenly (during one of the very last drafts of the book) mention Clubs as being a Seeker, not a Smoker, and burning the wrong metal.
I knew I'd do this some place in the series. The thing is, Clubs was originally going to be the team's Seeker, with Marsh being the Smoker. I swapped this before I started writing, but there is still some latent belief on my part that Clubs is a Seeker. And, because of that, when writing quickly and smoothing over rifts made by re-arranging chapters, I wrote the wrong metal down. (And it isn't just a single word typo; I think I even talked about him being a Seeker, and being able to sense what metals people are burning. Something like that.)
All I can say is. . .whoops!
Vin Viewpoint; she and OreSeur listen in on Breeze and Clubs.
Vin gives away a valuable secret here. OreSeur, previously to this, hadn't know that she could pierce copperclouds. However, the way that she first tells him that Allrianne is a Rioter, while Clubs is there burning his metal, is too big a clue. He just figured out Vin's secret.
And, by way of reminders, Kliss was the woman that gossiped a lot at the balls, and whom Vin tried to manipulate. Turns out that she was an informant playing Vin the whole time. Shan is Elend's former fiancée, a woman he didn't know was Mistborn, but who tried to assassinate him. Vin managed to kill her in a rather dramatic scene involving arrows, half naked girls, and a big, stained glass rose window crashing to the ground. One of my favorite sequences in the first book.
Breeze Viewpoint Continues. After speaking with Elend, he visits Clubs.
The friendship between Clubs and Breeze came mostly because I wanted to give Clubs just a little more screen time. I also liked the irony of the pairing—the Soother and the only man on the crew who is completely immune to him. It makes for a nice juxtaposition.
It is good to note that Allrianne did, in fact, seduce Breeze—and not the other way around. She's a girl who knows what she wants and how to get it. You'll see a viewpoint or two from her later on.
Clubs lies here in this scene, by the way. He says that "Money" is the reason he joined with Kelsier. He says it so quickly and naturally that even Breeze buys it. But, if you remember the scene in the first book when he joined, you'll know his real motivation. He wanted to spit in the Lord Ruler's face. He knew he was going to get caught and killed eventually, and he wanted to do it in a dramatic way.
Thing is, his team actually won. Go figure.
Breeze Viewpoint in the Warehouse with the Refugees.
Breeze didn't want to go with Elend to meet with Cett (for the dinner.) That isn't only because Breeze didn't want to see Cett, but because he wanted to go and help the refugees. (That chapter actually happens on a different day, so I brought him back to visit again so that I could show you him working with the people. In the Mistborn novels, unlike Elantris, I keep a strict chronological progression from chapter to chapter and scene to scene. So, if a chapter comes after another one, it's always later in time as well.)
I realize that I'm in danger of making all of my protagonists too good. Showing Breeze as being somewhat less cynical on the inside than he projects inches me toward this line. However, I LIKE people who are heroic. I try my best to make things rough on them, and to give them some quirks to keep them a little grey, but the honest truth is that I believe most people are good at heart. They WILL help others, if given the chance.
Plus, Breeze likes to study people, and this is a great place for him to do it. He can mix his focus in life with making other people feel better. Of course, there's also the fact that Kelsier himself manipulated Breeze and made a better man out of him. Put a person in charge of the weak and poor, give him the right motivation and direction, and I think that an many cases he'll come to love them. Even if that man is Breeze.
Sazed visits the Refugees, and meets Tindwyl there.
This scene with the refugees isn't, actually, a new addition to the book in later drafts, though it works wonderfully to remind the readers of the siege. It was in the very first draft.
Tindwyl did wonder if Sazed really cared about the people or not. You see, in her mind, if he DID care about the people of the empire, he wouldn't be in Luthadel at all—but out doing what a Keeper should. It was good for her to see him here, trying to help as best he could, ignoring his studies to care for the sick. He does care; he's perhaps the most caring person in this series. He's just trapped, trying to do what is best for as many people as possible.
By the way, the three lies Cett told: First, that he didn't care if Allrianne ran off,. Second, that he wasn't annoyed to find that Breeze was having a relationship with her. Third, that he had told three lies during the conversation. (He'd actually only told two, but that made it three, which makes this comment wonderfully self-referential. That's why he said "Good Luck figuring out what they are.")
Vin and Elend dine with Cett
And, we have our second "ball" scene in this book. Some people really enjoyed those in the previous book; at least one reviewer hated them. However, I like them–particularly for the visuals they let me use when going into the gorgeous noble keeps. As you may recall, these are based loosely on gothic cathedrals, which I just think would be an awesome place to have a ball.
Cett was, perhaps, too fun a character to write. I needed someone the opposite of Straff, and it was very fulfilling to write in an enemy to this series who was completely straightforward and belligerent. He still stands out to me, quite different from any of the other antagonists in the series.
He knows Elend well–that should be enough to hint that he kept an eye on things in Luthadel, despite his attitude which implies that he didn't care about the place. He's watched Elend's rule very carefully, debating whether to make an alliance or to make a play for Elend's throne. If the truth be told, he would have probably gone for the alliance if Straff hadn't moved against Luthadel.
He walks a careful line. He's not a good man, but he IS an effective leader in some respects. I wanted him to offer a third viewpoint on leadership in this book, one that is actually accurate. Being a leader isn't easy–not at all. There are a lot of ways to do it, and I don't want to imply that any one of these people–Elend, Cett, or Tindwyl–are wrong. That's what makes it so tough to be a leader.
Cett offers the perspective of open, honest tyranny. He doesn't lie to you. He tells you just what he's going to do, and he has a point that many of the things he does are safe.
But, what do you choose when you have to choose between safety and freedom? You can probably guess that I wrote a lot of this book during the heightening of security in America surrounding the September 11 attacks. The last couple of years, there has been a lot of talk on this topic, and it wormed its way into my writing. I didn't put it there intentionally, but I did monopolize on it when I found it there.
I don't have any answers. I just write what I see, and force my characters to make choices.
Zane attacks Vin, then reveals that he's Elend's brother.
The Zane scene represents a major turning point in his character as well. I see it as important how much he reveals to Vin here. He, like her, has trouble trusting–and even though he's manipulating her, even though he's aware of what he's doing, having him tell her these things is a major breakthrough. At least, for Zane. Everything is a little twisted where he is concerned.
Having him fight her with atium was, also, an intentional attempt on my part to remind you how vulnerable she is without the metal. I'm not even sure I can get across how little a chance she had in defeating him.
Here I also mention Snapping here for the first time in this book. It's an important world element that, unfortunately, I think a lot of people tend to forget.
It doesn't really matter until book three, however, so I'm willing to let it slide in this book, giving only occasional reminders.
Vin comes to tell Elend what she's discovered.
The way Elend treats Vin in this chapter puts a few people on edge. If you're in that group, realize that I want you to feel this. And, not just for plotting purposes. I just think it's more realistic.
People get tired. People have trouble focusing. And people treat even those they love with indifference sometimes. This is particularly bad of people like myself–men who are quick to get focused on one project or another. I've done things just like this to my wife, unintentionally ignoring her because I am so tied up in my current project.
It's not a good thing, but it IS natural and normal. Unfortunately, it prompts something very important: the return of Reen's whispering voice in the back of Vin's mind. She's been free of him for a long time now, but I thought it appropriate to bring him back. After all, that voice–partially a representation of her subconscious–was a large part of her character in the first novel.
Elend and his scholars inspect the law
It was fun to write this scene with the scholars sitting around. I could show their different styles, with Ham browsing, Elend thinking about implications, Sazed reading very carefully line by line, and the obligator looking at the money trail. I added Noorden in because I wanted to do another nod toward the fact that obligators used to be a force in the world, and also because I wanted someone fresh in this scene–another character we could play with. We'll see him again, but not until the next book.
Vin sees Demoux in the dark
I ramped up the Demoux suspicion scenes during the final draft, since I figured I needed a pretty good red herring this late in the game to keep the heat off of OreSeur. Originally, the next "Vin Follows Demoux" scene happened right after she saw him sneaking out the first time. I moved this in the draft, giving her longer to suspect him
The result was this scene, where she hasn't eliminated him as an option yet, but also knows that he snuck out at night. I had to rationalize why she wouldn't just grab him straight out, though I think I came up with pretty good rational. It makes sense, actually, and was one of the easiest fixes I made in this book. She WOULDN'T want to spring a trap on him, not yet. She'd want to watch and see what she could learn from him.
OreSeur and Vin discuss their interview with Dockson
This series, in total, is about trust. About what it costs to trust people, and what you earn by trusting. In book one, Vin learned to trust–and she learned one of Kelsier's prime beliefs. That it's better to trust, and be betrayed, than to always worry about everyone around you.
The theme, then, for this book is service and friendship, and trusting those you serve. Elend has to earn the trust of his people. Vin has to earn the trust of the kandra who serves her.
OreSeur's explanations about the Contract are mixed with Zane's worries and problems with being Straff's tool. This story is, in part, about what it's like to serve–what it's like to be a tool–and the difference between a good leader and a bad one.
Vin Tries to Determine if Dockson is the spy.
This Dockson scene is one of my favorites in the book. I'm a little bit sad that Dockson, like Ham, doesn't have much time for development in the series. In book one, he only got a single good scene–the one that Vin references here. During that scene, we really got a good look at his personality and his inner demons.
Those demons come up again in this scene, where we get to see the haunted worries of a man who has received what he wanted, but then come to realize that he shouldn't have wanted it so badly in the first place. He's a good character, Dockson is–but the only thing I can give him is one powerful scene per book. At least he gets one. Ham and Clubs don't even get that.
By the way, Vin calling Dockson boring is particularly ironic here because during our first introduction to Dockson in book one, he tells Kelsier that he'd 'Grown boring' over the last few years.
Elend discovers that a well has been poisoned
This poisoned well scene is another one that was added to the book during the final draft. Much like Straff's test attack on the walls, this scene is here to remind you that the armies are out there, that Luthadel is besieged, and that things are not going well for the heroes. I don't want you to forget about the armies just because our focus is on politics for the moment.
Vin asks OreSeur if the Kandra have a Religion
There is a kandra religion. I'm not going to be able to talk about it until book three, however. The things OreSeur is talking about here aren't really fundamental aspects of it, however. More. . .lore associated with the religion than actual tenets of that religion.
Two other small notes. First off, I drew the reactions of the skaa–wanting to go back to having a tyrant in charge–from some essays I'd read about the fall of the Soviet Union and some other modern countries which had received freedom, then wished for the days when things were easier. I think it's a sentiment that makes sense, even if it frightens me a little bit.
Also, only Vin would assume that someone HAS to be Mistborn, just because they happen to be crippled.
Cursing in the Mistborn Series
I've taken a little bit of criticism from certain readers for the swearing I put into these books. I know that most of you consider things like 'damn' and 'hell' to be very weak curses, if even swear words at all. However, to some people, they can be offensive. Since I didn't use them in Elantris, some readers were surprised to find them in this series.
A writer must choose how to convey his ideas, and it's hard to make a choice that will please everyone. In the Final Empire, using curses like these–rather than just making up ones for their world–was necessary. I feel that a few (if relatively weak) 'our world' curses were needed for this setting, as made up ones just didn't work. The tone they set wasn't right.
Cett Suddenly reveals himself at the Assembly Meeting
Elend does need to learn a few things still. To be truthful, I think he's too honest to be a king. There are times when, as a king, I think you need to lie in order to comfort your people. You don't tell the dying man that he has no hope for survival. You don't let a man like Cett bully you into admitting that your Allomancer has been manipulating the audience.
But, well, Elend is Elend. He does things the way that he feels he must, even if it gets him into trouble. Actually, in that way, he and Cett are very similar. They do what they feel they must.
Regarding the line to the effect of: "There are a hundred different courts with a hundred different smaller Lord Rulers" in the Final Empire.
One of the problems created by my writing style is that it's hard to give a real feeling of scope to a kingdom or landscape. When you read something by Robert Jordan, for instance, you get to see a whole world full of peoples and places, since the characters travel all about. I prefer to set my stories in one or two locations, usually a large city, since this lets me focus on the political wrangling, and it also lets me give a strong sense of place to that area.
It was impossible in these books–particularly the first book–to give a sense of how large and varied the Final Empire was. I threw in Spook's street slang and Sazed's cultural references to try to hint at the different ethnicity, but these were only that–hints.
I don't regret the way that I write. However, I am aware of the issues involved in the choices I make. I think that's what you have to do in a book–you make trade offs, choosing to focus on some things and not others.
Bringing in Cett like this was dramatic, but I hope it makes sense, too. Explanation is coming in the next chapter.
Elend Nominates Penrod
I hope that this chapter feels thick with some good political wrangling. Elend pulls of some fairly good maneuvers here, especially considering how far he's come. True, he was coached in a lot of what he did here, but the fact remains that he's learning and growing.
Vin and Breeze give him a little TOO much credit for getting Penrod to nominate him, however. While Elend hoped that by nominating Penrod, he would get a nomination in return, he wasn't counting on it too much. No, in this case, Elend's basic goodness was simply being manifest. He figured that if not a single one of the Assembly was willing to nominate him to be king, he had no right to nominate himself. Better to let the matter die here than force a vote when nobody was even willing to consider him for king.
Philen watches Elend enter the Assembly Hall
We get a random viewpoint here. No, Philen isn't going to be a major viewpoint in the book. He just fills a role that you'll often see in my books–that of the section given to a random person because I wanted to show a different perspective on things.
In this case, I wanted to show Elend entering the assembly hall, as he would be seen by someone sitting on the inside. This was one of the dramatic scenes that I planned from early on for the book, and it was nice to find a way to fulfill it.
Of course, there's more to Philen's viewpoint than that one image. I also wanted to make him a little more memorable so that the next few Assembly meetings would work better. I've reinforced Penrod a bit, but I worried that Philen would be forgettable unless I gave him a viewpoint. And, since he is a modestly big player in the next little bit of political wrangling, it felt right to let him take the stage for a few moments.
Finally, it was simply fun to write from a brief–but new–viewpoint. Philen thinks very differently from the other viewpoint characters. His sentences are quick and eager, and his internal narrative has a shallowness to it in both sentence structure and content. He's not very smart, but he is rather clever, and those things mixing together–along with his native eagerness–made for an interesting viewpoint to write.
Sazed talks to Vin about Tindwyl's Past
The other big thing in this chapter, of course, is Tindwyl. As I think I've mentioned, I wanted to include another strong female character in this book. Perhaps with this chapter under your belt, you can begin to understand Tindwyl better. Readers seem fairly well divided on their opinions of her. Some like her a lot, others dislike her violently.
Me, I am quite fond of her. She voices a lot of my own concerns, and represents something that this group of characters needed. A firm voice for stability.
She and Sazed actually have quite the history, which you will discover more of as the book progresses.
Vin Talks to Sazed about the Deepness
The Deepness. Is it the mists? Vin makes some very good arguments here, as does Sazed. I won't come out and explain who is right and who is wrong right now, but I will note that some people reach this point and feel a little let down.
I'm sorry if the Deepness-mists connection seems a little bit anti-climactic to you. To me, it's a major plot point, and I was surprised when a few alpha readers didn't think much of it. Give me a little bit more time through the series, and perhaps you'll see why it's more impressive to me.
Sazed Transcribes the Text from the Plate
This isn't the full text of the plate, of course. We'll get to more of it later. I knew I had to work the text into the actual narrative, rather than relying on the epigraphs, since people tend to skip those. (If you do, however, be warned that you will be missing some of the great clues in this book.)
My hope is that by reading these things together, you will see the writings from the epigraphs in a slightly different way. Collected like this, they turn into a narrative.
OreSeur as the Spy
Keeping OreSeur from acting suspicious in this book was really tough. I still don't know how well I pulled it off, though most alpha readers didn't see his plot twist coming.
The biggest trick was making the reader not suspect him from the get-go. I had to use some very subtle misdirection there. Remember, OreSeur was the one who told Vin how long those bones had been in the room. I think Vin points this out later in the book.
Other than that, I had to keep Vin from ever suspecting him, and have her point out other people she thought were far more suspicious. Sometimes, being a writer feels like being a magician. We have to leave things in full view, yet disguise their meaning, so that the end is dramatic.
OreSeur's Origins as a Character
Vin and OreSeur are quite well-established by this point. Actually, OreSeur and his character–the OreSeur we deal with in this book, with the conflicts and personality he uses–are one of the items I brought over from Mistborn Prime. (If you'll remember, that's the first stab I made at writing a Mistborn book years back. It was unpublished.) The kandra sidekick was one of the very few things that actually worked in that book. (Too well, actually. People liked him much more than they liked the actual hero of the story, who wasn't a character that appears in any of the current Mistborn novels.) If you ever want to read Mistborn Prime, email me and ask. I'll send you an electronic copy.
(I've talked about that book in previous annotations. While the book débuted an early version of Allomancy and a couple of world elements–such as the mists coming at night–very little of the book made the jump to the new, professional version of Mistborn. I pretty much just stole the concept for the magic and a few select world items and used them as a starting point for this series. In that way, this trilogy is a kind of sequel to the other Mistborn book, though the plots, world, and characters are very different.)
Vin and OreSeur Talk while Vin waits to see if Zane will Come Find her on the City Wall
I hope I'm not overdoing the parallels between Vin and the Logbook author, the previous person who thought that they might be the Hero of Ages. Some readers, in the original draft, thought her supposition (in the next chapter) that she was the Hero to be too much. They wondered where she got the idea.
I'm not trying to imply that Vin is or isn't the Hero. I'm just trying to show Vin's thought process. That's a tough line to walk in these chapters. As a writer, I want the narrative to be deeply inside someone's viewpoint, and therefore show who that character is and how they view the world. However, I don't want that narrative to indicate–certainly–that what the character thinks is actually true.
Tindwyl Confronts Elend about Vin
Tindwyl's parting words–that Elend might have to choose between Vin and his work–were tough to write. Not because they're true, but because they're a bit clichéd. In the end, I had to admit that I think Tindwyl would bring up this point, and would see it as her duty to make certain Elend thought about these things. So, I had her say these things anyway.
Vin and OreSeur
Another thing that's going well is the Vin-OreSeur relationship. In fact, because of some of the wedges Zane is driving between Elend and Vin, one of my alpha readers continually joked that he thought Vin and her dog had a better relationship than Vin and her boyfriend.
I don't think that's true–he was reading the book one chapter a week as I workshopped them. I hope, given Vin and Elend's closeness at the beginning of the book, that you can see they still love each other–even if they are under a great deal of stress. That isn't to say that Vin isn't falling for Zane a bit. However, I don't think she's falling out of love with Elend so much as convincing herself that she's no good for him.
Elend and Vin discuss his loss of the throne
Elend is going to be tested. That's one of the things I wanted to do with this book. In my previous two novels–Elantris and Mistborn–I gave the heroes relatively easy times. Or, well. . .maybe not easy. However, the fact remains that when they stayed true to their ideals, the things they tried tended to be successful.
I want to show that ideals can be a hindrance. That isn't a reason not to have them, but it is an aspect of trying to do the things Elend is. There are a lot of people out there who will take advantage of a person who tries to do the right thing, and that can make doing the right thing the more difficult choice a lot of the time.
I also like how Elend is progressing as a leader, but I made certain to give a throwback to the old Elend in this chapter so that you'd know he was still there. Vin's observations about this point are quite accurate.
Did the Lord Ruler have any Hemalurgic spikes in him? It would seem he'd need to for Ruin to influence him, but it wasn't mentioned. Or did his bracers work as spikes?
His arm bracers, which pierced his skin, were his spikes.
Was Reen named that specifically because its so close sounding to Ruin, or is that a coincidence?
When the Mists come back, will they continue Snapping people?
No. The mists will revert back to their more neutral state.
Will we get a map of what the new world? Or do we have to wait for the next trilogy, whenever that may be?
You'll have to wait, I'm afraid. The future series is still far off. I can't dedicate resources to getting a map drawn up until I begin work on the series officially.
I'm surprised no one else has asked but does this new world have atium? If atium was the body of Ruin then it would seem when Sazed took up Ruin's power he would have reabsorbed all of the atium. New atium then would be bits of Sazed's new powers and weaken him with each newly formed bead. It would seem then that if atium exists it would be much rarer, and mean that Sazed would not be able to control this process.
I guess I am trying to understand why he would want to allow any atium to make its way into the hands of people or rather out of his control?
It's theoretically possible for atium to appear in the future, but right now Sazed has no plans to release any of it to the people. It is, effectively, now something of myth and legend.
I would like to echo a question that someone beat me to. The way you ended it seemed to leave the door wide open for other books with characters such as Spook and Breeze playing much larger roles. My question is, was the ending planned as just an open-ended ending to make people wonder about what might happen, or was that with the intent of writing more books in mind?
I like it when my characters live on in people's minds. I have no plans right now to write any more books about Spook or Breeze, though what they do in the next period of time will create the history for the next series. However, there's a chance I'll change my mind on this. However, this ending was not set up for another book specifically. I just wanted to tell the best ending I could, and this is how it turned out.
Brandon does want to write more Mistborn books, but not with the same characters. There would be two more trilogies. The second trilogy would be set a few hundred years later, in a modern day–type setting, when the events of the first trilogy have passed into legend. The third trilogy would be set a few more hundred years later, in a future, outer space–type setting.
It's such an audacious idea I wish he would write it right now because I want to read it, especially the third trilogy. But Brandon has announced his next project (pending Tor approval) will be Way of Kings, a 10-volume epic fantasy. He'll sprinkle in a book from another project here and there, so the next Mistborn trilogy might start before Way of Kings is ended, but it will be years yet before there is any more Mistborn.
But Ookla, he already wrote that one!
I know. :)
The real story is that Brandon was writing (or revising?) Way of Kings when Tor offered to buy Elantris. Brandon signed a two-book contract for Elantris and Way of Kings. Then Brandon realized he wasn't in the point in his career yet where he could write Way of Kings the way he wanted to, so while he was supposed to be revising Way of Kings he secretly wrote the first Mistborn book instead, which he then sold to Tor as a trilogy, replacing Way of Kings in the original contract.
But for some reason Amazon already had a listing for Way of Kings, with a release date. Thence the fake reviews.
I've read an early draft of the first book, and it aims to be very epic. (No, Elvis is not involved.) I do wonder, though, whether when it actually comes out, the fake reviews will get attached to its Amazon listing. :)
This is all true. Note that the book would not be named The Way of Kings. Most likely, I'm going to make that the series name. So I guess the book "The Way of Kings" must be some kind of parallel novel or prequel or something... ;)
Oathshards is out, eh?
You're such a tease, Brandon. All these details about the next series will make everyone hungry for it, and then we'll all have to wait.
Of course, any other book you put out in the meantime will still be awesome, so we should be content, right?
I don't think Oathshards is as strong a name as "The Way of Kings." Plus, that's really what the series is about.
Is there any plans to do anything further with the Elantris universe in the near future?
There is. The idea is, when the Wax & Wayne books are done, to do Elantris sequels in that slot, where I've been doing them. There's only one more Wax & Wayne book, so it shouldn't be too long, but when we talk about my writing schedule, we have to talk in the scope of years.
I really enjoyed The Emperor's Soul when I read it. It's, I think, one of my favorite things that you've written so far.
Thank you. I've been... I think, "You know, I should write another story about Shai," but then I'm like, "That one turned out so well." It's one of those things where it's like, "Don't ruin it by having a sequel," right? This is so perfect as its own little glimpse of something.
How do the characters come to be? I think one of the most interesting, my favorite character is probably Kaladin. How does Kaladin...
So, Kaladin had an interesting story behind him. I had originally wrote Way of Kings in 2002, and one of the things that didn't work with that draft was that Kaladin's character didn't work. He was called Merin back then. And it's just, personality didn't work. I'd written him too much like a classic apprentice kid on the battlefield who distinguishes himself, it was just too standard of a kind of fantasy storyline. And so I'm like, "Who is this person?" I needed more depth for him, so I added the whole "His father's a surgeon, he's trained as a surgeon" thing. That was one of the first big pillar I added to add more depth to Kaladin, was "All right, he's a surgeon, but he's been forced to go to war." The kind of field medic who also learns he's really good at killing people. That was, like, the first big thing that I got for Kaladin.
The other thing was the big tragedy that happened in his past, followed by the big tragedy involving the Shardblade led me down that path. And the last thing I added was the depression. This was, like, seven years of evolving this character before he actually came together. Characters are hard for me to put a finger on, because I usually write them by instinct. I'll write a chapter from their viewpoint, see how they see the world, step back. And I'll usually throw that chapter away and try it several times until I get the right... soul, cast in the role, if that makes sense. I can talk a lot more about other things, but character is trial and error until someone feels right.
The more distinctive you can make a character's viewpoint, the stronger, I feel, it will come across. When I feel like it's really working for me is when I can write a few paragraphs and say, "No other character that I've ever written could have written those paragraphs, just in how they describe the world."
Can we expect a Cosmere Avengers?
Yes and no. You can expect crossovers between the planets. My goal is not an Avengers-style, one character that you... like, if it were a true Cosmere Avengers it would be like, "Oh, we're going to have this character from this series, this character from this series," that's not what I'm going for. I'm going for more of a clash between the cultures and worlds. There will definitely be characters that you know that end up involved in that. But it's not, I'm not shooting for an Avengers-style thing, I'm shooting for more... It's more like imagine Star Trek, and retrograde back to all of the stories you're telling on the separate planets before they meet each other. Less Avengers, more "We're going to have an intergalactic... thing, going on." These are all of the origins of the cultures and peoples that are going to be involved in that. And since there are some immortals around, you will see people.
I asked him to write something about the Nightwatcher.
The Nightwatcher isn't the same as Cultivation.
I asked him to tell me something about Nazh and Khriss.
Khriss is Nazh's employer. He gets the worst end of the deal.
I asked him what Sazed was up to.
He said he was "Harmonizing".
So, when I was reading this, Prof's power manifested, and I'm just curious, Limelight, that became his name. Were his powers green before he met David?
Yes. So, they picked the term "limelight" in part because his powers were green.
But didn't David already plan to call him Limelight before? When David initially came up with the plan for getting over Steelheart, he already had the name Limelight picked out?
I don't think he did. But if he did, we'll just say happy coincidence. Prof did not use the name Limelight before that point. They started using it as the way that they were going to... yeah.
Are we ever gonna find out about all ten Surgebinders?
Yes. In fact, each book is kind of dedicated to a Surgebinder. Each embossing is one of the orders.
Yeah, the *inaudible* that are in the...
What led you to want to write a fourth Wax & Wayne book?
Right, when I wrote Alloy of Law as an experiment, then I said, "Oh, I really like this series, this turned out really well. I will now plot a trilogy with these characters." So, Alloy is the outlier, where I view Shadows, Bands, and Lost Metal as a trilogy. And this is, like, the prelude to the trilogy. And I do think that because... this was an experiment, I really think it was a good experiment. I'm better when I have more of a framework, so I think these two [Shadows and Bands] turned out stronger than this one [Alloy], because when I have a framework, but... at the same time, you need to always be trying, experimenting, new things as a writer.