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I wonder whether Jasnah has been to the Cognitive Realm of planets other than Roshar?
She has not, she is not horribly cosmere-aware as of the end of Oathbringer, she is starting to get-- *inaudible* Give her some time and you might be impressed with how quickly she can come up to speed.
Are any secondary The Way of Kings characters likely to become more major in the next book?
Jasnah, Navani, and Taln all have expanded parts in the series to come. I won't say specifically in which books, but all three of those characters will have larger roles. Several of the members of Bridge Four have larger roles; they will basically remain secondary characters, but may have expanded viewpoints
In that world are we going to get more of her [Jasnah's] backstory?
Yeah, you'll get a lot more from her.
We were wondering whether you could tell us what Jasnah's sexuality is?
The internet wanted to know.
The internet really wants to know.
Jasnah does not want to be defined by her sexuality.
What were you dissatisfied with in WoR?
It's twofold. Spoilers follow, obviously.
In the original draft, none of the alpha readers felt that I had 'sold' Jasnah dying to them, and were all like, "Ha. Nice try. No body. She's alive.' So I kicked the assassination scene up a notch, until betas were like, "Stormfather! Jasnah just died!"
That was a mistake, I now believe. (Though this didn't get changed, and won't get changed.) Sometimes, I over-emphasize to myself the importance of surprises and twists. The book is fine if readers suspect Jasnah is still alive--actually, I think it's stronger, because it is more satisfying to be right in that situation, and doesn't detract from Szeth's miraculous survival at the end.
I knew this soon after I'd released the book, but decided it was just too extensive a change to try tweaking.
The other one I did tweak. In the battle at the end between Kaladin and Szeth, I'd toyed with letting the storm take Szeth--him essentially committing suicide--as opposed to him spreading his hands and letting Kaladin kill him. I felt that after the oath Kaladin had just sworn, stabbing a docile opponent unwilling to fight back just didn't jive. This I tweaked, changing the paperback from the hardcover, which has produced mixed results.
Most people agree the change is better, but they also say they'd rather not have the hardcover and paperback have different accounts in it, and would rather I just stick to what we put in the hardcover. It was interesting to try, to see what the response would be like, but it seems that the better option all around is to just wait until I'm certain I don't want to revert any of the revisions or tweak anything new.
At the danger of getting a RAFO, I have to ask: will we find out more about [the origins of] (and I quote the source) the " kind of leather bandolier and a backpack"?
That will be answered pretty soon.
Of all the characters you've written which one has the most of you in them?
Of all the characters I've written which has the most of me in them. Boy, y'know every character is a bit of me and every character's got something that's very unlike me. Um, I really have trouble answering that. People have asked it of me before. Some days I think it's Jasnah, some days I think I'm arrogant to assume it's Jasnah. Any character I would mention it would feel like the things I like about them are the things I wish I would have, if that makes sense? I don't know if there's any one that is really just me. My mother reads the Alcatraz books and says that's me. *laughter* She really does. Like she loves those books because she says "No that's you". When I have no inhibitions and I'm not trying to be self important I just do stupid things like in the Alcatraz books so maybe Alcatraz?
I was just wondering if any of your characters from Cosmere is interested in same-sex relationships, romantically speaking. Jasnah perhaps?
There are some, but I have left main character relationship issues to be discussed until characters have progressed further in their stories. Jasnah, in particular, is complicated.
So, in the last battle, Jasnah has some pretty interesting armor. Does she already have her Shardplate?
RAFO!
One thing that I'm slightly confused about is who the primary POVs will be for the second set of 5 books in the 10-book series. I've heard a bunch of names being floated around on various online forums--such as Jasnah, Renarin, and Taravangian to name a few--but are any of these confirmed? Any word of Brandon as of yet?
It's possible this will change. But the back five have been planned as Jasnah, Renarin, Lift, Taln, and Ash. Though, once again, this isn't a promise that these people survive. You'll likely see at least one flashback set in the series from a character who has died in a previous book, and then you get to see something they experienced through flashbacks before their death.
I'm having trouble locating Ash. No direct matches on coppermind.net, 17th shard forums or google.
Do you mean Ashir from one of the WoK interludes? Or perhaps someone we haven't met yet (at least by name).
There are a lot of weird things going on with Ash, so what's up with her will be something you'll have to wait on for a long while.
But how about the characters we currently love? Are they all gone in the second half??? This is terrible :-(
No, they will be around. (Well, if they survive.) But the second series will be taking place years later, and their roles may have changed.
In world, would an in-world reader of Jasnah’s book, would an in world person consider that she is also advocating for gender equality for men?
In-world? Jasnah would, but I don’t think most people who read it would.
Khriss and Jasnah... are they ever gonna meet, because I feel like they'd be the ultimate power couple.
They would get along smashingly, is what I feel. I won't say if they're ever going to meet or not, but I do feel that they would get along.
You know how usually you read a good book and it will change your perspective on some aspect of life, do you ever finish writing a book yourself and-- From your own writings do you ever "Ah I've never..."
It's usually the research I do. Like when I'm like "I need to get in the mindset of this type of person" and I go read about it. I see the world in a different way after I become immersed in that.
So what character have you written that was the hardest to imagine or get into?
Jasnah was very hard originally, and that took a lot of research into the mindset of people who think differently from myself. In The Wheel of Time books Aviendha and Tuon are both very different cultures so getting into those.
How was it writing Mat? Was it pretty easy or--
No, Mat blindsided me. Mat I thought would be easy because Perrin and Rand were and I grew up with Mat, Perrin, and Rand, right? But the thing is Mat is a really hard character to write, meaning actual-- you look at him, he says one thing, he does a second thing, but he thinks a third thing. And so there is a lot of contrast to him and I just started writing him naturally and I wasn't getting all of that contrast because I was like "Oh I know who Mat is. Mat's my--" But he was saying the things that he never said, if that makes sense? I got his actions right but I flipped what he said and what he thought. It was actually really hard to get him down.
You mean how he would say that he was going to avoid trouble and then run straight into it?
Yes, it's like "I'm going to avoid trouble", he runs into trouble, and he's thinking all the way about something completely separate, and then something else leaves his mouth.
I was re-reading the prologues of WoK and WoR... and it seems like there's something wonky going on with the timelines.
Szeth claims Gavilar left the feast hours before he started doing his work.
Jasnah leaves the feast and finds Gavilar and Tearim. Gavilar mentions he's going to head back into the feast. Jasnah then has an adventure. She sees Ivory(?), speaks with Liss and two strange men, and then, what seems like a very short time later in her PoV hears the results of Szeth starting his job.
There's no way it took her hours to walk down two flights of stairs, briefly "drown", and have two short conversations!
Am I completely off base, or is there something going on here with Jasnah's perception of time?
It's less that, and more me (as the author) glossing over time passing with quick phrases like "after walking a short time" and the like.
For Jasnah, it seems like maybe a couple times it's been hinted that maybe she prefers women *inaudible*
Let's just have you Read on And Find Out on that one. There is-- Her book isn't 'til, like-- at the earliest, Book Eight. So, we've got a long ways to go before we're digging into Jasnah some more.
I've watched this conversation with interest, and wasn't planning to step in, as it's exactly the sort of thread that's generally better without me. Author intervention can derail a good discussion.
But after considering, I decided I did want to talk about this topic a little. There are two things going on here. One is the mistake I made with Jasnah in Words, which I've mentioned before. One is a larger discussion, relevant to the cosmere.
Warning, WALL OF TEXT. This is me we're talking about.
You see, Jasnah wasn't originally meant to be a fake-out. Jasnah originally was going to go with Shallan to the Shattered Plains--but she was really messing up the outline, diverting attention from Shallan's character arc and pointing it toward Shallan/Jasnah conflicts instead.
My biggest breakthrough when outlining the book in detail was the realization that the book would work so much better if things I'd planned to do with Jasnah in it were diverted to later books. When that came together, WORDS really started working. Hence her jaunt into Shadesmar. I initially wrote the scenes with it being pretty clear to the reader that she was forced to escape--and it was super suspicious that there was no body.
In drafting, however, early readers didn't like how obvious it was that Jasnah would be coming back. I made a crucial mistake by over-reacting to early feedback. I thought, "Well, I can make that more dramatic!" I employed some tools I've learned quite well, and turned that into a scene where the emotion is higher and the death is more powerful.
HOWEVER, I did this without realizing how it mixed with other plotlines--specifically Szeth's resurrection.
We get into sticky RAFO areas here, but one of the biggest themes of the Cosmere is Rebirth. The very first book (Elantris) starts with a character coming back from the dead. (As I've mentioned before, a big part of the inspiration for Elantris was a zombie story, from the viewpoint of the zombie.) Mistborn begins with Kelsier's rebirth following the Pits, and Warbreaker is about people literally called the Returned. (People who die, then come back as gods.) The Stormlight Archive kicks off with Kaladin's rebirth above the Honor Chasm, and Warbreaker is meant as a little foreshadowing toward the greater arc of the cosmere--that of the Shards of Adonalsium, who are held by ordinary people.
Szeth's rebirth, with his soul incorrectly affixed to his body, is one of the things I've been very excited to explore in The Stormlight Archive--and the mistake with Jasnah was letting her return distract from that.
That said, you're not wrong for disliking this theme--there's no "wrong" when it comes to artistic tastes. And I certainly wish I'd looked at the larger context of what happened when I shifted Jasnah's plot in book two. (Doubling down on "Jasnah is dead" for short term gain was far worse than realizing I should have gone with "Jasnah was forced to jump into Shadesmar, leaving Shallan alone." I consider not seeing that to be the biggest mistake I've made in The Stormlight Archive so far.)
However, the story of the cosmere isn't really about who lives or dies. We established early on that there is an afterlife (or, at least, one of the most powerful beings in the cosmere believes there is--and he tends to be a trustworthy sort.) And multiple books are about people being resurrected. What I'm really interested in is what this does to people. Getting given a second try at life, being reborn as something new. (Or, in some cases, as something worse.) The story of the cosmere is about what you do with the time you have, and the implications of the power of deity being in the hands of ordinary people.
More importantly (at least to me) I've always felt character deaths are actually somewhat narratively limp in stories. Perhaps it's our conditioning from things like Gandalf, Obi-Wan, and even Sherlock Holmes. But readers are always going to keep asking, "are they really dead?" And even if they stay dead, I can always jump back and tell more stories about them. The long cycle of comic books over-using resurrection has, I think, also jaded some of us to the idea of character death--but even without things like that, the reader knows they can always re-read the book. And that fan-fiction of the character living will exist. And that the author could always bring them back at any time. A death should still be a good death, mind you--and an author really shouldn't jerk people around, like I feel I did with Jasnah.
But early on, I realized I'd either have to go one of two directions with the cosmere. Either I had to go with no resurrections ever, stay hard line, and build up death as something really, really important. Or I had to shift the conversation of the books to greater dangers, greater stakes, and (if possible) focus a little more on the journey, not the sudden stop at the end.
I went with the latter. This isn't going to work for everyone. I'm fully aware of, and prepared for, the fact that things like Szeth coming back will ruin the stories for some readers. And I do admit, I've screwed it up in places. Hopefully, that will teach me better so that I can handle the theme delicately, and with strong narrative purpose behind the choices I make. But do warn you, there WILL be other resurrections in my books. (Though there are none planned for the near future. I took some extra care with the next few books, after feeling that things happening in Words and the Mistborn series in the last few years have hit the theme too hard.) This is a thing that I do, and a thing that I will continue to do. I consider it integral to the story I'm telling. Hopefully, in the future, I'll be able to achieve these acts with the weight and narrative complexity they deserve.
If it helps, I have several built-in rules for this. The first is that actual cosmere resurrections (rather than just fake-outs, like I did with Jasnah) can happen only under certain circumstances, and have a pretty big cost to them. Both will become increasingly obvious through the course of the stories. The other rule is more meta. I generally tell myself that I only get one major fake-out, or one actual resurrection, per character. (And I obviously won't use either one for most characters.) This is more to keep myself from leaning on this narrative device too much, which I worry I'll naturally do, considering that I see this as a major theme of the books.
...
(Sharders, please don't start asking me at signings who has had their "one death" so far. This is me drawing the curtain back a little on the process, I really don't want it to become an official thing that people focus on. Do feel free to talk about the mechanics of resurrection though--it should be pretty obvious now with Elantris, Warbreaker, Szeth, and a certain someone from Mistborn to use as guides.)
Since Jasnah has been "out and about," should we be watching for cameos in your other books?
Problem is, no books are currently happening right at the same time as Stormlight. And Jasnah hasn't gone far afield.
When Jasnah says she should've opened a pit, does she mean a chasm or a kind of Androl, Wheel of Time, kind of thing?
Androl, Wheel of Time, what do you mean by that?
When he opens a gateway? What does she mean by pit?
Ha. *evil smirk* I'll RAFO that right now.
We're doing a piece of art for a friend that's a crossover between The Stormlight Archive and Harry Potter. How would you sort Dalinar, Kaladin, Jasnah, and Shallan...
Jasnah's a Slytherin. Hands down, very easy.
Dalinar's would depend on which Dalinar you're talking about. Dalinar is probably going to be Gryffindor either way, would be my guess.
Shallan's a Ravenclaw, straight up.
Kaladin's tough. You could Hufflepuff Kaladin. You could totally Hufflepuff Kaladin. I think that works.
You got one of each in that case.
For the next Stormlight [book], will there be chapters from Jasnah's perspective?
There will be, I believe, at least one chapter from her viewpoint. I could change that but the outline has at least one from her. It’s dangerous to do too many from her viewpoint because she’s eventually going to be a main viewpoint character, and she has a large chance of taking over a narrative that she’s part of.
How did you portray Jasnah's atheism so well? As a staunch atheist myself, I think you did an absolutely brilliant job. Honestly, It made me happy that a religious person was trying to understand my mindset. Anyway, who did you ask to get such accurate ideas of atheist thought?
I found some really good atheist forums. Not the 'hate on religion' type atheist forums, but the kind with some serious depth. People asking one another about morality, talking about how they felt when people reacted to them being an atheist, and expressing their philosophy. I gained a great deal of respect for them during these readings.
From there, I went and chatted with some atheists I know to gauge if I had a good handle on things. It was important that I get this right, as it's different enough from my own worldview that if it went wrong, it would have gone VERY wrong and I'd have ended up with something insulting.
Chapter Eight
Shallan Rejected Again
I do wonder at reader reaction to these Shallan sequences. Some in the writing group found these scenes too long. They figured it was inevitable that Shallan would end up as Jasnah's ward, and so spending several chapters with Shallan working overtime to secure the position wasn't interesting to them.
I admit this is a potential problem with the sequence. However, I felt it important to show both Shallan's determination and Jasnah's character with these sequences. I needed to show Shallan working very hard for what she wanted. It also gave me several opportunities to show the contrasting timidity/insolence that makes up how I view Shallan as a character.
My friend and I always argue. He's like, "Amaram and Jasnah are the same age." Are they really?
Amaram is a little older, I believe, but they are around the same age.
Like 24ish?
Oh, no. Jasnah's like in her mid to late thirties. Mid thirties. I get it mixed up which one's Earth age and which one's Rosharan age. Whatever I say in there, it's about 10 percent more for our age. But yeah, Jasnah's not...
She's not a spring chicken.
She's not a spring chicken.
But Amaram's older?
Yeah. I think Amaram's like a year or two older, but they're around the same age.
When Jasnah Soulcasts stuff from a distance, is that something she can only do because she's a Radiant? And if so, how does that work?
RAFO. Here's a RAFO card.
When she [Shallan] Soulcasts, does she physically go? Or does she just think?
She transitions into the Cognitive Realm… Yeah she transitions but she’s not a hundred percent there…
Then does Jasnah’s… does she work the same way?
She goes completely over. That’s one of the differences between their magics. Shallan could get there if she wanted to, she hasn’t so far completely transitioned.
Even during regular Soulcasting, for both of them?
Oh for regular Soulcasting Jasnah doesn’t either.
‘Cause we were talking about the scene with the ship and Shallan. So would an outside observer see her shift over or—
The outside observer would see weirdness happening for sure.
I started writing my first novel when I was fifteen years old. I didn’t have a computer; I had an old, electric typewriter. It would remember your file on a disc, but it was really just a printer with an attached bare-bones word processor. (It had a tiny LCD screen at the top that could display three lines at a time. You could scroll through and edit bit by bit, then you hit print and it would type out the document.)
The book was terrible. It was essentially a hybrid of Tad Williams and Dragonlance, though at the time I felt it was totally new and original. It did have a wizard who threw fireballs with smiley faces on the front, though, so that’s kind of cool. At its core were two stories. One vital one was the tale of a wise king who was murdered by assassins, forcing his younger brother to take up the mantle and lead the kingdom while trying to find/protect the king’s son and rightful heir. The other was about a young man named Rick, originally blamed for the murder.
I still have some of these pages. (Not the entire book, unfortunately.) I used to hide them behind a picture on the wall of my room so that nobody would find them. I was so anxious about letting people read my writing, and was—for some reason—paranoid my family would find the pages and read them, then make fun of them.
Over the years, many ideas proliferated and matured in my mind. I began writing books in earnest (I never finished that one I started as a teenager.) I grew as a writer, and discovered how to make my works less derivative. Most of my ideas from my teenage self died out, and rightly so. Others evolved. My maturing sensibilities as both a reader and a writer changed how I saw the world, and some stories stood the test of both time and internal criticism, becoming stronger for the conflict.
Rick became Jerick, hero of the book now known as Dragonsteel. (It was my honor’s thesis in college, and will someday be rewritten and published. For now, the only copy available is through interlibrary loan, though it appears to have vanished.) Jared, the man who lost his brother and had to lead in his stead, protecting his nephew, slowly evolved into a man named Dalinar, one of the primary protagonists of The Way of Kings. Some of you may be curious to know that the character many now call Hoid also appeared in that ancient book of mine.
These two epics—Dragonsteel and The Way of Kings—have shaped a lot of my passions and writing goals over the last two decades. For example, in my last year of college I took an introductory illustration class to try my hand at drawing. My final project was a portfolio piece of sketches of plants and animals from Roshar, as even then I was hoping to someday be able to publish The Way of Kings with copious in-world illustrations of Roshar and its life. (At that time, I was planning to have an illustrated appendix, though I eventually decided to spread the pages through the book.) Fortunately, I was able to hire artists to do the work in this book instead of forcing you to look at what I came up with . . .
Well, finally—after two decades of writing—Tor has given me the chance to share The Way of Kings with you. They’ve taken a risk on this book. At every juncture, they agreed to do as I asked, often choosing the more expensive option as it was a better artistic decision. Michael Whelan on the cover. 400K words in length. Almost thirty full page interior illustrations. High-end printing processes in order to make the interior art look crisp and beautiful. A piece of in-world writing on the back cover, rather than a long list of marketing blurbs. Interludes inside the book that added to the length, and printing costs, but which fleshed out the world and the story in ways I’d always dreamed of doing.
This is a massive book. That seems fitting, as it has been two decades in the making for me. Writing this essay, I find myself feeling oddly relieved. Yes, part of me is nervous—more nervous for this book than I have been for any book save The Gathering Storm. But a greater part of me is satisfied.
I finally got it published. Whatever else happens, whatever else comes, I managed to tell this story. The Way of Kings isn’t hidden behind the painting in my room any longer.
Is Jasnah ever going to find true love?
I'm not going to answer that.
Hi Brandon! I wanted to talk about the revised ending of Words of Radiance.
So, it looks like Kaladin won't be actually delivering the killing blow to Szeth any more. I think that Kaladin was entirely justified in doing this, since it was a fight to the death, and Kaladin was protecting not only Dalinar but his entire squad below. Kaladin even seems surprised when he lands the blow, expecting Szeth to block it like he had been doing the entire fight. The killing was not done in vengeance or with malice, unlike what Adolin does later. Having the storm kill Szeth seems like an anti-climatic way to end the scene, since it takes away Szeth's decision to die by the sword, and means we no longer have an example of why the spren Shardblades don't immediately kill people.
I woud be fine having him do it, though I think killing a foe who has given up was against this thematic plot. But what pushed me over the edge to change was the sense that I was pulling too many fast ones on the reader with people coming back to life. I wanted it clear to readers that Szeth was not dead, so this scene wasn't a fake out, which would weaken Jasnah's arrival later.
Um, Mr. Sanderson, I don't mean to be disrespectful as you probably have the scene better in your head than I do but how is a man without Stormlight falling from a very large hight, while in the middle of two Highstorms coliding and throwing entire platoos in the air expected to survive? Maybe I don't have the right persective on this given that I saw both Jasnah (the body disapearing is just as much a give away as it never being shown in my book) and Syl (Pattern outright said Sprens can be revived) coming but unless you severly change the fight scene I don't see how being stabbed actually matters for Szeth survival chances.
The idea is that the reader didn't see him die, so there's a psychological trigger--one that says "Ah, I didn't see a body. He's probably not dead."
Yes, Szeth totally died from that fall--just as the young man that Lift revived had died from what he suffered. We know that Stormlight can fix the body and bring back the dead, so long as very little time has passed.
The import of the tweak to me is allowing some question in the reader's mind, so that the return is not a betrayal.
That is a lot more understandable. Having too many reveals at the end could be problematic. I agree that Jasnah coming back felt like pulling a fast one right at the end. However, I think the suprise of Szeth coming back was really well done, especially with the reveal of Nin (Nale, Nalan? This dude is so old he has three names!) at the very end with his special sword friend. I feel like that was the real zinger that should have closed the book.
I was a little underwhelmed with Jasnah coming back, not because I dislike her, but because I thought she was well and truly dead. She died so early in the book that I was completely accepting of her death by the end, and her coming back in a 'gotcha' moment felt a little hollow. Perhaps this could have happened about a hundred pages into the next book? I don't know the entire story like you do, of course, but as a reader it felt like Szeth and his rebirth should have been the final closing image.
This all came about, if you're curious, during the detailed plotting of the second book. Originally, the outline did not call for Jasnah to leave, but I was having real trouble getting Shallan into a place--emotionally and experience-wise--where she could do the things she needed to do while Jasnah was around. I determined that Jasnah needed to pull a Gandalf, and let her ward alone for a while, and I'm glad I did it--the book is much, much stronger for it. However, the side effects of the last-minute change in the plot required Jasnah's reappearance, which sent a few waves through the book. (Szeth's death and survival being the main one.)
I want to know if we're ever gonna get to see Hoid and Jasnah and the journey back at the ends of Words of Radiance, 'cause I was so hyped to read that and then they didn't interact at all.
I will promise you some interaction in book four but I won't promise you a flashback...
Has Jasnah come up with her armor? Because there's a part where they say that geometric shapes were kind of disappearing and it wasn't like someone changing like they normally would.
I will RAFO that for now.
Did Jasnah's body die, and she made a new one?
No, she actually transferred her body to the other side... I actually even wrote the scene where it happened, but I didn't end put it any books... That's what Elsecallers do, is they teleport. That's one of their things.
A question about Jasnah and your relation to Jasnah. She's a Veristitalian... Is that a part of Jasnah that is you, or is that a part of Jasnah that's somebody else?
The fascination with history and trying to use it to change the present is me. And that is the part of Jasnah that I-- Also, by nature, I'm kind of a Slytherin. And so would Jasnah. That part of me is there. The "do-gooder Slytherin," if that's not an oxymoron.
And does the word Veristitalian come from "veritas"?
Yes. So, in their language, it would not actually be Veristitalian. What I do is, my books, I pretend they're in translation. So when Wit makes a pun, or when you see something that echoes Latin or Greek, the idea is that they are echoing in-world ancient languages that we have chosen, instead of transliterating, to actually translate so it gives the right feeling in English.
Was Ivory watching when Shallan was in Jasnah's bathing chamber and that whole swap thing kind of went down… what did he relay to Jasnah…?
Umm… he would've been there… but I don't have an answer for that, mostly because I haven't considered it.
Will Jasnah's sisters show up in the present day arc?
Jasnah sisters… Oh… OH! The other… Veristitalians. Um… yes. You will actually meet two more Veristitalians in the next book!
Does Jasnah know that Wit is a worldhopper?
RAFO.
Jasnah's name. What was the origin for it?
Jasnah's name predates most of the language work that I did. It comes from ancient, kind of Semetic languages-- playing around with those. And then her name became one of the ones that I built the language around. Because after I had named her, and written the whole book, I had named her and Dalinar. Kaladin's name changed once I had rebuilt the linguistics. Shallan's name changed once I rebuilt the linguistics. But Dalinar and Jasnah kind of became the origins. But it's ancient-- you know, a blend of Arabic and Hebrew. It's kind of-- yeah.
Because I have an interesting tidbit--
Uh-huh
"Jasna" in Polish actually means "bright."
Yeah, I've been told that! Just-- I went to Poland, like, last-- like a couple of months ago, and they're like, "Did you know this?" I had no idea.
Why do the gems in Jasnah's Soulcaster break when she is using her own ability in the first book?
Jasnah is very good at fooling people.
<Does Jasnah know about Adonalsium?>
No, she is not specifically cosmere-aware.
This Jasnah sequence I might release in-between books as just a short little thing, like we did with Mitosis and Emperor's Soul, just to tide people over. It is something that I felt I needed to write so that I knew what Jasnah was doing, because these kinds of events are important to character development and things like this. It didn't belong in Book Two, for obvious reasons. There had to be that question. So I have this, and it's not 100% complete, in fact it's a pretty rough draft. But I feel I can't write Book Three until I know exactly what Jasnah went through.
Who bonded with their spren first, out of the new Radiants?
Chronologically, and of the ones we know, Jasnah.
What are your current plans with regards to the Jasnah novella you wrote last summer?
Jasnah Novella is for my eyes only, unfortunately. It was needed so I could work out mechanics of what was happening, but I don't like releasing it for various reasons.
What was your inspiration for Jasnah?
I had done several times, when I was designing characters in the cosmere, someone who kind of thought they were an awesome scholar but really wasn't. That's the kind of thing with Sarene and a little bit of the thing with Shallan. They're young people who haven't quite made it there yet, whose opinion of themselves is kind of beyond their actual skill level. Who would be, like, the scholar? Like, the ideal Rosharan societal scholar? And I built Jasnah out of that, and then took her in a way that would allow her to also be in conflict with that at the same time. Always a good source of writing a character.
Has Jasnah had any wards before Shallan, or is Shallan the first?
Jasnah has-- See I think she had one other ward, it didn't go well. That was a long time ago.
Do Axies's and Jasnah's reversed shadows have a common source?
Yes.
Does it have anything to do with its draw towards Investiture?
*After a pause* It has more to do with Shadesmar than Investiture.
Jasnah and Khriss seem like they would be super good friends or girlfriends, and I was wondering if there was any possibility of that?
Yes, I think that they would get along.
How well do Elhokar and Jasnah get on?
Fine, I would say. This is a bit of a spoiler for the end of Words of Radiance, but you will eventually see that they're the sort of siblings who are both used to doing their own thing and getting their own way. They've both learned to stay out of one another's business. That said, Elhokar is also used to being surrounded by domineering people of various sorts. So having a domineering sister is really nothing different to him.
At the end of the book, Jasnah was chosen to be the next queen?
...She will choose to be called a queen and make them do that. So she is queen and it's going to be very fun to write Jasnah the queen.
What Jasnah did, in the first book, with Shallan in the alleyway and what happened at the end of this book... between Adolin and the other character [Sadeas]. Would you put them on the same level? Or would you say that what Adolin did was maybe a little bit darker?
I would say that what Adolin did was less dark, personally... It just depends on your perspective, but personally I say what Adolin did was something that needed to be done and no one else was capable of doing.
Would you say that it's going to have any ramifications for him down the line? With how it was handled?
Oh it's definitely—how it's handled, definitely there are ramifications, lots of ramifications. And there are certain characters who would think that what he did is totally, totally, totally wrong.
Can you tell me why Jasnah wanted to potentially assassinate her sister-in-law, the queen?
She felt that the queen was seeking to usurp power, for one thing, and was reckless for another. And so Jasnah was worried about the safety of the throne.
Someone asked if it were hard to write Jasnah, an atheist character, for a devout Christian.
Brandon said he read a lot of atheist message boards for inspiration. Also, it sounded like he'd had the character in his head for a while, but hadn't found the right book to put it in—e.g. he said it would make no sense to put an atheist in a world where gods walk around (i.e. Warbreaker).
