At FantasyCon they had a panel on why there was so many Mormon sci-fi/fantasy authors and lots of opinions were put out there. Since you tend to think about trends and things like that I wondered what your take was.
What is my take on why there are so many Mormon science fiction/fantasy writers-- successful ones-- Why are there so many. We all have our own theories. It's funny, this is-- Like my first visit to my publisher in New York. One of the editors there asked me that very question, they're like "what's going on out there?" and I've had a lot of time to think about it. I've got a couple of answers, and these are just my arm chair answers.
Looking at myself, I grew up in Nebraska... so it wasn't like I was really immersed in Utah culture and things but I did notice when Tracy Hickman, and when the fantasy books I was reading, one was written by Tracy Hickman and he had on the back that he was LDS, and Orson Scott Card's books. I thought, "Wow, these are people like me and they are doing this." I think the early success of Scott Card and Tracy Hickman and some of these people was a big deal for those of us who were like "Oh, this is something that I can legitimately do."
I also think that science fiction/fantasy was a safe counter-culture, meaning, y'know for me in the eighties, yeah, y'know. Counter Cultures were big, sixties, seventies, eighties. They still are of course but you've got this punk and all of this stuff and, y'know, all my friends were smoking pot and all of this stuff and you want to rebel against your parents, right? At the same time you're a good kid, like "I don't want to rebel-rebel", and so when i got into sci fi/fantasy and they didn't get it at all I'm like "I found it!" I can rebel against my parents by playing Dungeons and Dragons, right. This is my grand rebellion! My mother heard all this stuff about Dungeons and Dragons and to her credit she came and just watched us and since there was actually a girl in our group, afterwards I asked her and she was like "You were hanging out with members of the opposite gender, talking to people instead of just playing video games like you always do? I thought it was awesome!" but she didn't tell us that. If I'd known she thought it was awesome it might have been bad, cause she was always like "uhhhh, roleplaying." So I think that that is part of it.
Early successes, safe counter culture, and then there's kind of the focus on literacy and reading in the community without, kind of-- like, for some reason, I think you can blame Tolkien and C.S. Lewis, the community is not as scared of fantasy as some other religious communities are. You find a lot of Jews in publishing and science fiction and fantasy too, and I think for some of the same reasons that the community, the religion is not quite as frightened of these sorts of things for some reason, so with the focus on literacy you end up, I think, with writers of a lot of different stock. So that's my little sort of three part take on it. Maybe its true, maybe its not.