Was Vallano, Szeth's grandfather, also a Truthless? And if not, what did he do to disgrace the Shin?
No, Vallano was not Truthless.
Szeth was a very respected member of his society, once. There are clues to what happened in his story, but you won't hear it in full until he gets his book. (Which will include his flashbacks.)
When will we see a book that basically revolves around the concept of the Cosmere and the shard-travelers? Basically, a book revolving around people like Hoid who can jump from shard to shard.
Third Mistborn Trilogy involves a lot of this. I MIGHT do some parallel stories showing more of what Hoid has been up to. He is a primary viewpoint protagonist of Dragonsteel, but that happens before all of the other books.
Probably a RAFO question but why does Syl have an aversion to shard equipment? Is it something inherited from Kaladin's interaction with shardbearers?
RAFO. (You'll will find out eventually.)
I asked for a personalization with some autobiographical details about Lift in the form of an ID.
Name: Lift
Date of Birth: A number greater than ten
Birthplace: With my mom
Eye color: Brown
I've seen in your answers to previous questions that you are always open to changing aspects of your story so long as it's not already written in another book, or more importantly so that it doesn't contradict what the reader already knows.
That being said, how much of the Cosmere and its story would you say you already have a plan for? For example, do you more or less already know how each world and story ties into one another, or is that something that changes as you write? Given that there seem to be some constants in this universe (the number of shards, etc.), is there an end to these stories as a whole, or is it an ever-expanding universe?
Things do change as I evolve as a writer.
There is an end to this story. Dragonsteel-Kings-Mistborn are all fairly well planned out, but I must allow myself flexibility.
This series will apparently be 10 books long, and for in-world reasons having it end up 9 or 11 books long would be inauspicious. Do you think you'll regret setting a pretty firm length on it, fifteen years down the road?
Honestly, I'll let myself drop by a few books if the story demands. I won't inflate it to ten if, in the long run, the story just can't hold it up. Right now, though, I've got a really solid outline.
It's ten books, though in my mind, there are really two five book arcs.
It's a little odd that Preservation would inherently give up its power to fuel Allomancy, because you'd think he would preserve himself, you know? Does that make sense?
Preservation, as a Shard, is about preserving life, people, and the like. Not about self. No more than Ruin is about destroying self, or Cultivation is about growing herself.
I'm curious whether there is a deeper significance here than Preservation simply needing to be Ruin's opposite.
Yes, there is, but I can't talk about it now.
Allomancy provides many very dramatic effects, which some have noted is not very much like Preservation. Could you walk me through how Allomancy is of Preservation, though it does dramatic, dynamic things?
One of the 'basics' of the magic in all of the worlds is that the energy of Shards can fuel all kinds of interactions, not just interactions based on their personality/role. I did this because otherwise, the Magics would all be extremely limited.
The 'role' of the Shard has to do with the WAY the magic is obtained, not what it can do. So, in Preservation's case, the magic is a gift--allowing a person to preserve their own strength, and rely upon the strength granted by the magic. While Hemalurgy has a huge cost, ending in net entropy.
Can Hoid jump through time? If so, can Shards jump through time?
Hoid, so far, has only moved forward in time. He has not 'lived' all of those years, but has used some time dilation techniques. That said, he is far older (both in relative and real time) than a normal person can live.
How often is a "weeping" in Way of Kings?
Once a year. Opposite it in the year is an extremely powerful highstorm.
When, relatively to the events in Way of Kings is/will be the nearest Weeping? (I ask, because I started wondering, if this powerful storm was, coincidentally, the one, during which... you know... the face in the clouds and all that.)
Well, there are ten months in year. If I haven't mentioned dates in the last book (I may or may not have) I am planning to in the next. So a timeline should be possible for fans to figure out...
You've mentioned that other books in the Stormlight Archive will have different characters as their focus, is this linked to the 10 orders of the Knights Radiant? Or is this just coincidence?
It is linked. I may not be able to completely link it, but I'm going to try. The first book's symbol (on the front) is the symbol of the Windrunners.
Are there Dawnshards that aren't swords? The Parshindi person had a unique looking sword, so will we see any that in a spear for Kaladin or any other weapon?
RAFO. :)
I've read that you were thinking of 32-36 books total for the Cosmere, but it seems like the series are going to go beyond that if numbers you've given before are published (e.g. Mistborn being a trilogy of trilogies so 9, Stormlight Archive 10, Warbreaker 2, Dragonsteel 6 or 7, and still White Sand and others to come) so has the estimate of 32 been thrown out the window?
Eh...I don't know. My original breakdown:
Mistborn 9 Wabreaker 2 Elantris 3 White Sand 3 Stormlight 10 Silence Divine 1 Dragonsteel 7 (A two book and a five book.)
That's the 32, with allowances for a few side stories to get us to 36. There are planets not included in that, however, that I may write stories about. So maybe. But the core cycle is this (in order)
Dragonsteel Mistborn first trilogy Stormlight - Mistborn second trilogy (around the same time.) Mistborn third trilogy.
Everything else is important in their own stories, but as we're talking about the connections between the worlds are considered, this is the prime cosmere cycle.
Why are the people of Roshar so much more aware of the Cosmere? They seem to know more than any other world you've written to date.
I believe the people of whom you are speaking are mostly not native to Roshar. On another side, however, it is the first planet we've seen with three Shards, and it is the furthest along in the timeline. One final thing is that they had some very unique experiences early in the planet's history. It involves the Heralds, and various items I think would be spoilers right now.
What made you decide on a 10 book length for The Stormlight Archive? Do you have the entire thing planned out, including how it will be paced and plotted?
I had eight characters I wanted to tell a story about, and wanted to give each one a book to include flashbacks and specific character development. Once I got to outlining, I realized that I had material for about ten books, and ten was a very special number in the world. So I settled on that.
It will be paced and plotted much as the first, though I plan the future books to be a little shorter than the first establishing one. There will be two primary five-book arcs, so you could consider it two series of five, if you'd prefer.
Is Jezren a Sliver?
Jezrien is one of the Heralds, but has never held the power of an entire Shard himself. (So no, not a Sliver.)
About Way of Kings: some Surgebindings have strangely similar symbols - left half of one is the right half of another. There are two such pairs. Is that important, or just a coincidece or something?
I don't believe there is any connection there.
Why are they called Shardblades/Shardplate? Is it because they are a splinter of the the Shard Honor, or is there something more to them than that?
You are on the right track.
Will we see any Shardholders beyond the three already at work? Specifically, will we see Bavadin?
You will see other Shards. Bavadin is on the planet Taldain, where White Sand takes place.
Why did you settle on a Nicrosil Misting for your second Mistborn trilogy? Did you consider any other types?
I considered others, but in the end this was one aspect of the magic system I hadn't explored yet but which is very important for the future of the series. I wanted to start establishing it.
Are Shardblades the physical form of one of the Shardholder's on Roshar (much as we saw the physical form of a Shardholder play a role in Mistborn)?
Answer is forthcoming in one of the future books.
Do you plan to write the stormlight archive books with the same POV characters throughout the series (like WoT) or do you think that you give other characters POV (aSoIaF) as the series continues?
Most of the main POV characters have been introduced. Each book will take one major character (Kaladin, Dalinar, Adolin, Jasnah, Shallan, Navani, Szeth, Taln) and give them 'flashback' sequences in the same way Kaladin got flashbacks in the first book. There are some open spots for which I'm toying with other characters being used.
Regarding the ending of the Mistborn Trilogy: What was up with Ruin having red hair? Is that significant? Does it mean that Ruin was originally a human who gained his powers somehow? My friend thought that Ruin was actually another red-haired character in the series, though I don't remember his name. I think he was a minor captain or something.
I try to make all of the cosmere stuff "bonus material" so to speak. I don't think it's essential to understanding Mistborn to know Ruin's origin. Those who want expanded information can find it, and theorize upon it. However, I intend to warn people up-front before writing any book where you have to know this to understand it.
Within the realm of Mistborn only, all you really need to know is that someone was holding this power--and that the 'individuals' of Ruin and Preservation were people, changed by the power they held. It holds to the theme of the story, with what happens regarding Sazed and other characters.
Will Stormlight 2 have more Shallan? I require more Shallan.
Much more Shallan. It's probably going to be her 'flashback' book.
I know from reading your blog and various other comments that many of your books are in the same cosmos/universe, specifically Mistborn, Elantris, Warbreaker, and Way of Kings. I also am pretty sure that one day you'd like to do a series that ties all the different series/books together into one super-series. So my question is, would the various magic systems work on different worlds? For example, would a Mistborn be able to use his/her abilities in the world Way of Kings is located on?
It depends on the magic system. They are all related to a kind of "Spiritual DNA" that one gets from their heritage on a specific planet. However, there are ways around that. (Hemalurgy, for example, 'staples' a piece of someone else's soul to your own, and creates a work around to give you access to magic you shouldn't have.) Some of the magics are more regionally tied than others. (In Elantris, you have to access the Dor, which is very regionally influenced.)
The end answer is this: With in-depth knowledge of how the magics work, and their connection, one could probably get them all to work on other planets. It may take effort for some of them.
When plotting a series of books, how do you account for plot changes you didn't foresee you had to do? For instance, I read that Elend was originally going to be a minor character, but the end of Mistborn wouldn't have been the same without him. How did you work him into the plot later on without breaking the story?
After I wrote the first book, and Elend grew more important in my mind, I reworked the three-book-outline. Usually, when I build a series, I spend a lot of time on the first book and then have a few paragraphs on the rest. Then, after finishing the first book and seeing how it worked (and how the tone was) I go and do much more in-depth outlines for the rest of the series.
When the first book is happening, things are much more 'anything goes' as I don't have any established canon yet. I allow myself to toss the rest of the outlines out the window, and just try to make the first book the best it can be. From there, I have continuity, and I feel it is important to maintain that for the integrity of the series.
Is Sazed the "Seventeenth Shard", as referred to in the epigraphs of part two of The Way of Kings?
Sazed is not the Seventeeth Shard. Whether he's IN the Seventeenth Shard is another question. It is an organization.
Is Allriane really Cett's daughter? Skaa have to have Allomancy in the past six generations to get Allomancy and Cett says that she is the first person in their family to get Allomancy for centuries.
Yes, she is. Good thinking, though.
Hey Brandon! Thanks for doing this! My question has to do with Warbreaker 2 should you ever choose to write it. Will you be releasing it piece by piece and then in it's entirety for free online like you did with WB1?
Yes, I will be.
Wait... what!? We already have Warbreaker 1 to recommend to friends as a free trial of your work.
Not that I'm complaining, but why make W2 free too?
Because it was a part of the experience of writing the book for me. It is something I'd like to try again. (Releasing the book chapter by chapter as I write it.)
You’ve mentioned some of the characters who we are going to see throughout the Stormlight Archive series (Shallan, Dalinar, Szeth, Jasnah, etc.). However, I don’t remember seeing you comment on Wit. Are we going to see Wit (or plain ol’ Hoid) more throughout the series? Or less? (Hopefully more! :D)
Hoid has a large part of the story in the Stormlight Archive. You will be seeing much more of him. However, he will not get a 'book' of his own, most likely. He will get his own novels, just not among the Stormlight sequence.
You've also mentioned that in Elantris, there was more to Seon's than what came out in the book (as far as a magic system, I believe). When you have to omit something like this, do you still consider it canon to the story? For example, if you were to write a sequel, would you feel obligated to stick with the original magic system you put into place (but never published), or would you be fine with drawing up a whole new one?
Yes, I consider the ideas around Seons to be canon, though I don't always canonize something that is not in the books. If it isn't on paper, I'm usually willing to change it as it needs to in order to fit. One issue, however, is that things like the Seons are part of the greater magic system of the Cosmere (which connects many of my works.) I can't change things too much, or I'll start contradicting myself. (Which I don't want to do.)
The characters in Mistborn all have very French names. My girlfriend insists Vin's name is pronounced almost "Veh", as it would be in France, and I'm almost convinced. How do you pronounce it?
The Central Dominance is intentionally French sounding. I say Vin's name like an American would, but everyone in world would say it with a French accent. Same goes for Kelsier, (which they would say Kel-syay.) Again, I say it as an American would, but then I'm not from the Central Dominance.
One further question on pronunciation- Sazed. Is it sayzd, sayzed, or sah-zahd? I always pictured the Terris people as somewhat Arabic so Sah-zahd came more naturally to me, but I'm curious as to what the intended pronunciation is.
I say Sayzed, as does Kelsier. The Terris a is not as harsh as that, but it's not quite a soft "a" either.
Now when Oathbringer is finished have you already chose a flashback character for Stormlight 4?
Yes. It's Eshonai.
Here's the best I can do at what each of the dahns includes, without spoilers. Stuff in italics is unconfirmed but is reasonable to guess based on the information we have from the books and Brandon.
I'm very impressed by this list. You did a great job. Note that only the king is first Dahn under the Alethi system, however. His heir is second, until crowned. Sixth Dahn, as you've identified, is the "landed" cutoff--if you have land, even a little, you're at least Sixth Dahn.
If you were of a specific dahn (say, seventh) but were elevated by something unusual (say, you got appointed to an appointment that would raise you above this) your children will often be elevated to a rank just beneath you. So, for instance, if a tenner got a shard, he'd immediately be elevated to fourth, and his family would likely be elevated to fifth.
The only thing I'd offer a warning on is that sometimes, people shortcut "Captainlord" to just "Captain" which drives Peter crazy, and so it can be hard to pick out rank from title.
That's interesting... so, is the dahn system new since Alethkar was unified? Or was it modified once they got a king? Or was it always this way, and there just used to not be someone at the 1st Dahn?
Kings existed in other places, and had existed in Alethkar before. (Dahn is a Vorin cultural ideal, not just Alethi.) So the system is not new, but for many years, the Alethi refused to accept a king. (Following the division of the kingdom among the Sunmaker's sons.)
Oooooooh... fascinating. So, this implies that before Gavilar unified Alethkar, King Taravangian and the King of Jah Keved would both have been First Dahn, while the highest-ranked ten people in Alethkar were only Second Dahn. Interesting. In the interests of adding a few more names to the list of "known people of the First Dahn" on the Coppermind, would you be willing to confirm if King Taravangian (let's say at the start of the Way of Kings to avoid spoilers) was First Dahn?
Traditionally, the monarchs of city-states (like Kharbranth, Bavland, and at some points Silnasen) do not claim the first dahn. There have been leaders of New Natanan who have, same with Herdaz. Depends on how much they want to aggravate the Alethi.
Unification era, there'd be two people of the first dahn: The queen of Thaylenah and the king of Jah Keved. Non-vorin monarchs in the west would be treated like first dahn, sometimes, depending on the situation.
Did we know that Thaylenah is currently ruled by a Queen, or is this a small tidbit you have just given us?
I'm not sure if I've mentioned it or not, honestly. Queen Fen. You'll get to meet her soon. Note that Thaylenah is kind of a plutocracy, with merchant councils holding a lot of power, which changes its dynamic a little when compared to Alethi or Jah Keved.
I see you may have sneakily included an explanation for the 4th/5th dahn thing I noticed in a certain father-daughter duo. I promise not to read too much into it....
Note that getting a Shardblade isn't the only reason someone could be elevated, and isn't the only reason why children might not be the same dahn as their parent. Most of it has to do with titles, and who inherits, and that sort of thing. The answer is probably more boring than you're hoping.
Not sure if this is entering RAFO territory, but are highprince candidates (that is, people who can be elevated to highprince status if the post is empty) only people from the 3rd dahn? Or can a 4th dahn also be elevated to highprince, for example?
Highprince is a tricky one, as the definition of "highprince" is a person who can convince others to call him by the title. I guess that's the same for all of them, but as highprinces tend to be near the top of the pecking order, it's more about military than anything else.
Gavilar was 4th dahn before becoming highprince, for example. His branch of the Kholin family wasn't considered a prime contender for the highprince throne--until he took it for himself.
His branch of the Kholin family? Does this imply there are other branches of the Kholin family? Meaning, there are other Kholins elsewhere?
Well, not as many as there once were...
So if I'm understanding this correctly, before Gavilar's branch of the Kholin family started their conquest of Alethkar they conquered Kholinar?
Yup. (There's some minor mention of this in Book Three, I believe.)
Brandon Sanderson's city of Kharbranth from "The Way of Kings" looks jus tlike Positano, Italy.
I actually wrote the book without a specific place in mind--just trying to build off of the setting, and create cities that would work with the highstorms. Once I gave the book to Isaac (my mapmaker) he went and looked for real-world inspirations for drawing out cities. I'm pretty sure this is one of them, though I'd have to grab him and get the photo references to know for certain.
It was actually one of those gratifying moments, when something I've imagined and described turns out to not only be plausible--it turns out to have been done in our world.
Standard disclaimer, though: It's totally possible I saw a picture like this at some point in my life, and drew inspiration without remembering.
Is all the chickens who are not chickens in Stormlight a big fat joke about [Terry Goodkind]?
No. Loan words into Alethi (chicken, wine, hound, etc) are a little bit of linguistic worldbuilding I am using for quite a different reason...
I'm guessing you aren't willing to elaborate on that point?
Book three will make it clear, but it is not so hard to guess right now. I will avoid saying more until November.
Theoretically, what would happen if one were to compound chromium?
As expected, this one is a RAFO.
One thing about the sex scenes (or hints of) between Vin and Elend that strikes me, and those I've discussed it with, as odd is that there seem to be no contraceptive in the Final Empire. That'd be the most logical conclusion, seeing as skaa raped by Noblemen needs to be killed, there seem to be no other way to handle it. But that means that, to our understanding of the character, Vin wouldn't have sex unless she actively wanted to get pregnant. She's all too paranoid in general to just leave a thing like that to chance it, even despite loving Elend. How does it work?
There are indeed contraceptives, but noblemen tend to not trust them. After all, they can be executed for making a mistake.
I've watched this conversation with interest, and wasn't planning to step in, as it's exactly the sort of thread that's generally better without me. Author intervention can derail a good discussion.
But after considering, I decided I did want to talk about this topic a little. There are two things going on here. One is the mistake I made with Jasnah in Words, which I've mentioned before. One is a larger discussion, relevant to the cosmere.
Warning, WALL OF TEXT. This is me we're talking about.
You see, Jasnah wasn't originally meant to be a fake-out. Jasnah originally was going to go with Shallan to the Shattered Plains--but she was really messing up the outline, diverting attention from Shallan's character arc and pointing it toward Shallan/Jasnah conflicts instead.
My biggest breakthrough when outlining the book in detail was the realization that the book would work so much better if things I'd planned to do with Jasnah in it were diverted to later books. When that came together, WORDS really started working. Hence her jaunt into Shadesmar. I initially wrote the scenes with it being pretty clear to the reader that she was forced to escape--and it was super suspicious that there was no body.
In drafting, however, early readers didn't like how obvious it was that Jasnah would be coming back. I made a crucial mistake by over-reacting to early feedback. I thought, "Well, I can make that more dramatic!" I employed some tools I've learned quite well, and turned that into a scene where the emotion is higher and the death is more powerful.
HOWEVER, I did this without realizing how it mixed with other plotlines--specifically Szeth's resurrection.
We get into sticky RAFO areas here, but one of the biggest themes of the Cosmere is Rebirth. The very first book (Elantris) starts with a character coming back from the dead. (As I've mentioned before, a big part of the inspiration for Elantris was a zombie story, from the viewpoint of the zombie.) Mistborn begins with Kelsier's rebirth following the Pits, and Warbreaker is about people literally called the Returned. (People who die, then come back as gods.) The Stormlight Archive kicks off with Kaladin's rebirth above the Honor Chasm, and Warbreaker is meant as a little foreshadowing toward the greater arc of the cosmere--that of the Shards of Adonalsium, who are held by ordinary people.
Szeth's rebirth, with his soul incorrectly affixed to his body, is one of the things I've been very excited to explore in The Stormlight Archive--and the mistake with Jasnah was letting her return distract from that.
That said, you're not wrong for disliking this theme--there's no "wrong" when it comes to artistic tastes. And I certainly wish I'd looked at the larger context of what happened when I shifted Jasnah's plot in book two. (Doubling down on "Jasnah is dead" for short term gain was far worse than realizing I should have gone with "Jasnah was forced to jump into Shadesmar, leaving Shallan alone." I consider not seeing that to be the biggest mistake I've made in The Stormlight Archive so far.)
However, the story of the cosmere isn't really about who lives or dies. We established early on that there is an afterlife (or, at least, one of the most powerful beings in the cosmere believes there is--and he tends to be a trustworthy sort.) And multiple books are about people being resurrected. What I'm really interested in is what this does to people. Getting given a second try at life, being reborn as something new. (Or, in some cases, as something worse.) The story of the cosmere is about what you do with the time you have, and the implications of the power of deity being in the hands of ordinary people.
More importantly (at least to me) I've always felt character deaths are actually somewhat narratively limp in stories. Perhaps it's our conditioning from things like Gandalf, Obi-Wan, and even Sherlock Holmes. But readers are always going to keep asking, "are they really dead?" And even if they stay dead, I can always jump back and tell more stories about them. The long cycle of comic books over-using resurrection has, I think, also jaded some of us to the idea of character death--but even without things like that, the reader knows they can always re-read the book. And that fan-fiction of the character living will exist. And that the author could always bring them back at any time. A death should still be a good death, mind you--and an author really shouldn't jerk people around, like I feel I did with Jasnah.
But early on, I realized I'd either have to go one of two directions with the cosmere. Either I had to go with no resurrections ever, stay hard line, and build up death as something really, really important. Or I had to shift the conversation of the books to greater dangers, greater stakes, and (if possible) focus a little more on the journey, not the sudden stop at the end.
I went with the latter. This isn't going to work for everyone. I'm fully aware of, and prepared for, the fact that things like Szeth coming back will ruin the stories for some readers. And I do admit, I've screwed it up in places. Hopefully, that will teach me better so that I can handle the theme delicately, and with strong narrative purpose behind the choices I make. But do warn you, there WILL be other resurrections in my books. (Though there are none planned for the near future. I took some extra care with the next few books, after feeling that things happening in Words and the Mistborn series in the last few years have hit the theme too hard.) This is a thing that I do, and a thing that I will continue to do. I consider it integral to the story I'm telling. Hopefully, in the future, I'll be able to achieve these acts with the weight and narrative complexity they deserve.
If it helps, I have several built-in rules for this. The first is that actual cosmere resurrections (rather than just fake-outs, like I did with Jasnah) can happen only under certain circumstances, and have a pretty big cost to them. Both will become increasingly obvious through the course of the stories. The other rule is more meta. I generally tell myself that I only get one major fake-out, or one actual resurrection, per character. (And I obviously won't use either one for most characters.) This is more to keep myself from leaning on this narrative device too much, which I worry I'll naturally do, considering that I see this as a major theme of the books.
...
(Sharders, please don't start asking me at signings who has had their "one death" so far. This is me drawing the curtain back a little on the process, I really don't want it to become an official thing that people focus on. Do feel free to talk about the mechanics of resurrection though--it should be pretty obvious now with Elantris, Warbreaker, Szeth, and a certain someone from Mistborn to use as guides.)
Fishtank beads aren't spheres, they're ovoids. They aren't flat on any sides, they're just oval-based.
This is a sphere that's flat on one side. Otherwise, the side of the sphere being flattened (since it's specifically only one side) would be pushed out to the sides, and it wouldn't end up being very circular at all.
/u/mistborn, please lmk if I'm misunderstanding it, because I'm genuinely curious now.
No, your image is close to what I imagined.
If Wax/Marasi had worked out, he'd probably have been okay with it, for example.
Was there ever a chance this was going to be the case?
Yes, there was a slight chance. It wasn't what I had planned, but even an outline writer like myself must be willing to change plans as a story adapts. So until a book is published, there's a chance things will change.
However, in this case, the more I wrote, the more confident I was that this path was the right one.
So, I don't know how much I've talked about this, but there are two things going on with Wayne in regard to Steris.
The first is that Wayne is a highly instinctive person. He DOES think, and more than people give him credit for, but he judges a lot of what he does by what his gut says. I've known people like this and they can be extremely charming, but have more trouble articulating why they might make a certain decision--or why they don't like a particular person.
Wayne doesn't like Steris. She feels off to him, and his instincts say she's hiding something. Trouble is, his gut is misleading him in this case. Steris doesn't think and react like Wayne does, but it's not because she's hiding something--it's because she doesn't pick up on the same social cues that someone highly sociable like Wayne sees.
There's a second issue here, and that's Wayne's over-protectiveness. Wayne tends to lump people in his head into "my mates" and "those other folks." Once you're "in" with him, he'll do basically anything for you. You'll never find a more loyal friend. At the same time, it's hard to get "in" with him--and if he perceives someone as "stealing" someone from him, he gets very defensive, even mean.
He doesn't realize it, but his subconscious sees Steris as taking Wax away from him and--even more importantly--away from Lessie. He'd be belligerent toward anyone Wax started dating, but the fact that he gets lots of false positives off of Steris doesn't help one bit. If Wax/Marasi had worked out, he'd probably have been okay with it, for example.
Side note on Elantris, it is a surprisingly emotional experience for someone who suffers from a chronic pain disorder. I don't know if you intended this.
The chronic pain connection was an intentional one, and I'm both glad and sad to hear that it connected with you.
Is it too early to ask if you'd continue with the story you made for the game?
I have been tempted to do it as a graphic novel, if White Sand continues to be popular.
For my part, I want to point out that Matt Scott was awesome to work with. He really did try to make this game--but we were trying during a time when original IP in video games was a dodgy thing to start with. Several console changes, the revolution in mobile gaming, and various issues on the business side meant we could never really get this going. But there was a never a problem with their vision, passion, or enthusiasm.
I think he is a bit hesitant to incorporate these stuff openly because he thinks that it might be perceived as tokenism. Do I have it right u/mistborn ?
Edit: If Mr. Sanderson decides to show up; the deleted comment was about you mentioning one of your characters was gay but he didn't get a chance to date anyone yet therefore it is not really out there.
It's partially that, certainly. But in the case of Bridge Four, it's more about the fact that the guys just haven't had time to start many relationships. It's only been a few months, in-world time, between thinking they were doomed to having respectable jobs. Give the fellows some time. Most of the guys, gay or straight, are looking. (Excluding the married ones and the asexual one.)
I hope I didn't offend, it was exaggeration for effect, nor do I think the lack of sexual depiction or even mention is done ham-fistedly, there's always a well formed, even subtle, reason WHY your characters don't tend to be particularly sexual, at least not the major POV characters, be it culture or circumstance, I've just noted that it's something of a theme, which I ascribed, perhaps erroneously, to "delicate mormon sensibilities".
I wasn't offended. I do tend to respond quickly to threads, however, so I know I can come across as terse sometimes. No worries.
By way of conversation, you might enjoy a story from when I was writing the second Mistborn novel. My editor called me one day, and said, "All right. I can't figure it out. Are Vin and Elend having sex or not?" I said, "Of course they are. They've been together for over a year at this point." His response was, "Well, why not say so?"
It was the first chance I had to vocalize something that I hadn't even really figured out myself--something that just felt like the right way to tell my stories. I explained that there were many readers, like my sister, who wanted to be able to pretend that the male lead and female lead in the story were going to do things the way she wanted them to, with a level of chastity that made no sense in the culture. There were other readers who would want to imagine wild Allomancer sex happening every night.
In this case (though it may not be every case in my books) I felt it was best not to intrude as the author, as what was going on in the bedroom wasn't plot relevant. In addition, there was a certain...privacy I wanted to afford them, because of Vin's difficulty with intimacy in the first place. I don't know if that makes any sense or not, but while Wayne's sexual exploits can be front-and-center, it felt specifically wrong to go into Vin and Elend.
That said, I'm totally a prude. The Daenerys chapters from A Game of Thrones, for example, were too much for me, and are a large part of why I didn't continue with the series despite thinking the first book was very well written.
You should go listen to the Writing Excuses episode we did where we interviewed an erotica writer on how to write sex scenes. Mary spent basically the entire episode poking fun at me. (Though I'd like the record to stand that I was NOT blushing as much as she implies on the recording.)
What is the final page count? The first two books were monsters (in the best way). I think part of what sets you apart from some other authors is that you're very transparent with your writing progress. The progress bars on your site, your updates on twitter, et cetera. Anyway, long story short, I am really freaking excited to read what's in store for everyone, and I may just re-read WoK and WoR to get back in the mood.
Yeah, Words of Radiance was spring 2014, incredibly.
Oathbringer would have been out last year, instead of this year, but the story went long. First draft was 520k words, compared to 300k words for TWoK and 400k words for [WoR]. However, in revisions, I buckled down and did some serious pruning for the good of the book--so Oathbringer is somewhere around 450k words now, going into final proofreads. November 14th drop date in the US.
More and more, I'm certain I can't do these every two years, as I had originally hoped. They are to intricate, and I need to take a break from the world to let things simmer and brew between books. But we'll see.
What is a lait?
Used in Stormlight Archive "was in a lait"?
It's not an Earth loan-word. Like crem, it's transliterated, not translated. It roughly means, "A place where the storms are blocked." Generally, it means some kind of depression or location in the shadow of a larger rock formation.
Does Miles burn his goldmind piercings or does he swallow them
I'd have to grab the notes to be sure--it's been a while since I've dealt with Miles--but as I recall, he's done both.
Just wondering what color the book is and what are the glyphs on it for the hardcover version? (book one and two are blue and red and have the glyphs for justice and something else IIRC)
This is the Bondsmith book, so the color (yellow) and glyph should match that. (Theoretically.)
