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Skyward Seattle signing ()
#1 Copy


Steris and Marasi. Did you plan the love interest to be [Steris] from the very beginning?

Brandon Sanderson

I did... Very beginning is a weird thing as an author to explain. Because the very beginning of that story, Wax didn't exist, it was only Wayne. Then I built Wax in, then I started building Wax's back history. Then I started building Marasi. Then I started building -- right? By the time that the outline for the four books was done, but even before that, when I was only writing the first one, I knew what I was doing, there.

Brandon's Blog 2015 ()
#2 Copy

Brandon Sanderson

As I was developing the Cosmere, I knew I wanted a few threads to span the entire mega-sequence, which was going to cover thousands of years. For this reason, I built into the outline a couple of "core" series.

One of these is the Stormlight Archive, where we have the Heralds who span ages, and which I eventually decided to break into two distinct arcs. Other series touch on the idea of long-standing characters. Dragonsteel, for example, will be kind of a bookend series. We'll get novels on Hoid's origins, then jump all the way to the end and get novels from his viewpoint late in the entire Cosmere sequence.

With Mistborn, I wanted to do something different. For aesthetic reasons, I wanted a fantasy world that changed, that grew updated and modernized. One of my personal mandates as a lover of the epic fantasy genre is to try to take what has been done before and push the stories in directions I think the genre hasn't looked at often enough.

I pitched Mistorn as a series of trilogies, which many of you probably already know. Each series was to cover a different era in the world (Scadrial), and each was to be about different characters—starting with an epic fantasy trilogy, expanding eventually into a space opera science fiction series. The magic would be the common thread here, rather than specific characters.

There was a greater purpose to this, more than just wanting a fantasy world that modernized. The point was to actually show the passage of time in the universe, and to make you, the reader, feel the weight of that passage.

Some of the Cosmere characters, like Hoid, are functionally immortal—in that, at least, they don't age and are rather difficult to kill. I felt that when readers approached a grand epic where none of the characters changed, the experience would be lacking something. I could tell you things were changing, but if there were always the same characters, it wouldn't feel like the universe was aging.

I think you get this problem already in some big epic series. (More on that below.) Here, I wanted the Cosmere to evoke a sense of moving through eras. There will be some continuing threads. (A few characters from Mistborn will be weaved through the entire thing.) However, to make this all work, I decided I needed to do something daring—I needed to reboot the Mistborn world periodically with new characters and new settings.

So how does Shadows of Self fit into this entire framework? Well, The Alloy of Law was (kind of) an accident. It wasn't planned to be part of the original sequence of Mistborn sub-series, but it's also an excellent example of why you shouldn't feel too married to an outline.

As I was working on Stormlight, I realized that it was going to be a long time (perhaps ten years) between The Hero of Ages and my ability to get back to the Mistborn world to do the first of the "second" series. I sat down to write a short story as a means of offering a stop-gap, but was disappointed with it.

That's when I took a step back and asked myself how I really wanted to approach all of this. What I decided upon was that I wanted a new Mistborn series that acted as a counterpoint to Stormlight. Something for Mistborn fans that pulled out some of the core concepts of the series (Allomantic action, heist stories) and mashed them with another genre—as opposed to epic fantasy—to produce something that would be faster-paced than Stormlight, and also tighter in focus.

That way, I could alternate big epics and tight, action character stories. I could keep Mistborn alive in people's minds while I labored on Stormlight.

The Alloy of Law was the result, an experiment in a second-era Mistborn series between the first two planned trilogies. The first book wasn't truly accidental, then, nor did it come from a short story. (I've seen both reported, and have tacitly perpetuated the idea, as it's easier than explaining the entire process.) I chose early 20th century because it's a time period I find fascinating, and was intrigued by the idea of the little-city lawman pulled into big-city politics.

Alloy wasn't an accident, but it was an experiment. I wasn't certain how readers would respond to not only a soft reboot like this, but also one that changed tone (from epic to focused). Was it too much?

The results have been fantastic, I'm happy to report. The Alloy of Law is consistently the bestselling book in my backlists, barring the original trilogy or Stormlight books. Fan reaction in person was enthusiastic.

So I sat down and plotted a proper trilogy with Wax and Wayne. That trilogy starts with Shadows of Self. It connects to The Alloy of Law directly, but is more intentional in where it is taking the characters, pointed toward a three-book arc.

You can see why this is sometimes hard to explain. What is Shadows of Self? It's the start of a trilogy within a series that comes after a one-off with the same characters that was in turn a sequel to an original trilogy with different characters. Q&A with Brandon Sanderson ()
#3 Copy


You've mentioned before that all your books so far are in chronological order (Elantris, the Mistborn trilogy, Warbreaker, Stormlight Archive). Alloy of Law takes place about 200 years after The Hero of Ages. (Right?) Does this put it chronologically before or after Warbreaker?

Brandon Sanderson

The Alloy of Law takes place around 300 years after The Hero of Ages and several hundred years before the events in The Way of Kings. That does put it around the same time as Warbreaker.

Hal-Con 2012 ()
#5 Copy


Any more Mistborn stories in the works?

Brandon Sanderson

Yes. For those who aren't aware, when I pitched the Mistborn series to my editor originally, way back when, I pitched it as a trilogy of trilogies—a past-present-future—where I would do an epic fantasy trilogy and then I would jump forward hundreds of years and explore what happens with the magic in a modern-day technology level setting, and then I would jump forward hundreds more years and allow the magic to then become the primary means by which FTL—faster-than-light space travel—is able to happen. And so, the three metallurgic magic systems actually have FTL built into them. And so there will be a space-opera series set in the future, because I was able to plan all this stuff out finally knowing what I would be publishing. One thing that I ran into doing that was, when I delved into The Way of Kings and The Stormlight Archive, I realized that I wasn't going to be able to get to that second Mistborn trilogy any time soon, so I didn't want to have two big epics going on at the same time—I wanted, you know, one epic, and then other things—and so what I did is I said, well I'm going to try writing a short story in the Mistborn world, and this will be something exciting for people that, you know-- I kind of sort of do some of these things to keep Mistborn going.

And, I tried writing a short story and it flopped horribly. It was a terrible story. Wayne was in it, but otherwise it was awful. It just didn't work...

Okay. Anyway, so back to your story. I tried to write this short story, and it was awful. And I said, well, it's just not working, but there's some ideas here that I want to expand on. Maybe I'll write something bigger. And I started working on it, and I got about three chapters in, and said, okay, this is a novel.

Fortunately, I'd built into—this was a time where I'd built in myself a couple of months between Wheel of Time books to just do whatever I wanted. You can go back to my blogs at the time, and I said, people, I need a couple months to do something else to refresh myself. And so, I went in my outline to a full short novel that became Alloy of Law, and this is an interim book meant to be kind of more fast-paced, only focused on a couple characters, to deal with, you know-- I describe it as, sometimes you want to go have a big steak dinner, but sometimes you really just want to have a hamburger, and Alloy of Law is a hamburger. *laughter* It's faster. It's fun. It's meant to be a cool character interaction story, and with a mystery, as opposed to something that big.

And so I plan to do some more of those; I actually got about halfway through a sequel during moments of free time that unfortunately I can't continue because the Wheel of Time project went-- I would do it when I'd like send a revision to Harriet, and it would be, she'd be like, "I'll get back to you in three days," and I'm like, alright, I'll work on this. And then when the revision comes back, I don't keep going on this; I have to work on The Wheel of Time. It's not something I can put off. And right now with Stormlight 2—I have to do Stormlight 2; deadlines are so tight—but I will eventually get back to Shadows of Self, the second Wax and Wayne book, and you will get some more of those, to have some things going on in the Mistborn world until I get to the second epic trilogy, which will happen eventually.

Shadows of Self Portland signing ()
#6 Copy


I was reading Shadows of Self and i think his name is Douglas Venture, how does that work out. I'm not quite sure. I know, so, Elend is not around anymore and I know his dad wasn't the nicest of people, so is he like a direct descendant?

Brandon Sanderson

He is not a direct descendant of Elend. The Ventures were an entire house, so there would have been dozens and dozens of them.

Daily Dragon interview ()
#7 Copy

Daily Dragon

The light-hearted banter in your recent standalone Mistborn book, The Alloy of Law, is an unexpected yet delightful change from the more serious tone of the original trilogy. Why did you decide to make such an abrupt shift? Will we get to read more about Waxillium and Wayne?

Brandon Sanderson

This was quite conscious on my part. One of the reasons I ended up writing The Alloy of Law as I did is because I personally wanted something to balance The Stormlight Archive, which is going to be more serious and have a tone more like the original Mistborn trilogy. I'm planning a five-book sequence to start off The Stormlight Archive, so I wanted something to go between those books that was faster paced, a little more lighthearted, and more focused.

I love The Stormlight Archive—it's what I think will be the defining work of my career, but that said, sometimes you want a bag of potato chips instead of a steak. Sometimes you want to write that, and sometimes you want to read that. I knew not all readers would want to go along with me at the start on such a big, long series; they may want to wait until it's finished. So I wanted to be releasing smaller, more focused and more simply fun books in between, both for my own interest and for my readers. And I will keep doing this; there will be more Wax and Wayne books in the future, spaced among my bigger epics.

Oathbringer Newcastle signing ()
#9 Copy


Time-wise, where do the events of Bands of Mourning happen with respect to Words of Radiance?

Brandon Sanderson

...So, Bands of Mourning, all the Wax & Wayne books take place after Stormlight 5, but I'm not sure if it happens after or before Stormlight 6, It'll have to wait, because there's a time jump between Stormlight 5 and 6 that I haven't exactly defined in the timeline yet.

Calamity Philadelphia signing ()
#10 Copy


If someone burned atium in the modern era, after Sazed changed things around, would it do the same thing that it did in the previous era?

Brandon Sanderson

Yes it would.


It would? Interesting.

Brandon Sanderson

If you could find some.


If you could find some…

Brandon Sanderson

If it didn’t then Marsh would be dead.


Good point.

Brandon Sanderson

If it changed its powers.

Hal-Con 2012 ()
#11 Copy

Lance Alvein (paraphrased)

How about the general number of years Warbreaker is from [The Hero of Ages] and [The Alloy of Law/The Way of Kings]?

Brandon Sanderson (paraphrased)

RAFO - the reason that timeline questions are being RAFOed right now is because the final times are still not 100% solid, and Brandon said that he doesn't want to give us a time and then have it change around again (like what happened to [The Alloy of Law] being moved to the same time as [The Way of Kings] instead of being a bit earlier), so he won't answer any timeline questions until after he has the final timeline correct in his own system.

YouTube Spoiler Stream 2 ()
#12 Copy

Yoonseo Chang

Looking at Allomancy, you've mentioned that over time the power dilutes and each ability becomes less powerful. (for example a Tineye in Era 2 will generally be less powerful than one in Era 1) Does the same effect happen in Feruchemy as well? How would Feruchemy become less pure or diluted (other than Ferrings appearing)?

Brandon Sanderson

I have not gone as far with Feruchemy in that regard. I would say that if you're going to get a weakening of Feruchemy, which you're asking about, is the amount of stored attribute you get for lost attribute. There is decay there, you don't get a 1:1. Feruchemy generally I would say is not much weaker than it was before, a little bit but not much. This was done partially for narrative reasons. I wanted Allomancy... I wanted to back off a little on Allomancy and tell stories with it a little bit weaker. Again, mostly narrative reasons at this point. At this point on Scadrial, it's weakened about as much as it's going to because by this point people are having children that are more powerful because of the certain mixing. I'm not saying it's going up, I'm saying they have hit an equilibrium on Scadrial for the most part, at least in the Basin.

Salt Lake City Comic-Con 2014 ()
#13 Copy


How many of the Mistborn do you plan on writing still?

Brandon Sanderson

Mistborn, when I pitched it to my editor, I pitched it as a spectrum running from an epic fantasy series eventually arriving at a space opera, with Allomancers on spaceships. So we have several hundred more years of history. So right now I'm doing a few more Wax and Wayne books, the Alloy of Law era. Then we will jump forward, I've got a modern trilogy that's going to be like 1980's level technology. And then maybe near-future and then full-blown science fiction space opera.

Bands of Mourning release party ()
#16 Copy


I just had a question about the broadsheets, do you write all the content for those?

Brandon Sanderson

I wrote all the first one. And the second and third one's I'm like "I don't want this all to be in my voice I want it to feel like a newspaper" so I wrote a couple. Isaac wrote a bunch, Ben wrote some of them--

Isaac Stewart

Ben didn't write any.

Brandon Sanderson

So it was you who wrote the rest of them?


Did you do the layouts?

Isaac Stewart

Yeah I do the layouts and then I give them to Ben to do some of the illustrations.

Brandon Sanderson

The really fun thing is Isaac wrote the Nicki Savage one in this one [The Bands of Mourning].

Isaac Stewart

It was really fun, I'm glad Brandon let me.

The Alloy of Law Annotations ()
#19 Copy

Brandon Sanderson

Marasi is an Allomancer

One of my big goals in these post-epic Mistborn books is to give a chance for more limited-power people (Mistings and their Feruchemical cousins, Ferrings) a chance to shine. In the previous trilogy, the focus really was on the Mistborn. Vin and Kelsier fit the epic fantasy mindset I wanted, powerful in an epic sort of way, broadly capable with abilities in a lot of areas.

For these books, I wanted to show people who had one or two powers, instead of sixteen, and show how specialization can achieve some incredible results. Because of that, I intentionally held back in the first trilogy in letting Vin do a few things. (Note how much better Zane was with minute steelpushes and ironpulls than she was.) Vin was incredibly skilled, but because she had so many powers to work with, she didn't home in as much on any one of them. Things like Wax's steel bubble are tricks I wanted to save for people like Wax. (He's what we’d call in the Mistborn world a steel savant, so capable with his metal—and having burned it so long, for so many years—that he's got an instinctive ability with it that lets him be very precise.)

And so we come to Marasi, who has the power opposite—but paired with—Wayne's ability. Both she and Wayne have powers I wanted to delve into. Indeed, I kind of promised that the last metals would get highlighted in these newer books. Matching that, I've given Miles the same power the Lord Ruler used to heal himself from so many incredible wounds. I wanted to explore more of what this skill was capable of when not overshadowed by so many other powers and abilities.

Stormlight Three Update #2 ()
#21 Copy


Can I ask what defines a "trilogy's worth of arcs"? I always thought that roughly corresponded to wordcount, but your wordcount-per-trilogy has halved from ~650k (Elantris, Mistborn 1, Warbreaker) to ~325k (Mistborn 1.5, Stormlight-without-interludes, Reckoners) so I must have that wrong... but I'm not sure why that's wrong.

Brandon Sanderson

I plot these like a trilogy each. The entire [Reckoners] trilogy, for example, is shorter than the way of kings. I plot a book of Stormlight using similar (though not exactly the same) methods as I use in building a series of other books.


What does "like a trilogy" mean? Or is there somewhere you'd recommend I go to learn more? From my uneducated perspective, "like a trilogy" means "long, lots of stuff happens, three books".

Brandon Sanderson

Well, what makes a book for me is usually an arc for a character mixed with a plot arc. Often multiple plot arcs and character arcs. It is less "stuff happens" and more "stuff happens for a reason, building to pivotal moments or discoveries." My YouTube writing lectures might help explain better. Look for the ones on plotting.


I think I understand...maybe...

  • "Arc" is point-to-point, be it for a character or a plot. Length-in-wordcount isn't relevant, difference between points is.
  • The difference in wordcount isn't a matter of "arcs" being shorter, it's a matter of there being fewer not-tightly-arc-related words, similar to how stand-up comics tighten up routines.

Do I have that right?

Brandon Sanderson

Yup. You've got it. Though often, the difference in a longer book is the number of arcs. For example, in Mistborn, Vin has multiple arcs. (Learning to be part of a crew, training to use the magic, practicing to join high society, falling in love, and learning to trust again.) Those are mixed with a large number of plot arcs. A shorter book might have a character with a more straightforward, single or double arc.


My first encounter with the term "story arc" was from J Michael Straczynski talking about Babylon 5 in explaining how it was plotted.

The term to me invokes a visual of tracing an arc across the sky from left to right, symbolizing the journey of an overarching plot or narrative to its conclusion.

Brandon was using trilogy with respect to the Mistborn series until Shadows of Self got away from him and became two books bumping the total to four :-).

Brandon Sanderson

That's almost right. I wrote Alloy of Law as a stand alone test of the new era. I liked it, so I plotted a trilogy to go alongside it. I ended up writing Bands of Mourning before Shadows of Self for various reasons, but it isn't that Shadows of Self got turned into two books. Those were always two very different books in the outline.

The point where things expanded was after I tried out Alloy of Law, liked it, and decided to do more books with the characters.

/r/fantasy AMA 2017 ()
#23 Copy


There isn't anything story specific I'd want to ask, I wish to discover by reading. I was wondering if Stormlight Archive books are going to get a special edition limited prints from Subterranean Press, like some of your other work?

Brandon Sanderson

Our plan is to do tenth anniversary books of all of the cosmere novels, though right now I plan to put the four Wax and Wayne books into two volumes. (So, sell them as two-in-one.) Likewise, it's possible that the Stormlight books will be better as two volumes each, sold in a slip case together, so that you don't risk ruining bindings by reading them.

/r/fantasy AMA 2017 ()
#24 Copy


I was surprised when I learned just how much more Mistborn you're planning on writing, and was even more surprised when I heard that the Wax and Wayne quadrilogy was only a spin-off and not part of your major plans for the series. But now I've found out you've decided to include those books as a major part of the larger series and instead do 4 different stories within it. Will this mean the next part (which I understood was going to take place in the more or less present) will be further into the future so as to space out each story? And what was the reasoning behind including Wax and Wayne in the main series?

Brandon Sanderson

I changed my opinions on Wax and Wayne after writing the first book, then outlining books 2-4 (which are a kind of "Trilogy" with these characters, when the first book was an experiment.)

I realized that the next era (which is still 1980's level technology) would work way better with some foundations in the W&W era. I'm very pleased what this did to Era Three, as it now is (1980s), because of the foundations in Era Two.

And yes, the next series will each go further into the future.

General Reddit 2017 ()
#25 Copy


If Wax/Marasi had worked out, he'd probably have been okay with it, for example.

Was there ever a chance this was going to be the case?

Brandon Sanderson

Yes, there was a slight chance. It wasn't what I had planned, but even an outline writer like myself must be willing to change plans as a story adapts. So until a book is published, there's a chance things will change.

However, in this case, the more I wrote, the more confident I was that this path was the right one.

Miscellaneous 2011 ()
#26 Copy


How has The Alloy of Law impacted your overall plans for events on Scadrial? Is it part of the original set of trilogies you had mapped out?

Brandon Sanderson

To worldbuild the urban fantasy trilogy coming up, I need to know everything that happened in the intervening centuries. Some stories popped up in there that I knew would happen, that would be referenced in the second trilogy. So I thought, why don't I tell some of these stories, to cement them in my mind and to keep the series going.


My understanding is that The Alloy of Law is intended to be more or less a stand-alone book. However, without giving too much away, it feels like there is a whole lot more of Wax's story to be told. When's the sequel coming?

Brandon Sanderson

I will most likely write a sequel. However, what you've got to remember is that I will be writing that future trilogy, the urban fantasy trilogy. The events in this book are of relation to what's happening in the future, so you will find out eventually the answers to the questions this book gives you, even if a sequel to this book never comes. But I more than likely will write more of these books over the next few years. The Stormlight Archive is my main focus following the Wheel of Time; I don't want to leave people hanging too much where that's concerned. But between books I will probably write more about these characters.

General Twitter 2015 ()
#27 Copy

Jordan Bradford

Shadows of Self - What an awesome story, and what a gut-punch of an ending! Was that planned when you wrote Alloy of Law?

Brandon Sanderson (Part 1/Part 2/Part 3)

Once I finished Alloy, I wrote the scene with Bloody Tan and Wax, intending it for Book 2. That was when I built this plot.

We eventually moved the scene to the start of book one, and I revised with the new perspective on Lessie.

So it was there by the time Alloy came out, but was not part of the first draft. Advice from [Dan Wells] caused it.

Dan Wells

You have my sincere apologies

Fantasy Faction Q&A ()
#28 Copy


Will we see another book with Waxillium Ladrian? His story doesn't appear to end with The Alloy of Law. And will his story be directly related to the next Mistborn trilogy? This has been eating away at me since finishing that book.

Brandon Sanderson

Wax's story was indeed directly related to the second trilogy, but I was intrigued enough with his time period that I find myself wanting to do more with him. I probably will.

Calamity Seattle signing ()
#30 Copy


So I listen to your podcast, Writing Excuses, and you've been, this year, breaking down stories into different parts. Was Bands of Mourning an attempt, for you, to write a pulp novel?

Brandon Sanderson

The question is on Writing Excuses we've been breaking story down into different parts. Was Bands of Mourning an attempt to write a pulp novel? Actually all of the Wax and Wayne books are a hearkening back to classic serials and pulp novels. So yes, it was me looking at that-- I kind of pitched those books to myself as "Mistborn: the television show. The action serial" if that makes sense. Where the other ones were the Mistborn epic fantasies, these are the action serials. And I did try to kind of vary the genre, the first one is kind of more straight-up detective novel, the second one is psychological thriller, and then the third one is kind of a classic serial adventure story. So yeah, that was very intentional, it's me trying to take different tones and mash them up with different stories and see what comes out.

DragonCon 2019 ()
#31 Copy


So, AonDor is super versatile and powerful.

Brandon Sanderson

Yes, but region-locked!


Yes, it is region locked, exactly. If a full Feruchemist using nicrosil were to create an unlocked medallion that allowed an Elantrian to store Connection to Elantris' location, would it let them use AonDor at full power as long as they were tapping that Connection?

Brandon Sanderson

Yes. That should work just fine.


Just understand that the medallion's going to have to be usable by everyone in order to work. You're going to have to jump through some hoops, but I think what you want there would work. And for those of you listening, that would be the harder way to unlock AonDor. There are easier methods.

Bands of Mourning release party ()
#32 Copy


So the surprise with Lessie at the end of the last book [Shadows of Self], at what point did you know-- Like did you know that in... writing Alloy of Law?

Brandon Sanderson

I knew that at the end of Alloy of Law. So what I do is I write a book, and then I go and build a series out of it. So I wrote Alloy of Law. I then built a series out of it, then I went and wrote the prologue to Alloy of Law. And then I released Alloy of Law. I did a revision too to make sure it was all in there. And so, actual writing of Alloy of Law? No. By the time I'd done the revisions on Alloy of Law? Yes. And then I built the three book outline that would be the trilogy you are now in the middle of.

And Mistborn had some similiar things where I wrote the first book, then outlined second two, and revised the first one, then wrote the second two. It works really well for me doing that with a trilogy, because you get some spontaneity for the first book, and you know how the characters are and you can build a larger framework for them.

YouTube Livestream 17 ()
#34 Copy


Alloy of Law leatherbounds? Have you made any decisions?

Isaac Stewart

Alloy of Law and Shadows of Self will come together. They will be separate leatherbound books, but they will be packaged together, not in a slip case. They will probably be, together, around $150 as a package.

We're gonna try to keep elements of the design from the Mistborn books, so that they look good in a line, but have something that is a little bit different about them.

Because of our contracts, we will not sell them separately.

Firefight Seattle UBooks signing ()
#36 Copy


Are we going to see anything in the Elantris universe anytime soon?

Brandon Sanderson

You should see-- I mean "anytime soon" is a very sub-- difficult to answer. Like the next thing I'm doing are the Mistborn books, I actually wrote two of those instead of one because two for the price of one, right? Did you guys know this? I sent them to my publisher because the book was due and I sent the book off and I attached a sequel to it *laughter* in the email and said nothing about it except "Here's your book" and then went to bed 'cause I was sending this at like 4AM because I stay up really late. And so I got up the next morning to mass panic from my publisher and agent and they're like "You put two books in here!?!" and I'm like "Yeah I wrote two on accident" *laughter* And so I did that, and yeah. And then they threw a party because an extra Sanderson book, unsurprisingly, is a pretty big deal at the publisher and then they decided to publish them very quickly. So what I'm doing is I'm writing Calamity, third of The Reckoners, and final of The Reckoners, right now. So our next sequence of books will be two Mistborn, then Calamity, and then the third Stormlight book.

Barnes & Noble B-Fest 2016 ()
#37 Copy


What led you to want to write a fourth Wax & Wayne book?

Brandon Sanderson

Right, when I wrote Alloy of Law as an experiment, then I said, "Oh, I really like this series, this turned out really well. I will now plot a trilogy with these characters." So, Alloy is the outlier, where I view Shadows, Bands, and Lost Metal as a trilogy. And this is, like, the prelude to the trilogy. And I do think that because... this was an experiment, I really think it was a good experiment. I'm better when I have more of a framework, so I think these two [Shadows and Bands] turned out stronger than this one [Alloy], because when I have a framework, but... at the same time, you need to always be trying, experimenting, new things as a writer.

/r/Fantasy_Bookclub Alloy of Law Q&A ()
#38 Copy


How long before [The Way of Kings] is Alloy of Law? I heard somewhere that it's a hundred years, but I don't think that's right.

Brandon Sanderson

I intended them to be happening roughly close to one another, with [The Way of Kings] slightly before.

General Reddit 2018 ()
#40 Copy


On the tv show front the Wax and Wayne series would especially interest me. The mix of western and industrial age mixed with the feruchal and metal powers is just amazing.

Brandon Sanderson

Getting W&W to the screen is one of my main goals. That series is the one I believe in the least out of them all (when starting it.) I began it on a lark, and then, it ended up being one of the biggest surprises (even for me) in how it turned out.

/r/fantasy AMA 2013 ()
#41 Copy


Looking at the Future Mistborn Trilogy, what role will the "gods" play in that? The "gods" played a massive role in the original series, being a main character. However, seeing how the Mistborns worlds god is no longer a destructive force, what will be the new threat to their world? Themselves, the seventeenth shard, or more likely, Odium himself? 

Brandon Sanderson

The current Wax/Wayne books will be smaller-scale Man vs Man type stories. The second trilogy will deal with something larger, but giving away too much now would be to reveal my hand.

Orem signing ()
#42 Copy


Are you doing a Warbreaker sequel?

Brandon Sanderson

Yes. But I've determined that I can't do it until I at least have the Wax and Wayne sequence done. So it will probably not happen till after Stormlight 5. So you got a little wait on that. Because I'm going to do Wax and Wayne and then the next Stormlight. There's a chance I'll do it in between 4 and 5 but we'll see once we get there.


So Wax and Wayne aren't finished?

Brandon Sanderson

One more book, Wax and Wayne.


I thought they were just going to be a trilogy.

Brandon Sanderson

I wrote the first book as exploration. So I view the books two through four as a trilogy, with the first book kind of being like, "Do I want to do something more with this?" So there will be four.

Steelheart Seattle signing ()
#43 Copy


Will The Alloy of Law be a trilogy of its own or is it just going to be the one book you read from tonight?

Brandon Sanderson

Well, the 1st one was The Alloy of Law, the one I read from tonight is the sequel, so there's at least two. I signed a contract with, well, I haven'’t signed anything yet. I offered Tor two more beyond The Alloy of Law; so, Shadows of Self and one more. So, I have promised Tor three of them.


So, there could be more?

Brandon Sanderson

I have not plotted this one. It does not have the same sort of interconnected arc as the others. It could go further. I think I would cautiously most likely do three or four and stop and if I wanted more short books like that, I'd pick different characters in a different location.

Barnes and Noble Book Club Q&A ()
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And last but definitely not least, you seem to have left the New World of Mistborn open for a book maybe featuring Spook in the future, any thoughts?

Brandon Sanderson

I did leave it open. But that's partially because I feel that part of any good book is the indication that the characters continue to live, the world continues to turn. I want readers to be free to imagine futures for the characters and more stories in the world.

For Mistborn, I'm not planning—right now—to do any Spook books. I do have plans to do another trilogy set in the world, though it would take place hundreds of years later, once technology has caught up to what it should be. Essentially, think guns, cars, skyscrapers—and Allomancers.

Salt Lake ComicCon FanX 2016 ()
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On about Wayne from The Alloy of Law, so reading the first book everyone's smiling because he's a rascal. But he's not really a rascal in the first book. You slowly turned him into a rascal in book 2, filling in what he's done in his past. Book three just a downright rascal... I wanted to know your progression of that character mirrors your progression of that world because the Alloy of Law isn't particularly gritty, but in book three you've got a bit more grittiness.

Brandon Sanderson

See, I would argue that two is the grittiest of the three, personally. It's hard for me to talk about this one just because I wrote Alloy of Law as an experiment to see if I liked it, and then I sat down and built a trilogy about those characters, so you could almost imagine that Alloy of Law is a standalone, and the next three are a trilogy about those characters. I don't know that I made any specific decisions in any way, I just said "what is the story I want to tell about these characters with these three books", and then I took them and I dug into them and I felt like I hadn't dug into them deeply enough in Alloy of Law, to really who they were. It was done, again, kind of more as a free writing experiment than an intentional novel, even though I did have an outline and things for it.

The books two, three, and four--which form a trilogy--have a distinct outline. Any changes are changes kind of focused on that idea. That I took something that was kind of like a seed for a trilogy and then built a trilogy around it. I didn't make any specific determination that I would be more gritty; I think the second book is grittier because of the difference between hunting a group of bank robbers vs. a serial killer. That's gonna have some natural move towards that, but it's not any specific event. That said, reader response is kind of how you decide on these things. I just kind of write the books as I feel they need to be and what you get out of them is certainly valid.

State of the Sanderson 2016 ()
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Brandon Sanderson

Main Projects


The Lost Metal, Wax and Wayne Four, will be my next non-YA novel project. I still intend to write it so that it can come out in 2018. You should see a progress bar for it pop up sometime in the fall of 2017.

This will be the last Wax and Wayne book. Because of fan outcry, we're just going to call the Wax and Wayne books "Era Two" of Mistborn from here out, and I'm sorry for the "Era 1.5 fiasco" of last year. That would have worked if I'd started calling it that from the get-go, but it's too late now.

Once Era Two is done, we'll let Mistborn lie fallow for a few years while I move on to Elantris/Warbreaker sequels. (See below.)

Status: Book Seven (W&W 4) being outlined. Interview ()
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We are more or less sure that, once you finish the last book from Wax and Wayne, this is going to have kind of an impact, maybe, on everything?

Brandon Sanderson

Yes and no. Wax and Wayne as a series, entirely, is more focused on the characters than the cosmere. Which is different from Era Three. Era Three, while it's very focused on characters, is more cosmere-focused. Remember, Wax and Wayne is the series I interjected. And I realized, as I was writing it, there were a lot of things I needed to do in it (that's good I started it), but they are mostly setup. You will get done with Wax and Wayne Four, you will know who Trell is. You will know what trellium is. You will know what's been happening there. But what it's not gonna do is give you definitive, cosmere-wide, large-scale changes. It is more going to be setting up and building for the big things that are coming next. So don't put too much pressure on the poor little Wax and Wayne series; they really are about Wax, Wayne, Steris, and Marasi, and kind of uncovering this stuff. You could consider it the buildup and prologue to the second large era of the Cosmere, if that makes sense. (Which, the second era of the Cosmere is basically going to be: third era Mistborn, second era Stormlight.)

State of the Sanderson 2015 ()
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Brandon Sanderson

Main Book Projects


And speaking of Mistborn, how is Scadrial doing? My current plan is still to have the Mistborn books stretch throughout my career, establishing stories in different eras of time with different sets of characters.

The original pitch was for three trilogies. The Wax and Wayne books expanded this to four series. (You can imagine Wax and Wayne as series 1.5, if you want.) This means there will still be a contemporary trilogy, and a science fiction trilogy, in the future.

I have one more book to do in the Wax and Wayne series, and I'm planning to write it sometime between Stormlight books three and four. Until then, Wax and Wayne three—The Bands of Mourning—comes out in January!

Status: Era 1.5 book three done; book four coming soonish

The Alloy of Law Annotations ()
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Brandon Sanderson

Chapter Three

Wax investigates

If you've read the book, then you probably won't be surprised to find that a partial inspiration for it was the Sherlock Holmes stories. Of course, you'd have to search pretty far to find any kind of detective story that isn't somehow influenced by good Mister Holmes. This story, however, is more consciously inspired along those lines. I purposely developed a mysterious (almost even magical) series of robberies along the lines of what you see in the Holmes stories. The technological era is similar as well.

Of course, the characters are much different—even down to the character roles and dynamics. I wanted Wax to be a thinker, but more of a lawman than an eccentric. Wayne has enough eccentricity for three characters. I wanted the way that Wax approached solving a problem like this to be more methodical, more like a lawman who has grown accustomed to doing things on his own—but who has procedures he follows.

Beyond that, I wanted Wax to be solid. Many people are going to prefer Wayne for obvious reasons, but I prefer this story to be about Wax. (I'll talk more about Wayne's origins later.) Wax's solidity helps anchor the story, I feel. Perhaps I find him more interesting than others will, but the different parts of him that are warring inside create for a stronger dynamic than some of the other characters, who are more static.