So, with Apocalypse Guard being pseudo-shelved, and now Dan Wells being brought on as a co-author. A) How cool is that, and B) Is it, like, from the ground-up restructuring co-writing? Or is he coming in as, like, a super-editor?
So, what happened, for those who don't know, I wrote Apocalypse Guard, somewhat connected to The Reckoners books. That was my project for last summer. And to catch you up to speed, it didn't turn out. Like, I finished the whole book, and there are some really good parts to this book. But the book didn't work; some of the characters were off, some of the art was off. And I beat my head against the wall for a good month and a half trying to do revisions. And every revision I tried made it worse. And that's when I shelved the book. And I shelved the book and I started working on Skyward. This still happens to me. If you're a newer writer, and you're like "Wow, my book just didn't turn out," well,it happens to all of us. And then I did get the bright idea, it was about a month later, I'm like, "Who's the best author I know? It's Dan! Dan is the best author that I know." So I just called him, and I said, "Dan, is this something you would even consider? I would hand the book completely off to you, let you have it for, like, six months or a year. Do whatever you feel like you need to make it work, come back to me, and then we will write some sequels. Either I'll write one and you'll write one, or something like that. We'll collaborate on an entire trilogy." Because I've always wanted to do something with Dan. And this felt like a good place, because I couldn't get the book to work.
He was super enthusiastic. He's like, "Yeah, it sounds like fun." Dan likes weird things, this is a weird thing. Like, I'd never heard of someone doing this before. So, Dan took it, and he came back. We did a meeting over dinner, where I'm like, "Well?" He listed off-- All the stuff I also thought was broken, he thought was broken. He picked them out himself, he's like, "This character doesn't work, and this is--" So I'm like, "What do we do?" And so we just brainstormed for a while on what to do. And I'm kind of just letting Dan do his thing. It's not super-editor, like, he's ripping out entire chapters and rewriting them, things like that. Like, then there's one character who's just been ripped out of the story and a new one put in their place. Stuff like that. Total, takes the sledgehammer and goes to work on it. But, of course, preserving some of the stuff I think works the best. So, I haven't seen-- I've seen him with the sledgehammer, and he says "What about this?" I'm like, "I don't think that's a load-bearing wall." He's like, "Great," BAM. I'm like, "I hope this looks good when we come back." But it can't look worse than it did.
So, I'm not sure, still. Kind of, our thing on that is that, we're gonna sign a contract-- We haven't even signed contracts yet, he's just doing it. When we sign a contract, it will be like, we'll put a date in there that we think he'll turn it back to me, and a date I'll turn it back to him, and we'll see. I'm really excited, though. Finally being able to work with Dan, and finding this way to fix a story-- I'm excited.