Aethenoth
Can an Allomantic bronze burner hear the Rhythms on Roshar?
Brandon Sanderson
Yes, this is possible.
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Can an Allomantic bronze burner hear the Rhythms on Roshar?
Yes, this is possible.
Is there's a real life analog to what the singers sound like when they're speaking to the Rhythms?
Let me get back to you on that. This is actually, that's a RAFO, but it's a RAFO with an explanation. I have tried to find one that I like. I have not yet found one that I like. I'm sure it exists, or I have faith that it exists, but I haven't gotten one I like. We will definitely have to have one when we make the television show or movie, which I am fully confident that someday we will. So if I were to say yes to that now, and talk about some of the ones I think are kind of closer, then we may have to change that entirely when we make the television show.
If you took a Parshendi... And they were born outside Roshar and never visited Roshar in their lives, would they hear the Rhythms beyond Roshar?
Would they hear the Rhythms beyond Roshar... If you took one that was not born on Roshar, would they feel the Rhythms off-Roshar or just Rhythms in general?
Rhythms in general.
Yes, they would sense them.
Even beyond Roshar?
What they are sensing... it's something that pervades the Cosmere but on Roshar has specific way of manifesting.
Is it the same thing that Soothers and Rioters are using?
Now you're straying into RAFO territory with your question/good question...
The UV wavelength is wider for Voidlight. Is there an Investiture reason why the bands are wider instead of brighter? Wider bands doesn't make sense in physics, due to Snell's law, but brighter works.
The reason I did this, I actually did this very intentionally. This can go two ways. What I'm hoping you'll see is: this is Brandon understanding the physics of our world and saying, "It's okay to let go, because I am not using the physics of our world." This is supposed to say to you, "All right, I understand this doesn't work the way it's supposed to." Because what I'm doing with the constructive and destructive interference requires Cosmere intervention in order to actually work. Destructive interference is not magically different in any way than constructive interference, or than any other sound wave, it's just where you position it. You couldn't look at it by itself and be like, "Oh, that is the anti-song to this song." That's not how it works. The anti-song to this song a song that is aligned differently; they sound the same to you. They're just played in such a way that is destructive interference. And I needed there to be a dividing line that said, "We are actually working in Cosmere physics here."
And the main reason to do that is that, the nuts-and-bolts reason, is so that those who knew their physics could be like, "Ah, okay, we are in a fantasy world. We are in a world where people don't irradiate each other with redshifts, and indeed this destructive interference can be magically known as the opposite of this other sound because humans beings are considering it so and that makes it so." And there are a couple of other things about the physics through the books that are done that way.
What's the in world reason that it's like that? That is a RAFO.
Hypothetically, if all of the Listeners were to go extinct would the Rhythms still exist?
Yes.
Are there any other species in the cosmere that also interact with the Rhythms like the listeners do? (Though not necessarily in the same way?)
Yes.
If a Parshendi were to attain Allomancy and burn Bronze, how would they feel about the Bronze pulses?
They would feel that they were somewhat familiar but a little odd.
You've mentioned several philosophical concepts used in the writing of your books, like Jung's collective unconsciousness, Plato's cave. Could you expand a bit on your use of those in your books, and whether you think it is necessary to use philosophy to make a good fantasy world?
I don't think it's necessary at all. The writer's own fascinations--whatever they are--can add to the writing experience. But yes, some philosophical ideas worked into my fiction. Plato's theory of the forms has always fascinated, and so the idea of a physical/cognitive/spiritual realm is certainly a product of this. Human perception of ideals has a lot to do with the cognitive realm, and a true ideal has a lot to do with the spiritual realm.
As for more examples, they're spread through my fiction. Spinoza is in there a lot, and Jung has a lot to do with the idea of spiritual connectivity (and how the Parshendi can all sing the same songs.)
Not completely sure where Spinoaza comes in. I guess the shards are part of the natural world and have no personality without a human wielder.
Yes on Spinoza there, and also the idea of God being in everything, and everything of one substance. Unifying laws. Those sorts of things. (Less his determinism, though.)
In the Stormlight Archive, Cryptics are often humming to tunes that denote their emotional state. A Rhythm of Curiosity is cited, and Pattern often hums when he is curious. The same goes for a Rhythm of Confusion. Are Cryptics humming to the Rhythms like the singers? If not, what are they humming?
They are humming to something very akin to the singer Rhythms. I would call them the same, with an asterisk.
Quick question: I had a hard time "hearing" the Parshendi's singing in my head while reading The Way of Kings and Words of Radiance. Are there any real world examples you drew from you could give me so we have a better idea of what they sound like to you?
It was tough, as I didn't want to constrain their language in English to a certain rhythm, as I felt it would be too gimmicky on the page. I used Hindu chants in my head, though, so that might help.
Question about primer cubes and Rhythms. There's a Rhythm associated with every metal when they're used and that's what gets sensed by bronze Allomancy. Does the primer cube sense that same Rhythm and replicate it?
No, it's actively like, drawing the Investiture in. The active...*hems and haws* is that what's going on? I will have to RAFO that, I'm going to have to go back to think about that some more.
Could one combine all of the Rhythms—Honor plus Odium plus Cultivation? Would the result be the ultimate Light?
RAFO.
It's mentioned that Stormlight in gems will flicker slightly. Is this the Rhythm of Honor?
Good question, RAFO.
So the Parshendi Rhythms. They talk a lot about them as like music. So do you imagine them as rhythms where they talk like this or is their a melodic quality to it?
That is what they're doing. There's not very much melodic quality to it. They set songs to the Rhythms. The way I have it in the books, in my mind, and the canon, is there is Connection between them and the songs of Roshar. That they can pick up a Rhythm when there's actually not enough of it, even in a sentence, because of the intent of the Rhythm and what the other person's hearing. So they can hear a Rhythm even if it's only a couple words being said, that you couldn't learn, if you were just a human listening. No matter how good you were. Some you wouldn't be able to pick up because there is not enough information there.
So they're just like kind of complex rhythmic things that you could write out musically.
You could. You definitely could write them out.
Music on Roshar... How, why is it important, I mean more a why--
Why music? Music, the Rhythms you are speaking about specifically, or what?
...There seems to be a lot that connects to music, with like the Dawnsingers, there's lots of people hearing the Rhythms--
It all comes from the Rhythms. That's all kind of interconnected.
So they kind of hear where the Rhythms are originally coming from?
I'm not saying that.