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General Reddit 2018 ()
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flyingnomad

I just finished a reread of WOR (actually my first audiobook listen of the series, which was great), and when I reached your last three, I definitely noticed you really had a skill with shaping chapters to speed things up or slow things down. Initially it felt like you introduced more frequent shifts in main character POV instead of some of the lengthy sections with one POV that we'd seen in RJ's last few books. This made it feel like the story was coming together and things were starting to really happen at the same time. Then later it felt almost like a kind of dilation effect where a massive amount was happening at the same time - but with the added complication of the actual timeline manipulations, which was extremely well done in this regard... I was so caught up in the story I wasn't able to keep my attention on it at the time but later, after finishing AMOL, I was pondering that it felt like a Christopher Nolan movie, where the structure itself was part of the narration.

Brandon Sanderson

I've always preferred a frequent POV jump style to the large chunk style Mr. Jordan used later in his books--but there are merits to both. In the Stormlight Archive, I've been pleased with a kind of hybrid of the long chunk from the later WoT books with a quick jump method. (I pick a group of characters and quickly alternate POVs.) But I have the WoT to thank for helping me, as a younger writer, study and learn the different ways POV jumps can influence the storytelling.

FanX 2018 ()
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Questioner

Have you ever thought about making any of your books or ideas into movies or TVs?

Brandon Sanderson

I have tried. It's bigger than one person can do. So really, with movies and TV, you have to find someone you trust and hope they can get it done. But funding and things is so hard. We've had some decent scripts. We have a really good script for Snapshot, which is one of my shorts, right now. So far, I have no news on anything other than "We're working on it," but I would like to.

Idaho Falls signing ()
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Questioner

So, question about the Reckoners. In the beginning of Steelheart, Deathpoint kind of lazily points his finger at Steelheart. So, it didn't seem like he feared him very much at all. So, my question is, if he didn't fear him, then how come Steelheart wasn't affected by it?

Brandon Sanderson

So, he didn't. He was trying to act cool. But that fear was there. At least, that's my explanation to myself. And it's part of why Steelheart makes the entrance in the way he does.

Stormblessed.com interview with Brandon Sanderson ()
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Questioner

The art featured in The Way of Kings is very striking and has been well-received by readers. Do you have any plans to include more art in your future books—other books as well as The Stormlight Archive? Or maybe as bonus content on your website?

Brandon Sanderson

There will be more art in future Stormlight Archive books. I'm very pleased with how it turned out, and I think adding a visual aspect to novels helps create a more complete and immersive experience. You'll notice that art has been important to one extent or another in all of my books. Elantris had its map and the Aons; Mistbornhad its maps and the Steel Alphabet. The Rithmatist, when it comes out in 2012, will have extensive magic system diagrams with every chapter.

Including a map in a fantasy book has become a bit of a cliché ever since Tolkien did it. But if you go back and look at what Tolkien actually did, the map that was in the book was an in-world artifact—it was something the characters carried around with them and used. So I've approached the art in my books in a similar manner. Each piece represents something that is made and used by the people in the world of the books. I think that helps give a richer feel to the world I'm creating.

One thing you probably won't see me doing in future novels is including character art. I want to leave exactly how characters look up to the imagination of the reader. But I'm a big fan of the sequential art storytelling form as well, so you'll likely see me do some completely graphic novels in the future.

Isaac Stewart r/Stormlight_Archive AMA ()
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ArgentSun

The images of the Warbreaker leatherbound you posted on Instagram include a circular symbol around the 'W' of the title - would this be "the Nalthis symbol" in the same way we see symbols for other worlds in Arcanum Unbounded, or is that just for style?

Isaac Stewart

Good question! What you're seeing around the W of the title is a halo that the artist Jian Guo used around the Returned when I asked him to design the dropcaps for this edition. I pulled the halos from his drawings and used them as a design element in the text.

The symbol for Nalthis is finished, however, and is on the spine of the leatherbound. We'll reveal this bit of art very, very soon.

Warbreaker Annotations ()
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Brandon Sanderson

Chapter Fifty-Five

Treledees Almost Tells Siri How to Pass On the God King's Breath

We get to see more of Siri taking charge here. In this tense situation, a lot of others would have been reduced to hysterics, but she's come into her own, taking command, trying to get the information she needs.

Treledees lies to her here about two things. First off, he does know how a God King can have a child, but he knows that the secret is also held by a secure group of priests on the islands. He doesn't think letting Siri in on that one for now is a good idea. But he does want to pass on how to get Susebron's Breaths away from him, should it become necessary. He knows that those need to be passed on, even if the God King does have a child. That's the greater secret, but the one that needs to be known to Siri. Those Breaths cannot die with Susebron.

So, anyway, he's lying about the God King not being able to have a child. (Or at least he sidesteps it. He says that the God King can't sire a child, which is true unless certain steps are taken. He also says that he doesn't know how the First Returned bore a child, which is true—he doesn't know for certain if the First Returned used the same method that Treledees knows. He's also sidestepping the fact that he does believe that the blood of the First Returned flows in the veins of the royal Idrian line.)

So why not bring this up in the book? Well, I learned in Elantris that it's easy to overtwist an ending by having too many reveals. This is a very small point, and there is good rationalization for why Treledees doesn't let on what he knows. So I felt it was better to let the story stand as is, without delving into this.

Of course, there is a hint in the text about it—or at least a question. If they depended only on a Returned child taking Susebron's place, then why were they worried about Siri having sex with Susebron? They didn't need her to sleep with him unless they expected that sex to do something.

I'm sorry to leave this issue a mystery, and I'm even more sorry to not explain how Susebron can give away his Breaths. It's not important to this book, and so I felt that having Treledees give the explanation here would just bog things down. I'd rather wait until a sequel, where I detail the magic system in a more complete form, to give you these explanations.

That leaves us with the cliché of someone who almost passes on information, then dies. As I said, I am sorry to do this. I nearly didn't put it in, but I felt it very important to include something that let you know that the priests did have a way to get those Breaths.

Note that Treledees is not lying about letting Susebron live out his life with Siri in peace. They have allowed previous God Kings to do that, once they had a successor in place.

General Signed Books 2019 ()
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Dwarven_Hydra

When an Allomancer tries to burn a bad alloy, it can make them sick, or even kill them. Are there similar consequences for Feruchemy and Hemalurgy, such as being less efficient when storing and leaking power more quickly, or would such metals just be unusable?

Brandon Sanderson

Yes! Bad metals in Feruchemy/Hemalurgy would work poorly.

Barnes & Noble B-Fest 2016 ()
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Questioner

How do you keep everything straight in your head?

Brandon Sanderson

So, it's kinda weird. I forget my keys. I forget what day it is, I'm one of these types, right. But stories, I don't forget. Stories are in there. Part of the help for this, though is I do use a wiki, called wikidpad, it's, like, a personal wiki thing. And I stuffed a whole bunch of it in there, not all of it, but a whole bunch of it. I actually have someone whose job it is to go through each book, add in all the new details and things like this to keep kind of a personal encyclopedia of the Cosmere, for myself, for reference that I can be working with as I'm building things.

So, yeah, it's a mixture of tools, my own personal weird brain psychology, and good help and forum assistance. Like, if you read one of my early drafts, there's, like, so many continuity errors. So many, right? Because there's just stuff I... like, when you're writing, you're not thinking about. And your fingers, they just type it. Or, like, I forget, like... one of the things I have to do for a Stormlight is I have to go through and add in way more spren. Because it's just so unnatural to us to have emotionspren, that first draft, I don't even worry about them. Like, get down what's happening, and then I will highlight where the spren appear. It's almost like I do post-production on my books. But, even still, to this day, I write silver when I mean tin in Mistborn, because for years it was silver was that power. Like, it's been ten years since it was silver, that I changed it to tin, but even still my fingers type silver. And the alpha readers and beta readers are like, "Oh, there's a silver in here! We found one!" Like for years, Clubs, I think it was Clubs, and... I had two of the powers swapped for the... anyway, so there's all that. And then there's all the stuff that I forget I changed in revision in previous books.

So, it's not like I'm photographic memory who keeps all this. I have a good team, a good process, and enough up here that we can make a good book come together. But those early books... don't become an alpha or beta reader for me unless you're willing to be like, "Okay. Canon is not here." Like, in the Lift chapter, there was even a place where I'm like, "I think this is connected. I wanna connect this to something in the Cosmere, but I can't remember what it is. Karen, can you look up some of this and see, so I can make sure that I can..." I think it's in there. And then in the beta read document, everyone's like, "Oh, you can do this! You can do this! You can do this!"

Questioner

No that wasn't in Lift!

Brandon Sanderson

Yeah, it is! I just went and looked at it. Maybe Karen posted that quote that I gave her, maybe Peter pulled it out, and she posted it in the document later on.

State of the Sanderson 2013 ()
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Brandon Sanderson

First off, of course, is Words of Radiance. If you weren’t watching, I finished the rough draft of this book (the second book of the Stormlight Archive, and sequel to The Way of Kings) late June. I sent it off to my agent and editor for commentary and advice. I got back my editor’s notes last week, my agent’s notes today, and Peter just finished assembling everything together and doing a tight, continuity-focused copyedit of the entire manuscript. At 360k words, it’s roughly the length of A Memory of Light.

Obviously, there’s a lot left to do here. Tor keeps talking about January as a publication month, and I’d like to meet that, if at all possible. That’s going to require me to do several drafts of the novel over the next two months. More updates as we progress, but I’m pleased with the book. It has only a few large flaws, and I think they can be fixed fairly quickly.

The Well of Ascension Annotations ()
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Brandon Sanderson

Elend Goes into the Koloss Camp

Elend does go overboard in this chapter. He realizes it, when fighting the koloss. He's let his adrenaline, and his desire to do something, make him a bit reckless. However, this first thing–going in to see Jastes–actually makes a lot of sense. First off, it gives us nice closure on the "Visit the enemy kings" plot sequence. (Elend Visited Straff, then Cett, in their strongholds. Now he does so for the final army.)

And, of the three army leaders, Jastes should have been the one most kind to Elend. The two are old friends. If you don't remember him, he was pretty much Elend's best friend in book one. He was the one who first discovered that Vin was not who she said (he had her followed) and was the main person Elend hung around with at the parties.

I wanted to show that good doesn't always win, particularly in the short term. The things Jastes tried to do are what Elend did. In both cases, they failed. The world wasn't ready for their brand of freedom yet.

Elend speaks the truth, however. A man's losses are what define his faith.

Elantris Annotations ()
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Brandon Sanderson

You should notice the comments about unity popping up in religious scenes throughout the book. Omin spoke of it before, and Hrathen often thinks–or mentions–the concept. When designing the religions of this book, I really wanted them to feel authentic. If you look at our own world, one thing is obvious (I think) about the way major religions work. They always fragmented–different sects of the same teachings often rise up and squabble with each other. Judaism, Islam, and Christianity share obvious links. In a similar way, Hinduism, Buddhism, and other eastern religions share some common roots.

So, in designing the Korathi and Derethi churches, I decided to give them a common ancestor–Shu-Keseg. All three religions came from the teachings of a single Jindoeese man. (You might note that the word "Shu," as used in connection with Shu-Korath and Shu-Dereth, doesn't seem to fit the linguistic styles of Aonic or Fjordell. This is an intentional reference to the Jindoeese commonality of their origin.)

The central tenet of Keseg's teachings was unity, and his followers began to squabble about what he meant by "Unity." Hence we have the loving, inclusive Korathi; the aggressive, expansionist Derethi; and the contemplative, didactic Jindoeese.

Of course, Jesker and the Mysteries are a completely different religious line. We'll get more into them later. . . .

Boskone 54 ()
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Questioner

First, I have a message from my older brother

Brandon Sanderson

Okay

Questioner

He says, "just tell him that Szeth is the man, and he expects a bloody revenge story, where he whoops off all the heads of all the Shin guys who still have honorblades

Brandon Sanderson

Tell him that Szeth is anticipating that too.

DragonCon 2019 ()
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Questioner

Do you have any leatherbound plans for the Reckoners series?

Brandon Sanderson

Yeah, I plan to do Reckoners. What we haven't decided yet is if we'll just do three in one volume. That's what I kind of want to do. My team's like, "We don't know if people will like that as much." So we're just kind of asking around, the fans. You would prefer it in one volume, right? 'Cause, together, they're about this length, right?

Questioner

Maybe the Mitosis side story as well.

Brandon Sanderson

Oh, we definitely would find a place for that.

Brandon's Blog 2015 ()
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Brandon Sanderson

Elantris 10th Anniversary

First, in relation to Elantris, May is the 10th anniversary of its release, my first published book! In celebration, we've been putting together a 10th Anniversary Edition, which is coming out later this year. It will be in trade paperback form (the paperback format which is more the size of a hardcover), and I'm hoping I can get Tor to print at least a few hardcovers for those who want to get them.

We've packed this edition with some cool extras. It includes a new foreword by Dan Wells, a retrospective by myself, an Ars Arcanum appendix (as this was the only one of my Cosmere books not to have one), brand-new redone maps by Isaac Stewart, and a very short extra scene. In addition, as I mentioned, we've changed a few things.

Now, this is the dangerous thing I talked about above. We've seen in certain high-profile films that changes done by the creator many years later are controversial. It's a slippery path. Part of creating a work of art is learning when to let it alone—most writers I know could just keep tweaking something forever. The quote (often attributed to da Vinci) that says “Art is never finished, just abandoned” is quite a true statement.

However, Elantris needed some attention. When I wrote it, I didn't have access to a good cartographer who could make the continuity of my crazy map-based ideas for the story work out. I did my best, but it never quite clicked. The maps didn't match the story, and the conceptualization of the ending was always kind of vague because of this disconnect.

Well, I have Isaac now, along with Peter who is really, really good with the minutiae of this sort of plotting. We've made two kinds of sweeping changes, then, to the text:

Map Continuity: We've had to shift the locations of some buildings and events as we've figured out a scale for the maps and for the city. We've tweaked the ending; the events are the same, but where certain things happen has been changed to fit. (Over the years, many of you have asked me about this, and I've had to admit that we just got it wrong.) This shouldn't change the story in any significant way except that now it actually makes sense, but I thought you should know.

Language Changes: Peter has done a very, very thorough copyedit, and has made some stylistic changes to remove some of the quirks of my earlier prose. (Extraneous commas, for example.) Again, this shouldn't change the story in any significant way except to make it more readable.

The Great American Read: Other Worlds with Brandon Sanderson ()
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Questioner

lWhat if you mixed-- ike in Alcatraz, what if you mixed like a Windbringer's Lens with like a Fire--forgot the name.

Brandon Sanderson

Oh man that would be terrible. You'd have a big black firestorm. It'd be awesome. Someone should do that.

Questioner

So they are allowed to mix?

Brandon Sanderson

They can. It's very hard.

Footnote: The questioner was probably referring to Windstormer's Lenses and Firebringer's Lenses.
Salt Lake City ComicCon 2017 ()
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Questioner

How do you fool your writer's block?

Brandon Sanderson

I write a bad chapter. Usually, writer's block, what's stopping me is I that know the chapter's not gonna work, or something's wrong. I write it anyway. And then I think about it for a few days, and then rewrite it over. It works almost every time. Once in a while, it's a bigger problem that's stopping me. And those cases, often it takes, like, a big extensive rewrite to get the book going in a different direction. But nine times out of ten, I'm just having a funk on one chapter; changing the perspective or writing it poorly in a sitting and letting myself think about it works very well.

FanX 2018 ()
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Questioner

Is there a specific ear that Vin's earring goes in?

Brandon Sanderson

Yes, and we've canonized that, but I can't remember which one it is. If you look online, we have posted it to the fans, and they've put it in the wiki.

FanX 2018 ()
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Questioner

Is there a reason, with 16 being such an important number, that there are only 10 orders of Radiants

Brandon Sanderson

That is relevant.

Questioner

Am I going to have to read and find out?

Brandon Sanderson

Let's just say 10 is a number that is relevant to Roshar and its inhabitants.

Questioner

And what's the significance of the number 10?

Brandon Sanderson

The significance is that it is very significant.

Questioner

Will we find out by reading it?

Brandon Sanderson

Maybe, that's why you're getting a RAFO. Potentially.

A Memory of Light Chicago signing ()
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Ted Pick (paraphrased)

In Mistborn, why is it that an Allomancer either has just one metal, or is Mistborn and has all? Why aren't there any that have just two, or three?

Brandon Sanderson (paraphrased)

Originally he had planned so that people would only have one metal, period. No Mistborns. And then as he went along with the writing he liked this idea, but he really wanted to make some more powerful Allomancers, which is why he created the Mistborn. He did say though that if you are playing the RPG, you are more than welcome to have an Allomancer that can burn two metals without Hemalurgy.

Skyward San Diego signing ()
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Questioner

So, the sixteen Shards. Is it possible that there are more than sixteen, yet they do not know of them?

Brandon Sanderson

This would be possible but I'll just go ahead and tell you no there aren't. *laughter* That'll stop a lot of theorizing, though it is possible that Shards have been divided and things like this. And so you can call two subsets-- But it's kind of like there are twelve tribes of Israel. They became twelve other tribes of Israel. There were still twelve because two were the sons of one. Yeah, stuff like that.

Footnote: Brandon was referring to Ephraim and Manasseh, sons of Joseph. The land of Israel was divided among twelve tribes that were slightly different from the original twelve, as Joseph's was replaced by those of his sons and Levi's was not a landed tribe.
Dawnshard Annotations Reddit Q&A ()
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cinephile42

Now that Rysn has secrets to keep, where do her alliances lie? She seems slightly skeptical of the Radiants, so would she be more patriotic to Thaylen City and potentially share her information with Queen Fen? Or maybe even Vstim?

Brandon Sanderson

Her loyalty is most likely to her babsk and others who have proven, in person, to her their merit.

The Well of Ascension Annotations ()
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Brandon Sanderson

Sazed Sees The Koloss Begin to Attack

Tindwyl is, indeed, going to help with city defense. She didn't even offer argument; when she decided to stay, she decided that she'd help. As a Keeper, she sees that she can justify trying to help protect the people inside of Luthadel from a slaughter. She probably wouldn't help fight against Straff–but against koloss, she is willing.

The Well of Ascension Annotations ()
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Brandon Sanderson

Also, we get to see here that Zane already has his fingers on Vin's emotions. She's beginning to question and doubt. This, however, isn't a quick change–you should realize that all of these questions were already there inside of her. Not only is she a teenage girl, and living during an emotionally volatile part of her life, but she grew up learning to distrust and fear betrayal. Though she's getting better, the old worries are all still there, and even a little bit of scratching at them reveals them again.

She never really had to confront these things. Falling in with the crew, learning to trust, was actually easy in the last book. Kelsier was there to make everything work out all right, and Vin was always underneath the watchful care of Sazed.

This book is about making her face these things directly.

Skyward Pre-Release AMA ()
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Jofwu

I'm really hooked by the "girl and her dragon" idea. Were there any fun or interesting things you were able to explore by virtue of replacing the dragon with a spaceship? That is, it's easy to imagine the fun similarities, but I'm curious if there were any notable differences introduced by that swap.

Brandon Sanderson

Hm... Well, normally in the dragon egg story, a trope is that the dragon needs to learn how to fly/fight and the trainer needs to learn with them.

Here, the ship knows how to fly--but is busted up. So there's a lot of fun in the story relating to how exactly to get parts for the ship--which leads to a completely different style of storytelling.

Calamity Seattle signing ()
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Questioner

Is the two-way radio a fabrial?

Brandon Sanderson

The two-way radio? Which one?

Questioner

In Mistborn.

Brandon Sanderson

It is actually real.

Questioner

It's just a two-way radio.

Brandon Sanderson

It is actual technology. Good question.

MisCon 2018 ()
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Questioner

Any updates on movies?

Brandon Sanderson

So... Hollywood is Hollywood, right? We've sold Mistborn three times now to three different groups. We've sold Legion twice.

So here's how we stand right now: the Steelheart books are still owned by Fox. Sean Levy's company, he did the Night at the Museum films, but their option lapses in July, on July 1st. They've renewed the option multiple times, to the fact that this is their last option month, and we haven't seen a screenplay. Which is not a good sign. So, I would not hold my breath that, in a month, they're going to greenlight a movie. They had a screenplay, they discarded a screenplay, they have not commissioned another screenplay. They have one month left. They could just come out and be like, "Here's a bunch of money, Brandon!" They're not gonna do that. It'll lapse in a month, most likely.

Legion has been recently purchased a couple of weeks ago. Couple months ago, actually, but by a place called Cineflix, in Canada. Legion was really hot for a while. Then Marvel made a TV show called Legion, and all the interest dried up. And then the Marvel show just kind of went away; I don't think they're doing it any more. And now suddenly everyone wants to buy Legion again... If they make a TV show, they would change the name. The Legion collection is coming out in the fall, and we still have Legion on the title, but it's called The Many Lives of Stephen Leeds as a subtitle.

Snapshot, my novella, came out last year, it's optioned by MGM. They have put a screenwriter on it who is doing a really good job. I'm very impressed with the work the screenwriter's doing. I'm very optimistic about that project. It's looking really good.

The Cosmere is optioned by a group called DMG. They are a primarily Chinese company who-- What they do is, they finance American movies in exchange for getting the Chinese rights. So, they did this on Iron Man 3, and a couple of other films. And they have the rights until next spring. I really like DMG, it's why I sold them the Cosmere. They have been going through some changes lately, the studio exec that was on it has left the company and started a new company. And that's always a little bit of a setback. They have a screenplay for Stormlight. It came out at 250 pages, which is a 3-hour movie. Which they're like "Eh, this is too long." And it still cut out a ton, so they're now looking at television. They wanted to try the thing first, but the fact that everyone's gobbling up the television rights for fantasy properties now makes them say "Ooh, maybe we should actually do a television show on this." So, really, it's gonna depend on, how does the Wheel of Time show go? How does the Witcher show go? How does the new Lord of the Rings show go? And things like that will have a big influence. Amazon's doing a prequel Lord of the Rings series about Aragorn as a ranger. The Witcher is on Netflix. It's been greenlit for about a year, so it's actually moving. And then the Wheel of Time show, just got announced, didn't it? Who has that? I don't know if I can tell you, I don't know if it's been announced. The television show has been announced, I don't know if they've announced who's doing it yet. But somebody is doing a Wheel of Time television show. It's not been greenlit, but it's had a lot of good rumblings. It looks good. I can't say who it is, unless it's been announced, but I've done calls with their showrunner, who I like. They seem to be treating the property with respect. I think there's a decent chance you'll get a good Wheel of Time show now. Decent-- in Hollywood, decent's still a 10% chance, right? But that's higher of a chance than any of my things look like right now, except potentially Snapshot, which I wouldn't give as high percentage, even, because it's not as far along. But I'm very impressed by how it's going.

So, there you go...

Idaho Falls signing ()
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Questioner

I'm sure you have an outline over Stormlight Archive. How do you go about making an outline for each book? Is that just something you go at when you write the book?

Brandon Sanderson

When I write the next book, I dig into that in detail. Stormlight books are particularly hard, because I kind of outline them each as a trilogy each that I write as one book. It's the only way that I can conceive these enormous novels. And usually, what I'm looking for, that I don't always have until I work on the outline, is some sort of through-line story to make sure that the book feels like a cohesive whole, even though there's lots of different viewpoints and things.

Oathbringer London signing ()
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Questioner

From what little we know about the Willshapers, I'm really interested in them. Is there any really tiny tidbit about that Order you could tell us? Even really small?

Brandon Sanderson

One of the first Orders that I developed when I was building the magic systems was the Willshapers... Very excited to do a story about them.

Dragonmount Zoom Call ()
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Gary

I was wondering if Dawnshards were created at the same time that Adonalsium was.

Brandon Sanderson

Dawnshards, I’ll have to RAFO that, mostly because my timeline for all the Yolen stuff, with the Adonalsium stuff, is going to depend on writing Dragonsteel. And right now, I intend those to be post-Adonalsium but pre-Shattering. But I can’t canonize that until I’ve actually written that mythology and lore. Because the original intent of the Dawnshards, when you read Dragonsteel Prime (which we’ll release with the Words of Radiance leatherbound), you will find two Dawnshards in there. And their original intent has changed a great deal as I’ve canonized things and really, really dug into building the cosmere. And you’ll see what my kind of original intent for those was. (Or at least I can talk about it.) And it’s changed since then. The way that they were in that book (and have remained so far) is that they are younger than Adonalsium.

Arcanum Unbounded Seattle signing ()
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Questioner

In Stormlight, so many of the names of things are pairs of words, like the glyphpairs or something...

Brandon Sanderson

Yeah it's the glyphpairs, those are very big parts. You'll find it common throughout my writing though because, in my studies of languages, I found that most languages that's very common, that's where things come from. English doesn't do it as much, or at least it's not as obvious because we don't have many weird words for things but it's super common throughout linguistics. For Alethi, with the glyphpairs and stuff, it's the way they do things. It's like German, they make a new word by taking two words and smashing them together