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Google+ Hangout ()
#2101 Copy

Lauren Newberg

If you could have the abilities of one of your characters, what abilities would you want and why?

Brandon Sanderson

Any one of my characters? Well I would love to be able to, if I were to pick one superpower it would probably be flying and so I would totally go with, probably Steelpushing just because I think it would be so much fun. The ideas of the, of the Lashings from Way of Kings would be a nice second but the Steelpushing just sounds like fun, so I would totally be a Mistborn. I would get them all.

/r/books AMA 2015 ()
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Phantine

Would a lifeless Koloss still be super strong?

Brandon Sanderson

You see, what is happening to create a koloss is a human soul is taken, sliced up, and sutured back together--with the spikes being the "stitches" that holds it all together. That's a problem, since the various forms of investiture don't play very well together. In Awakening, you're basically giving something a counterfeit soul. (But without the skill or knowledge of something like an Essence Mark.)

This means that in investing the corpse of the koloss, you have troubles. It's going to want to snap back to the original human shape and strength. If you COULD overcome this, then yes, it would be stronger.

Ben McSweeney AMA ()
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darklordreddit

Didn't you do the RoosterTeeth logo and work on RvB animated ?

Can you talk a little about those two ?

Ben McSweeney

I did!

The RT logo came about back in 2003, I think? I was a fan of the first season of RvB and I hung out in their forums. When they sent out the call to redesign their old clip-art logo, I was there. When other artists were offering mascot-style cartoons, I saw there wasn't anything wrong with the icons in their existing logo, they just needed a fully original representation. It's been one of the longest-reaching and most enduring illustrations of my career, and paid off quite well for what amounted to an afternoon's doodle of a rooster silhouette and some cartoon chatterteeth. I wish I'd drawn the key better, it's all asymmetrical and it never stops driving me nuts.

RvB Animated came around in 2008. By that time I was a Lead Animator at Humoring the Fates, a studio down in Florida. Burnieb asked if we could take on some original RvB animated content, and we gave it our best shot. I did the character designs, boarded it, keyed out the animation and put in most of the gunfire/blaster VFX, but the team at Studio Fates did the lion's share of the real work. We produced the whole thing in-house, and with a core team of less than a dozen.

This was before Monty and his team really revolutionized what Rooster Teeth could do with a blend of machinema and original 3D animation, which ultimately was the perfect solution for what they wanted to do. But it was a good early experiment and a rare opportunity that I'm proud to have taken part in.

I'm pretty sure we were the first production to adapt Halo for 2D traditional, we were certainly a year ahead of the overseas work on Legends. If you dig around in the archives of the studio's production blog, you can find all sorts of early design docs and pencil tests.

Bands of Mourning release party ()
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zas678

It seems to me that members of the [LDS] church generally like Elantris a lot more than people who aren't in the church and why do you think that is?

Brandon Sanderson

I haven't noticed that but if that were the case… boy. I don't know that whole Raoden just pushed through it has some sort of tying your spirit to it and that's definitely-- I could see that being relevant.

zas678

I've been told it's Hrathen's struggle with faith.

Brandon Sanderson

I think they like the whole-- the whole evil missionary thing would be something thing that members of the church would be like "Ahh evil missionary?! That's cool!" *laughter* So I think that's totally possible but I hadn't noticed that specifically. I think that it is also a book that is less focused on the action and fighting. Like Mistborn is more focused on that, and so I would expect that there's that relevant issue, perhaps, as well.

Firefight San Francisco signing ()
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Questioner

What's going on in the other pole of Scadrial?

Brandon Sanderson

Oooh that's a big ol' RAFO. But it is a RAFO with a promise that you will find out before too long.

Questioner

So in these coming two Mistborn books, maybe? Because there was some mention of something to do with that, I thought, briefly, in Alloy of Law, just some vague--like there was something that had been found, or some brief contact, maybe...

Brandon Sanderson

*Brandon clears his throat, significantly* let me say this, so I don't spoil things. By the time we do the 1980's level technology, the whole world will have been explored. I mean, I can't really do the second trilogy, with-- I mean, by then, you know what the continents look like, and things. Even in Scadrial, where they just haven't explored nearly as much, but they're kind of behind on that so far, so sometime between now and then, exploration of the world has to happen. 

Questioner

Good point. Because they didn't have the whole volcano thing going on. 

Brandon Sanderson

No they didn't. They did not.

Questioner

How is there anyone alive over there?

Brandon Sanderson

Well, I can tell you this because it's in the annotations. The people down there were placed as kind of a control group to the changes that were made to the people of the north, where changes were made to live with the ash and things like that. But other changes were still made to them. Or changes happened to them, shall I say. 

The Well of Ascension Annotations ()
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Brandon Sanderson

Chapter Thirty-Five

Vin and Elend dine with Cett

And, we have our second "ball" scene in this book. Some people really enjoyed those in the previous book; at least one reviewer hated them. However, I like them–particularly for the visuals they let me use when going into the gorgeous noble keeps. As you may recall, these are based loosely on gothic cathedrals, which I just think would be an awesome place to have a ball.

Cett was, perhaps, too fun a character to write. I needed someone the opposite of Straff, and it was very fulfilling to write in an enemy to this series who was completely straightforward and belligerent. He still stands out to me, quite different from any of the other antagonists in the series.

He knows Elend well–that should be enough to hint that he kept an eye on things in Luthadel, despite his attitude which implies that he didn't care about the place. He's watched Elend's rule very carefully, debating whether to make an alliance or to make a play for Elend's throne. If the truth be told, he would have probably gone for the alliance if Straff hadn't moved against Luthadel.

He walks a careful line. He's not a good man, but he IS an effective leader in some respects. I wanted him to offer a third viewpoint on leadership in this book, one that is actually accurate. Being a leader isn't easy–not at all. There are a lot of ways to do it, and I don't want to imply that any one of these people–Elend, Cett, or Tindwyl–are wrong. That's what makes it so tough to be a leader.

Cett offers the perspective of open, honest tyranny. He doesn't lie to you. He tells you just what he's going to do, and he has a point that many of the things he does are safe.

But, what do you choose when you have to choose between safety and freedom? You can probably guess that I wrote a lot of this book during the heightening of security in America surrounding the September 11 attacks. The last couple of years, there has been a lot of talk on this topic, and it wormed its way into my writing. I didn't put it there intentionally, but I did monopolize on it when I found it there.

I don't have any answers. I just write what I see, and force my characters to make choices.

Ancient 17S Q&A ()
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Chaos (paraphrased)

In the most recent Hero of Ages annotation, you said that Preservation chose Vin to be the recipient of the power, just as Preservation had chosen Alendi previously (thus, this was why Ruin had manipulated the Prophecies). Was Alendi also chosen precisely sixteen years before the Well of Ascension's power returned?

Brandon Sanderson (paraphrased)

Yes. He was chosen exactly sixteen years before, but he was a bit older then Vin when he was chosen.

Stormlight Three Update #2 ()
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katfan97

Um, what about us (Wit fans)? Will we see any more of him in this book? RAFO?

Brandon Sanderson

:) Well, he hasn't skipped a book in the cosmere yet...!

havoc_mayhem

Was he in Shadows for Silence in the Forests of Hell, or does that only count as a story, not a book?

Brandon Sanderson

I was meaning full novels. There are a number of the novellas where he doesn't appear.

Arcanum Unbounded release party ()
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Isaac Stewart

The symbolism [of the Threnody symbol] here has a lot to do with the star system. The three rules, right? I'm not gonna spill it out here. There's the three rules. So, each of these symbols has something to do with the three rules, and also different things that are found in the sky. I'll give you one of them. The eye is the sign of Purity. And then, I'd might as well. This is silver. This stands for "Do not run." And this one is the blood. Which, there are stars in the sky that are red there, so that's the star.

Elantris Annotations ()
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Brandon Sanderson

Chapter Sixty - Part One

Form

From here on out, the chapters get longer. It's interesting to try and work with pacing. I think the shifting viewpoints achieve the sense of drama I want, and coupling that with lots of new chapters would be repetitive, I think. So, I waited for the most dramatic moments possible to end chapters. I think this ending counts.

The triad system breaks down completely here. Everything is falling apart, and we're getting wild viewpoints from all over the place. (Well, not exactly–we only add Galladon and Lukel. However, I think that after fifty-nine chapters with only three viewpoints, suddenly adding two more will be disorienting enough to have the effect I want.)

Part of the reason I add the viewpoints is so that I can show the breakdown of the form of the book. However, another–perhaps more important–reason is so that I can show what is happening in places that don't involve one of the three viewpoints. Raoden is off in his own little world of pain, and Sarene and Hrathen have gone to Teod. If I want to show what’s happening in Arelon, I need some new viewpoints.

Idaho Falls signing ()
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Questioner

How many of the Stormlight Archive, how many are you planning?

Brandon Sanderson

There are two sets of five. The first five will come to a climax, and the second five are going to take place ten years later. Some of the cast will be the same. It's the same series but some of the cast will change. For instance, Lift is being seeded as a main character for that series. She'll be grown up, so she won't be quite-- She'll still be Lift, but she may not be quite as teenagery. She's a very special individual.

Renarin will be one of the main character in that series. Jasnah will be. And Taln and Ash, who are both Heralds that we barely see on screen in the current ones, they'll be main characters.

General Reddit 2016 ()
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PathToEternity

Can Cadmium bubbles be nested if you have multiple Pulsers?

Bonus Question: add in duralumin/nicrosil to the equation.

Phantine

Yes.

The effects multiply.

shinarit

Source

I guess hiring 3-4 Pulsers before something you have to prepare for might be worth it. They create their bubbles one after the other at the same place, and boom, you have days instead of minutes.

Ok, lets calculate. We don't have exact figures for cadmium, but we have for bendalloy: 2 minutes into 15 seconds, that's a ratio of 8. 4 Pulsers mean 84 = 4096 ratio. So 21 second for every day goes by for every day you spend in there.

The outer Pulser burns this 168.75 second's worth of cadmium, the first inner one needs 22.5 minutes, the second inner one needs 3 hours and the innermost needs the 24 hours.

So basically for every day spent in these bubbles you need ~27.5 hours worth of cadmium, depending on how routinely they set up the bubbles one after the other.

PathToEternity

Wait, are you mixing up sliding and pulsing? I also think you are nesting your bubbles but not your pulsers, so you are losing a lot of efficiency not to mention practicality.

Tell me if I'm misinterpreting what you're describing, but this is how I'm visualizing it:

http://i.imgur.com/Hujpz8c.png

I'm saying that you get 4 pulsers huddled together and the one that can open the biggest bubble goes first. Then the next largest one pops his. Then the next. And finally the smallest bubble fires.

In that scenario (unless there is something that prevents this) I picture it like this:

http://i.imgur.com/9qjB0lJ.png

This method, 170 days pass only burning 4 hours worth of cadmium.

Well. I'm gonna do it. Gonna page /u/mistborn and ask: is this possible? Can time bubbles be nested like so and if they can do you truly get this kind of efficiency?

crosses fingers

Brandon Sanderson

This one is a RAFO. :)

General Reddit 2020 ()
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Kabsal

Exciting news - Brandon just confirmed via livestream that the Leatherbound Tenth Anniversary Edition has an official piece by Ben McSweeney showing off the bridges - presumably it'll be similar to the one I linked, but more shiny.

Brandon Sanderson

At some point soon I think they’ll share a digital scan, or add it to the Way of Kings gallery on the website in a similar quality as you see the others.

It is not a Shallan piece, but rather a study by another ardent. It’s a little more mathy than Shallan’s work. I don’t think Shallan ever witnesses a real bridge run. By the time she reaches the Plains, Bridge 4 is part of the Cobalt Guard.

But yes, for everyone still confused, or confused in the future, by the mechanics of the bridge run, we got you covered. And a little something for the cosplayers as well. :)

EuroCon 2016 ()
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Questioner

In that regard, you've been called like a million times a prolific writer, and you are, but many people tend to believe that you have some sort of superpower. You don't, you just said many times that your secret is persistent and consistent writing, and I was wondering if this ever lets you disconnect from your worlds, or even put them on standby, if it's easier having that sort of structure and saying, "Okay, now I'm going to write, and now I'm going to not write"?

Brandon Sanderson

This is a very astute question, because one thing that is very hard for writers is to write when we're supposed to. And this goes both ways, meaning, sometimes, for writers, when it's time to sit down and write, writing doesn't happen, but sometimes when we are supposed to be spending out time with our family then our brain is not there and we are somewhere else, and I would say that's the main source of conflict, often, in writers' interpersonal lives.

Though if I do have a superpower, I owe it to my mother. My mother is an accountant, and she is very, very logical, one of the most logical people that I know, and she trained me from childhood to do the things that I'm supposed to do--to do my homework, to do my chores, all of these things. I had a paper route, as a kid, delivering newspapers from age twelve, and I always remember whenever my money came in, my mother would sit me down, and she would hold the money, and say, "Okay, now how much do you put in this savings account?" And I would have to guess numbers until I got to what she thought was right, and she would put that in, and then the next savings account, and then the next savings account, and then I would get handed a dollar. But I was the one of my friends who had a Super Nintendo because of those savings accounts. She trained me very well, and I often say my biggest advantage, as a writer, is that I am an artist with the training of an accountant. And so, when it's time to do my writing, I'm very good, practiced. It took time, many years, but I am practiced, and I am able to be very productive on most days. It's art, so some days, it still doesn't work, but most days I am productive, and equally important, when it is time to spend time with my family, I can turn that off, go be a dad and a husband, and then turn it back on after they go to bed.

Idaho Falls signing ()
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Questioner

Out of the named Shards, which of them, like of the [Vessels?], if one of them were hunting you down, which one would scare you the most? You [don't] have to say the name of the character, just the name of the Shard.

Brandon Sanderson

So we're talking about considering the Vessels as well?

Questioner

Yes.

Brandon Sanderson

I.. *hesitantly* would probably go with Odium, looking at his track record. He has the track record to back it up.

Arcanum Unbounded Chicago signing ()
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Brandon Sanderson

With the-- You're talking about the breaking of Elantris? Who says it was after?

Questioner

Well I assumed it was before...

Brandon Sanderson

...Who says it was before or after? The real answer to that is some are from before, some are from after. That's the actual answer. I was being cheeky but you caught me because I misread the question. They are not all the same age.

Footnote: The actual question is unknown, but presumably it refers to the Ire.
17th Shard Forum Q&A ()
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ROSHtafARian

In the Mistborn trilogy, the base 16 Allomantic metals separate into different groups like the Enhancement metals, etc. Given that there are 16 Shards, do they also separate into different groupings as well? For instance, are Shards like Honor and Devotion part of one 'grouping', with Shards like Cultivation and Endowment part of another?

Brandon Sanderson

Good question.

...

RAFO

FanX Spring 2019 ()
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Stormlightning

So about the Girl Who Looked Up, when her hair turns white, I'm just wondering, was that a Shallan-caused thing, or was that external?

Brandon Sanderson

External.

Stormlightning

It was nothing to do with her?

Brandon Sanderson

Everything in that had something to do with her.

Stormlightning

But she didn't cause it? Subconsciously or otherwise?

Brandon Sanderson

Well, she was involved, but the original source of that-- Yes, she is involved in that--

Stormlightning

But she didn't know something that caused it, even way back in her memory?

Brandon Sanderson

No, no. You're going the wrong direction for that.

YouTube Weekly Updates 2021 ()
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Brandon Sanderson

In the comments, I saw that one of you was asking about my prewriting process [for Wax and Wayne Four]. In short, for this one, what I did is: there were three big steps. The beginning was, I wrote down Character, Setting, Plot together in a document, and I then did a subheading for each of the main characters. For this book, it'll be Wax, Wayne, Steris, and Marasi. And I said, "All right; what are their character arcs? How do they change? What do they want in this book? What's going on with them?" And that was the first pillar I wanted to hit; I wanted to make sure that everybody was working and that I knew where they were all going and where they would end. Because this is the last book of that sequence, and I want the ending to be spectacular.

Next part was setting. In this, mostly it was developing the magic system, making sure that the things that I'm doing with it, the new ideas that are coming in and developments, are in line with the general goals for the Cosmere and for Scadrial, and that everything that I wanted to do worked within the bounds of the magic, and bouncing that off of my team and making sure that I was explaining things well, why things worked like they did.

And then the last part was to construct the actual plot. This is: what is happening, what are people wanting to do? How am I weaving in character arcs to this large construct that is the plot of the book?

Shadows of Self Houston signing ()
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Questioner

You were saying that you had, somewhere in the Middle East, was it  English or were they reading it in...

Brandon Sanderson

Oh good question, were they reading it in English or Arabic? They were reading in English, they were reading the UK editions. So I don't know that I have-- Well, I know I have my books in Turkish but I don't think there are any actually in Arabic. There's some sister languages, but not Arabic.

Skyward Anchorage signing ()
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Questioner

How do you go about jumping from something like Stormlight into a science fiction instead, of something like Skyward?

Brandon Sanderson

This is an interesting question for me because, as a writer, I don't look at genre trappings perhaps the same way that you might. I look at story structure and genre trappings as two very different things. Two very important things, but two very different things. And story structure is different.

For instance, the Bridge Four sequence from Way of Kings and the movie Hoosiers and the book Ender's Game are all what we call underdog sports stories. And those are three different stories in three different genre trappings. Modern-day, science fiction, and fantasy; and yet all three of them use the same plot archetype as the core of their story. And you'll find, for instance, that a buddy cop movie and a regency romance will sometimes use the exact same plot archetypes, despite being different subgenres. And so, as a writer, one of the things we do is we start to learn to divide plot archetype, character archetype, genre trappings, and all of these things to build the story that we want to with the feel we want to.

So that's kind of like, when people ask me, "Star Wars. Science fiction, or fantasy?" Well, it's a fantasy plot archetype. (Really, it's a western plot archetype, but they both use the same idea.) The plot archetype is fantasy, it's the hero's journey epic; and the genre trappings are science fiction. So I would place it in science fiction, but with fantasy underpinnings.

So when I'm moving from Way of Kings to Skyward, it's not so much about how the shift between fantasy versus science fiction is. Really, the things I'm looking for that are the big shift are: a narrow focus on one character, versus a wide focus on a large cast. That's the biggest difference for me. Also, the kind of setting-as-character in Stormlight Archive, where you're going to get to know this deep setting, versus setting-as-mystery, which is the setting archetype I'm using for Skyward. We don't know what the enemy is. We're trying to figure out what's going on. We don't know our past.

So those sorts of things, I look as very differently as a writer than I think maybe a reader might look at them.

TheAuthorHour.com Interview ()
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Matthew Peterson

Yeah! I know everybody is excited to talk about The Wheel of Time, but let's first talk, really quickly about your Mistborn and your Alcatraz series. 'Cause I think it's interesting to find out where you came from before you got into The Wheel of Time. From the title, Alcatraz Versus the Evil Librarians, I get the hint that it's little humorous. Tell us a little bit about that series.

Brandon Sanderson

Well, that series is targeted a little younger, but most of my fans of it are actually older people. It's a silly series about a kid who discovers that evil librarians secretly rule the world.

Yeah. Let me back up and kind of explain how I work as a writer. I spent many years trying to break in, as a lot of us do, and during that decades worth of time, about, I wrote 13 novels. I was working on my 13th novel when I sold my first novel which was Elantris.

A stand alone, epic fantasy. That was the sixth book I'd written. And then my next series was the Mistborn Trilogy, which you've mentioned. That was the first time where I had to sit down and write three books in the same world, which was actually pretty tough for me, to manage because I wasn't used to doing that. And after I'd written the second one, I needed to do something different. I needed to do something new. And so I jumped and wrote this book and in a lot of ways it was me riffing on what I do in my other fantasy books. You know, my epic fantasy, I think, takes itself very seriously as epic fantasy has to. And so I wanted to do something that poked some good-natured fun at that. And that's where Alcatraz came from.

YouTube Spoiler Stream 1 ()
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Vishal Pani

Why didn't Kaladin seek help from Zahel during the occupation of Urithiru?

Brandon Sanderson

Zahel... At some point I'll tell you what he was doing, but he was not available. That is a RAFO.

It came up multiple times, and there were various points where I was going to delve into it, and it just was one of those things that I just could not fit in. It is a thing that I wanted to, because we have this foreshadowing that Zahel's there; like, we have a scene with him and Kaladin to remind everyone that Zahel's around. And then we don't even bring him up. Alpha readers asked about it, beta readers asked about it. I could not find time for it. So maybe you'll get a deleted scene that is not a deleted scene, that's just a scene that I eventually write, showing what he's doing. This is one of those things like: what happened with Elhokar and the Herdazians and why does Lopen think he's a king? That scene just never fit into the books either.

Maybe I'll do it, maybe I won't. It's entirely possible, both options are possible. If I eventually never do it, I'll talk about it, but we are gonna have a little more Zahel in an upcoming volume of the Stormlight Archive, where some of these things coming out might fit into the story, to the point that your answers will come in that volume. There's a lot of various moving parts on what's going on with Zahel, and with Azure as well, and their relationship to Nightblood that there's just not space in the Stormlight Archive to talk about.

Brandon's Blog 2013 ()
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Brandon Sanderson

On my tour, I frequently read from the first chapter of a new novel in the Mistborn world, a sequel to The Alloy of Law. (In fact, you can watch my entire presentation right here. This reading comes at the 45:45 mark.) Tor, understandably, wanted to know when they could publish this book.

Well, it's far from finished, but I do need to be thinking about what comes next. I know that many of you hope that it would be the third Stormlight book, as there has been such a long delay between the first and second. I do promise I'll be more speedy with Stormlight novels in the future—this long delay should, hopefully, be the exception and not the rule. However, my process being what it is, I probably can't move straight into Stormlight Three.

I've spoken about this concept a lot, so I might be repeating myself for some of you. One of the things that excites me about being a writer is the constant energy that comes from switching projects. I'm not one of those writers who can pick a series and write on it exclusively for years and years. Though I will frequently have one main project, I do other things between those larger books. Usually, these other books are small, quick, and the means by which I refresh myself and keep myself from getting burned out on the large project.

While writing the original Mistborn series, I wrote books in the Alcatraz series. While working on The Wheel of Time, I wrote a number of novellas—and The Alloy of Law itself. Now that I'm turning my attention to the Stormlight books as my main project, I'm going to need some things to squeeze between books in order to refresh myself.

For now, that's going to be Alloy-era Mistborn novels. The second and third books in that series will include the same protagonists from the first, and will—if I'm doing it correctly—be exciting, fun, and deep, but not require you to keep track of a lot of characters or plots between novels. This way, I can balance the large, in-depth sequence of the Stormlight Archive with something lighter and more standalone in nature.

As many of you know, the Mistborn series was pitched to my editor way back when as a trilogy of trilogies, with an epic fantasy trilogy, followed by an urban fantasy trilogy with the same magic in the same world, followed finally by a science fiction trilogy in which the magic had become the means by which space travel was possible. The Alloy books aren't part of this original plan, but in them you will find foreshadowing toward the second trilogy.

In the teen book realm, I'll be bouncing between doing the The Rithmatist sequel and the sequels to Steelheart. I realize I have a lot on my plate, and I appreciate you putting up with me as I explore the stories I want to tell. My goal for the next five-year span is to finish up a number of these series, rather than starting anything new.

Warbreaker Annotations ()
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Brandon Sanderson

And yes, he dreams this while Siri and the God King have sex for the first time. That's not a coincidence.

Why does Siri having sex with the God King make Lightsong's dreams turn more violent? Well, it means that the impending disaster is far more dangerous. If she is with child, then the tragedy of her death is that much greater. Beyond that, her having a child (or being thought to be going to have one) is part of what makes Bluefingers do what he feels he needs to in executing her.

He might have done that anyway, but the actual event of the consummation of the marriage is a powerful turning point in the karma of the city and the future of the world. And Lightsong, who is extra sensitive to these things because of being a Returned, is affected by that change in what is coming in the future.

SpoCon 2013 ()
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Questioner

Other than finishing the Wheel of Time, with established work than you started with. Did you have any particular target audience or imaginary perfect reader in mind?

Brandon Sanderson

Yeah, myself. I'm basically the only person I can imagine 100% and say "This is the person this book is for." And I think that's what a lot of writers do. I'm fortunate in that what I write seems to have a lot of broad market implications. That's not what happens for a lot of writers. Like my friend Dan [Wells], the original things he loved to write did not have broad market implications, and they were really weird and fascination but not very marketable. He has since found some things that he loves that are. But I really feel like you should write what you love, and then explore finding a place to put that, as opposed to saying "What sells? What person am I writing for?"

So, my children's books will be for me at that age. My epic fantasies are basically, "What would I, as a reader of this genre, love to see right now?" Which is why we end up with something like Way of Kings which has a very steep learning curve, intended for the person who loves epic fantasy. This is the book for you, that's the book for me, if you've read a lot in the genre. If you haven't, I still hope you'll pick it up, but do realize that at the beginning, it's gonna take a lot more work to get into than you might expect because of who the target audience is.

Barnes and Noble Book Club Q&A ()
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little_wilson

Mi'chelle is wanting to know for a fanfic she's wanting to write if when you cut/break an object that has been Awakened if the object then "dies", or if the pieces will try to carry out the command. Also, either way, can the breaths be recovered from it?

Brandon Sanderson

The object does not die, and will try to continue its purpose. The level of damage will determine just how well it can continue. The Breaths are recoverable. (Though there could be some loss of Breaths, depending on how the item is destroyed.) There's a scene near the end where Vasher Awakens some clothing, then it gets cut down and he recovers the Breath.

Oathbringer San Diego signing ()
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Questioner

Someone told me that after the signing last night you said that Soulcast blood has DNA... The question is who?

Brandon Sanderson

That's a good question. That's a RAFO. So, here's... the premises I'm working on. Soulcast blood can be used for transfusion, alright? I'm not saying much more than that. At least I'm not canonizing much more than that right now. And as my understanding, it has blood type, it has-- things. When someone asked me tonight "does that mean it's human blood?" Well, that depends on the definition.

Open The Fridge Interview ()
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Lyndsey Luther

Let’s start with an Alloy of Law question, since that’s why we’re both here. You’ve obviously put a lot of thought into the evolution of the world of Scadrial, specifically in how you’ve integrated the world’s technological advances. Was there anything in particular that drew you to the old west setting, and did you do anything to research it, like going to a shooting range or a ranch?

Brandon Sanderson

Good question. I actually wrote the prologue LAST. I wrote it to be the prologue to another book about Wax and Wayne if I did one. I always knew what happened, but I didn’t want to start the book with the old west, because most of it didn’t happen in the old west, it happened in the city. What is now chapter one used to be the prologue. And after writing the whole book I realized that we didn’t see into Wax’s heart, we didn’t know what he was always referencing with Lessie… we actually needed to see it. And so I actually took that chapter and moved it to the front. I worry a bit that it will old-west-ify it a bit too much, because I did see this as a city book. All of the Mistborn books have taken place in cities.

Lyndsey Luther

And will that hold true for the second trilogy, as well?

Brandon Sanderson

Yes. It might not hold for the final one in the same way. But as for the research I did... I actually got my gun nut friend. Gun nuts are very particular. He’s a big Wheel of Time fan, and a very big gun nut. I got him to read the book and give me all the “this is how a gun nut says you’re doing it wrong” notes. That’s how I usually do something that specific. I like to write the book, and then go find an expert. For instance, in The Way of Kings, Kaladin’s surgery and first aid things. I wrote the book, I did do some reading on it, but then I sent it to an author that my editor knows. He’s a medical doctor, and I had him read those things and tell me what I was doing wrong. I prefer to do it that way and then fix it, because I can do enough, but there’s a certain understanding curve. I can pick up 75% of what I need to sound authentic with a little bit of research, and that last 25% requires a Ph.D. (laughs) And so rather than getting a Ph.D., I just give it to someone who has a PhD, and they can crosscheck it for me.

Oathbringer San Diego signing ()
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Questioner

How many countries have you visited in the last year to sign, and which was your favorite? And why?

Brandon Sanderson

I'm not going to pick favorites, because I'm being recorded. *laughter* But, let's see, in the last year-- In the last year, I've been to Italy, Spain, France, Poland, Germany, Bulgaria, Australia, England on tour. And they're all awesome. They all treat me really, really well. I will highlight just in this-- I'm not gonna pick a favorite, but I'll highlight my Bulgarian publisher, because in Bulgaria, it's like, this one gregarious guy who's publishing science fiction. It's kind of like how in the olden days in the States you had *inaudible* and people like this, this guy is just like-- there aren't as many readers of science fiction and fantasy there, but if you're reading stuff, you're reading what he has decided you're reading. It's like, this is cool! And he prints them in his house. He has a big press, and he prints every copy in his house, and he has a store that he sells them out of, it's his store, and he distributes them to other bookstores, too, but mostly you go to the Bulgarian Mysterious Galaxy. And buy the books from him, that he has decided, and it's a really eclectic bunch, 'cause he also does the Smurfs, and me. Whatever he likes, he does some Bulgarian fiction, whatever he likes he publishes. And he picked me up in his sports car blasting techno music. And then at my signing that night, played DJ, with the entire crowd who came to see me, playing music, and it was just the most surreal and awesome experience. Contrast that to Germany, which I love, but I went to, and they were all on-time and by the book, and it sounds like a cliche, but it was, like, they had everything planned out. There was no loud techno music during my signing. Lots of wonderful people came. It was a very interesting contrast.

Salt Lake City signing ()
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Questioner

Is the sword at the end of Words of Radiance, is it the actual Nightblood from Warbreaker?

Brandon Sanderson

It is, actually. It's fun because when I first wrote Way of Kings in 2002, Vasher was one of the main characters. And then when I wrote Warbreaker in 2006, I wrote a book about him to do his past. And then when I re-wrote Way of Kings it's like, "Well, time for Vasher to come back." So he's been in Roshar, in my head, since the beginning, for some 20 years. But he wasn't-- He didn't originate there, but... He was one of the worldhoppers that I hid in the very first version. Which was a lot of fun to then be able to go write a book about him and come back.

Bands of Mourning release party ()
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Questioner

*audio obscured*

Brandon Sanderson

So Elend's name came from the Germanic word for misery and Straff's name means punishment. The question is did I do this intentionally. I didn't do either one intentionally. I don't speak German, what I did was I went to Germanic morphemes, I didn't even know what they meant, and just got a feel for "Okay this is Germanic, this is Germanic" and then put those aside and said "Alright can I come up with a bunch of names that sound Germanic" once that mood is in my head. Because English has a lot of Germanic influences I guess I did it too well and I named a whole bunch of people things that are actual words in German. *laughter* But you know I'm actually fairly pleased with that, it means I was doing my job. But you know I didn't intentionally make them mean anything in German, at least this time I didn't accidentally pick a swear or something, which I’ve done before. *laughter*

Mistborn: The Final Empire Annotations ()
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Brandon Sanderson

Chapter Thirty-Eight - Part One

Vin's entrance here is one of my favorite scenes in the book. Short, but very cinematic. It brings together all of the best images in the book–Allomantic pushes, stained glass, swirling mist, and the mistcloaks.

The cloaks are something I really wanted to do. I realize that some readers have trouble imagining them the right way, but I wanted something distinctive for the mistborn to wear. Regular cloaks and capes are nice, but I wanted something that I could make my own, and the multi-layered tassel thing seemed to fit very well with the mist theme.

As I mentioned earlier, I tend to multiply viewpoints near the end of books. Kar's viewpoint here is another one–I knew I wanted to be outside of Vin's head for the entrance here so I could describe it properly. Plus, this let me show how Inquisitors see.

C2E2 2024 ()
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Brandon Sanderson

Stormlight Five is the end of the first arc of the Stormlight Archive, right? I've been saying that since the beginning, since Book One, but then I went and I ended Mistborn, and people are expecting it to end like that. That's not what I mean by the end of the first arc. This is more like an anime arc than it is like the end of Mistborn One. And I need to start preparing that for people, because one of the things I'm getting from beta readers is: number one, it's going really well, people are really liking the book. Number two, they're like, "Oh, I thought this would be an ending like end of Mistborn Three." No, it's more like the end, as I said, of an anime arc. The end of the Stormlight is Book Ten. You are going to get some decent resolutions on things I've been promising for a while, but you're not gonna get resolutions on everything, because it's not the end, yet.

Firefight Atlanta signing ()
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Questioner

I had another question, did you ever read books by other authors to get your ideas?

Brandon Sanderson

Yes I read a lot of books by other authors and what I usually do is I will read something and if they did it really well, I don't want to do anything like it. But if I think they messed it up then I'm like "Oh I need to do a story that does this the right way" Does that make sense? It is one of the most fun parts of being a writer. You can watch a movie and go "Ah they totally did this the wrong way... and then do it yourself, the way you want it to be.

General Reddit 2021 ()
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Ben McSweeney

Chull toes is good, but you're missing the hollow spaces in the boulder portion of the shell, that the chull tucks its legs into when at rest.

Pixels are murder on long lines, but I'm missing those antennae. They grow in pace with the shell, so that the chull can sense out spaces to determine if they're large enough to pass through (much like a cat's whiskers).

EtheraelEspeon

That’s super cool! I feel like chulls could do with some more in-book world building lol, though i cant see it fitting in anywhere. That one page describing chull breeding is probably my favorite piece of art in the SA xD

I do draw quite a lot of things with antennae. I still haven’t found a way to draw them well, i wanna work on it though.

LazyTurtleDelta

Really thought the legs were more like spikes like a crab or spider has. Guess I better go look back at the depictions of them in the book.

Ben McSweeney

Nope, big flat trunk feet like an elephant. You can see in some of the early development sketches that we started out with spiky crab feet, and Brandon vetoed those specifically in favor of something heavier.

State of the Sanderson 2019 ()
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Brandon Sanderson

Part Four: Updates on Secondary Projects Dark One

We’re moving ahead with the graphic novel on this, and giving you some glimpses of that is one of the big things I’m happy to announce for this State of the Sanderson. We’ve included some gorgeous pages below. The graphic novel is turning out to be something really special. We don’t have an exact release date for this yet, but it shouldn’t be too much longer before we can announce one.

In addition, many of you may have heard the news that J. Michael Straczynski (creator of Babylon Five, among many other cool projects) is attached to this project to make a television show. The same outline I came up with for the graphic novel drew serious Hollywood attention, which is how this happened. That said, JMS has other projects he’s working on as well, and Dark One needs to wait for the right time for him to work on it.

STATUS: Real motion here. Exciting developments in the process!

Songs of the Dead (Was Death by Pizza)

This perpetual entry in the State of the Sanderson is creeping ever closer to being a reality. My co-author, Peter Orullian, has suggested the title Songs of the Dead—which is a really great title, considering it’s about a heavy metal singer necromancer.

We’ve got a second draft done, but it needs a third one. Unfortunately, the hangup is me, as Stormlight has taken basically all my time this year. Peter sent me his latest draft in June or so, and I’m only halfway through my revision of it at this point. So I’m sorry it’s taking so long; I’m excited for you all to read the book, but as it’s my first true book collaboration, there are some growing pains as we figure out how to make the process work right for us.

Hopefully I can finish my next revision early next year, send it back to Peter for one final draft, then begin showing it to editors.

STATUS: Waiting on my next revision.

The Original

This novella that I wrote with the fantastic Mary Robinette Kowal is finished and being recorded as an audio original. It should come out very soon, and I’m quite proud of it.

I’m a little annoyed as the Will Smith movie that came out earlier this year has a similar premise. But that movie bombed and apparently wasn’t very good. So maybe people will appreciate a similar idea done right? We’ll see. I had hoped to get this out before Mr. Smith’s movie came out, but Mary Robinette was busy winning all of the awards for her excellent Lady Astronaut series, and I was busy getting rained on in Roshar.

STATUS: Out soon.

Alcatraz Six

This one is mostly done, just needing a few little tweaks. Again, I haven’t had a ton of time last year, but this one is looking really good. It’s basically all complete, only needing one last pass. We should be doing the interior artwork and editorial work next year.

STATUS: Basically done.

Elantris, Warbreaker, The Rithmatist

No updates from last year, I’m afraid. There was no intention to make progress on these this year. Once Alcatraz is wrapped up, I’ll turn my attention back to The Rithmatist as the last looming series that needs a wrapup that hasn’t gotten one. Elantris and Warbreaker sequels aren’t to be expected until Stormlight Five and Wax and Wayne Four are done.

I know a lot of you keep waiting on Rithmatist news, and I feel bad having to give you the same news every year. (Yes, that paragraph above is the same one I put in the State of the Sanderson last year.) But the truth is, I really can’t work on this until at the very least Alcatraz is finished.

A glimmer of light for you Rithmatist fans is this: my son just read the book, and he’s joined the crowd calling for me to do a sequel. So you have an in-house representative.

STATUS: Keep Waiting. (Sorry again, again.)

White Sand

Graphic novel three is out now! So if you haven’t picked it up, please check it out!

We’ve learned a lot doing our first graphic novel series. Again, there were some growing pains. (We aren’t thrilled, for example, by how often we ended up needing to change artists.) The good news is that we really enjoy doing these, and so we are planning to do another graphic novel series set on Taldain, visiting darkside and dealing with Khriss and her adventures there. So if you are one of those people who read the prose version years ago, and have been waiting for some resolution, Isaac and I are outlining a sequel series right now.

STATUS: Trilogy complete, likely to do a collection of all three in coming years. Sequel series being outlined.

ICon 2019 ()
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Questioner

What was the moment that you finally understood that you were an international success?

Brandon Sanderson

The first moment that happened was actually before the Wheel of Time. Things were really starting to take off. Hero of Ages was where it started to really just hit. And I can still remember... my agent, one of their jobs is to go around the world and sell all my books in all the different languages. And they're very, very good at this. Most of the languages you sell the books in, the population of fantasy readers is such that they aren't big checks. We don't do it for the big checks for a lot of these countries. It's just more about how science fiction/fantasy fandom is a big community, and we like having the books. And a lot of the smaller countries, the agent doesn't really earn their money back, but it's still cool to do, so we do it. And I'm used to getting these checks for 50 bucks, or things like this. "Here's your Bulgarian rights at 50 bucks," and you're like "Yes!"

And I opened a check from Taiwan, and I was expecting 50 bucks. And it was 50 grand. So I called the agent, and I'm like, "Hey, you moved the decimal." I legitimately just thought it was a bank error. When you're expecting 50, and it's 50 grand, that's... you know. And my agent said, "Guess what... Turns out Mistborn is a massive bestseller in Taiwan."

Questioner

So you're almost big in Japan?

Brandon Sanderson

Most fantasy authors aren't big in Japan, by the way. Japan's one of the places that's very hard to sell fantasy. The local writing traditions are so strong that they have their own... the anime and manga and light novels and litrpg that traditional Western fantasy just doesn't do very well in Japan. (Which is totally fine. They have lots of cool stuff; I read their stuff.)

But when I got that, and then the other countries started coming in. And instead of being 50 dollars, they'd be 5 grand, or things like this. And you're like, "Oh, something is happening." And my agent's like, "Yeah, something's happening." That's when we first got the inkling.

DragonCon 2019 ()
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Questioner

If a coppermind was to be split in half, would the contents of it be destroyed? Or would there be, in the two separate halves, <of different contents?>?

Brandon Sanderson

You should err on the side of being destroyed, though not permanently, is what I would say on that. There are ways to approach it that wouldn't, but generally if you're ruining a metalmind, the Investiture will stay in it, and if you know what you're doing you can make use of that, but in most cases, it's not gonna fare well.

Secret Project #5 Reveal and Livestream ()
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Questioner

Is Khriss in the Secret Project?

Brandon Sanderson

That's definitely a RAFO. But Nazh is there, so who knows? But Nazh has had a lot of different adventures with a lot of different people through a lot of different places. Nazh, we should point out, is Isaac's character that I'm borrowing for this book with Isaac's permission and understanding. You can look forward to a lot more Nazh with Isaac and his things. He's on loan, shall we say.

Isaac Stewart

It's fine. The big questions are things like, "Well, how does he get to this point?"

Brandon's Blog 2008 ()
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Brandon Sanderson

Meaning

In its most basic form, Omi is used to represent love and benevolence. It is a common root Aon for a wide variety of words, including affection, care, passion, piety, zeal, and some synonyms of loyalty.

A complex Aon with strong symmetry, the Aon has often been used as an example of balance, and even perfection. The great AonDor scholar Enelan of the fourth century called it “The most perfect of Aons, fully incorporating the base of Aon Aon and spinning it into a complex icon that is artful and complicated, yet somehow basically simple at the same time.”

In later centuries, the symbol has come to mean not only love, but divinity as well, an association created by the Korathi Church’s appropriation of the Aon. Many Korathi devout also regard the symbol as representing the potential unification of all mankind through peace, temperance, and love.

History and Use

Aon Omi is best known as the official symbol of the Korathi church in Arelon. It was chosen by Korath (known as KoWho in JinDo) himself to represent the church and God. Scholars of the time say that Korath made the decision late in his life, after decades spent preaching his interpretations of the tenets of Shu-Keseg (which eventually became the Korathi religion) in Arelon and Elantris itself.

The choice was shocking to many, as the young Korathi devout saw the Elantrians and their worship as a competing religion. Their Aons, the basis for Elantrian magic an power, were then regarded as heathen symbols. Korath was always bothered by this competitive streak in his believers, and it is widely accepted that he picked an Aon to represent God and his religion as an attempt to show that all people were acceptable beneath the blanket of the Korathi doctrines. He himself called the Aon a “Thing of Beauty” and asked an Elantrian smith of his acquaintance to craft a silver pendant for him bearing the symbol.

That event, and the subsequent adoption of Aon Omi by the Korathi church, led to the odd relationship between the Elantrians and the Korathi religion which found root in their homeland. (Though, following Korath’s death, his right hand man and follower ShanVen moved the religion’s center of operations to Teod instead, where the young monarchy there had embraced Shu-Korath as its official religion.)

Over the years, many other Aons have been adopted by the Korathi religion, but this one–Aon Omi–has remained their most powerful and important symbol. It is used extensively in Korathi religious services, and pendants bearing Aon Omi are commonly worn by the devout. (Many simply call them Korathi pendants, or Korathi religious pendants.) Such pendants are commonly exchanged during Korathi wedding services. (See the end of ELANTRIS the novel for an example.)

Many Korathi priests now look at the use of Aons by their religion as symbol of the potential unity of all mankind, when different beliefs, sects, and cultures will be drawn together through sincere affection for one another.

Naming and Usage in ELANTRIS

As can be expected from its meanings, Aon Omi is a common root Aon for names in Arelon, particularly among those who follow the Korathi religion.

The most obvious word using Omi as a root is the name Domi itself, the Korathi word for God. This usage did not become common until the seventh century; before then, the Jindoeese name Dashu was used by the Korathi, and the Elantrians preferred a word using Aon Daa as its root. In an interesting exchange, the Aonic word ‘Domi’ eventually became a loan word back to Jindoeese, where the word DoMin eventually came to mean ‘god.’

The head priest of the Korathi chapel in Kae, Father Omin, also uses this Aon in his name. (As a side note, like many Korathi priests, Omin chose a new name for himself once he joined the priesthood. In his youth, he went by the name of Elenan.) Father Omin wears a jade pendant of Aon Omi.

Eondel wears a pendant of Aon Omi, his sky blue. Sarene wears one of green and gold, while Raoden wears one of black.

AonDor

Aon Omi is a powerful Aon, and before the fall of Elantris could perform powerful magics. When drawn it puts out a powerful and pure white light; any who are touched by this light find their negative emotions wiped away, replaced by a sense of serenity and peace. It is difficult indeed to maintain a sense of hatred while Aon Omi is in force.

So powerful is this Aon, however, that using it requires much of the Elantrian who draws it. The Aon will be weak unless the one drawing it feels a sincere affection for those around him, making this Aon very difficult to use in tense situations. This strange requirement has fascinated AonDor practitioners for centuries, as it is one of the few Aons which requires something other than skill in drawing from its Elantrian.

Aon Omi is also used in other places in AonDor equations. It can be used to tie other Aon chains together, and is also a weaker power modifier, if used in the correct way.

DrogaKrolow.pl interview ()
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DrogaKrolow

Speaking about other movies, do you have your favorites?

Brandon Sanderson

Favorite films? Picking favorites is always so hard. In recent years I really liked-- I don't know if it's my favorite-- but I really liked Live.Die.Repeat./Edge of Tomorrow.

DrogaKrolow

The book is better.

Brandon Sanderson

The book is better? I really liked that. I really liked Lincoln. I mean, it’s not science-fiction/fantasy but I really liked that-- Classics, Fifth Element, it's like my go-to guilty pleasure space opera, I really like that. I really like the movie Gattaca… You guys ever seen Gattaca? Gattaca is good movie. It's an oldie now but it's great. It's a science-fiction. What else have I really liked? I like Chris Nolan's movies, I like them all.

DrogaKrolow

Inception.

Brandon Sanderson

Yeah, Inception would be my favorite, I think. Though I really like The Prestige also. But on that one the book is legitimately better, also. But Prestige turned out very well.

The Alloy of Law Annotations ()
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Brandon Sanderson

Waxillium gets pushed to the brink, watching the robbery

I realize it's amusing for people to think of the process of this book, which began as a "short" story. Perhaps I'll post my original attempts at writing the book. As a matter of note, Wayne was the first person I imagined for this series. In very early notes I scribbled down, he was actually going to be a hatmaker. (If you can believe that.) He developed a long way from there.

Many of you may know that I wrote this book during my "time off" between finishing Towers of Midnight and starting A Memory of Light. However, the ideas for this story had been around for some time longer, perhaps a year or two. I decided I wanted to do some shorter stories between the first two larger-scale Mistborn trilogies, and . . . well, this is what "short" means to me, I guess.

Anyway, the first scene with Wayne I dabbled in (this was before the break) was him out in the Roughs riding into town on a kandra that had the body of a horse. It was a nice spin on a typical Western motif—instead of being the quiet gunman of Western cliché, he was a screwball hatmaker. And his horse was sentient and grumbling about having to carry him around; she wanted to get back into a human body as soon as possible.

The scene didn't work, though. I didn't get far into it. Wayne wasn't working for me as a main viewpoint character at that time, and I hadn't gotten around to filling out his character with the things he eventually became. (His "borrowing," his love of accents, his good nature despite a dark past. Things like this grew as his character became more deep.)

The other thing that didn't work in those original scenes was the fact that there was no Wax. Wayne needed someone to play off, someone to be dry and more solemn—but still make for good banter. And Wayne just wasn't a leading man. The story was wrong when it was just about him. I needed to tell a story about someone else and fit him into it.

That brings us to this sequence. When I planned the original short story, this sequence at the party was going to be the end of it. The Vanishers weren't in the book—it was just a simple gang of thieves taking a hostage. The prologue didn't exist, as I've spoken of earlier. It was a more simple story of a man coming into his own and deciding to fight again after losing someone dear to him.

For that reason, this sequence here—this chapter with the next—may feel like a climactic sequence to you, of the sort you often find at the end of my books. Originally, this was going to be the ending. (Though by the time I reached this chapter in the writing, I'd already decided I was going to make the story much longer, and had greatly expanded my outline. Hints of the story's origins can still be found, however. Note that we don't get a Wayne or a Marasi viewpoint until after this sequence when we hit the expanded outline material.)

Bands of Mourning release party ()
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Questioner

What would happen if somebody used the color from a Stormlight-infused gem to create a BioChromatic entity?

Brandon Sanderson

So I just had this question actually and what we came up with was that would leave behind something that is like a cloudy quartz and is going to make it work not as well for holding Stormlight. That's our answer right now, I'm going to talk to my scientists and see what they think because draining the color from something doesn't just leave it white, or clear, it kind of ruins it, it's gray-ish, it's dun. It clouds. So I think it would ruin things for Stormlight.

Firefight Chicago signing ()
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Questioner

Also what is it about about the Fantasy genre in particular that lends itself to these sorts of questions about the nature of religion?

Brandon Sanderson

Well I think that there are a lot of things. One of them is that fantasy is one of these genres where we can take away a lot of the contemporary baggage. For instance, since it is hard to talk about things like the Catholic Church and the religion without getting into the social issues in our world right now, but if you create a fake religion that you can narrow down and focus on one aspect of it-- Fantasy is really good at that. Tolkien did it with racism, let's have an elf and a dwarf and have them interact, and take away all the baggage of civil rights era America or England and instead said "Let's see if these two races can get along".

Bystander

It's the same reason why I like Star Trek, you can kind of create a scenario and--

Brandon Sanderson

But I also think that because of Tolkien and C.S. Lewis having such an influence on the genre you can do Good vs Evil, which lends itself. Like Robert Jordan's works there's no religion there's just a lot of spirituality. So there is no religion because people can actively check and see if God is real, the Creator. The magic is there, it's the proof, they don't need a religion. Which is a really interesting way to approach it.

Barnes and Noble Book Club Q&A ()
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Joshua_Patrao

Is The Way of Kings your biggest work planned or do you have something on the shelf that's bigger?

Brandon Sanderson

Well...depends. Dragonsteel is plotted at seven books. And I plan two more trilogies, eventually, in the Mistborn world. But Kings was always planned and plotted to be the big war epic, focusing on large numbers of characters across a large number of books. Mistborn will span hundreds and hundreds of years, though, so it could be 'bigger' by some definitions. Dragonsteel also is in the running, but for reasons I can't really explain without giving away things I don't want to.

White Sand vol.1 Orem signing ()
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Questioner

I recently reread Elantris and I came to an interesting conclusion: that the seons are similar to the spren.

Brandon Sanderson

They are.

Questioner

And are they Servitude, broken pieces of Servitude.

Brandon Sanderson

So, they are actually broken pieces of Devotion, which is a similar concept, but yes.

Questioner

And then the Elantrians are based off of Dominion then?

Brandon Sanderson

Dominion are the skaze. They are referenced briefly.

Questioner

Then Hoid talks to them, or--

Brandon Sanderson

Hrathen references the skaze in his thoughts. I show a skaze I believe in the extra bonus scene, don't I?

Questioner

Where Hoid is going to jump into the well?

Brandon Sanderson

Yes, there is a skaze there, that's a skaze.

Questioner

...I'm assuming then, we can look forward to the skaze!

Brandon Sanderson

You can look forward to the skaze being involved in things, definitely .