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Brandon Sanderson

Breeze the Nobleman

Sazed mentions that Breeze does the best job of anyone he knows in imitating a nobleman. Well, if you remember Breeze's viewpoints from book two, you'll realize that there's a good reason for this. Breeze is a nobleman—full blooded, not a half-blood like the rest of them. He fled to the underground and pretended to be a half-breed (probably one of the only noblemen ever to do so) in order to gain the protection of the skaa rebellion.

If we had time for Breeze viewpoints in this book, we'd see that he's changed quite a bit from book two. The pivotal moment for him was when he snapped mentally at the end of the Siege of Luthadel. After living through the battle, Breeze has decided to enjoy what he has and not take it for granted. Though he acts a lot like the old Breeze, you should be noticing a lot more optimism and even kindness from Breeze in this book. He's decided to go ahead and love Allrianne, and he tries to help the emotions of others even more than he did back in book two.

Brandon Sanderson

The something hard I was lying on turned out to be the ground.

There’s a small Douglas Adams nod in here, by the way. That’s what the “No, it didn’t want to be my friend” crack is about with the ground. My editor tried to cut it, since she didn’t get it, but I insisted that it remain. Maybe nobody will get it, but it makes me laugh–and sometimes, that’s what humor is all about.

Questioner

You've come a really long way since Elantris was first published. How has your process of writing changed ever since, in the sense that then you had the feedback from the publishing house maybe, now you have the feedback from the fans, from the critics, and also I can imagine, very much tighter deadlines. How can you reflect on Elantris from now?

Brandon Sanderson

Well, first let me say, I love you, but I had so much time back then! Now, it is a real challenge. Everybody left me alone. I wouldn't go back, because everyone left me alone at book signings, too. My books sat lonely on the shelves by themselves. But the great challenge of this phase of my career is finding enough time to do all the things I need to do. When I turned in Elantris to the publisher, they published it two years and three months later. When I turned in Words of Radiance, three months later. My books pay for the publisher to keep publishing, and they very much like to publish my books, and so it is difficult. I travel a lot, my signings are wonderful but long, and my deadlines are very tight, and everyone is stressed about me turning the books in. I'm just glad I spent all those years writing, with nobody knowing who I was, because that's when I built all of my habits. If you would've asked me, during that time, if it was nice that I hadn't published any books yet, I would've said, "No, I want to publish books," but that era was essential for turning me into the writer I am today. For those who don't know, I wrote thirteen novels before I sold one of them.

Brandon Sanderson

Now, just another warning, that has huge continuity problems with what’s come before. I was really searching for getting sure I’d have Eshonai’s voice and I would be interested in making these flashbacks work, making sure that they would be really interesting to read for this book. So, don’t expect the final version to be quite like that. (That’s just to cover Karen. She hadn’t edited this or done her continuity edit, so you can’t go to her and say, “But Karen! Brandon said in the previous book that…” Don’t worry, I know.)

Questioner

How did you come up with the weird weaknesses for Epics in Steelheart?

Brandon Sanderson

How did I come up with the weird weaknesses for Epics in Steelheart? Honestly? Ooh. This is rule zero. I'm like, one of the things going on with Steelheart is, number one it has to fit the structure of the magic system, which you find out in book two, why people have the weaknesses they do, but number two, I'm like, I need to be coming up with some way to keep this a little more light-hearted because it really is about a bunch of people running around assassinating other people, so I didn't want to let that get tooooo dark, if that makes sense. I'm not really a grimdark writer, so I wanted to come up with some things that added-- just kind of played into the fact that superheroes, at their core, are kind of ridiculous, right. I mean, the whole genre, I love it but it's a little ridiculous and so part of this is just buying into all of that. Some of them it's just because I thought it was cool.

Nathan Morris

Do you ever plan to write any works dealing with Mormon characters?

Brandon Sanderson

I've considered it. The thing, though, is that since I tend to write high fantasy, which entails other worlds that are completely unrelated to this one, there haven't been many opportunities to create one. I've been tempted a couple of times, and if I do end up doing it, it would probably be in a science fiction setting or more of an urban fantasy setting. Nothing is ruled out, though, except that I'm pretty soundly involved in the high fantasy epic genre right now. I haven't done it, but who knows if I will?

Zach

What do the Pahn Kahl believe in? All we seem to know is that they are similar to the Iridescent Tones. Any more info?

Brandon Sanderson

I was going to get into this more in the sequel, because we would have some more Pahn Kahl people. Anytime I'm saving something for a sequel, I feel like I shouldn't say too much because I don't want to lock myself in. Let's say that it's like the Iridescent Tones, but without the god-worship of the Returned. More worship in the concepts, and more of a focus on the voice itself.

One thing to remember about the Pahn Kahl is that they've kind of lost a lot of it. By letting themselves get so focused on the enemy that conquered them, they've actually ended up losing much of who they were. Not everything, of course, but substantial portions of who they were have gotten swept under the rug and consumed in their desire to get their freedom. Which is an important thing, but they've let it consume them to pretty extreme levels.

Questioner

Could there be a colorblind Awakener and-- would they be able to do anything or--

Brandon Sanderson

It would be a harder life for them. It would be a more serious disability there than it is here but it is not completely ending their opportunity.

Questioner

...Once they get to the certain amount of Breaths or whatever, would that reverse the colorblindness? 

Brandon Sanderson

Not necessarily. But it might have some interesting effects.

Questioner (paraphrased)

Shadesmar is an inversion of Roshar. In the Physical Realm, planets are disconnected, but in Shadesmar you can reach one from the other. Is there a point in Shadesmar where I can instantly cross between diametrically opposed points on Roshar?

Brandon Sanderson (paraphrased)

Yes, technically there is, but oceans, etc. are problematic since there's not enough minds there. There are points, but the transition is more steady than instantaneous. It will be hard, since you're basically leaving the planet when you go far enough. If you just went south, you'd end up on another planet. Kind of yes. Shadesmar gets funky because you end up in no man's land. We'd need to do the exact maths on that one.

Brandon Sanderson

The "chandler's rejected wares" line is one of my favorites in the chapter. I'm glad I was able to keep it, since it was in a section of the chapter originally that I decided to cut.

AndrewStirlingMacDonald

Can you tell me something about how the people of MaiPon came to their knowledge of Realmatic Theory?

Brandon Sanderson

Through study + observation.

Brandon Sanderson

Marsh Notes

One quick note on Marsh to end it out. If you'll remember, the crushed eye socket with the spike that has been pounded in came courtesy of Sazed back in book two. And the red tattoo he wears is an indication of what kind of Allomancer he was before being made into an Inquisitor.

Brandon Sanderson

What Is Altered Perceptions?

This anthology will collect "altered" versions of published stories—deleted scenes, alternate endings, original concept chapters, and that sort of thing.

For it, I'm letting people see—for the first time—a large chunk of the original version of The Way of Kings, which I wrote in 2002–2003. This version is very different, and involves a different course in life for Kaladin as a character—all due to a simple decision he makes one way in this book, but a completely different way in the published novel.

These chapters are quite fun, as I consider what happened in The Way of Kings Prime (as I now call it) to be an "alternate reality" version of the events in the published books. The characters are almost all exactly the same people, but their backstories are different, and that has transformed who they are and how they react to the world around them. Roshar is similar, yet wildly different, as this was before I brought in the spren as a major world element.

Brandon Sanderson

End

Oh, and I apologize for the cheesy last lines of the chapter. The felt right. I keep trying to cut them, but a piece of myself knows that there's a place for cheese–and this it. So, they remain.

Questioner

OK, so I haven’t read all of those books, but, judging by the books that I've read, one married couple is particularly important to you. Is it true?

Brandon Sanderson

Yes, I would say. This is in part because I think that stories ignore family a little too much. Too often, I feel that stories that I've read either ignore the family by making someone just an orphan with no family or ending the story when the heart stuff starts, such as being a couple.

Questioner

What does that have to do with Legion?

Brandon Sanderson

Oh, Stephen Leeds. Stephen Leeds has a very, very large family, he just makes most of them up.

Questioner

Are you going to write books in <> order <>

Brandon Sanderson

I have an ending planned. It's possible I will get everything written and then write things in-between. But right now I'm pushing right toward the planned ending.

Adam Horne

A few people have wondered if we're ever going to see time travel in the cosmere.

Brandon Sanderson

Time travel into the past is something that I decided very early in the life of the cosmere that I was not going to deal with. So people can time travel into the future, but we can do that right now - not very much, but if you go fast, you are time traveling into the future by laws of relativity, and it's easier to do that in the cosmere. There are a couple things for storytelling that really throw a lot of wrenches into your worldbuilding. One of them's time travel; as soon as you introduce time travel, it changes everything.

Another one is bringing characters back from the dead, and since my very first cosmere book starts with someone being resurrected in chapter one, I knew that people coming back from the dead was not something I could have a hard fast rule against in the cosmere. Multiple books are based on the idea of people being resurrected; that's where Warbreaker and Elantris both come from, is that kind of idea.

Since I knew I was going to be doing that one, the other two that I think that really mess with things in strange ways are alternate dimensions and time travel. And that's when I just said I'm going to put those both off-limits in the cosmere. You saw me doing alternate dimension stuff in Steelheart, in part because I won't let myself do it in the cosmere. I'm already playing with fire with the way that people can become cognitive shadows in the cosmere, and I don't want to have the other two messing up narratives and storylines and things on the level that they would. So no time travel into the past ever in the cosmere.

porcipotimus

*fan art of a whitespine*

Ben McSweeney

Well done. I had a difficult time with the whitespine's anatomy, to the point of largely redesigning the body again just before the deadline (we wrote an article about it on Brandon's blog, I think? -EDIT- We did! ), but you've interpreted it nicely considering the limited reference.

Missed the vestigial claws behind the primary legs though (sorry, your quality kicked my AD brain into gear :), and the skin could be bit smoother/slicker on the flanks (they get more shellie as they dry out, so maybe he's very dry).

porcipotimus

Oh snaps, you're right! I missed that detail :*( He did come out a bit chunkier than I think I would have liked (I imagined them looking a bit more agile and bug-like and less "tanky"/dragon-y than this) but alas I just went with it since I was having fun.

Ben McSweeney

The interview talks about a bunch of the design motif stuff we went through. There was an active need to step away from the chunkier arthropod/crustacean thing we had done with chasmfiends and axehounds and cremlings, and start to widen the field a little more. I think you were right to push away from being tanky-dragony. What you have here is remarkably close to some of our earlier designs.

At the end I was thinking of the flanks being clad in a sort of sharkskin, merging with the bonier protrusions along the spine flowing just under the skin... as the creature dries out, the skin contracts and even cracks with mineral buildup, and it becomes more rocky/tanky. It needs the storms to stay active, otherwise it's inclined to go into a sort of hibernation to conserve energy unless prey comes near. I imagine as things dry out, they crawl into cracks and hollow between the stones and blend in, waiting for the next storm. Still ready to snatch up prey or even emerge to hunt when prey draws near.

When the weather is wet, they're out and hunting all the other critters that come out to feed in the aftermath of fresh rainfall and the newly stripped, tossed landscape. Then they fill out a little and become more like sleek sharks stalking the mountains and chasms. They get shinier and smoother and more able to move quickly. That's when they become the real terror of the hills, stalking like wolves or tigers but climbing like goats.

It's still a mishmash design, it's not really as cohesive as I would have liked. There's room for evolutionary improvement... after all there's probably always another breed. Southern Whitespines, if you will. The Great Northern Rockback Whitespine. The tiny but deadly Deep Chasm Whitespine. The sleek and slender Eastern Spinybacked Whitespine (much more needly). I'm making all of this up as I go, but that's half the secret to doing this at all :)

Brandon Sanderson

Willshaper

I will seek freedom

The Willshapers believe strongly that all people should be free to make their own choices. Their oaths are themed toward freedom and letting people be free to express themselves and make their own way in life.

The Willshapers have a reputation for attracting builders, craftspeople, and creators to the Radiants. However, while this aspect of them is accurate, the actual membership of the Order is far more varied. Their powers lend themselves to creation, true, but their oaths are focused on freedom and personal fulfillment. Many among the Willshapers are warriors focused on freeing those who are captive, and others are focused on radical self-expression. The Willshapers contain many gregarious and even flamboyant characters who make their own way, taking the path they choose. They are united through a love of building, but some consider the building of society to be more important than the building of structures. Among the Willshapers, you’ll find both those who dress very conservatively and those who wear very daring and original styles. The common ground is that both agree that freedom to express who you are is the important part. Among the Radiants, they are generally focused on building, training, and making infrastructure. In war, they might be sent to a town to fortify it against an oncoming invasion. Before or in the wake of Desolations, they would teach the people things like sanitation, bronzeworking, or other essentials. Anywhere you find someone resisting tyranny or oppression, you’ll often find a Willshaper cheering them on.

Questioner

Could you describe outlining with examples?

Brandon Sanderson

I have posted my outline for Skyward on my website. https://www.brandonsanderson.com/writing-advice/

This is the actual outline that I sent to my editor, and that I used to write the book. We also have on that same place the two first chapters I tried before I settled on the third one, which is the one that ended up in the book. I threw away two beginnings to that book before I settled on the one that I liked.

The outlining process for me is usually very goal-based and goal-driven, like I talk about in my class. Where I start with what I want to have happen, and then I write bullet points underneath it in order to get to that place. In the outline for Skyward you will read (I mention this at the top of the outline), I have already taken those bullet points and shuffled them together into chapters or scenes. This is because I wanted my editor to be able to understand, and it was a single-viewpoint novel. (That actually ended up being a double-viewpoint novel, but it was originally started as a single-viewpoint novel.)  So I could do that. My Stormlight ones, generally don't have the whole outline. It's still broken up by viewpoint, and kind-of goal.

But give that a look, and see how it works for you, if that makes any sense to you. Basically, I'm trying to earn my ending. That's what an outline is about. Coming up with my ending, and finding the things that will let me earn it.

Questioner (paraphrased)

Do you every drop hints for things that never come to pass as you change and tweak the story?

Brandon Sanderson (paraphrased)

Oh ya, all the time. Best example is Arcanum Unbounded originally had a different story that was foreshadowed through Mistborn Era 1, among others, but it just never fit in the story. It just didn’t jive once you start putting the jig saw together. You learn not to get too disappointed when that happens.

Questioner

What's this sword's *points at replica of Jezrien's Honorblade* name? Do you have-- have you named Szeth's blade?

Brandon Sanderson

Various people have named the swords various things. I just-- I'm not going to canonize it right now, but it's had many names over the years...

Questioner

Can you give me one of them?

Brandon Sanderson

...I mean-- just "the Assassin's Blade."

Genabackan

Was Hoid a worldhopper before the Shattering?

Brandon Sanderson

Though there are some RAFOy things that I can't exactly say, I CAN say that I don't think most would consider Hoid a worldhopper before the Shattering.

Brandon Sanderson

All of that considered, I know the beginning is kind of slow. That's how my books are—while I can often start with a bang in the first few chapters, I then need to go into building mode so that I can earn my climaxes in the later third. We need to have some scenes explaining Allomancy in detail, for instance, before we can have scenes like happen in the next chapter.

Still, I like a lot about the introduction to this book. Vin's character comes off very strongly, and the plot is established quickly—something I sometimes have trouble doing. It sets us up for the next section, where things really start to get good.

Questioner

Is Honor still alive?

Brandon Sanderson

Honor? Honor's dead.

Questioner

What about Tanavast?

Brandon Sanderson

So, um, you can assume that there is no funny business going on there.

Brandon Sanderson

Yes, it's looking like my next series--after Warbreaker, which is looking like it will be a two-book cycle--will be set in the Dragonsteel world. I'm revamping the setting significantly, mashing it together with Aether of Night, which always had a cool magic system but a weaker plot.

I have some sample chapters done, actually. Dragonsteel is now the series name, and the first book will be titled "The Liar of Partinel." (Probably.) The book you all read (now tentatively titled "The Eternal War") will be the third or fourth book in the series, and we will wait that long to introduce Jerick, Ryalla, and Bat'Chor. "Liar" will take place some five hundred years before "The Eternal War."

Brandon Sanderson

Mistborn was my fourteenth book, Elantris my sixth.  One, named Dragonsteel, was my seventh and a number of the people on my forums knew me when I started writing it.  It was, in a way, the book that 'made me famous' among my group of friends.  So, many of them are excited to hear that I'm reworking the setting and planning to do the book for the big leagues. Dragonsteel Prime, the original, just isn't publishable as is.  There were some great ideas, but I didn't have the skill at the time to make them work.  So, I'm stealing some of the best ideas--and characters--and planning a new series around them.  Hence Ookla calling me a cannibal, since I'm 'Cannibalizing' my old ideas to make new books. 

The following is a complete Brandon Sanderson Bibliography, published and unpublished.  Prime indicates an early attempt at a book which was later redone.  (Note that when I redo a book like this, it isn't a 'rewrite.'  Generally, it's me taking some elements from the setting and writing a whole new book in that setting, using old ideas and mixing them with fresh ones.)  Published books are in bold.

1) White Sand Prime (My first book, took two + years to write.  1998)

2) Star's End (Science fiction.  1998)

3) Lord Mastrell (Sequel to White Sand Prime.  1999)

4) Knight Life (Fantasy comedy.  1999)

5) The Sixth Incarnation of Pandora (Science fiction.  1999)

6) Elantris (2000.  Published by Tor: 2005)

7) Dragonsteel (2000)

8 ) White Sand (2001)

9) Mythwalker (Never finished. 2001)

10) Mistborn Prime (Stole the magic system and title for a later book.  2002)

11) Final Empire Prime (Stole a character, some setting elements, and title for a later book.  2002)

12) The Aether of Night (2002)

13) The Way of Kings (350,000 words.  Took a long time.  2003)

14) Mistborn: The Final Empire (2004, Published by Tor 2006)

15) Mistborn: The Well of Ascension (2005.  Contracted to Tor for 2006)

16) Alcatraz vs. The Evil Librarians (2005.  Contracted to Scholastic for 2006)

17) Mistborn: The Hero of Ages (2006.  Contracted to Tor for 2007)

18) Warbreaker (2006.  Tentatively to be released by Tor for 2007)

19) Alcatraz vs. The Scrivener's Bones (2006.  Contracted by Scholastic for 2008)

20) Dragonsteel: The Liar of Partinel (Unfinished.  2007?)

21) Alcatraz vs. The Knights of Crystallia (Planned.  2007  Contracted by Scholastic for 2009)

22) Nightblood (Planned.  2008)

23) Dragonsteel: The Lightweaver of Rens (Planned. 2008)

24) Alcatraz vs. The Dark Talent (Planned.  2008.  Contracted for Scholastic for 2010)

I'm not sure if I got all of those dates right, but the order is correct.  I'm finished with all the books up to Dragonsteel, though Mistborn 3, Warbreaker, and Alcatraz 2 are all only in the third draft stage.

Brandon Sanderson

You DON'T have to have read the other Dragonsteel to understand this. The other Dragonsteel will never be published. Some of the plots and characters in it, however, will eventually become book three of this series. Not because I'm doing a 'Dragonlance' type thing, but because when I sat down to work on this project, I realized that I'd rather start back in time a few hundred years. In other words, I'm writing the prequels first, if that's possible.

Brandon Sanderson

In worldbuilding this, I realized that I missed a big opportunity in Dragonsteel Prime by not dealing with fainlife all that much. It was a powerful world element that got mostly ignored. By writing a book here, where I can slam a city in to the middle of the fain assault--before people learned really how to keep the alien landscape back--I think I'll be able to focus more on the setting.

One thing that always bothered me about Dragonsteel Prime is that it felt rather generic for me. I like more distinctive settings, with more distinctive magics. Yet, Dragonsteel Prime had a fairly standard fantasy world (though one set in the bronze age) with magic that didn't really get used all that much in the first book. The idea here is to add the Aether magic in, which is a 'day-to-day' magic, and to enhance the originality of the setting by using fainlife more. Microkenisis, Realmatic Theory, Cognitive Ripples and Tzai Blows, and all of that will STILL be part of this world. I've simply folded the Aethers in as well, and hopefully I can make it all feel cohesive.

Questioner

What's your Magic color preference?

Brandon Sanderson

I draft, almost exclusively. So my color preference is whatever is open.

Questioner

Gotcha.

Brandon Sanderson

Umm, I lean more toward control than I do aggro, but what's--whatever is open--whatever I open I will go for.

Brandon Sanderson

Another interesting note in this chapter is that we finally get to see what Raoden went through in chapter one. The washing process isn't all that exciting, but I have had several people remark that they were sad to have missed it. I guess that's just human curiosity. Well, for those who wondered what the process was, they finally got to see it in this chapter.

Brandon Sanderson

Chapter Fifty-Five

Elend Sees the Mist Spirit

Elend really does have a lot of faith in Vin, even if he doesn't worship her. He ascribes an almost supernatural power to her. And, I can kind of see why he would. In these books, Vin's almost less of a character and more a force. Like Ruin and Preservation, in a way.

Regardless, this chapter is about Elend giving up—then finding his hope again. I bring the mist spirit back here for a final appearance, but I wanted to be careful not to have it give too much information to Elend. Not because I don't want the information itself to get out, but because the mist spirit hasn't been a presence in this book, and so I haven't foreshadowed it enough. Therefore, if it simply showed up and gave a bunch of answers, I think that would feel cheap to the reader.

The mist spirit is, as the next epigraph explains, the remnants of Preservation's mind. I don't delve into it too much in this book, even the epigraphs, but Preservation's consciousness is indeed separate from his power. However, his consciousness itself has a limited power. And that is what he used to bind Ruin.

That did not weaken his power, which still protects the world. Instead, it cost him his mind, leaving behind only a faint shadow—like the mists' memory of Preservation, far removed from what he had once been.

That consciousness attached to Preservation—like the one attached to Ruin—is a part of Adonalsium, which will eventually be explained. Suffice it to say that in a pinch, Preservation could draw upon the power of his own mind and use it to imprison Ruin. This was why he was able to pull of the trick, as Ruin wasn't expecting it. He might have anticipated an attack using Preservation's power, but not his mind—not knowing what burning his own mind would do.

That is why Preservation's cage captured Ruin's own mind, but not his power.

Brandon Sanderson

Homicidal Hat Trick

My editor tried very hard to get me to cut the "homicidal hat trick" line. Not because it wasn't clever, but because he felt it was anachronistic, as the phrase is commonly a metaphor for some quite modern sports. However, I was able to prove via Wikipedia (which is infallible) that the term was used as early as the nineteenth century and didn't always refer to sports, but to three wins in a row in even simple games of chance. So, grudgingly, he let me keep it.

I love the line because of the way that little section harks back to the old Elend. He's still in there, hidden behind the emperor-at-war exterior. The old Elend could be clever and awkward at the same time, just like he is here when he tries to make a point to Vin but comes dangerously close to an insult instead. That's the same guy as the one who would, while standing on the balcony at a party, compliment a lady and then immediately turn back to his book and ignore her.

And, on that note, I believe that I warned you about the coming ball scenes. We're going to have another nostalgia chapter fairly soon, and it's one of my favorite chapters in the entire series.

Questioner

A friend wanted me to ask if you ever had plans to put in a transgender character.

Brandon Sanderson

Yes. Trying to find the right place, but it will likely happen sooner rather than later.

Questioner

Will we ever see Lift fight with a Shardfork?

Brandon Sanderson

RAFO.

Questioner

Is M-Bot intelligent and sentient?

Brandon Sanderson

Yes. M-Bot is, I would say, above animal intelligence but not quite human level intelligence. Oh no, M-Bot? I thought you were saying Doomslug. I would say M-Bot is above human intelligence and is sapient, is sentient.

Brandon Sanderson

What do we do now?

This is a nice, fun denouement. Alcatraz’s guard is down now, and he’s finally to the point where he can ask serious questions about his family–and Grandpa Smedry is willing to answer.

I hope that the Ms. Fletcher reveal was a nice one, though with the amount of foreshadowing I laid down on that one, I won’t be surprised if you got it early. I mean, come on. Can you really have a book about orphans without at least wondering when one of the parents will show up in the text?

This series is really about Alcatraz and his experiences with his parents. Book two is essentially a quest to find Attica.

Brent Mulvey

Would you let Magic: The Gathering do a Stormlight Archive series expansion?

Brandon Sanderson

Yes, absolutely. It is one of my dreams. In fact, I've been really excited to see them doing now... they're only Hasbro properties, which Magic is owned by parent company Hasbro, but they're doing some of this. They did some Transformers card; they even have their own kind of new Transformers game that is tied in with Magic, like it's compatible with Magic but has its own rules and things, which I think is really cool. And they did some My Little Pony cards. Which we made sure to get, because we have some Ponies fans in house at Dragonsteel here, and they were for charity. And so, if they were ever interested, at all, then I would jump at the chance.

Now, I don't know how likely that is, because in these days, the philosophy for a lot of companies (which is a pretty wise philosophy, and Magic is one of them) is: build your own IP, rather than relying on someone else's IP. And Wizards of the Coast has experience with this. They have made in the past (and lost) the rights to various different IPs, including the Pokemon card game, and I think they did the Star Wars one for a while. And I can see how it would smart to have access to this, to do all this work on something, and then just have the license lapse and get pulled from you. And you would say, "You know what? I would rather just make my own." And they are pretty good at making their own.

So, if there were a chance to do this, I would absolutely jump at it. It would be one of my dreams, to have it happen, because it is my favorite game. But I'm also not holding my breath, and I'm not going to be offended if this is not something that they ever want to do.

Questioner

Do you get a cameo in one of your books when it gets adapted to a movie?

Brandon Sanderson

Yes, we actually had it written into the contracts that I get to have a cameo.

little_wilson

If the gang from Writing Excuses were put in a horror film, obviously Dan would be the killer. But what order do you think everyone would die in? And how would they die? (The victim list includes: you, Howard, Jordan, Pemberly, Stacy, and Peter.)

Brandon Sanderson

Ha! Well, let's see. If Dan were the killer, I think he'd try to take out Howard first, since Howard is obviously the most dangerous of us all. Though he sees me more often, so he might try to get to me first. I'd put it in this order:

HowardMeJordoPeterPemberly (he'd leave the women for last because he's a very gentlemanly killer.)

And then Stacy would take Dan down in a surprise ending. She'd edit him out of the script or something.

Badloss

I love, love Brandon Sanderson but I feel like every time he needs a "magic word" he just takes two regular words and jams them together.

Dreamshard, Shardblade, Shardplate, Lightweaving, Mistborn, Coinshot, Pewterarm, Coppercloud, Surgebinder, Soulcaster, etc etc etc

Sorry u/Mistborn I still love you

Brandon Sanderson

It's done intentionally. Let's look at our options.

I can create all-out fantasy words for terms like this. (Lait or crem from Stormlight are examples.) Problem is, the more you do this, the more you pile a difficult linguistics on top of a reader. The more words like this they have to learn, the more difficult it is to get into a story. If you were doing it, perhaps you'd go this direction. I feel that overloading on these terms is dangerous. Already, the main reason new readers put down my books is that they feel overwhelmed by the worldbuilding.

So we have the second option. Use a latin, germatic, or greek root and create a word that FEELS right, has some mental connection for the reader, but which isn't a real word. Allomancy/Feruchemy/Hemalurgy. Veristitalian. To a lesser extent, Elantris.

This so called "Harry Potter Spells" method gives some familiarity to the naming, makes them stick a little better in people's heads, which makes the books a little easier to get into. But they're also distracting to some readers who say, "Wait. There's no Latin in this world, so where did Latin root words come from?" And for others (particularly in translation) those roots mean nothing, and so these all end up lumped into the first group.

The final method is the pure Germanic method--creating compound words. It works in English very well because of our Germanic roots--and is one of the main ways (other than turning nouns into verbs or the other direction) that we create new words. Supermarket. Masterpiece. Newspaper. Thunderstorm. Footprint. Firework. Heartbeat. Yourself. None of those look odd to you because they are words that are "meant" to go together in your head.

I use some of batch one, some of batch two, but I do favor batch three--it does what I want it to. Works in the language, has an "otherworld" feel but is also very quickly understood by someone new to the series. There are arguments for all three methods, however.

Phantine

You can also just go the route of using an English word despite it clearly not being accurate.

"He tied a ribbon around his horse's third antennae, and patted its chitinous flank."

Brandon Sanderson

Agreed. Re-contextualizing English words can work too--I find it particularly useful to do what I mentioned above. Take a verb and make it a noun or vice versa. Or use a verb in a way that you normally don't. (Awakeners or Lashings are examples from my work, though Spice from Dune is one of the grand-daddy examples of this. As it is for a lot of fantastical linguistics.)

Questioner

I saw a quote that said that there were two people who knew how to awaken metal. Is that still true?

Brandon Sanderson

Read and find out.

Questioner

Is the reason that the Fused have access to unlimited Voidlight because Odium is alive, and did the Radiants have that sort of access [to Stormlight] when Honor was alive?

Brandon Sanderson

Not exactly... They do not have access to unlimited Voidlight, how about that.

Brandon Sanderson

So, why does Raoden keep his identity secret from Sarene? I think his explanation here is earnest–he wants to get to know her without the truth of his identity throwing a crimp into the relationship. He, of course, intends to tell her eventually. At the risk of giving a spoiler, however, you needn't worry that this is going to turn into a "I'm mad at you for lying to me" plot. Those always annoy me too. (Chick flicks are famous for them. "Oh, you're really a rich prince? Well, I hate you for pretending to be a pauper to win my love!")

I'm a little bit chagrined at how much faking I have going on in this chapter. Sarene isn't telling Raoden about the outside world (a necessary plotting device because of the triad–three days have passed, and I had to have a reason why she hadn't told Raoden about events outside the city yet.) Raoden isn't telling Sarene who he really is. On top of that, I'm keeping the secret of Hrathen's potion from my own characters, and I have to do some more rationalizing in this chapter–explaining why Sarene has enough food, and why she can't do AonDor–to make it all work. Ah. . .why can't we all just be honest.

Brandon Sanderson

Yomen Is a Seer

That raises the question of how Yomen discovered that he was a Seer. He mentions that atium was too valuable to waste on testing for atium Mistings. That's true, but incomplete. The Lord Ruler did test his obligators for the power, particularly the high-ranking ones. Those he found were told of their power and used as an extra level of security. There weren't many, but there were some—and they tended to rise very quickly in the ranks (like Yomen) and be given important positions. Yomen's power with atium made him a valuable secret weapon, and when in a position of power, he could use his ability to quell rebels or perform feats of wonder to keep the people in line.

Brandon Sanderson

For the Shards of Adonalsium, which are basically the deities of the cosmere, I have picked things like Odium, Ruin, and Preservation, to be words that are really easy to... they mean something, you understand exactly what they are, there's going to be sixteen of them, so trying to remember all sixteen different names if they weren't something like that is going to be really hard. It makes it easier to keep which is which, it has an ominous feel to them, and they regionalize, translate into other languages really easily. So that's what I've done.

Brandon Sanderson

Dedication

I had trouble deciding on the dedication for this book. I know a lot of awesome people who deserve the honor. My mother got the dedication of my first one–that was easy–but it was much more difficult to decide who got to go next.

I eventually decided on Beth Sanderson, my Paternal Grandmother. Both of my grandmothers are awesome people. I decided to use Beth for this one because she is one of the only fantasy fans in my immediate family. (The other being my little sister Lauren.)

I still remember Grandma Beth talking about the sf/f books that she'd read, trying to get me to read them. She taught junior high English, and I think she must have been great at the job. She is just truly a fun-loving person, always smiling despite the physical hardships she's gone through lately.

In addition, she's a little screwy–in a good way. Everyone says I must have inherited my strangeness from her.

So, this book is for you, grandma!

Questioner

When all of the contest judges, beta readers, and writer's groups say that your work is ready, but all of the agents say it's just not right for them, how do you find out what would make it right for them?

Brandon Sanderson

Sometimes, you can't.

One thing you have to be ready for is that even the best piece of writing will have people who don't like it. this is the nature of art--because human beings are different, we simply like different things. It doesn't have to have a value judgement attached to it. There is no "fixing" a painting so that everyone loves it. By fixing it, you would sometimes just make it so that different people love it.

That isn't to say that skill level is flat, and art can't be improved. I'm just saying that sometimes, you just can't change a piece in a way that will make a specific person like it--at least, not without changing it into a completely different piece of art.

If your honest feedback from contest judges and early readers is all great, and if you feel that the stories you've been submitting are ready, then you should keep going and keep submitting. And keep writing. Elantris was rejected several times, as were many famous books. Sometimes, what the agents need to see is that you can be consistent.

But beyond that, if you keep writing and submitting, one of several things will happen.

1) You'll eventually find an agent or editor who loves your fiction as much as all these other people.

2) You'll grow as a writer and realize that the book you've been submitting, though enjoyable to many people, were still flawed in big ways and can be revised (with your new skill) to make them work better for an audience who doesn't know you.

3) You'll realize that your stories have an audience, and the agents are just not getting it. (All too often, they miss excellent writers.) You'll self-publish to great success.

I can't say which of these is the future of any individual story, and I can't say if it's a legitimate flaw that professionals are seeing in your writing or not.

I can say: keep writing, be patient. If you want to traditional publish, keep submitting. Agents can be timid. If they don't pick hits, they don't eat.

But do write for you, first, and don't let yourself be pushed into trying to be someone else, writing-wise.

Questioner

Is there a name we can use for Paalm's metal, or should we just go with trellium?

Brandon Sanderson

Trellium will do. Yeah. Go ahead and call it trellium.

Ethour

Would a Shardfork be effective in combat?

Brandon Sanderson

...Depends on who has it. I think-- There were war tridents that were used, historically, but I'm gonna say that, on average, a sword's a better choice. But, I mean-- Lift isn't hot on hurting people, even when she's fighting them, so it's kind of a weird thing.

Questioner

Does the Lord Ruler have children?

Brandon Sanderson

So, I've been dodgy about this before, but the answer is yes, the Lord Ruler did have children. I don't think I've-- I've strongly hinted at it, and so I think people basically know. But yes, he did... But it is children.

Brandon Sanderson

Note: read last year’s State of the Sanderson for more talk on what it takes to make a film or television show out of a novel. However, the biggest news here is that I’ve decided to try taking a more active role in getting some of these made. To that end, I’ve most specifically been working closer with Dan Mintz, the producer who is trying to get some Cosmere things made. See below.

New screenplay has been written, and is being shopped to directors right now, so far as I know. Still under option by MGM, and looking good—but no real updates.

I’ve offered Dan Mintz to do treatments for this myself, and he’s been very amenable. He and I have been working more closely together lately to see if we can make this happen.

Option lapsed at Fox just last month. This wasn’t surprising, as after the Fox/Disney merger, there wasn’t much of a chance that Disney would greenlight a non-Marvel superhero project. Instead of immediately going out to shop this again though, I’m taking a few months to consider how I want to approach film and television.

Still under option to Cineflix Media. No updates lately.

Deal is in the works, but can’t talk about it yet.

Likewise, deal is in the works, but can’t talk about it yet.

Working on this with JMS, which has been super cool.

Considering maybe writing the screenplay on this myself. After speaking with Dan Mintz, we decided he would focus on spearheading Stormlight, and I would focus on spearheading Mistborn. So we’ll see what I decide to do.

Brandon Sanderson

Favorite Joke

Rutabaga, of course.