YouTube Livestream 3

Event details
Name
Name YouTube Livestream 3
Date
Date Jan. 25, 2020
Entries
Entries 19
Upload sources
#1 Copy

Star Share Gaming

Would you ever consider writing a cyberpunk Era 4 for Mistborn? Or are you gonna be doing just the four Eras?

Brandon Sanderson

I would consider, and I've talked about before liking that idea. Once I did the Wax and Wayne novels, it became a natural thing to ask if there is a step between the 1980s and the science fiction era. And a cyberpunk-type era would make a lot of sense. The caveat to that is I have a lot on my plate in finishing the Cosmere already, and so I can't make any promises. But it does seem like it would be a natural fit to do.

Original Mistborn series was each between 200,000 and 250,000 words. For a frame of reference, Way of Kings books tend to be between 400,000 and 450,000. And the Wax and Wayne books tend to be between 100,000 and 110,000. So, having another 100,000 to 110,000 word, faster-paced shorter series (shorter in total word count) would make a lot of sense. Because Era 3, the 1980s era, is going to go back to the 250,000 to 250,000 word sized books.

#2 Copy

Brandon Sanderson

If you guys don't know who Nazh is, Nazh is the person who annotates all the maps and pieces of art in the Stormlight books. The affectation is that the Ars Arcanum for the books and a lot of the illustrations are things that have been collected or put together by Khriss and [Nazh]. You describe Nazh as "grumpy James Bond," who is sent into the world to grab artifacts for Khriss when she's putting together kind of her guide to a world in the cosmere.

Isaac Stewart

I've discovered a lot more about Nazh in the last year, just because we're getting closer to including him in more things. Right now, his personality is "grumpy James Bond" because he goes on missions, he's kind of a grump... but he kinda likes that sort of thing - he likes going off on his own, figuring out ways to do things. He has a specific skill set that works really well for this sort of thing.

Brandon Sanderson

But things kinda go poorly for him most of the time.

Isaac Stewart

Yeah. I wouldn't say he's a Mr. Bean type character, but if you imagine the situations that he gets into, they're those sorts of things - but usually not funny, though he may tell them in a grumpy, funny way later on.

Brandon Sanderson

Basically, as Hoid is to me, Nazh is to Isaac. This is very fun because he can write all these annotations on the artwork, and you'll see Nazh popping up in the books now and then, just as cameo references to this guy. The affectation is the text of the book like The Way of Kings is not something that they have in-world, but all of the art in the Ars Arcanum they do, and those are produced by Khriss and Nazh.

#3 Copy

Questioner

So you said you play Esper in Magic: the Gathering, the central color of which is blue. All the Shards shown black/blue. Is this intentional, saving the Shard you identify with for the later bits of the cosmere?

Brandon Sanderson

So, yeah, if you were going to say blue, who is blue? I would say that definitely we do have some blue Shards, but it didn't just naturally fit to do the stories the blue way, it just didn't happen. So it wasn't that I was saving back the traditionally sneaky or conniving Shards, or at least the powers that are related to that, it's just how it played out. It was very natural for Mistborn to play around with black-aligned and white-aligned, if you are giving a single color to the various Shards. And then on Roshar, it just made a lot of sense for what I was building to have a red-aligned, a white-aligned, and a green-aligned. I don't really think of the Shards that way - I can retrofit a Magic color identity to them, when thinking about it. But White Sand, there's some blue going on with what is happening there, so you have seen some, but you're right. 

#4 Copy

Stubble McShave

You say that fantasy can be any genre, with dragons. However, you've never had dragons in your book. Can you see yourself putting some classical fantasy monsters into your fiction?

Brandon Sanderson

Yeah. There are dragons in the cosmere. The very second Cosmere book I wrote was called Dragonsteel. Dragons are the one classical fantasy thing that will make an appearance in the cosmere. You haven't seen any dragons that actually look like dragons in any of the books yet. Because dragons in the cosmere are shapeshifters in kind of the classic D&D trope style of thing.

#5 Copy

Cosmere.es

How was Perfect State born? Will you come back to develop the idea?

Brandon Sanderson

Perfect State grew out of me wanting to... a lot of the classic sort of cyberpunk idea, Matrix sort of idea, is: we live in a simulation, and this is just a terrible thing. And that's a pretty cool story, right? I don't know that I would want to discover I'm in a simulation. But, as often is the origin of some of my stories, I am thinking about, "Well, can I reverse that trope? What if living in a simulation, there was a really good reason for us to do it, and it actually turned out pretty well?" The idea of being: we solve overpopulation by giving everybody their own perfect place to live, in which they get to be some sort of cool hero and/or political figure. That felt like it was a cool thing to explore, where the story was not talking about how terrible this was, but was instead talking about the natural problems that arise. And I consider those two different things. Like, if I espouse a specific political philosophy (not to make this political), it is not me saying that political philosophy is without problems. (Because it probably is.) It is just I feel like the problems that philosophy has are ones that I would rather deal with, and are easier to deal with, than the problems another political philosophy might have. So, with Perfect State, the point of the story was not, "Hey, this would be perfect!" (Even though it's called Perfect State. That's kind of the irony of the title, right?) It's that "This is gonna have some problems. Let's explore what those problems would be and how the people who live in the system deal with it."

I could see myself coming back. Like, the two main characters of the story definitely have different goals and philosophies, and that is not resolved at the end of the story, even though the story itself is resolved. So I can see coming back even to those same characters. But there's a lot on my plate, so I can't promise when or if. I do know where the story would go. But that's very common for me.

#6 Copy

Brent Mulvey

Would you let Magic: The Gathering do a Stormlight Archive series expansion?

Brandon Sanderson

Yes, absolutely. It is one of my dreams. In fact, I've been really excited to see them doing now... they're only Hasbro properties, which Magic is owned by parent company Hasbro, but they're doing some of this. They did some Transformers card; they even have their own kind of new Transformers game that is tied in with Magic, like it's compatible with Magic but has its own rules and things, which I think is really cool. And they did some My Little Pony cards. Which we made sure to get, because we have some Ponies fans in house at Dragonsteel here, and they were for charity. And so, if they were ever interested, at all, then I would jump at the chance.

Now, I don't know how likely that is, because in these days, the philosophy for a lot of companies (which is a pretty wise philosophy, and Magic is one of them) is: build your own IP, rather than relying on someone else's IP. And Wizards of the Coast has experience with this. They have made in the past (and lost) the rights to various different IPs, including the Pokemon card game, and I think they did the Star Wars one for a while. And I can see how it would smart to have access to this, to do all this work on something, and then just have the license lapse and get pulled from you. And you would say, "You know what? I would rather just make my own." And they are pretty good at making their own.

So, if there were a chance to do this, I would absolutely jump at it. It would be one of my dreams, to have it happen, because it is my favorite game. But I'm also not holding my breath, and I'm not going to be offended if this is not something that they ever want to do.

#7 Copy

LupusAstaris

Is there any specific instance where you hid something in one of your books that only other Mormons would recognize?

Brandon Sanderson

No, I don't really do this that much. Because my heritage and my faith are both LDS, there are certain things that other people have come to me and said, "Hey, was this influenced by your religion?" I'm like, "Ha, yeah, probably was." But I didn't sit down and hide things in there. Most of those are, people notice it and come to me and I'm like "Yeah, that probably did come from that." I'm sure there are some things.

Like, you asked specifically for members of the church, but there is a point in the Wheel of Time where Rand basically quotes a line in the Bible where God basically says, "Before all these other people, I AM. I existed then; I still exist." And one of the things that Jim liked to do was put references to Rand kind of echoing or fulfilling or starting mythological things that you can find in many different religions. And I put this thing where he says, "Before Lews Therin was, I am," into the Wheel of Time. That was less to be an Easter egg, and more because it's the sort of the thing that Robert Jordan did, and I wanted a few of those. Of course, I also have Rand perform one of the Buddha's famous miracles, which is being able to release both fire and ice from his body at the same time, which is one of the famous things of Siddhartha, the Buddha. So I was just kind of looking for things like that to put into the Wheel of Time for Rand.

But I'm drawing a blank on this. I'm sure there are some things that I've written that come from my heritage, that as I wrote them I'm like "Oh yeah, that's kind of like this," and that other people would notice. But I don't hide things like that, generally.

#8 Copy

Many People

Inquiring about the sequel to The Rithmatist.

Brandon Sanderson

There's a couple things going on with The Rithmatist that make it difficult. The first one is that The Rithmatist was the book series I was working on when The Wheel of Time came along, and it is the biggest casualty of The Wheel of Time, in that when The Wheel of Time came along I dropped everything else. And a lot of authors have this issue. If you do a book, and then your career changes dramatically, it can be sometimes very hard to go back to that book and kind of recapture who you were back in that time. It's sometimes really hard to go back and capture who you were. When I tried to go back to the Ritmatist sequel, I had that problem. It was this sense of, "I have to make sure this sequel fits with the first one."

Now, I'm going to be doing this with Elantris sequels pretty soon. (Pretty soon in Cosmere writing terms, which means in five years or something, probably. After Stormlight Five.) So I will have to kind of learn how to do it. But when I went back, and I had a shot to do Rithmatist 2, years later. Like, Rithmatist was written in 2007, and then we sat on it for years, because I knew getting to a sequel was gonna be hard for me. And finally, Tor's just like, "We need to release this book." And I said, "Okay, we need to release this book." And I wish I had had the foresight to go back and change the ending a little bit so it didn't promise quite so much in a sequel. I do still intend to do one, but it was just really hard to get back into it.

And then there's some other things. Any time you're dealing with real world history, it requires a level of sensitivity that, particularly in the first book, I was not as aware of when I was writing during that part of my career. And I wrote some things that I now consider insensitive towards some Native American cultures. They aren't a big part of The Rithmatist, but they are there. So that puts The Rithmatist in this place where, if I go back to it, I need to be a little more aware of what I'm doing. It's rough, because it's alternate history, so there are things that I am changing about our history. But there are also things that I can change about our history that are insensitive to do. And, like I said, I don't think it is a thing that really ruins Rithmatist, but it's there when I see it now, and I'm like "Uh." I can do a better job, and I should. But that also means that I can't just rush into a sequel. So I want to be careful when I write that sequel, and be aware of what I'm doing.

So, this will happen. But I don't know when. And I can't promise when. Because both of those issues make it difficult for me to get back to it, and have repeatedly made it difficult for me to get back to it.

#9 Copy

Questioner

What was the hardest decision you've had to make as an art director?

Isaac Stewart

A hard decision that we had to make was with the Warbreaker endpapers. Dan Dos Santos gave us, like, six different sketches, and they were all gorgeous. And we had to make a decision based on that. Some of them were better pieces of art, if you were to just hang them in an art gallery. And some of them worked better for the book. And we chose what worked better for the book, which were still gorgeous. But there were some there that I think would have made really great pieces of art on their own. That was a hard decision.

Brandon Sanderson

That's always hard. When we get the sketches from the artists saying, "Here are the five cool things I can do." And we're like, "I want you to do all of these!" But we don't have space for all of them.

Isaac Stewart

Most of the time, everything they send is great, and it makes it really difficult to decide on that.

I'd have to think about if if it was, like, a heavy difficult decision. But usually, it's the everyday "good, good, or better" pieces of art.

#10 Copy

Evelyn Basher

Have you ever written something you regret because it misrepresented your personal values in books?

Brandon Sanderson

An example of violence being over the line actually got cut. This comes from Oathbringer, and it's during one of Dalinar's flashback sequences. And there is a sequence where, to not give too many spoilers, he ends up trapped beneath an avalanche of stone. And I wrote a scene where he comes out, he is consumed by the Thrill, and he goes to town on the people who are trying to kill him in some really graphic ways. (For me. Like, nothing maybe compared to what George [Martin] will write. But for me.) Man, there were heads being crushed, and stuff like this. I wrote this, and it was the mindset I was getting into, being Dalinar. And I got done, and I actually didn't come back to it until I was in the writing group, and the writing group was like, "Woah. We know Dalinar was brutal, but Woah! Do we have to see all this?" And I thought, "Wow, no. We don't have to see all this. I'm gonna trim that down." I can still release it online, if people want to see it. We'll try to get Adam to get a deleted scene of that put up, if you really want to see Dalinar go to town on a bunch of people. But, in this case, I'm like, "This just felt wrong" when I was going back to it. I went over a line I didn't want to cross in the level of brutality in the book. And this is not to be a commentary on anyone else's lines. You may hear this and be like, "Oh man, I wish that were in the book." But the books are a representation of what I want them to be. So, that's an example of when I went over the line.

I do think the initial painting of Ash, in the front of Oathbringer, ended up... her clothing ended up being more transparent than I had realized when we were looking at the artwork. We asked a bunch of artists to paint, for the Heralds, basically the version of Sistine Chapel that might exist on Roshar, the ten Heralds represented instead of the prophets at the sides of the Sistine Chapel. And Dan Dos Santos is an amazing artist, and he painted an amazing picture of Ash, and I saw it, and Isaac's like, "Do you think this is a little too risque to put in the front of our book?" And I thought, "No, I don't think it is," because I was looking at the slit on her dress, and I'm like "Ah, it's fine." I wasn't realizing that he was saying, "Hey, this is transparent, and you can see kind of more than perhaps you might want to be seeing." And the book came out, and people were like, "Hey, why is there a naked woman in the front cover of your book?" Now, again, some of you may be saying, "Really? Brandon, that is super tame." And this all kind of depends on your own worldview, and things like that. I remember hearing a cool story once about speeding, where a comedian said, "Isn't it funny that anyone going slower than you is someone you're like, 'That's such a slow person! How come they can't just go the right speed? That person is terrible!' But anyone who passes you? You're like, 'That person's a maniac. Look at how fast they're going!' It doesn't really matter how fast you're going. You're still going to have this inclination that anyone going slower than you is obstructing the flow of traffic, and anyone going faster than you is a maniac that is going to cause bodily harm to everyone around them." Obviously, not 100% true. But it rang true with me. And I feel like that's how this sort of thing goes. And for me, Ash's outfit was too transparent. And we talked to Dan and said, "Can you just make the dress a little less transparent." And he's like, "Oh yeah, sure, absolutely." Had no problem with it. And in the second printing, the dress was where we would like it. Which still, to some people, is probably too transparent. And to other people, you're like, "You silly Mormon. Why do you even care about this?" But it is part of my moral compass, and so I want to release the books where I feel comfortable.

#11 Copy

Clarity1

How do you and Ben McSweeney collaborate on making illustrations for the Stormlight books? Does Brandon give you the ideas first, or do you both come up with your own concepts for your art?

Isaac Stewart

We're starting to settle into a way that this works with Ben, me, and Brandon. And it's usually that Brandon will say, "Hey, Isaac, this is what I'm thinking about for the book. I want to have this many pieces of plants, this many pieces of animals," whatever it may be. And he'll oftentimes tell me what those things are. I will give descriptions to Ben McSweeney. If they are hard descriptions, then we'll say, "Ben, we're kind of thinking we need something like this," and then he has a lot more leeway on those particular items. So, right now, we're working on some spren pieces. Ben has been drawing different kinds of spren.

Brandon Sanderson

Basically how all the Radiant spren look in Shadesmar, and in the Physical Realm. That's what Shallan's gonna be sketching for us in the next book.

Isaac Stewart

And then there's been some things where Brandon has told us, "This is what it's like," but he doesn't say what the clothing is like. So Ben will go on his experience on what he's read in the books, and he'll come up with something, and then we say yea or nay. And most of the times, we will go with some variation of what Ben has done. On these latest ones, there's only been one that we've really had to go back on and say "give us another concept," but that just speaks to how good Ben is.

Brandon Sanderson

He's really in tune with these books. I usually have an idea of what I want Ben to do. And you usually have some leeway to do the things you want to do. Like, if we go to Oathbringer, I would have said, "Here's the couple things I'm planning for Ben." He does the bulk of the art. He does the Shallan sketchbook pages. But then Isaac came back and said, "I think I want to do this thing with the wines," or "I want to do this thing with how you write glyphs."

Isaac Stewart

Mythica, I don't remember if you or I came up with that idea. But I read the book, and then I just make notes, and then I come to Brandon and I say, "These are the ones you want. Here are some other ideas; what do you think is good for fleshing things out for this book?"

Brandon Sanderson

We have never found a place for the Ten Fools, have we? We've bumped that one from Words of Radiance, to Oathbringer, and still haven't done it yet.

Isaac Stewart

Yeah, we don't know if it will even be in [Stormlight Four], either. But eventually, we'll get there.

I'm at the beginning of that process for Stormlight Four. I can tell you that we will have a second page of glyphs from Nazh, from his time in the ardentia.

#12 Copy

Brandon Sanderson

A lot of you may know I served a mission for the Church of Jesus Christ of Latter-Day Saints in Korea, in Seoul. And missionaries have one day off a week, basically they call it P-Day. It's not a full day off, but it's basically a day off. Preparation Day. It's very common that missionaries will go play basketball or something. I'm not a sports fan; I appreciate sports. So I bought this sketchbook, because I wanted something that I could write in while watching my companions play basketball. And this is White Sand, my first novel. Handwritten. In '95 on these sheets of paper. And you can see me crossing things out, doing revisions, making my own kind of little dotted line here to do a scene separation, and stuff like this. And I just filled these things. With these tiny things. I can still read it.

"He wants you to visit him today?" Kenton repeated. "Who?"

"Regent. The Tower Seat."

I wanted you guys to see this. If there's ever a Brandon Sanderson museum, that needs to go in it. And that's how I wrote my entire first novel that I ever finished. Though, I didn't have a lot of time. One day a week. I didn't finish it those two years on my mission.

I came back and got a job. And the job was selling ties in a kiosk in the mall in Idaho Falls, Idaho. Because, while i was raised in Lincoln, Nebraska, my parents moved to Idaho while I was away on my mission. So I came back to a job selling ties. And it was actually a pretty good job, but you could only talk to people if they came up and started looking at your kiosk. Which was great; I'm not going to have to bother people; if they are interested, I can help them. But that also left me a lot of downtime to work on the stories. I had that. I also had a second job, which was selling corn out of a truck by the side of the road. (These are the great things my parents had lined up for me, when I got back.) And both of those left me time to keep working on the book. And then I eventually got it all done and typed it out and had my first novel finished. I think I finished typing that out after I'd gone back to BYU, and I finished the book. So, really, it took me from about '95 until '98 to write my first book. But part of that time was only one day a week.

#13 Copy

Questioner

What is the process for you to create a symbol or map for a book?

Isaac Stewart

Both of those have kind of a different process. If you look at the overview, the process is the same, and it's the same process that a lot of time is used for plotting the book, where you start macro and then go down to the micro level. So, I'll talk about each of those separately.

For a symbol, it's usually Brandon coming to me and saying, "We need a symbol for this series." Or I realize we need a symbol for this series. Let's say the Nalthis one. We just came up with that, we put it on the spine of the Warbreaker leatherbound.

So we said, "We don't have a symbol for Nalthis. What do we want that to be?" And I talked to Brandon, and we said, "Maybe a symbol of the Tears of Edgli." And so, we talk about, "What are the Tears of Edgli? What do we know that's canonical? What do you have in your head?" And we kind of came up with a story about them. And then I just start drawing.

Brandon Sanderson

So, if you don't know what these, the Tears of Edgli are flowers that they get a specific dye for that are briefly mentioned in the books. But they are where the Shardpool is in Warbreaker. So it's actually pretty relevant, although in the first book, it doesn't actually pop up all that much. But they are Invested flowers, basically.

Isaac Stewart

So we thought that would be a good symbol for the world of Nalthis, you take one of its Investitures and make that into a symbol. So I draw a bunch of flowers at this point, and we say, "What looks cool? What is going to be symbolic?" So you can see there's five lobes sticking up, five lobes sticking down. There are references to the number five in this book that have different meanings. Like the Five Scholars, and there was five something else. Anyway. So you'll see that one is sticking up, and one is sticking down. And there's more symbolism in that, as well.

But I do a bunch of symbols, I show them to Brandon, and I say, "Okay, which ones of these do you like? What don't you like?" And then we narrow it down. And then I iterate on that, and I do another version where we get a little bit closer. And once we get it close in the sketch realm, I take it into Illustrator, make some nice vectors so it can print out really well on the foil or as we're doing decals or different things like that.

Another thing that I have in the back of my mind when I'm making is symbols is that I want them to be cool. Because we've noticed (and this was not something I noticed early on), but I noticed people will want to get stickers and put them on their laptops. Or they'll want to get them tattooed. And if somebody's gonna do something permanent like that, I want them to be cool. So that's something that's always in the back of my head, is: "This has got to look cool, in case somebody wants to tattoo it on themselves. I don't want to responsible for something dumb."

#14 Copy

Isaac Stewart

If we ever see the Nicki Savage stories, one of the actors who played Vin shows up. On stage.

Brandon Sanderson

If you want to read some of Isaac's writing, he wrote the Nicki Savage story in the broadsheets.

Isaac Stewart

The broadsheets in Shadows of Self and the broadsheets for Bands of Mourning were probably 95% me.

Brandon Sanderson

I wrote the Allomancer Jak one in the first one. And the second one is Allomancer Jak also, but you wrote it. And then you wrote Nicki Savage, which is Allomancer Jak's protege. And we still kind of want to do a Nicki Savage novel, at some point. Isaac wants to do it. Isaac is one of the only people on the planet... like, I'm happy doing collaborations on non-Cosmere stuff with my other writer friends, but the Cosmere is so intricate that most people cannot write in it, we don't think. We even had trouble with the White Sand graphic novel. We had a fantastic novel on that, but they just weren't steeped in the cosmere in the way they needed to be. If there's ever writing to be done in the Cosmere that I can't do, it's probably going to Isaac, if he wants to.

Isaac Stewart

It'll go through all the same process to make sure that it's canonical.

#15 Copy

Brandon Sanderson

The publisher who's doing Isaac [Stewart]'s Monsters Don't Wear Underpants book came to use and said, "Hey, we really like this story in Oathbringer of The Girl Who Looked Up." And they said, "We think this would make a nice children's book." And Isaac knows way more about children's books than I do. And he suggested it needs some revisions to actually work as a children's book. And I suggested some revisions. And he's like, "These probably aren't actually going to work for the children's book." And he suggested some revisions which did work. And so I just said, "Isaac, you just take it over." So it's going to be co-authored by us. The first thing that's, like, officially co-authored. (Except we did get the Nicki Savage story.)

Theoretically, we will sometime... still years away. But we'll have a picture book of The Girl Who Looked Up that takes my writing from the book, Isaac adapts it so it works as a children's book, and then art directs hiring out to get the artwork done. So that will be the first thing you can actually buy from the both of us.

Isaac Stewart

Probably, yeah. I think we're looking (and it may have been in the State of the Sanderson) some time in 2021. It really depends on when the art and when the writing comes together. But we're in the middle of that process right now.

Brandon Sanderson

I've warned Isaac that Book Four has a really good one that'll work pretty well, as well.

#16 Copy

Brandon Sanderson

The Heralds, like I said, we want these Sistine Chapel type paintings of the ten Heralds in-world to make as our endpages. And you got four of them in Oathbringer. But there's ten Heralds. So we've been working, slowly over time, collecting pictures from people we really want to work with, who we think would do really good jobs. And we started on these pretty early, because we wanted to find when people had openings in their schedule, of just artists we wanted to work with.

And it was earlier last year, almost a year now, that we got Taln in. And it is gorgeous. And we've got the actual, physical painting. With these, we're buying them all, the physical painting. If they'll sell them; Dan Dos Santos won't sell us his yet. He likes them too much, which we will not push him on that. But we have Jezrien and we have Vev upstairs.

So, yeah, we've got the Taln painting that Isaac is going to grab from you. And he'll do the reveal of who did that, and things like that. But it is one of the best fantasy/science fiction artists of all time.

This will be for Rhythm of War. (If indeed that is the title. Because we haven't officially announced it, yet.)

Isaac Stewart

This is Taln. This will be one of our endpapers at some point for one of the books. Probably this one, but it might not be. I've hired out for the rest of them, so it just depends on what fits the tone of the book.

This is by Donato [Giancola]. And Donato has been amazing to work with. You've probably seen his stuff for The Lord of the Rings. He's done stuff for George Martin. He's done space stuff.

Brandon Sanderson

I have always wanted to own a Donato. He actually did an art piece for us very early in my career for a short story, but it was digital-only, so I couldn't buy it.

Brandon Sanderson

The process on this was, we have these briefs that I write up about each of the heralds. I go into our wiki, I pull out the lore, things that haven't been revealed. I put it all together, and I send out what I'm allowed to to the artist. Which is usually most of it. And then I say the whole thing about, "These are kind of like the Sistine Chapel paintings, and all of the apostles. These are something from the Renaissance of this world, where they have done Vorin representations of the ten Heralds."

So, on this one, I sent him Taln. We know that Taln (especially we know this from Oathbringer) is the one who held the Darkness back, he held the Desolations at bay for thousands of years, something like that. So what we have here, Donato interpreted that as Taln stepping forth out of Damnation with this representation of Damnation in the background.

What else can I say about this? He used our symbols for the Stonewards. We've got some of those in this. We've got our numbers; the Stonewards are number nine, so we've got the Vorin numeral nine in there. The sword, he took that from descriptions of the sword where it's kind of this large, molten nail. Anyway, we're just happy with how this turned out. He only did one revision on it for us, because we didn't need more.

#17 Copy

Isaac Stewart

I just got sketches for Herald Pailiah. I don't know what we've said about her in the past, but she is the Herald who is over the Order of the Truthwatchers. Her symbol is the one on the chart of The Way of Kings that is green, it's emerald, it looks like furling grass. So the Herald, there's some beautiful things going on with nature in the background with this one.

Brandon Sanderson

If you're like, "Who are all these people, Brandon?" They are mostly going to be in the back five Stormlight books.

#18 Copy

Zeke3dt

What is a piece of art that you've made for the Cosmere that you like, but that was never used and likely never will?

Isaac Stewart

I have tons of little sketches and things of symbols that I would count. And I don't know if I have a favorite in there, but I can tell a story about when we were doing the Cosmere symbol. Because we did a ton of different ideas with that. And for a while there... when we do symbols, I do books full of symbols; I want to find something iconic. I'll immerse myself in symbology for a while. And I was kind of thinking we haven't used something with a hand, so I was coming up with these stylized hands for a while that had different things on them. But the logo, it was just getting too complex, and it wasn't falling all together all that well. But I have these cool drawings of symbolic hands, like the hands idea which is one of the things in our world which is very similar to that. Kind of drawing on that sort of iconography the way that Robert Jordan drew on the wheel and the worm Ouroboros and things like that.

#19 Copy

Many People

Wondering if we're ever gonna see a Cosmere coloring book?

Isaac Stewart

We've talked about this. I think that it's within the realm of possibility, but I don't want to promise anything at this. Because, again, it comes down to this whole opportunity cost thing, where do we want to spend our time. But I can see it happening. I just don't know.

Brandon Sanderson

We want to eventually do some worldbooks for some of the series, like a nice world guide for Roshar. But those take a lot of effort, and we have seen some of those turn out very poorly for other worlds and book series, so we're not sure when and if we will do that.

Isaac Stewart

We've learned, especially on Cosmere things, that we need to be heavily involved on those sorts of things, or things can move away from where we want it. So we would have to be involved with this, so it would need to be during a time when we're not preparing for, like, a Stormlight book. Because that's highest priority.

Brandon Sanderson

I would imagine, that if we release a Cosmere art book, that it will be after Book 5.

Event details
Name
Name YouTube Livestream 3
Date
Date Jan. 25, 2020
Entries
Entries 19
Upload sources