Advanced Search

Search in date range:

Search results:

Found 23 entries in 0.187 seconds.

Brandon's Blog 2009 ()
#1 Copy

Brandon Sanderson

PROJECT FIVE: THE LIAR OF PARTINEL (A.K.A Dragonsteel)

This was the book I was working on for a 2010 release. Epic fantasy. I wrote it in 2007, then put it aside when the WoT was offered to me.

Frankly, I was never pleased with how this book turned out. It was a rough, rough draft—and though I finished it, it wasn’t really ever ‘finished.’ I’ve tossed it back into the wood chipper of my brain. I can do better, and I just can’t ask you to buy this book, as I don’t feel satisfied with it. I could revise it, but that would take about six months of work—delaying the second WoT book for six months. That’s unacceptable, particularly for a book I feel so unsatisfied with. You’ll get a revision of this someday, perhaps.

General Reddit 2014 ()
#2 Copy

Peter Ahlstrom

No one has read all of Liar of Partinel whole thing, not even Brandon's writing group—though they did read most of it. Brandon tried to freewrite the book instead of outlining it, and it just did not work.

When Brandon gets back to it eventually, he'll rewrite it from scratch.

Rhythm of War Preview Q&As ()
#3 Copy

LewsTherinTelescope

Something I've been curious about: will Liar of Partinel be released as a Sanderson Curiosity eventually? I noticed that in the stream a while back where you listed your unpublished books, you didn't list it among them.

Also, you gave four approximate sort of "quality tiers", of

  1. Decent but not great: White Sand, Aether, WoKP, Dragonsteel Prime
  2. Readable but not good: Final Empire Prime, Mistborn Prime
  3. Bad but not horrible: Knight Life, Star's End, Sixth Incarnation of Pandora
  4. Just plain terrible: White Sand Prime/Lord Mastrell, Mythwalker

Which tier would Liar be in?

Brandon Sanderson

Liar would be #2, I'd think. Problem is, it's close enough to continuity (having been written after I'd outlined the cosmere) that I wouldn't want to actually release it until after I've done the actual Hoid backstory book. I've changed some dramatic things about how I want to present the story, so it would be bad to release this one.

We've reached a point where Dragonsteel, however, wouldn't be a spoiler. So I'm tempted to release that one in the next kickstarter. I've been kicking around the idea of an actual revision of White Sand, to make it publishable, and release that as an actual cannon novel. It's the only one that could happen to.

ItchyDoggg

Does this mean there is no chance of a cannon version of Aether of Night ever being published? I really enjoyed it and think a fully polished version would be fantastic.

Brandon Sanderson

It is unlikely, but not impossible. Aether could be made cannon with only slight changes--but it doesn't fit into the larger cosmere story any longer, so I don't know of how much interest it would be.

LewsTherinTelescope

To clarify, you're referring to the actual Aether of Night novel, not the future rewritten Aether books that you've mentioned before, right? Or are those not likely anymore either?

Since Aether of Night could be canon with slight changes, I assume the Aethers in the book will be mostly canon as they are, at least in your current outline?

If you were to revise Aether to be canon, would you be replacing Ruin and Preservation with two other Shards, or would you be more likely to just remove Ruin convincing the Twins to imprison Preservation?

Brandon Sanderson

Future Aether books are very likely. And the aethers themselves are going to be very like the ones in the book.

If I did try to make it cannon, I'd probably remove the whole Shard plot from the book and instead either use another Shard, or not add a new one, since the Aethers (as I have them now in the notes) function without a Shard's involvement, and even predate the shattering. (Note, that's not yet canon.)

State of the Sanderson 2018 ()
#4 Copy

Brandon Sanderson

Updates on Minor Projects

Potential Cosmere Stories

Keep the following on your radar, as they may happen someday. However, as I'll be knee-deep in Stormlight in 2019, don't expect anything to happen on any of them until it is done. The list includes: Dragonsteel/Liar of Partinel, Sixth of the Dusk sequel, Silverlight novella, Threnody novel, Aether of Night, Silence Divine.

Steelheart San Francisco signing ()
#5 Copy

Questioner (paraphrased)

He was asked how many contracts he's had and has.

Brandon Sanderson (paraphrased)

He started to talk about the story where he had a contract for Dragonsteel and another book, which became Rithmatist. He said the first book of Dragonsteel didn't turn out well, and that he wasn't ready to write that series, which ties in all of his universes as a prequel. And said he'd be avoiding more series where you have to really have read everything to get it until further down the line. Confirmed that the next several books are going to be Stormlight related, along with the in between Wax and Wayne books, Steelheart books and Rithmatist.

Sofia signing ()
#6 Copy

Questioner

My question is about Yolen. If, or when, you chose to write Hoid's origin story, do you plan to keep the same plots in Yolen? Where the moss is taking over the planet?

Brandon Sanderson

So I need to give you some back history to this one... My epic fantasy books, this is all of them but not Steelheart and not The Rithmatist, so the epic fantasy, are all connected, if you weren't aware. They all have little ties between characters, and there's a character named Hoid who's shown up in all of the books basically; he's the same person. When I was earlier in my career, before I published, I tried writing his origin story and I failed. The book wasn't very good, and I tried it again later, after I was published, and I failed again. It still wasn't very good. And this still happens to me. Sometimes I try things out and they just don't work. So the question am I going to try it; when I go back to it will it be the same story? The core part of it will be the same. There are certain events that Hoid has talked about in the books that are published that I will make sure are still relevant, but the story continues to evolve in my head. So I will have to decide eventually what things I want to do and what I don't. I think it will change from what I originally planned, but the soul should be the same. The core should still be the same. It will be very different from Dragonsteel, though, which was the one I wrote in 1998, because that had Bridge Four in it, and I moved them to The Stormlight Archive. So most of that book is gone, and it ended up in The Stormlight Archive, so who knows what will go-- It'll be very different from that.

Hero of Ages Q&A - Time Waster's Guide ()
#7 Copy

Brandon Sanderson

Folks,

This essay I just posted:

http://www.brandonsanderson.com/article/55/EUOLogy-My-History-as-a-Writer

Started as a blog post for this thread, talking about the old books I wrote to give context to my previous post. It outgrew the length of a proper forum post, so I put it on the site instead. But this might help you understand some of my history as a writer, not to mention explain the origin of all these old books Ookla that references all the time.

Lightning Eater

I remembered a thread from ages ago in which Brandon posted a list of the books he'd written, I looked it up when I realised it wasn't in the article, and I figured you guys might be interested too, so here it is.

1) White Sand Prime (My first Fantasy Novel)

2) Star's End (Short, alien-relations sf novel.)

3) Lord Mastrell (Sequel to White Sand Prime)

4) Knight Life (Fantasy comedy.)

5) The Sixth Incarnation of Pandora (Far future sf involving immortal warriors)

6) Elantris (You have to buy this one!)

7) Dragonsteel (My most standard epic fantasy)

8) White Sand (Complete rewrite of the first attempt)

9) Mythwalker (Unfinished at about 600 pages. Another more standard epic fantasy.)

10) Aether of Night (Stand-Alone fantasy. A little like Elantris.)

11) Mistborn Prime (Eventually stole this world.)

12) Final Empire Prime (Cannibalized for book 14 as well.)

13) The Way of Kings(Fantasy War epic. Coming in 2008 or 2009)

14) Mistborn: The Final Empire (Coming June 2006)

15) Mistborn: The Well of Ascension (Early 2007)

16) Alcatraz Initiated (YA Fantasy. Being shopped to publishers)

17) Mistborn: Hero of Ages(Unfinished. Coming late 2007)

18) Dark One (Unfinished. YA fantasy)

19) Untitled Aether Project (Two sample chapters only.)

Brandon Sanderson

Thanks for posting that. Note that I can never quite remember which was first, Aether or Mistborn Prime. I always feel that Aethershould be first, since it wasn't as bad as the two primes, but thinking back I think that the essay is more accurate and I wrote it between them.

This would be the new list:

1) White Sand Prime (My first Fantasy Novel)

2) Star's End (Short, alien-relations sf novel.)

3) Lord Mastrell (Sequel to White Sand Prime)

4) Knight Life (Fantasy comedy.)

5) The Sixth Incarnation of Pandora (Far future sf involving immortal warriors)

6) Elantris (First Published)

7) Dragonsteel (My most standard epic, other than the not-very-good Final Empireprime.)

8 ) White Sand (Complete rewrite of the first attempt, turned out much better.)

9) Mythwalker (Unfinished at about 600 pages. Another more standard epic fantasy.)

10) Aether of Night (Stand-Alone fantasy. A little like Elantris.)

11) Mistborn Prime (Shorter fantasy, didn't turn out so well.)

12) Final Empire Prime (Shorter fantasy, didn't turn out so well.)

13) The Way of Kings Prime (Fantasy War epic.)

14) Mistborn: The Final Empire (Came out 2006)

15) Mistborn: The Well of Ascension (Came out 2007)

16) Alcatraz Verus the Evil Librarians (Came out 2007)

17) Mistborn: Hero of Ages(Came out 2008)

18) Alcatraz Versus the Scrivener's Bones (Came out 2008)

19) Warbreaker (Comes out June 2009)

20) Alcatraz Versus the Knights of Crystallia(November 2009ish)

21) A Memory of Light(November 2009ish. Working on it now. Might be split into two.)

22) The Way of Kings Book One (2010ish. Not started yet.)

23) Alcatraz Four (2010. Not started yet)

Peter Ahlstrom

Will elements of your untitled Aether project be worked into the Dragonsteel series?

The Silence Divine(Working title. Stand alone Epic Fantasy. Unwritten.), Steelheart (YA Science Fiction. Unwritten), I Hate Dragons (Middle Grade fantasy. Maybe an Alcatraz follow up. Unwritten.), Zek Harbringer, Destroyer of Worlds (Middle Grade Sf. Maybe an Alcatraz follow up. Unwritten.)

These titles are news to me. You described two potential YA or middle-grade books to me and Karen when you came out to Book Expo, plus Dark One, but now I can't remember the plots except they were cool (and that one of them involved superheroes). Are they among this list? Also, is that really Harbringer or is it supposed to be Harbinger?

Brandon Sanderson

Bah! That's what I get for typing so quickly. Yes, Harbinger. It should be "Zeek" too. Short for Ezekiel.

Steelheart would be the superhero one, though that's a working title, since I'm not sure if it's trademarked or not. Haven't had much time for thinking about any of these books lately.

Peter Ahlstrom

Brandon, here you said Alcatraz 4 is called Alcatraz vs. The Dark Talent; is that still the working title? Also, you mentioned Dragonsteel: The Lightweaver of Rens, but now you say The Liar of Partinel is a standalone. Change of plans? (I know you can't get back to Dragonsteel for a while.)

Brandon Sanderson

The Alcatraz titles are in flux because I need to know if Scholastic wants the fifth one or not. (They only bought four.) Dark Talent will be one of them for certain.

The Liar of Partinel was part of a two-part story told hundreds of years before the Dragonsteel epic. However, since I've dropped plans to go with Liar anytime soon—A Memory of Light has priority, followed by Way of Kings—I don't know what I'll end up doing with the second book, or if I'll ever even write it. I was planning on not calling either of these "Dragonsteel" in print, actually, and just letting people connect the two series on their own. It wouldn't be hard to do, but I didn't want the first actual book in the main storyline to be launched by Tor as "Book Three" since there would be such a large gap of time.

Salt Lake City Comic-Con 2014 ()
#8 Copy

Seonid

Aether of Night, aethers also show up in Liar of Partinel...

Brandon Sanderson

Yeah, that was...

Seonid

Was that cannibalized...

Brandon Sanderson

That was a cannibalization, it's an attempt at repurposing and I didn't like it so it probably won't go forward that way but it was an attempt because it worked so well to mash Allomancy and Feruchemy into the same system and I didn't like how it went but...

Brandon's Blog 2013 ()
#9 Copy

Brandon Sanderson

The origin of The Rithmatist

Six years ago, I was writing a book that I hated.

Now, that's both rare and common for me at the same time. I tire of pretty much every book I work on at some point, usually during the revision process. I push through and get over it. That's what you do as a writer. By the time I'm done with the process, I'm tired of the book—but it's the good kind of tired. The "I worked hard, and now have something awesome to show for it" tired.

Unfortunately, that wasn't happening for this book. Called The Liar of Partinel, every chapter was a chore to write. Though it had started very well, it continued to spiral farther and farther down the drain. I was familiar enough with my own writing by this point to realize the problems with Liar wouldn't work themselves out. The characters were boring, the plot forced. The worldbuilding elements never quite clicked together.

It had been years since I'd had such a bad feeling about a novel. (The last time, in fact, was Mythwalker—my sixth unpublished book—which I abandoned halfway through.) Part of the problem, I suspect, had to do with my expectations. Liar, set in the same world as Dragonsteel, was to be the origin story of Hoid, the character who has appeared in all of my Cosmere novels. (Information here—warning, big spoilers.)

I needed Hoid's story to be epic and awesome. It just wasn't. And so, I ended up "hiding" from that novel and working on something else instead.

The Rithmatist. It started with some drawings and a purely creative week sketching out a world, characters, and magic. That week is the exact sort that turned me into a writer in the first place, and was a distinct contrast to the grind that had been Liar. I abandoned the book and dove into The Rithmatist (then called Scribbler), and wrote a book where everything just came together. It happens sometimes. It just works, and I can't always explain—even to myself—why.

I finished the first draft of the book in the summer of 2007. In the fall, I got the call regarding the Wheel of Time, and my world transformed forever. The Rithmatist, though an awesome book, languished for years because I didn't have the time to devote to it. Doing a tour or contract for another teen book was impossible at that time, and beyond that I couldn't commit to writing any sequels or even doing any revision for the novel.

I did tell Tor about it, though, and they started to get excited. The publisher tried at several times to get me to release it, but I didn't feel the time was right. I couldn't let my attention be divided that far. I was already stretched too thin, and I wanted my attention (and that of my readers) to be on the Wheel of Time.

The month A Memory of Light was done and turned in, however, I called Tor and told them it was time to move forward. I'm pleased to be releasing the book now, when I can give it the attention it deserves.

And hopefully someday I'll be able to fix The Liar of Partinel. (At this point, I'm feeling I need to rewrite it as a first-person narrative, though making that switch is going to cause an entire host of problems.)

State of the Sanderson 2017 ()
#11 Copy

Brandon Sanderson

Potential Cosmere Stories List

Here are things that at one point I've had in the works, and probably someday plan to do, in the 'osmere:

  • Dragonsteel/Liar of Partinel. (Hoid's origin story, to be written sometime after Stormlight is done.)
  • Sixth of the Dusk sequel. (I had a pretty cool idea for this last year. Nothing more than that.)
  • Untitled Silverlight novella. (What it says on the tin.)
  • Threnody novel. (An expedition back to confront the Evil that destroyed the old world.)
  • Aether of Night. (Still in the cosmere, and you can see the odd remnant of an Aether popping up here and there. Bound to be drastically different from the unpublished novel, which I allow the 17th Shard to give out to people who request it on their forums. Basically, the only thing from it that is canon is the magic system.)
  • Silence Divine. (Disease magic novella set on Ashyn.)
Hal-Con 2012 ()
#12 Copy

Lance Alvein (paraphrased)

You mentioned in the forum QA that Liar of Partinel was scrapped - does this mean that Hoid's backstory will no longer be told?

Brandon Sanderson (paraphrased)

There are still plans to do Hoid's backstory, all that the comment about the book being scrapped meant is that when it comes time to write it, the current draft will be tossed away and it will be written fresh - similar to how Way of Kings was done.

Bands of Mourning release party ()
#13 Copy

Questioner

I do have one question that I have no idea if you'll answer. Aronack?

Brandon Sanderson

Yes. Wow, you're going way back.

Questioner

Well it gets worse, I noticed the name both in Dragonsteel [Prime] and in some chapters from Liar of Partinel--

Brandon Sanderson

Yes.

Questioner

Was that a cannibalization? Or is that two separate appearances?

Brandon Sanderson

So Liar of Partinel was a re-envisioning of... Dragonsteel and so there were certain things I was changing but that's not one of them. That's the same person.

Questioner

So was that story arc just-- Okay it's just the same thing?

Brandon Sanderson

Yeah.

RoW Release Party ()
#14 Copy

Brandon Sanderson

In this world, there are two competing ecologies. There's something we call "fain," and something we call "trune." And in this region, humankind, they basically can't live in the fain ecology. There's something called skullmoss that grows over everything and changes the plants; they become poisonous. And the animal flesh, humans can't survive on. We are in a city that is surrounded entirely by fain life. It's grown around, and there's a ring around the city; no one knows why it hasn't taken over the city.

And into this comes Midius, an apprentice Lightweaver who has been tasked with helping the people of this city by a mysterious mentor figure that you're not gonna find out about, but there will be some little clues. And he is brand new at this, barely knows what he's doing, and has been tasked with figuring out the mystery and trying to save the city before it falls to the fain.

He has entered the city, shown off some of his powers, had a different response from what he expected, and now he's found kind of a home in basically a soup kitchen for the poor that is run... they're the people who let him in.

This is from The Liar of Partinel.

Brandon Sanderson

"I want an opportunity to perform a story for these peoples," Midius said.

<Razal> snorted. "Like you performed for the king with that dragon today?"

Midius frowned. They stood in the kitchen, amidst <Razal's> bubbling pots, <Kale> dutifully stirring one to the left. The man hadn't needed to be asked. Already the room was beginning to fill with unemployed people. They sat, staring at their tables, waiting to be fed.

"How do you know about the dragon?" Midius asked.

<Razal> dumped a handful of spices into one of the pots. "It's all over the city, Jesk. I think it was incredibly poor taste to make the image eat an illusionary soldier."

"I did nothing of the sort."

"But you did create an illusion of a monster."

"Yes," Midius admitted."

"And now you want me to let you do something similar in here?"

"Nothing so drastic," Midius promised, "just a simple story."

"Why? I thought you were here to save the city or something."

"I'm working on that," Midius said. "In the meantime, I'd like to tell a story. I think it might help these men, lift their burdens.

<Razal> stopped pouring spices. She folded her arms, looking up at Midius. "Look, Lightweaver," she said, "you think your lies are gonna make these men happy? You think you can feed their children with a story? The Jesks failed us. Your master: he failed us."

"Wait, when was this?"

"Before," <Razal> said, waving a hand. "When <Torag> took control form Theus's father. The Jesks tried to placate the people, tried to tell them that a new age was coming. They spoke of art and beauty. And you know what? Their king couldn't feed us. People starved by the hundreds. Why do you think we turned to Theus?"

Midius's frown deepened. He knew the story, the history, differently. <Torag> had killed Theus's father, true, but it hadn't been the Jesks' influence that had caused the problems during <Torag's> single, tumultuous year of rule. It'd been the lack of alliances, poor trade instincts, and general unsettlement in the city.

And yet, the Jesks had supported him. And that was part of the reason Theus had exiled them. Still, <Razal's> version was skewed. Or perhaps Midius's was. His master had taught him the past was very difficult to pin down. "As fluid as river waters," he'd called history. "What paints on a tapestry, mixing and melding in liquid form, creating images and scents that never remained stable.

"<Razal>," Midius said, "you suffer the philosophers, even though I can tell you think their talk is frivolous. Well, even if you see my stories as frivolous, I ask you to let me tell them."

"Bah. You're as bad as that godspeaker, always pume to do things. Fine. Tell your story. But only after you serve food during the big eating rush."

"Very well," Midius said, "though I do wonder why we even do it this way. Wouldn't it be faster to have the men line up and pass through to get their soup?"

"These men spend all day waiting in line, Jesk," she said. "They wait for hours, standing in the sun and hoping to be one of the few that gets a chance to work. I don't intend to make them wait here, too. Get to work."

Midius took a stack of bowls and moved over to <Kale's> cauldron, filling two of them. "You're good at getting what you want, Jesk," the soldier said. Midius shrugged. "I would have thought that you'd be poor at that, after living so long alone in the forest."

"I wasn't alone in the forest," Midius said, taking the bowls and turning. "I had my master." Wasn't really an answer. But Midius didn't feel like giving the real answer. He'd always been good at making things he wanted happen. It was just the way that life was. The world worked as he wanted. Save for the notable exceptions.

Midius didn't let him indwell on that, however. He'd mourned over his master's death enough.

He moved about, delivering bowls of food to the men. Even after only one day in the kitchen, the work became rote to him. That left him to think and consider, trying to decide the best story for the situation. His opportunity came soon, the tide of hungry men slowing. Midius approached <Razal>, setting down an empty bowl, and met her eyes. Behind him, the sounds of dozens of wooden spoons scraping ceramic bowls echoed in the chamber.

<Razal> turned away and waved an indifferent hand. So Midius turned and felt the increasingly familiar flutter in his chest. He grimaced. A man who had killed as many shouldn't feel such nervousness. And yet, there it was. Perhaps a sign that he was more human than he'd often give himself credit.

"I've tried speaking about history," he announced to the room, "and I was ignored." Some of the eating men paused, glancing at him. It was easy to make his voice carry with so few people talking. "I've tried showing a monster. But I got the wrong reaction from that. I've caused enough fear in my life, and I did not come to Partinel to bring more."

Midius put his hand up to the side and dropped a handful of dust. He wove the light into an image of a beautiful blonde woman wearing a blue crown. "So," Midius said, sitting back on a stool, "today, I'll try a romance."

Many of the men perked up at the appearance, though not a few muttered instead. "I honestly don't know a lot about romance, myself," Midius said, tossing a handful of dust to the other side, weaving the light into the image of a princely man with a copper crown. "But then, neither have I ever met a dragon. But I can craft one from light well enough. Besides, I do know one thing. When it comes to romance, women are fickle, but men are fools."

He smiled to the audience. Most of them watched him. However, they didn't respond as his master had indicated. When he called women fickle, he expected grunts of assent. And when he called men fools, his intonation should have garnered a few chuckles. He got neither.

Midius moved on, throwing a handful of dust behind himself, weaving the light and blocking the sight of <Razal> and her pots, instead creating an image of a richly decorated room, complete with a bronze-rimmed looking glass and deeply dyed rugs.

"Now, this was a time before the coming of the fain," Midius said. "Many of my stories are from that time. It does us good to remember that our lives were once more than they are, now. <Lily> was known in seven cities as the most beautiful to be born in some hundred years' time. Wives spoke of her when they washed clothing in rivers. Laborers passed news while they cut wheat in the field. Even children knew of <Lily>.

"Eventually, news reached Prince <Helius>, heir to the throne of Lion's Hill. Now, <Helius> was not a vain man, nor was he particularly demanding. He was, however, an inquisitive man. This news troubled him. What would the most beautiful woman in the world look like? How would she dress? What color were her eyes? How would she keep her hair? He asked after these things, but no one could give him a detailed answer."

Another handful of dust produced a group of scribes and scholars speaking with <Helius>, who stood to his left. <Lily>, however, continued to comb her hair in the room to his right, looking into her mirror. It was a challenging illusion, and Midius felt himself being drawn into the image, transfixed by it. He found it hard to pay attention to the audience as he continued to speak.

"<Helius> determined that he would have to discover <Lily's> beauty for himself. Though his father, the king, objected, <Helius> left that day to ride for <Nanhell>, the fair woman's reported home." <Helius's> room dissolved in a shimmer, transforming into an image of a prince riding on horseback. Even focused on the illusion as he was, Midius could hear cries of surprise from the men at the tables as they saw the prince riding atop a full-sized horse.

The illusion remained steady, the horse staying in place despite its galloping, and Midius carefully added the faint sound of hoofbeats. "<Helius's> road was long and hard," he continued, giving a slight image of rainfall to the illusion washing over the prince. "And as he approached the city, <Helius> began to encounter crowds and large troops of men. He was not the only one who had come to see <Lily's> beauty. Indeed, from the processions he soon began to pass, he wasn't even the only prince who had come. Though he certainly was the most poor and the most humble. He hadn't even brought a single manservant. His only companion was his trusted and aged bodyguard.

"What's more, so many had come to see this princess that they crowded in tents along the walls outside. Every inn in the city was completely full. But Prince <Helius> was clever as well as inquisitive. He found an empty nook on the street, and there he began erecting a fine, extensive tent. The beggars who lived there were surprised to see one so rich pitching there, but the prince did not acknowledge them, instead chatting with his bodyguard and making up a story about how this street was the perfect location to view the princess when she went on her secret morning rides.

"Within a few hours, news had spread, and all imaginable kinds of people had crowded the streets to stake a claim on space. <Helius> retreated to an inn and was able to get a room from one of those who had left in order to sleep on the street.

"As his faithful bodyguard bedded down down on the floor, <Helius> sat by the window, pondering. Then he spotted an old woman walking among those in the street, saying something that seemed to make people there angry. Her attitude intrigued <Helius>, and he sent his guard out to fetch the old woman."

Midius threw out dust in front of him, creating the image of the old woman. He was completely engrossed in his own telling, prepared to move on to the old woman's warning that Princess <Lily> was cursed. As he began this part, however, the illusion wavered, <Razal> cautiously poking through, causing a shimmering of sparking dust to fall to the ground and shattering the back of <Helius's> room.

Midius blinked, bought out of his own story enough to again become aware of the audience. Many of the men were muttering loudly, and some had left the room, leaving their soup behind. Midius shook his head, coming conscious again, his illusion disintegrating. People, objects, rooms, melting down into bits of dust.

"You've had your chance, Jesk," <Razal> snapped. "Stop frightening these men away."

"But the story..."

"They don't care about your story, Jesk. Lies and fain illusions; what good are they?"

"Fain illusions? You think what I do is fain?"

"Well, it's not natural, I'll say that."

Midius looked around, sensing the hostility in the faces of the watching men. Embarrassed, he stood, last of the illusions exploding into dust behind him. Then he rushed from the room, moving to his chambers. Once there, he threw a handful of dust against the wall, summoning his master's figure. Midius's room was dim, since he'd brought no candle. But yet the ancient Lightweaver formed from the dust, sitting on Midius's bed.

"You lied to me," Midius said.

"Well, I am a liar," the master said. "So are you."

"We don't lie about important things."

"All of our lies are important, you know that."

Midius turned away. "They were supposed to welcome my stories. How often do you mention the joy that men finding in storytelling? How often do you talk of lies and their power to bring emotion? They're supposed to love me, not revile me."

"Is that why you're here, Midius? To find love?"

Midius glanced at his master. "So I should stop? Focus only on the Corrupted?"

"Ah, lad. Saving Partinel involves so much more than simply stopping the Corrupted. These people, they live, but they no longer remember why. They eat with dull stares. They work the fields without laughter. They return home to their families worried and frightened that they'll get sick, or that they will lose a child to the Year of Sacrifice, or that the trune ring will finally collapse and leave them all without a home."

"There is little I can do about that."

"You can remind them that there is more to life than pain, fear, and sorrow. That's the true calling of a Jesk. You look to give them stories that have meaning, but the most important meaning of your lies has nothing to do with a moral. It has to do with the way that it makes people feel, not the way that it makes them think."

"They don't want to feel. If they can't see how it'll feed them or bring them wealth, they don't want it. They revile it and call it superstition or foolishness. They care nothing for what I offer."

"No," his master said. "They do care. But they're afraid. Midius, this thing that you do, this is a noble and grand work. When you tell a story, you make men see through the eyes of someone whom they've never known. When they hear the tale of a widow's pain, for a moment they are that widow. When they hear a child's play, they remember what it was to be a child themselves. When they see a hero win, for a short time they succeed, as well. They may have forgotten what this means, but that is part of being human. Your duty, then, is merely to remind them."

Miscellaneous 2017 ()
#15 Copy

Dan Wells

This is actually an idea we came up with on the cruise last year was to do an episode about all the things that we have tried to make work and couldn't; the novels that we abandoned halfway through or the short stories that just never came together. And we thought it would be a really fun way to end this year in kind of a backhanded, inspirational way to say, look, we're all successful at this and we still screw up all the time.

Brandon Sanderson

Yeah. And it's not just what we do when we were trying to break in, not those old trunk novels. It still happens every year. Let's take each, our biggest one, like the thing we got the most involved in, or the one that was most tragic to us that we couldn't make work and talk about it. And I'll just go ahead and start.

Brandon Sanderson

I - right before I got the call for the Wheel of Time, which changed my life dramatically - I had finished the Mistborn series, I'd finished Warbreaker and Elantris, and next I thought, I'm going to jump back in the shared universe of my Cosmere and write the prequel series that started it all, where everything came from. This is the backstory of the character known as Hoid, who is a fan favorite. And I'm like, I'm going to do this trilogy, or more books. It's going to be super awesome. It's going to just be the greatest thing ever. And I actually finished the whole book and it was a disaster. It was a train wreck of a book. The character, for the first time - it's like this whole problem you have when you have a really engaging side character that you try to make a main character - didn't work at all as a main character, at least as the personality I had for them way back when. The plot was boring. The setting just was even more boring, which is saying a lot for me. I tried to pull and incorporate some different elements from books that I had tried before and none of them meshed. And so it felt like five books with a bad character and no plot. It was a huge, just terrible thing.

Howard Tayler

Did it have a good magic system?

Brandon Sanderson

The magic system was weak.

Here's the thing. It had a really good magic system from another world that I ported into this world that didn't jive. And the one that was from this world never meshed well with that. And so the magic system was really weak in that it was doing cool things, but in complete contrast to the tone of the novel. Dan may have read some of it, Liar of Partinel.

Dan Wells

Uh, no.

Brandon Sanderson

OK. The writing group which just kind of baffled by this. I actually tried -speaking of what we did last week - I actually started with the clichéd scene of someone being hung and then flashing back to show how they got there - like it had so many problems with it.

Dan Wells

72 hours earlier.

Brandon Sanderson

Yes. Yeah, it was, exactly. It was one of those things. Exactly one of those things. Like "I'm going to to try this tool. Oh, this tool is not a tool," right? Like some tools you try and you're like, "Oh, that's a cool tool that doesn't deserve its reputation." Some of them you try and you're like, "This is so..."

Dan Wells

There's a reason everyone makes fun of this one. Wow.

So I kind of want to ask questions about how bad it was.

Specifically with Hoid.

Because that's what fascinates me about this. He was, he is a fan favorite and he's always the side character, you know.

He's the one who's sits off and makes goofy comments and, you know, maybe appears once and then leaves. What did you do when you attempted to make him a main character? Like what was your process there?

Brandon Sanderson

So I knew the biggest chance for failure on this was, you know, taking him a bit, having be too wacky through the course, right? It's the Minion movie thing, which worked for my kids, but for a lot of people are like "These side characters that add flavor to a larger story, when you make the whole story about them, are super annoying." I'm like, I can't have him be super annoying! Well, that's OK. It's you know, when he was young, when you're seeing him in the books, he's hundreds and hundreds years old. He was young, and so I will take that part out. But I did this weird dual identity thing with him, where he was like pretending to be someone else for a big chunk of the book because it had a really cool twist when I did the whole reveal. But then that meant I had to characterize him as somebody you grew too emotionally invested in somebody to...at the end you're like, "Surprise! In the next book you'll get to know who he really is." Which was part of it. And the person I was having him be was bland on purpose because it was like trying to hide and pretend to... Oh, man! There were so many problems with this character, like it was trying to be too clever, leaving out the cleverness that had made him a fan favorite on purpose. Right? So it's a different kind of cleverness. And it just did not work. Didn't work at all.

Dan Wells

Do you think that if you were to write that book today, you could make it work?

Brandon Sanderson

I have completely scrapped that, and what actually changed my opinion on how to do this was Name of the Wind. It needs to be him in the future, flashing back and talking about himself because people will have already bonded to who he is in the future. And it needs to be a memoir. It needs to be...the Assassin's Apprentice is a better example of what this needs to be, because Robin Hobb does such a great job of showing you that contrast between what someone is now and what they've become. And so I need to do something like this. This is now my feel on it. If I then can set in his own voice, I can have these, you know, this first person where we're really, really fun in Hoid's voice for all, and then he fades into the story when he's telling a story, he's not nearly as, you know, he doesn't try to zing you every minute, he tries to tell the story well. That's who he is. And so he will tell the story well. And then we can pop out occasionally and get, you know, it's like Bilbo from The Hobbit.

Brandon Sanderson

So we'll see if I can write it. But that's my plan right now. And there is my true confession of failure. There've been other ones since, but that's the one that hurt, hit me the most. I actually wrote The Rithmatist as I was supposed to go into the sequel to this and start outlining it, and I'm just like "I can't, this book is so bad." And I wrote The Rithmatist without telling any one of my editors I sent that in instead of Liar of Partinel.

Another Long and Rambling Post On Future Books ()
#16 Copy

Brandon Sanderson

So, here’s my official future status, as I sometimes post.

BOOKS YOU WILL SEE SOON

  • Towers of Midnight (November 2.)
  • Alcatraz Versus the Shattered Lens (December 2010.)—A note on Alcatraz. This is the fourth and final of the Alcatraz books in my contract. I do plan there to be more in this series, but I don’t have time for them right now. And so, for now, this is going to stand as the ending of the series. I’ll do Alcatraz Five eventually, I promise.
  • Scribbler (Early 2012)—A note on Scribbler. This is a shorter steampunk book I wrote in 2007, just before I got the call about The Wheel of Time. It’s quite good, and Tor has decided to purchase it. It involves chalk-based magic and a boy who is the son of the cleaning lady at a school for people who learn the chalk magic. I haven’t had time to give it a revision, but will likely use some of the time in my free months between now and January to do a draft of it. If I turn it in January or February, you won’t see it until a year after that, due to scheduling.

BOOKS YOU WILL SEE SOMEWHAT SOON

  • A Memory of Light (March 2012.)
  • Stormlight Archive Book Two (Late 2012 or early 2013.)
  • Stormlight Archive Book Three (One year after Book Two.)

ANTICIPATED SEQUELS

  • Alcatraz Five (Indefinite hiatus.)
  • Elantris Two (Planned to be written after Stormlight Three.)
  • Second Mistborn trilogy (It’s coming someday, I promise.)
  • Nightblood: Book two of Warbreaker (Coming someday.)—Some notes here. Elantris has three books in the series, but they are loose sequels of each other. This means that side characters in one become main characters in the next. So while you’ll see Raoden and Sarene in the second book, they won’t be main characters. (Kiin’s children will be.) Warbreaker is two books. Mistborn is a trilogy of trilogies, with the second trilogy in an urban (20th-century-level technology) setting. For Stormlight, I’m planning a pattern of two every three years, with a different epic—a standalone, or one of the sequels mentioned above—in between. Thus the Elantris sequel is next in line after Stormlight Three, which would be followed by Stormlight Four and Five.

MAYBE COMING SOMEDAY BUT ONLY PARTIALLY WRITTEN

  • Dark One (YA dark fantasy.)
  • Steelheart (Superhero apocalypse.)
  • The King’s Necromancer
  • The Silence Divine (Shardworld novel, standalone.)
  • White Sand (Shardworld trilogy.)
  • The Liar of Partinel (Shardworld novel, one of two.)
  • Dragonsteel (Major Shardworld epic. Won’t be written until Stormlight is done.)

POSSIBLE PROJECTS FOR MY TIME OFF

  • Mistborn short story (Looking likely.)
  • Unnamed urban fantasy (This is what I’m working on right now. Watch Twitter/Facebook for updates on this story. It involves a necromancer pizza deliveryman as a protagonist.)
  • Scribbler revisions (Will almost certainly be done.)
  • Finishing one of the unfinished novels mentioned above (Not likely, but you never know.)

Who knows when/if anything written during my side-project time will get published. Sometimes, these stories are too unformed (as I like to be very free and loose when I write them) to make it. On other occasions, there isn’t time to do revisions on them. (I write initial books very quickly, but spend many months in revision.) For instance, Alcatraz books were my deviations for 2005 and 2006, and the first of those came out very quickly. Scribbler was the one for 2007, and it won’t be published for a year or so yet. I didn’t have time for much in the way of deviations in 2008 or 2009, just the unfinished projects I mentioned above.

We shall see. As always, thank you for reading and supporting me in this compulsive writing addiction of mine.

TWG Posts ()
#17 Copy

Brandon Sanderson

Yes, it's looking like my next series--after Warbreaker, which is looking like it will be a two-book cycle--will be set in the Dragonsteel world. I'm revamping the setting significantly, mashing it together with Aether of Night, which always had a cool magic system but a weaker plot.

I have some sample chapters done, actually. Dragonsteel is now the series name, and the first book will be titled "The Liar of Partinel." (Probably.) The book you all read (now tentatively titled "The Eternal War") will be the third or fourth book in the series, and we will wait that long to introduce Jerick, Ryalla, and Bat'Chor. "Liar" will take place some five hundred years before "The Eternal War."

Brandon Sanderson

The following is a complete Brandon Sanderson Bibliography, published and unpublished.  Prime indicates an early attempt at a book which was later redone.  (Note that when I redo a book like this, it isn't a 'rewrite.'  Generally, it's me taking some elements from the setting and writing a whole new book in that setting, using old ideas and mixing them with fresh ones.)  Published books are in bold.

1) White Sand Prime (My first book, took two + years to write.  1998)

2) Star's End (Science fiction.  1998)

3) Lord Mastrell (Sequel to White Sand Prime.  1999)

4) Knight Life (Fantasy comedy.  1999)

5) The Sixth Incarnation of Pandora (Science fiction.  1999)

6) Elantris (2000.  Published by Tor: 2005)

7) Dragonsteel (2000)

8 ) White Sand (2001)

9) Mythwalker (Never finished. 2001)

10) Mistborn Prime (Stole the magic system and title for a later book.  2002)

11) Final Empire Prime (Stole a character, some setting elements, and title for a later book.  2002)

12) The Aether of Night (2002)

13) The Way of Kings (350,000 words.  Took a long time.  2003)

14) Mistborn: The Final Empire (2004, Published by Tor 2006)

15) Mistborn: The Well of Ascension (2005.  Contracted to Tor for 2006)

16) Alcatraz vs. The Evil Librarians (2005.  Contracted to Scholastic for 2006)

17) Mistborn: The Hero of Ages (2006.  Contracted to Tor for 2007)

18) Warbreaker (2006.  Tentatively to be released by Tor for 2007)

19) Alcatraz vs. The Scrivener's Bones (2006.  Contracted by Scholastic for 2008)

20) Dragonsteel: The Liar of Partinel (Unfinished.  2007?)

21) Alcatraz vs. The Knights of Crystallia (Planned.  2007  Contracted by Scholastic for 2009)

22) Nightblood (Planned.  2008)

23) Dragonsteel: The Lightweaver of Rens (Planned. 2008)

24) Alcatraz vs. The Dark Talent (Planned.  2008.  Contracted for Scholastic for 2010)

I'm not sure if I got all of those dates right, but the order is correct.  I'm finished with all the books up to Dragonsteel, though Mistborn 3, Warbreaker, and Alcatraz 2 are all only in the third draft stage.

Brandon Sanderson

You DON'T have to have read the other Dragonsteel to understand this. The other Dragonsteel will never be published. Some of the plots and characters in it, however, will eventually become book three of this series. Not because I'm doing a 'Dragonlance' type thing, but because when I sat down to work on this project, I realized that I'd rather start back in time a few hundred years. In other words, I'm writing the prequels first, if that's possible.

Brandon Sanderson

In worldbuilding this, I realized that I missed a big opportunity in Dragonsteel Prime by not dealing with fainlife all that much. It was a powerful world element that got mostly ignored. By writing a book here, where I can slam a city in to the middle of the fain assault--before people learned really how to keep the alien landscape back--I think I'll be able to focus more on the setting.

One thing that always bothered me about Dragonsteel Prime is that it felt rather generic for me. I like more distinctive settings, with more distinctive magics. Yet, Dragonsteel Prime had a fairly standard fantasy world (though one set in the bronze age) with magic that didn't really get used all that much in the first book. The idea here is to add the Aether magic in, which is a 'day-to-day' magic, and to enhance the originality of the setting by using fainlife more. Microkenisis, Realmatic Theory, Cognitive Ripples and Tzai Blows, and all of that will STILL be part of this world. I've simply folded the Aethers in as well, and hopefully I can make it all feel cohesive.

TWG Posts ()
#18 Copy

Miyabi (paraphrased)

While talking with EUOL today I had asked about Hoid being Midius from Partinel. 

Brandon Sanderson (paraphrased)

He said he had many names, but avoided a yes or no answer.

Miyabi (paraphrased)

I then asked if Hoid was a shard.

Brandon Sanderson (paraphrased)

He said no and then said something about how no one has read the end of Partinel due to its not being written well and the plethora of spoilers it contains. . . .

He then told me that Hoid was there when Adonalsium was shattered.

TWG Posts ()
#19 Copy

Brandon Sanderson

One thing to note now--I wasn't very satisfied with Glimmer's dialect myself, and DavidB's comments tipped me over the edge.  I'm now thinking of going with something more like this:

   Aether. a voice said in her mind.  It was light and airy, like a voice carried on the breeze, and felt lethargic.  King

   Yunmi glanced down at the rose-colored crystal embedded into her forearm just above her wrist.  King Theus? She thought.

   Aether. the voice responded, dull, slow.  As always, Glimmer's voice was accompanied by images in her head, filling out the single word.  This time, the image was of a dark black crystal set into a man's hand.  Theus's hand, which had been covered by a glove when Yunmi had met him.

   So Theus does have an Aether, Yunmi thought.  Did you speak to it?

   Unresponsive, her Aether replied. Old.  In her mind, Yunmi saw the Theus's Aether as Glimmer did--as a thing ancient, barely capable of putting out Aetherpulp.  A thing tired, yet forced to continue living on, attached to the king's flesh. 

 

Also, I don't like Glimmer's name, so consider that a placeholder right now.

TWG Posts ()
#22 Copy

Brandon Sanderson

Folks,

I've turned my full attention back to this book, and have done a heavy rewrite of Chapter One, which helped me pound out who Midius is (in my mind at least.)  You can see the effect your comments had.  Here's the new version.  As always, comments are welcome!

Brandon Sanderson

All, here's an experimental change I'm considering for the Theus chapters (and note the new Midius chapter at the bottom of the previous page.) I think this may soften the brutality somewhat, even though it's all still there. It will make for a drastic change in feel for the king as a character, but I'm very tempted to do this instead. Reactions?

NEW CHAPTER TWO BEGINNING

It’s a bad day to kill, Theusa thought. Too cloudy. A man should be able to see the sun when he dies, feel the warmth on his skin one last time.

She marched down the dusty path, crops to her right and left, guards behind her. The men of her personal guard wore woolen cloaks over bronze breastplates. Bronze. So expensive. What farming supplies could she have traded for instead of the valuable metal armor?

And yet, she really had no choice. The armor meant something. Strength. Power. She needed to show both.

Several of the soldiers pulled their cloaks tight against the morning’s spring chill. Theusa herself wore a woolen dress and shawl, the copper crown on her head the only real indication of her station. King. It had been twenty-some years since anyone had dared question her right to that title. In the open, at least.

Her breath puffed in front of her, and she pulled her shawl close. I’m getting old, she thought with annoyance.

Behind her towered the grand city state of Partinel, circled entirely--lake and all--by a rough stone wall reaching some fifteen feet high. The wall had been commissioned, then finished, by Yornes the grand, her father-in-law. She’d married his son, Didarion, in her twenty-third year of life.

Didarion been a short time later. That had been almost thirty years ago, now.

Old indeed, Theusa thought, passing out of the ring of crops. Partinel’s trune ring was one of the largest in the Cluster, but it still provided a relatively small area in which to grow food. They grew right up to the edge of the city wall in a full circle around the city. Running in a loop around them was a narrow, earthen road. Beyond that, a wide patch of carefully-watched and cultivated walnut trees ran around the city. Her people cut down one group of trees every year and planted a new patch. It was a good system, giving them both hardwood for trade and nuts for food. In the Cluster, no land could be wasted.

Because beyond the trees, the land became white. The walnuts stands marked the border, the edge of Partinel’s trune ring and the beginning of fainlands.

Theusa could see the fain forest through a patch of walnut saplings. She paused, looking out at the hostile, bleached landscape. Bone white trees, with colorless undergrowth twisting and creeping around the trunks. White leaves fluttered in the breeze, sometimes passing into the trune ring, dusted with a prickly white fungus.

Skullmoss, the herald of all fain life. Her soldiers and workers gathered the leaves anyway and burned them, though it wasn’t really nessissary. Though eating something fain--animal or plant--was deadly to a human, simple interaction with it was not. Besides, fain life, even the skullmoss, could not live inside of a trune ring.

That’s how it had always been. White trees beyond the border, trune life within. People could go out into the fainlands--there was no real danger, for skullmoss couldn’t corrupt a living creature. Some brave cities even used fain trees for lumber, though Theusa had never dared.

She shivered, turning away from the fain forest and turning to where a group of soldiers--with leather vests and skirts--stood guarding a few huddled people. The prisoners included one man, his wife, and two children. All knelt in the dirt, wearing linen smocks tied with sashes.

The father looked up as Theusa approached, and his eyes widened. Her reputation preceded her. The Bear of Partinel, some called her: a stocky, square-faced woman with graying hair. Theusa walked up to the kneeling father, then bent down on one knee, regarding the man.

The peasant had a face covered in dirt, but his sandaled feet were a dusty white. Skullmoss. Theusa avoided touching the dust, though it should be unable to infect anything within a trune ring. She studied the man for a time, reading the pain and fear in his face. He lowered his eyes beneath the scruitiny.

“Everyone has a place, young man,” she finally said.

The outsider glanced back up.

“The people of this city,” Theusa continued, “they belong here. They work these crops, hauling water from the stormsea to the troughs. Their fathers bled to build and defend that wall. They were born here. They will die here. They are mine.”

“I can work, lady,” the man whispered. “I can grow food, build walls, and fight.”

Theusa shook her head. “That’s not your place, I’m afraid. Our men wait upon drawn lots for the right to work the fields and gain a little extra for their families. There is no room for you. You know this.”

“Please,” the man said. He tried to move forward, but one of the soldiers had his hand on the man’s shoulder, holding him down.

Theusa stood. Jend, faithful as always, waited at the head of her soldiers. He handed Theusa a small sack. She judged the weight, feeling the kernels of grain through the canvas, then tossed it to the ground before the outsider. The man looked confused.

“Take it,” Theusa said. “Go find a spot of ground that the fainlands have relinquished, try to live there as a chance cropper.”

“The moss is everywhere lately,” the man said. “If clearings open up, they are gone before the next season begins.”

“Then boil the grain and use it to sustain you as you find your way to Rens,” Theusa said. “They take in outsiders. I don’t care. Just take the sack and go.”

The man reached out a careful hand, accepting the grain. His family watched, silent, yet obviously confused. This was the Bear of Partinel? A woman who would give free grain to those who tried to sneak into her city? What of the rumors?

“Thank you, lady,” the man whispered.

Theusa nodded, then looked to Jend. “Kill the woman.”

“Wha--” the outsider got halfway through the word before Jend unsheathed his bronze gladius and rammed it into the stomach of the kneeling outsider woman. She gasped in shock, and her husband screamed, trying to get to her. The guards held him firmly as Jend pulled the sword free, then he cut at the woman’s neck. The weapon got lodged in the vertebrae, and it took him three hacks to get the head free. Even so, the execution was over in just a few heartbeats.

The outsider continued to scream. Theusa stooped down again--just out of the man’s reach--blood trickling across the packed earth in front of her. One of the guards slapped the outsider, interrupting his yells.

“I am sorry to do this,” Theusa said. “Though I doubt you care how I feel. You must understand, however. Everyone has a place. The people of this city, they are mine--and my place is to look after them.”

The outsider hissed curses at her. His children--the boy a young teen, the girl perhaps a few years younger--were sobbing at the sight of their mother’s death.

“You knew the penalty for trying to sneak into my city,” Theusa said softly. “Everyone does. Try it again, and my men will find the rest of your family--wherever you’ve left them--and kill them.”

Then, she stood, leaving the screaming peasant behind to yell himself ragged. Theusa’s personal guards moved behind her as she returned to the corridor through the wheat, Jend cleaning his gladius and sheathing it. Over the tops of the green spring plants, Theusa could see a man waiting for her before the city.

(Edit, cleaned up language.)

Brandon Sanderson

Thanks for the comments, folks.  A new version has been uploaded, mostly making minor tweaks as suggested by db.  Some good points, and the prose needed streamlining.

Dawn:

For some reason, this just feels less brutal to me.  Theusa's language is softer than Theus's had been, and I think more reasonable.  Still brutal, yet somehow it works better for me.  That might just be because I've seen (and written) too many characters that feel like Theus, and changing the character to a female (who's a bit older, and who is arguably the legitimate ruler of the city) makes them feel a lot more exciting to write. 

Gruff, Gritty, Male solder king: Feels overdone.

Gruff, gritty, grandmother king: Not so much.

I know it's more about how well the character is done, and less about whether it's been done before or not.  However, excitement on my part seems to make for a better story over-all.  So, I'm wondering if this character will be more exciting for me this way, or just much more trouble.  (I'll have to think of what to do for the next Theus chapter, for instance.  I really liked the fight there, and I can't really put Theusa in the same role.)

Brandon Sanderson

DavidB

There are, unfortunately, reasons why I have to start the book where I did.  I can't get into it without major spoilers.  You are perfectly right about this chapter lacking a hook, which is why I decided from the get-go that I'd need to start with a scene from the middle of the book, then jump back. 

So, this chapter should be considered the SECOND, and not the one that introduces Midius's character. 

My goal is to try some new things with this book.  Who knows if it will work, but they will present narrative challenges for me, because even when we flash back, we're starting in the middle of a story, with Hoid already dead.

Brandon Sanderson

I'll admit, I'm really torn on this one.  I can't quite decide which way to go.  The thing is, I've been thinking about the characters so much that they're both--Theus and Theusa--now formed in my head.  I know their motivations and their feelings, but I can only use one of them.  

With Theus I gain the ability to have he, himself fight.  I can show him with his family, which could really round out his character.  Yet, I worry that he's too similar to other characters I've written.  (Cett and Straff both come to mind from the Mistborn trilogy, though neither of them are as rounded, as well as Iadon from Elantris.  I've done a lot of brutal rulers.)   

With Thesua, I lose the two things I mentioned above.  I couldn't soften her by showing a spouse and children, and while she'd still have a daughter, I don't see the child being as much of an influence on reader opinion.  And, there would be less action in the book by a slight amount as Theusa will not be a warrior, and will have to rely on Jend to do her combat.   

However, I gain a tad of originality.  (How many tyrant grandmother city-state rulers are there in fiction?  Have to be fewer than men like Theus.)  I also gain some subtlety--Theusa's rule would be much more tenuous, because of her gender, and there would be a lot of politics working against her.   

Both would play off of Yunmi very well, if for different reasons.  Midius's interactions lean slightly toward me liking Theus, but not a huge amount.   

I keep going back and forth on this one.  So, I'll put off the decision until tomorrow and write a Yunmi chapter instead.  Huzzah!

Brandon Sanderson

After much playing with the plot and wrangling, I've decided to go with the male version of the character.  The new Midius chapter is here to stay, however.

I'll just have to do the old grandma tyrant king in some other book.