Advanced Search

Search in date range:

Search results:

Found 1880 entries in 0.167 seconds.

Dragonsteel 2023 ()
#1101 Copy

Questioner

Now that Skyward and Reckoners are over, and it seems like Apocalypse Guard is never gonna get written, is there anything you can tell us about the connection between their multiverses?

Brandon Sanderson

I've kinda been playing loose and freaky. Multiverses are annoying, right? When I wrote Steelheart, I realized, "Ah, multiverses are annoying." And the more I worked on Apocalypse Guard, the more I realized I didn't want to lean into this. And I'm glad I didn't, because as certain media properties have shown us, multiverses are just real hard to juggle and keep any sense of weight or value to the actions of the characters. And so, one of the reasons I didn't want to release Apocalypse Guard is I want to rethink all of that. I do prefer things like I did in Frugal Wizard, where I'm like, "There are certain stable realities. It's not an infinite number of realities; there's an infinite number of possible realities, but some of them are solid. Some of them are real." So you can find alternate versions of yourself, just not an infinite number of them.

So that's one of the places I was going with that. And Apocalypse Guard did lean into this and start to progress that idea. I think one way you could do a multiverse (kind of have your cake and eat it, too) is just be like, "There's not four billion versions of you. There might be seven." And things like that, that are what we call stable, and "real." Which allows you to kind of play with that idea of multiple versions of yourself without everything going out the window in terms of... You know, you guys have seen Rick and Morty. It doesn't matter if we die or if we mess up the plan. There's another one over there. We can only do this an infinite number of times. So, that was one of the things I was playing with, there.

And then, multiverses are just, like, so overdone. Everything Everywhere All At Once did the best one, and we don't need to even try. But that movie is proof you can still have emotional connection and power in a story that is about alternate versions of yourself. And so it is possible.

So what's the connection? I do kind of have in my head that each of these non-Cosmere properties kind of are on the continuum with this multiverse and are shades of one another, and Apocalypse Guard was gonna kind of be jumping between them. But whether or not we'll get to that, I don't know, because I certainly don't want to have Skyward be ruined by the existence of multiverses. I like how Skyward turned out; the whole series, I'm really proud of. So that's the question mark in the back of my head.

YouTube Spoiler Stream 6 ()
#1102 Copy

Questioner

Why did you make Design hot?

Brandon Sanderson

This is what she wanted in order to explore the cosmere. She spent a lot of time making people’s brains break, and she wanted to get a different perspective on how human beings interact with her.

Barnes & Noble B-Fest 2016 ()
#1103 Copy

Brandon Sanderson

[Aether of Night] is two halves of good books, kind of shuffled together. Half of this good book and half of this good book shuffled together. The Shakespearean farce, which is fun and, kind of silly, and this guy who's in not in a position to lead... and the deep worldbuilding war novel with the cosmere magic. And it's like, "We're going to shuffle these together and see how it turns out."

Questioner

I loved it. I thought it was good.

Brandon Sanderson

And my brother's cameo is in this book. Darro is named after my brother, Jordo.

Boskone 54 ()
#1104 Copy

Shogun (paraphrased)

[Is the composition of the crust on Scadrial similar to the composition of the Earth’s crust, with regard to things like aluminum? And how will that affect the economy when they discover it?]

Brandon Sanderson (paraphrased)

[The compositions are very similar and there is a large amount of aluminum in Scadrial’s crust…] (Verbatim) The ability to get aluminum easily and cheaply, it’s going to do things to the economy. Much more than it did even to our economy, which was transformed dramatically by easy access to cheap aluminum.

Footnote: First bit parphrased, then recording starts
Arcanum Unbounded release party ()
#1105 Copy

Questioner

In the Mistborn books, there's no one who can do chromium Feruchemy. If there was someone who had both the Feruchemy and the Allomancy related to chromium, they could create infinite luck. So doesn't that mean they could just do whatever they wanted?

Brandon Sanderson

Well, we will deal with how exactly Fortune works in the cosmere at a later date. There's a reason I haven't shown somebody with it yet, because I'm saving that for later on. Let's just say that even the Terris people don't quite understand it, even during Era 2.

Words of Radiance Backerkit Launch Party ()
#1106 Copy

Brandon Sanderson

The Secret Projects went kind of bonkers in that a lot of people who had never read my books bought the Secret Projects, because I pointed out to them that they were good starting points. I don't think this Secret Project [Five] is a good starting point into the Cosmere, not like Tress or Yumi would be.

YouTube Spoiler Stream 1 ()
#1110 Copy

Phillip Denny

Is there a "how the sausage is made" reason why there are 16 Shards, instead of 15 or 17?

Brandon Sanderson

Yeah, it splits really nice on a table. When I was developing the Cosmere in general, I was looking for... the division of multiples of 2 is just so much fun for designing things like the Allomantic Table. You can do that with 10, you can do that with 15, yes. I find aesthetically pleasing the way that 16, 8, and groups of 4 work, and that's how I arrived at that number.

I also did have some kind of boundaries on myself. I needed it to be a large enough number that it could cover the full group that I wanted to do in Dragonsteel, but it had to be small enough that people could track them all. 16 is a little on the high end for that, but doable, I believe. Particularly since you really only have to track all 16 when I write the Dragonsteel stories. (You'll really have to track 17 because we have Hoid, who did not take one.) But lately, you have at least one of the Shards being combined, and others of the Shards no longer being relevant to the course of stories, and things like that. So you won't actually, in the future, have to track 1.

But it was a nice number for what I wanted to do; not too big, not too small, and I liked how the divisions broke down. And I knew I was going to do 10 with Roshar by that point. If I was gonna pick 10, I would have to use 10 again in Mistborn, which I could do, but I wanted to have different themes. I wanted their tables and math to look a little different visually on the page, since they were two pillars. So 10 and 16 felt like the two good pillars. The Aether world is a 12 world, so we'll have a 12 also. The Aether world does not play into things nearly as much, but it'll depend on how many books I write using the Aethers in the future.

/r/books AMA 2015 ()
#1111 Copy

platysaur

Well Mr. Sanderson, I finally finished Words of Radiance as well. I thank you for answering previous questions of mine on this thread.

I didn't read Warbreaker but I intend to. That said, if I don't get to it (college is quickly approaching now), will it be a setback? I know that Szeth's sword is now a character from Warbreaker, but I don't want to be at a disadvantage if I can't get to it.

Brandon Sanderson

If you don't read Warbreaker, I doubt you'll be confused. I wrote Warbreaker as a prequel novel (after writing the original draft of The Way of Kings) to give some backstory to side characters I knew where cosmere-aware, but the story should work just fine without having read it.

YouTube Spoiler Stream 2 ()
#1112 Copy

Yosef Joe

If Brandon got a Shard, what Shard would it be and what would he do with it?

Brandon Sanderson

I don't know, I've been asked something along these lines before. I do fit Autonomy pretty well, but I also feel like I fit Invention pretty well, so probably one of those two. There's definitely some that are not very Brandon. Whimsy: not a very Brandon Shard, let's just point that one out, but I could see myself with bunches of them.

What would I do? Pocket universes and... I guess you can't really create those in the... well you can and in the Spiritual Realm, but... Y'know, building funky planets and weird magic systems, that's what I do anyway. You would probably just float through the cosmere and find just planet after planet of screwball magic systems that people are trying to figure out how to use and being like wow, the person who did this, why did they make us use magic based on bagel flavors, can't we have the one where we just fly?

Brandon's Blog 2017 ()
#1113 Copy

Karen Ahlstrom

I knew I'd have to deal with it sometime, and it finally caught up with me today. My Master Cosmere Timeline spreadsheet has far too many relative dates, and not enough absolutes.

Roshar's date system

The biggest reason I have put it off is that the date system Brandon made up is both supremely logical and at the same time totally crazy. A year has five hundred days, but there's also a thousand-day cycle with different highstorms around the new year. In each year there are ten months of fifty days each. The months are broken into ten five-day weeks. The date indicates what year, month, week of the month, and day of the week it is and looks like this: 1173.8.4.3. It is impossible for me to do the math in my head to decide what the date would be 37 days ago, so I don't use the dates in my reckoning, and only calculate them as an afterthought. This dating system is also a hassle because two weeks in our world is almost three weeks there, and a month there is almost two of ours, and when writing Brandon doesn't even pretend to pay attention to those differences.

Day numbers in The Way of Kings

But then we have to talk about my relative date system. The timeline of The Way of Kings is a mess. The story for Shallan starts more than 100 days earlier than Dalinar's storyline. And Kaladin is roughly 50 days different from that. So for that book I had to pick a day when I knew there was crossover between the viewpoints and work forward and back from there. So a date in The Way of Kings might be marked on my spreadsheet as D 23 or K-57.

Day numbers in Words of Radiance and Oathbringer

For Words of Radiance I started over at day 1 for that book. Those numbers count up until the new year which is day 71. Oathbringer starts just after the new year, so I used the day of the year for my book-specific day number. Of course switching systems at the start of each book made it hard for me to calculate just how many days there were between events in WOR and OB. So I put in another column which indicated a relative number of days counting before and after the arbitrary date of the end of WOR.

Flashback dates

The next problem I dealt with were the line items that say something like "five years ago" for their date. With more than a year of onscreen time from the first chapters of The Way of Kings to the end of Oathbringer, it's really necessary to note that it's five years before what event with a solid date. Once I have a date to assign to it, I also have to decide how exact the date is. When I come back three years from now I will need to know whether this date is firm, or if it would be okay to put it three or four months on either side.

Putting it all together

When Peter found an error in the spreadsheet one day, I decided to match a serial number to each date after the year 1160 (which makes for easy calculating), and make that my absolute day number from here until forever (though I'll probably still make a book relative date, since it's a useful way to talk about things with the rest of the team). To find the Roshar dates from the serial numbers I made another spreadsheet with a vlookup table for the dates and serial numbers, then translated all the dates from the three books into that single new system (finding several more errors as I went).

 

Goodreads: Ask the Author Q&A ()
#1114 Copy

Matteo

Why do you so often include some sort of religious government in so many of your worlds? Is it something that comes from looking at how history developed on Earth, or do you think your religious faith influences the way you write/worldbuild?

Brandon Sanderson

There are a lot of reasons. One is because it happened that way so often in our world. Another is my fascination with religion, and wanting to explore what people do with it. The biggest one, however, is related to how I worldbuild. I like things to be very interconnected, as I think that's how real life is. So, when I build a religion, I ask myself what its political ties are, as well as its relationship with things like the magic, economics, and gender roles of the culture.

TWG Posts ()
#1115 Copy

Brandon Sanderson

Folks,

I've turned my full attention back to this book, and have done a heavy rewrite of Chapter One, which helped me pound out who Midius is (in my mind at least.)  You can see the effect your comments had.  Here's the new version.  As always, comments are welcome!

Brandon Sanderson

All, here's an experimental change I'm considering for the Theus chapters (and note the new Midius chapter at the bottom of the previous page.) I think this may soften the brutality somewhat, even though it's all still there. It will make for a drastic change in feel for the king as a character, but I'm very tempted to do this instead. Reactions?

NEW CHAPTER TWO BEGINNING

It’s a bad day to kill, Theusa thought. Too cloudy. A man should be able to see the sun when he dies, feel the warmth on his skin one last time.

She marched down the dusty path, crops to her right and left, guards behind her. The men of her personal guard wore woolen cloaks over bronze breastplates. Bronze. So expensive. What farming supplies could she have traded for instead of the valuable metal armor?

And yet, she really had no choice. The armor meant something. Strength. Power. She needed to show both.

Several of the soldiers pulled their cloaks tight against the morning’s spring chill. Theusa herself wore a woolen dress and shawl, the copper crown on her head the only real indication of her station. King. It had been twenty-some years since anyone had dared question her right to that title. In the open, at least.

Her breath puffed in front of her, and she pulled her shawl close. I’m getting old, she thought with annoyance.

Behind her towered the grand city state of Partinel, circled entirely--lake and all--by a rough stone wall reaching some fifteen feet high. The wall had been commissioned, then finished, by Yornes the grand, her father-in-law. She’d married his son, Didarion, in her twenty-third year of life.

Didarion been a short time later. That had been almost thirty years ago, now.

Old indeed, Theusa thought, passing out of the ring of crops. Partinel’s trune ring was one of the largest in the Cluster, but it still provided a relatively small area in which to grow food. They grew right up to the edge of the city wall in a full circle around the city. Running in a loop around them was a narrow, earthen road. Beyond that, a wide patch of carefully-watched and cultivated walnut trees ran around the city. Her people cut down one group of trees every year and planted a new patch. It was a good system, giving them both hardwood for trade and nuts for food. In the Cluster, no land could be wasted.

Because beyond the trees, the land became white. The walnuts stands marked the border, the edge of Partinel’s trune ring and the beginning of fainlands.

Theusa could see the fain forest through a patch of walnut saplings. She paused, looking out at the hostile, bleached landscape. Bone white trees, with colorless undergrowth twisting and creeping around the trunks. White leaves fluttered in the breeze, sometimes passing into the trune ring, dusted with a prickly white fungus.

Skullmoss, the herald of all fain life. Her soldiers and workers gathered the leaves anyway and burned them, though it wasn’t really nessissary. Though eating something fain--animal or plant--was deadly to a human, simple interaction with it was not. Besides, fain life, even the skullmoss, could not live inside of a trune ring.

That’s how it had always been. White trees beyond the border, trune life within. People could go out into the fainlands--there was no real danger, for skullmoss couldn’t corrupt a living creature. Some brave cities even used fain trees for lumber, though Theusa had never dared.

She shivered, turning away from the fain forest and turning to where a group of soldiers--with leather vests and skirts--stood guarding a few huddled people. The prisoners included one man, his wife, and two children. All knelt in the dirt, wearing linen smocks tied with sashes.

The father looked up as Theusa approached, and his eyes widened. Her reputation preceded her. The Bear of Partinel, some called her: a stocky, square-faced woman with graying hair. Theusa walked up to the kneeling father, then bent down on one knee, regarding the man.

The peasant had a face covered in dirt, but his sandaled feet were a dusty white. Skullmoss. Theusa avoided touching the dust, though it should be unable to infect anything within a trune ring. She studied the man for a time, reading the pain and fear in his face. He lowered his eyes beneath the scruitiny.

“Everyone has a place, young man,” she finally said.

The outsider glanced back up.

“The people of this city,” Theusa continued, “they belong here. They work these crops, hauling water from the stormsea to the troughs. Their fathers bled to build and defend that wall. They were born here. They will die here. They are mine.”

“I can work, lady,” the man whispered. “I can grow food, build walls, and fight.”

Theusa shook her head. “That’s not your place, I’m afraid. Our men wait upon drawn lots for the right to work the fields and gain a little extra for their families. There is no room for you. You know this.”

“Please,” the man said. He tried to move forward, but one of the soldiers had his hand on the man’s shoulder, holding him down.

Theusa stood. Jend, faithful as always, waited at the head of her soldiers. He handed Theusa a small sack. She judged the weight, feeling the kernels of grain through the canvas, then tossed it to the ground before the outsider. The man looked confused.

“Take it,” Theusa said. “Go find a spot of ground that the fainlands have relinquished, try to live there as a chance cropper.”

“The moss is everywhere lately,” the man said. “If clearings open up, they are gone before the next season begins.”

“Then boil the grain and use it to sustain you as you find your way to Rens,” Theusa said. “They take in outsiders. I don’t care. Just take the sack and go.”

The man reached out a careful hand, accepting the grain. His family watched, silent, yet obviously confused. This was the Bear of Partinel? A woman who would give free grain to those who tried to sneak into her city? What of the rumors?

“Thank you, lady,” the man whispered.

Theusa nodded, then looked to Jend. “Kill the woman.”

“Wha--” the outsider got halfway through the word before Jend unsheathed his bronze gladius and rammed it into the stomach of the kneeling outsider woman. She gasped in shock, and her husband screamed, trying to get to her. The guards held him firmly as Jend pulled the sword free, then he cut at the woman’s neck. The weapon got lodged in the vertebrae, and it took him three hacks to get the head free. Even so, the execution was over in just a few heartbeats.

The outsider continued to scream. Theusa stooped down again--just out of the man’s reach--blood trickling across the packed earth in front of her. One of the guards slapped the outsider, interrupting his yells.

“I am sorry to do this,” Theusa said. “Though I doubt you care how I feel. You must understand, however. Everyone has a place. The people of this city, they are mine--and my place is to look after them.”

The outsider hissed curses at her. His children--the boy a young teen, the girl perhaps a few years younger--were sobbing at the sight of their mother’s death.

“You knew the penalty for trying to sneak into my city,” Theusa said softly. “Everyone does. Try it again, and my men will find the rest of your family--wherever you’ve left them--and kill them.”

Then, she stood, leaving the screaming peasant behind to yell himself ragged. Theusa’s personal guards moved behind her as she returned to the corridor through the wheat, Jend cleaning his gladius and sheathing it. Over the tops of the green spring plants, Theusa could see a man waiting for her before the city.

(Edit, cleaned up language.)

Brandon Sanderson

Thanks for the comments, folks.  A new version has been uploaded, mostly making minor tweaks as suggested by db.  Some good points, and the prose needed streamlining.

Dawn:

For some reason, this just feels less brutal to me.  Theusa's language is softer than Theus's had been, and I think more reasonable.  Still brutal, yet somehow it works better for me.  That might just be because I've seen (and written) too many characters that feel like Theus, and changing the character to a female (who's a bit older, and who is arguably the legitimate ruler of the city) makes them feel a lot more exciting to write. 

Gruff, Gritty, Male solder king: Feels overdone.

Gruff, gritty, grandmother king: Not so much.

I know it's more about how well the character is done, and less about whether it's been done before or not.  However, excitement on my part seems to make for a better story over-all.  So, I'm wondering if this character will be more exciting for me this way, or just much more trouble.  (I'll have to think of what to do for the next Theus chapter, for instance.  I really liked the fight there, and I can't really put Theusa in the same role.)

Brandon Sanderson

DavidB

There are, unfortunately, reasons why I have to start the book where I did.  I can't get into it without major spoilers.  You are perfectly right about this chapter lacking a hook, which is why I decided from the get-go that I'd need to start with a scene from the middle of the book, then jump back. 

So, this chapter should be considered the SECOND, and not the one that introduces Midius's character. 

My goal is to try some new things with this book.  Who knows if it will work, but they will present narrative challenges for me, because even when we flash back, we're starting in the middle of a story, with Hoid already dead.

Brandon Sanderson

I'll admit, I'm really torn on this one.  I can't quite decide which way to go.  The thing is, I've been thinking about the characters so much that they're both--Theus and Theusa--now formed in my head.  I know their motivations and their feelings, but I can only use one of them.  

With Theus I gain the ability to have he, himself fight.  I can show him with his family, which could really round out his character.  Yet, I worry that he's too similar to other characters I've written.  (Cett and Straff both come to mind from the Mistborn trilogy, though neither of them are as rounded, as well as Iadon from Elantris.  I've done a lot of brutal rulers.)   

With Thesua, I lose the two things I mentioned above.  I couldn't soften her by showing a spouse and children, and while she'd still have a daughter, I don't see the child being as much of an influence on reader opinion.  And, there would be less action in the book by a slight amount as Theusa will not be a warrior, and will have to rely on Jend to do her combat.   

However, I gain a tad of originality.  (How many tyrant grandmother city-state rulers are there in fiction?  Have to be fewer than men like Theus.)  I also gain some subtlety--Theusa's rule would be much more tenuous, because of her gender, and there would be a lot of politics working against her.   

Both would play off of Yunmi very well, if for different reasons.  Midius's interactions lean slightly toward me liking Theus, but not a huge amount.   

I keep going back and forth on this one.  So, I'll put off the decision until tomorrow and write a Yunmi chapter instead.  Huzzah!

Brandon Sanderson

After much playing with the plot and wrangling, I've decided to go with the male version of the character.  The new Midius chapter is here to stay, however.

I'll just have to do the old grandma tyrant king in some other book. 

Salt Lake City ComicCon 2017 ()
#1116 Copy

Questioner

So I have a question about the cosmere. I recently read The Stormlight Archive books and I love them, and then I reread Warbreaker and I noticed something. When Siri was teaching the God King how to read, she says one of the letters is called shash and this is the name of one of Kaladin's slave brands. I was wondering why.

Brandon Sanderson

It was just a coincidence, that one's been asked of me before, yeah it's just a coincidence.

/r/books AMA 2015 ()
#1117 Copy

WhatWasThatHowl

Hail Brandon Sanderson, Master Worldsmith

That's the nature of my question, I'm not quite sure how to make it broad enough, but just how did you birth Roshar? Let alone the entire Cosmere? I find it too easy to view the worlds I've built in my own writing as silly or contrived. Do you see yours in dreams or did you construct yours? Please, I would be personally grateful for the backstory on how these places were forged.

Brandon Sanderson

Building these worlds was a long, long process. Most of that process, however, was in building myself--creating a practiced writer who had build enough worlds that he got an instinct for what created good conflicts and settings, and what did not. So the best thing you can do is keep practicing and writing.

In more specifics, Roshar's origin was in studying the great storm of Jupiter. I went with the idea of a constant, traveling storm, then tried to build the ecology off of that idea. From there, I asked myself how this affected sapient beings, and how I could use the storms to shape culture, and how the characters I was planning to use could interact with it.

Most of this comes down to instinct now, though. Keep writing, and don't stress too much about whether you are silly or contrived. We all feel that way at some point. Put characters into the worlds we care about, and let the rest sort itself out.

Elantris Annotations ()
#1118 Copy

Brandon Sanderson

Chapter Forty-Six - Part One

Raoden's reaction to Iadon's death is just a little bit cliché, but I think that cliché exists for a reason, so I wrote the scene this way.

Sometimes, I have difficulty in my writing because I try to be TOO original. I react pretty strongly against anything I've seen before, and don't want to include it in my books. This has served me well in some ways–Moshe bought Elantris partially because he found it refreshingly different from other fantasies on the market. I generally have a strong element of originality to my worlds, my magic systems, and my plot structures. This is part of what draws people to my work.

However, sometimes I go too far. If I see something written one way–even if that way is good–then I react against it, trying to find another way. I've stayed away from "Eternal Apprentice" plots (Thank you Craig Shaw Gardner for the name) even though they are extremely popular in fantasy–indeed, they are what got me into fantasy when I was younger. But, because of some things like this, my books can be more difficult to get into. The extremely steep learning curve of my works, the focus on strange settings and odd magic systems, might be off-putting for some readers. (Elantris, by the way, is only a hint at these kinds of things. Mistborn is a much better example.)

I try to walk a fine balance in my works. The trick is to write something that is original and new, breaking convention and tradition–yet at the same time have it FEEL like a fantasy. People read in the genre because they like the things it can do. I have to add the new, Sanderson, spin to things without tossing out all that is wonderful and resonant within the genre.

That's why you'll see some old archetypes showing up in my works occasionally. In a way, Mistborn is an old-fashioned "overthrow the evil empire" fantasy. When choosing my next project, I decided that I had enough sufficiently new material–both in setting and in plot–to tell the story in a way that would be fresh. I think it adds something to the genre, rather than just recycling what is there. So, I went ahead with it, hoping that the familiar and the original would work together.

Elantris is similar. I threw in odd (for fantasy) plotting structures, but I let the air of "standard medieval culture" remain in the book. (In fact, as I've noted, this is probably my most like-Earth book in that way.)

The balance between the new and the familiar. That's what it's all about.

Arcanum Unbounded Chicago signing ()
#1119 Copy

Questioner

Any new Alcatraz books coming up?

Brandon Sanderson

Any new Alcatraz books coming up? So, for those who haven't read my really goofy middle-grade series, if you like it in this speech when I've been goofy, that's what's in-- what those books are basically all. *laughter* It's basically Professor Sanderson riffing for a bunch of pages. I write them as escapes from things in the Cosmere which are-- I take very seriously, right? They-- To the point that I try not to make them self-important but they got to take themselves seriously. Even if the characters can laugh at situations, the situation itself must not be ridiculous. And so to blow off steam I write these books about people who have really dumb magic talents. Like "arriving late to appointments" is a superpower. Which I chose because I do it all the time.

And I had this evil plan with the Alcatraz books. That I was going to tell everyone it was a five book series. And then end the fifth book on a huge, huge down note, and then be like "It's the end!" Except have in the back-- It was supposed to be a card, a little, printed card, but we realized that would get lost when you check it out from libraries and things. So we just made it a folded-up page [marked] "Don't read it first". There's a character who says "Okay since the main character, this Alcatraz, is not going to write the last book and show that he's actually a hero, I will write it." So we're going to change character voices, dramatically, to someone else and write one last book, that is not a big downer.

This is because when I wrote the first book-- You know how I did that outline thing I talked about? I wrote the first book of Alcatraz and it was this whole-- this story about this hero who claims he's not a hero, he's actually a big failure and he's writing an expose on himself to get people to stop worshipping him for all the cool things he supposedly did. And it's very ridiculous and funny, but I wrote this book and I'm like "Okay great. Either we have to have the ending everyone's expecting, which is 'He's really not that bad a guy, he's just been playing with you the whole time.' which feels like too cheap and easy or it has to be a really downer of an ending like he promised." The first paragraph starts with him about to be sacrificed. And that scene is on the cover of the fifth book, 'cause it's a flashback when he talks about it. So I came up with this dual-nature. The editors were kind of baffled by it, "We tell them it's a five book series but then we have one more book. So we can have both, a real downer of an ending and not a real downer of an ending?" And so the sixth book I will write some time this year.

YouTube Spoiler Stream 5 ()
#1120 Copy

Argent

We've always understood Elantris to be one of the earliest books in the Cosmere, but we see Kaise as Codenames in The Lost Metal, one of the latest books. Has the timeline contracted significantly, or are we just looking at the typical Shadesmar time dilation tricks?

Brandon Sanderson

So, here's thing, Argent. I'm not going to be able to give you strict timelines until I write Elantris 2 and 3. So my plan, originally, which might have been a bad plan, was Elantris 2 to take place some ten or fifteen years after Elantris 1. Maybe a little less than that. But years have passed. It was called Dakhor, in my notes. And then for 3 to be hundreds of years later. I don't know if that's the right move anymore, and if 3 isn't hundreds of years later, then where we slot Elantris in is going to change because of where I need certain characters to be in some of these things, and certain things to happen. We are getting really close to where this is going to be nailed down and locked down, and I'll get locked down. Probably right when we start Era 3 is when all of this is just gonna start... I've promised you guys a timeline. Once we've released that, we don't want to retcon it, does that make sense? So that's why we're waiting to release it.

But Kaise does have some time dilation going on, though. Though I say her name wrong because I'm not from Sel. But yeah, she has time dilation going on, she is... yeah. More time has passed than the ten or so years that... she's like what, 7 in Elantris? And she's like young 20s now, visibly, the age that she appears. I believe, something like that. So yeah, there you go. There's some information for you on that. I'm playing loose and free with this until I really get down to writing these. My loose plan is still write Mistborn Era 3 book 1, Elantris 2, Era 3 book 2, Elantris 3, Era 3 book 3. Five years of writing there that I can't even really think about until I've got Stormlight 5 in Tor's hands, if not your hands.

Kraków signing ()
#1121 Copy

Questioner

Could you tell me something about Cosmere, that we don't know?

Brandon Sanderson

Oooh boy, that is so hard, people ask this all the time and I keep running out of things... Was there anything I haven't added recently... There are Shards whose Shardpools are not on a planet they currently inhabit. At least one.

YouTube Spoiler Stream 4 ()
#1122 Copy

Striker_EZ

Was the prostitute from the Way of Kings that Adolin protected Beryl?

Brandon Sanderson

No, it was not, good question.

So, I like connections between characters. I liked it in Wheel of Time when Bayle Domon shows up again and things like that, but it would have gone too far in another series without the explanation of the Pattern weaving them together. It sometimes strains plausibility. The Wheel of Time has a built-in mechanism, it's ta'veren, they're getting woven back in, and people are showing up time and time again. I feel like that was enough of a selling point in the Wheel of Time, and the Wheel of Time did it really well. When I built the cosmere, I wanted to be careful, because I knew I was gonna be bringing back a lot of worldhoppers and having people show up in other people's stories. And if I went too far on this, and every random person that you run into ends up being someone later on, it just is too much. So whenever I've considered one of these things, I sit down and say, would they really be there? What are the statistical chances? If I make this happen, what does it do to the lore in the fandom, where now they're theorizing about the connections between these characters, and things like this. I try to be very careful on that. I brought Yalb back for a quick scene in Dawnshard, he's in the prologue of Dawnshard. Partially to be like, hey, this guy did survive! But I intentionally didn't bring him and put him on the crew that is the main story of Dawnshard, because that was one step too far for me. And maybe fans would like more of this, but it's something I want to be careful about. We already have things like Gaz showing up and joining this crew, and we have Felt jumping between worlds, and these are all kind of planned things that I wanted to do. I gotta be careful, I want to be careful, and maybe I'm overly careful on this. But in other words, a lot of times I'm gonna tell you the random person who shows up does not have any connection to the greater story that I'm telling, and that's by design.

Oathbringer London signing ()
#1123 Copy

Overlord Jebus

This map,

*Hands Brandon the Part Four Sea of Lost Lights Map*

How much of a hand did you have in this map or did you kind of let Isaac go crazy?

Brandon Sanderson

So this one is half and half, I went to Isaac and said put this and this and this and then he added some craziness. One of Isaac's voices in the cosmere is Nazh and almost everything that is written by Nazh is Isaac and he named a bunch of this stuff, he ran it all by me. I actually vetoed a few. He came up with some, I'm like "Ehh" and then I renamed them to things that actually fit.

Overlord Jebus

Okay, why is spren fishing banned here, is that you or Isaac?

Brandon Sanderson

That was Isaac...

Shadows of Self Boston signing ()
#1125 Copy

AndrewStirlingMacDonald (paraphrased)

So Wax, in the prologue of Alloy of Law thinks of himself as Wax, and then as Waxillium for the rest of the book, and then that's reversed in the second one. Is that a thing of cosmere import, or is it just a--

Brandon Sanderson (paraphrased)

It kind of indicated how he feels about himself.

AndrewStirlingMacDonald (paraphrased)

Could it have any impact on his ability to use Investiture?

Brandon Sanderson (paraphrased)

Not really. The investiture on Scadrial is not going to care how you're feeling about yourself. On other worlds, that's important, but not on Scadrial.

YouTube Livestream 3 ()
#1126 Copy

Star Share Gaming

Would you ever consider writing a cyberpunk Era 4 for Mistborn? Or are you gonna be doing just the four Eras?

Brandon Sanderson

I would consider, and I've talked about before liking that idea. Once I did the Wax and Wayne novels, it became a natural thing to ask if there is a step between the 1980s and the science fiction era. And a cyberpunk-type era would make a lot of sense. The caveat to that is I have a lot on my plate in finishing the Cosmere already, and so I can't make any promises. But it does seem like it would be a natural fit to do.

Original Mistborn series was each between 200,000 and 250,000 words. For a frame of reference, Way of Kings books tend to be between 400,000 and 450,000. And the Wax and Wayne books tend to be between 100,000 and 110,000. So, having another 100,000 to 110,000 word, faster-paced shorter series (shorter in total word count) would make a lot of sense. Because Era 3, the 1980s era, is going to go back to the 250,000 to 250,000 word sized books.

State of the Sanderson 2021 ()
#1127 Copy

Brandon Sanderson

PART FOUR: UPDATES ON SECONDARY PROJECTS

Alcatraz Series

As I warned you last year, 2021 was going to be spent on repackaging this series–and getting the art for the sixth book done.  I also co-wrote this one with Janci, as I got about halfway through it back in 2014 and got stumped on something, so I went to her for help both with that and with smoothing out the character voice.  (This one is from Bastille’s viewpoint.)

So, there’s not much of an update from last year.  The first five books are coming out with new covers in 2022, culminating with the final book on September 20th. Final revisions for the book are in, and artwork is approved for the new covers of the early ones, so we should be super close.

Their release schedule is below, including the brand new sixth book!

  • May: Book 1: Alcatraz vs. the Evil Librarians
  • June: Book 2: The Scrivener’s Bones
  • July: Book 3: The Knights of Crystallia
  • August: Book 4: The Shattered Lens
  • September: Book 5: The Dark Talent
  • September: Book 6: Bastille vs. the Evil Librarians

Dark One

A second Dark One graphic novel is in the works for those who enjoyed the first!  But in case that’s not your thing, you can go read the Mainframe update above, where we’re working on a prose version. That should be released first in audio, but Dan Wells is currently drafting from my original outline for that–and I’ve read some of his work on it, which has made me very excited. In the meantime, enjoy Dark One: Forgotten, a shorter tie-in that Dan and I have created for release this fall.

Elantris, Warbreaker, Rithmatist

Nothing here, again.  (Yes, Rithmatist fans, I hear you screaming at the screen.)  Elantris/Warbreaker sequels aren’t planned until after Stormlight Five, as I’ve been saying for years now.  Rithmatist might be a little closer than it was, as we’ve been researching potential co-authors who have knowledge and background in the real-world Aztec lore I’d like to incorporate into the book.  So don’t give up hope.  But, like finishing Alcatraz, this is more a labor of love than a mainline series of mine, so it has to take a back seat to the main stories I’m telling.

Part Four: Updates on Secondary Projects

Songs of the Dead

Moving this one back to minor projects this year.  Though Peter Orullian is still working on it, this is one of the co-authored projects that has turned out to be a more difficult write.  He’s spent this year on revisions of it, and I hope you’ll all be able to read it someday.  But we need to make sure it’s working right first.

The Reckoners

If you didn’t see that there is a new Reckoners novel out…then there’s a new Reckoners novel out!  It’s called Lux, and I co-authored it with Steven Michael Bohls, another of my writer friends.  (This was a Mainframe project, and so it was an audio original.)  The reception was great, and the sales were great too, so I wouldn’t be surprised if we did another one soon.  But we’re figuring out when and how to do this.  (Also we plan a print edition sometime, but at the very least an ebook should come out around the one-year mark of the audio edition.)

The Original

This first of the Mainframe projects will soon be getting an ebook release!  So if you don’t like audio, take heart.  It’s coming in January.  I wrote it with the excellent Mary Robinette Kowal, and it’s a kind of cyberpunk/action/mystery.

Check out the pitch for it here!

White Sand

We should have the graphic novel omnibus coming at you sometime in the near future. I hear that the individual original volumes are sometimes going for a lot of money, but I’d suggest not grabbing one of those but waiting for this new edition. We’ve spent a lot of time making it the quintessential White Sand graphic novel experience, updating text and dialogue to be more in line with the Cosmere. There are 38 new pages at the beginning, revised text and art throughout, a new map and glossary, and fourteen Ars Arcanum pages. We think you’re really going to enjoy experiencing the complete package.

All Others

If there’s something not on this list you’re waiting for, then there’s not really anything to update you upon.  Other novellas and small projects continue to bounce around my brain, but I haven’t had time for most of them lately.

Stormlight Book Four Updates ()
#1128 Copy

Brandon Sanderson

All right, so most of you were probably expecting this one to appear sometime today--and here it is. The Previous Update can be found here. As I announced over social media this weekend, I have finished the final draft of Book Four. Rhythm of War is finally done. (Or, rather, my part is done. At least for the prose text of the book. See below.)

I finished the revisions on Saturday, and then today wrote the ketek and the back of the book text. (The in-world text. Tor does the marketing blurb.) The only thing I have left to do is the acknowledgements, plus the ars arcanum. The bulk of the work left to be done will be handled by Peter, my editorial director, who will oversee the copyedit (which is like a really in-depth proofread that also watches for style guide changes and things like in-book continuity) and the proofreads. In addition, Art Director Isaac will be finalizing the artwork done by himself and his artists. (Including Ben, who now works for us full time. He usually drops by the comments to say hi.)

Peter/Isaac's work will take several months to complete, and then the book will be sent separately to the US, UK, and Australian printers for English Language distribution. Excitingly, for the first time, we're hoping to do a simultaneous Spanish launch for the book, and my Spanish publisher has been putting a lot of extra effort into trying to make this happen. So if you live in Spain, and meet my team over there--translator, editor, etc--buy them a drink. They've been putting in some heroic work to try to get this beast of a novel ready in time.

I can't promise timelines for other foreign language editions; but if the Spanish experiment works, we will approach some of our other publishers to suggest trying the same thing with them.

Other random updates of note. The tour seems likely to go digital at this point because of the virus. We'll keep you in the loop. (This will likely include the release party.) Goal is to ship huge cases of books for me to sign so we can get them to partner bookstores for a signed launch, with talks/readings done digitally. Don't consider this an official confirmation of that yet, though. Tor is the one working it out, and we'll need to wait for them to figure out the details.

The kickstarter has been...well, a little crazy. We're in the process of adding new stretch goals; if you didn't see today's update over there, it has a poll of suggested new stretch goal rewards for you to mull over.

So, what's next for me? This week, I'm doing a quick revision of Songs of the Dead, the book-formely-known-as-death-by-pizza, which I'm writing with Peter Orullian. I plan this to take about a week. After that, I'm going to dive into the kickstarter novella, the official title of which I believe we'll be announcing tomorrow.

After that is done, I owe Skyward 3 to my very patient YA publisher, who has been sitting in the wings waiting for eighteen months or so for me to start it. Wax and Wayne 4 will follow, with my goal being to start it January 1st. Skyward 4 (the final book of that series) will follow starting about a year from now. After that, it will be time (already) for Stormlight 5, final book of this sequence of Stormlight novels. (Whew!) That will mark roughly the halfway point of the cosmere.

Thanks, as always, for your patience as I juggle all of these projects. Also, I'll be doing another livestream this Thursday, where I'll be chatting more about the kickstarter and this book (we keep it non-spoiler, so don't worry.)

I'll be turning off inbox replies to this thread, as usual, so I apologize if I don't see your questions here.

With that, I officially conclude my Book Four updates series. Expect to see me back in around eighteen months, January 2022, when I start updates for Book Five. (I do plan to do updates for Mistborn on that subreddit when I start the fourth Wax and Wayne. So if you're really hungry for more rambling posts about in-progress books, you can visit there.)

As always, thanks for everything. You folks are great. It's been quite the pleasure working on these books for you.

Brandon

Arcanum Unbounded release party ()
#1130 Copy

Questioner

On Roshar, we're very aware of... there's humans and non-human species. Is that a unique phenomenon to Roshar? Or do we see that on other worlds?

Brandon Sanderson

You do see that on other worlds. Dragonsteel has one, so Yolen has one. Of course, Scadrial has them, but they started as human, so it doesn't quite count. Everyone on Scadrial started as human, but now there's been some divergent things. Meddling. Other planets do have things like that, but most of the cosmere is human. Based... coming from the origins on Yolen. But there is at least one planet where there's no humans. And I'm not talking about Braize.

Worldbuilders AMA ()
#1132 Copy

tay95

A theme throughout a lot of the Cosmere novels is that form, of one sort or another (patterns, aons, etc.) has a crucial role to play in unlocking or using Investiture.

As a chemist, I'm curious about the role of form in Allomancy and Feruchemy. Does the underlying molecular or crystalline structure of the metal or alloy play a roll? Different processes, doping ratios, and metal mixtures result in different molecular packing, lattices, and ultimately structure. It seems like that kind of very defined, orderly matrix would be right in line with other forms of unlocking Investiture.

Brandon Sanderson

Yes! I've actually mentioned to people before that the chemistry of the various metals acts, for Allomancy, in the same way that the Aons work for AonDor. It's more a key than it is a source of power itself.

General Reddit 2016 ()
#1133 Copy

Botanica

Hey Brandon, may I ask if the red-haired woman on the Dayside map is a kind of depiction of one of Bavadin's personas?

Brandon Sanderson

She is not. Isaac designed that border without any explicit instructions from me, so while he might have an idea of who it is, it isn't someone specifically relevant to large-scale cosmere workings.

EuroCon 2016 ()
#1135 Copy

Questioner

Hi. I have two questions about the Cosmere. The first one is if a Radiant can have a bond with two spren, and the other one is if Truthwatcher spren are related directly with Cultivation or the Nightwatcher?

Brandon Sanderson

Okay, so RAFO on if a Knight Radiant can have two spren. But the second question was, "Are spren of Cultivation?" One more time?

Questioner

If the spren of the Truthwatchers are related directly with Cultivation or the Nightwatcher? Or both?

Brandon Sanderson

So, most of the sapient spren that form the Orders of Knights Radiant are related to a mixture of Honor and Cultivation. Some lean one direction much more than the other, and the spren of the Truthwatchers leans toward Cultivation.

Skyward Pre-Release AMA ()
#1136 Copy

-lurcher-

"Ghostbloods" is an interesting name to me. Is that a name that originated on Roshar or somewhere else? Does the group have to do either with ghosts or blood? Or is it more a metaphorical name?

Brandon Sanderson

The name of the Ghostbloods has roots in specific cosmere events, and means something in world.

Shadows of Self San Jose signing ()
#1137 Copy

Questioner

Is there meant to be a direct connection between the efficiency for transferring Breaths and the stamp magic from The Emperor’s Soul?

Brandon Sanderson

There's not meant to be a direct correlation only in that the magics both work on the same fundamental rules, like all of them do.

Questioner

Okay.

Brandon Sanderson

I wasn't specifically linking those two in any way in my head when I was working on them.

Questioner

Okay, because I was just wondering with the fact that the stamps work better with what there supposed to be like...and the Breath work better--

Brandon Sanderson

Yeah. That's just a fundamental of the Cosmere, the whole idea of perception, what you're thinking, how much something matches what you're doing, and how well you're able to visualize what you want to have happen. This is all related in the cognitive aspects of the magic, basically, and the spiritual, I suppose.

Ben McSweeney AMA ()
#1138 Copy

sansaTheGreat

Who's your favorite Cosmere character to draw?

Ben McSweeney

Mmmm... lately, Adolin. But I don't get to draw the characters "officially" very often.

Enasor

Does it mean you have drawn Adolin? Any chances were are going to see those sketches someday? As a die-hard fan of him, I am dying to see a proper representation.

Ben McSweeney

There's a peek at Adolin's face on the Shardplate page, but just a peek. His armor does appear twice, both on the same Plate page and as Adolin's chapter icon, and those are Brandon-approved designs for both Plate and Blade... we might modify them as time goes on, but for now they're a good starting point.

Brandon's always been pretty cagey about releasing official illustrations of characters... Michael Whelan gets a pass because he's Michael flipping Whelan and because covers need faces, but we try to limit it within the pages of the book (covers change around the world, but the interiors go everywhere). This is because Brandon doesn't want to force one interpretation of a character's likeness down the reader's throat. He describes them, but the face you see in your mind is your own creation, and that should remain as valid as possible for as long as possible.

Someday we might collect those background works into a book, but not for a while. :)

Enasor

Oh that's a shame. I really hoped to see a more detailed facial within the next book. The miniature was amazing. You did a great job: I especially loved the little bangs of hair. I wished we could see what hid under the helmet though or just Adolin without his armor.

Ben McSweeney

I might do some unofficial version at some point. I like doing fan-art as much as anyone, it's how I got this job to start with. :)

JordanCon 2016 ()
#1139 Copy

Questioner

In the original Mistborn series, when Leras plans the 1 in 16 Snapping, was he not aware of chromium and nicrosil? Or--

Brandon Sanderson

He was aware that they would not be aware of and were not aware of it. He was using the kind of vague ability in some of the cosmere magics to read possibilities on the future. He was also already not completely there when he was building this.

/r/fantasy AMA 2011 ()
#1141 Copy

RankWeis

You've also mentioned that in Elantris, there was more to Seon's than what came out in the book (as far as a magic system, I believe). When you have to omit something like this, do you still consider it canon to the story? For example, if you were to write a sequel, would you feel obligated to stick with the original magic system you put into place (but never published), or would you be fine with drawing up a whole new one?

Brandon Sanderson

Yes, I consider the ideas around Seons to be canon, though I don't always canonize something that is not in the books. If it isn't on paper, I'm usually willing to change it as it needs to in order to fit. One issue, however, is that things like the Seons are part of the greater magic system of the Cosmere (which connects many of my works.) I can't change things too much, or I'll start contradicting myself. (Which I don't want to do.)

Waterstones RoW Release Event ()
#1142 Copy

Daniel Greene

You have ten books for the Stormlight Archive. Was that a limit you put on yourself because you knew it could go to twenty? Or it just happened, after you structured out the story, ten was what fit.

Brandon Sanderson

Ten was the number. Various worlds in the cosmere have this little number motif going on with them. And I was building ten in as a number motif, as well as nine. Nine and ten and the contrast between these two very similar but very, very different numbers.

And in the original outline, numerology was a much bigger deal, actually, in Stormlight. I was working a lot on the idea that I was using a language (Hebrew is a good example) where every word can also be a number, so you can have all sorts of funky numerology things. It comes up now and then in the published books, with… Various sketchy individuals will be into numerology.

But I knew I wanted a big series. And I knew I had ten characters. And I thought ten books, ten Orders of Knights Radiant, ten characters, it just fit really well. Ten felt like the right number after I did my real outline for it, back in 2009. I felt like I had the material for that, and it was too poetically appropriate for the series to not do it as ten.

Steelheart Seattle signing ()
#1143 Copy

Wetlander

Please explain what you will about Shards and Splintering and Slivers.

Brandon Sanderson

An event happened long ago which destroyed something called Adonalsium into 16 pieces. And 16 people took up that power.

Questioner

People?

Brandon Sanderson

I call all intelligent species people. If someone takes up the power and lets go of it, it has the effect much like a balloon that's been stretched and then the air is let out. I call that a Sliver; based off of the Lord Ruler calling himself the "Sliver of Infinity". The Lord Ruler is someone who held the power and then released it. And so, current Slivers are the Lord Ruler, Kelsier, and there may be others around who at one point held the power and let go of it. A Splinter is a term used by certain people in the cosmere for power of Adonalsium which has no person caring for it, no... no person holding it, which has attained self-awareness.

Wetlander

So is that like the mists and the Well? Are they...

Brandon Sanderson

They are not, because they have not attained self-awareness. But, the Seons are self-aware. So, any piece, for instance there were some spren on Roshar before Honor and Cultivation got there. Those were already Splinters of Adonalsium where he had left power which attained sentience on its own. So, it can be intentional is what I am saying, does that make sense? You have seen other Splinters.

Wetlander

Are the highstorms related to the Splintering of Honor?

Brandon Sanderson

The highstorms are more related to the mist from Mistborn which terminology we have not discussed yet. You have seen Splinters quite a bit on various planets.

General Reddit 2023 ()
#1144 Copy

Brandon Sanderson

I think we're completely stalled at this point, folks--not just because of the strikes. They're a relatively small issue in regards to what we were trying to do. We got really close in some ways I'll be able to talk about eventually, but I don't see any kind of film/TV announcement coming this year.

Hollywood is scared. Even Mission Impossible is under-performing, and Rings of Power did far beneath what they wanted. I think at this point, I might have to try some smaller forays (i.e. Not Stormlight, not Mistborn, maybe not even Cosmere) into Hollywood to build a reputation before I can get the kind of adaptation I want.

We'll see. There still are a few possibilities in the works that could turn this around. If it does happen, it won't be for an announcement this year.

/r/books AMA 2015 ()
#1146 Copy

Logic_Nuke

Could decapitation kill a Gold Compounder? With a guillotine, for example?

Brandon Sanderson

Most forms of extreme cosmere healing don't care much what is done to the physical body, as the person's spiritual template is in power at the time.

Skyward Pre-Release AMA ()
#1147 Copy

Spoolofwhool

Aluminum in the cosmere cannot be Invested or generally affected by Investiture processes. The exception to this however is the Metallic Arts where aluminum can be burned, turned into a metalmind, or charged with Hemalurgy. Is this due to an exception in the normally Investiture-proof properties of aluminum specifically for the Metallic Arts? If so, what kind of Connection is there between the Metallic Arts and aluminum which allows this to occur?

Brandon Sanderson

RAFO 

Dragonsteel Mini-Con 2021 ()
#1149 Copy

Questioner

I think Hemalurgy is one of the most interesting systems you've really come up with, especially for the future of the cosmere. Can you give us anything new that we do not know about Hemalurgy?

Brandon Sanderson

There will be something new in Lost Metal.

Arcanum Unbounded release party ()
#1150 Copy

Slowswift

When you take a memory out of a coppermind it starts <degrade away>.

Brandon Sanderson

Yes.

Slowswift

Would that happen with someone who has an eidetic memory?

Brandon Sanderson

Well... no. With the exception of, a photographic memory is disputed by science. In the cosmere they exist, magically enhanced. But there is science in our world that says these aren't real things. So, I'm not sure. You'd have to go to the science and see if they're actually real.

Slowswift

But if it is real, then it would...?

Brandon Sanderson

Then it would not degrade. It's the brain's own failings that are causing this.