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When are we going to get Hoid’s book?
Hoid has 6 books, they are the 3 books of Dragonsteel, which are prequels and the last Mistborn trilogy of the nine book arc will have him as a main character. I won't say they're "his" books, but he is one of the primary protagonists.
You think about five books into [The Stormlight Archive], or after this series?
After this series, the middle Mistborn books will happen in-between.
Why did the Elantrians came to Roshar in the first place? Because the question came up after I reread Elantris, so...
Are you talking about... specifically... the old ones? Yeah, why were they on Roshar? So, those specific individuals - the Ire, as we call them - are a group of Elantrians that are not representing all Elantrians. They were there. The one you've met is there for a specific reason. The Ire are involved there. They're mostly... where you've seen them, is on Scadrial so far, but they're interested in Roshar. You are talking about the lighthouse keeper, I assume? So, the lighthouse keeper, wouldn't... would be counted, I guess, as one of the Ire and is there for a specific purpose, but it is not related to their general purpose, that they're trying to achieve.
How's that for being vague? I'm sorry.
How do spren choose what human they'll bond with?
Well, it depends on the spren type. There's some spren that choose on their own, while there's other spren where it's done by committee. Wyndle, Lift's spren was placed with Lift by a committee. It's a culture difference. Some are free-spirited, others more organized.
My one question is how do you make it so writing isn't work, because if I'm writing for work I don't write as well. How do you get in the mind set?
You know for me, taking a walk before hand, listening to some awesome music, and just imagining why this scene is going to be awesome and the emotional impact of it really helps. But at the same time writing is always going to be a little bit work and there is no getting around that. I mean, it's hard sometimes and so-- I don't know. For me I've enjoyed it more as it has become work and I can devote more time to it and things like that. But... Try that.
Just get in the mood...
Listen to music and put myself in that scene, what it feels like, what it sounds like, smells like. Just put myself here and think about what is going to make it incredible and I'll get really excited about writing it. Excitement translates I think at least for me onto the page.
[Compliments artwork in The Way of Kings, asks how working with illustrators has changed the way Brandon sees the world]
One of my initial visions for The Way of Kings was one of these cross-genre books. I wanted to bring illustrations and-- you know there's this sense for whatever reason in contemporary fiction that illustrations are for kids, not for adults. That's not the way it always was. If you go back to the 1800's every book was illustrated, to an extent. And you'd get these beautiful bookplates and things like this that would be in the novels. I wanted to go back to something like that. Though I did want to be aware of the idea that you as a reader are participating, and I wanted to be careful not to define too much what people look like, particularly characters, because I wanted that to be through you.
So I wanted to be doing artwork in the books, but I didn't want to do artwork that was too specific to the characters—other than the cover art. This meant I wanted to do in-world stories, which is how Shallan started to develop as a character. She was based off of Pliny the Elder, as a character and my research about him and some of the people like him; and a little bit about Darwin and his travels and things like this. So I wanted-- I started to build her. She replaced a character in the original Way of Kings, what I call Way of Kings Prime, that I wasn't pleased with.
So I really want to do a lot of artwork for the books, and it's been a lot of fun. One of the first things I did when I went to pitch Way of Kings to Tor was I commissioned artwork of all the characters. Because it was going to be such a visual book, I wanted to have in hand for me reference material on characters, races, things like this. I wanted to have this like world book that you sometimes get in a book afterward, I wanted that in the before. So that I had it all in hand. Because there's a lot of screwy stuff going on in this world.
It really helped me to envision, to visualize how this book was supposed to go. Beyond that it's just awesome. Who here has read Watchmen? Have you guys read Watchmen? If you haven't read Watchmen it's amazing, particularly if you're a comic book geek like me. When I first read Watchmen-- what Watchmen does, it adds all sorts of ephemera. Like one of the characters is creating action figures of all the other characters and trying to market and sell them, and they include his pitch for the action figures and things like that. And it was part of what brought that book to life for me: not just the excellent writing, but it was the idea that this is not just a comic book, this is a comic book plus a world. And I wanted to write books that were not just a book, they were a book plus a world.
It's been a blast. I am in a position where I can hire the artists myself, which allows me to have a lot of control, and so the artwork inside the book is all stuff that I've commissioned. I've gone to the artists and I've talked to them myself, and I've picked my favorite artists and we do this awesome work just as part of it.
Hopefully it's something that people enjoy, it's something that I intend to keep doing and it's been a blast.
Siri and Susebron Eat a Midnight Meal
This is a scene lifted almost from my own life. While on my honeymoon, Emily and I thought we were being so indulgent by ordering room service at three a.m. It was on a cruise ship, and you can do that kind of thing without having to pay extra for it. It kind of felt like the entire ship's kitchens were there for our whims. And so, a variation on the event popped up in this book.
That doesn't happen to me very often in books. Usually, it's hard to point toward one event in my life that inspired a scene. But those sorts of things are peppered throughout this book. Another one is the scene where Siri tries to look seductively at Susebron, then bursts into laughter. My wife is absolutely terrible at looking seductive—not because she isn't pretty, but because whenever she tries, she ends up having a fit of laughter at how ridiculous she thinks she looks.
I'm currently reading New Spring after finishing, and going BACK to Jordan after /u/mistborn absolutely killed The Last Battle...it's interesting. Sanderson really did breathe new life into the series. I'm particularly impressed by how he took the rules of one of the most intricate magic systems I've ever seen and turned them in their head and got insanely creative with them. Particularly Talmanes and Aludra using traveling while operating the dragons. Fantastic out of the box thinking.
Also, Talmanes is hands down the best side character who is so overshadowed by the main five heroes that it's easy to forget about him. But damn it he my favorite example of peak human bravery. Not ta'veren, not one of the great generals, not the world's most skilled swordsman. But time and time again he overcomes every obstacle, accomplishing the impossible. If it wasn't a recoming of the Age of Legends with heroes abound, he'd be the main hero.
Talmanes is one of those characters that I was very excited to write--though I anticipated my take on him being more controversial than it ended up being. I've always read him a certain way, and felt that I wanted to push him that direction in the last books--all the while knowing that some members of fandom didn't view him as I did. One of the dangers of bringing a fan like myself to write the books is that is had specific and distinct interpretations of some of the characters, particularly some of the side characters who were going to get expanded roles.
The way I read Talmanes was as a sort of "You've got to be kidding me" John McClane. A capable man who doesn't want to be there, but he's there and there's only one way out.
I'd be very interested to hear how your vision for him differed from the final character!
That is how I read him too--but also with a hint of self-awareness. Like when he'd say things to Mat, he wasn't always 100% serious, but sometimes kind of pushing Mat's buttons. That's the part I figured would be controversial, since I knew some other fans read him as straight serious.
Could someone with enough Breaths use part of them to heal himself without the help of a Returned?? Could the God King have healed himself without Lightsong with enough knowledge?
The nature of the Warbreaker magic is tied to the shard of Endowment, which is about giving. There are, therefore, things you cannot do for yourself.
For healing can Big Breaths heal only one person at a time or can you heal a bunch of people at once?(as long as they are not yourself)?
Legends say you can heal many.
Do you ever find that you are producing content so quickly that your mind comes up with a better idea after percolating for a while, and the book is already published? And if that does ever happen, how do you handle it?
This is dangerous, right? I think every author wants to go back and tweak things. And there is a fine line between pulling a Tolkien, where you go back to The Hobbit and you revise the ring conversation so it matches The Lord of the Rings, which has now become a classic conversation, we're all glad he did that, right? It ties The Hobbit and Lord of the Rings together better, it was a good revision. There is a fine line between that and Lucas-ing your work, right? Where instead of taking something and tweaking something to make it better, you tweak it just to make it different. I think there is a fine line there. There is a quote often ascribed to da Vinci, that a lot of people say it isn't his, but it's the idea that, he (maybe) said "Art is never finished, it is only abandoned."
You really have to take that perspective as an artist, you have to eventually just let things go. Not to sing an Elsa song, but you just gotta be willing to say "I'm done." And you are always going to have better ideas later on or ways you could tweak it. And more, it's not that you have better ideas. What happens is you change as an artist, and your goals change over time and the way you would approach something changes over time. While I've played in this realm, I've settled on that I should just avoid this most of the time. You could always tweak it to be better, and you've got to release something sometime.
I do find it very useful to finish something, write something else, then come back to the thing I've finished, because that gives me the right amount of balance between giving it time to rest so that I can approach it with fresh eyes, and also being regular with the releases. I haven't ever felt like I'm going too fast. I have had things that don't turn out too well, but those I just don't release. That happened with Apocalypse Guard last year where I wrote the book, I gave it some time, I came back and looked at it and it just wan't-- it didn't work. It was broken, it was not good, and I'm just like, "I've got to set this aside and think about it."
It's weird. Writing has a little bit more performance art to it than as a non-writer you might think. Meaning who you are in the moment, when you are creating this thing, the connections you make while you're making it are deeply influential to how the piece of art turns out. It's like you're freezing a moment in time for that author. Rather than trying to create the perfect work you are creating a reflection of who they are when they made it, and you have to kind of be okay with that as a writer.
Does BioChromatic Breath cure color-blindness?
So... having enough Breath will interact very strangely with color-blindness. It won't heal it, necessarily, but it will have an interesting effect.
Ah. I was hoping--
Are you color-blind?
I am. So the entire time I read the book I was hoping it could cure color-blindness.
You will have an interesting time. I think you would be pleased with how it affects it.
Will we ever see a color-blind person in the books?
I want to do one. I'm not sure if I'll be able to get it in there... but you will be pleased with how it happens.
Assuming I could travel anywhere in the universe, could I eventually find the Cosmere. In other words is the Cosmere in our universe/dimension, or in a different universe/dimension.
Good question. The answer is no - there is no path through our universe to the cosmere. It is another universe, another dimension, where the laws of physics are different from our own. I don't intend to ever connect the cosmere to Earth or our universe - in fact, one of the big decision points so far in determining if a project is going to be the cosmere or not is whether or not I want to link it to Earth in any way.
We get some final verbal sparring from the two of them. I wanted to do this to give a nod to the earlier portions of the book; we haven't gotten this from them in quite a long time. However, I also wanted it to feel forced. I was tempted to rewrite this scene a couple of times until the most amusing lines in the book came here, in this chapter, but in the end I chose to go for something with a little more tension in it. Something that felt contrived, like they were trying too hard—which, indeed, they are.
Beyond that, outside of the banter, they both make some very astute comments—and I think their wisdom in the moment undermines any random joking. Lightsong mentions how ridiculous everything is, and can finally point out and prove what he's been saying all along—that the rest of the pantheon is more useless than he is. Blushweaver, however, probably makes her most astute comment in the book by explaining to Lightsong just why everyone looks up to him so much.
You set yourself above them, Lightsong, and through your mockery—which they know to be true, deep down—you earn their grudging respect. That puts you apart from them. In a way, he's become the greatest leader of the pantheon in its current incarnation, all by avoiding contact with most of them and by being bitingly sarcastic when he does meet them.
Chapter Thirty-Two
Siri Lies in Bed and Decides to Take Charge
Reading through this scene again, I feel like it needs a bit of a trim. Ah well. There are always going to be sections like that that make it through.
I felt that there needed to be a scene where Siri finally stopped looking toward the past and berating herself for not being more like Vivenna. For her to step forward and become the woman she must be, she needed to do it of her own choice, with her own motivations. She needed this chance.
Sometimes in writing classes or in books on telling stories, they'll mention a moment somewhere in act two where the character decides to take charge. I always dislike explanations like that, since I think it's too easy for newer writers to look at such explanations as an item on a checklist that you have to do. I never use things like that. I don't think, "This is act two, so the characters need to do X." The tendency to follow a formula like that is part of what bothers me about the screenwriting profession. It seems like if you always follow the rules, there's never any spontaneity in a book.
Still, those guidelines and suggestions are used by a lot of people who tell good stories, so I guess you use what works for you.
When somebody travels into the Cognitive Realm, what happens to their physical self? To their body? Like Elsecalling or through a Shardpool?
Well it depends on the way they’re doing it. The two ways you’ve mentioned transport the physical body. It’s actually creating a rift and slipping them through. But there are other ways that you kind of peek in, where your body’s saying it’s a little more astral projection-y in those cases.
So their physical self would also be in the Cognitive Realm?
Yes.
Okay.
Which is weird.
As opposed to somebody like Kelsier who died and no longer has a physical self.
Yes, right. Or when Shallan is Soulcasting and peeking in, and things like this. It can still be dangerous, because what’s happening is that little soul bubble there that’s manifesting into a version of your soul and then things can get at it in different ways and stuff. So... But yes, going in physically means you just pop between realms, and yeah, yeah…
And when they leave the Cognitive Realm their Physical self just leaves the Cognitive Realm the same...
Yep, mhm, yep.
Perfect.
Basically you’re transferring into Investiture and popping out of Investiture, so...
Could a Shardbearer materialize his or her Shardblade inside another person? What about something inanimate like stone?
RAFO.
Does Bavadin have a sibling?
Uh... RAFO.
Chapter Six
Siri Is Bathed, Then Sent to the God King
This was a strange sequence of chapters to write. I've spoken before on writing characters of the opposite gender. This has grown easier and easier for me over the years, partially—I think—because I started out so bad at it that I insisted on forcing myself to practice and practice. Now, it's usually as easy for me as writing men. In fact, I don't even think about the gender of the character when I'm writing—I think about who the character is. What their motivations and conflicts are. How they see the world and how they react to things. True, their gender does influence this—just as it influences their personalities. But I don't sit down and say, "I'm going to write a woman now." I sit down and say, "I'm going to write Siri." I know who Siri is, so I can see through her eyes and show how she reacts.
All that said, I'd never before tried writing a wedding night from the viewpoint of a woman. It presented a few interesting challenges. For one, there's a whole lot more nudity in this book than in my other books. I don't shy away from this (even though I myself am probably more conservative than most of my readers in areas of sexuality), as I feel that what you do with your imagination is your own business. This scene could be done in a PG way, a PG-13 way, or an R way. It's completely up to you how you want to imagine it.
One interesting thing to note is that my own wedding happened during the process of writing this book. I wrote this chapter before then, but I was engaged at the time. While working on the novel I got to go through the entire progression of awkward moments of a wedding night myself. (Yes, it was our first time, by choice.)
I think that probably colored how I wrote Siri's viewpoints throughout the entire book.
I was wondering if there was ever a time where you wanted to write but you were too afraid to, or if you've always just been writing?
No, as a teenager particularly, I was very nervous about my writing. I would hide my writing from my family. I was so embarrassed of the idea that they might find it and read it, and things like that. Early on, I didn't ever show my work to people. I wasn't scared of writing, but I was scared of letting anyone see it. As I got older, I got around that. I got over that, but it was kind of hard.
The "God Surges" you mentioned recently, are they a part of the Way of Kings frontsheet?
All I said regarding this was to tell a fan that it was possible to make an analogy between the god metals on Scadrial and certain powers on Roshar. However, these are not a codified part of the magic system.
The stars Vin sees from Scadrial are the same as the stars as can be seen on Threnody, yes? Would Taln's Scar or the Tear from Roshar also be visible from other Cosmere worlds?
Yes. But remember that on Scadrial, stars weren't an oft-seen feature in the original trilogy.
Is Hemalurgy still practiced during Harmony's reign?
Yes.
In Alcatraz, he mentions a souvenir about a bullet that can pierce steel. Was that nod to Reckoners?
Yes, that's a nod to Reckoners. There's lots of them. If you read the Alcatraz books, there's an Asomedean joke, there's a Spook's street slang joke. The Alcatraz books, if you haven't read them, are kind of me practicing my improv skills as a writer. Every writer, I think, needs to have some measure of ability to outline, and some measure of ability to just "pants it," as we say. And the Alcatraz books, I write completely pantsed. I give myself a list of things that need to be in the book, and I try to work those in as I go. And that ends up with a lot of me making jokes about myself and my process.
Would the works you have not yet published ever be published?
Probably not, because they're bad. I found ways to fix some of them and release them in some form. White Sand was the best of them and we did graphic novels of those. Because the bad parts of White Sand was I went too long on the same ideas over and over. So we were able to trim those out and make graphic novels out of them and it worked really well. It's not impossible that the other good one, which is Aether of Night, could work that way. The problem with Aether of Night is, and you can find this online. We let the forum, the 17th Shard send it out to people. So if you go there and ask, you can get it.
It feels like two books that are woven together. There's a romantic comedy, and an End of the World Apocalypse. And they just don't mix real well. And that's the big problem with that book. You can read White Sand by signing up for my mailing list. Most of them just aren't that good is the problem. Maybe Ill release them for free on my website or something.
Although I know something similar has been asked before, but could you please share a fun tidbit about Nazh?
Okay, things we know about Nazh: Scottish-like accent, he likes fried Eggplants because they remind him of a similar vegetable from Threnody, he's grumpy, he looks like a young Peter Capaldi (in my opinion). I'm not sure what else I've said about him. But I'm going to go out on a limb here and tell you that his home town will probably be called Cianalis, or some variation on that spelling.
[He started to ask the question and then realized that the book he had given him to sign was already signed, so there’s some unrelated stuff in there] When the Listeners change form, they do that by bonding with spren, right?
Yes.
Are there specific spren that they need to bond with for specific forms?
Yes.
Is the spren for dullform lifespren?
RAFO.
Anyone really want Wayne and Lopen to have a conversation?
I have no idea what they would have to say to each other but it would sound magical. Michael Kramer is awesome.
Maybe I can find a way to do this as some kind of non-canon easter egg, like the Kelsier/Moiraine conversation.
We were wondering about spren gender and if spren can have non-binary genders.
That is certainly possible... After all, I should mention this, since the Parshendi have non-binary genders. Because they have four genders.
So at the end of Words of Radiance, was that Nightblood?
It is Nightblood! Vasher is in there too if you look for him.
Are they going to be in the next--
You will see a lot more of Nightblood, you'll see a little bit more of Vasher.
With the different headings [epigraphs] of each chapter of the Stormlight Archive books, obviously they don't all make sense as you go along, but five years from now, if I read the five books and I am reading at the start of The Way of Kings, all the words, all the last words of people [the death rattles], is it going to be this huge foreshadowing moment--
It will make a lot more sense.
Is Odium planning to move against Harmony?
He is making plans.
Is Wax's hemalurgic earring in Alloy of Law giving him slight Allomantic pewter, enabling Harmony to fuel pewter Allomancy directly in the final fight sequence?
RAFO.
Is it only greatshells that have gemhearts, or do all crustaceans on Roshar have some sort of gem inside? And if it is only greatshells then are their unique decayspren related to this fact?
They're not only greatshells, but not every crustacean has a gemheart, at least not of the style that would be of any relevance to you. Some have the same sort of chemistry going on in their body, they're just too small to have it coalesce into a gemheart. And the gemheart is related to how-- particularly the greatshells, can grow to get so big.
Are we ever going to find out who brought Nightblood to Roshar?
Yes.
If you burned gold allomantically, who do you think you would see?
Hmmm... well, there'd certainly be a version of myself that joined the US Navy at 19, 'cause that was a thing that very nearly happened. A classified ad and one phone call made the difference that day.
It's hard to imagine a version of myself that isn't an animator, but it's easily feasible to imagine that I could have stayed in illustration and never split the XP to go dual-class. I have no idea what I'd be doing now or if I'd even still be drawing at all, but it'd certainly be different.
Somewhere down a leg of the Time Trousers is a version of me that never discovered Brandon's work, or decided to draw up some fan-art, or posted it to his fan-forums... or tried doing any of those things at a different time in life, because I happened to cross Sanderson's path at just the right time.
The thing about gold shadows is that they show you "a version of who you could have been", but there's a near-infinite set of possibilities for that.
Yeah, the default seems to be pivotal moments in your life, but life isn't exactly short on near-pivotal moments. It's sorta a rorschach test; when you think about gold, what are the moments in your life that you think are pivotal?
What do you think the Sailor would think of you if you met him via gold? From our limited sample (Vin and Miles) goldshadows haven't shown a tendency to get along very well...
Hard to guess. If military discipline took hold, he might be a different kind of person not just in terms of life history, but also personality and views. If he saw combat, he'd definitely be a very different Ben.
What are the official Brandon-approved names of the Skyward and Legion universes and the Reckoners multiverse?
Hm. I do need a name for, at least, the Skyward universe. Let me think on that.
Is [Hoid] ever actually what he's actually like in any of the books? I thought Way of Kings would be it, but I'm not sure.
Wit is very similar to the real Hoid. He's worked a long time to build a place for himself where he can kinda be himself. I mean, when you see his book from his viewpoint, he'll feel very like Wit from Stormlight.
Whenever I write, I have all the inspiration and stuff to do so and I know what I want to write. But when I come back to what I have written the next day or so, that feeling of inspiration and satisfaction that I had when I was writing goes away and I feel unsatisfied with what I have written. I have great ideas that I think are great, but sometimes I don’t think they are great anymore. Often times I re-write it, but the situation is a continuous loop. Any advice?
This is a common sort of attitude, and you are not alone. Writers tend to fall into two camps, I’ve found. The people who think their writing is terrible while writing it, but then discover it’s not so bad afterward—and the people who think it’s great while writing it, but then look back and find it disappoints them. I don’t think either attitude is 100% correct, but I can understand both.
What I see happening here (as an off-the-cuff diagnosis not knowing you enough to do a detailed and specific one) is that your ability to see a perfect and wonderful book in your head is not yet matched by your actual writing skill. You’ve likely read a lot of books, and have developed a very discerning eye for what works and what doesn’t in fiction. You feel like you should be able to produce that great fiction, therefore.
But you’re like a person who has become an expert in tasting cheese—that doesn’t mean you can make your own. You have an advantage over someone else, but you still have to put in the work to learn the process of cheese making. Here, you’re comparing the perfect version of the book in your head (or, perhaps, the published books you’re reading) to the first draft, unpracticed work you’ve written.
The challenge here is to recognize your first draft doesn’t have to match a published finished draft. Beyond that, you’re going to grow a lot as a new writer as you finish your first few books—to the point that you will often be much better as a writer by the end of a sequence than you were at the start.
In all these cases, however, the solution is the same: keep your eye on the goal. Finish that story. You can’t learn to do endings until you practice them. Learn to let yourself be bad at something long enough to be good at it. This is an essential step many artists have to take. You can and will make that story better, but you need to finish it first.
Elend Returns and Gets the Letter Deposing Him
And, finally Elend gets deposed. I worry about this plot twist coming out of nowhere, though it is quite well foreshadowed. Elend mentions at one point that the Assembly can choose new kings. He's missed several of their meetings, and–because of his earlier proposition–they can't do anything about the armies until he decides to let them.
That put a lot of pressure on the Assembly, and they were made to feel irrelevant. There are, of course, other forces pushing and pulling at the Assembly–and you'll find out about those later.
Elend made a big mistake here. He was so busy being king that he forgot he himself had set up a constitutional monarchy. His enemies DIDN'T forget about this fact. In Elend's defense, both Straff and Cett have a lot more experience with leadership than he does.
I notice Adolin has a talent for picking out when people are lying. At least he caught Sadeas, he caught Amaram, he knew Kaladin was having something, but he missed Danlan.
How reliable is Adolin with his read on people? Better with guys.
*laughter*
Look at the list you just gave me.
You were in Toronto, and you read something you'd written on a plane about a really young girl, and a coffee machine...
Oh, young girl with a coffee machine, yes, that was the Apocalypse Guard. The opening of it turned out really well, then I lost control of it, spiraled out of control. I haven't figured out how to fix it yet, but I actually pulled it from the publisher. And I will eventually release it, but I gotta fix it first. It was mostly worldbuilding issues. It just didn't come together at the end; too implausible, too many things to keep track of, too many infodumps.
How do you go about designing your magical systems? Do you come up with all the rules at the beginning, or is it developing as you write?
It’s a little of both. I have some essays I’ve called Sanderson’s Laws, because I’m a humble guy. If you google those and find those, you can read some essays about how I write magic systems. The answer to your question directly is, oftentimes I’ll come up with something really cool. Hey, you draw on the ground with chalk and play magical Starcraft against each other. Tower defense with chalk. What are some basic rules? Let’s write the book, and as we’re writing I’m like, this question arises, this question arises. How would I answer that? Let’s build in answers to it. With the Rithmatist, I already had the foundations of Cosmere magic, so I could say, “How does this work? Well, it works like this.”
What would happen if you gave [a mistwraith] a spike imbued with steel Allomancy? I'm assuming that wouldn't be enough to grant it sentience but could it then use steel powers? Can you give Allomantic powers to a kandra?
Hemalurgy can give Allomantic powers to a kandra. The process to do so is not known to anyone but Harmony.
So Elend, at the end of Mistborn [Era 1], is going around finding Allomancers the mist had Snapped. How come he didn't find any other Mistborn? Or did he and we just didn't know about it?
What you have to remember is the mists were looking for a way specifically to deliver information to him, that "I am alive and doing something" but they were also kind of crazy. And so the idea was to make him notice the number 16 so that he would know that there was a plan and that something was prepared for him. Does that make sense?
Why didn't the mist throw in some Mistborn in that sixteen too?
Then you would have 17. Or you would have like-- It was the number that was important to what the mists were doing. Plus it is much harder to make someone who wasn't originally-- Like remember what's going on is these are people it is Snapping intentionally who did not-- Like it's Investing them so-- It's either awakening a very little remnant in them or taking people who had-- They wouldn't have been able to be Mistings, if the mists hadn't intervened. Making someone a Mistborn takes way more power.
There is a person on the forums who noticed that Shallan has this awesome Memory thing going on, Jasnah seems to have a really powerful, kind of, geolocation thing going on, Kaladin is a really good fighter - are those just their traits, or is there something supernatural going on?
There is something supernatural going on. Each Order... Well, how about this. If you look at the scholar interpretations, there are some scholars who think that these things are not supernatural, in the past, and some who said they definitely are. But many, if you look, many Lightweavers had powerful mnemonic abilities.
So it's definitely tied to the Orders?
It's tied to the Orders. Now, I am not going to say that you've got them all 100% correct, but each Order, there are things that come with Order, things that do not add up from simple the "you get this power plus this power," there is something else going on. And I would say that for Windrunners, watch the number of squires and the power of the squires... is abnormal for the Windrunners.
And each Order's squires are somehow different from the other Orders'?
Yeeeaaaah... some Orders don't have them, [that] is the difference.
But some have more?
Yeah.
How easy would it be to Pull metal through ["zombie" Elantrians]?
Pull metal out of them.... Easier.
Easier than a regular human?
Yes.
In Well of Ascension, it mentions that the language of Terris had a gender neutral pronoun. If you actually constructed the language, what was that pronoun? Or did you just leave it as its English translation of "it"?
I didn't spend a long time on the languages in Scadrial, since most people were speaking the same tongue. I just used "it" in my own writings. Roshar has a lot more detail on the languages, because culture-clash is a bigger part of the theme of the series.
What is your favorite original Shardholder?
My favorite original Shardholder?
I don't knoooowwww...
Are they all that bad of people?
No no, they're not bad-- they're not all bad people. Many of them are-- you know the trick is I'm gonna have to really write them, as their personalities. Because right now they're really just concepts, and I haven't written very many of them. And so... I'm very fond of Bavadin, but I can't say.
What was your motivation behind-- for killing Elhokar and simultaneously ripping my heart out?
So, it was-- I never feel like I'm killing characters, I'm letting characters take risks and I'm letting other characters have agency to do the things they're doing in the books. That whole plot cycle was more-- less me killing someone off and more me letting Moash go down the dark path that he have been demanding that he go down.
Okay, but you realize half the fandom-- or the whole fandom practically wants him dead now.
Yes, yes. Well, they should! He made a very, very bad decision, and he deserves everything that the fandom is throwing at him.
Would Leras recognize Vax or is it just like some Ati backstory??
Yeah, he would recognize Vax.
About the end of Secret History... We see that Saze is being very shy with Kelsier. Seems like he is afraid of what he's gonna do. Can you tell us about it?
*carefully* Sazed believes in Kelsier more than Kelsier does.
