Advanced Search

Search in date range:

Search results:

Found 14294 entries in 0.346 seconds.

Warbreaker Annotations ()
#5951 Copy

Brandon Sanderson

Lightsong Throws Pebbles to Count Priests

One of the challenges in writing these sections was that Lightsong could never do anything the "normal" way. He could have simply sent his priests to count at the gates, then come back to him with some figures. But it wouldn't have felt right.

Despite his protests, Lightsong likes to meddle. He likes to pick at things and be involved. He couldn't just send someone to count; he had to go count himself. And he had to do so in a properly flamboyant way.

This scene with the pebbles is important for far more than the obvious reasons. Yes, we're furthering the mystery plots (though this particular one isn't as important to the overall plot as some others). However, the more important part of this scene is how it shows Lightsong's progression and growth.

I know what it's like to finally find something to latch onto, something to drive you and give added purpose to your life. For me, it was writing. For Lightsong, it's the investigation of the murder.

Prague Signing ()
#5952 Copy

Questioner

My friends would like to know if you can Awaken liquids?

Brandon Sanderson

This is almost impossible.

Questioner

Almost impossible?

Brandon Sanderson

Almost impossible, but not fully impossible, but basically impossible. Particularly if you're talking about just a liquid, not in a container, anything like that. Technically, you can kind of Awaken a dead animal, which will have some liquid in it and stuff. But if you just want to Awaken like--

Questioner

A bowl of water?

Brandon Sanderson

A bowl of water, almost impossible.

Arcanum Unbounded Chicago signing ()
#5953 Copy

Questioner

I have a specific question about one Perpendicularity, on First of the Sun. You've mentioned that it's dangerous.

Brandon Sanderson

Yes.

Questioner

Is that because there are predators that can sense your thoughts, that can sense your presence in the Cognitive Realm as you're travelling across the Perpendicularity before you cross over--

Brandon Sanderson

That's a Read And Find Out.

Calamity Philadelphia signing ()
#5954 Copy

Questioner

 For the White Sand graphic novel, is it going to be a book for each novel?

Brandon Sanderson

It’s actually three books for the first one.  Because graphic novel--turns out my longwindedness, even trimmed down, takes a lot of pages. So once we finish those three, if people like them, we’ll do the second.

General Reddit 2019 ()
#5956 Copy

Esc777

From what I understand, Sanderson (a long-time MtG fan) wrote the novel entirely of his own volition, using only the pieces of MtG lore he deemed necessary, with entirely new characters he created, and then approached WotC and said "Hey, I wrote this, do you want to publish it?"

That sounds unbelievable. Very few people just do work like that for free. I think something about that story is exaggerated.

Brandon Sanderson

It...well, it actually did happen. Kind of like /u/StrictlyFilthyCasual said (though not quite) and it is a kind of weird thing that I did that was terrible in a business sense. I wanted to do it anyway.

Basically, for years I've thought, "If I were going to write a MTG story, what would it be?" The answer was what became Children of the Nameless. I basically had it, and the characters, plotted in my head. When Wizards came to me, they wanted to hire me to write one of their stories.

I knew, right out, they wouldn't be able to afford what it would actually cost me to write a story for them. In fact, I suspected it would be orders of magnitude different. So, I counter offered and said, "Look, I have this cool story I want to write. It's in one of your worlds. I'll do it for free, as a gift to MTG and the community, but you have to let me do my own thing."

They were on board. I realize, doing something for free for a huge corporation is...well, kind of dumb. But I didn't decide to become a writer because I have good business sense... I just wanted to do my thing, and have it be a real part of MTG lore and get to have a card designed based on my character.

Leman12345

I knew, right out, they wouldn't be able to afford what it would actually cost me to write a story for them. In fact, I suspected it would be orders of magnitude different.

Does this mean its unlikely we'll see you write full length magic novels? :( Children was so good.

Brandon Sanderson

It's unlikely, I'm afraid. There's a chance I'll do another story about Dav, but it wouldn't be longer than what I've done already--and it wouldn't be anytime soon. One difficult reality is that I have promised a lot of things to those following my cosmere novels, and anything I write that isn't on one of those projects needs to be looked at skeptically on my part, if only for the purpose of keeping my promises. So it's less a matter of money, and more a matter of time.

General Reddit 2017 ()
#5957 Copy

sinsmi

Fishtank beads aren't spheres, they're ovoids. They aren't flat on any sides, they're just oval-based.

This is a sphere that's flat on one side. Otherwise, the side of the sphere being flattened (since it's specifically only one side) would be pushed out to the sides, and it wouldn't end up being very circular at all.

/u/mistborn, please lmk if I'm misunderstanding it, because I'm genuinely curious now.

Brandon Sanderson

No, your image is close to what I imagined.

Footnote: This discussion is about Rosharan spheres
Sources: Reddit
/r/books AMA 2015 ()
#5958 Copy

Rillum

Vasher had a strange reaction when Vivenna mentioned Clod to him. Was Clod someone that Vasher knew in life? Or was this a reaction of his general disapproval of the Lifeless in general?

Brandon Sanderson

No, Vasher has a connection to that particular Lifeless. It was indeed someone Vasher knew in life.

JordanCon 2018 ()
#5959 Copy

Questioner

We saw that, in one case that she felt it was very important, Cultivation intervened when Dalinar was asking for his boon from the Nightwatcher. You said that for the most part she just sort of lets her work, but has she intervened in other cases that she feels are important, specifically with Taravangian?

Brandon Sanderson

She has intervened before.

Stormlight Three Update #3 ()
#5961 Copy

psychomanexe

I'm pretty sure moash was named after moshe, right? >.>

sheesania

Wow. I'd be pretty offended if the author I got published, after something like ten huge books, named one minor vengeful, traitorous character after me. Or else I would find it really amusing.

Brandon Sanderson

Moash was actually named before Moshe became my editor, as Alethi has some Hebrew roots, making some of the names similar to Hebrew names. He considers it a fun homage that I left it, after he became my editor. (Even considering what Moash does in WoR.)

grampipon

Alethi has Hebrew roots? Man, I'm Israeli and I didn't notice.

Brandon Sanderson

They're buried, but in there. The Kh that you see in a lot of Alethi (like Kholin) are a gutteral, kind of like Chet. That might help you find some. Do note that there are some other influences too, not the least of which being the Vorin idealism of symmetry. (Bonus fun fact, the Double Eye is inspired by the Sephirot, though that one's a little more obvious.)

The AudioBookaneers interview ()
#5964 Copy

Samuel Montgomery-Blinn

Wayne's ability to mimic and create accents is used to great effect in the book, and Michael Kramer really shines in bringing these accents to life in the audiobook. Did you have a sense when writing the book that these could be challenging—and rewarding—scenes when read?

Brandon Sanderson

I certainly did. The thing is, I'm not good with talking in accents myself—I can hear them in my head, but I'm atrocious at trying to do them. So while I was writing the book, I was thinking in the back of my mind, "I really hope that poor Michael can pull this off." It was a lot of fun to write Wayne's accents. I'm writing in a world that isn't our world, but the Mistborn world is a bit of an Earth analogue. I intentionally used themes that make it an Earth parallel, which is different from my other worlds. So you can have a character who kind of has a light Cockney accent or something like that, but it's not our world so it can't exactly mimic that accent. So it's already a challenge in that respect. I do think Michael did a fantastic job.

The Hero of Ages Annotations ()
#5965 Copy

Brandon Sanderson

MeLaan

It's never fully explained who MeLaan is, so I'll give you the background here. One thing that kandra do is take Contracts serving mankind in exchange for atium. However, there are other jobs that kandra can do back in the Homeland. One of the more prestigious ones includes the training and instruction of a child kandra.

This can take years and years, as kandra grow very slowly. TenSoon was appointed as a "parent" of a single kandra during his lifetime. (Many of the Fifth Generation have been parents dozens of times, but the Thirds are a rebellious group, and it was only after much consideration—and political pressure in the Homeland—that Thirds were given chances.)

MeLaan, then, is kind of TenSoon's adopted daughter. She has something of a hero-worship crush on him, inspired by his gruff style and adventuresome personality. Her idolizing of him borders on a romantic crush, and this makes TenSoon somewhat uncomfortable.

There you go. Now you can astound your friends with Mistborn background trivia.

Isaac Stewart r/Stormlight_Archive AMA ()
#5967 Copy

ArtemosHyre

The Steel Alphabet is interesting in that each symbol represents a letter, a number, and a metal. When a Scadrian is reading a sentence with words, numbers, and metals, how do they know which of the three each symbol refers to?

Isaac Stewart

It's all related to context, similar to how we usually know which "they're, their, or there" is being used, even if we sometimes don't know how to spell each.

Firefight San Francisco signing ()
#5968 Copy

Questioner

What advice would you give to people who want to be authors?

Brandon Sanderson

What advice would I give to people who want to be authors? ...You want to be a writer? So, I have these little cards that say "so you want to be a writer", I'm going to pass one back to you. So the number one thing I'd say that as a writer you want to know is, your duty, your job, is to practice in such a way that you can become a person who can write great books. Your job is not to write a great book. Your job is to practice so you become people who write great books. So treat becoming a writer like you treat becoming a pianist, or becoming a doctor, or anything else that is a goal you want to achieve. Say, I'm going to take years to do this. I'm going to practice consistently. And I am going to not stress right now if I am not achieving what I want to do. You don't start off doing brain surgery, you don't start off playing Rachmaninoff. You start off practicing and just do that. If you are willing to do that, you will improve and you will be surprised how fast you grow. If instead you're like I need to write the perfect paragraph or the perfect chapter before I can move on, and you stare at that and beat your head against it you will never improve.

There's a story told by someone, you can google this online, just look for the, ah-- pottery-- uh, oh... trying to remember what it's called-- Alright I can't tell you how to google it but maybe your googlefu is better than mine when I tell you the story. So there's this person who teaches pottery and he shared in his book--and I've read the book, and seen it, and things like this--a story about how he one year split his class in half, and had one half, the new beginners in pottery, their job was each week their grade was going to be based on how good a pot they made. They've gotta make the best pot they can every week, turn it in, he would give them a grade for that week. And, you know, that's how good you were. The second group, he said you're going to get a grade based on the weight of all the pots you create this week, meaning we're just going to weigh them and if you hit this certain amount you are going to get an A, if you get this certain amount you're going to get a B. He did this for the entire semester teaching exactly the same way and at the end he said "Now make the best pot you can" to both groups. And the best pots all came from the group who did their grade by weight. All of them. The best pots came from that group. Not the people who tried to make a perfect pot every week, but the people who tried to make the most pots every week. And that works in creative endeavors quite a bit, that practice trumps perfection on the small scale when you're starting.

ICon 2019 ()
#5970 Copy

Questioner

I am an editor.

Brandon Sanderson

Good for you. It's a terrible, terrible job. *audience laughs*

Questioner

What was your process for finding an editor that you liked and now work with?

Brandon Sanderson

So... I work with a couple of editors. My main editor is Moshe [Feder], at Tor, and I found Moshe by going to conventions and I would ask editors which new authors' books they were working on. Then I would go read those books when they came out and I was looking for the editors that were buying books that I liked.

And that's good advice for any of you who are writers: Find out what the editors are publishing, read their books and then if you go, you'll find out what the editor's taste is. If you go to the editor and say "What are you looking for?", the editor's response almost always is "Something good." They're gonna tell you, because they don't want you to limit yourself, but if you read what they're putting out, you can find out. Plus, you'll have to something to talk about with the editor. You go to the editor and say "I love this book." and they're like "You know that I edited it?", because editors are kind of unsung heroes who don't get enough attention. Then you'll have something to talk with an editor about and can make a connection.

This is what I did, I was looking for people who were writing books that I liked... editing books that I liked. The other thing is, I was looking for people who gave me good feedback. When I got rejections, did the rejections make good suggestions? Theses sorts of things... Once I got successful, I was looking more at the first, people whose books I admired, editors who worked on books... So, my team book editor I found because she was just putting out a bunch of books that I thought were really good. She had a good eye, so I went to her and said "Would you like to publish Steelheart?" and by then I was not Brandon Sanderson, I was Brandon Sanderson, and so she said "Yes, please!" So... it's a pretty different process.

Stormlight Three Update #4 ()
#5972 Copy

ebilutionist

Regarding Soulcasting, I have a question - why do people continue to use it post-Recreance? Would it not have been seen as a betrayal, given that the Radiants abandoned them? Why this Surge but not others? Was it simply the only Surge available and people would have kept using the others anyway? I guess it's a matter of practicality but given how devout Vorinism can be it does seem odd.

Brandon Sanderson

Good question. You'll notice that Soulcasters aren't the only fabrial that access a Surge, however. They're just the one most commonly used.

There are plenty of rationalizations. But it comes down to this: they are too useful to give up.

ebilutionist

Ah yes, now that I think of it Navani's conjoined-gem fabrials seem to utilize Gravitation and perhaps the heating one uses Abrasion(?) to produce heat. Or are there others I did miss?

Brandon Sanderson

I was referencing a Regrowth fabrial, actually, which I believe has appeared several times.

ebilutionist

Isn't the Regrowth fabrial incredibly rare? I was under the impression it disappeared with the Recreance and only Nin's reappearance brought it back. AFAIK, only a Radiant in Dalinar's vision and a Herald have actually used it so far.

Brandon Sanderson

Their rarity depends on the time period in question. But yes, I'd list them as incredibly rare.

Shadows of Self San Jose signing ()
#5974 Copy

Questioner

So, [Shadows of Self], when they were doing the PR for it, Tor put out, like, six or eight free chapters. At some point, don't you feel you're just slowly...

Brandon Sanderson

So, here's the story behind that. They're like, "We're gonna start our PR!" and they released three chapters in July. And I wrote to them, and I'm like, "The book comes out in October. And if you want to get people excited about the book, why did you release all the chapters in July?" And they're like, "Oh, yeah... Right." So, then they said, "I guess we'll just release three more in October leading up to the launch. I'm like, "Okay, sure." You now, I'm the one who released Warbreaker for free on my website. If you haven't read that one, it's just there for free under Creative Commons, because I figure people who enjoy my writing are going to start supporting me as a writer, either by giving my books to their friend or buying them or coming to events like this, so... Part of me wouldn't mind if Tor just gave away every one of the books, because more people would actually go buy them if the people who wanted to buy them could try them out for free. We've got this weird thing in with books entertainment where you don't know if you're gonna like it until you get to the end. But we expect you to pay for it up front. You know, that's not unusual, but at the same time that's like going to a restaurant and having a big list of things that you don't know what they are, and not telling you what they are, just saying "Oh, you'll love them." And then expect you to order a meal kind of randomly. Once an author has his track record, I think that it's a little bit more... makes sense for people to say "Oh, I trust Sanderson, I'm gonna like this book. I can buy this book and enjoy it and read it." When they came and said "We're thinking of giving The Way of Kings away free for six months on Amazon," I said, "Yes, give it away. Get people to read the book." That's kind of the opposite of stopping people from reading it. I'm for it.

General Reddit 2016 ()
#5975 Copy

Evilkill78

While rereading HoA I decided to do a bit of research on an informant. But I also found another interesting tidbit on Theoryland.

http://www.theoryland.com/intvmain.php?i=727#35

This WoB. It implies TenSoon is eventually going to be able to reconnect with Vin, or at least, someone with Hemalurgic spikes is going to be able to communicate with someone that's departed to "The Beyond" (or the Spiritual Realm)...

Brandon Sanderson

Yeah, this looks like one where I was tired from answering a lot of questions, and was thinking about Kelsier--I was really excited to write Secret History back then. I realize that it wouldn't make sense for Kelsier to want to talk to TenSoon, but you'd be surprised the things that you say sometimes when you're trying to write in someone's book, keep yourself from giving too many spoilers, but also answer questions. You can go on auto-pilot sometimes for a minute or two, answering questions that my brain THINKS someone asks, when it's not one they actually asked. Or mashing together two questions, and having a kind of crossed-wires brain moment. You can see me do this on Reddit sometimes too, if you look back through my history. I often catch it and edit to explain myself, but not always This was during the era when I was heavily laying foreshadowing to fans for Kelsier's return, so it wouldn't feel like a cheat when I eventually got to Secret History. So I was looking for opportunities to talk about people with spikes communicating with the Cognitive Realm. I can't remember. There's also a possibility that I was still contemplating Vin staying, which she could have done, as someone who'd carried one of the powers. Either way, I made the call that even bringing Kelsier back was dangerous for undermining consequences, and having Vin hang around would be counter to her character arc and the arc of the stories. So Vin and TenSoon won't be talking any time soon. Sorry to shut down conversation on this one, and sorry to lead you on.

DrogaKrolow.pl interview ()
#5978 Copy

DrogaKrolow

Will there be some other books concerned with the Wheel of Time maybe?

Brandon Sanderson

Chances are not good. I feel that Robert Jordan didn't want there to be more-- And I'm not the final decision maker on that, Harriet is, but I've mentioned to her that I don't feel it would be right to continue doing [Wheel of Time] books. So I don't think it's likely. If she decides that she wants more that's certainly not my place to say that she can't, or things. But I don't think I would write anymore just because I feel like he wanted it to be an ending. If he were still around, he would've written more. But I don't think he would want me to.

LTUE 2020 ()
#5980 (not searchable) Copy

Brandon Sanderson

As Lift hung from the ceiling, dangling precariously from a rope with one hand, reaching out with the other towards the basket, she was forced to acknowledge that stealing food just didn’t give her the same thrill as it once had. She continued to pretend, because she didn’t want her life to change. She hated change. Stealing people’s food was basically her thing. She’d been doing it for years, and she still did get a thrill when she saw their starvin' faces. They’d open a drawer and their chouta wrap was gone, or they’d pick up their plate and find it empty. They’d adopt the most sublime moment of cross-eyed panic and confusion. And then they’d smile and look to see where she was.

They didn’t see her of course, she was way too good at hiding, but they’d look, and they seemed fond. You weren’t supposed to be fond when someone stole from you. Ruined the entire experience. Then there was this. She stretched a little further, fingers brushing the basket. She swung on her rope, stretched out and… there, she snatched the basket. She stuffed the handle between her teeth and scuttled back up the rope, vanishing into the hidden labyrinth of small tunnels that laced the ceilings and walls of the tower. Up here Wyndle waited, coiled up upon himself and making a face out of vines and crystal.

“Oh!” he said, “A full basket! Let’s see what she left you this time.”

“Ain't nobody leavin' me nothing,” Lift snapped. “I stole it, unfair and square. Also, hush. Someone might hear.”

“They can’t hear me Mistress, I am…”

“I hear you, so hush, whinyspren.” She crept away from the hole, pushing the basket ahead of her as she crawled through the small tunnel. The next intersection was a tight squeeze, but she could make herself slippery with Stormlight, so she got through. Two turns and a straight crawl later, they entered a small intersection of tunnels, where she’d left a sphere for light. The roof of the tunnel was a little higher here, letting her settle down with her back against the stone so she could inspect her prize. Wyndle came in on the ceiling, taking the shape of a growing vine that crept across the stone. He formed a face again right above her, looking down as she pulled open the basket and began rifling through it. Flatbreads and curry, sugared mashed beans, little jar with a cute face drawn on top, along with the Horneaters’ symbol for love. It looked like jam inside. Lift looked up at the ceiling and the blinking vine face hanging from it.

“Alright,” she admitted, “maybe she left it out for me.”

“Maybe?”

Starving stupid Horneater woman,” Lift grumbled, slathering jam on the flatbread. “Her dad knew how to make it look like an accident, leaving stuff out so I could take it. Let me storming pretend.”

She stuffed the bread in her mouth. Damnation it was good. Only made the experience more humiliating.

“I don’t see the problem, Mistress,” Wyndle said.

“That’s 'cause you’re a dummyspren,” she said, then stuffed the rest of the flatbread into her mouth, talking around it. “Don’t <blahgruhbluhbluhluh>.”

“I do too like fun in my life,” he said. “Last week I displayed the most beautiful art installation of chairs from around the tower. The others thought it quite majestic; they complimented the stools in particular.”

Lift sighed, leaning back against the wall and just slumped there. Not really angry, not really sad, she was just… <blarglegorf>. Supremely <blarglegorf>.

Storms. The wrap she wore underneath her shirt was really starting to itch today. “Come on,” she said, grabbing the basket and sphere and then moving on through the tower's innards.

“Is it really so bad?” Wyndle said, following. “Cord likes you. That’s why she leaves things out for you”.

“I’m not supposed to be liked,” Lift snapped. “I’m a shadow. A dangerous and unseen shadow moving mysteriously from place to place, never seen, always feared.”

“A… shadow.”

“Yes, a starvin' shadow alright?” She had had to squeeze through the next tunnel, too. Stupid, stupid, stupid. “This tower here, it's like a big old corpse, and I’m like blood, sneakin' around through its veins.”

“Why would a corpse have blood in its veins?”

“Fine, it’s not dead, it’s…sleepin', and we’re its stormin' blood, alright?”

“I should think,” Wyndle said as she squeezed through another tight fit, “these air vents are more like intestines. So the allegory would make you more akin to, um, well… feces, I guess.”

“Wyndle…” she said, pulling through.

“Yes, Mistress?”

“Maybe stop trying to help with my deezy metaphors, alright?”

“Yes, alright.”

Storming lamespren,” she muttered, getting to a section of air vents that were larger. She did like this tower. There were lots of places to hide and places to explore, particularly if you were a person of the smaller variety. Up here in this network of stone ventilation shafts, she found the occasional mink or other scavenger, but it was really just her domain. The adults were too big and the other children too frightened. Plus, she could glow when properly fed, and her awesomeness could get her through tight squeezes. When she'd first started exploring up here, there hadn’t been nearly as many of those as there were now. Stupid, stupid, stupid!

They eventually reached her nest, an opening where four ventilation shafts met. Here, she'd piled up blankets, food stores, and some treasures. One of Dalinar’s knives she was absolutely sure he hadn't wanted her to steal. Some interesting shells. An old flute that Wyndle said looked strange to him. There were near a well where she could get all the water she wanted, but far enough away from population that she could talk without feeling like people could hear her.

The previous nest she'd made before moving had let her listen in on echoes of people nearby, but they’d been able to hear her, as well. She’d heard them talking about the echoing in the ventilation shafts. "The spirit of the tower," they’d said. And that had been nifty at first, but then they’d started leaving out stuff for her, like she was like the stormin' Nightwatcher. And then she’d started to feel guilty. You can’t be takin' stuff from people who don’t have much to give. That was the first rule of not being a total and utter useless piece of chull dung.

She munched on some stolen food from her basket, then sighed and got up. She stepped to the side wall, putting her back to it.

“Come on,” she said, “Do it.”

Wyndle moved up the wall. As always, he left a trail of vines behind him. Those would crumble and decay soon after, but for a short time could be used to mark something, like the height of a girl standing beside the wall. He moved across the wall atop her head, then she stepped back and marked the line with a more permanent one out of chalk.

“That’s almost a full inch since last time,” she said.

“I’m… sorry, Mistress.”

She flopped down in her nest of blankets, wanting to curl up and cry. But she didn’t do that, because she wasn't storming weak. Instead, she took off her shirt, then undid the wrap around her chest and redid it tightly.

“I’ll stop eating,” she said. “That’ll stunt my growth.”

“You? Stop eating?”

“I could do it!” She pulled the wrap tighter, then put her shirt back on. Then she just lay and stared up at the marks on the wall showing the progress of her height over the last eight months.

“Mistress,” Wyndle said, curling up like an eel and raising a vine head beside her. He was getting better at making faces, and this one was one of her favorites. It had little vines that looked like mustaches. “Don’t you think it is time that you told me what exactly you asked the Nightwatcher?”

“Doesn’t matter.” she said. “It was all lies. The boon, the promises. Lies, lies, lies.”

“I have met the Nightwatcher,” Wyndle said. “She does not think the same way the rest of us do. Cultivation created her to be apart, to be separate from mankind, unconnected. She wanted to create a daughter whose shape and personality would not be influenced by the perceptions of humans. This makes the Nightwatcher less... well, human than a spren like myself. Still, I don’t believe her capable of lying. It isn’t something she could conceive of, I believe.”

“She’s not the liar,” Lift said, closing her eyes. Storms, she’d made the wrap too tight; she could barely breathe. “It’s the other one, the one with the dress like leaves merging into the underbrush, hair like twigs, skin the color of deep brown stone.”

“So, you saw Cultivation herself. That is rare.”

Lift shrugged.

“I had suspected it was true. Your situation is unique. Why, seeing into the Cognitive Realm even a little is an uncommon feature in a human, and turning food into Stormlight… well, you’re special, Lift”.

“I didn’t want to be special.”

“Says the girl who just earlier was comparing herself dramatically to a shadow.”

“I just wanted what I asked for.”

“Which was?”

“Not important now.”

“I rather think it is.”

“I asked not to change,” Lift whispered, opening her eyes. “I said when everything else is going wrong, I want to be the same. I want to stay me, not become someone else.”

“Those are the exact words you asked?”

“Best I can remember.”

“Hmm,” Wyndle said, snuggling down into his vines. “I believe the problem is how vague you were.”

“I wasn’t vague! I told her, make me so I don’t grow up.”

“That is not what you said, Mistress. And if I might be so bold, having spent a great deal of time around you, I should tell you that you are not an easy person to understand.”

“I asked not to change, so why am I changing?”

“You’re still you, just a bigger version.”

She squeezed her eyes shut again.

“Mistress. Lift. Will you tell me why this bothers you so much? Everyone grows, everyone changes.”

“But I’m…I’m her little girl.”

“Who’s little girl?” he asked gently. “Your mother?”

Lift nodded. Stupid, sounded stupid and she was stupid. Mother was dead, that was that. Why hadn’t she said the right words? Why hadn’t Cultivation just understood? She was supposed to be some sort of starving god. It was her fault if a little girl came and begged for a promise that got deliberately misinterpreted and… and Lift liked who she was, who she had been. She wouldn’t be the same when she got older.

Elantris Annotations ()
#5981 Copy

Brandon Sanderson

Also, in this chapter we begin to get a few pay-offs from the building I've done in previous chapters. The foreshadowing with the well, the foreshadowing with Karata's escapes into the city, and the foreshadowing with the child Elantrians all come to head in this chapter.

At the same time, I give foreshadowing for Iadon's paranoia, and foreshadowing regarding the passage out of his palace.

These are the sorts of little plotting events that make writing exciting for me. When they pay off–when the reader has that moment of "oh, I get it"–is when I'm the happiest as a novelist.

Arcanum Unbounded Chicago signing ()
#5982 Copy

Questioner

Sak, Dusk's non-native Aviar. That ability is very, very similar to Allomantic electrum.

Brandon Sanderson

It is!

Questioner

And his other Aviar is very, very similar to Allomantic copper.

Brandon Sanderson

It is.

Questioner

Is there a connection between those two, deeper? Or is it--

Brandon Sanderson

will RAFO that. Let's just say it is an intentional reference, but I'm not going to say whether it's a direct connection to Scadrial magic systems or more that fundamental rules of magics can reproduce one another. We have seen multiple instances of Lightweaving, so-- It's one of those two... That at least narrows it down for you.

Boskone 54 ()
#5985 Copy

Questioner

Let’s say that the fires of industry keep progressing in Middle Earth, and someone builds a spaceship, they get in it and go up. What do you think happens?

Brandon Sanderson

In Middle Earth? I think it is heavily implied by the time that happens that Middle Earth has changed to a place where there is no magic, so I think it works just fine.

Questioner

[Follow-up on if Middle Earth is in the same universe as the cosmere]

Brandon Sanderson

You’re not talking to a Tolkein scholar here.

[...]

Yes, the cosmere takes place in a place where there is another branch of physics that is investiture, and that is the big change.

Questioner

Do you ever run into problems with that, does it break physics?

Brandon Sanderson

Oh, yeah. If you look too deep in a fantasy book we are breaking the laws of thermodynamics and we are breaking causality. Those are the two big ones. And those are very important things to be… very dangerous things to be breaking. And you could probably write a fantasy novel that didn’t break those two things. Maybe? I don’t know. The way I avoid breaking laws of thermodynamics is by saying, we’ve got investiture that things can transfer into as well. We’ve got matter, energy, and investiture, I’ve added something to the tripod and therefore it looks like I’m just bending the laws of thermodynamics.

When you actually get down into the nitty-gritty, it starts to break down. It just has to. Causality is the big one. Once you have people teleporting and things like this, run the train experiment. I mean, you just have to say “It’s magic” at some point in a fantasy book. For most of them. I think you could do it, but in mine, with a  grand scale magic system I want to do, we just have to say, “at that point it’s magic.” And this is how I think a fantasy writer differs from a science fiction writer.

A SF writer takes today and extrapolates forward. I take what is interesting and extrapolate backward. Usually. For instance speed bubbles. “I want to have speed bubbles. This is how they work. Peter, tell me the physics.” And we work it out together. We work out physics and try to hit the big trouble points and build into the magic why certain things happen. But that doesn’t stop us from making speed bubbles where there is time passing differently without using mass or whatnot to create time dilation, and it causes all kinds of weird things to happen.

Firefight Seattle UBooks signing ()
#5986 Copy

Wetlander

Prior to becoming pregnant, did [Queen Aesudan] spend most of her time at the Shattered Plains, or in the capital?

Brandon Sanderson

She has spent most of her time in the capital. She obviously has been back and forth. I would say she has spent more time off the Shattered Plains than at it.

Wetlander

But she was at the Shattered Plains, rather than Elhokar going back to the capital?

Brandon Sanderson

He has been back at least once, but it is a long trip.

Words of Radiance Omaha signing ()
#5987 Copy

Questioner

So the Cognitive realm.  Is Shadesmar a Roshar specific term?

Brandon Sanderson

Shadesmar is Roshar specific term, but when I translate from what other people are saying in these books I just translate it to Shadesmar.  So for instance when Wit is talking about it he's going to call it Shadesmar.  He's just going to use the Roshar term. But no, Shadesmar  is what it's called there.  

Orem signing ()
#5988 Copy

Josh

If Odium went to Scadrial, would he be blind to metal there? Because I think you mentioned more than once that focuses are actually determined by planet.

Brandon Sanderson

I'm going to RAFO that. But that's one of those excellent questions. I'm amused people have figured out enough to be asking questions like that.

General Reddit 2014 ()
#5991 Copy

[deleted]

Stormlight Archive was made for a Dynasty Warriors-style combat system.

Ben McSweeney

Stormlight has Dynasty Warriors SDNA.

No joke, it's in my list of stuff Brandon had me look at when designing Plate. He's talked about watching Jordo play it for hours back in the late 90's.

Words of Radiance Philadelphia signing ()
#5994 Copy

NutiketAiel

You have a tendency to write books with theocracies that are legitimately ruled by the gods, and this seems to be missing. Is that a direction that the Knights Radiant might be heading, or is something else going to happen?

Brandon Sanderson

I'm gonna RAFO that one. There was a theocracy on Roshar at one point. There was also a mage-ocracy, whatever you want to call it. 

Questioner 2

Priestocracy?

Brandon Sanderson

No, mage, magic-user...A lot of things have existed on Roshar.

Elantris Annotations ()
#5995 Copy

Brandon Sanderson

Speaking of Raoden's honor and truth, I'd like to note something about assassination and killing in this book. As I've stated in earlier annotations, I wanted this book's conflict to be non-violence focused. I think that the characters in this book, therefore, represent a more mature philosophy regarding social problems–a philosophy that could only exist among a people who have spent so much of their lives not having to deal with death and war. A people who have a valid reason for seeing things more like people in a contemporary culture.

As my friend Alan likes to say, however, "Violence may not always be the best answer–but it's usually AN answer." Conflict and social commentary should be based on the characters and their beliefs, rather than forced expressions of the author's message. That doesn't mean that I don't let my personal views shade my writing–I think that level of self-removal would be impossible. However, I do think that the themes expressed in a book need to be reflective of the characters.

I like that I was able to write a novel where the characters came to the conclusion that they'd rather find a way to stop their opponents without resorting to hiring assassins. This, I think, is a noble way of viewing the world. However, the realist in me says that most people–and most situations–won't be so open to this kind of decision. It says something that after working so long on Elantris, I promptly went and made my next heroine (the one from Mistborn) an assassin herself. In her world, life is far more brutal–and these sorts of philosophical problems aren't as difficult to deal with. There, there is too much riding on the protagonists for them to worry about their methods. I think they're still good people. They just have a slightly different philosophy.

Calamity Philadelphia signing ()
#5997 Copy

Sandastron

I’m very curious about pewter. How much Feruchemical pewter, steel, and gold would you have to take in in order to be equal to burning pewter and flaring.

Brandon Sanderson

Oh…um, okay. So you wanna...ok, let’s back this up. So you wanna know feruchemically what would it take to match burning?

Sandastron

Yes.

Brandon Sanderson

Okay. So burning pewter, I kind of imagine...roughly doubling. Roughly.

Sandastron

Double your strength?

Brandon Sanderson

Yeah. But without the muscle mass change, it’s a magical boost. So because of that it has some pretty dramatic effects, like when Vin jumps and things like that.

Sandastron

So it’s only a double, so would flaring it bring it any higher?

Brandon Sanderson

Yeah. Flaring would go higher.

Sandastron

Would it be like triple?

Brandon Sanderson

Maybe like triple.

Sandastron

Maybe like tripling...that’s fascinating. So I always thought normal burning would triple it and flaring would quadruple.

Brandon Sanderson

Yeah I always felt kind of double. You won’t see people burning pewter and lifting a car.

Sandastron

Right, exactly.

Brandon Sanderson

You see people burning pewter and delivering a really solid punch.

Sandastron

Gotcha, thank you. That is fascinating…and would it be about doubling speed and healing ability?

Brandon Sanderson

I haven’t worked out the numbers on that exactly. I have an instinct that says thatburning pewter, healing goes a bit faster but I have to look in the books and see what we’ve done in the past and then kind of canonize it.

Warbreaker Annotations ()
#5998 Copy

Brandon Sanderson

Chapter Thirty-Five

Vivenna Awakes, Bound by Vasher

This chapter—with what happens in the latter part of it—is the most dangerous in the book. Dangerous to me as an author, I mean. I love good plot twists, but I worry about leaving them without proper foreshadowing. I've never done something as drastic as I have in this book, having a group of sympathetic characters turn out to be working for the wrong side. I hope it succeeds, but I know that if it doesn't, readers will be very mad. Nothing is sloppier than a book with unearned changes in character motivation.

But we're not there quite yet. Before that we have the first real interaction between Vivenna and Vasher. He gives her what he likes to think of as the Nightblood test. One nice thing about having a sword that "cannot tempt the hearts of those who are pure" is that when someone like Vivenna touches it, she gets sick. I didn't want Nightblood to come across as a "one ring" knockoff. He doesn't turn people's hearts or corrupt them. However, in order to be able to do his job and fulfill his Command, he needs the ability to determine who is good and who is evil.

This, of course, isn't an easy thing to determine. In fact, I don't think it's a black or white issue for most people. When Nightblood was created, the Breaths infused in him did their best to interpret their Command. What they decided was evil was someone who would try to take the sword and use it for evil purposes, selling it, manipulating and extorting others, that sort of thing. Someone who wouldn't want the sword for those reasons was determined to be good. If they touch the weapon, they feel sick. If others touch the weapon, their desire to kill and destroy with it is enhanced greatly.

Nightblood himself, unfortunately, doesn't quite understand what good and evil are. (This is mentioned later in the text.) However, he knows that his master can determine who is good and who is evil—using the sword's power to make people sick, or through other means. So, he pretty much just lets whoever is holding him decide what is evil. And if the one holding the sword determines—deep within their heart—that they are evil themselves, then they will end up killing themselves with the sword.

Vivenna passes the test, which surprises Vasher. He thought that she'd be the type who would use Nightblood to kill and destroy. (He doesn't have a high opinion of her, obviously. Of course, that's partially because he's let his temper dictate what he thinks.)

Warsaw signing ()
#5999 Copy

Oversleep (paraphrased)

I asked about Radiant Surgebinder who would tap his Connection to the spren and would he be able to summon Shardblade even at First Ideal?

Brandon Sanderson (paraphrased)

He said it's possible but spren wouldn't like it. IIRC he said something about increasing flow of power (???)

Arcanum Unbounded Chicago signing ()
#6000 Copy

Questioner

Are we going to hear much about Dustbringers in the near future?

Brandon Sanderson

So--

Questioner

'Cause I don't know why but I'm really curious about them.

Brandon Sanderson

Yes, but it's going to be very slight for a little while. I'm intentionally digging into these magics somewhat slowly, all the different orders, just so we have time to get used to them. They're one of the later ones. Let's talk more about Bondsmiths and Skybreakers before we do that.