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YouTube Livestream 7 ()
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Rafael DePaulo

What Knights Radiant orders would Rand, Mat, and Perrin belong to?

Brandon Sanderson

I built the Knights Radiant orders so that people could naturally fit into multiples. And so, for instance, you could very easily see Mat as a Lightweaver. I just totally think that that is a natural and nice fit for Mat. But it's not the only thing that will work for Mat. But it is definitely where I would place him most naturally.

Where would I put Rand? Rand, if you look at kind of his powerset and his theme in the stories, is probably Bondsmith. That's probably a very good match for Rand's narrative theme. He is probably very Windrunner in his characterization through a lot of it. There are lots of arguments.

And Perrin's kind of naturally going to either be another Lightweaver, because of the art aspect to Perrin, making and creating. But probably is gonna be a Stoneward or Willshaper instead. In fact, Willshaper fits him really well for various thematic reasons. So I'd probably stick Perrin in Willshaper. Working with the stone, plus moving and traveling to Shadesmar, or being able to see into Shadesmar, just kind of fits him really well.

The Great American Read: Other Worlds with Brandon Sanderson ()
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OrangeJedi

She noticed that the race in Skyward that the people are fighting are Krell, and that there are krell in Sixth of the Dusk.

Brandon Sanderson

That is not a direct connection. It's just, the Krell are a race of aliens from Forbidden Planet, one of my favorite classic science fiction movies, and I'm just doing it in Skyward as an homage to that. Krell in Sixth of the Dusk is just me looking for a thing that sounds like the right name for the thing.

OrangeJedi

So they're completely unrelated?

Brandon Sanderson

Completely unrelated. Other than the fact that I've watched Forbidden Planet, like, six times.

The Well of Ascension Annotations ()
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Brandon Sanderson

Marsh was a tricky one to write in this book. Everybody loves him, for some reason, and they were really happy I didn't make him a bad guy at the end of book one. The more I put him into book two, the more readers tended to like him there as well.

However, I've got enough characters in this book that I couldn't really focus on Marsh as much as I would have needed to, so I backed off on him. You'll see some of him in the next few chapters, but then he fades into the background. Simple reasoning is that the book was long enough, even in the planning stages, that I knew I couldn't tackle Marsh and what was going on with him. Not yet, at least.

Oathbringer Chicago signing ()
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Questioner

I actually wanted to get a tattoo of the Truthwatcher symbol. Are there any-- are there narrative reasons you would go against that?

Brandon Sanderson

Uhh, no.

Questioner

Are they-- would they be an order that's about using knowledge to help people?

Brandon Sanderson

Yes.

Questioner

Could I get an Ideal if possible?

Brandon Sanderson

Of them? I can't do 'em because I don't want to canonize them yet, I have to do that when I actually write the books.

Questioner

But it is broadly speaking knowledge and help?

Brandon Sanderson

Yes.

Oathbringer release party ()
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Questioner

So, you post enough on Reddit. But you get by with not always getting noticed, and you can actually post stuff kind of like normally, like a person. How long do you think that will last until, you like-- like, if you get a movie or a TV deal...

Brandon Sanderson

People miss when Arnold [Schwarzenegger] posts on Reddit. People just aren't used to reading usernames. And I know, if they're miss Arnold, they're always gonna miss me.

General Reddit 2020 ()
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MysteriousCorvid

Majority of authors 'hear' their characters speak, finds study. 56% of the writers surveyed reported visual or other sensory experiences of their characters when they were writing, while a fifth had the sense that their character was occupying the same physical space.

Brandon Sanderson

Doesn't really happen to me, though I do have a lot of times where I feel I am the character. That's kind of the point; I write to explore the world through other people's eyes. Have never had any kinds of hallucinations as the title of this post describes.

Bizjothjah

Interesting! Would you say that you dive so deep into a character that you "become" that character for a time?

Brandon Sanderson

I always have solid separation of myself and the characters, though I can "pretend" on the page. It gets close enough that I think I can understand characters for whom that imagining crosses a line. Wayne, from one of my series, is like this--he's someone who can take it a step further than I do. I can get close enough to sense what it would be like, but I never really feel myself becoming them.

Elantris Annotations ()
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Brandon Sanderson

Chapter Thirty-Three

Another short, but powerful, Hrathen chapter. This is the head of Hrathen's character climax for the first half of the book. He has been questioning his own faith ever since he first met Dilaf. It isn't that he questions the truthfulness of the Derethi religion–he just has become uncertain of his own place within it. I wanted this moment, when he's semi-consciously watching the eclipse, to be the moment where he finally decides upon an answer within himself.

This is a major turning-point for Hrathen. His part in the book pivots on this chapter, and the things he does later are greatly influenced by the decisions he makes here. I think the important realization he realizes here is that not every person's faith manifests in the same way. He's different from other people, and he worships differently. That doesn't make his faith inferior.

In fact, I think his faith is actually superior to Dilaf's. Hrathen has considered, weighed, and decided. That gives him more validity as a teacher, I think. In fact, he fits into the Derethi religion quite well–the entire Derethi idea was conceived as a logical movement.

The Hero of Ages Annotations ()
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Brandon Sanderson

Chapter Fifty-Eight - Part Three

Spook Wrap-Up

Overall, I'm very pleased with the Spook cycle of chapters in this novel—particularly once I revised the early ones to make him a little more sympathetic to the reader. I think there's real heart, tragedy, and triumph in these chapters. Their one flaw is that the Spook/Beldre romance isn't very strong, but I can accept that. Considering that both of them are teenagers, with powerful teenage passions, and considering what I managed to do with the space allotted, I'm pleased.

What worked best, I think, was the subtle demonstration of Ruin's corrupting fingers—mixed with careful plotting to give Spook the power to overcome in the end. He doesn't win through use of his powers, ironically, but through use of his flaws. The numbness that was so shocking to him earlier now becomes the tool he can use for victory.

The twist with Beldre being an Allomancer isn't too much of a twist; I suspect that some readers will guess it early on. However, this is the reason the Citizen started saving Allomancers. He recognized their usefulness because of his sister. Like most tyrants through history, it was very easy for him to make, for people he liked, excuses and exceptions to his hatred. It should be noted that Quellion himself had no noble blood. His sister was in fact a half sister.

FAQFriday 2017 ()
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Questioner

Do your children sometimes inspire your writing?

Brandon Sanderson

Having children has certainly been a big help in understanding the way that younger people think.  I spend a lot of time reading with them, and seeing what engages them in other books.  This has been an excellent help to me in my writing.

So far, I haven't taken any of their specific ideas–but they're still a little young.  They do offer suggestions, but they tend to be things like, "You need a big orange dinosaur that builds itself a robot suit to fight ninjas."

On second thought, that's a pretty cool idea, isn't it?

Starsight Release Party ()
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Questioner

I'm sensing a subtle metaphor between all of the Radiants, where it seems like their lives have caused them to be pressurized gems and now they get the cut from their Oaths. 

Brandon Sanderson

Nice job. Yeah.

Questioner

They're holding Stormlight better when they do that, right?

Brandon Sanderson

They are indeed.

San Diego Comic-Con@Home 2020 ()
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Questioner

You've mentioned before that Odium is scared of Harmony. Is it only because of the raw power of the two Shards? Or is he scared of what Harmony represents? (Meaning the possibility of merging two Shards.) Was he aware that this was possible?

Brandon Sanderson

He, on one level, was aware. But it was more of awareness of this as a possibility. It actually happening is part of what has him scared. It's the idea of the two merging Shards both being more powerful and finding a harmony. (Which Sazed is actually having way more trouble doing than Odium realizes.) Those two things really have Odium scared. Because, partially, this means he has to find a way to destroy or split Harmony without taking up a second Shard himself, because Odium knows if he takes up a second Shard, terrible things will happen. And so he doesn't want to do that. (Terrible things as he views them.) And so he's gotta find a way to split this apart, or somehow otherwise defeat.

Now, the more he learns about Sazed's actual state, the less afraid he'll probably be. But that's an advantage that Sazed has right now.

General Reddit 2020 ()
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Vanahian

Brandon has said that the Ashynite disease-based magic was related with the Old Magic. Did he mean it in a direct way? Like this magic from Ashyn was a branch or a variety of the Old Magic system?

Brandon Sanderson

I do have to RAFO this, for the most part. Suffice it to say that the disease magic is related to a symbiotic bond between spren-like Investiture and microorganisms.

Skyward release party ()
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Questioner

Is there a group on Taldain that's tied to Autonomy? Directly, like working for Autonomy? I'm after sand mages versus...

Brandon Sanderson

I would say yes. Though there is some wiggle room in that question, I would say yes. I wouldn't canonize it. I would call it Word of Brandon canonized. Until it appears in the books, it's not super canon.

Firefight Chicago signing ()
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Questioner

So I'm in the middle of Hero of Ages, and I'm noticing there are constant parallels between Vin and the Hero of Ages and Elend and the Lord Ruler?

Brandon Sanderson

That's done intentionally.

Questioner

Is it going to hurt?

Brandon Sanderson

Is the ending going to hurt? The ending is the right ending. It's going to be satisfying, but it also might hurt.

Elantris Annotations ()
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Brandon Sanderson

So, all of Telrii's characterization through the novel has been pushing toward this chapter. I knew I wanted him to throw a huge wrinkle into Hrathen's plans, and so the basic thing I had to decide was what Telrii could possibly do that would be as disastrous as the Mad Prince's uncontrollability. In the rewrite, then, I made certain to make Telrii a more unpredictable character. He's not just wasteful, he's arrogantly wasteful. At the same time, however, he's not as much a fool as people assume. He likes his spending, but he also likes how that luxury makes him look. It makes other people underestimate him, and makes them assume that he's predictable. That lets him pull little coups like the on he throws at Hrathen in this chapter.

Hrathen is, of course, right. Telrii doesn't have any clue how great a misjudgment he just made. The idea is not that Telrii is brilliant–he's just smart enough, just wily enough, to be surprising. He's just dangerous enough to do something disastrous like this.

Warsaw signing ()
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Questioner (paraphrased)

What would happen if Allomancer was also an Awakener and Awakened metal he'd burn?

Brandon Sanderson (paraphrased)

If he did that, he’d get Allomantic power and also get back the Breaths used in Awakening the metal.

YouTube Livestream 11 ()
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Questioner

What Order do you belong to? What Order does Emily belong to?

Brandon Sanderson

I got (and I can't remember which one was on top and which one was second, but they were very close) Elsecaller and Bondsmith. Which are the places I would have sorted myself. That's when I knew the test was doing a good job.

Emily Sanderson

And my top is Bondsmith. I don't remember what my second one was.

Mistborn: The Final Empire Annotations ()
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Brandon Sanderson

Joshua, by the way, also pushed for an action scene here–where Kelsier grabs the Inquisitor's attention and runs. I do take most of Joshua's suggestions. In fact, his desire to have an action scene earlier in this book is the biggest bit of advice by him I can think of that I haven't taken. I just really felt that I needed more time to ease into Allomancy before I could do justice to an action scene. Actually, I think a fast scene like that would actually slow the book down, since I'd have to spend so much time explaining. Better to let the next few scenes play out, where we get some good explanations in dialogue.

The Hero of Ages Annotations ()
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Brandon Sanderson

Chapter Forty-Eight

The Lord Ruler's Final Message

This plaque from the Lord Ruler was very difficult to write. Originally it was much shorter, but I expanded it during the last draft because I felt it was just too useless. Even still, it doesn't say much. And that's the problem.

I was always intending the Lord Ruler's final plate to contain no answers. It works into my themes for this series—this was the "quest" book playing off the epic fantasy ideal of the powerful object that must be discovered and used to fight the evil. Except that this time, I wanted them to get to the place they'd been questing toward and find it empty, with no answers from the Lord Ruler. I felt this would only heighten the sense of hopelessness the characters are feeling in trying to fight Ruin.

The problem is, rereading this plate I realize that I've done exactly what I wanted—but that it's also a really, really big letdown. I hate letting down readers. It feels like breaking promises. After consideration I think this is still the best thing to do, but I wish I'd found another way to deal with this.

Note that the circle with a dot here is completely lost on Vin. The size of the circle in relation to the text around it, and some numerical clues scribbled around the perimeter of the circle, are indications of the size of a scale map it should be placed upon. If placed the right way, the dot will point directly at the Pits of Hathsin.

Vin's awesome, but she's barely got a basic education. A complex mathematical puzzle like that one is completely lost on her. If Elend had had the time to study the plate, he might have figured out where it was pointing. There wasn't time, however.

The Lord Ruler did leave a very important clue on this plate. However, I feel that obscure clues like this are deciphered far too often in books like this one. I think realistically if you're going to leave a clue like that, chances are good that it will end up getting missed or misunderstood. Which is exactly what happened here.

YouTube Livestream 1 ()
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Grant Willis

Are there any clues or easter eggs in Roshar/the cosmere that have not been discovered yet?

Brandon Sanderson

Yeah, but they're not ones that you should be able to discover. They'll just be things that you'll able to look back at. We embed some things here and there in the art, like the lastclap that was in foreshadowed in the margins of one of the art pieces in the first book, with someone catching a Shardblade. For instance, a lot of the little circles for characters at the start of the stories represent things that will happen much later in the series, but most of them are intentionally zoomed in of what the shot would be so that you can't tell right now, because these are not things that you're supposed to be able to figure out. Most things that I intended for you to figure out, you did, and some that I didn't intend you to figure out, you also did. So people can feel very proud of that. Yes, there are a bunch of easter eggs, there are a ton of them, but there is no way you can figure out what they are.

Alcatraz Annotations ()
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Brandon Sanderson

They named prisons after us.

Here we get the reason why everyone has prison names. I figured this makes sense, in the twisted reasoning of this book. Alcatraz the First is a famous hero in the Free Kingdoms. So, what do the Librarians do? They make sure everyone in the Hushlands associates the name Alcatraz with something base.

It was fun when I actually managed to work out a reason behind the loony choice of my hero’s name.

JordanCon 2016 ()
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Questioner

Just in the cosmere alone, are there any--Do you believe there are any specific magic systems that are stronger than the others, or have an advantage? Or do they kind of even out?

Brandon Sanderson

Oh, do-- Yeah. Do any of the magics have advantages or stronger-- Definitely some are stronger than others. Definitely. There is no attempt made on my part to power balance between magic systems and things. Power balancing is for RPGs where it's very important, it's not for storytelling.

A lot of people like to ask the "Who would win, X or Y?" sort of thing, and I don't get into a lot of that, I usually say, "Well, what's the situation?" I'm not big on the-- I will, if people clash, or if different powers clash, I will write the situation, but it's so conditional. So I have a hard time with these cage match things that people really like to do and things like that, because they're fun, but as an author I'm like, "I can come up with a dozen situations where either one of them wins or someone else does". Right? That's what you do, in writing. You say, what is the context of this?

But that's a tangent from your question, which is the powers are not equal. The Shards were generally equal. Some have given up more power than others.

Words of Radiance Seattle signing ()
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Questioner

Peter actually said on the 17th Shard that we should ask you about this, we'll see if I get RAFO'd or not.

Would you share with me how Vasher lost his sword to Nale?

Brandon Sanderson

How Vasher...?

Questioner

Well uh "Zahel".

Brandon Sanderson

Oh, oh. *having far too much fun with this*

So how Zahel lost his "sword"...

Questioner

We're talking about the same thing here. So Nightblood. How did that get in-- how did that transfer over?

Brandon Sanderson

I'm not sure why Peter's telling you to ask that, because--

Questioner

Well he said something about that maybe you could share a little bit about, I don't know...

Brandon Sanderson

There will be a lot of information in the book Nightblood about how some of these things came to transpire.

Skyward Denver signing ()
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Questioner

Hemalurgic spikes degrade very quickly, but Feruchemical metals can hold on to their charge forever, apparently. Is that just because Hemalurgy is corruptive?

Brandon Sanderson

Yes, though I may not say "forever."

Questioner

But it's much slower?

Brandon Sanderson

Yeah, way slower.

Yes, it's the nature of Feruchemy and Hemalurgy.

Shadows of Self Houston signing ()
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Questioner

Why did it take you so long to write the fifth Alcatraz book?

Brandon Sanderson

Why did it take me so long to write the fifth Alcatraz book... So, the Alcatraz books, the problem was I had this weird relationship with Scholastic, who was publishing them, where they didn't want to keep publishing them, but they didn't want to sell them back to me either. And it was really weird, because I was like "If you don't want to keep publishing them, why not like let us take them back and sell them to someone else?", and they were like "ehhh", so we had to convince them to sell them back to me, and I actually had to pay them a bunch of money to get the rights back, to bring them to another publisher, and that deal required that we couldn't sell any Alcatraz books until January of this upcoming year [2016]. And so the reason I couldn't do that fifth book is because of that contract. I let them sell off the remaining books that they had so that we're rereleasing them starting in January, the first four again, and then the fifth one. We didn't want to do the fifth one until the first four could come out, so people could buy them. So that's the reason!

Publishers Weekly Q & A ()
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Michael M. Jones

Something noteworthy about your work is the massive interconnectivity. Is Skyward connected to any of your universes or continuities?

Brandon Sanderson

It's connected to a novella I wrote, which explored an interesting premise in faster-than-light travel. I prefer not to publicize which one, because the spoiler at the end of that story related to a twist near the end of Skyward. This isn't connected to my big epic fantasy universe, the Cosmere, for several reasons. First, the way space travel is possible here doesn't work with that setting. Also, this incorporates lore from Earth, and I try to keep Earth and the Cosmere very distinct and separated.

Mistborn: The Final Empire Annotations ()
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Brandon Sanderson

Why would Elend bring a dangerous book like this one to the ball? We'll talk a little bit about that in the next chapter. However, I can offer some further insight.

The thing is, Elend goes and meets with his friends after balls, and they discuss political theory and the like. Elend is the leader of those meetings, and guides the discussions, and so he feels that he needs to be ready to present interesting ideas and arguments to keep the conversation going. That's why he's always reading at balls and taking notes–he's getting ready for the night's meeting. He's the type who is always preparing, right up to the last minute (I'm the same way.)

So, it makes sense for him to bring the books he wants to talk about with him to the ball. He's been sheltered, and doesn't really believe that he'll ever get in trouble for what he reads, and so he has a habit of being careless with his reading material. Hence, we end up with him in a room full of obligators and nobility, reading a banned book.

The Well of Ascension Annotations ()
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Brandon Sanderson

Dedication

This book is dedicated to my maternal grandmother. The last one was dedicated to my paternal grandmother.

I didn't just do that for cohesion. I see a lot of both women in myself. Mary Beth (from book one) is free-spirited and wacky. That's the easiest side to see in me, the fantasy write.

Phyllis, however, is a dedicated hardworker. She is, to me, a symbol of simple, uncomplaining dedication. (Well, not completely uncomplaining. Grandma is great at grumbling.)

However, if something needs to be done, she just does it. Always. She's like 90 years old, and she's still just plugging away, the same as always. She's a real inspiration to me, and I think that I owe a lot of my success to the things she instilled in my mother–who instilled them in me. Getting published took a lot of hard work–those of you who've read a lot of my annotations know I wrote 13 books before I sold one. The sense of "just do it"-ness that my grandma gave me helped quite a lot when I needed to work, write books, and learn to make it in this field.

The Hero of Ages Annotations ()
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Brandon Sanderson

"Then you have doomed us all."

We can finally explain the Lord Ruler's final quote, given at the end of book one and then quoted again in this chapter. "You don't know what you've done," he said. "You've doomed yourselves." (Or, at least, something like that. I hate it when I misquote myself, but it happens a lot.)

He knew that the power would soon return to the Well, and he'd been planning how to resist Ruin. Yet he knew that Ruin would try something—something to stop him, to destroy him. The Lord Ruler wasn't expecting it to come in the form of a rebellion to overthrow his empire and kill him, but he was expecting something.

And so, as he lay dying, he realized what had happened. He knew that Ruin must have orchestrated it—the timing was too perfect. He knew what was coming, and that it would probably mean the end of the world.

Doomed indeed. Another nice connection back to previous books here with Vin's quoting of that.

The Ten Orders of Knights Radiant ()
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Brandon Sanderson

Lightweaver

I will speak my truth

Lightweaver oaths are an oddity, perhaps because their spren tend to be the oddest among all Radiant spren. Instead of speaking specific words, or even words along a certain theme, Lightweavers speak truths about themselves—things they must admit to themselves in order to progress as people. It is theorized that because Lightweavers live on the line between reality and fiction, it is important for them to be able to separate the real from the lie, and only with the proper ability to do so can they move forward.

Lightweavers are the Radiants most interested in the arts, including all kinds of visual arts and theater. They range widely in personality from the quiet and introspective painter to the outgoing and gregarious stage performer, with everything in between. What unites them tends to be a love of art, though there are some few who are more interested in intrigue, secrets, and espionage. They are the spies of the Knights Radiant and are often untrusted by others (such as the stoic Skybreakers) for their love of subterfuge. They have a reputation for having looser morals than other Orders, but the Lightweavers are quick to point out that their personal values are strong. They just don’t feel they need to match what other more hardline Orders tend to require. They can be vague with oaths, and many say there is far more Cultivation in them than Honor. (Others dispute this, saying that all Orders have an equal mix, despite some spren naming themselves “honorspren.”) Lightweavers tend to be free spirits, and many among their Order see the importance of entertainment, beauty, and art in a person’s life, and strive to make sure that the world doesn’t just live through the Desolations—because mere survival isn’t enough unless there is something to live for.

YouTube Livestream 5 ()
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Nick Cantrell

One thing I've always struggled with in writing is creating meaningful quotes or pieces of art in-universe. Poems, philosophers, etc. How do you go about doing this?

Brandon Sanderson

The best way is, for me, to steep myself a lot in somebody's style after the book is done. So I finish the book... I do this sometimes with other things, too. For instance, Taravangian's viewpoint where he's very smart in Oathbringer. I wanted this to feel very different. Another one I did it for in Oathbringer was the ardent who's reading the romance novel. And once I finish the book, I go read a ton of someone else's style, and I kind of try to do a Weird Al version. You know how Weird Al will do style parodies, where he's doing a song in the style of someone else? Or you might learn how to paint using some great master's style, and then try a different great master's style? I try to evoke that style in what I'm writing. For instance, with Taravangian, I used Faukner. Went and read a bunch of Faulkner. Very steeped myself in Faulkner, tried to get some of the big, meaty Faulkner-esque paragraphs and complex sentences and things like that. Just so that when you read Taravangian, even if you're not like "Oh, he's doing Faulkner," you'd be like "Something's odd. It's almost like Brandon had someone else write this chapter." That works really well for poetry, also, for songs in-world and things like that.

If that doesn't work, something else you can do is do what I did. My father-in-law is a musician who is a singer/songwriter. (Matt Bushman on Spotify.) He has since retired from that, but he's a very good songwriter. And I had him write a couple of my songs for Words of Radiance. I had him wright all the epigraphs of the song. I just hired him. And I had him write Shallan's lullaby for that book. And that worked out really well. 'Cause again, I wanted something that felt like I hadn't written it. So I had someone else write it.

So those are two different ways you can kind of shake up your style. (One by not actually doing anything in your style, but you know what I mean.)