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Rithmatist Albuquerque signing ()
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StormAtlas (paraphrased)

Why can Kaladin Surgebind with any gem type but Jasnah and Shallan need specific types?

Brandon Sanderson (paraphrased)

A lot of that will be explained as the series comes along. It is really the difference between Soulcasting and the other forms of Surgebinding. It's more a quirk of Soulcasting than it is something that is different about about Kaladin. So you've kind of got it reversed a little bit though; Soulcasting has this additional restriction that the other ones don't.

Mistborn: The Final Empire Annotations ()
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Brandon Sanderson

I like the obligator scene in this chapter, as it gives Vin a chance to realize just what the whole obligator system is about. Regular priests watch over the spiritual well-being of their people. The Lord Ruler doesn't really care about that. So, his priests watch over the economics of his empire. Seems like something a living god would do.

General Reddit 2019 ()
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DammyJerry

Brandon, if you don't mind, I always wanted to ask this:

If Dalinar knew the story of Adonalsium (well, I hope he will, eventually) would he be like -- Yes, this is the true God I'm looking for, or more like -- if Adonalsium died then he was never a God (same what he thinks about Honor)?

I, like others, also root for Dalinar gaining knowledge about the greater cosmere. Our man deserves it.

Brandon Sanderson

To answer this, I'd probably have to give more Dragonsteel spoilers than I want to give.

DammyJerry

That's fair. Thank you, Brandon.

I have not read Dragonsteel (if we are talking about that old version of the book). Hope you will dig into these things in the future novels, especially with Dalinar :)

Brandon Sanderson

I promise that answers to questions like these are very much on my mind, and are things I do plan to eventually address in one way or another.

YouTube Livestream 1 ()
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Katie Gerskey

Earlier you have stated that Spensa's story in Skyward was inspired by the 'boy and his dragon' stories that you read in your teens. Is Rysn and Chiri-Chiri's story in Stormlight 4 based upon this plot archetype as well?

Brandon Sanderson

Yes. But only in small, minor ways.

Getting the gift of a strange and unusually pet is one of those things ever since I read Dragons Blood by Jane Yolen, ever since I read The White Dragon and Jackson getting his dragon. There is something in me that loves this sort of fantastical pet - I mean own a macaw. [As far as] pets that are responsible to have go, excluding things like getting a lion, it's one of the weirdest things you can get as a pet. And that's going back to that love of dragon stories. That's why I bought <Cock>, my love bird, that was my buddy all through high school, it was because a flying, talking, little creature just feels so fantasy to me. So yeah, definitely Chiri-Chiri is playing into that trope to an extent.

Dark One Q&A ()
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Questioner

Now that you’re writing the Mistborn screenplay, what would be your ideal way to show emotional or non-physical Allomancy on the screen?

Brandon Sanderson

I’m playing with a lot of different things. The screenplay right now, we’re using blue as a signifier that Allomancy’s being used. The blue lines work pretty well. Mostly, you’re gonna see a very faint blue line, and you’re gonna see the object that the person is pushing or pulling on flashing blue. That is your indication.

And right now, I have someone’s eyes flash blue when they’ve been hit by emotional Allomancy. The problem with that is, it can’t be diegetic. It can’t be in-world; it has to be a thing for the audience. Which, non-diegetic music is fine. Everyone’s used to that in movies. But something like this, we may want to try to find a better way. But right now, that’s what we’re doing. That’s at least what the screenplay is. The person uses their power, someone’s eyes flash blue; they are being affected by emotional Allomancy. You now know. Again, I assume most people who watch the film will assume that’s diegetic. Which makes for problems and a huge weakness in emotional Allomancy that I don’t intend.

It is a trick, right? To show, “How is someone using Allomancy?” I kind of want someone, when a Thug is lifting something and burning pewter, you’d be able to see. I have it written right now that blue veins move across their arms like lightning, being like, “They are using Allomancy to enhance their strength right now.”

And it might be the answer, just make emotional Allomancy be diegetic. That it’s got this big weakness in the film version of the cosmere that it didn’t have in the books, in order to actually make it visual so that people can understand what’s going on. But there might be another answer.

And remember, I am not going to be writing the screenplay. I am going to write a rough draft of the screenplay, and then I’m going to work with a real screenwriter to actually make it into a screenplay. My goal is just to get down on paper what things I think are justified and important changes to make from the book to the film, and what things I think still have to be there. My goal is that anyone I work with would be able to take this screenplay or treatment, look at it, and say, “I am willing to commit to any changes we would make to this being approved by you.”

Because what they won’t do, is they won’t give me creative control. I don’t have enough power in Hollywood to get creative control over a film. J.K. Rowling got it. But Stephanie Meyer had to go to a second-string film studio to get it. And George Martin didn’t get it. That’s kind of your hierarchy. And I am below George; I’m probably actually where George was when he got that deal, I would say. I am in the category of, I don’t have enough power to demand this. I would have to be two ranks in popularity and influence more than I am, and I don’t think that is legitimately something we could wait to happen, because to get to Twilight or Harry Potter level popularity is just not something that you can count on. I don’t think you can count on getting to the level of popularity we’ve gotten to.

So I think, moving forward, my goal is to find ways that I can work with the system. And I think that if they have a screenplay and a treatment, and they’re like, “All right. We can agree that this is good enough that if we have to make any changes to this, we will let you have approval.” Having them say, “Brandon has to have creative control” without any screenplay or thing like that, no one’s ever gonna give me. So that’s the main goal of this. The main goal is to say, “Here is Brandon’s vision. Are you willing to make Brandon’s vision as a film?”

General Reddit 2020 ()
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roberto_sf

Any news on the Mistborn screenplay? The progress bar no longer appears on your website

Brandon Sanderson

I finished the Treatment, but decided not to write the screenplay until some behind-the-scenes things played out further. It's all good news, internally, but there are some pieces to fit together. For example, I started a production company earlier in the year. I won't finance/make the film myself, of course, but it's the sort of step I wanted to take before going further with partners.

Tor Instagram Livestream ()
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Questioner

How's Skyward Three going?

Brandon Sanderson

It's going really well. I am loving writing Skyward Three. It is really fun to have a change of pace, to do a single viewpoint narrative in first person after working on the Stormlight Archive for so long. Epic fantasy is my first love. I really enjoy working on them. But by the time I'm done working with a Stormlight book, I need a change of pace, which is how my whole writing life is built around, giving me those changes of pace. And Skyward is the perfect break from Stormlight. It was designed that way. Just writing from Spensa's viewpoint is a blast, and it's fun. 

And I designed Skyward Three to be a little bit more of a popcorn adventure than Skyward Two was (and then Skyward Four will be), just 'cause I knew I would need that after Stormlight Three. So if you're looking forward to a fun adventure fiction that does deal with Spensa's character arc in ways that are still meaningful, but most of the story is just me having fun, then look forward to Skyward Three.

Mistborn: The Final Empire Annotations ()
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Brandon Sanderson

We start this chapter off with our only Dockson viewpoint. You'll notice that it's a hallmark of my style to start multiplying viewpoint characters as books draw to their climaxes. I like the feeling of chaos it creates, and I like the way it lets me show a lot of sides of what is happening. In addition, it just makes the endings feel more special, since you get to see from eyes you haven't before.

Oathbringer Houston signing ()
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Questioner

How do koloss breed? It doesn't make any sense to us?

Brandon Sanderson

So... A child born to a koloss and a koloss, or a koloss and anybody else, is what we call a koloss blooded. They don't become a full koloss until they undergo the ritual and are spiked.

Questioner

Okay. But also they didn't have the gender parts.

Brandon Sanderson

They do have gender parts.

YouTube Livestream 4 ()
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Ashton Smith

I just finished the Legion series and it was amazing. Do you ever think you'll go back to it?

Brandon Sanderson

So what my pitch for Legion has always been is me wanting to do a television show. When I conceived the very first Legion story, I wrote a series Bible to go along with it and this never has materialized. Now, it is still optioned by someone. It's our third or fourth option on it, which means that there is a company out there called Cineflix who has the option to make a television show, and as far as I know they are still developing that and hoping they can make that happen. But after a decade of trying to get a television show made, and realizing that I just don't have the resources to do this on my own, I have instead decided let's try doing an audio drama series using Stephen Leeds and his aspects. So we actually got together a little writers' room. Myself and a friend of mine that I started an audiobook company with. Max Epstein is my friend, and together we have an audiobook company called Mainframe, and we have been developing various projects with various people, mostly with me kind of trying to kick off things that'll feel more like television shows but audio dramas, and Legion is one of those. So if you really liked Legion, when we release that audiobook version, which theoretically we're going to do an audio original Legion thing that would be like a pilot for a series that we would do other audio dramas for, with a writers' room, just like a television show. If that comes out, give it a listen, and if you like it, let us know and let whoever we end up putting it with know so that we can continue doing them. So there's a decent chance that there will be a Legion one manifesting.

Mistborn: The Final Empire Annotations ()
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Brandon Sanderson

This altar room is about all you get to see of the actual religious trappings of the Final Empire. As I've said earlier, I intentionally gave the religion in this book a bureaucratic feel. I think that with a living God, the people would be less inclined to faith, prayer, or that sort of worship–and it would be more about obedience and loyalty. So, the obligators and Ministry are police more than they priests.

Yet, I did want to hint that there are some ceremonial aspects to the religion–they just aren't things that the Lord Ruler cares about the public masses taking part in. This little room, with its strange bowl of tiny knives and odd altar, was intended to evoke a kind of mystical, religious feel. Enough to hint that there's more that the readers don't know, but not enough to get boring.

YouTube Livestream 20 ()
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Brandon Sanderson

With Dawnshard, what was going on [with revisions], there was some big things that I needed to do, and some of them I was aware of. And because the book... basically, it was written in July, and we did the beta read in August, and I'm doing the revisions in September/October; it has a really accelerated timeline. Which means that the beta read wasn't as clean as I normally like a beta read to do. I really like a beta read to have seen a book after I've done revisions that the alpha read has caught all the big problems. Or that I've had time to layer things in. Like, there is a whole aspect of this book that I knew needed to be in the book, but I just didn't have the time, the brain focus, in the first two drafts to put in. So they all had to read and complain about this thing that I knew I was going to put into the book, but they thought I'd just completely missed. In that case, I had this thing to add in; but, still, giving their feedback helped me decide how to add it in. In other cases, there were characters that just needed some expanded screentime and stuff. I can talk about it better during the spoiler stream.

But also, I had multiple people who are themselves paraplegic read the book that I had written primarily from the viewpoint of a paraplegic woman. And they had just a ton of really great information on how to be more authentic to the life experience of someone like themselves, and also some of the pitfalls that authors often fall into that I hadn't known about. Really handy stuff.

And we will be releasing, with the Kickstarter (because we hit the stretch goal), all the different drafts of Dawnshard, along with the beta reader document, that you'll be able to just read what everyone said and see what I took from that. You can go read, like, the 3.0 and be like, "All right, I read the 2.0; I read the beta read document. Now I can read the 3.0 and see how Brandon changed things based on what the beta readers said."

And I do have a little document of the main things I'm changing and why that will go along with it. Hopefully, that sort of thing will be very helpful to you because this is the sort of thing that's really hard to explain because it's an instinct you pick up as a writer over time.

Shadows of Self release party ()
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Questioner

Why in the world would the Lord Ruler spike himself?

Brandon Sanderson

...Because he needed to give himself the powers that he didn't have. He could have done it like-- gained the knowledge but the power was gone so fast he actually needed to-- Well no no no, the spikes, the spikes, the spikes. So, it doesn't matter if he was spiked because he was hiding the metals inside himself so people couldn't Push or Pull on them. That's the real reason he was doing that. Does that make sense?

Questioner

No.

Brandon Sanderson

Metal that's inside of him--

Questioner

Ruin influenced him, what did the spiking do?

Brandon Sanderson

Well, the metals that were stuck through him were so people couldn’t Push or Pull on them. If they were outside his body people would know he was a Feruchemist. Which is the very thing he was-- so he would stick the metals inside of himself to hide them.

Questioner

And he did that as Hemalurgic spikes?

Brandon Sanderson

I'd have to go back and look because-- Lord Ruler is he spiked or has he just got--

Isaac Stewart

I thought he was... spiked but I can't remem--

Brandon Sanderson

You're asking something that I wrote 12 years ago.

Isaac Stewart

Peter, was the Lord Ruler spiked?

Brandon Sanderson

Lord Ruler was spiked, right?  Or is it just--

Peter Ahlstrom

I don't think so.

Brandon Sanderson

--piereced with metalminds, right? They're not actual spikes, just metalminds.

And I want to ask the Sharders on there [the recorder] about that Lord Ruler question, because I didn’t think he was spiked but--

Isaac Stewart

I think I recall him having the bands with spikes in them?

Footnote: Brandon has previously stated that the Lord Ruler did in fact have Hemalurgic spikes.
Skyward Chicago signing ()
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Questioner

About the Passions. Are they related to Odium, or is there something bigger cosmere-wide?

Brandon Sanderson

They are related to traditions from the past that were Odium-influenced. I wouldn't saa-- So, they are technically related to Odium in that sort of method. More in a roundabout way, though.

Firefight Seattle Public Library signing ()
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Questioner

So with the cosmere, do you come up with stories and see if they fit? Or does the cosmere  kind of lend itself to stories already?

Brandon Sanderson

It's mostly the first. *audio obscured* When I come up with a story I'll ask, "Does this fit the cosmere?" and if not-- Like, for instance,  this one, that I read tonight [Perfect State], just doesn't fit the cosmere. I don’t want to be doing far-future science fiction stuff yet in the cosmere, and when I do, virtual reality is not a cosmere thing. So I can't write that as cosmere. Or the Rithmatist which I bounced back and forth. Would have been, could have not been. I just eventually decided it didn't fit the story. When things do fit, I put them in.

Questioner

Is that a really exciting moment? Or just sort of "Ohhh that's nice"

Brandon Sanderson

Yeah, it's just like that. I like all my stories.  The Cosmere-- One of my rules for myself is "The Cosmere is not my entire body of work" because then I would just be shoehorning  things in and I've found sometimes when authors create a multiverse they shoehorn everything in. Stephen King did this, Asimov did this. It doesn't work. I think if it is an intentional thing I'm deliberately doing, then it gains more power, it's cooler than if I were trying to make everything connected.

Children of the Nameless Reddit AMA ()
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Dwarven_Hydra

What was it like keeping this project a secret for so long, especially with so many people guessing it’d turn out to be exactly this?

Brandon Sanderson

So, it did grow kind of annoying to keep this secret--as I tend to be the type to think that a secret doesn't do a project like this very much good. The longer a project remains a (known) secret, the bigger the hype machine--and I knew pretty early on that people were going to blow this out of proportion.

So I hope it wasn't too much of a disappointment that it wasn't some huge film or video game project, like I suspect some of you were expecting. Fortunately, I've had secret projects before, and they tend to be novellas like this.

Either way, I do wish they'd let me announce it sooner. Not sure exactly why they wanted to keep it a secret. Announcing it in July and letting people anticipate would have been great for building interest--but I think they were a little wary since they really didn't know how big it would be or what it would be like, since they didn't commission the piece so much as say 'yes' then try to ride the wave that is Brandon creating a story.

Mistborn: The Final Empire Annotations ()
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Brandon Sanderson

So, as I said, I felt that I needed to wait to make Elend a viewpoint character. There are several reasons for this. The primary one is that this book is really about Vin. Kelsier has some time, but really everything in this book is focused around its effect on Vin.

Elend couldn't come in as a viewpoint character earlier because I think he would have been distracting. I like him a lot as a character. However, by leaving his viewpoints out, I allow readers to wonder whether or not he's playing Vin. My writing groups responded quite well to Elend, having constant discussions about whether or not his motivations were pure. They could do this because they didn't know his mind, and I think that by letting them do this, they could grow more attached to Vin. After all, whether or not Elend's viewpoints were pure only mattered in relation to her.

But, finally, I decided to ease that tension and let the readers know that he really was the person they thought. This should come as a relief, which relief will quickly be destroyed by the worry I create in this chapter. (In short, I couldn't bring Elend in as a viewpoint until doing so twisted the plot more, rather than simply untwisting it.)

Oathbringer release party ()
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Questioner

Could a kandra imitating a human have a child with the human?

Brandon Sanderson

So, I kinda go back and forth on this. So-- 'Cause I think about it, then I tweak the magic, and I think "no this isn't possible," and then I go back, and I'm like, "but..." So it kinda comes down to a lot of things, such as, would I want a DNA test to be able to determine if a kandra is real or not. And I haven't canonized that yet, so your answer is, Read And Find Out, once I decide. I go back and forth on that one so much.

Arcanum Unbounded Hoboken signing ()
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Mason Wheeler (paraphrased)

What do you call it when a Faceless Immortal says two things that can't both be true?

Brandon Sanderson (paraphrased)

Uhh... I dunno. What?

Mason Wheeler (paraphrased)

A kandra-diction.

Brandon Sanderson (paraphrased)

*grinning* Oh yeah? Well, how do you know, when a Radiant shows up at your holiday party, that he'll be well-dressed?

Mason Wheeler (paraphrased)

Umm... no idea.

Brandon Sanderson (paraphrased)

Because he's in-vest-ed.

Warbreaker Annotations ()
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Brandon Sanderson

Denth the Traitor

Denth was always going to betray Vivenna. In fact, this is one of the very early concepts for the book—the idea that I wanted a bad guy who was not only likable, but funny. Too often, villains are portrayed as simply despicable people. If they laugh, it's evil laughter.

But people just aren't like that, not most of them. They're real, they have goals and motivations, but they also laugh, cry, and feel. Denth is a mercenary. More than that, he's a man who has caused a lot of pain and death in his long lifetime, and he copes with it by letting himself be hired to do important tasks. So that he doesn't have to feel as responsible.

In a lot of ways, I imagined Denth as the anti-Kelsier. Glib, smart, and hired to do impossible tasks. Only in this book he works for the wrong team. In this scene in particular, he was doing his best to nudge Vivenna to give him the Breaths. His job was only to hold her, to keep her captive and in reserve just in case the plots with Siri failed. That way, there would be a second princess to use in the plots. He was assigned to work for Lemex originally just to give him an in with the Idrians in the city, so that he could rile them up to incite the war further. But when he found that Vivenna was coming, he realized that she would be a much better pawn, and so he poisoned Lemex and took her instead. His employers were very happy to have a backup princess.

So, anyway, Lemex's Breaths were secondary. Denth wanted them, but he knew that the most important thing to do here was get Vivenna to trust him. So he tried to subtly manipulate her into giving them to him. (He intentionally acted reluctant to take them in order to goad her.)

In some ways, even though he doesn't have a viewpoint, a big theme of this book is the tragedy of the man Denth. He could have been more. At one time, he was a much better man than most who have lived.

Tonk Fah is a waste of flesh, though. Even if he is funny sometimes.

Skyward Denver signing ()
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Kogiopsis

Are the rats that Spensa eats actually rats, or is this a Rosharan chicken situation?

Brandon Sanderson

I made them actual rats.

Kogiopsis

Are they native to the planet?

Brandon Sanderson

They are not native to the planet... They predate her people crashing on-- There were humans on Detritus before, when it was not called Detritus.

Arcanum Unbounded San Francisco signing ()
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Necarion

Is Taldain orbiting at a Lagrangian point? *Brandon laughs* It would make the orbits work.

Brandon Sanderson

*long pause* I'm not sure the implications, I have to think through implications before answering questions.

Necarion

The situation I'm thinking of, it would orbit the big star but at the same period as the smaller star.

Brandon Sanderson

Yeah, well, I'll just say "yes", but I want to make sure I'm not saying "yes", without...well, yes that's how it has to work.

Necarion

Right.

Brandon Sanderson

Because [Taldain] I want to be not like Roshar where we have unstable orbits and things. Uh, but I… I'm saying yes, but I hope that doesn't get me into trouble scientifically.

Salt Lake City Comic-Con 2014 ()
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Newan

So we know a Shardholder who used up his mind to imprison another Shard.

Brandon Sanderson

Okay, yes.

Newan

Can a Splinter use up its mind?

Brandon Sanderson

Something that small probably will not be able to accomplish the same thing.

Newan

Okay. But it could...

Brandon Sanderson

There is possibility that it could for something smaller.