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/r/books AMA 2015 ()
#2502 Copy

FirstSelector

You have claimed that the Shardworlds had their names prior to the settlement of people and Shards. However, Ruin and Preservation created Scadrial (presumably post-Shattering). Where, then, did that planet get its name, and how did the rest of the cosmere learn of it?

Brandon Sanderson

While many of them were named, not all of them were. And the presence of a Shard warps Shadesmar much as large objects warp the physical realm (gravitation.) So if you know how to look, it's not hard to find them.

Stormlight Three Update #4 ()
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argel1200

Have you ever considered giving Adolin more screen time and a better arc, similar to how Spook grew on you? There are a lot of die-hard Adolin fans that are really hoping he will get bumped up into a more important role?

Brandon Sanderson

RAFO on that one.

peleles

Love Adolin! May we also see more style tips for Alethi men? lol I'm likely alone in that.

Brandon Sanderson

You'll be getting some more.

Arcanum Unbounded release party ()
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Questioner

In the Scadrial essay, it says specifically that the Shardholders were humans. Does that imply that there can be nonhuman Shardholders?

Brandon Sanderson

Yes

Questioner

Are any of the Shards we have seen nonhuman?

Brandon Sanderson

The Shards you have seen? I will RAFO that.

Questioner

And that doesn't just count the way that Shards twist people.

Brandon Sanderson

No, no, no. There were three races on Yolen.

Questioner

And all the Shards we've seen, you're not gonna answer?

Brandon Sanderson

I'm not gonna answer, but there are three races on Yolen. There's humans, there's Sho Del, and there's dragons.

Questioner

So, kandra and koloss are considered different races?

Brandon Sanderson

They are considered different races, but they did not exist when Adonalsium was Splintered.

Orem signing ()
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Zas (paraphrased)

What about Aon Rii? Talk about Aon Rii. What are the random dots? Are they valuable metals?

Brandon Sanderson (paraphrased)

Honestly, I don't remember. [laughter] I'll be straight up honest with you, I designed the Aons—When I designed the Aons, they all had things like that. Like "Oh, that's what this will be," but I was not as good about taking notes of things then. I didn't have the wiki that I now have. I didn't have all of that stuff, so I can say "Yeah, that's going to be valuable metals", and canonize it that way, but I don't remember what I was actually thinking when I designed it. It was my first time doing anything like that, like [?] sort of thing. I hadn't ever done anything like that before, so I was just flying by the seat of my pants.

In fact, there's a fun story about that, a story I don't think I told during the annotations, I might have. Originally, I wrote it, and used all the Aons as like little things about characters' personalities. Like Rao is spirit, and Ene is wit. Well, all the other ones were things like that, to the point that the traitor character, his Aon's the one that meant Betrayal. Like this, all the characters have little things like that. And then my editor saw it and said "Ah. Do you really want to give away everyone's personality? And who's going to name their kid Betrayal? And I was like "That was really stupid Brandon, why did you do that?" But at the time, I didn't know if I was going to have a dictionary in the back or anything, and so I had to go back and rename almost all of them. I left Rao and Ene, but I renamed almost all the—renamed the wrong word. I shifted all the meanings and things like this so that everyone would have a name that would make sense that you would name a person. And none of them meant anything more than what they actually mean.

The Hero of Ages Annotations ()
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Brandon Sanderson

Chapter Twenty-Two

The Last Feruchemist?

Sazed is likely not the last Feruchemist. The Lord Ruler tried for a long time to breed Feruchemy out of the population, and it's highly unlikely that now the power would simply vanish because the living Feruchemists were killed. The genetic trait is still there, suppressed in the population, but it would eventually resurface.

That's not to say that the loss of the Synod wasn't a blow. That many living Feruchemists suddenly killed would wipe out a large segment of the population who could have bred Feruchemy true. However, the fact that many of the Synod were eunuchs made their usefulness in that regard less important.

Remember, however, that Sazed is struggling with depression. It's easier for him to see things in a depressing light than it is to see them in a positive light.

Ad Astra 2017 ()
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Questioner

I was wondering what made you so interested in the super rules-based magic system. Because you're probably one of the best at that, and in every different universe you manage to create a complete unique set of rules-based magic and they're all completely unique.

Brandon Sanderson

So there's a panel on magic tomorrow, so I hope I don't repeat myself too much. But the whole rule-based magic thing came about mostly because I was looking for holes in the market, right? Like, things people weren't doing that I wish they were doing. I often say to new writers, "Find the books that nobody's writing, that you want to read, and try to write those." That sounds-- I mean, that's just very vague. I don't know how useful that is, but that's kind of what I was doing.

But at the same time I like-- there are lots of soft magic systems I like. Uprooted which came out a couple years ago. It's a really great book with a very soft magic system. So it's not like I feel like magic has to be done this way. But I found something I was good at, that I didn't think people were doing enough of, that I felt like people would want to read, and so that kind of became my thing even before I published. Like when I was writing my books only for my fri-- I wrote thirteen before I sold one, if you guys know about that-- And so when I was writing those books it was, "What weird setting is Brandon going to do?" Because fantasy through the 80s and 90s-- I mean, there's lots of great writers. I love them. But I felt like they were really safe with their settings, and they didn't-- they explored other directions really well. But it-- we had a lot of these kind of faux-Medieval, elemental-base magic systems, and cultures that were very "England, but not England." And I'm like, "Well, fantasy should be the most imaginative genre. Where can we push it? Where-- what different things can we do?" And so I tried that during those years. The magic systems kind of grew out of that. Like, "What are people not doing?"

I will say there are some people who have done it even in the past. Melanie Rawn's Sunrunner books. I've really liked those. Those kind of have-- it's not scientific, but it's rule-based, which is kind of-- are two different things. Being consistent is one thing, and then trying-- like I try to play off of physics and make it feel like it's playing off of physics when it's really not, because I'm a fantasy writer, right? Like.--

Questioner

In Mistborn it's pretty physics.

Brandon Sanderson

Pretty physics-- But even in Mistborn, right like if you-- the time bubbles-- speed bubbles. Like I have to fudge some things. Like I spoke with my assistants, like, "Alright, what would happen if we build these?" And we're like, "Well first thing would happen is that it would change the wavelengths of light and irradiate people." You know, like this sort of thing. We're like-- we just have to make a rule that it doesn't irradiate people. You can't just take a flashlight and melt people. Yes, you just have to come up with some-- And so for me, a lot of the big difference, I say, between a fantasy writer and a science fiction writer is, the science fiction writer is forward-- each step trying to be plausible-- and the fantasy writer a lot of times drafts it backward. "Here's a cool effect. Can I explain this in a way that makes it feel like it's real and logical?" But I'm working backward from the fact, not forward from what's happening here.

Warbreaker Annotations ()
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Brandon Sanderson

Vivenna Wanders the Slums, Then Finds the Safe House

I made one small revision here in this chapter. I added the statue as a reference point. Before, Vivenna just happened to run across the safe house while wandering.

Why the change? It's just the same thing, right? She happens to wander by the statue, then manages to remember the directions. It's still a big coincidence when you think about it.

However, it doesn't read like as big a coincidence. Adding in her seeing the statue, then having to work to find her way to the safe house was a way of making it seem, to readers, that it wasn't just a coincidence. Because there was effort involved, I feel it will read more smoothly and less oddly to most readers. Part of this is because a statue in a city square is easier to notice than a given house on the side of the street, and partially because the discovery can be more gradual this way.

This is part of the smoke and mirrors that a writer uses. Sometimes I worry that explaining these things will ruin the book for readers—but I guess if you were the type it would ruin the magic for, you probably wouldn't be reading behind-the-scenes annotations in the first place.

Isaac Stewart r/Stormlight_Archive AMA ()
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CentralIncisor

How do such big dissimilarities in covers compared to things in novels happen? For example in Way of Kings, Dalinar has a red cloak when his colors are blue and Wayne is carrying a shotgun on the cover of the Mistborn book even though a huge part of his character is that he refuses to use guns. I love the artwork btw. Keep up the good work!

Isaac Stewart

We try to catch these things, but for The Way of Kings, if the sky is going to be a blue storm, then a blue cloak isn't going to stand out on it, so a red cloak makes way more sense and looks better. Even if the detail is off, it still gets across the epicness of the books. Book covers are supposed to give the feel of the books, not necessarily get every little detail correct. We try. And things like Wayne's gun slips through now and then. But even then, the cover to Alloy is a pretty good representation of what you get in the book.

General Twitter 2011 ()
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vetemix

How do you reason using such specific historic terms as “Messiah” & “utilitaristic” in Mistborn world?

Brandon Sanderson

What you are talking about is sometimes called the “translation question” in regards to fantasy novels.

The book—and the dialogue—weren’t in English & had to be translated. The translation uses similar English words to the originals.

So when the book uses a word like those, the translator from the original Mistborn language feels it is the closest approximation.

Words of Radiance release party ()
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Questioner

What are your plans for Alcatraz 5?

Brandon Sanderson

I am working on it. I really want to do it. The books are getting rereleased by Tor next year, so that's kind of my deadline. I'd like, once they get all the rereleases out, to have the next book. But I'm planning to do that one, too. That one's looming over me a bunch more than Warbreaker 2 is. I wanna do Warbreaker 2, but it's not like it's immediate. I kinda ended Alcatraz 4 with a cliffhanger. Which was this great idea, I'm like, "Surely the publisher will want a fifth one if I end on a cliffhanger." And then they didn't! And they wrote at the end, "And that ends the Alcatraz series." They added a line about that at the end, or something. I'm like, "What!" So, I bought the books back from the publisher, which is why Tor is now going to be publishing them. So, yeah, you will get the fifth book eventually. It involves all sorts of lunacy, I promise. And I'm telling you, the scene that Alcatraz mentions in the first book, in the first paragraph, actually happens in the fifth book. That's me telling you, not him. So you can actually believe it.

General Reddit 2020 ()
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simon_thekillerewok

If you ever get around to writing The Silence Divine, do you think it should be included as a "From The Stormlight Archive" novella as those other three? I know you mentioned it would be set around the same time as book 8.

Brandon Sanderson

It probably wouldn't be a Stormlight Archive book, since though the planet is in the system and the same Shards influence it, it doesn't include Stormlight or Radiants or anything.

Alcatraz Annotations ()
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Brandon Sanderson

I grew up in the Hushlands

There was some confusion about the Hushlands vs. the Free Kingdoms in this book. Originally I called them the Inner World and the Outer World. Even when I wrote that, I knew it wouldn’t work–and it didn’t. They aren’t two different worlds, but different regions in the same world. Plus, people had a lot of trouble remembering which one was our civilization and which one was the fantasy kingdoms.

After trying various names, I ended up with Hushlands (which was suggested by one of my friends, I believe). It seemed like a good mix with the Evil Librarians. I think Free Kingdoms and Hushlands are a lot easier to keep straight.

I did worry a little bit about doing another “hidden world in this world” book. However, in writing fantasy, you really only have three options. There’s the high fantasy paradigm, where there is no connection to this world. (Like what I usually write.) Or you can do a fantasy alternate reality, where a lot of the things are the same, but some things are different. (This is what comic books generally do–it’s our world, plus fantastic elements that everyone knows and accepts.) I didn’t really want to do that, so I was left with number three: the urban fantasy “there’s a hidden fantasy world that nobody knows about” paradigm.

I hope I can add something new to the genre. I’m not too worried, since I’m very confident in this book. Plus, there is enough satire and sarcasm in the book that–in part–I’m making fun of the genre.

Elantris Annotations ()
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Brandon Sanderson

Chapter Twenty-Two

Raoden is an expert at manipulating his surroundings. This doesn't make him "manipulative," in my mind. (You can read about a real manipulator in my next book.) Raoden simply knows how to take what he is given and make the best from them. In a way, this is the soul of creativity. Raoden is like a master composer or an artist–except, where they take images or sounds and combine them to suit their needs, he takes the situation and adapts it to create something useful. Outside of Elantris, he took his father's edicts and turn them against the man. However, thrown into a terrible situation like the pit of Elantris, Raoden really has an opportunity to shine.

He's kind of like a magic unto himself. I've known people a little like him in this world–people who can defy convention and reality, and just make things work. Somehow, Raoden can make three out of two. He can take the pieces and combine them in new ways, creating something greater than most people thought possible.

In short, he's the perfect hero for this kind of book. When I was writing Elantris in the winter of 1999 and spring of 2000, I was finishing up my undergraduate degree at BYU. The book I'd written before it was called The Sixth Incarnation of Pandora–undoubtedly the strangest, most-un-Brandon-like book I've ever constructed. Pandora was a SFstory about a man made immortal though careful–and expensive–application of nanotechnology. The process slowly drove him mad.

Pandora was a dark, grisly book. The man character could withstand alarming injuries without dying. One prime theme of the novel was dealing with the psyche of a man who could slaughter thousands of people while being shot to pieces, then find himself reconstructed a short time later. It was a rather violent book–probably the most disturbing I've ever written.

When I got done with that book, I reacted against it by wanting to devise a plot that didn't depend at all on violence. Elantris was the result. I wanted to tell a story about a hero who could succeed without having to beat up on the people who opposed him. I took away his physical abilities and his royal resources, leaving him with only his wits and his determination.

Boskone 54 ()
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Questioner

With the introduction of ebooks does that really like, open up a way for new authors?

Brandon Sanderson

It did. It’s actually-- what we find is in general, more authors can make it professionally, though across the board everyone earns a little bit less. Um, and so, but that’s like… that’s a very good thing for new authors. It means there’s more opportunity to break in. And I do talk in the lectures-- I have a self-published person come in and talk about breaking in through self publishing, which is totally viable these days.

Questioner

Is it easier to move to actual publishing from the ebooks?

Brandon Sanderson

It is... It is. Usually they say your threshold is when you’re selling ten thousand books. If you can get to ten thousand. Then New York publishers will be willing to give you enough of an advance that it’s worth it for you to take it. So that’s kind of your threshold. Between two thousand and ten thousand they’re willing to look at you. So that’s kind of where you want to try to hit. And the best thing you can do with self publishing is… The best thing you can do for your writing is just to keep writing. And the best thing you can do for self publishing is to maybe save up until you’ve got a couple books. You know, write one, then go write the second, then revise the first and make it good, then release that, then revise the second and release that. So you can kind of do two…

Questioner

So get like some books in your holster before you start…

Brandon Sanderson

Yeah yeah, you probably at least want to know that you’ve been able to take a little time and get two or three done. Then release them in rapid fire and use them to promote one another. Plus you will learn so much writing your first few books that by the time you’re done with your third one you can revise the first and they’ll have an even quality rather than kind of-- you know--

Questioner

Better every time

Brandon Sanderson

Yeah.

The Hero of Ages Annotations ()
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Brandon Sanderson

Chapter Three

The Fight against the Koloss

One of my biggest worries about the beginning of this book is that the fight scene here is too long, particularly for the beginning of a book. But I wanted to show this fight in chapter three for a few reasons. First, I wanted to have a dramatic beginning. I also wanted a good excuse to reintroduce Allomancy and how it works, and I've found that battles are the best place to do that. Finally, I wanted to indicate what the feel of this book would be.

Book one was underscored by the heist story and book two by the siege of Luthadel. Book three is underscored by epic war. That's not all it is, but the wars and battles are a big part of what drives this book.

Unfortunately, having to stop to explain Allomancy slows things down. I think I did it better in this book than I did in book two, but it still makes this fight a tad dry.

Words of Radiance Philadelphia signing ()
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Questioner

When does a person become a Surgebinder? Cause Kaladin talks about when he was a child, talked about it being a familiar feeling, and Shallan obviously was younger. Or is it when they speak the Words?

Brandon Sanderson

The bond starts forming before the Words are spoken, but if the words are never spoken that bond will eventually evaporate and get broken. But the bond will start forming before. Just like an emotion attracts a spren, acting in the way that the spren you would eventually bond will start drawing them toward you and that will start to create that bond.

DragonCon 2019 ()
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Brandon Sanderson

Let me go down all the movie rights stuff.

Reckoners is still owned by Fox. Shaun Levy's company, 21 Laps, producing. He's the guy who made Night at the Museum. He's one of the directors on Stranger Things. Really great guy, I really like Shaun Levy. They called recently and said, even though there was a lot of turmoil at Fox right now, they were still interested and wanted to keep working on the thing. They just had a new script come in. That's where we stand on that. So, they're enthusiastic, they like it. I worried that The Boys coming out, which is a similar idea, would make our chances less. They think it makes our chances more, because The Boys turned out really well and everyone likes it, and we have a more family-friendly version of basically the same premise. So they think that that will still work. So I'm very hopeful on that.

Let's see, what else is in development. I just got an offer on Alcatraz. Can't say a lot about that yet, but it has been offered on. Legion is still under option for a television show by Cineflix up in Canada. The Cosmere rights, I'm still working on DMG on part of those, and I'm working with other people on other parts of those. The Cosmere rights are kind of in flux right now, we're looking at a bunch of different things. Nothing I can announce yet.

Of course, the big one that is not mine, but that I am a producer on, is the Wheel of time. Harriet, I asked her first. I'm like, "Harriet, tell me if you would be uncomfortable with me being a producer." Because this is not mine, I don't want to take it over. And she said, "No, no, I want you on it." So I said yes to being a producer. That basically comes down to, they are showing me the scripts, and I am offering feedback. I have liked what I have read so far. The first script is spectacular, and the second one's pretty good. (They warned me ahead of time, the second one needed a little work, so I didn't ream them too much on it. Actually, there was a lot good to it, but the things they said needed work did need work. But they knew it already.) I was able to offer a few (I think) very helpful pointers. I can't say a ton, because I'm under NDA. But I will be flying out to Prague in October, and I hope to represent all of you Wheel of Time fans and get some photos and things that I can release and what-not. I think the Wheel of Time show is in good hands. Rafe, I really like Rafe. He's the showrunner. Every interaction I've had with Rafe has been extremely positive. He loves the series. He has his own vision for it. So I will warn you that. Any adaptation you get is filtered through the eyes of the showrunner, and this is going to be filtered through Rafe's eyes. And there are certain things he wants to do that are bold, but are good choices. So just keep that in your mind. That's what I would say.

Otherwise, let's see. I think that's about everything on there. I'll keep my fingers crossed on the Fox thing. Like I said, I really like Shawn Levy. His adaptation of Real Steel, the Richard Matheson story. If you guys haven't seen that, it's spectacular. I really like it. It's got Wolverine making robots punch each other. It turned out to be a really touching story, really great adaptation. That was one of the main reasons I said yes when they came knocking.

Firefight release party ()
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Lady Radagu

Does being the donor of a Hemalurgic spike have any implications for your afterlife? Or how about the recipient?

Brandon Sanderson

That is actually going to depend on-- Okay. Yes it has implications for the afterlife. Yes.

Lady Radagu

Okay so are there a bunch of Scadrian souls wandering the afterlife with holes in their personalities or memory or identity? Or some with extra parts tacked on?

Brandon Sanderson

So it has implications, but they are not exactly ones that you are assuming. So in the cosmere there is "dead" and "mostly dead". Okay? And this has been shown several times so once someone dies there is a period before they transition. Sazed talks about this in Mistborn 3. And so most of the implications are for before transition. Does that make sense? Post-transition you are going to have to ask the philosophers and the theologians who are the ones that talk about that. So there is an afterlife and an after-afterlife. Not as many implications for after-afterlife. Middle? Yes. Okay?

Tor Instagram Livestream ()
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Questioner

Can some spren fully form and become human?

Brandon Sanderson

No spren becomes human; they are a different race. And so, no, that is not a thing that happens.

But there is some stuff in Rhythm of War along the lines I think you're asking, that I will not talk about because of spoilers.

YouTube Livestream 3 ()
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Taln Portrait.JPG

Brandon Sanderson

The Heralds, like I said, we want these Sistine Chapel type paintings of the ten Heralds in-world to make as our endpages. And you got four of them in Oathbringer. But there's ten Heralds. So we've been working, slowly over time, collecting pictures from people we really want to work with, who we think would do really good jobs. And we started on these pretty early, because we wanted to find when people had openings in their schedule, of just artists we wanted to work with.

And it was earlier last year, almost a year now, that we got Taln in. And it is gorgeous. And we've got the actual, physical painting. With these, we're buying them all, the physical painting. If they'll sell them; Dan Dos Santos won't sell us his yet. He likes them too much, which we will not push him on that. But we have Jezrien and we have Vev upstairs.

So, yeah, we've got the Taln painting that Isaac is going to grab from you. And he'll do the reveal of who did that, and things like that. But it is one of the best fantasy/science fiction artists of all time.

This will be for Rhythm of War. (If indeed that is the title. Because we haven't officially announced it, yet.)

Isaac Stewart

This is Taln. This will be one of our endpapers at some point for one of the books. Probably this one, but it might not be. I've hired out for the rest of them, so it just depends on what fits the tone of the book.

This is by Donato [Giancola]. And Donato has been amazing to work with. You've probably seen his stuff for The Lord of the Rings. He's done stuff for George Martin. He's done space stuff.

Brandon Sanderson

I have always wanted to own a Donato. He actually did an art piece for us very early in my career for a short story, but it was digital-only, so I couldn't buy it.

Brandon Sanderson

The process on this was, we have these briefs that I write up about each of the heralds. I go into our wiki, I pull out the lore, things that haven't been revealed. I put it all together, and I send out what I'm allowed to to the artist. Which is usually most of it. And then I say the whole thing about, "These are kind of like the Sistine Chapel paintings, and all of the apostles. These are something from the Renaissance of this world, where they have done Vorin representations of the ten Heralds."

So, on this one, I sent him Taln. We know that Taln (especially we know this from Oathbringer) is the one who held the Darkness back, he held the Desolations at bay for thousands of years, something like that. So what we have here, Donato interpreted that as Taln stepping forth out of Damnation with this representation of Damnation in the background.

What else can I say about this? He used our symbols for the Stonewards. We've got some of those in this. We've got our numbers; the Stonewards are number nine, so we've got the Vorin numeral nine in there. The sword, he took that from descriptions of the sword where it's kind of this large, molten nail. Anyway, we're just happy with how this turned out. He only did one revision on it for us, because we didn't need more.

Elantris Annotations ()
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Brandon Sanderson

And, yes, Dilaf always had bones that were deformed. That's why I mention that they're not terribly disfiguring–they would be quite easy to hide under robes. And I often pointed out in the book that Dilaf was wearing his enveloping robes.

Hopefully, these moments–Dilaf's unleashing–have been building for you through the entire book. By now, you should have realized that Dilaf was always the main villain of the story. He's the one with true hatred, and true instability. Hrathen is an antagonist, but he's no villain. Dilaf, however, has been built-up as someone who can do some truly terrible things. Now he’s unleashed, and he has an army of demonic monks at his control.

And yes, we'll get to more about how Dilaf was able to imitate an Arelene later.

DrogaKrolow.pl interview ()
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DrogaKrolow

When was the concept of cosmere, one big Universe that connects all your stories was born? Do you remember the very beginning, the first thought of it?

Brandon Sanderson

I can start to talk about this because there's a couple of things. I remember being a teenager and reading books, and I would always insert my own characters into other writers' books. This is the beginnings of Brandon the Writer. So I would read, like, a-- an Anne McCaffrey book and I would insert my own characters and eventually Hoid started jumping between all the books I was reading. And so when I started writing my own books, I started inserting him myself. I blame that. I also blame how Asimov connected Foundation and the Robots series. When I read that it kinda blew my mind, and I wanted to do something like that.

I knew when I started writing Elantris I was going to do something like this, I wanted to start connecting everything together. I put Hoid into it and stuff like that, but as I've gone back through my notes, it was really during the years following that I really designed the cosmere. Like when I first wrote Elantris, I had no idea how I was going connect it all, I just knew I was going to. But like-- You know Shardpools. I put the pool in and then I'm like "I don't know what it is". By the time I got to Mistborn I knew all this stuff and fortunately Mistborn was the first one-- Mistborn I was working on when Elantris sold, right? And so I was able to go back and revise Elantris to make sure it matched everything that was coming for the future.

Though I do have to admit, when I first wrote Elantris, a lot of things I'm like "Ah this'll connect somehow. I'll put this in. Sure”.

DrogaKrolow

And by now, can you say that you already know how Cosmere will end?

Brandon Sanderson

I do know how The Cosmere will end, yes. I'm an outliner. It could always change. But I have-- So you know the core series, Stormlight and Mistborn, and the last book of The Cosmere is the last Mistborn book, which I have an outline for. So, we shall see. At least chronologically it's the last. I don’t know, I write a lot and so who knows. Yeah, you know, keeping track of it all, I’m sorry.

The Hero of Ages Annotations ()
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Brandon Sanderson

Human's Origin

Human is a very special koloss. He's quite a bit older than most, his creation running all the way back to before the Lord Ruler's death. He was originally the leader of a rebellion out in the southeast—the same area where Clubs spent his youth fighting. Human, then known as Vershad, was one of the more successful leaders of the wasted men—those who live out in the desert outside the borders of the Final Empire, but come in to raid and steal supplies from outlying villages.

Charismatic and intelligent, he managed to keep his band alive even once the Lord Ruler turned his attention on them. Rather than ravaging villages, Vershad would convert them—quietly, carefully—to his side and get them to give him supplies. In turn, he would "raid" them and destroy the lords' mansions, causing chaos and letting the people get a sideways revenge against their masters. In the chaos, it would be assumed that the raiders got away with the skaa food, and it would be replenished.

The Lord Ruler tired of such games and eventually sent his koloss against Vershad and his men. As clever as they were, they weren't able to stand against a well-laid betrayal and ambush set by an Inquisitor—one who controlled a troop of koloss. The raiders were slaughtered, and Vershad himself was turned into a koloss for his crimes.

He retained enough of his determination and his intelligence, however, to make a remarkably clever koloss. (There is some variety to koloss, based on who they were before the transformation.)

Elantris Annotations ()
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Brandon Sanderson

Chapter Seven

It's interesting that this book would be the first one I publish. Many of you know that when I finally sold Elantris, I was working on my thirteenth novel. By the time Elantris was released, I'd written fifteen separate novels. Very few of these are sequels, and of the fifteen, Elantris is actually number six.

One of the things I pride myself on as a writer are my magic systems. I spend a lot of effort and prewriting on them, and I strive very hard to make them feel like nothing a reader has ever experienced before. Mistborn, the book that will come out a year after Elantris, is a very good example of this.

Elantris, however, is very interesting in that I don't actually get to spend much time with the magic. Or, at least, I don't get to spend much time showing it–the magic of this book is broken, and so while we find out a lot about it (and I think it's distinctive in its arrangement) we don't get to see it.

In the end, when the magic finally gets restored, I think it actually loses just a bit of charm. I developed this magic system to be an interesting and original puzzle–and so, when you finally see it working, I think there's a fulfilling payoff. However, in its actual form, it isn't generally as distinctive as some of my other magic systems.

Another interesting thing about this book, however, is that the setting includes a mixture of magical wonder itself–kind of as a balancing factor to the fact that we don't get to see the Aons doing anything. I think the problems associated with being an Elantrian, mixed with the interesting setting inside of the city, create an interesting magical ambiance for the book, one that seons serve to heighten.

Arcanum Unbounded Chicago signing ()
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Questioner

Is there a Shadesmar for each planet?

Brandon Sanderson

Yes. Anything that people think about, right? And, you really have to be inhabited to get a good Shadesmar… But, y'know, you can find the gas giants in Shadesmar, but they don't manifest as an entire plane. Um, that's gonna change! But we're years away from that. Shadesmar is cool and weird but--

Questioner

Ohh, there's only one Shadesmar with different areas--

Brandon Sanderson

Yeah, really what we call it-- Shadesmar is a term that has started to stick in the cosmere for the Cognitive Realm. But there are manifestations of most planets. Or all planets.

Questioner

But they do all exist-- All of those Shadesmars are part of the same cloth, so to speak.

Brandon Sanderson

Yes, you could walk from one to the other, barring some weird distortions that you might have to-- We're not going to dig-- I'm not gonna tell you about.

Questioner

But spren can't because they're bound.

Brandon Sanderson

They're bound Physically to the Realm, the Invesiture.

Bystander

Unless you help them off.

Brandon Sanderson

Unless-- There are certain ways you could do it, and things like that. But spren are bound, you aren't going to--

Words of Radiance Omaha signing ()
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Brandon Sanderson

Syl's inspiration came from a lot of different places. I'm not sure if I can point to one thing.  The spren are inspired by Japanese mythology, that everything has a soul. That is the original inspiration for it.  But Syl as a character, I'd been toying with forever, and I think she came about as a counterpoint to Kaladin's darkness; a figure of light that I knew that the story would need.

General Reddit 2019 ()
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Encyphus

Just out of general curiosity - what do you do? Like... How many assistants/whatever do authors generally have?

Peter Ahlstrom

Most authors don't have an assistant. Those who do are generally very successful, but what writer assistants do varies wildly. I would guess that I'm the assistant who does the most with the actual text of the books (except for whatever goes on with James Patterson).

I act as go-between for Brandon and the editors, and I approve the editors' changes when I think Brandon would, and also make my own edits before sending a book back to Brandon for another draft. Once a book gets to the copyediting stage, Brandon doesn't touch it and I handle everything after that, only going to Brandon for spot fixes where I need his input.

The point of every assistant is to give the author more time to write.

Prague Signing ()
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Questioner

So after Nightblood was used pretty obviously in Thaylen City does Zahel [or Vasher] know?

Brandon Sanderson

Where Nightblood is? Zahel is pretty sure where Nightblood is; Vivenna does not know. She's on the look out let's say.

Questioner

I guess it's hard to get back from Shadesmar.

Brandon Sanderson

It is. She had some plans and that didn't work out.

Skyward Pre-Release AMA ()
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SomeLameName7173

[Skyward] looks like it will be a very fun book. How much of the book will actually be released before publishing? and how long is the book

Brandon Sanderson

Book is 110k words long. And...right now I can't remember how much I talked them into releasing. Somewhere between a third and half, I believe.

Elantris Annotations ()
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Brandon Sanderson

Chapter Twenty-Five

I couldn't resist having Sarene intentionally mis-interpret the demands from Raoden's team. Not only did it make for a fun scene with them discovering how she twisted their requests, it also let me characterize Sarene in-abscentia. To her, politics is a game. Any time she can twist her opponent's words and do something unexpected, like send a pile of nails instead of sheets of steel, she feels a thrill of victory.

Boskone 54 ()
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Ironeyes

So, uh, we know that the charcoal creatures are afraid of coins.

Brandon Sanderson

Yes.

Ironeyes

So are the white chalk creatures, which I think are called Shadowblazes…

Brandon Sanderson

Yes.

Ironeyes

Are they also afraid of coins?

Brandon Sanderson

Are they also afraid of coins? To a much lesser extent. Um, I can give you guys some backstory on this. What’s going on here is that the place these things come from, um, linear structure and things like this are frightening to them, like they come from a non-linear location. Time does not move linearly where they come from. When they come into this world, structure and linear time progression, is bizarre to them. And there are some who have embraced it, and been like, “This is cool and different!” and there are others that are still terrified of it, as a representation of what is so alien from the world they came from. So that’s why we’ve got this whole clocks, and even structure, as a metaphor for, um, something that is terrifying to them.

Uh, Rithmatist started in the Cosmere. The magic shares a lot of its roots, then, in Cosmere magic worldbuilding. I split if off because I wrote the whole first book with it being in the Cosmere. I split it off, saying “No, I don’t want Earth to be in the Cosmere.” Even an alternate version of Earth. It just raises too many questions about the nature of Earth being involved in this. I want the Cosmere to be its own dwarf galaxy of which not even a dimension of Earth is involved. And when I made that decision, I broke Rithmatist off. That’s the only one I had written that didn’t belong, but it still has, so, it means that the magic is going to feel very familiar to you, uh, it’s going to feel like the magic of a, um, of the Cosmere. And Cosmere magic is based around, usually, human beings making a symbiotic bond with an entity made out of the magic. This is, kind of, one of the origins of Cosmere magic, and Rithmatist has, therefore, its roots in that. I’ve done some things since I’ve split it off in the outlines to distinguish it, but it’s going to have the same roots. So you’ll notice some things like that, that are similar.

Questioner

Uh, before you split The Rithmatist from the Cosmere, did the Shadowblazes come from the Cognitive realm?

Brandon Sanderson

Yeah. Yeah, the Shadowblazes were in the Cognitive realm, they’re--you know, well, they’re more Spiritual realm. They were Spiritual realm, sorry. They were Spiritual realm entities that got pulled in, uh, to the Physical realm. And the Spiritual realm has no time, um, it exists independent of time and location, all times and all places are one, and so, uh, when something that’s from the Spiritual realm got pulled into the Physical realm, it was like, “This is so weird!” Um, and there are very few things in the Cosmere that exist only on the Spiritual realm, which was a really fun thing I could do with this book, was show that. Cause most things exist on all three realms. Um, so, yeah. So, yeah, I mean if you’ve got, if you’re a Cosmere, uh, theologian--not theologian, magic, uh, what do you call it? Uh, they call that, uh, I have a word for it in-world. But anyway, if you’re a realmatic theorist, you can kind of pick out how the Spiritual realm beings were related, originally, to the realmatic theory.

The Hero of Ages Annotations ()
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Brandon Sanderson

Chapter Sixteen

Spook Reacts to the Citizen's Reign

This is another of my favorite chapters. (So far, that count includes this one and chapter five.) In Spook's sections, I think this is one where I managed to get the balance of language, action, imagery, and theme to work just right. Not too much exposition, the fight isn't too long, and we've got some very nice descriptive passages. This is the first chapter I imagined when I planned to write Spook's sections.

My biggest worry about the Spook chapters, however, is the plot with the Citizen. To be honest, the oppressive peasant regime isn't new—either in history or in fiction. I decided upon it after a great amount of consternation.

I worry sometimes about coming off as clichéd. It's very difficult to get that balance down between being familiar and being radically new. My goal is to have new and interesting plots, characters, and settings in books that still feel like they are epic fantasy. I'm never sure if I'm erring too much on the side of the familiar or writing things that are too inaccessible. (The names in Elantris, for instance, strayed too far into the inaccessible for some people.)

This plot feels just a tad on the overused side. However, I thought it was something very important to show in the world. Kelsier's preaching was too harsh, in my opinion—it was what was needed at the time, but now that the empire has fallen, it becomes brutal and violent. I wanted to show what would happen if a group of skaa peasants followed Kelsier's advice with exactness.

Spook discovers that the Citizen is using Allomancers. However, this is a hypocrisy perpetuated by Kelsier himself. He hated the nobility, but was one of them—at least, he was a half-blood who was raised to their culture. He acted far more like a nobleman than he did a skaa, as Vin pointed out back in book one.

Anyway, I thought about what would happen if Kelsier's vision became reality, and this is what I came up with. There is more going on here—things that relate to the overarching plot of the book—but the basic concept is just what it seems to be. I toyed with doing a form of government that was more radical and new, but I eventually decided that the historical approach of the lower class becoming as intolerant as the former ruling class was the most logical.

Elantris Annotations ()
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Brandon Sanderson

Chapter Forty-Eight

Now we're getting into the most heavily-edited chapters of the book. From here, if you're curious about the Mad Prince version of the book, look in the "Deleted scenes" section. For the rest of the annotations, just realize that what the Mad Prince once did, Telrii now does. There is, of course, a lot of cut material–however, all of the essential elements of the plot still occur.

Basically, the Mad Prince gave aggravation and problems to Hrathen in these late chapters. He'd had so much success with his Elantris-poison plots that I knew I had to give him a few more wrinkles during these chapters. In the original draft, he instigated the arrival of the Mad Prince, then realized that he couldn't control what he'd unleashed.

These were all difficult edits. I still think the Mad Prince worked better in the role than Telrii does–however, the book as a whole works better without the Mad Prince in it. Sometimes you have to cut something good in order to achieve a better over-all effect.