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The Hero of Ages Annotations ()
#1902 Copy

Brandon Sanderson

Chapter Sixty-Three - Part Two

Vin the Politician

Vin sells herself short sometimes on her ability to influence people and deal with political situations. She, perhaps, forgets that she began her career as an Allomancer by using the emotional metals, not the physical ones. Long before she was leaping through the mists, she was Pulling and Pushing on the emotions of people in the thieving underground, keeping herself safe, pushing deals to go her way, that sort of thing.

She plays Yomen perfectly here, and really accomplishes some things by it. I'm not one who looks at manipulating a conversation, or even the people in that conversation, as an inherently bad thing. Breeze voices (but exaggerates) some of my opinions on this in book two. We all posture and influence one another. The ability to get people to do what you want isn't itself evil; it's what we call charisma, or even leadership ability. It's what you do with your ability that is either evil or good.

Brandon's Blog 2013 ()
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Brandon Sanderson

The origin of The Rithmatist

Six years ago, I was writing a book that I hated.

Now, that's both rare and common for me at the same time. I tire of pretty much every book I work on at some point, usually during the revision process. I push through and get over it. That's what you do as a writer. By the time I'm done with the process, I'm tired of the book—but it's the good kind of tired. The "I worked hard, and now have something awesome to show for it" tired.

Unfortunately, that wasn't happening for this book. Called The Liar of Partinel, every chapter was a chore to write. Though it had started very well, it continued to spiral farther and farther down the drain. I was familiar enough with my own writing by this point to realize the problems with Liar wouldn't work themselves out. The characters were boring, the plot forced. The worldbuilding elements never quite clicked together.

It had been years since I'd had such a bad feeling about a novel. (The last time, in fact, was Mythwalker—my sixth unpublished book—which I abandoned halfway through.) Part of the problem, I suspect, had to do with my expectations. Liar, set in the same world as Dragonsteel, was to be the origin story of Hoid, the character who has appeared in all of my Cosmere novels. (Information here—warning, big spoilers.)

I needed Hoid's story to be epic and awesome. It just wasn't. And so, I ended up "hiding" from that novel and working on something else instead.

The Rithmatist. It started with some drawings and a purely creative week sketching out a world, characters, and magic. That week is the exact sort that turned me into a writer in the first place, and was a distinct contrast to the grind that had been Liar. I abandoned the book and dove into The Rithmatist (then called Scribbler), and wrote a book where everything just came together. It happens sometimes. It just works, and I can't always explain—even to myself—why.

I finished the first draft of the book in the summer of 2007. In the fall, I got the call regarding the Wheel of Time, and my world transformed forever. The Rithmatist, though an awesome book, languished for years because I didn't have the time to devote to it. Doing a tour or contract for another teen book was impossible at that time, and beyond that I couldn't commit to writing any sequels or even doing any revision for the novel.

I did tell Tor about it, though, and they started to get excited. The publisher tried at several times to get me to release it, but I didn't feel the time was right. I couldn't let my attention be divided that far. I was already stretched too thin, and I wanted my attention (and that of my readers) to be on the Wheel of Time.

The month A Memory of Light was done and turned in, however, I called Tor and told them it was time to move forward. I'm pleased to be releasing the book now, when I can give it the attention it deserves.

And hopefully someday I'll be able to fix The Liar of Partinel. (At this point, I'm feeling I need to rewrite it as a first-person narrative, though making that switch is going to cause an entire host of problems.)

Elantris Annotations ()
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Brandon Sanderson

Hrathen

So, Hrathen wasn't really dead. (Ironically, while many of you are probably saying "yeah, yeah. That was obvious," I actually didn't have him appear here in the first eight drafts of the book. I'll explain later.)

I think this is my favorite scene of this chapter. Not only is it written a little better than the rest of the book (I added it quite late–just this last summer) but it gives final closure to the Hrathen-Dilaf relationship. It uses Hrathen's time in Dakhor as an ironic twist against Dilaf. In short, it is a pretty good scene. Fulfills character, plot, and theme at the same time–while giving us a nice image to boot. (Though I do hate to do the "Hey look, a guy we thought was dead is really alive" twist.)

The story behind this scene is pretty recent. One of the original rewrites Moshe asked for was a fix of the ending, which he thought was too Deus Ex Machina. (Which, indeed, it was.) I don't think I'll go into the entire original version here–it was quite different. You can read the alternate ending in the deleted scenes section, when I throw it up next month. The short of it, however, is that Ien (Raoden's seon) showed up to save Raoden and Sarene from Dilaf. I used a mechanic of the magic system that I have since pretty much cut from the novel (since it was only in the book to facilitate this scene) that allowed Ien to complete his Aon, "healing" Dilaf. Except, since Ien's Aon was broken, it turned Dilaf into an Elantrian instead. (A non-glowing Elantrian. One like Raoden the group used to be–like Dilaf's own wife became after she was improperly healed in Elantris.)

I know that's probably confusing to you. The scene, over all, was just kind of weak. It relied on a barely-explained mechanic mixed with a tangential character showing up at just the right moment. When Moshe asked for the change, I immediately saw that I needed to bring Hrathen back to life for a few more moments. Letting him die on the street just wasn't dignified enough (though originally I wanted him to die this way because it felt more realistic.) I wanted a final confrontation between Hrathen and Dilaf, since it would give most people's favorite character a heroic send-off, and would also let me tie in the aforementioned Dakhor irony.

In the end, I was very pleased with the rewrite. It's good to have an editor.

Warsaw signing ()
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Questioner

Are there, in the Cosmere, any gas giants inhabited by people or other sentient beings?

Brandon Sanderson

Actually on the gas giant?

Questioner

Or in their atmosphere.

Brandon Sanderson

In the actual atmosphere of the gas giant? I do not have any currently planned. There are gas giants with satellites.

Brandon's Blog 2006 ()
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Brandon Sanderson

Speaking of sequels, here's what I'M planning. A book that takes place ten years after the events of ELANTRIS. It would occur in the capitol city of Fjorden, and would star Kiin's children as viewpoint characters along with a Seon viewpoint character. The plot of the book: Wyrn has declared that Jaddeth, the Derethi God, is going to finally return. (A new interpretation of the scriptures says that he'll return when everyone east of the mountains converts, so they don't have to worry about Teod and Arelon.) Kiin's family, ambassadors to the Fjordell state, has to deal with the chaos of this announcement, and investigate the truth behind the Dakhor magic. Thoughts?

YouTube Livestream 5 ()
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Nicole Joy White

Will you ever revisit the Emperor's Soul world?

Brandon Sanderson

Yes. I've got another story about Shai I want to write, actually. Whether I'll get to it or not...

I had inspiration strike for a story I think will be really cool if I can find the time to write it. (That's always the thing, right?) But because I am moving more and more to coauthoring things that are not Cosmere, goal is that hopefully that'll leave me a little more time for Cosmere stuff, moving forward. So, we will see.

I wouldn't be surprised, for instance, if Skyward is the last non-Cosmere series I do that is not coauthored. So that I can divide some of my time off with another author. The experience of working with Mary Robinette on The Original has been so good. And the experience... even though he didn't fix it, Dan's improvements to Apocalypse Guard are so incredible, I'm actually gonna try and fix that this summer. I think we might do more of that. It's gonna depend on what people think of The Original, and theoretically the Apocalypse Guard when we release it.

Firefight Chicago signing ()
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Questioner

Do you have any sort of set pattern for when you are getting ready to do a rewrite on a novel?

Brandon Sanderson

Yes, I grit my teeth, bang my head against the wall, and try to do anything else except the rewrite.

Questioner

Yeah it's...

Brandon Sanderson

You must be like me then, I hate revising but deadlines are what make me do it. Setting them on my own, you just have to learn to do it. The number one thing I think held me back as a writer is my dislike of revision. And it wasn't until I learned to do it...

Questioner

And just get it done...

Brandon Sanderson

...and just get it done that I started writing books that would be publishable.

Shadows of Self Houston signing ()
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Questioner

You were saying that you had, somewhere in the Middle East, was it  English or were they reading it in...

Brandon Sanderson

Oh good question, were they reading it in English or Arabic? They were reading in English, they were reading the UK editions. So I don't know that I have-- Well, I know I have my books in Turkish but I don't think there are any actually in Arabic. There's some sister languages, but not Arabic.

Skyward Anchorage signing ()
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Questioner

How do you go about jumping from something like Stormlight into a science fiction instead, of something like Skyward?

Brandon Sanderson

This is an interesting question for me because, as a writer, I don't look at genre trappings perhaps the same way that you might. I look at story structure and genre trappings as two very different things. Two very important things, but two very different things. And story structure is different.

For instance, the Bridge Four sequence from Way of Kings and the movie Hoosiers and the book Ender's Game are all what we call underdog sports stories. And those are three different stories in three different genre trappings. Modern-day, science fiction, and fantasy; and yet all three of them use the same plot archetype as the core of their story. And you'll find, for instance, that a buddy cop movie and a regency romance will sometimes use the exact same plot archetypes, despite being different subgenres. And so, as a writer, one of the things we do is we start to learn to divide plot archetype, character archetype, genre trappings, and all of these things to build the story that we want to with the feel we want to.

So that's kind of like, when people ask me, "Star Wars. Science fiction, or fantasy?" Well, it's a fantasy plot archetype. (Really, it's a western plot archetype, but they both use the same idea.) The plot archetype is fantasy, it's the hero's journey epic; and the genre trappings are science fiction. So I would place it in science fiction, but with fantasy underpinnings.

So when I'm moving from Way of Kings to Skyward, it's not so much about how the shift between fantasy versus science fiction is. Really, the things I'm looking for that are the big shift are: a narrow focus on one character, versus a wide focus on a large cast. That's the biggest difference for me. Also, the kind of setting-as-character in Stormlight Archive, where you're going to get to know this deep setting, versus setting-as-mystery, which is the setting archetype I'm using for Skyward. We don't know what the enemy is. We're trying to figure out what's going on. We don't know our past.

So those sorts of things, I look as very differently as a writer than I think maybe a reader might look at them.

JordanCon 2016 ()
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Questioner

Is the Felt question the one that you got away with?

Brandon Sanderson

No, that really is-- Felt really is Felt. He's been around, let's just say.

Questioner

Are there more places I should look for him?

Brandon Sanderson

Eeehhhh, there are more places you could look for him, whether you find him or not is a matter of…

Questioner

I'm going to guess that he's going by a different name in other places.

Brandon Sanderson

Things that he s-- There are things that he said in Mistborn which are relevant in minor ways... These are not huge big things, when you read them you'll be like "Oh, interesting".

Footnote: The questioner is referring to these exchanges from the RAFOlypmics event the previous day.
#felt #needs attention
Shadows of Self release party ()
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Questioner

How does Odium kill Shards?

Brandon Sanderson

OOOh that's a big ol’ RAFO. It's a RAFO I've promised to answer in the books eventually.

Questioner

We've got a theory… He kills a Shard by destroying the idea of the Shard into a population with hate. So on Sel he replaced the idea of Dominion with hatred of other people…

Brandon Sanderson

That’s a very good theory... I will say-- Yeah.

Skyward Pre-Release AMA ()
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B1G_If_True_

Is there any updated news on a 10 year anniversary (Hero of Ages?) leather bound book for the holidays?

Do you plan on doing the leather bound books for works outside the Cosmere as well in the future?

Brandon Sanderson

Just that the printer is suffering (another) delay. (I think this might be our third printer, so I'm not sure if we are unlucky, or if this is just how the business works.) We sent it in back in August, but still haven't seen the books. Hopefully they'll come while I'm out on tour, for a December release.

We are thinking we might do Steelheart when it comes around. So there's a chance. We'll see where we sit once Warbreaker is out.

Skyward Pre-Release AMA ()
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MavenSoul

I'm wondering if Shai could create a stamp that would turn someone into an Allomancer. Or, alternatively, create a stamp that would break a bond between a Radiant and their Spren?

Brandon Sanderson

This is possible--but likely beyond Shai's ability. It would require large amounts of investiture. The second would be easier.

Mistborn: The Final Empire Annotations ()
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Brandon Sanderson

In this chapter, we get to meet Sazed–who ranks as one of my favorite characters in the entire series. (Alongside Vin and someone we haven't met yet.) I like Sazed because he's inherently conflicted, yet acts so peaceful. He's a member of a servant race, bred to be humble and submissive. Yet, he knows the one who directed all of that breeding is the Lord Ruler. Add in that he seeks to work with the rebellion, yet feels out of place unless he's acting as a servant, and you get a really good character, in my opinion.

Needless to say, you'll be seeing a lot of him.

A Memory of Light Baltimore signing ()
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BlairJ (paraphrased)

I did ask about Mistborn: Birthright.

Brandon Sanderson (paraphrased)

Apparently it is going to make it's way to the next generation of consoles, so it should be a very nice representation. I did find out that Brandon is still writing 100% of the dialogue (there were some rumors a while back that he wouldn't be) and that it is well underway.

Oathbringer release party ()
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Questioner 1

So, spren can just manifest themselves to different people. Can they choose whether or not to manifest themselves to other spren? Does it depend on the kind of spren?

Brandon Sanderson

So, depends on the kind of spren. You'll get some hints of that in the third book. Or you probably have already, if you read the preview chapters.

Questioner 2

I read the preview chapters, but, like, the way Syl acted, is that, like, something that she's able to hide from them?

Brandon Sanderson

She was not able to hide from that spren.

Skyward Pre-Release AMA ()
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Phantine

Stormlight has a lot of parallelism with Mistborn, but with protagonists who are now on the other side of the slave revolt. In particular, there's a very strong through line going from Kelsier to Miles to Moash, with characters attempting to overthrown a corrupt system being treated differently by the narrative in each case.

How much of this inversion is intentional? I know Warbreaker had a lot of deliberate parallels to Mistborn.

Brandon Sanderson

This is pretty intentional. I like to approach things from different sides, and I knew Stormlight was about the establishment, while Mistborn about the revolutionary. I like to try to show both sides of things like this, when I can.

Elantris Annotations ()
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Brandon Sanderson

And, in Kaise's "Why did YOU have to get sick," line, you can see a remnant of the cut scene I talked about in the last Sarene chapter. Kaise and Daorn were supposed to be able to go with Sarene into the city, and when I got to this scene, I thought I'd forgotten to add them. So, I came up with the sickness excuse. This was actually an error on my part, since this triad is actually happening several days after the last triad, and the twins got their permission to go with Sarene for the "next day." Therefore, their trip into Elantris would have happened during the intervening days.

Kaise's comment, however, seemed like a nice little nod to things happening in the world off-stage. Things like this give a nice feel to a book, so I left it in–despite the fact that the original scene it was tied to got cut early on.

Skyward San Francisco signing ()
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Mr Fancy

The Returned. When they come back, they appear really attractive. Is that based on their own idea of what's attractive, or society?

Brandon Sanderson

It is going to be society. But they are definitely having an influence over it, so let me say both in that case... Yeah, there could be a short, bald one. That is totally viable, but it's maybe what the person views as a societal ideal, how about that, an easier way to explain that.

Alcatraz Annotations ()
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Brandon Sanderson

Alcatraz The Leader

This chapter is important because of how it gives rounding to Alcatraz’s character arc. We see him acting decisively here–making decisions, leading the group even though his grandfather is there. He is a natural leader, when he can get over his hangups.

However, one short experience isn’t enough to change him completely. He’s still got a lot to learn. As a nod to this, he breaks the sword by accident when leaving. It’s a metaphoric indication that he has only taken the first step in his journey.

Firefight Chicago signing ()
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Questioner

The symbols before the chapters [in The Well of Ascension], are those alloys for the god metals?

Brandon Sanderson

No, the symbols before the chapters are the same symbols as in the first book from a different era. Same thing for the third book, they are the exact same symbols from a different era.

Barnes and Noble Book Club Q&A ()
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little_wilson

Mi'chelle is wanting to know for a fanfic she's wanting to write if when you cut/break an object that has been Awakened if the object then "dies", or if the pieces will try to carry out the command. Also, either way, can the breaths be recovered from it?

Brandon Sanderson

The object does not die, and will try to continue its purpose. The level of damage will determine just how well it can continue. The Breaths are recoverable. (Though there could be some loss of Breaths, depending on how the item is destroyed.) There's a scene near the end where Vasher Awakens some clothing, then it gets cut down and he recovers the Breath.

General Reddit 2017 ()
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Rotten_tacos

Will there be leatherbound editions of The Stormlight Archive anytime soon?

Brandon Sanderson

We do those on the 10th anniversary of the original. So, not for a few years.

havfunonline

Will there be one for Edgedancer? I know if I was buying the leatherbound editions (which I might someday) I'd want any canon novellas in the correct spots on the shelf XD

Brandon Sanderson

Arcanum Unbounded (which contains Edgedancer) will eventually get one.

JordanCon 2016 ()
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Questioner

On that note, in Secret History, Kelsier's reading the symbols. Does he not-- I mean he is able to understand them...

Brandon Sanderson

Right, right. So, if you go look really closely at what happens with Kelsier before he's able to start reading the symbols and understand the language, you can relate it to things in the cosmere that I've talked about before for how he's able to do that.

Miscellaneous 2017 ()
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Blightsong

Second sentance of the above paragraph. The plural of 'axis' is 'axes', not 'axi'.

Stormlightning

For the record, I don't think the "axi" thing is a grammatical error. It's more just a unique cosmere term.

Peter Ahlstrom

This is a Cosmere term. Stormlightning is correct.

A Memory of Light Chicago signing ()
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Questioner

How did this [Wheel of Time] help prepare you to write Stormlight Archive?

Brandon Sanderson

There's actually a good story there because Way of Kings, the first Stormlight Archive, is the book I was writing when I first sold Elantris. Elantris was my first published but it wasn't my first written, it was my sixth novel. It was the first one that was actually somewhat decent, but I was writing number thirteen when I got the offer on it. You'll find that's very common among authors. It doesn't happen to all of us, but a lot of us, we write for a long time before we get it done. And I just finished Way of Kings and it was not right yet. In fact when I sold Elantris, Tor wanted to buy two books from me, and my editor asked, "send me what I was working on right now". And I sent him Way of Kings and he said, "wow this is awesome, but number one, it's enormous. I'm not sure if we can publish this, at least in one volume, from a new author." Later on I was able to convince them it should be one volume, but that's when I had a little more clout and they could print more copies, which drives prices down for printing them. But also it just wasn't right yet. The book was not right. And I said to my editor, "I'm okay not publishing it now, because I don't know what's wrong with it." As a writer, I think it was just too ambitious for me at the time. I just couldn't do it yet.

It wasn't until I had written Gathering Storm in its entirety that I started to figure out what I'd been doing wrong. It was actually managing viewpoints was one of the things. During the reread of Robert Jordan's entire series, I noticed how he gathered the viewpoints together. You start writing a big epic fantasy series, and you feel like, they have so many characters and I want to start with that. In the original draft of Way of Kings I started them all over the world. I had all these viewpoints and things like this and the book was kind of a trainwreck because of it. Where if you read Eye of the World, Robert Jordan starts with them all together and then slowly builds complexity. Even in the later books, he's grouping the characters together. Even though they have individual storylines going on, they are in the same place and they can interact with each other, and there's clusters of them in different places. That was one thing. Working on Gathering Storm, I've learnt how to make my characters, also how to use viewpoints the way he did, how to manage subtlety--he was so subtle with a lot of his writing. Just some of these things, it all started to click in my head.

And I actually called my agent and said, "I need to do Way of Kings right now." And he's like, "Are you sure? Because you kind of have a lot on your plate." "I need to do it, it's going be fast, because I know how to do it now." So I actually took time off between Gathering Storm and Towers of Midnight and rewrote Way of Kings from scratch. It took me about six months, which is amazingly fast for a book that length. And then showed it to my editor and it was right this time. It's hard to explain many of the specifics. It's like, how do you know you can lift this weight after you've been lifting these other weights? It's when you've worked hard enough that you've gained the muscle mass to do it. And writing The Wheel of Time was heavy lifting. That's how it happened. I do apologize the sequel is taking so long. But after that deviation to do the first one which I could do very quickly, I couldn't stop to write the second one after Towers of Midnight because the second one would take too long and delay the last book too long. I am getting back to Stormlight now, and I am working on the second book, but I had other obligations first that were very important.

Skyward release party ()
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Questioner

In The Stormlight Archive, you've got the actual book The Way of Kings, are you planning to write it?

Brandon Sanderson

No, I am not. I feel like it would be an exercise that would take a lot of effort for very little value to the community or to myself. I like it also being open-ended so I can be like, "Oh, this should be in there," and then be like "Hey, here is a new quote from The Way of Kings".

Bands of Mourning release party ()
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Questioner

*audio obscured*

Brandon Sanderson

So Elend's name came from the Germanic word for misery and Straff's name means punishment. The question is did I do this intentionally. I didn't do either one intentionally. I don't speak German, what I did was I went to Germanic morphemes, I didn't even know what they meant, and just got a feel for "Okay this is Germanic, this is Germanic" and then put those aside and said "Alright can I come up with a bunch of names that sound Germanic" once that mood is in my head. Because English has a lot of Germanic influences I guess I did it too well and I named a whole bunch of people things that are actual words in German. *laughter* But you know I'm actually fairly pleased with that, it means I was doing my job. But you know I didn't intentionally make them mean anything in German, at least this time I didn't accidentally pick a swear or something, which I’ve done before. *laughter*

Skyward Pre-Release AMA ()
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DammyJerry

Does Dalinar know about Adonalsium? Stormfather dropped the term during one of their talks, so did he tell Dalinar the whole story of Shattering and Shards? Also, does he understand what exactly he did when summoned perpendicularity or not? Does he understand what’s going on with him now (that he’s connected with Honor’s remnants)? Does he even know what “Shard” means?

I guess, the question is “How cosmere-aware Dalinar is?”

Brandon Sanderson

As of Oathbringer, Dalinar isn't specifically aware of the larger cosmere story--though he would have numerous "Aha" moments if it were explained to him, as pieces of what he does know would fall into place. The Stormfather isn't particularly interested in the larger story, however, and that's one reason.

Jasnah is a different story...

Shadows of Self release party ()
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Questioner

Okay I had a question for you about that. You make a point about talking about that in your books but we know that air resistance and other things has an effect--

Brandon Sanderson

Air resistance does.

Questioner

--for instance a feather and a bowling ball dropped from the top of the Empire State Building are not going to hit the ground at the same time.

Brandon Sanderson

Right.

Questioner

Even though when in a vacuum they would.

Brandon Sanderson

Yes.

Questioner

...In the books Wax is affecting his weight a lot.

Brandon Sanderson

But he's also still wearing clothing, so he's never going to get light enough that-- Like Sazed getting light enough to drift down was pretty hard for him, you'll see how much work he had to go through. Wax could get that light but he's going to have guns and his metal belt and his mistcoat and things like that. And so when Wax is talking you're just going to assume that he's talking in his general experience. Air resistance does matter but that's not how he perceives it.

Skyward Pre-Release AMA ()
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meramipopper

What is a song that you really love that a lot of people who know you would never expect?

Brandon Sanderson

Hm. Most people don't expect me to be enjoy Metallica as much as I do--but that tended to be more in the past, when Metallica was considered somewhat edgy before it became classic rock.

Brandon's Blog 2018 ()
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Brandon Sanderson

In the last post, I talked a little about how characters come into existence, walking the line between an instinctive process and an intentional one.

Working this way can create some issues. The first is that sometimes when I talk about my process, this part of it ends up getting presented as a lot more… deliberate than it really is. I spend a lot of time trying to help new writers, and I worry that in presenting all of these outlines, exercises, and techniques, we miss emphasizing just how little we really understand about the process.

In some ways, writing a story is like hitting a baseball. You can talk all you want about the physics involved in how a baseball is pitched, then hit with the bat. But the truth is, neither pitcher nor batter are thinking about any of this in the moment.

This makes the process feel overwhelming to some new writers, who think they need to have all of this in hand before they can write a story. Truth is, I'm generally explaining things I did by instinct early in my career, then figured out ways to talk about as I proceeded to study what I'd already done.

You don't need to feel some mystical connection to characters to start writing—and if you focus too much on the idea that your characters should "feel" right and "do what they want," you can end up frustrated, as you don't have the practice writing yet to get them to do what needs to be done to actually create an interesting story.

Another problem with the voices in my head is the worry that I'll repeat myself. Working by instinct, as so many authors (including outliners like me) do, can lead to repetition. Something can "feel" right because you've seen that thing done so many times, you think it is the "right" way—even when it makes for a worse story.

This sort of writing, even when you're doing something interesting and new to you, can get repetitive as you only write in one way or style. In fact, I see a lot of writers talking about the "right" way to do something, as if it's a hard and fast rule—but it's not really that, it's simply the way they've trained their instincts to respond. Something that goes against this feels off to them, but only because of a kind of tunnel vision.

You can also start to regurgitate stereotypes and other weak or harmful tropes because they're part of your historical experience with genre—and you take them for granted. I did this in the original Mistborn novels, where I spent a lot of time working on Vin as a character, wanting an interesting and dynamic female lead for the stories. But then I wrote the rest of the team as men—not because I consciously decided it, but because stories like Ocean's Eleven, The Sting, and Sneakers (which were part of my inspiration) contained primarily male casts.

It isn't that you can't make a story that does this, or couldn't have reasons for writing a primarily male cast in a story. But I didn't have any of those reasons in mind; I did it because I was mimicking, without conscious thought, things I'd seen before. It felt "right" to me, but during examination later, I felt the story would have been stronger if I hadn't just run with the default that way.

Overall, I think that repeating myself is my biggest worry as a writer. Specifically, I worry that I'll end up writing the same characters over and over, or look at themes the same way time and time again, without even realizing that I'm doing it. That's one of the reasons I force myself to approach stories like the Legion ones—where I have to get out of my comfort zone, write in a different kind of setting with different kinds of storytelling expectations, and see where that takes me.

And so, the third part of this series will look at the Legion stories specifically, and where the voices in my head came from in that regard.

Emerald City Comic Con 2018 ()
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Questioner

Is there a center to the cosmere?

Brandon Sanderson

There isn't a center in the cosmere... I keep calling it a dwarf galaxy but I think they decided it's a cluster, instead of a dwarf galaxy.

Overlord Jebus

Even a dwarf galaxy is still really big.

Brandon Sanderson

Yeah, still too big. So we had to call it a cluster. Because we only wanted like what, we came up with 50 or 100 stars? So it's a cluster. Or a really dwarf galaxy.

Orem signing ()
#1950 Copy

Questioner

Shardplate, I know that you need to put Stormlight into it to regenerate it from a piece. Why can enemies not do that? Is it a thing that only the owner can do? 

Brandon Sanderson

We haven't dug into this in the books, but if you've got a piece... If you've got pieces you can regenerate it, and if multiple people are trying to regenerate different pieces there is kind of a sort of tug-of-war that goes on there. And certain things are involved in whoever ends up regenerating it. One thing is how much of it you have, but another is how much Stormlight, and things like this. It is possible to steal a piece of someone's Shardplate and start a little war over it that way.