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What's the best order for someone to read all the books in the Cosmere?
Brandon Sanderson
It depends. Publication order is just fine. However, I often start people with Mistborn.
Found 14294 entries in 0.314 seconds.
What's the best order for someone to read all the books in the Cosmere?
It depends. Publication order is just fine. However, I often start people with Mistborn.
Was the other god in Scadrial, Trell or whatnot, they're kind of mentioning him, does that imply there other really powerful beings out there outside of the Shards?
There are possibly really powerful beings, but… how should we say… *long pause* I mean, there are those who would call Hoid a very powerful being, who exist outside Shards, but if you're talking deific level things in the cosmere, they're all related to the Shards… Or demigod level.
The Willshapers have to have Cohesion, because Cohesion is the "grab something solid and melt it and push it in any direction you want..." it's the weak atomic force.
It's, you can take this and push your hand into it and leave a hand print, or things like that, and that's a Willshaper thing, not a Bondsmith thing.
Here’s an interesting one. Why do some Breaths flare when people die? Vasher mentions it in the book.
I will answer that in the next book, if I ever get to it.
Any hints about what the Stormlight novella will be about?
I'm probably going to make Lift the main character if the scene-- if it works it will be Lift. If it doesn't I could pick a different character, but I have a nice little outline for what Lift has been doing in between and I think she'll make a very good novella on her own. I do want to write the short story King Lopen the First of Alethkar, but that one's only like 5,000 words so if I get that one done I'll stick it in too. If you watch at the end of Words of Radiance Lopen's going around claiming to be king and there's a reason for that.
Would a [singer] get sick if it drank highstorm rain water before letting it sit, or would it get sick like a human?
[Singers] don't get sick from this like humans would.
What you can tell me about Investiture?
That is the word for someone or something which has gained a portion of the magic of Adonalsium, so the original whatever-it-is. Like a Shardblade is an Invested object, and people if they draw in the Stormlight, they're drawing in the magic--they're Invested.
Any idea when we'll learn more about The Lost Metal?
Yeah, probably middle next year you'll know more about it. It's going to depend on how working on Stormlight 4 goes.
Could a double-nicrosil Twinborn compound Breath or Stormlight?
Uh, you’re getting a RAFO card on that. You're getting SUCH a RAFO card on that!
Originally, the nobleman Kelsier met with was Lord Hasting. This was the only place he appeared in the book. I decided in a rewrite to introduce Elend's father here instead, since he's a character we’ll see much more from.
I also strengthened Straff in this scene. Before, he came off too weak as he bought the lies Kelsier told him. (Which, by the way, I've weakened. I realized that spreading too many falsehoods would be dangerous, and not really effective. Kelsier needs to whisper half-truths, rather than outright lies.)
I got my ears pierced recently and it got me thinking about Vin's earring. It's a Hemalurgic spike, right?
Mmhmm.
And the Inquisitors don't have to worry about infection or anything with their eye spikes. So when Vin got her ear pierced as a baby, she also didn't have to worry about infection?
Probably.
That is an awesome gig!
...It comes with some terrible side effects, but it is a pretty nice gig.
Kaladin not ever feeling the Thrill. Is there a reason for that?
There is a reason for that... What do you think?
I think it's because he's too good and too pure for this world.
That is, I would say-- Let's just say that there are points where Kaladin could have felt the Thrill. But once he had the attention of certain nebulous spren, somebody was watching out for him.
That was gonna be my second. I thought "He's probably just too good for it," and then I was like, "It's probably Syl's fault."
There's a bit of a war inside of Kaladin.
Why is Nazh short for Nazrilof?
It is a nickname.
What's your favorite magic system you've written?
Compared picking a fave system to picking a fave child, it's easier to pick who is most obedient. He likes writing Allomancy/the metallic arts the most
I don't know if this counts as a question but, Elantris.
*pauses* Elantris! I don't think that is a question. Yeah…
So has Rock always been a third son?
Oh, clever man. No he has not.
Yay!
So that scene in Warbreaker when Hoid is doing the storytelling with sand, was he doing--
There is indeed some sand in there.
Is it sand mastery though?
There may indeed be, not everything he's doing is sand mastery, but there may indeed be some things involved in that.
So there's a certain very long chapter in A Memory of Light. There's also a certain very long chapter in Oathbringer. I'm assuming you used similar techniques; both are very effective. Did you come up with that when writing Memory of Light or were you inspired by someone else for doing that?
Nope, that was something I had wanted to do.
So the question is, there's a very long chapter in A Memory of Light that was done very deliberately. I've used this before and in other books. Oathbringer does one, not nearly to the extent, but there's a certain point in A Memory of Light—and this was me, this was just kind of my love of trying to make the form of a novel match what I'm trying to get across with the novel.
In A Memory of Light, there was a point where the characters could not set down their swords and take a break, and I wanted to make sure that part was not divided up, to encourage as many readers as possible to have to push through it, even if it was kind of late at night *crowd laughs*, to get to the chapter break, so that they would feel some of the same feeling that the characters were feeling. And that's just my writerly way to get that across. In Oathbringer, it was more like, "This is where the breaks fit most naturally." I wasn't trying to do the same thing, but it's a similar sort of thing, where I want the momentum to not have a break until a certain point in the story. I don't anticipate ever doing-- The one in A Memory of Light was like 90,000 words, which, if you're unaware, an average novel is 80,000 words. So there is a novel-length chapter in A Memory of Light. And so, yeah-- *playfully* eh.
Are there differences in pronunciation between the different worlds in the cosmere?
Yes.
Do you have any record of that?
So, it depends on the culture and things like that, what it's going to be like. You can kind of bet in Mistborn it's going to be French, if it's from the Central Dominance. So they'll say "Kelsi-ay" and "De-MOH" but where Elend's from is a lot more Germanic so "EE-lend" "STRAHFF" and stuff like that. The other worlds are all going to have their different things. In Roshar you are going to get some of the "YAS-nah kHo-LIN" it's going to be a little more Semitic in its language family.
Prologue - Part One
The Origins of the Prologue
This began as a first chapter; I only later turned it into the prologue. My worry when I made the change (and it's still a bit of a worry) was that it was kind of a sneaky way to begin the book. Let me explain.
This novel focuses primarily on Siri, Vivenna, and Lightsong. Vasher, as the fourth viewpoint, is only in there fairly sparsely. True, he drives a lot of what is happening from behind the scenes, but he's a mysterious figure, and we don't know a lot about him. This prologue is pretty much the most extensive, lengthy, and in-depth scene we get of him.
Therefore, it's kind of sneaky to begin the book with him. I did it for a couple of reasons. First off—and this is the most important one—this scene is just a great hook. It shows off the magic system and the setting of the novel (most of the action takes place in T'Telir, even though the first few chapters are over in Idris). It's full of conflict and tension, with a mysterious character doing interesting things. In short, it's exactly how you want to begin a book.
My worries aren't about this prologue so much as they are about the following three chapters, where things slow down a lot. I was tempted to cut this scene and put it in later, but I eventually decided that giving it the mantle of a prologue was enough. A lot of times, particularly in fantasy, we writers use a prologue to highlight a character or conflict that might not show up again for a while.
Will we see a sketch of larkin some day?
I think you're the third person to ask about larkins, so I'm putting it on a to-do list. :)
I'm loathed to ask two questions but this is a clarification - it was reported way back that you confirmed that the ardent in the Palanaeum is Pailiah. Are you willing to confirm?
There is a Herald in close proximity to Taravangian, but she's not anyone in his immediate inner circle seen commonly on screen.
Also, thanks to my writing group for the Soundsticks suggestion. They probably don't remember it–it's been years since one of them suggested it (I think Nate H. was the one who actually said it) and I thought it was a great idea. This is a perfect way to deal with a Mistborn–they're going to have enhanced senses, so you play off of that and make them pay. I love this, since I talk so much about balance and use of force in Allomancy. Actions and reactions. I wanted this magic to feel very Newtonian.
Are any of your characters influenced or inspired by your immediate family, like your wife or kids? And if so, which ones?
My wife has asked me not to put her in a book. And so I haven't.
My children have inspired a number of characters, but they change so quickly. Steelheart is dedicated to Dallin from when he was, like, a two year old or whatever. And now he's an eight year old, and he's a very different guy. So basing characters on my kids is less basing them on a person and more on the experience of being a father and having young kids. Like, hero of The Rithmatist is named Joel. My first son is named Joel. That's not a coincidence. But when The Rithmatist came out, he was really little, and it's not like that character could be based on his personality at all, because he was crawling and eating his fingers at that age.
My good friends, particularly during the years when I was trying to break in, they have inspired a lot of characters. Sarene from Elantris is based on a friend of mind named Annie. A lot of Bridge Four, particularly the second string Bridge Four members. (Because I don't want them to have to worry that I'm gonna use them in a major way. It's more like they're getting cameos.) Skar is based on a friend of mine, Leyten is based on a friend of mine, Peet is based on a friend of mine, a bunch of the people from Bridge Four that aren't the ones that the main story is about, those are all my friends from college who were supporting me when I was writing these books.
As a writer, using someone in a book is less about basing a character on them, usually for me, and more about finding some interesting tidbit about their personality that I find fascinating that I spiral off into a new character whose seed was a little tiny aspect of somebody I know. Just like every character-- People ask me who my favorite character is. I don't have one. I don't have a favorite book either, they're all like my children. But every character is based a little bit on something I do and something that's very different from me. And I take those two seeds, and I intermix them, and build a character around it.
Did Davriel "kill" himself under controlled conditions so he could bamboozle a demonic contract, or was that a result of something going wrong?
I'm going to RAFO that--as it's something I'd like to reveal in a later story, if I have a chance to do one.
What was your motivation/inspiration behind the Alcatraz books?
- They're weird and modernist.
- His goal was to do something so different from what he was working on.
- He uses different books like this as breaks in order to keep the momentum up for writing and yet let himself rest.
- Still has a wacky magic system, so it's still one of his books, still what he likes writing, but it's still different.
- Inspired by like, The Emperor's New Groove sort of off the wall storytelling (gave the example of the fact that the opening scene is cut by a flashback and then never addressed again anywhere in the books)
Do you miss characters when you “write them out”?
Nice euphemism. I miss writing for them but it doesn’t shock me because I generally planned it that way, so I have time to prepare. I don’t see myself as killing them. Instead, I allow them to take risks and pay the price for those risks. Mostly, I know well in advance what will happen to a character. Just occasionally, though, the plot will suddenly take me to the point when something has to happen, then I have to go back and re-write the outline. I don’t sit there and think, “Now who won’t they expect me to kill," although I suspect some other authors might do that. *laughter*
Was there anything on the other side of the planet or did the entire population live on one side?
There is life on the other pole. I will RAFO any other questions about it, though.
Is Iyatil from Southern Scadrial?
Iyatil has heritage along those lines, but she is not.
I'm the guy who asked about the game.
Oh right, so have you guys released stuff?
No. I have an app, that's a level builder, that is technically published but it's *audio obscured* the guy who's doing the art *audio obscured*
Like I do wish you the best of luck. My friends at ChAIR, Epic Games, they were just BYU guys who got together to release their own game but I need to do it with people who have done things before.
Oh yeah. After we get a couple--
After you get a couple games, if you come to me. Because I have some really cool ideas for how a great Rithmatist game would work. Like I think what you would want to have is pieces of chalklings that people could piece together, and then they have to draw their chalkling and they’d piece together their circle and then enter into a duel with someone else on their own iPad and you have to trace your circle. You trace it. And whoever get's done first get's a bonus to their strength or whatever, but whoever's most accurate also gets one. Stuff like that would be a lot of fun to be able to do.
Where in Roshar do Ryshadiums come from?
That's a RAFO. I will answer it soon.
Will we find out in Stormlight 3?
Yeah.
Is there any information about Way of Kings that you can give us at this time?
I've wanted to do a long epic for a while. I guess that's what comes from reading Jordan and the others while growing up. And so, way back in the late 90's—when I was experimenting with my style—I started working on ideas for a longer form series. I knew the real trick for me would be to do it in a way that it didn't feel stale after just a few books; there needed to be enough to the world, the magic, and the plot arcs that I (and hopefully readers) would keep interested in the series for such a long time.
What it gives me (the thing that I want in doing a longer epic) is the chance to grow characters across a larger number of books. Dig into their pasts, explore what makes them think the way they do, in ways that even a trilogy cannot. In Kings, I don't want to do a longer 'saga' style series, with each book having a new set of characters. I want this to be one overarching story.
One of the things that has itched at me for long time in my fantasy reading is the sense of loss that so many fantasy series have. I'm not complaining, mind you—I love these books. But it seems like a theme in a large number of fantasy books is the disappearance of magic and wonder from the world. In Tolkien, the Elves are leaving. In Jordan, technology is growing and perhaps beginning an age where it will overshadow magic. It's very present in Brooks, where the fantasy world is becoming our world. Even Eddings seemed to have it, with a sense that sorcerers are less common, and with things like the only Dragons dying, the gods leaving.
I've wanted to do a series, then, where the magic isn't going away—it's coming back. Where the world is becoming a more wondrous place. Where new races aren't vanishing, they're being discovered.
Obviously, I'm not the first to approach a fantasy this way. Maybe I'm reading too much into the other books, seeing something that isn't there. But the return of magic is one of the main concepts that is driving me.
Well, that and enormous swords and magical power armor.
I know about Harmony but is it possible for like two Shards to procreate and make a brand new Shard?
That is a Read And Find Out. Assume I'm not hiding too much from you in that realm, but there will be some fiddly bits as we go further in the cosmere about stuff like that.
You are releasing a graphic novel version of White Sand, which one is going to be canon to the Cosmere, the graphic novel or the novel you originally wrote?
Oh definitely the graphic novel. The book I originally wrote has its problems, and I never released it. The books don't become canon until I release them. This will be the canon release of White Sand. I don't think-- If the graphic novel does well we are not going to write novels, I'm going to do the second one as a graphic novel original. That's just how we are going to do it-- is my plan right now. There are things when we went back to it that we tweaked, for instance Hoid's appearance in the original novel was only a reference. He was mentioned by, what did I end up calling him, Eis? Ais, I had both names for a while, it was only a reference to one of his old cases, that's his only appearance. And we're like "Ehh people are going to expect more now". So we are writing in a better appearance for him. Stuff like that, I feel Khriss' character needs better development than the novel had, so we are working on that. Stuff, you know. Things you would do in a major revision.
Has Vasher or anyone else learned how to suppress just the Breath Aura, but keep the Heightenings?
RAFO.
I haven't seen or heard anything about the potential for TWOK movie ever since there was that article about using virtual reality to pitch the idea.
Anyone heard anything recently?
No updates, I'm afraid. Last big session I had with them was when I flew to LA in June. They're still working on the VR experience/pitch to take to studios.
If I held Szeth's Oathstone, smashed it up into a fine powder then snorted it, would Szeth still follow my direction?
Yes, probably, but be warned that you're not dealing with someone terrible stable. You could push Szeth over the edge with things like this, and then you could end up in a very bad situation.
Did the Physical, Spiritual, and Cognitive Realms exist before Adonalsium split?
They did. In fact, if you can ever get a hold of Dragonsteel, (Which I don't let a lot of people read because it's got big spoilers and it doesn't really work anymore. It was one of the early books I wrote. It is the prelude to the Cosmere.) the opening chapters are in a classroom where someone is learning about the three aspects. So, yeah.
Since Jasnah has been "out and about," should we be watching for cameos in your other books?
Problem is, no books are currently happening right at the same time as Stormlight. And Jasnah hasn't gone far afield.
Can somebody travel to the Spiritual Realm, the same as the Cognitive?
Yes, but it's a very different experience. It is possible… You may have seen people do it...
As in you're not sure, or you're being obnoxiously vague?
No...
As in, you probably have but he's having trouble remembering it.
No no no... For instance, Elend burning atium and duralumin pulled most of him into the Spiritual Realm.
Oh, that's what happens there.
Yeah. He kind of got yanked into- You also have seen people Ascend with the powers and dip into the Spiritual Realm for a little bit.
So, Vin?
Yeah. But they could be on both, or either, or both at the same time. But you have seen Vin stick into the Spiritual Realm. And it happened to Sazed/Harmony...
Oh! So is that where the gods live? Kinda?
Most of the bulk of the Shard's energy of being is contained in the Spiritual Realm, yes. Except for one notable exception!
The <mists? mistwraith?>?
No.
I asked Brandon just how many secret societies were on Roshar.
There are nine currently working.
How do you prioritize the various series you are writing? Are you influenced by your creative interest, schedule, fans, family, etc.? You have so many wonderful, intricate storylines and series such as The Rithmitist, The Stormlight Archive, The Wheel of Time and others that are all being released simultaneously.
Deciding what to work on is a balancing act. On one hand, the artist in me always wants to be doing something new, and it pushes me that direction. On the other hand, the completionist in me knows that there is great, great satisfaction and power in finishing a piece of art. It pushes me to work on the established series, and keeps me from going too many directions at once.
In general, I only write new fiction on one story at once. But when I finish one, I have to make sure I do something very different from it to keep me from being burned out. I am absolutely influenced by my schedule, my fans, and my family—all of these things give me ideas, and also require some very careful juggling of priorities to make sure everything gets the time it deserves.
When a Parshendi changes forms, are they taking different spren into their gemhearts?
When a Parshendi changes forms, they are carefully entering into a symbiotic relationship with a new spren.
But-- *audience laughter*
That's the answer you're going to get. That's a RAFO.
So regarding Hoid, now are we ever going to know his real name at some point in time? I guess in Dragonsteel? I know he says about how he's borrowing stuff and how he steals stuff.
Yes. You will eventually know his real name, but it depends on what you define as real.
Callsigns. Did you come up with those yourself?
I did. The callsigns in the back of all the beta readers, they came up with their own. But I came up with all the callsigns. One of the things I was trying to do, I tried to make the callsigns start with the same sound as their real names. And that was what be guidance was so that it would be easier to keep everyone straight.
I was at-- I think it was at Way of Kings or Towers of Midnight, and I think I might your dad?
Okay.
At least I think it was your dad. He said he was your dad. *laughter* I realized like two years later that it might not actually be your dad.
It was, it was. *laughter*
I'm relieved. Old, white hair, he said he was sort-of going to voice act Grandpa Smedry.
So my dad. She may have met my dad. And she really did meet my dad. *laughter*
I realized like two years later, "Wait what if that wasn't really his dad? Just some crazy guy?"
My dad looks like--
Your dad was very nice.
Yes, he looks vaguely like Alan Alda. Much more when he was younger, now he looks like a grandpa-ish Alan Alda.
So like Alan Alda.
Yeah, maybe like Alan Alda still is. So the funny story about my dad is-- She wanted to know if this was really him and he said he was going to voice act Grandpa Smedry. So what my dad loves to do is he likes to show up at my signings, particularly-- He had a job where he moved around a lot. He would be at home in Idaho for a weekend and then he would go and work somewhere for a week and come back-- One of those jobs, right? And so I would go do my signings and never know where he was, right? And so I'd be doing a reading-- And I did one once in, this was in Ohio--
I met him in Portland.
You met him in Portland?
The year someone brought you a massive box of Voodoo Donuts...
Yes, yes, the Voodoo Donuts...
...you don't like chocolate?
But I love Voodoo Donuts! I'm just not going to wait in line for it.
But you don't like chocolate!
I don't like chocolate flavored donuts, I like a piece of chocolate, but like the chocolate flavoring they put on donuts is such fake chocolate...
I think it was the CocoPuffs one.
Yeah. So anyway my dad, he'd just show up at places like this, and I'll be doing my signing, right? And I was doing a reading once in Ohio and there's a disturbance at the back, and I'm like "What is going on?" And people kind of part, and there's my dad signing books. *laughter* Seriously. He's just signing books, and he's just laughing about it like "Oh I taught him everything." *laughter* He's never read a science-fiction book in his life. He reads the books like, that we replaced over here for our signing that are religious books and stuff. He reads-- Oh it was the cart, the cart said religious books and they had stacks of my books on it-- He reads stuff like that, he reads biographies. My dad does not science-fiction.
Has he read your books? I know he's read Alcatraz, because he was talking and quoting it.
He's read my books. He's read the Alcatraz books at least. This is my dad, he's signing my books... The other part of that story is that he then took off and like seven kids came through the line-- like twelve-year-olds that he had bought a hardcover for because he'd seen them with a ratty paperback and knew they couldn't afford one, so he just bought if for them. *audience awws* And he did that for just tons of kids in the line. And he will do that at the signings. If he sees some young kid with a paperback, he'll buy them a hardcover. So that's my dad for you. *applause* I'll tell him you applauded for him. I'll tell him that you remember him...
Will you bring him back?
Will I bring him back? I'll tell him he has to come to the signing next time.
The Oathgate fabrial has an opening for a living Shardblade to make it functionable. Does this mean the opening is made from a spren?
You will find more about this in a future book.
Before I read Oathbringer, I decided that if I had to pick an Order, I would be an Edgedancer. And then we got to the very end of Oathbringer, Mayalaran. It was very interesting, because my name is Maya, and I'm an Edgedancer, and I have long brown hair. And it kind of threw me for a loop. So I have to ask, who did you base that character off of?
That character is not based on anyone specific, but maybe I was channeling you somehow.
As I read about the Parshendi, can't help but think of indigenous peoples. How do you deal with that and respecting the whole experience of colonization?
I think one of the things I have to do is embrace it. Like, if I just ignore it, it's worse, and so that's why I've tried to dig into and kind of acknowledge the issues. I mean, it is a minefield, right? I'm wandering into a minefield by writing a story that is basically based off of--
American colonization?
Yes. But at the same time, ignoring it wouldn't work. And the thing about it is, most cultures in our world, this is a question they had to deal with. Whose land is it? I mean, we're still fighting this war--we, I say, we aren't--but war is still being fought in the Middle East over whose land is it, and it's both of theirs, right, depending on how far you go back. And things like that, and so I think ignoring it is the wrong thing to do. But I also think there's a danger in trying to present an answer that is too easy, and so that's the line I have to walk. Embrace it, talk about it, not present an answer that is too easy, present multiple sides on it. It's kind of like the same way like the people in Roshar are both incredibly racist and incredibly sexist, right? Writing people who are racist and sexist without the narrative itself bolstering those sorts of those things is really hard. But, you know, we sign up to do hard things, and if I fall on my face, the best thing I can do is just acknowledge that I've fallen on my face, as I have done in the past.
I was intrigued ever since I saw your State of the Sanderson about Death Without Pizza.
It's good. I'm one chapter, or no I guess it's like three chapters. I'm one day's work away from finishing my revision, to then kick it back to Peter [Orullian]. I'm really, really excited how it's turning out. He knows his metal culture really well, and one of the tricks has been integrating that without making it feel jokey and things like that. I'm very pleased with how it's going.
What kind of metal influences were you going for?
...Peter really likes the lyrical metal like that, like Dreamtheater. I don't know my subgenres very well, but Apocalyptica gets a mention, that's one I knew, Dragonforce gets a mention, I knew them. But I guess Dragonforce is the same subgenre. My job is worldbuilding and plot, and his job is character voice and making sure all of that works. I'm fascinated by it all.
So is he more in the editing process, or is he an official co-writer?
He's a co-writer! I came up with the plot and the worldbuilding, I sent it to him, he wrote the whole first draft. Now I'm doing the next draft and then I'm kicking it back to him to do another pass and make sure the voice still matches, and then we'll take it out to publishers.
What's the character's name?
The main character's name is Jack Solomon.