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ailvara

In this moment: "Oh! a perky voice said in Shallan’s mind. We were almost here anyway, Veil! What are we doing?" Shallan is Veil (or was just a paragraph earlier with no hint it's changed) and Pattern calls her Veil but the phrasing is "in Shallan's mind". Is it a typo (or significant... mismatch)?

Brandon Sanderson

I'm a little tight for time now, so I can't look specifically, but I BELIEVE what is happening here is that Pattern is guessing which alter she is, and getting it wrong. It happens in this book several times, where Shallan is not giving external cues at which one she is at the moment.

Aether-Wind

Given how much Sanderson tend to world build, and how integral for the WBing art seems to be for the Stormlight Archive series, how much influence do you have on the process?

Are there any examples of your input changing the WBing in a substantial way?

Isaac Stewart

I have quite a bit of influence in the process. I've answered some of this in other questions above, but one way I can think of is in the names found on the Alethkar map. We wanted to fill out the land, so Brandon gave me license to place and name a lot of the cities and features on that map, which I then showed him. He tweaked a few of the names, and then we called it good. In book three, the city Rathalas becomes important to a character's backstory. I placed and named that city (named after one of my children), so it was a lot of fun to then see Brandon later use that city for a pivotal point in a character's story.

Chris_from_Warrenton (paraphrased)

Would it be possible to Soulforge Nightblood and change the command that was given to him when he was Invested?

Brandon Sanderson (paraphrased)

That is possible. That would actually not be a very difficult Soulforge. The problem is, he's Invested. So reInvesting him, which is what Soulforgery is, is really hard. So you'd have to figure out how you could use Forgery on something that is already Invested. But Forgery can get through some of those hoops a lot easier than some other magic systems can.

Questioner

So with your Cosmere books. I started reading with Mistborn, and I got through the trilogy, all three books-- I read really fast, so I was done with all three of them in under a week. And so I went looking for some of your other books, and I think I came on The Way of Kings and I started noticing there were little bits of connections because it's not really apparent--

Brandon Sanderson

Yes.

Questioner

--that they're connected until you start looking into it. And of course then I go online and figure out there's this whole wikipedia--

Brandon Sanderson

Then you went down the rabbit hole. *laughter*

Questioner

Then I went down the rabbit hole and then I go "Oh look, all of these worlds are interconnected. And there are these characters who are supposed to be Worldhoppers or something." I could not figure out where the origin of where you learn these people are actually from the other series.

Brandon Sanderson

So where did people learn this. So first I'm going to give the caveat, if this daunts you, don't worry it's all cameos right now. You don't have to read the books in a certain order-- Well you should read the series in order, but you don't have to read the series in a certain order. You're not missing out on something, you can read the books and if you don't see it, it's okay. It's meant to be cameos... It's supposed to be very subtle.

However, where they're getting it is Hoid is almost always mentioned by name. That was the first clue to people. Once in a while he doesn't use his name, in each series at least he's mentioned his name. And people started connecting that name. And I will usually give little tells where they Galladon in The Way of Kings because he spoke in Dula, and so they caught the same words that he used, even though he spoke another language. Some of the words were words he used in Elantris. They were like "Oh." So there's always going to be some connection there.

Watch for people who use the wrong words. For instance if someone says in The Stormlight Archive, if someone uses the word "coin", they're probably using magical means to translate and they're thinking "coin" when they mean "money" or "sphere" and they don't use coins on Roshar. And so you'll have people make mistakes like that in-world, and they'll talk about things the wrong way. And that'll be part of the way you can connect who doesn't belong there. I intend it to be very subtle however. I think in The Way of Kings Hoid is the only one who uses "coin" and things like that. If you watch out for stuff like that--

But here's the thing about it, at the same time I learned from Robert Jordan fandom that fans will theorize about everything. *laughter* And I realized-- I had to make a decision pretty early on. And this decision-- Some authors do it one way, others do it another, I decided I had to be okay if the fans guessed what I was doing. Because if I put the foreshadowing in then it's going to be a mark of respect if people figure it out. And so if you're one of these people who dig in deeply, you will figure out some of things that are going on and they won't be surprises when the book comes along. And I think that's okay for the fans that are doing that. I will warn you, I'm not going to change what's happening, just 'cause you figure it out. So if you don't want massive spoilers you shouldn't necessarily hang out to much, because they are going to get it right. I will put in the foreshadowing so that it is possible to guess what's going to be happening and things like that. Because if I don't it won't feel like the book is fulfilling, if that makes any sense.

That's just a little warning to you guys. But so far there are some things they haven't figured out yet that I think they're going to soon, but they haven't quite yet.

Questioner

With Alloy of Law, with Wayne, how do you come up with that character? *laughter* And those things that he says? 

Brandon Sanderson

So, yeah, Wayne's one of those characters. So, there are certain standards to which I hold almost all of my characters in my books. Wayne isn't one of them. He gets away with more.

So, where'd Wayne come from? The original concept for Wayne was, when I was working on the Mistborn books-- For those who don't know, I originally pitched Mistborn to my editor, Moshe, as a trilogy of trilogies: Past, Present, Future. Epic fantasy trilogy, urban fantasy trilogy, science fiction trilogy, set in the same world, with advancing technology in which the magic becomes the foundation for space travel. And the original idea that the epic fantasy trilogy becomes the foundation of myth and religion in the modern day trilogy. So, I told him all this, and he said, "Wow. You're ambitious." This was after he had read Elantris and was trying to figure out what else to buy from me.

And so, as I was working on The Stormlight Archive, I realized I wanted something from the Mistborn world to balance Stormlight, because Stormlight books are big and involved and take, like, years of writing to get done, and I didn't want to be alternating thick, long, books in two series, I kinda wanted to have a shorter, more fast-paced series to balance out the bigger, longer series. And so, the first thing I started doing, the first idea for Wayne, was a person whose personality changed based on hats he put on. And he was actually originally a hat maker. And I wrote, like, three pages of this, and he was just too kooky. He was great, but I was pouring too much into him. I needed: number one, to kinda pull back on the concept in that original; and number two, I needed multiple characters around him. By the way, he was riding around on a talking horse at that point, because he was a kandra.

Yeah, it was a really weird scene. It was wacky. And that's when I said, "All right, I'm gonna sit down and write an actual novel, not just exploratory scenes." And that's where I built Wax and Wayne, and kind of, the play off of each other, and things like that. So, they kind of grew out of each other, and out of that first scene that I wrote. 

Brandon Sanderson

We're moving in the story, timewise, much more quickly here than we were at the beginning of the book. Often there will be a week or so between chapters. It's kind of hard to tell in my books, as I don't talk very often about time passing. That's not one of my things; my books tend to feel very compressed, as if they happen over the course of a few days. However, each of the Mistborn books has covered many months—the first one covered almost an entire year. The nature of the Final Empire, where it tends to have very mild winters, makes the changing of seasons rough to follow.

R'Shara

Would Stormlight healing, Progression, or Feruchemical gold healing count as some of the ways that a transgender person could change their body to match their identity?

Brandon Sanderson

Yes. Those would work. In fact, that's kind of the main way that you would make that happen. Injections of Investiture making the body match the Spiritual and Cognitive.

Questioner

Is Lift entirely human?

Brandon Sanderson

That's a wonderful question. I would say yes; but the modifications that were made to her make her kind of a unique version of a human. If Hoid is still human, Lift is still human, if that makes sense.

And you shouldn't be reading too much into that Hoid; it's just that he's had so many things happen to him over the years, and so many changes to his spiritweb, and things like that. I would say yes, he is still human, and Lift is as well, but there have been modifications made.

VirgelFromage

I hope this is just one more tool in Brandon's arsenal for getting adaptations funded, and allowing him to be a big hand in what they look like. I mean... what studio can ignore the author of the largest kickstarter campaign of all time ?

Brandon Sanderson

This is a big point that I think is really relevant.

I've been holding out on adaptations, lately, until I can be absolutely certain the deal I'm getting gives me a lot of creative influence and power. Maybe not final cut, but more power than your average author--and certain assurances about what can't be changed narratively.

One of the goals for this kickstarter was, secretly, to make Hollywood pay attention. I had no idea how far we'd go, but what has happened here WILL make things over there easier--and will influence the strength of my negotiating position.

Questioner

Was the Shin invasion a cover for gathering lots of Shardblades and hiding them away?

Brandon Sanderson

RAFO.

Brandon Sanderson

The Inscription on the Cache's Steel Plate

The Lord Ruler's words here are probably the most altruistic things he wrote in his entire life. Elend worries sometimes that he's becoming like the Lord Ruler, and the truth is that—in part—he is. The difference is that the Lord Ruler started out as a spiteful, petty man and learned through the power he held to be more responsible with it. Elend was a good-hearted, idealistic man—and leadership tempered him into someone a little more realistic.

I guess I'm saying that power doesn't always have to corrupt. In many ways, I think it can change a man for the better.

Questioner

If you could choose three aspects to have with you, what would their specialties be?

Brandon Sanderson

Languages. I would love to have an aspect that could help me interact with other people who speak different languages. People often ask, “What superpower would you have?” Being able to speak all languages would be among the coolest superpowers that I can imagine. Because I travel so much, because I interact with people from other cultures, and because I think language is so shapen of the way we see the world, that would be high on my list. Aspects who can do other languages: really handy.

An aspect who was really, really good at continuity that could help me when I write something, the aspect would say, “You know, this is going to give Karen a huge headache later on for continuity. Maybe you should just change it to this. I’m sure Karen would be really happy.” Reading over my shoulder as I’m typing, like, “Nope. That character can’t be over there, because you said they were over here ten years ago. So this flashback, they can’t be in it.” Stuff like that would be really super-handy.

Number three. I’ve got a linguist, and I’ve got an editor. Number three, a psychologist. I would go with an Ivy; a psychologist would be super handy.

Questioner

So the last several books you’ve been bringing the whole cosmere together, has that changed how you are putting your books together? Now that you're tying everything?

Brandon Sanderson

Not really, it’s been planned for a while to do that. For instance, Stormlight will still kind of remain its own thing and Mistborn was always going to point that direction. Now I accelerated it a little bit because of the Wax and Wayne books, which I kind of put in as interim stuff.

Questioner

Did Harmony change the laws of Feruchemy and Allomancy just so that people wouldn't want to do Hemalurgy by making it possible to get those powers otherwise, or was that already...

Brandon Sanderson

No, that wasn't the purpose. It was already built in.

I made the call. I didn't built that Sazed did it, but it's a little bit of a retcon, breaking Feruchemy into its separate powers. I felt that would just be a more interesting narrative.

So, the behind-the-scenes answer is, I just broke those apart. My rationale for myself in-world was that now that the bloodlines were spreading out more, this was a natural effect of the bloodlines mixing.

Questioner

Makes sense. Just Sazed didn't want people looking at Hemalurgy so I figured maybe he retconned it a little bit just so [you?] wouldn't.

Brandon Sanderson

That isn't the answer I came up with. But it sounds rational. I want to be careful not to have too much Sazed retconning going on. But at the same time, it is kind of a retcon, so maybe I should have.

Questioner

If you Soulstamp somebody to give them a Connection to Arelon, and they became an Elantrian, could they become and Elantrian, and if the Soulstamp is removed, would they remain?

Brandon Sanderson

Okay, so you're asking a better one than people have asked. So you say "You get Soulstamped, you move to Arelon, your soul thinks that it is this, you do have spiritweb of Connection" I will go ahead and RAFO this with the caveat of why it might not work, is because, you might think you’re something, right? That doesn't necessarily mean-- Like, this is not completely invisible and things like this. And so, whether the power is going to follow those lines of Connection or not I will leave up to discussion, but it is a possibility worth theorizing upon.

Questioner

So a Soulstamp doesn't necessarily change the core of your spiritweb.

Brandon Sanderson

It does, but it's overwriting it. It's like Hemalurgy. What you are is still there underneath when it's ripped away, right?

Albinrath

A lot of things changed for certain characters between Warbreaker and Stormlight. Will we get any of that story in future Stormlight books, or do we have to wait until Nightblood?

Brandon Sanderson

You probably are gonna have to wait until Nightblood. There is a chance I'll do some Vasher stuff in Stormlight to catch you up. It's gonna depend on how long it takes to get to Nightblood, and various things like that. I have plans to find a place for some of this if I can't get to Nightblood in time. But most of it, I'm hoping, will be able to be in the Warbreaker sequel.

Shadow Guardian

If an Awakener were to go to Roshar and were to bleed the color from a gem would that gem still be able to store Stormlight?

Brandon Sanderson

Bleed the color from a gem… Um ye-ye-ye-yeah. This would interfere with its function on Roshar. It would probably still be able to hold Stormlight…

Shadow Guardian

Might not be able to be used for Soulcasting?

Brandon Sanderson

Yea-- It's going to… You know what no it would just change it. It would just bleed the color from it and turn it into a dusty quartz or something like that. That's probably what it would end up with, a dusty quartz. Because the molecular structure doesn't matter as much as the color for Roshar. So yeah you would probably still be able to hold Stormlight because a diamond can but I don't know, quartz might cut it. You'd probably end up with something that's not going to work so well.

Questioner 2

What about a fabrial that needs a specific--

Brandon Sanderson

Yeah a specific-- A ruby wouldn't work any more, and it would let go whatever is captured inside.

Questioner

Has Jasnah come up with her armor? Because there's a part where they say that geometric shapes were kind of disappearing and it wasn't like someone changing like they normally would.

Brandon Sanderson

I will RAFO that for now.

Questioner

How do you build all your characters?

Brandon Sanderson

Characters are the hardest for me to explain. The answer I can give you is, I usually try writing and just experiment with the viewpoint and voice, and see if that works. And if it does, then I start working them into the book. But often, I'll do freewrites. I'm looking for conflict, looking for an interesting perspective of seeing the world. I'm just looking for something different about them.

Questioner

So, like, in Mistborn, do you create your characters individually, and then you add them to the story?

Brandon Sanderson

A lot of times. Like, Kelsier was created before I started writing Mistborn. Vin was also, but Vin changed a whole bunch, to the point that, really, I started writing the book, experimented with different voices, and found the one I wanted for her.

Questioner

How were you able to diversify the amount of characters you have? Like, Shallan, she had such a dark past. How do you get that so accurately?

Brandon Sanderson

I've had some help on Shallan. I've got some friends who have dealt with similar issues that I interview, I get notes from, and I have read the books and tell me where am I going wrong, where am I going right. That's really handy. Listening to people, interviewing people, using primary sources. Invaluable when doing characters. Even the newest book I'm working on, Skyward... Like, in that one, it's nothing about a deep, dark past, but the main character's a fighter pilot. And I got a ton of stuff wrong. But fortunately, I found some fighter pilots to read the book and tell me where I was going wrong. So it got right.

NightWillReign

So you said that you’ve moved Szeth and Kaladin’s fight from book 3 to Words of Radiance. Did you make any changes like this on your outline for Oathbringer?

Brandon Sanderson

There was a lot of general restructuring of Oathbringer after book two was written, but there's no one "big" sequence that was moved into the book.

Questioner

How does the destructor blast for a Poco not destroy its own shield?

Brandon Sanderson

In Skyward, I have the shields work directionally, the same way a lot of science fiction does. Like you could fly out of a hangar bay that has a shield on it, but you can't fly back into it unless they change the frequency and stuff like that. That's how those are working for me. They will let things not come in but will let things go out... It's Sci-Fi technology that's kind of an old stand-by for how shields work and I just kind of rely on that one.

FeatherWriter

Especially with the livestreams this year, you get lots of questions from the fandom. How do you feel about the culture around Words of Brandon? Do you ever worry that the fandom takes them too seriously?

Brandon Sanderson

Well, yes, I do worry. I try to explain a Word of Brandon is not written in stone, and I think that people know this by now. A Word of Brandon is how I am planning to do it, but it's not canon until it's in the books. And things get changed as books are worked on and better ideas come around.

The thing is, I grew up in the Wheel of Time fandom. I am used to this sort of thing. I'm accustomed to it. It doesn't frighten me. I'm just used to dealing with it. It's part of fandom to me. And I would certainly rather have this than the alternative, which is no one paying any attention or caring. The opposite is far, far worse. But I do worry that sometimes people take them a little too seriously. Mostly the ones that I give off the cuff while I'm doing a live signing session, like when I'm at a book signing trying to write peoples names and phrases in their books while they're asking me questions. And I flub those way more often than I flub ones on a livestream where I'm not having to track people's names and things like that. But I will often answer the question I think people are asking, rather than the question they actually ask, because something's on my mind I've been thinking about, and they'll ask a question. And then I'll be like, "Oh yeah; bla bla bla bla bla bla bla." And they're like, "That's not what I asked..."And I'm like, "Oh. Sorry."

Brandon Sanderson

First Line Origins

Of course, this line got a tweak of its own in later drafts. I was fond of this first line, as I'd used it in the original short story with Vancer. However, in that story, he'd been thrown into prison for other reasons. In Warbreaker, I began the book with Vasher getting himself purposefully tossed into prison.

So, in the end, my editor pointed out that the line no longer worked quite right. We had to change it—why would Vasher complain about getting thrown into prison if he had done it to himself on purpose? So, it became "It's funny how many things begin with my getting thrown into prison."

Questioner

Can I ask about the wrong decision in the beginning of the original The Way of Kings?

Brandon Sanderson

In the original [The] Way of Kings Kaladin wins and Shardblade and Plate and keeps it.

Shagomir

This totally doesn't really matter and will probably change in the time it takes you to get to them but are Liar of Partinel and Lightweaver of Rens still planned as a semi-separate sub/prequel-series to Dragonsteel, or would they be included in that 3-5 book estimate?

Brandon Sanderson

They're included in the 3-5 book estimate. Dragonsteel's outline is kind of still in pieces, as I chopped out so much but dumped in a whole bunch more, so I'm not 100% sure on what length it will be.

Mason Wheeler

So, Taravangian has his changes during the night while he sleeps. Has he ever thought to pull an all-nighter and see what happens?

Brandon Sanderson

Yes, it still happens.

Mason Wheeler

While he's awake and conscious for it?

Brandon Sanderson

Yes.

Peter Ahlstrom

The next trilogy is 1980s, and the main character is a brown Terris geek girl.

Of course things could change by the time he starts writing it in 2020.

Andrew The Great (paraphrased)

What would happen if a person were to burn a metal that was Feruchemically charged using Allomancy?

Brandon Sanderson (paraphrased)

The metal used in Allomancy is like a key or a doorway to the power that Allomancy actually uses. The metal acts as a filter, much as the Aons in Elantris do, to determine what the power actually does. However, if the metal is Feruchemically charged, then it will basically become a super-burst of Feruchemical power with no Allomantic effect. The Feruchemical charge acts as a filter as well as the metal, and changes what the power does. in this case, say you were burning steel, you would just be massively speedy for a second, and wouldn't actually have the ability to push on anything Allomantically. Hope that answered the question. I get the concept, so if you need me to explain it differently, let me know and I'll try. Oh, the other thing I forgot is that this concept only works if it's a metal that you charged yourself. If it's a metal someone else charged, it would just work like regular Allomancy, and the Feruchemical charge would just cease to exist.

Andrew The Great (paraphrased)

If someone aluminum or duralumin burned the Feruchemically charged metals, what would happen?

Brandon Sanderson (paraphrased)

Basically the same thing as above, except with aluminum. Aluminum, they would just go away.

Brandon Sanderson

Chapter Sixteen

Seems like a good place to talk about my philosophy on how I choose viewpoint characters for these books. I've been getting DMs saying, "Why no Dalinar viewpoints?" or "Why no Adolin viewpoints?" And I can understand frustration there.

When I started this series, however, I dug into the multi-book epic fantasy stories I'd enjoyed in the past, as well as the more popular examples, and tried to really nail down the pitfalls of the format. A main one felt, to me, to be character sprawl. These series tend to end up with so many interesting characters that the author, in turn, ends up having entire sequences (and even books) that don't move the storyline forward, but instead investigate new storylines.

While I do appreciate some of that, I wanted to do what I could to mitigate that. Which meant limiting my viewpoints, even among main characters. This helps prevent sprawl, at least for me, because when I'm in someone's head, I naturally begin working on subplots and character arcs for them. In this case, I needed to keep my focus, and limit myself. To not try to do full sequences for every character in every part of every book. While I know some of you would have enjoyed that, I would really rather finish this series before I am a hundred--and feel that the books need to be as focused as is reasonable for their length.

That's why when I outline, I look at all the characters that COULD have a viewpoint in a given section--then narrow my scope to a few of them. Dalinar most certainly could have had viewpoints in Part One of this book, but I decided it was Navani's perspective that made the most sense for this story. So, while you get to see a healthy dose of Dalinar, we don't have his viewpoints.

Those will come later in the book, in a part where it makes sense to have his perspective on things. I need to look for the characters that are adding the most to a given sequence--that usually means the ones who are changing the most, learning the most, or who have the most tension in their sequence. I do feel bad for this somewhat cutthroat use of viewpoints at times, but I believe it is the right decision--it's either this, or watch the series balloon to many more books while at the same time slowing the narrative down to the point that books pass, and you wonder what was actually accomplished in them.

Only three more chapters left in these previews before you get the entire book! (Also, apologies for those who found this annotation repetitive from things I've said before. It is difficult to judge, sometimes, what is new information to the majority of readers and what is becoming well-worn, so to speak.)

Brandon Sanderson

Zane confronts Vin about her desires and not meeting him atop Keep Hasting

If you didn't pick up on it, one of the things I was trying to do in this chapter–mixed with the last chapter–was forge a link between Zane and Vin. He speaks of things in the very same way that Vin did in the last scene. For instance, Zane here admits to himself that he can't leave Straff because his father is all that he knows. Vin used to think the very same thing about her abusive crewleader Camon.

It goes deeper than that. These two characters share a lot. Even their names are meant to feel a little similar. In fact, the one big difference between them is Kelsier. He injected himself into Vin's life and changed her course drastically. She would have eventually discovered that she was Mistborn, and she would still have become quite powerful. However, she wouldn't have known the people of Kelsier's crew, and wouldn't have learned to trust.

It's interesting to think, sometimes, what she would have done in Luthadel without the Survivor's guidance.

vanahian

And for a friend of mine and her sanity... The Shalladin thing will be something or is all in her head? Stop her pain please :D.

Brandon Sanderson

Shallan has made her choice. I wouldn't expect that to change.

vanahian

And thanks for the answer in 11. My friend is crying but now she can go ahead with her life :)

Brandon Sanderson

Yeah...I do feel bad about that. If it's any comfort, tell her I think she'll eventually be very pleased it went this way. It might take a few more books, though.

platysaur

Is it too early to ask if you'd continue with the story you made for the game?

Brandon Sanderson

I have been tempted to do it as a graphic novel, if White Sand continues to be popular.

For my part, I want to point out that Matt Scott was awesome to work with. He really did try to make this game--but we were trying during a time when original IP in video games was a dodgy thing to start with. Several console changes, the revolution in mobile gaming, and various issues on the business side meant we could never really get this going. But there was a never a problem with their vision, passion, or enthusiasm.

BlackYeti (paraphrased)

If a gemstone infused with Stormlight were left inside a bendalloy or cadmium bubble, would the gemstone appear to go dun faster or slower respectively to the outside observer?

Brandon Sanderson (paraphrased)

Yes it would. Time is actually changing, the same thing would be observed if it were brought near to a singularity.

Gary Singer (paraphrased)

Could Lift convert food from other cosmere worlds into Stormlight?

Brandon Sanderson (paraphrased)

Yes. Lift's Spiritweb has something changed about it to allow converting mass to Investiture directly.

Use_the_Falchion

It'll be interesting to see if Sanderson keeps the name "skep" for the technique [from Way of Kings Prime], if Adolin does learn it.

Peter Ahlstrom

It's not changing.

Sin16

Has the Nightwatcher ever changed anyone's eye color?

Brandon Sanderson

Yes, she has. Good question.

Fakjbf

When Sazed ascended into Harmony, he recreated many extinct plants and animals based on the fragments of knowledge he learned about from various religions. Many ancient and medieval texts in the real world had pictures of animals with wildly inaccurate features and proportions. Were the texts that Sazed drew on fairly accurate, or are there herds of monstrosities roaming Scadrial now like on Roshar?

Brandon Sanderson

Fortunately, Sazed was able to work with something that you wouldn't be able to here. Which is—remember that Realmatic Theory is based on the theory of the forms by Plato. This is where I got it. I've been very open with that idea, that the first glimmers of that occurred when I was taking my philosophy classes in college. I liked the idea of there being this perfect version of something somewhere in another realm. Now, the thing I've done in the Cosmere is that that perfect thing can change and be shaped over time, but the remnants of those things were still there. He could latch onto something, something that knew what these things were supposed to look like, because he had this deific power.

So the answer is no, there are not versions of very very weird lions as drawn in illuminated manuscripts. I love where your brain went on this one. We were actually talking about, I can't remember the name of it, the wolf that they thought was killing all the people in France in the seventeen or eighteen hundreds, that they had these drawings of this monstrous wolf—where it was probably just a pack of wolves that were particularly hungry because their normal food source was being impacted by human expansion or something. But for a period of like five to ten years, perhaps hundreds of people got killed by this wolf, and all the depictions of it are these giant werewolfy sort of scary things.

I love seeing the pictures of all of those things, the pictures of giraffes on illuminated manuscripts that have just been described thirdhand to someone. Your brain is going cool places. You can make monstrosities like that with Hemalurgy, but fortunately Sazed did not run into that problem. 

Questioner

What inspired you to write that series [Mistborn]? It's amazing.

Brandon Sanderson

Oh good question, what inspired me to write Mistborn… A couple of things have to come together for me to write a book. Usually it is not one idea. Usually one idea is kind of the sparking point but then I file it in the back of my brain and wait until other ideas stick to it and work in really cool ways. Mistborn is a conglomeration of several things. First off it was watching-- I guess it was reading-- reading Harry Potter and being like "Wow these Dark Lords sure get a tough time of it. They're always beaten by these dopey kids." Right? *laughter* Like Sauron, there's this little furry-footed British dude who's like-- destroys your whole empire or things like this. And I was like "These poor guys, what if we had a book where the Dark Lord won? Where-- What if Frodo got to the end and the Dark Lord was like 'Oh thanks for bringing my ring back.' and then killed him and took over the world." It was really, I'm a fan of The Wheel of Time and thinking what if Rand got to the end of The Wheel of Time and the Dark One is like "Okay, I'm all powerful, you're not, end." And he won. Oh the Pattern just broke.

As an aside for Wheel of Time fans, I actually wrote that scenes for my own catharsis. I actually wrote a scene, I never let anyone else see it, where Rand lost *laughter* and it's actually like this dramatic moment and he's like "I could just destroy the world right now" And I just wrote "And so he did, The end." *laughter* I had a good laugh over it and then deleted it.

So, what if the Dark Lord won, but I figured that would be a downer of a story so I filed that in the back of my head and it melded with my love of heist stories. You'll notice Steelheart is also a heist story. It's one of my favorite archetypes, the gang who all have their individual talents and they get together to do cool things like-- I think one of my favorite movies in recent times was actually Inception which was a heist story using people's brains. So cool, such a great concept. But one of my classic favorite movies is Sneakers, if you haven't seen that. It's so good! So that genre made me want to write a heist novel in a fantasy world so I developed that independently. Allomancy and Feruchemy were developed independently as cool magic systems, that eventually started interacting in interesting ways. And then Kelsier was the other kind of linchpin, him as a character, wanting to tell this story about a guy who had been an upper-class thief, a con-man who then got motivation to go "No I'm going to do something good with my life. I'm going to change the world. It's kind of hard to explain.

LewsTherinTelescope

How long after Warbreaker does Way of Kings take place? I know you usually don't finalize timeline details until they actually are stated in-book, but are you willing to say how far apart the books are, in the current plans?

Brandon Sanderson

I have Warbreaker happening a few generations before, right now.  However, I'm very likely to move Elantris up in time, so it's a little in the air at the moment.

LewsTherinTelescope

Thanks! I assume asking why Elantris being moved affects how far apart Warbreaker and Way of Kings are is a behind-the-scenes thing and/or RAFO?

Brandon Sanderson

Yeah, it does.  The big linchpin is going to be when I need Sel and Scadrial to align when big crossovers start happening.  We'll know in a few years; there are things I intend to write that I could imagine needing to change, after they're finished, that will influence the timeline structure.

Brandon Sanderson

Chapter Thirty - Part One

Keep Venture is actually based on real cathedrals. Actually, visiting a few cathedrals was what that sparked the entire structural theme for the buildings in this book. The main inspiration for Keep Venture was the National Cathedral in Washington, D.C. I loved the way it incorporated the huge windows at the sides, inset with pillars, with interesting balconies above for viewing. I took that concept and changed it around a bit, turning the worship hall into a ballroom.

After that, the other keeps were easy. Keep Lekal came from the Luxor in Vegas. Hasting and Elariel I came up with on my own–one because I wanted a tower keep, and the other because I imagined a room with stained glass windows in the ceiling.

Brandon Sanderson

Herdazian food is very different [than Mexican food], there's just a few aspects that I used. The food, actually, I'm doing in Stormlight is more based off early 20th-century American street food, and the change to mobile cuisine. It's one of those fascinating things you can read about. And that's where the food like chouta is coming from, this idea of: as cultures intermix, and as Industrial Revolution stuff starts to happen, food starts to be portable. And I like that idea.

McCullough

In what ways do you feel that finishing The Wheel of Time helped to prepare you for The Stormlight Archive and how did it change your writing in general, if at all?

Brandon Sanderson

I gained three things, I feel, by working over the years on [The Wheel of Time]. (And, in particular, by studying [Robert Jordan]'s work in depth.) I learned how to better balance lots of different viewpoints, I got a better grip for foreshadowing and subtlety over many books, and I gained a deeper understanding of how to write a really sold third person viewpoint.

Questioner

In the end of Words of Radiance, Syl is turning into a Shardblade as well as other different weapons, and Kaladin has a whole bunch of windspren around him. I am wondering if that is a precursor to Shardplate?

Brandon Sanderson

I think you are a very smart man and you are asking wise questions.

Questioner

The guards that are used on the Shardblades, that people are able to work with them safely, are those made of aluminum?

Brandon Sanderson

[...] This is an excellent question that is well asked, and people are thinking along the right lines. I haven't answered 100%, but people are thinking the right way.

Questioner

When you're developing magic systems do you have it all planned out before you start writing the scenes?

Brandon Sanderson

I usually do, but I let myself have some wiggle room to change things as I go. Usually by the end of the first book I have it all locked down. Before the first book I have an outline for my magic system. I write the book and see how it works and see if there are things I need to tweak, and then I go back and make sure that it's locked down, and then I can write the other two to be consistent with the first one.

Questioner

How does Snapping work now? You said that Sazed changed it.

Brandon Sanderson

Uh, RAFO. That is a good question though.

Questioner

Not even a little hint?

Brandon Sanderson

Nah. I don't think so. 

Questioner

Aside from The Apocalyse Guard, are you planning on making a sequel to Calamity?

Brandon Sanderson

This is actually a really good question, because Apocalypse Guard was going to dig in to a few of the questions that Calamity asked at its ending. And so cancelling Apocalypse Guard leaves me saying, "Well, I maybe need to answer those questions." So there's a chance I will do a Mizzy book in the future. I'm not 100% sure, because I want to be closing off more things than I'm opening these days, so promising more sequels is a bad place for me to be.

But to run down the big sequel list, Legion is done. Reckoners is done. It doesn't mean that I might not do more, but just consider it done for now.

Alcatraz versus the Evil Librarians, halfway through the last book. Don't believe Alcatraz when he says Book Five is the end. He lies. You should know that from Chapter One of the first book. The last book is called Bastille versus the Evil Librarians. That one should be out pretty soon. That is the last book. You can trust me on that, because I'm saying it, not Alcatraz...

Rithmatist, I can't promise. It's the number one requested sequel I get. I was working on it when the Wheel of Time came along, and The Wheel of Time changed my career dramatically. It's been very hard to figure out how to do that sequel the right way. So no promises when on that, though it is still on my radar.

Warbreaker, Elantris, probably yes, but not until Stormlight Five is done. Stormlight Four, I start on in January. You can follow the progress bars. *applause* The last Wax and Wayne book will probably be also next year, as I need to take a break at some point from Stormlight.

If it wasn't on that list, then don't hold your breath. Most of the novellas I write, I write specifically so that I won't be starting a new series. Turns out if I write a novel, I'm very bad at writing that novel standalone by itself. Instead, I've written novellas in order to get the idea out of my head and be expanding the cosmere in interesting ways but not be promising sequels, okay? That said, there's a Threnody novel somewhere in me that will probably come out.

Questioner

Books were published in sort of different territories and different countries, obviously there's always different covers for different regions. So America has like a certain style of cover which is very different from what we have over here. How much input do you have into, sort of, the artist, who is chosen and do you have a favorite sort of style of cover for your books?

Brandon Sanderson

Very good question. So, I don't necessarily have a--how should I say--I get to have a lot to say these days over cover artists. I could ask for a cover artist, if they're available, they'll get them for me, and things like that. Not in my early career, but now. The trick is, in the UK, we use the same cover artist for everything and this is the big difference between the UK market and the US market. The US publisher likes to change with each series to a new cover artist, to say "look, it's a new series". For the UK, they distinguish a new series by the color scheme, so you'll notice all the Mistborn books have a blue swirl, whereas all of the Way of Kings have a red, or orange-ish tinge to them and, you know, Elantris has the green and things like that. That's how they do that. They like that all of your books look the same on the shelf.

UK also likes--how can I put it--classier covers *laughter* and that leads to, in some ways, some covers that I think are fantastic and some that are just a little generic, because they try to go kind of classy, if that makes sense, and so you just end up with not much on the cover. The US covers vary a lot more. I've had my worst covers of, you know, among US covers, and I've had my best covers because the US likes to do this painting of some sort of scene represented, almost more of a movie poster for the book, so some of those get really cringe-worthy. They just get--Like my middle-grade series, the Alcatraz books, oh those covers in the US were dreadful. In the UK they were very stylish and with like some iconic picture on them, but in the US they were, oh, so bad. But The Way of Kings, the painting, the US painting's one of my favorite covers I've ever had and I actually went and bought that painting itself, but I have a soft spot for Michael Whelan, he's the artist of that. 

Brandon Sanderson

Chapter Thirty-Six

Talking Scenes

I realize that my books contain an awful lot of scenes where people stand around talking to each other. I try to keep them moving as much as possible, changing scenery, making the dialogue dramatic, allowing the characters to make conclusions and decisions. But, at the core, my stories consist of a lot of people discussing and weighing options in their heads.

I worry that sometimes I need to make things a little faster paced. I wanted to avoid too much of Elend brooding. In fact, one of the earliest rewrites of the book I did (one I did before I finished the novel, which is rare—I usually don't rewrite until I finish the rough draft) was done specifically to make Elend a more active character. In that same rewrite, I tried very hard to work out his character arc. (It just hadn't been working in the first draft.)

This was what I came up with. The emperor who knows he will end up having to make a very difficult decision, and fearing that he'll do what's right for his people—even if it seems morally wrong at the time. I didn't want to have many chapters of him brooding, but that sort of decision can't be off-the-cuff. For his character to work, I needed him to wrestle with the question—even go back and forth on it, as we as people often do.

u/khazroar

"Deadeyes can't make choices," Notum said. "They don't have the presence of mind for it. I know this personally; my own father is a dead eye, cared for in the fortress now."

Third listen of the book, and I only just clocked that. I was under the impression that every single honorspren at the time of the Recreance became a deadeye, and that all currently conscious one's were descended from those the Stormfather made later (aside from the Ancient Daughter). How in the world can Notum's father be a deadeye without him being one too?

Peter Ahlstrom

We became aware of this error sometime in the past year. Turns out Brandon momentarily confused Notum with the Reacher ship captain, who does have a deadeye father. The line will be changed eventually.