Advanced Search

Search in date range:

Search results:

Found 14294 entries in 0.282 seconds.

Mistborn: The Final Empire Annotations ()
#7651 Copy

Brandon Sanderson

In Mistborn Prime, there were no such thing as Mistings. Allomancy's practitioners were called Mistborn, and they could use all of the various abilities, depending on which metal they ingested.

When I started work on this incarnation of the book, however, I felt that I wanted to involve a specialized team of Allomancers. That meant including people who were really good at one specific thing, but who couldn't do other things. It's a staple of the heist genre–you want specialists. So, I split up Allomancy, allowing lesser Allomancers to exist. These people, who only could do one of the many Allomantic powers, would be very good at the one thing they do. And, since Mistborn were so rare, you couldn't really make an entire team of them. You'd be lucky to even get one. (Though Kelsier's team just got a second one.)

Soon, you'll get to meet the rest of the crew, and will be able to see how I split up Allomancy. One thing of interest, however, is that there was no emotional Allomancy in Mistborn Prime. I added Soothing and Rioting–the ability to make people less or more emotional–into this book because I felt I needed something that would be more. . .sneaky. These are skills that don't relate to fighting, and I think they'd be very helpful for the sort of political intrigue I want to do in this book.

The Well of Ascension Annotations ()
#7652 Copy

Brandon Sanderson

Chapter Fifty-Nine

Nothing is worse than trying so hard to do the right thing, then discovering that it was the worst thing you could have done.

I wrote this final chapter to be a slight upswing in the plot so that we wouldn't end on such a sour note. No, I didn't kill Elend. I sure wanted you to think that I would, but I never planned to. I had always intended them to discover where the first Mistborn had come from when they reached the Well of Ascension, and this bead of metal is very important to the cosmology of Scadrial and, indeed, the entire overarching story of my books as a whole .

Elend was intended to become Mistborn from the very early stages of this book's development. So, I figured I ought to do something to him that would make him NEED to be Mistborn. Why did I want to make Elend Mistborn? I know it bothered some readers. I felt I'd explored his character as well I could in this book, and I needed something to upset the balance–tenuous as it is–that he'd arrived at here. He's not going to replace Vin–you'll see in the next book that Elend as a Mistborn doesn't change as much as you might think. But it does put him in new situations, and those situations allow him to progress as a character in the way I felt he needed to.

Anyway, this will make for a very interesting book three. Also, the mist spirit–now, maybe, you can see a little of what it was trying to do. It was struggling to find a way to get Vin to NOT go to the Well of Ascension. Giving hints to Sazed, scaring her, threatening Elend, pointing in the opposite direction. However, it is rather hampered in what it can do, as we'll find in the next book.

Oathbringer release party ()
#7653 Copy

Questioner

How could I be a better beta reader? Because I suck at giving feedback.

Brandon Sanderson

It's just practice. And try not to fix things, try to just give your responses to them.

Questioner

Like how I felt about certain things?

Brandon Sanderson

Yeah, you don't have to tell them how to fix it, you just have to say, "I was bored here." "I was not empathizing with this character." "This line was really great." That sort of stuff.

General Reddit 2018 ()
#7654 Copy

sockmop

Who would win in a fight, Kaladin with no Shards but with Surgebinding and his favorite spear (aluminum tip) or Kelsier with the first nine metals of Allomancy?

AndTwoYears

Kelsier, I think, if Kaladin doesn't have Syl with him. But it may depend on nearby metal sources.

Alternatively, they come to a shaky alliance where they both fight against the nobility but still get on each other's nerves. [Brandon] care to weigh in?

Brandon Sanderson

If they came to arms, Kelsier would try to kill Kaladin in his sleep, most likely. But it depends on a lot of factors, and I think your alternative is the most likely.

EuroCon 2016 ()
#7655 Copy

Questioner

Something I found really interesting and refreshing--it's sad it is that way, but it is--about your books are female characters, and I recently read that for a while you were kind of mortified because, talking about feedback, someone told you that you were writing really plain female characters. Now, seeing Vin or Megan, I barely can believe that, and I think as fans sometimes maybe get a bit too caught up in how amazing your worldbuilding is, and your magic systems, and we sort of disregard something that really works as well, and that's characters. I really like that your characters have, even if they are kind of secondary, they have purpose, they have motive, they have a backstory, they are not just there as background, really. So, could you describe how is character building for you and how has it changed since then?

Brandon Sanderson

Yeah, this is an interesting thing to think about, as a fan of science fiction and fantasy, because the thing that draws us all to sci-fi/fantasy, the reason we're here, is because of the setting. And yet, the setting is in some ways the least important part, because, if you have a bad setting, but great characters, you usually can still have a good book, but if you have terrible characters and and interesting setting, usually that book is still going to be boring.

This was a problem early in my writing, as you have brought up, particularly my female characters. I can still remember sharing one of my first books with someone, and being very excited for their feedback, and hearing how much they loved the magic system, and then getting to the criticism and saying, "It's unfortunate that the female lead is so wooden," and this was something that I needed to work on. No writer starts out good at everything. I was fortunate in finding early on some of these things that I needed to work on.

For me, one of the big breakthroughs came when I started to look at each character as the protagonist of their own story. In some of these early books, characters were fit into a definition by my brain. This is the love interest, this is the sidekick, this is the mentor. But that's not how we are in our lives. Every one of us is a romantic interest at times, a mentor at times, a sidekick at times, but throughout the course of all of it, the only perspective we have of it is our own, and we are always the protagonist in that story. So when I started asking myself for each character, no matter how insignificant to the plot, who are they, what are they passionate about, what would they be doing today if the world weren't ending, and how are they the hero of their story.

Boskone 54 ()
#7656 Copy

Ironeyes

We know aluminum affects mental magic and emotional magic. Would it affect the hole in your soul that’s created by Hemalurgy? If you had an aluminum spike, would that make it easier, less easy, or no difference for Ruin to take control of you?

Brandon Sanderson

Aluminum resists Investiture generally, even when it’s not Invested itself.

Ironeyes

(Brandon hems and haws a little so Ironeyes clarifies the question) Would an aluminum spike make it harder for a Soother to take control of you?

Brandon Sanderson

An aluminum spike would have no effect on a Soother’s ability. They wouldn’t see it there.

yulerule

Did you make aluminum resistant to Allomancy so that you could do the tinfoil hats?

Brandon Sanderson

No, but once I did, I was like that’s a cool idea. I made aluminum resistant to it because I wanted something to be magically inert in the Cosmere. It was a happy accident.

Firefight San Francisco signing ()
#7657 Copy

Questioner

Do you have any idea which book of yours might make it to the movie theaters first?

Brandon Sanderson

Which one might make it to the movie theaters first? So right now it's going to be a race because I would say that a lot of things are kind of equal footing, because most of my options that we have for films lapsed last year and then we resold them. So we're kind of starting from scratch on everything. We sold Legion again, we sold Mistborn again, and we sold The Emperor's Soul shortly before.

*crowd ooh's and aah's*

And then we sold Steelheart like on Friday. Steelheart had been optioned and they let it lapse. Mistborn had been and Legion had been, so we've got four new companies basically working on it, but every time we do this my profile as a writer has raised to the point that we get a better crowd, if that makes sense. Like the Steelheart deal I'm really excited about. I love the producer, he's the guy that did-- did you guys see Real Steel? Did you ever see that, the Richard Matheson story? The guy who did that. I loved that, I thought it was-- it was one of those movies I watched expecting it to be dumb, and it was great. But he also did the Night at the Museum stuff, and things like that, and so I'm really excited about that.

But the Mistborn script treatments are excellent, the best treatments I've gotten. What that means is that's what you write as a producer to give to a screenwriter to then write the screenplay, and then after that you get stars attached, and then after that someone finally gives you money and you make the film. So we're still a long way away, but the treatments are really good.

And then, you know, the guys who have The Emperor's Soul are super enthusiastic. They're DMG, they made the Iron Man films with Marvel, they're super enthusiastic and they went down the cosmere rabbit hole. They bought it and then they're like, "who is this--" let me see this deleted scene about this guy named Hoid. So I gave it to them and they're like, "wait a minute", and they started reading everything. And so they've come back to me and they're like "sooo, um, the Sanderson cinematic universe..." So I don't know what's going to happen with that, but there's lots of discussion about things like that. And they've been talking to the Mistborn guys, and so--

But this is all very new, meaning we're at the preliminary stages of all of it. There's like, nothing I can officially even announce other than "These people have bought these rights, these people have bought these rights". Maybe we'll get something made eventually. I've gotten really close before and it hasn't happened so, who knows.

Words of Radiance Philadelphia signing ()
#7658 Copy

EHyde

I was wondering about the in-world text, the Way of Kings. It's older than those 4500 years, right?

Brandon Sanderson

It was written by Nohadon.

EHyde

Especially since Jasnah mentioned how all the texts have been corrupted or changed since then, especially the ones dealing with the Radiants, I was wondering if we will find out how the Way of Kings survived intact for so long, or if it actually did, or if it's...

Brandon Sanderson

They do say that...well let's just say that some books exist in translation over the centuries with the primary text having been lost, or things like this.

EHyde

But you're not going to say if the translation is guaranteed to be accurate.

Brandon Sanderson

I am not going to say that.

Starsight Release Party ()
#7659 Copy

Questioner

Are you doing any more novels for White Sand?

Brandon Sanderson

You can read the prose version that this was based on—that I wrote—just by getting it from us. Someday, I'll probably do some prose for these short stories, but right now, they are going to be graphic novels. In fact, we'll do a sequel series—now that we know what we're doing—that is designed specifically to be a graphic novel. That's our goal there.

Alcatraz Annotations ()
#7660 Copy

Brandon Sanderson

I made them hate me. On purpose.

This chapter was the one where I really started to delve into character. It just might be my favorite in the book. Now, maybe, you can see why I had to take out the self-awareness at the beginning of the book. This chapter has real power because Alcatraz is being forced to admit uncomfortable things about himself.

From the very get-go, my goal in this book was to write something funny that also had a strong character with a good character arc. That’s why I started the first chapter with Alcatraz burning down the kitchen. He was a solid character in my mind–a combination of a lot of different sides. The kid who wanted to be loved, the sarcastic teenager who pushed people away, the cynical older teen who is writing these books. He’s a guy who’s been through a lot, and I hoped that with this chapter (and the next) I could show some depth in a book that otherwise might be dismissible as a simple farce.

We also start to get into Bastille’s character here, though a lot of what I’m going to do with her is reserved for later. In my mind, this series is about her almost as much as it is about Alcatraz.

Isaac Stewart r/Stormlight_Archive AMA ()
#7661 Copy

TalenelFPV

I'm getting "Taln's scar" tattooed on my right shin to cover a scar. Any input on the size/shape of the galaxy? (more than just the star map in the front of arcanum)

Isaac Stewart

That's pretty cool! Well, Taln's scar is going to look different from different vantage points in the Cosmere. From the vantage point used on the Arcanum star map, it looks like a curved string of red stars. Elsewhere it's straighter. From some vantages, it will be horizontal, and others it will be vertical. There will be the sides of some planets that won't see it at all, kind of like how the North star isn't visible from the southern hemisphere of earth.

TalenelFPV

Are just the stars red? Is there cosmic space dust around them that's also red? Like a Nebula, but also red?

Isaac Stewart

I honestly don't know if the stars are red or if there is space dust around them making them appear to be red. This is a question better asked of Brandon. However, I don't think you can go wrong making the stars red themselves as they appear on the chart, especially since most of the Cosmere views them as red, too.

Firefight Chicago signing ()
#7663 Copy

Questioner

I'm a graphic designer and I want to know how you visually communicate-- You have such great visuals in your books...

Brandon Sanderson

Lots of practice. It really is just practice.

Questioner

Do you draw them all? Or do you just tell someone what you need.

Brandon Sanderson

So I have artists. I commission concept art for my descriptions and then... That doesn't always end up in the book. In fact usually it doesn't. For the things that end up in the book I'll often do like a quick sketch and say "make this awesome" or I'll do a paragraph or two of description.

Barnes and Noble Book Club Q&A ()
#7664 Copy

chocolatebar

Is it possible that there could be more than four Alcatraz books, or will the story conclude there?

Brandon Sanderson

I pitched the series at six books, but only signed on for four at first. And so, while I'll be fulfilling my four book contract (happily) I don't know that I'll have time to write an Alcatraz book in 2010 (for 2011 release). I may have to let it stop at four for now, as to not take time away from the Wheel of Time. We'll see how I feel once I've finished all three of those, and we'll see how interested readers are in the books. But there's certainly a possibility.

Skyward Pre-Release AMA ()
#7666 Copy

Wifrin

I noticed on re-reading Well of Ascension is that duralumin is described as a mix between aluminum and copper. However one of the first things we are told about the metals is that each metal is paired: one base and one alloy. Copper already has brass as an alloy. Is this an error, a case of incorrect in-world understanding, or is this implying something further about aluminum?

Brandon Sanderson

The below reply thread covers it--when I was building these, I wan't using the alloyed-in metal(s) as being unique. Rather the purity of the original against a mixed form was my guide. I mean, steel is an alloy of iron and carbon, making it really odd compared to the others, which tend to be alloys with metallics instead of nonmetallics.

GenCon 2017 ()
#7668 Copy

AugustDream

If you made a sword-shaped nicrosil metalmind, and dumped a lot of unkeyed Investiture into it, could you make a Nightblood-esque Shardblade? And if you actually didn't go to the trouble and just dumped a lot of keyed Investiture into it, would that change the outcome?

Brandon Sanderson

You're getting close to how this type of thing works but you're missing a few things. Keep working on it.

Manchester signing ()
#7669 Copy

Brandon Sanderson

So what you've got there is the beginnings of me exploring an idea I had many years ago, about a world where bacteria and viruses would grant magical abilities in order to keep you alive long enough to spread the disease. It's this basic survival instinct, if they were somehow able to grant this. So you catch the common cold and you can fly, until you get over it and you can't anymore. I thought "Wow, you would need some super CDC soldiers--right? Center for Disease Control--to keep this from getting out of control."  his is kind of a cross between counter-terrorism and the CDC, in a fantasy world where when you catch a disease you get a magic power. Pretty weird.

Legion Release Party ()
#7670 Copy

Questioner

If his name wasn't Stephen Leeds, what would it be? Did you have an alternate name?

Brandon Sanderson

No, I didn't have an alternate name. If I were naming it now, I would think of something that works really well as a one-word title, because Legion is just too fraught with too many other different properties. And the name Leeds works okay, but not great. It's not as good, and so I would need a name like that, that works as a last name, but also works as a title. Like, when they did Castle. That works really well as both a title and as a name. And so it needs something along those lines. Monk was another good one. Like, this genre tends to do that. And so I wasn't thinking of Leeds. I was thinking of Leeds as a small internal pun, because he's the middle management of his own brain. But I don't think it works as well as its own in a  title. So it would still probably be Stephen, but I would find another word there.

Elantris Annotations ()
#7671 Copy

Brandon Sanderson

Epilogue

This is the dénouement to the denouement, I guess. We get to end with my favorite character, tying up some of the small loose ends that were related to her storyline. There is some good material here–she points out that Raoden is doing well as king, how Ahan is fairing, and gives a nice prognosis for the future of Arelon.

However, the important part of the epilogue comes at the end. I love the last line of the book, despite the fact that Joshua disagrees with it. (He wanted something else there–I can't quite remember now what his quibble was.)

Anyway, I always intended to end this book talking about Hrathen. He was their savior, after a manner–and he certainly was a dominant force in the book. I wanted to give him one final send-off–to honor him for what he did, both for Arelon, and for the story in general.

Warsaw signing ()
#7672 Copy

Questioner

Thank you for finishing The Wheel of Time. How do you think it influenced your writing style? Did you adjust your writing style through The Wheel of Time to the original writing style of Robert Jordan?

Brandon Sanderson

What an excellent question! So, when I first started working on The Wheel of Time, I tried to imitate his voice exactly, and it came off like parody. So, instead, I backed off on trying to imitate every word and instead I tried to match the character voices as best as I could, and this ended up working a lot better. I often say, it’s like the same actors, but a new director. It had huge effect on my writing as well. I had to lift heavy weights, so to speak, and I feel like I came out of The Wheel of Time being much better at juggling a lot of different smaller viewpoints and combining them into a whole.

General Twitter 2010 ()
#7673 Copy

EricLake

@BrandSanderson In M:AoL, will bendalloy’s time dilation result in redshifting of light going in/out of the bubble? #weescience

Brandon Sanderson

I’ve been working on the science of it. Basically, I’ve been treating it as a gravitational time dilation.

But only focused inward, and equally, on those inside the bubble. It’s making my brain hurt a bit, but I think I’ve got it working

I think this means yes to a gravitational redshift. But . . . it gets wacky. Trying to decide just what it would do is tough.

Skyward Anchorage signing ()
#7674 Copy

Questioner

You mentioned Star Wars, and you mentioned Elantris. I know you went back and did some rework on Elantris. How often do you-- How do you resist the urge to go back and rework your earlier books?

Brandon Sanderson

It's kind of a balancing act because-- There's a famous quote that people attribute to Da Vinci (though I don't know if it was really him) that says, "Art is never finished; it's only abandoned." Which is quite true. Every book could have taken another year, another two years, another five years, and become a different book as you're working on it. And I think there is a balance to be found between fixing continuity errors and improving the experience, versus changing the book into something else. With Elantris, when we did the tenth anniversary [edition], we tried to hold ourselves strictly to continuity errors. Things that were being fixed were language cleanups; kind of like the digital remaster of a DVD, where it's the same thing, but times where I misused commas or I used this word a little too much, we cleaned it up to make the experience better. Or, in one case, someone looks out and sees Elantris from a point in the city where they were facing the wrong way. Stuff like that.

The only time I have done more than that was experimenting with the end of Words of Radiance. And because-- My big concern with that is, I made some tweaks for the paperback, and then it raised lots of questions of "Which one is the canonical answer?" Which was too confusing for fans. I don't care if fans get confused on "What's the canonical answer of which direction this character was facing in this scene?" It doesn't really matter. But which is the canonical answer of what big decision a character makes does raise enough concern that I probably won't do it.

But I don't know. Grandpa Tolkien went back and changed The Hobbit to match Lord of the Rings. And when I read The Hobbit, that improved the experience for me, because I was reading it years and years later. I can see how it'd be confusing if people loved The Hobbit beforehand. But it ended up making a better story overall. So, I don't know. It's more about just finding the balance that we think is the right balance as we release these tenth anniversary editions of my books where we're cleaning up the language and things like that. I don't anticipate doing large-scale changes, unless they're for continuity reasons, moving forward.

Shadows of Self release party ()
#7679 Copy

Questioner 1

In The Way of Kings, when Hoid is talking to Kaladin and he says his name is Hoid, he said that he took the name from someone else.

Brandon Sanderson

He did.

Questioner 1

So why is he Hoid in everything else?

Brandon Sanderson

Hoid is not his original name.

Questioner 1

So...

Questioner 2

Does he still go by his original name ever?

Brandon Sanderson

I don't know if you've ever seen his original name.

Questioner 2

I've read your Master's thesis [Dragonsteel Prime].

Brandon Sanderson

Oh, he doesn't go by the name that is in there very often but there are people who know him by that name.

Questioner 1

What is his original name?

Brandon Sanderson

Well he's assuming that the name he is using in there is actually his original name. He's using the name Cephandrius. Which you're assuming is his original.

Questioner 2

Closer to the truth than Hoid is.

Brandon Sanderson

It is closer to the truth...

Questioner 2

Cephandrius is closer to his original name than Hoid, it's an earlier alias.

Brandon Sanderson

Well Hoid was one of his very first aliases.

Questioner 2

So I stand corrected.

Brandon Sanderson

But, Cephandrius is more him.

Questioner 2

Does he still go by his nickname he got.

Brandon Sanderson

To some people, Topaz.

Peter Ahlstrom

Cephandrius Maxtori.

The Great American Read: Other Worlds with Brandon Sanderson ()
#7681 Copy

OrangeJedi

If all the practitioners of the Dor but one just died, for whatever reason, would that remaining practitioner have access to more power?

Brandon Sanderson

No. Good question. There is magic systems that work that way but it is not the Dor-based magics. I've got an unpublished book that works exactly that way called Mythwalker. The magic system of that was called the Septs, and your family divided the power of the magic, but it was not a one-to-one ratio. If you had a total power, if one person had it was at a 1, but if two people have it each of them were at like a .8, and so suddenly it became this thing of, how many people in your family do you want to have power and things like that. It was really interesting. But the rest of the book was terrible.

Skyward Pre-Release AMA ()
#7682 Copy

ASIC_SP

Was it intentional to introduce Musicspren as the first spren in TWoK?

Brandon Sanderson

It was intentional in that I knew I needed some spren very early in the book, to establish the world--and that was the scene I was working with to do that. It isn't supposed to be hugely meaningful that those spren are first, though they are more relevant to later parts of the story than some of the earlier ones.

Elantris Annotations ()
#7683 Copy

Brandon Sanderson

Father Omin, by the way, "traces Aon Omi" on Hrathen's chest as part of the religious service. This should look familiar. It is a subtle little thing, but I wanted to show how the Korathi religion has been influenced by its proximity to Elantris. The priests probably wouldn't do something like this in Teod. In a way, Hrathen is right–Elantris has had a corrupting influence on those around it.

However, "corruption" is probably too strong a word. Religions adapt as their people adapt, and often times cultural elements are incorporated into belief structures. People have asked me, as a Christian, what I think about Christmas itself being set in place of a pagan holiday. Doesn't really bother me. The day we happen to celebrate the birth of Christ doesn't have any doctrinal importance to me. A religious person has to be willing, in my mind, to accept that while truth may be eternal, the way we interact with it–as changing human beings–must needs be influenced by the way we think and the way society works.

It doesn't matter if my religion "borrowed" things from other religions or cultures–especially if the things we filched added good things to the religion. That's what humans do. We adapt. We steal. This especially makes sense if you happen to be a writer. (We're really good at stealing. . .uh, I mean "adapting.")

Words of Radiance Philadelphia signing ()
#7684 Copy

Questioner

What's your working title for the third book [of The Stormlight Archive]?

Brandon Sanderson

It has two. The original working title was Stones Unhallowed. However, [Patrick] Rothfuss is using Doors of Stone, and I kind of feel like I might want to do something different, so my interim title is Skybreaker, but it has to be an in-world book. The in-world book for book 3 is kind of a different one, so I can do a lot with it, but Stones Unhallowed is easier.

Questioner

I was gonna ask if this was gonna be a trend for the whole series--

Brandon Sanderson

It is going to be a trend.

Firefight Chicago signing ()
#7686 Copy

Questioner

How did you sort of develop and write the character of Vin? 'Cause her upbringing is so different from anything we-- that I have experienced and I'm guessing you had a similar experience. So did you have a model or somebody you could talk to?

Brandon Sanderson

I-- Not really. Now I did have two sisters, which helped, but my sisters were not raised in such a manner. It is more just trying out personalities, like I talked about in my speech until I got one that worked. Lots of practice if you want to be a good writer, lots and lots of practice. Try writing people very different from yourself and try to get them right. Give it to people and have them see if anything "Yes this feels right" and things like that. Just do lots of practice.

General Reddit 2017 ()
#7688 Copy

WriterPGR

Not sure if this has been discussed. But the Oathbringer cover clearly has a new font from WoK and WoR. I thought it was just a placeholder and the final version would have the awesome Stormlight Archive font.

But today at the bookstore I noticed the Words of Radiance they had in stock also had the new (IMO boring) font. Anybody know why this got changed?

Brandon Sanderson

We were getting a lot of feedback that the old fond looked...gimmicky and outdated. The publisher came to us and suggested a change, I believe, but we'd been talking about it in house here too. The more we looked at the new book with the old font, the more we agreed. Somehow, it worked for TWOK but just didn't for Oathbringer.

I realized that some would like the old font, but gave the go ahead to change anyway. At some point, a font that drew that much attention to itself was going to become a millstone around our necks. We decided to change sooner rather than being dissatisfied for years. (Sorry.)

Peter Ahlstrom

So, this was a matter of much internal discussion between Dragonsteel and Tor. It basically comes down to legibility.

The old font is just not very legible. If you don't already know what it says, you have to stop for a few seconds to figure out what it says. If you're looking from a distance, Words of Radiance looks sort of like Wobos of Bhoihnce.

After Tor spent some time tweaking the letter shapes on Oathbringer to try to make it more legible, and really didn't get anywhere (it kept ending up looking basically the same), they floated the idea of just doing a redesign. We at Dragonsteel agreed this was the best time to do that if it was going to be done.

They tried quite a few different fonts, and the one they ended up with was one they had actually proposed to use for Brandon's name. We said keep Brandon's name the same, but try that font on the title. It's not just a standard like Times New Roman; the shapes of the letters have interesting little touches with the serifs and whatnot.

No, it's not an "awesome" font like was used previously, but it's a lot more legible for books sitting on the shelf and possibly catching someone's eye when they're walking past.

JordanCon 2016 ()
#7689 Copy

Questioner

Obviously the world covers different planets, but most people on all the individual planets don't know about the other planets. Is there a planet within the cosmere where worldhopping is common knowledge?

Brandon Sanderson

Is there a planet in the cosmere where worldhopping is common knowledge. Um… it's not a planet.

Bystander

It's a space station? *laughter* That's no moon!

Brandon Sanderson

That's not as far off as people laughing think that it is. *laughter* It's not a space station, it's not that futuristic, but there is a place in the cosmere where a lot of worldhoppers have settled, is where Iyatil is from, even though her ethnicity is not from there.

Moderator

Clarifying question… Is that place in the Physical Realm?

Brandon Sanderson

*laughs* RAFO!

The Great American Read: Other Worlds with Brandon Sanderson ()
#7690 Copy

Questioner

How much time do you spend writing new material versus rewrites?

Brandon Sanderson

Rewrites are about half of my time I'd say. Between a third and a half. So I can usually budget the same amount of time that it took to write a book to do the revisions, and each given one is a bit faster. I write at about 2,000 words a day and I revise at about 10,000 words a day, but it goes slower when I have to do new chapters. Like, I'll do 10,000 words one day, and then 2,000 the next when I have to do new stuff.

Shadows of Self San Diego signing ()
#7691 Copy

Questioner

Is there anything you've read recently that you are championing, like--

Brandon Sanderson

Oh, yeah, some stuff that I really like recently. If you haven't read Naomi Novik's book Uprooted, it's delightful. Like a dark fairy tale written for an adult audience. We get a lot of fairy tale retellings that are kinda YA or middle grade targeted. This one's-- she's got Polish descent, she kinda picks-- there's no specific fairy tales, she just kinda came up with her own. And it's wonderful. It's a little romance-y, but some fun magic and it's kinda dark, but highly recommended.

Brian McClellan, my old student, Promise of Blood, he writes fantastic stuff, and I'm jealous of his magic system, it's really good.

Nora [N.K.] Jemison's new book, I mentioned that, if you like literary style stuff... The Fifth Season. And, it's got a character whose viewpoint in the second person, and it works. So, it's the only thing I've ever read in second person that works. It is so good. There's a few for you.

Some of my classic favorites, if you haven't read them, are Fire Upon the Deep by Vernon Vinge. It's the closest thing to reading Dune again that you will ever have. It's got that same epic worldbuilding, really cool epic scope in a science fiction novel, and I love that book.

Mistborn: The Final Empire Annotations ()
#7694 Copy

Brandon Sanderson

Acknowledgments

This page is much like the one from Elantris. I don't know if people ignore these, or if they read through them. Regardless, these are some important folks. They do a great job helping turn the rough drafts of my books into things that people would actually want to read.

I really do like having writing groups. I don't know if I've talked about this before, but I find a good writing group to be a vital part of the process. Not only do they give you encouragement, but they provide great chapter-by-chapter responses to books. Giving the entire book to alpha readers helps a lot with the big picture–but those kinds of readers don't generally catch the smaller issues in a given chapter.

But, there's another reason I like writing groups. I really enjoy watching writers progress, and seeing their prose develop. It's a lot of fun to take place in a small community of people who are all working toward the same goals, and to give them encouragement and aid.

I also felt I needed to give David and Irene acknowledgements on this page. I added them in last, after I realized just how much I owe to the people at Tor. Without the people who do the publicity and the artwork, no book would ever get taken off the shelves–or even get out of the warehouse. These people do a great job, and I think they are part of the reason Tor is the powerful force that it is.

The Well of Ascension Annotations ()
#7695 Copy

Brandon Sanderson

Clubs and Dockson die

And, speaking of Breeze, here we have Clubs's death scene, as seen by Breeze. So, in truth, Spook was prophetic when he said that Clubs had said good bye to him for good.

The simple truth is that felt I had too many characters in the books. I couldn't flesh them all out, and I really needed to get rid of a few. Clubs was, unfortunately, one of the casualties.

Of course, I didn't just kill him because I had too many characters cluttering the story. That was one of many reasons. I knew that I couldn't go through a siege without losing a few characters. It just wasn't realistic. The characters had dreaded this conflict too much, and they knew it was going to be dangerous–probably deadly–when the invasion came. I often say that I feel I can't protect my characters from the decisions they make. I did write in a little more power to some of Clubs' scenes in the book once it was certain that he would die here. The interactions between him and Sazed and him and Breeze in this novel were there partially because I knew he was going to die, and I wanted to give him some chances to participate in the story before going.

Dockson was the other one I decided to kill. In the initial draft, the scene with him dying ended with a koloss killing him from behind, without him looking at it.

My alpha readers complained profusely about this. So, at the request mainly of my friend Skar, I let Dockson grab a sword and charge before dying. Another send-off for Dockson is the comment he makes, noting that if the crew done things differently, turning on the nobility as he had wanted to in book one, he and the others would have been no better than beasts. It's his way of acknowledging that they'd done the right thing, and is a little bit of a redemption for him. He'd tried very hard to work with the noblemen, to make up for the atrocities he committed during younger years.

The final reason that I knew Dockson and Clubs had to die was because I wanted to REALLY make you think that Sazed was going to die too. If everything is working right in these chapters, you'll be sitting there, knowing that Vin is going to arrive in time. Yet, you'll question, you'll worry, and you'll begin to fret. You'll see Clubs drop, then Dockson die, in rapid succession. Then we come to Sazed, and he falls, out of metals, out of hope.

That's when I bring Vin in.

Skyward San Diego signing ()
#7696 Copy

Questioner

How many diamond chips does Zahel require to survive?

Brandon Sanderson

RAFO. We will actually be releasing this pretty soon. But I actually have used my prerogative as a famous author to force some others to actually do the number crunching and the math of it. And so we will have a straight up unit measurement for you of various things coming up pretty soon. Once the number crunchers are done, you will know.

Skyward Pre-Release AMA ()
#7697 Copy

Oversleep

Okay, maybe also Alcatraz one since I just finished Dark Talent few hours ago (it's excellent, by the way): Why did they need Dif in the first place? I mean, Alcatraz still knows more about Hushlands than any person from Free Kingdoms would, even a person who went deep undercover for a long time. What did they need a specialist in Hushlands for? That part didn't make sense for me.

Brandon Sanderson

Alcatraz knows what it is like to live in a small town in the US. Would you pick him as a guide to show you around DC or NYC, a place he'd never been? He's a thirteen year old kid. But I'll say, at the same time, Dif was working hard behind the scenes to get himself involved.

General Reddit 2014 ()
#7698 Copy

Kaladin_Stormblessed

It would be an honor to even have a passing mention in any of your works....

My real name is Lyndsey, I'm about 5'4", 29 years old, pretty plain looking really, brown hair/eyes, not fat but not skinny either (about average in most respects). Huge tomboy though...

Brandon Sanderson

Got it. Be aware, it will be a good while before the second book is out--next year sometime, if we're lucky, spring 2013 if the writing takes more time than expected. Look for someone who has a name like yours, and who looks like you.

Footnote: This conversation occurred privately through PMs in 2011, and was shared publicly after the release of WoR.
Sources: Reddit
Bands of Mourning release party ()
#7699 Copy

Questioner

Do the Shards move-- Other than Odium do the Shards move around and have we seen-- Or have Shards moved to worlds after the events that we have read about?

Brandon Sanderson

Do Shards other than-- Do Shards move around? The answer is yes, there are several of them. Have Shards moved around after the events you've read about? Yes, there are Shards that have moved around after that.

Questioner

That have moved to the worlds we've read about?

Brandon Sanderson

That's a RAFO. I'm not going to tell you whether they've moved to the planets you've read about or not.