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Have you ever thought about doing like a Cosmere cookbook? Different recipes from different planets.
I would totally do this if I knew someone who was a good chef. If fans can come up with recipes, I could totally see us doing something like that.
*inaudible*
That's true. We could make a cookbook.
He wrote the foreword for Oathbringer, didn't he?
Yes, he did.
So I've got a question about the Selians in Secret History.
Okay.
It seems... It seems pretty clear that they're Selians. Or people from...
Yes.
...the planet Sel. Is that the right term? Selian? I don't know...
Um... *sigh* I get this one mixed up. Peter knows. I know I've called them Selish before, but I think we went with Selian because it sounded too much like "selfish". But we did canonize it, and it probably is in the essays, I think. But Peter knows the canon term.
Okay. What era are they from? Are they from like the... are they from the... the original...
They are old! [very drawn out "old"]
Were they part of the society that built Elantris?
So, someone asked me this coming through the line, and I RAFO'd them. But they are old.
They are old.
They are old, old people. Here's the thing. You give me the opportunity to wiggle around, because I could say, "No," if anyone has joined them since then.
It's true.
Does that make sense?
Yeah.
Not canonizing anything right now, but that question is so wiggle-aroundable. And I took the opportunity not to wiggle around it and just tell you they are old.
They are old. Got it.
The organization is old. And some of the people that you meet there are very old.
The Way of Kings is certainly a great first book of a series. It does, however, leave one hungry for more. What's the best guess on when for #2? And does it have a name?
I'll try to write it so it can be published in late 2012, but it really depends on how long it takes to write A MEMORY OF LIGHT, since I won't start until after that is finished. As for the title, if it ends up being a Dalinar book it will be titled HIGHPRINCE OF WAR, but if it ends up a Shallan book it will have a different title.
Why did Rashek leave two beads at the Well?
RAFO
I wonder whether Jasnah has been to the Cognitive Realm of planets other than Roshar?
She has not, she is not horribly cosmere-aware as of the end of Oathbringer, she is starting to get an inkling. Give her some time and you might be impressed with how quickly she can come up to speed.
What was your design process for designing all of the star systems for each of the worlds?
I am lucky enough to have on staff one of my good friends, Isaac. He actually introduced me to my wife. He sent me on a blind date with Emily. He was one of my students, my second year teaching the class. He's a really good friend. At the time, he was an illustrator for a video game company who was just interested in fantasy books. And he saw that there was a class at BYU and he was like, "I'm gonna take that."
He now works for me full-time. Though, fun story on this. You know how some people joke that in their marriage there's one person they could cheat with, like a celebrity? When I hired Isaac, he was like, "I will come and do things for you full time. But if Tad Williams ever asks me, I'm doing something for Tad Williams," his favorite book series. This summer, Tad Williams needed a map for the new Osten Ard books. Isaac is like, "So, I do maps for Sanderson." He's like, "Sure, do one for me. Great!" So Isaac's been working on that and it has been a dream come true for him.
Isaac and I, we sit down and we do brainstorming sessions for the art. He's done almost all of the symbols and maps in my books, except the ones that he commissions someone else to do because he wanted to get a different style for it or the first book, Elantris, I did the symbols. That's why the Elantris symbols are not quite as visually interesting as some of Isaac's. They fit the world but I drew those and my artistic chops are... So Isaac and I sit down, we brainstorm and we say, "What do we want this to look like? What's the feel of it?" So I'll outline what the planets and the world are and then he will bring up historical- like he went and got Renaissance star charts and said, "Do any of these work? What do you like?" We kind of narrowed it down to ones that have the right feel but I said, "I want it more like this, more like this." He took that and ran with it and gave me iterations. He's like, "Here's four different versions of a map for Scadrial. Which one do you like?" And then I'll give him that and he'll then do four iterations on that, saying, "Here are different designs of this. Which one of these do you like?" Anyone who's an artist knows that illustrators, that's what they do. So we come up with it and then I say, "This style, go," and then he does all the maps.
I was re-reading the prologues of WoK and WoR... and it seems like there's something wonky going on with the timelines.
Szeth claims Gavilar left the feast hours before he started doing his work.
Jasnah leaves the feast and finds Gavilar and Tearim. Gavilar mentions he's going to head back into the feast. Jasnah then has an adventure. She sees Ivory(?), speaks with Liss and two strange men, and then, what seems like a very short time later in her PoV hears the results of Szeth starting his job.
There's no way it took her hours to walk down two flights of stairs, briefly "drown", and have two short conversations!
Am I completely off base, or is there something going on here with Jasnah's perception of time?
It's less that, and more me (as the author) glossing over time passing with quick phrases like "after walking a short time" and the like.
What's the source of rubber on Roshar?
It's not very exciting, it is a tree. It's not an actual rubber tree, it is a Rosharan version of the tree. I actually had to think about this, cause silk doesn't come from the same place that silk comes from. And then, I'm just going too far. Silk I can at least talk about and I can name it seasilk, but for rubber I'm just like, it's a rubber tree. We'll just make it rubber. It's not petroleum based. That's gonna be a hangup on Roshar, that they don't have petroleum reserves in the same way. They are a planet that has only been around for 12,000, 13,000 years. And beyond that, there's the whole crem thing. They do have some sources of petroleum that are biological, or I guess it's all biological, but it's not, yeah. That's gonna be a problem for them, let's just say. Access to large petroleum reserves is not a thing you will find there.
Since you mention languages on Roshar, are there any languages that are completely unrelated to any other on the planet?
Our basic language families are:
Vorin: Alethi, Veden, Herdazian, and more distantly Thaylen. Nathan is close to dead, but shares a root, and Karbranthian is basically a dialect. Other minor languages like Bav are in here.
Makabaki: Azish is king here, and most the languages around split off this. There are around thirty of these.
Dawnate: A varied language family with distant roots in the dawnchant. Shin, parshendi, Horneater. They share grammar, but they diverged long enough ago that the vocabulary is very different.
Iri: Iriali, Reshi, Purelake dialects, Riran, and some surrounding languages.
Aimian: These two are lumped together, but are very different. Probably what you were looking for.
That isn't counting spren languages, of course. I might have missed something. Typing on my phone without my wiki handy.
If Hemalurgy can be used to transfer Investiture regardless of the planet, is someone gathering pieces of different Investitures the way Hoid got, for example, the Lerasium bead?
Yes.
You also said... somebody asked whether there are points in Shadesmar where you could instantly travel across diametrically opposed points on a planet.
Right, there has to be.
Of course, I heard topology last year in university and it's all about mappings and stuff like that and so I was wondering just how continuous - if you know math term - the mapping from like the Physical Realm to the Cognitive Realm is.
It's not very. You'll notice already elevation is not mapped, you can find points in the books already where someone appears closer to the sea level and things so it's not very... there's a lot of bending going on and it gets worse or more obvious the further the series goes. Not a one to one correlation, not even close.
So it's not just that it's very compressed it actually doesn't match some things.
Yeah, no. Imagine that things in the Physical Realm are mapping to places in the Cognitive Realm but not, they're not alternate dimensions of one another that are overlapping one to one.
Zane confronts Vin about her desires and not meeting him atop Keep Hasting
If you didn't pick up on it, one of the things I was trying to do in this chapter–mixed with the last chapter–was forge a link between Zane and Vin. He speaks of things in the very same way that Vin did in the last scene. For instance, Zane here admits to himself that he can't leave Straff because his father is all that he knows. Vin used to think the very same thing about her abusive crewleader Camon.
It goes deeper than that. These two characters share a lot. Even their names are meant to feel a little similar. In fact, the one big difference between them is Kelsier. He injected himself into Vin's life and changed her course drastically. She would have eventually discovered that she was Mistborn, and she would still have become quite powerful. However, she wouldn't have known the people of Kelsier's crew, and wouldn't have learned to trust.
It's interesting to think, sometimes, what she would have done in Luthadel without the Survivor's guidance.
Regarding Dysian Aimians. The cremlings that make them up are spread about in a large area--
They can lose touch if the distance is too far. They can lose contact with the mind of the whole thing.
Would their Cognitive aspect be affected by that?
Yes it would be. I'll just leave it there, but yes.
On The Orville, the enemy space aliens are called the Krill - any connection there?
Maybe? The word Krell is one of those ones that pops up in SF now and then, as an homage to The Forbidden Planet. (Which is why I chose it.)
I can see a network being more worried about using the actual name, and making the creators go with something similar but not the same. You'd have to ask them.
So something that I'd love to hear your thoughts on are if you think as your career progresses that you can get away with things—story things—that you couldn't when you were less well known?
Obviously, as we grow in our storytelling skills and experience with the industry, we can try harder challenges and succeed where we wouldn't have before. That's not what I'm talking about. I'm more curious about if you think we train our readers (and book store buyers). I think—pure speculation because I haven't yet dug in to my copy of The Way of Kings—that if a 400,000 word tome hit my desk from someone I'd never heard of and when I began reading, I found it didn't follow any epic fantasy structure I knew, I'd be much more likely to assume it was just an amateur mess—but because it says "Brandon Sanderson, #1 NYT Bestselling Author" on the front, I trust that you're Doing Something Big. I think I read it differently. Do you agree?
I run into the same sort of thing: I've got a decent reputation for deep characters now, so when a character does something contradictory (dumb jock says something brilliant or whatever), my readers think, "Oh, there's more going on here under the surface, can't wait to see what." Rather than, "This character is inconsistent. Bad writing."
And I would contend that precisely because you're a magic system guy, that if you don't explain the magic in TWOK, people are NOT going to say, "Good book, but magic system doesn't make sense." They're going to say, "Obviously brilliant stuff going on with the magic, can't wait until book 12 to see what!" (That's hyperbole with a wink, not snark.)
Do you believe you can get away with storytelling stunts, elisions, or tricks now that Brandon Sanderson the debut author couldn't have? If so, what's the good part of that—and is there a bad side?
Yes, there are things I can get away with now that I couldn't before—or ones I didn't try to get away with before. One big one is flashbacks. In my early years as a writer, published and unpublished, I stayed far away from flashbacks. Partially because I'd been told to do so, and partially because I'd seen them done poorly from a large number of other new writers. There are good reasons to stay away from them, and the advice is good. If you do flashbacks the wrong way, you'll break the flow of your narrative, risk undermining the tension of your story, confuse the reader, and basically make a big old mess.
Then Pat Rothfuss comes along and does a narrative-within-a-narrative where the entire book is basically flashback, and it works really well. I do know, however, that Pat had a lot of trouble selling that book of his to start. (Though admittedly, I'm not sure if that was the flashbacks or not. I seem to remember he added the frame story later in the process, and that the huge length of the book was what was scaring people away at first.)
I guess this brings us back to the first rule of writing: you can do whatever you want, if you do it well. Regardless, I decided—after some deliberation—that I'd use flashbacks as an extensive device in The Way of Kings and the rest of the series. None of these were in earlier drafts of the novel, however, because I knew that many readers (and editors) have a knee-jerk reaction against flashbacks because of how likely they are to screw things up. Now that I'm established, however, I feel that people will trust me when they see them.
(One thing I'm leaving out is that I think I'm a better writer now than I was before, and if I'd tried these flashbacks during earlier days, I'd likely have flubbed them.)
I'm trying to understand the relationship between Hemalurgy and the Shard Ruin. Most of the Invested Arts involve inputs of energy of the Shardic Investiture that corresponds to it. That doesn't seem to be the case for Feruchemy and Hemalurgy. So I'm wondering what the relationship is between the corresponding Shards and those two Metallic Arts.
There's a whole lot going on here, and I'm not sure how much I can get into right here. But one of the basic concepts I built for the cosmere, way back when, was that a lot of the different magics would be showing up in different systems. And there are certain underpinning fundamental rules. And this is why you'll see Lightweaving working the same way across three different magic systems; I think you've seen it in three different ones so far. Elsecalling's gonna work the same way. Hemalurgy is a thing that is, like, part of the nature of the cosmere, that the Shard simply knew and was able to tell people how to do
So is it of that Shard? Well, yes, because you would have to be following that Shard's Intent in order to use it. But it could be discovered on other planets, as well.
And independent of Ruin's presence, really, except for as Ruin affects the cosmere as a whole?
Yes. Exactly. You are correct.
And last but definitely not least, you seem to have left the New World of Mistborn open for a book maybe featuring Spook in the future, any thoughts?
I did leave it open. But that's partially because I feel that part of any good book is the indication that the characters continue to live, the world continues to turn. I want readers to be free to imagine futures for the characters and more stories in the world.
For Mistborn, I'm not planning—right now—to do any Spook books. I do have plans to do another trilogy set in the world, though it would take place hundreds of years later, once technology has caught up to what it should be. Essentially, think guns, cars, skyscrapers—and Allomancers.
So I asked Brandon at the LA signing if he could tell us about a shard that we don't know anything about (including the survival shard) and he said that there was a shard that isn't on a planet. Now I think this means that the shard is either on an asteroid, or a star. It could also be floating in space or on a moon and influencing from a distance. I will repeat it is not any shard we already know about.
Is there a similar relationship between Endowment and Hallandren's jungle as there is between Harmony and Elendel Basin ?
Yes and no. The flowers are being fed by something that's very similar to what you might find on other planets. So the ground is saturated with something that is having a similar effect as Elendel Basin. But it's not the same thing. Elendel Basin was just crafted really, really well, and then it was endowed with a little bit of extra oomph. Here [in Hallandren's jungle], we have this extra seeping into the ground from the pool, which is saturated around and causing the flowers and causing what's going on there.
The Number Sixteen
I worry that having Vin make this connection is one of the more forced events in the book. She'd just finished telling everyone that she wasn't a scholar, and now she discovers a pattern of numbers hidden in the statistics of how people fall sick? My original intention for this was to have her be in a mind-set where she was looking for natural rules—because of her earlier discussion of Ruin and his rules—which then allowed her to see this pattern.
Rereading it, I'm not 100% pleased with it, but it's too late to make a change. I'd probably rewrite it so that Noorden or Elend make the connection, then let Vin connect that to what she's been thinking about. That would have been a much more natural progression.
Note that here, Vin misunderstands what these numbers mean. She's looking for rules that bind Ruin. What she finds is not that, but instead a clue left by Preservation. Numbers are understandable to people regardless of language, and so Preservation decided to leave some clues for people to discover that would hopefully lead them to follow the plans he'd set in motion. In my prewriting, I'd intended there to be more hard facts to be discovered in the workings of the universe—numbers hidden in mathematical statistics that said rational things, like the boiling point of water or the like. All as a means of Preservation hinting to humankind that there was a plan for them.
In the end, this didn't work out. I decided it would be overly complicated and that it would just be too technical to work in this particular novel. The only remnant of that plot arc became the number sixteen that Preservation embedded into the way the mistsickness works, intending it to give a clue about what the mists are doing to people. "You now are Allomancers!" is what this was supposed to scream. Unfortunately, the Lord Ruler's obfuscation of Allomancy—and the number of metals in it—left this clue to fall flat.
Does Allomancy work the same way when someone has left the planet?
Uhhhhhhhm, generally... yes.
Are all the planets on the same timeline? Is the time the same on all of them? Like a thousand years on Roshar is a thousand years on Scadrial?
They aren't. The years on Roshar are longer. They're different. So the way they count them is different. Basically, if you took a clock that was set, the time would pass at the same speed on most of them, but the time that it is a year on different ones are different.
I was just curious if like Anno Domini was the same for all of them like year 1 is year 1 on...
Nope. They are not. The calendars are all different. And Roshar for instance, if I say someone is 20 in the Stormlight books, they'd be 22 in Earth years and Scadrial uses a very-close-to-Earth year so they'd be 22 in Scadrian years. I keep them mostly very similar just for the reasons of trying not to be super confusing.
Vin Draws In All the Mist
Here we finally have Vin suck in the mists and use them to fuel her Allomancy completely. I began building this plot arc way back in book one, which ends with Vin drawing upon the mists to fight the Lord Ruler. It took me all the way until here to make good on that, though I still don't even explain how or why she was able to do it. Eventually I'd like to be able to do that, but we'll see. It's bigger than this trilogy. I have to leave some secrets for later.
I do want to mention that this scene of Vin blasting Kredik Shaw to pieces was quite fulfilling to write for some reason. It feels like the end of a series to me, with familiar places being torn down and old expectations being dismantled.
From Shadows of Self, you just sort of name Hoid. Is he just not caring anymore, or is it just space in the book?
In Alloy [of Law], he wasn't really interested. He showed up only for a wedding. By this [Shadows of Self], he's noticed something else is happening on-world, so he's come back to investigate, but he's not really relevant. You will see him taking a larger role as he becomes more interested in what's happening on-planet. His level of involvement is kind of directly tied to how interested he is in what's going on.
Is the metal on Scadrial specially Invested? Can an Allomancer use metals from other planets?
Metal is a key, not the source of power itself. Most is not specially Invested. It glows because of the power seeking to come through it, not because of the power within it.
Burned metals are turned into a different form, and will eventually return to the planet. The Pits of Hathsin are meant to foreshadow this.
From a writing/world building perspective, - how much of the maths/science do you do in the background? US hardback copies of Oathbringer had a map with an inworld long/lat system, for example, and Shagomir and Jofwu worked out (with help from Peter) the amount of land on Roshar, and how much of the planet that the continent takes up. What inspired you to go to this depth? Is there anything you decided /not/ to do the maths for and just went with hand waving it away?
This is a thing I do more and more of as I gain access to the resources for it. (I have a few very large-scale mathematical issues I'm using people smarter than myself to solve.) I did a lot more hand-waving before I had these resources. I'm not horrible at math, but didn't go beyond college calculus, and just don't have the time to get everything right on my own.
It's something I do want to be right, however. It's more of a personal desire than anything else--but I think it's going to be important the further we move toward a science fiction cosmere.
The Sovereign...
Mhm.
...has a <nail> in his eye. Which eye is *inaudible*
I am going to RAFO that one. Just in case.
Has Bloody Tan seen the Sovereign?
*laughs* So... here's the thing-- and this is why I'm RAFO-ing these, it's not because of what you think. I'm RAFO-ing these because these the nature of the Sovereign, and who they call the Sovereign, and these sorts of things is stuff that I want to potentially leave for Secret History 2-- or for [Secret History] 3, if I write more Secret Histories. So the answers are probably simple, right? And they're not ones that are gonna be mind blowing. But I don't want to lock myself down until I've written those, which is why I'm RAFO-ing most of the questions dealing with this, okay?
*a moment later Brandon overhears continued conversation about Secret History*
So, oh, you were asking it that specific way to not give spoilers to someone here? Yeah, I see what you're doing. I see-- I thought you were trying to wiggle out of me something that you weren't trying to wiggle out of me.
Not everyone here has read...
I get it, I get it. I see what's going on.
We're not trying to be that *inaudible*
Okay, okay. I was misinterpreting the intent of those questions a little bit. Yes, being very tricky. Okay.
*pauses to sign a book*
So the answer of which spike is it? I can answer that one? *interruption* Or really I can tell you--it's in my notes, and I don't have them, but it's not particularly relevant--it's the opposite side of the one where Death's skull was crushed.
Oh, yes. Yes.
They would look like mirror images if you saw them.
In The Stormlight Archive, do we ever find out how the Assassin in White, how he gets the sword?
Yes, that should be next book.
And does it intertwine any more with Warbreaker?
Oh... that you're gonna have to wait a little while for. You're talking about Nightblood. I thought you were talking about the Honorblade. Next book will explain how he got the Honorblade. How he ends up with Nightblood, really how Nightblood got onto the planet, is gonna take a little while. I will work it in. But it's gonna take a while.
Does that sword have a character arc, because it feels--
The sword is important and relevant to multiple series.
It's getting better.
He has learned some things in the intervening years. He learns real slowly.
In The Hero of Ages, Demoux gets together with a woman named Aslydin. He's then seen on Roshar in The Way of Kings. Knowing how loyal Demoux is, he wouldn't just leave Aslydin behind like that. Is she connected to his reasons for becoming a member of the Seventeenth Shard?
Aslydin is in the Seventeeth Shard, and had her own work to be about. I've given subtle clues about her before, but the ethnicity of the name should strike you.
I have a question about the cosmere, and Hoid specifically. The way that he is worldhopping, is he using Cognitive and *inaudible* Realms?
The times you have seen him worldhop, it has involved shardpools, or perpendicularities, as we call them. He is using primarily the Cognitive Realm.
Because, from what I understood from Secret History, that he's going through the shardpool, from the Cognitive to the normal Realm.
Yeah, he's traveling through the Cognitive Realm, and then jumping back to the Physical one, once he's where he wants to go.
So, I'm guessing what's going on, though, is that he's travelling between planets using the Cognitive and coming out from the shardpool to the Physical Realm?
Yes, that is exactly right.
Not really a question, but the one thing that disappointed me was that you didn't come up with new slang names for Allomancers! After three hundred years, do you really think they would still be calling steel Mistings "Coinshots"?
I toyed with this one, but decided that I would keep them the same for a few reasons. First off, I felt that certain things in-world would hamper some linguistic diversity. (Having the books Sazed left behind as a guide to Allomanc and history, everyone living in a small geographic area, the semi-religious nature of Allomancy making people look at it in traditional ways.) So, while I advanced the slang of the world, some of the terms I decided to leave the same.
Another reason for this came when I was writing the book. At first, I experimented with greater linguistic diversity--I even tried a vowel shift, as I figured three hundred years might be enough for that. In the end, I pulled back. I was already worried that this book not feel "Mistborn" enough, and so I wanted some direct ties back to the original series. Fiddling too much with the language while changing the setting and characters so drastically felt like a mistake to me.
On Nalthis, can aluminum prevent somebody from Returning? So if you kill somebody with aluminum and leave the weapon in them?
I don't think that's going to be enough. I think that…
Different way then?
Yeah there are totally ways. I don’t think that that’s going to be enough. There's a difference between being inert and blocking Investiture, and actually sucking out Investiture. If you stuck Nightblood inside of a corpse; there are certain things… if you had a larkin or whatever sitting there that ingests the Investiture as it was coming in, that would prevent [Returning]. I think with aluminum you would just have somebody that comes alive with a wound, so maybe... But I think it would just heal around [the aluminum] and you'd just have a spike in you, kind of like Hemalurgy—but not like Hemalurgy. It's inert, but you know what I mean.
Which suggests you can't actually Awaken aluminum.
No. It's not going to hold a charge.
I assume you can't Forge it, either.
No. In fact the unForgable metal-
Ralkalest?
There's an unForgeable metal mentioned.
Could we call it aluminum if we wanted to?
Let's just say that aluminum through most cultures was considered a mythological metal, and when people could actually find some, they considered it more valuable than gold, in our culture. So just sayin'...
So WoR mentions a particularly bright star known as the Tear (a reference to a tear shed by somebody named Reya) is that "star" actually one of the other planets in the greater roshar system, if so is it Ashyn or Braize?
RAFO.
Honestly, given how depleted the sunlight reaching the ground is, and given how it talks about the Lord Ruler modifying the peoples of the planet in order to survive, it would make sense for everyone to be really pale, as that increases vitamin D production.
I usually see Sazed as black myself, but I very specifically didn't talk a lot about races in Mistborn for a couple of reasons. (Though Vin is often mentioned being pale.)
The most relevant of these reasons is that if Terris were all black, then the secret about the Lord Ruler would just kind of be a silly one for nobody to have noticed. So I've noted in the screenplay treatment that either everyone has to be the same skin tone, or all societies need to have varied skin tones.
In my mind, it's the latter. Scadrial is a completely fabricated world, and done recently (in the last ten thousand years) on a cosmological scale. People were made and placed there, and there hasn't really been time for evolution to play a big role in things like adapting to certain environments.
The LR did change people to survive, and what you mention is indeed a good way to do it--but not the only way. Regardless, you may head-canon Sazed as looking however you want.
Did people exist on Nalthis prior to Endowment's arrival there?
Some planets had people before the Shattering.
The Revision Process
As usual for my books, chapter one is the most revised chapter in the book. Getting the balance between humor, character, and plot establishment in this chapter was a bit tough. The first draft (which I’ll try to remember to post to my website so you can compare) was too long. As the book went through drafts, paragraphs were cut, trimming it down and trying to concentrate on what we really need.
This was important for this book. I still worry that chapter one is one of the least funny. We don’t really get to the right voice and tone for the book until chapter two.
I tried to fix this, but it proved impossible. The reader has to be acclimatized to the characters before I can do anything else in this book, and so I have to focus on Alcatraz’s strange power and the way he feels about life before I can get more wacky.
Some of the cuts from this chapter include a fun line involving one of Alcatraz’s former foster mothers and cookies, a longer explanation of the postage stamp mystery, and a crack about Joan being a liberated woman. That last one was edited out so that I wouldn’t have as many women throwing things at me.
Anica is a good editor, by the way. She knows how to write for kids. I’ve got a feel for how to do that, but I sometimes let my desire for a good line or quick joke overshadow the clarity of the book for the target age group. I do leave in some of my obscure jokes (as you’ll see when I make fun of Heisenberg), but Anica is great at pointing out phrases or words that just won’t work for the audience.
When someone is inside a time bubble where time is going faster, do they age more quickly than they would outside?
Yes.
So there's a sort of relativistic effect going on there?
Yes, I tried to keep it as close as possible to the actual effects. The only thing I didn't include, I think, is the red-shift of light when it leaves the bubble, because that would irradiate everything around it.
Are there any Sleepless spies on other planets?
Sleepless are not confined to Roshar.
Did you, in Wheel of Time, at any point, want to just change something?
You know, when I got The Wheel of Time, when I was offered it... one of the things they were looking for-- that Harriet (Harriet was Robert Jordan's widow. She was his editor first, then she married him. And we always joked that's how she made sure her editorial advice got taken. So, she discovered him, basically fell in love with him, and they got married. It's actually a really cool story. She was Tor's editorial director. She was the person who edited-- found and edited Ender's Game. Glen Cook's Black Company. She is amazing as an editor. And she discovered Robert Jordan, as well.) So, she was the one looking. When she called me, she found me when read Mistborn. I didn't know I was being considered, it's not like I sent in an application or something. She came to me, and she said, basically, after she decided she wanted me for sure, she said, "I need somebody to be the writer on this. That means complete creative control." Now, she was going to edit it, and her word was gonna be final. Which is not normally the case with an editor. But in this case, what Harriet said, she told me, "Whatever you feel needs to be done, do it, and sell me on it. And if I'm sold on it in the writing, then we keep it. And if I'm not, then we'll talk about how to revise it and fix it."
Because the notes and the outline were very free-form. Robert Jordan was not an outliner. He just had chunks and little bits of scenes here and there, and interviews with his assistants where he said "I'm thinking of doing this, or this thing that's completely the opposite, and I might just do a third thing that I can't decide on yet." Like, there was a ton of that. Going in, one of my mandates to myself was, when we did have something from Robert Jordan, we wanted to be sure to keep it. When we had something firm from him. And in that case, we kept basically all of it, except where it contradicted itself. Because his notes sometimes, he would change, he would be working on Book, like, Nine. And he writes a note for what he wants the ending to be. And then by Book Eleven, he's like, "I want this to be the ending." And those two, we don't know which one he would have settled on, so sometimes I'm just like, "I'm gonna strike this out and do a different thing." Like, he wanted to use the Choedan Kal in the ending. Both of them. But one, he destroyed. So, that note was from a previous... he'd written that before he decided to destroy it. Stuff like that.
In the end, there was only one thing I wanted to change that I didn't, and that was the spanking scene. With Cadsuane and Semirhage. Which, you know, I'm not big on the whole spanking thing, but he said write it, and I'm like, "All right, Robert Jordan, I'll write it."
What was your favorite bit that you added?
Probably Aviendha going through the glass pillars, or Perrin forging his hammer. Those were both things that I felt the story needed. Perrin, there was very little on. He didn't leave any notes for Perrin, basically, at all. And so, Perrin, throughout the whole thing, I basically had to do. But Perrin was my favorite character, so I was very excited about that. He left a ton on Egwene. She was the one he'd almost finished her whole plot through the whole thing, and he was about halfway on Rand and Mat.
Is it possible for a Knight Radiant to become a kind of Drab if they use too much Investiture?
No, you can't really burn yourself out that way, no. I mean, it's possible for drabbery to be mimicked on other planets, but it wouldn't be through that method.
In a lot of Navani's viewpoints, Navani is very uncertain of how genuine is Raboniel being. Beyond the obvious deceit considering her true intentions. Did she really not know about Sunraiser being Elhokar's Blade, how true was her grief over her daughter's death, and with Venli what were her intentions, revealing the survival of the listeners and dismissing her from service. I just love Raboniel. I want to know everything about Raboniel.
I will only answer one of those. Her grief over her daughter's death was completely authentic, as was her desire for bringing an end to the war. That part of her is completely authentic and legitimate. Her motive is to make sure [the war] can't keep going; whether she's right in that, wether it can keep going or not, is a subject for discussion. But she believed this was the best way to make sure the fighting ended, that was her primary goal, and that was at cross purposes even at times even with Odium. So that is legit. Some of the other stuff I will leave subject to reader interpretation.
In Elantris, you have this array of people who are essentially gods, immortal, but they appear with absurdly high frequency. How come they basically don't take over the planet?
...There are a couple reasons for this. One is that magic on Sel is very strongly tied to location, and was even back when the Elantrians were at the height of their power. So, this is a big part of it, location-based magic. Meaning, the further you get from Elantris, the less powerful your magic was, and the Elantrians really didn't like going places where they were not super-powerful. And so this is certainly part of it, and I explored this idea in Warbreaker, where the people who happen to be gods are really aggressive and kind of slowly conquering outward and things like that. It felt right for me in Elantris to be doing it that way.
Why can't they just increase their numbers. Because their numbers increase over time?
...The number of Elantrians had certain thresholds and upper limits, that I haven't described in the books yet.
Also that [Rithmatist] Earth is (I think) half the size of our own? Or possibly less? Brandon says it has a denser core to make up the difference.
Brandon and I discussed it when we put together the map of the United Isles... there was some hand-wavery in terms of total numbers, but the scale on the map legend is more-or-less accurate. As you can see, that puts the Isles themselves at about 1500 miles (give or take a few hundred, I'm eyeballing it) from the cliffs of the western California Archipelago to the eastern shores of New Guernsey.
In comparison, the continental United States is about 3000 miles across from shore to shore. So, loosely speaking, it's a half-sized planet with a core of something denser than iron to make the mass mostly the same. Perhaps gold?
Aside from the map, which I'm not surprised if it was overlooked, we also get some clues in the travel times and distances described during Joel and Fitch's trip.
Chapter Fifty-Five
Elend Sees the Mist Spirit
Elend really does have a lot of faith in Vin, even if he doesn't worship her. He ascribes an almost supernatural power to her. And, I can kind of see why he would. In these books, Vin's almost less of a character and more a force. Like Ruin and Preservation, in a way.
Regardless, this chapter is about Elend giving up—then finding his hope again. I bring the mist spirit back here for a final appearance, but I wanted to be careful not to have it give too much information to Elend. Not because I don't want the information itself to get out, but because the mist spirit hasn't been a presence in this book, and so I haven't foreshadowed it enough. Therefore, if it simply showed up and gave a bunch of answers, I think that would feel cheap to the reader.
The mist spirit is, as the next epigraph explains, the remnants of Preservation's mind. I don't delve into it too much in this book, even the epigraphs, but Preservation's consciousness is indeed separate from his power. However, his consciousness itself has a limited power. And that is what he used to bind Ruin.
That did not weaken his power, which still protects the world. Instead, it cost him his mind, leaving behind only a faint shadow—like the mists' memory of Preservation, far removed from what he had once been.
That consciousness attached to Preservation—like the one attached to Ruin—is a part of Adonalsium, which will eventually be explained. Suffice it to say that in a pinch, Preservation could draw upon the power of his own mind and use it to imprison Ruin. This was why he was able to pull of the trick, as Ruin wasn't expecting it. He might have anticipated an attack using Preservation's power, but not his mind—not knowing what burning his own mind would do.
That is why Preservation's cage captured Ruin's own mind, but not his power.
So Odium is trapped on a planet near Roshar. Now that Talenelat is no longer being bound wherever he's at, does that mean that Odium's imminence is--
Taln still is keeping to the Oathpact. So there is that. But [Odium's] being bound is greater than the Oathpact.
The electricity-based one, is that relating at all to the novella you just put out [Perfect State]?
No. The electricity one is Dark One. The original idea for the setting for that book is how Nikola Tesla wanted to provide wireless energy to the world, and the experiments he did. I want to have a planet where that is just the natural state of the world. The ground there has an electric current you can harvest; you can set down a lantern on the ground and it will glow, drawing a current up through it into the air or down from the air into the ground. I haven't decided which way it's going to go yet.
Along with that I want to have interesting ecological features. Big toad monsters shoot out a taser tongue, they use spittle that somehow conducts electricity back and forth. Stuff like this. I want to have electricity be my fun theme. The problem with that again is that is very science-based. When I make a big change to the world, like that you can draw an electric current from the ground, then I have to try and figure out the science of how that works.
Yeah, especially because you have bodies of water. That seems like it would be fun. You'd suddenly become 10 times more scared of rain.
Yes, if it rains, lightning is going to happen constantly. So how do we deal with this? I'm tempted to make it not rain, -but then making it not rain is yet another big change, so where do we go there? So that one's got lots of extrapolation to do, but I have some friends who are much better at these physics questions then I am. So I'm going to them, and they are pointing me in the right direction.
What is the Scar?
That is a RAFO. It is something that is visible from multiple planets, and it is a RAFO.
Does Khriss ever figure out how to get sand [to work] on the Darkside?
Ohhh, that’s a bit of a spoiler.
Essentially her reason to become Cosmere-knowledgeable.
It is one of her primary motivations for where she has gone, is figuring out how all that worked. But her story I want to leave for her book.
My other question is about Wheel of Time. At the end, Rand just kinda walks away in Moridin's body. Does he stop being a ta'veren? I can't imagine the pattern would just let him live a quiet normal life if he still was.
The ending portion of WoT that you reference was written by [Robert Jordan] himself, and he didn't leave a lot of explanations. Subtext and things Mr. Jordan said lead me to believe that the character you indicate is free, now. But we don't have a 100% for sure answer.
