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Mistborn: The Final Empire Annotations ()
#7001 Copy

Brandon Sanderson

Chapter Thirty-Seven - Part Three

The following is a journal entry I wrote regarding this chapter three years ago. It's kind of fun that I finished it almost three years to the day from when I'm posting the annotation.

Chapter Thirty-Seven

Finished 5-22-04

Okay, so Vin's running around in her skivvies again. There are a couple of legitimate reasons for this. First off, I figured that if I had an Allomancer captured, the first thing I would do would be to strip them completely. A little bit of metal can go a long way, and you don't want to miss any. Now, this isn't as big a deal for the Inquisitors, who can use Allomancy themselves to see sources of metal a person might be hiding on their body. However, I still think it would be standard procedure to take away the prisoner's clothing. I toyed–briefly–with having Vin be naked in this chapter. I decided I just didn't want to deal with that. Having an adult man get stripped and thrown in a cell is a bit different from doing the same thing to a young girl, I think.

So, this chapter is Vin's character climax. Here's where she finally realizes that part of trusting people is being trustworthy yourself–or, more importantly, part of not being abandoned is not abandoning your friends. Her choosing to stay with Sazed, followed by Elend's appearance, are very important events for Vin. Her decision is a fulfillment of her story-long character arc, which has transformed her form a jumpy, frightened, untrusting person into one that would stay behind with a friend she loves, even though she knows that she might be killed. Her reward, then, for this bravery is Elend's return–and the realization that there are people out there who love her enough to risk their lives for her. Her statement "You came back" to Elend is perhaps the most important line Vin gets to say in the book.

Her decision to go and fight the Lord Ruler is secondary to these things, I think–which is probably why this decision doesn't seem quite as well-founded as her decision to stay with Sazed. Still, the story has been pushing for a face-off between her and the Lord Ruler ever since Kelsier died, so I think that it works narratively.

I really want to get that final chapter written, but I have writing group in an hour, and I still haven't read one of the submissions. It looks like Vin & co. are going to have to wait until Monday to have their final climax. I don't expect it to be a long chapter–which is good, since I REALLY need to get to work on the Elantris rewrite. . . .

Elantris Annotations ()
#7002 Copy

Brandon Sanderson

One interesting note about this book is how small the armies are. Often in books, I'll deal with armies in the tens and hundreds of thousands. Those, however, tend to be war epics–it makes sense to me that in Elantris, they're talking about hundreds of men, rather than thousands. This may seem like a ridiculous number for a defense force, but I imagine Arelon being a small country, quite isolated and–as noted in the text–rather innocent. They really only need policing forces.

My copy editor was worried about my use of the word "legion," actually, for Eondel's personal force. She said that a legion, dictionary wise, was usually much larger. While this may be true, I think the fact that they call it "Eondel's Legion" makes it a proper noun, and is usable. This is a kind of honorary title, rather than a descriptive name. Besides, in Arelon, a couple hundred men really is quite big.

The Hero of Ages Annotations ()
#7003 Copy

Brandon Sanderson

Vin Attacks Anyway

Vin without Allomancy is still quite a formidable threat. I established this back in book one, and thought I'd reinforce it here. She's scrappy, quick, and very skilled. Even a group of prepared guards was surprised by her, and she fought quite exquisitely, considering how outmatched she was.

The other great thing about Vin is her resourcefulness. A childhood on the streets with Reen taught her to use everything she has, and to improvise what she doesn't have. Give her a cot and some gruel, and she'll come out of it with a weapon, a means of escaping her manacles, and a darn good way to distract a bunch of guards.

YouTube Livestream 6 ()
#7004 Copy

Naomi

Are you going to do a sequel for Warbreaker?

Brandon Sanderson

There will be a Warbreaker sequel eventually. I am confident that I will write it; I know what it's going to be about, and what the plotline of it is, and who the characters are, and all of that stuff. I just have to make sure that it slides into the right place.

LTUE 2020 ()
#7005 (not searchable) Copy

Dan Wells

The Apocalypse Guard

Part One: The Plural of Apocalypse

Chapter One

Emma's Instructions for Starting a Book:

1) Start with something exciting, to get the reader's attention.

2) Don't start with a blog post. Like this one.

3) Crap. Let me start over.

Smoke in the air, a red sky, huddling alone in the ruins of a dying world. (See, that's better already.) My name is Emma, by the way. Yes, that Emma, from Emma's Instructions. But unless you're one of the six people who follows me on Snapgram, that probably doesn't mean anything to you. So, let me introduce myself. I'm eighteen years old. I'm from <Idaho>, sort of. And I just realized that I got totally off track again. What happened to the red sky and the dying world? Well, let me tell you.

Remember how I'm only sort of from <Idaho>? I've lived there since I was two, but I was born in a place called <Ard>, which is basically like a different version of <Idaho>, but in an alternate reality? And if you're reading this, you need to know about alternate realities. There's Earth. And then there's an infinite number of different worlds that are kind of like Earth, but also different. Sometimes a little, and sometimes a lot. Like there's one called <Hona> that's mostly the same as the world you know, except instead of continents it's all islands. Even <Idaho> is an island in a giant North American archipelago. Crazy, huh? So there's <Hona>, and there's Terra, and there's <Erodan> and <Pangaea>, and a bunch of others. And there used to be an <Ard>, but it's gone now. Because I called it a dying world before, but that was sixteen years ago. Today, it is all the way dead. Burned to a crisp. And I almost burned with it, except that the Apocalypse Guard swooped in and saved me.

Holy crap, the Apocalypse Guard! Why didn't I start with them?

Emma's Instructions for Starting a Book Correctly:

1) Start with something exciting to get the reader's attention.

2) Like, for example, if your story includes a group of amazing heroes who travel the multiverse saving entire worlds from destruction, maybe lead with that.

3) I mean, come on.

The Apocalypse Guard are based on Earth, but they hop around from world to world stopping Apocalypses. Apocalypsi? Apocaleeps? That word doesn't even have a plural, because why would you ever need to talk about more than one Apocalypse? Most people just get one, and then boom, you're done. That's what an Apocalypse is. But the Apocalypse Guard can actually stop Apocalypses, and they've already stopped a bunch of them and now we're in <Erodan> to stop a giant asteroid and it's AMAZING.

Important Note: did you see how I casually dropped that "we" in there? Now "we're" in <Erodan>? That's because I'M TOTALLY A MEMBER OF THE APOCALYPSE GUARD AND I CAME HERE TO STOP AN ASTEROID! (I know it's kind of lame to type in caps lock like that, but seriously, if you were in the Apocalypse Guard traveling to a different dimension to stop a giant asteroid, you'd totally put it in your Snapgram, too, and I would not say anything about your excited over-use of caps lock because I am a good friend.

Which is also why I am going to stop talking about myself and start telling you the story about how we saved <Erodan>.

Starting right now.

I was standing in the Apocalypse Guard command center, looking up at the screens that showed the giant asteroid hurtling down toward the planet when Commander Visco signalled that it was time for me to do my part.

"Emma," she said, and waved her coffee mug toward me. "I'm empty again."

Okay, so my part is very small.

"Yes, sir!" I seized the Commander's mug and hurried over to the small kitchen beside the command center. I mean, I was only eighteen, and fresh out of high school; it's not like I was gonna be out there flying around in a power rig, draining kinetic energy from an extinction-level space rock. I was a cadet! And this was still very early in my training, so coffee was all they let me do.

One pot of coffee was already brewing on the counter, but we had about forty people in the command center, each with their own station and responsibility. So I got a second pot going, just in case. To tell you the truth, I was a coffee-making genius. Which is weird, because I don't drink coffee. I'm not just from <Idaho>; I'm from <Iona, Idaho>. Population 1,803, approximately 1,802 of whom are in the Church of Jesus Christ of Latter Day Saints, including me. So I don't drink coffee, but you know what I can do? I can follow instructions. It's practically a superpower. Though, I guess if you followed me on Snapgram, you already knew that.

Emma's Instructions for Perfect Coffee:

1) Follow the freaking recipe.

2) Serve it way hotter than you think it should be.

3) Never talk about how bad it smells.

I know a lot of people love the smell of coffee, but they're wrong. You call it an acquired taste; I call it Stockholm Syndrome.

"You don't have to read the recipe every single time you brew a pot," said Sophie, jogging up with a few empty mugs of her own. She was a cadet, like me, and was mostly just a coffee girl, like me. "Trust me," she said, "I've been drinking coffee for years and I..."

She caught a whiff of the pot I had just filled, and her eyes closed in aromatic pleasure. "Wow, that smells amazing!"

"Thank you," I said and smiled. What did I tell you? Coffee. Making. Genius. When you read the manual and follow the rules and measure things exactly, it will always turn out better than if you just do something by instinct. Always.

I gave Sophie a fist-bump of cadet solidarity, filled Commander Visco's mug, and rushed back into the command center. I said before that we were on <Erodan>, but that's "we" in the communal sense. We, the Apocalypse Guard, had a presence in <Erodan>. When most think of the Apocalypse Guard, they think of the Power Riggers, and their fantastical abilities. And yes, a bunch of those people were on <Erodan> and up in orbit around it, fighting the asteroid. The rest of us, the operators, scientists, engineers, medics, Commanders, janitors, accountants, and cadets were back on Earth using something called a dimensional tunneler to communicate with the Riggers.

We were doing it from an orbital space station, though, which is still pretty friggin' rad, huh? I love this job.

I gave Commander Visco her steaming mug of coffee and took the opportunity to look over her shoulder at the room's main screen, currently showing a view of the asteroid. One of our technicians had named the asteroid "Droppy." Which was why we didn't usually let our technicians name things.

White Sand vol.1 release party ()
#7006 Copy

Questioner 1

So the orb thing in a Secret History, that he breaks?

Brandon Sanderson

Yes, mhm.

Questioner 1

How does that work? Like is it-- is Connection a Shard and it has the essence of Connection in it? Or...?

Brandon Sanderson

*sighs* It is more complicated than that.

Questioner 1

Okay.

Questioner 2

<In> email then. *questioners laugh*

Brandon Sanderson

That's a RAFO, without being a RAFO.

Skyward release party ()
#7007 Copy

Questioner

Warbreaker. Any modifications to it to fit it better to Stormlight?

Brandon Sanderson

No, I think that the connections are where I want them to be. We will do, when we do the tenth anniversary leatherbound, we do small continuity error changes and typos, but there shouldn't be any major changes.

Questioner

I was just thinking because of the whole Breath, the colors, and the Stormlight, I'm assuming...

Brandon Sanderson

It is where I want it to be right now, in those relationships.

Firefight Chicago signing ()
#7008 Copy

Questioner

My question has to do with the color of Shallan's eyes currently, because we've noticed over the books that Kaladin's eyes, as he's continued to use his Surge, changed to lighter and lighter blue. Whereas one could argue that Shallan is farther in her Ideals than Kaladin is, yet her eyes have not changed at all.

Brandon Sanderson

Right, 'cause they were already light.

Questioner

'Cause they were already light? So it only affects lightness or darkness in the eyes, not necessarily any other color?

Brandon Sanderson

It's not like it is-- It's not like it's saying "Light minus 50%".

Questioner

It's not like Honor is blue and--

Brandon Sanderson

No. It is not. It is just kind of the way that the changes the Stormlight is making the body and certain people are already descended from people who had repeated, over time, changes by the body which stopped physically... That's not to say that all lighteyes that's where they came from. There are some that are natural mutations.

Barnes and Noble Book Club Q&A ()
#7009 Copy

Czanos

Any idea when you'll be releasing the full table of Allomantic metals and associated phonetics shown in your blog post about vinyl decals?

Brandon Sanderson

Very, very soon. It's at the printer right now. Should happen this month, if all things go well. We will start with the limited edition prints on the nice paper with the expensive inks, signed and numbered by myself and Isaac. Poster prints will come eventually too. And, of course, we'll also release in standard desktop sizes for free, for those who can't afford a poster.

Skyward Atlanta signing ()
#7010 Copy

Questioner

Is there anything more significant to Tien's obsession with rocks? Or is that just an example of him being a unique kid?

Brandon Sanderson

There is a little bit to the way he's seeing color in mundane things. It's less the rock, and more the things about the world he finds interesting. So I'm going to say it's the second. It's an aspect of who he is; the rock itself is not the important thing.

Skyward Pre-Release AMA ()
#7011 Copy

RoboChrist

Would humanity be better or worse off by the end of Oathbringer if Honor ended his visions with:

"This has been a pre-recorded message from Honor. If you have any inquiries, please direct them to the Stormfather or to a local spren representative."

Brandon Sanderson

Dial 9 to refill with Stormlight. 

Children of the Nameless Reddit AMA ()
#7013 Copy

Brandon Sanderson

Before we start, I wanted to say something about continuity and canon. I don't represent Wizards of the Coast, obviously. This was a very fun project, and I had a lot of freedom in developing Davriel, Tacenda, and the lore of the Approaches. However, I can't state or make official Magic canon, beyond the extent of what is in the text of the story.

So, when I answer these questions, I'll often have a couple of different terms. If I mention Official Canon, this is (by my understanding) the current canon of the Magic storyline--as explained to me by the local in-house experts. I could be wrong on this sort of thing, but I'll try to pass along my understanding of what the canon answer is in relationship to this story. (For example, I was assured it was okay to have female demons in my story, despite it not being something that Wizards has done very much in the past.)

I'll relate my own Head Canon on other items--things that I haven't cleared with Wizards. This should be taken as what I was going for, and can work for your understanding of the story, but it shouldn't be taken as gospel--and it could very well be contradicted by future decisions by the lore team. They take their continuity very seriously, and I am not up-to-date on everything they're doing with the stories of the other characters. I was pretty focused on my little corner of the multiverse.

In other places, I'll talk about decisions I made (or didn't make) in relation to the story--if I am talking about the process, you shouldn't infer too much from decisions I didn't make. I did a lot of this work before talking to the lore team about larger continuity, so things I considered (and discarded) before the story was finished shouldn't be taken as hints for the larger story. To be honest, I didn't know much about it at that stage anyway.

The Hero of Ages Annotations ()
#7014 Copy

Brandon Sanderson

Chapter Eighty-Two

Sazed Ascendant

The answer is yes, I planned it from the beginning. And I didn't.

It's difficult for me, even as the author, to trace back when and where the various threads of a story began. I wrote all three of these books in a row, and to me, they're one long story. Yes, I chose three distinct segments of time over the five-year span, and separated out those chunks. But it's all part of a whole, which is why it was so important for me to be able to write this series as one singular book.

So, if I go back to my very first notes, will it include a discussion of Sazed becoming God and using the stories in his metalminds as guidelines for remaking the world? No, I don't think it's there. Just like Kelsier wasn't originally planning to create a rebellion through his sacrifice, just like Vin wasn't even originally female.

Things change and grow with a book as you write it. However, let me say that I knew early in the series that I wanted Sazed to end up as the Hero of Ages and ascend with the power. I felt it was the only way to deal with the world ending and have it start anew. Plus, he's the only one who really deserved it, as he was the only one of the characters who ever cared much about religion.

I kept this in mind while revising the first book, as I'd finished the rough draft of book three by that time. I planned how to use his religions and feature them in the novels in a way that would show off their finer qualities.

In a way, this is my compromise. As I've said, I don't believe in the "spokes on the wheel" theory. Not every religion can be true, if only because they—logically—disagree on so many points. But every one of them can teach things that are true. This is something I actually believe. And, like many of my beliefs, it ended up influencing how I wrote this book.

YouTube Livestream 9 ()
#7015 Copy

Questioner

In a Google video you once made, you talked about how you never knew Robert Jordan. You knew his family, friends, world, and characters; but not him. You wrote the end of his life's work. That juggernaut that is and was The Wheel of Time.

In The Emperor's Soul, Shai had to build up something new from journal entries from the Emperor as well as pieces from her to make what she thought was a better man. Long question short, is this analogy baseless? Or do you in some way see The Wheel of Time as your Emperor's Soul?

Brandon Sanderson

You know, there's an interesting connection there that I'd never thought about before, reconstructing the person from the lore of their life, rather than themselves. Where that falls apart is, I still maintain (and I doubt there's much contention on this point) that Robert Jordan could have done a better job of his ending than I did. This is in the definition, right? I couldn't reconstruct...

The whole goal of The Emperor's Soul is that she's creating a work of art that replaces the original, but in many ways is superior to the original. I don't think I did that. But I did have that experience of trying to recreate, in some ways, Robert Jordan from all the pieces, all the lore, all the ephemera.

So I love that you've made that connection, and I certainly think there's something there. But I don't know that the metaphor sticks in the large scale.

Oathbringer release party ()
#7017 Copy

Brightlord Maelstrom

Would there be a way that is reasonably feasible to use Aon Tia to teleport off-world?

Brandon Sanderson

Theoretically yes.

Brightlord Maelstrom

...Would there be a way to create it where instead of teleporting you directly there, it opens a portal?

Brandon Sanderson

We'll go ahead and start RAFOing at this point.

General Signed Books 2018 ()
#7018 Copy

MiToRo94

Since all matter and energy are Investiture in different forms, and the magic of Investiture depends on the Shard it is most closely connected to, could it be theoretically possible for Lift to burn food on Scadrial to have the powers of a Mistborn?

Brandon Sanderson

This wouldn't happen naturally - she would still get Surgebinding powers, even on Scadrial.

JordanCon 2016 ()
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Questioner

Are there any detrimental side effects to worldhopping, and if so, have we seen/read it in any of your books?

Brandon Sanderson

Uh, it depends on what method you're using to worldhop.

Moderator

And the second half of that question?

Brandon Sanderson

And the second part of that is RAFO. *laughter*

Words of Radiance Seattle signing ()
#7020 Copy

Questioner

I was just re-reading The Way of Kings when Kaladin meets Hoid, and Hoid mentions the stone that he's named after? Are we gonna find out more about that?

Brandon Sanderson

Yes, though the 17th Shard probably can answer that for you right there *points, presumably*.

In the very first book that I wrote with him that I finished, his nickname in that book was "Topaz".

JordanCon 2014 ()
#7021 Copy

Questioner

Did Ben or Isaac design the glyphs in The Stormlight Archive?

Isaac Stewart

I did. So here's an interesting thing the-- no I'm not going to tell you that. *lots of laughter* I think it would be a spoiler for Book 3. Bridge Four in Alethi, you guys ready? Vev Gesheh. Vev is the number four, Gesheh is bridge... When I design the glyphs, I always make sure I know how to say it in Alethi before I design the glyph.

Ben McSweeney

Is there a reason for that?

Isaac Stewart

There is a reason for that.

Ben McSweeney

Are you going to tell us what that reason is?

Isaac Stewart

Nope. The glyph writing system is just a-- You are supposed to be able to look at it and say "Hey that's--that means bridge" but it could be elongated, it could be changed, it could be--but the same shapes are in there and that means "bridge" or whatever else that is.

Bands of Mourning release party ()
#7022 Copy

Questioner

So I was actually wondering, I keep finding myself thinking of new and exciting ways to break science with magic. How do you keep yourself from doing that constantly as you're writing?

Brandon Sanderson

You write the book the best way the book can be. You give it to a scientist. You say "What does this break?" and then you either take it into account, if you think it is going to work for the book. If not you come up with an explanation in-world and you move forward. We're writing fantasy, we don't want the science to ruin our book, we want the science to be something we considered. Does that make sense? Like when I made speed bubbles and Peter's like "Red shift! You're going to irradiate people." I'm like "Alright we're just going to have to say 'Speed bubbles are not irradiating people' ". And just be aware of it and write the best book you can.

Words of Radiance Omaha signing ()
#7023 Copy

Questioner

*inaudible*

Brandon Sanderson

Oh, they can't help but be.  I remember sitting out on my porch as a kid, the storms blowing the other direction so it didn't get me, and just swinging on the porch swing watching the storm.  Those are the storms I know, so I would say when I'm describing them I'm thinking that.  But the original inspiration was the storm of Jupiter, the constant storm, and granted as a gas giant it is very different.

Skyward release party ()
#7025 Copy

Steeldancer

What happens when you flare copper?

Brandon Sanderson

What happens when you flare copper? Various different things can happen when you flare copper. I'll RAFO that for now. [...] I'll delve into that more, I don't want to delve into it too much right now, you'll find out, probably in Era 3, some of the things that can happen with copper.

Firefight Chicago signing ()
#7026 Copy

Questioner

I really enjoy the systems of religion and the religious questions that you bring up and so I was wondering-- Well first whether in your worlds there is a relationship between the efficacy of religion and the efficacy of magic?

Brandon Sanderson

There is but the relationship is not a direct one-to-one parallel. In other words the beings that are worshiped have an influence over the magic. Whether they are actually God is disputed by various people. And there are people who worship things that are not the various beings the magic is-- Does that make sense?

Skyward San Francisco signing ()
#7027 Copy

Questioner

In Shadesmar, the solid and liquid phases are inverted. So, in the Spiritual Realm, is it something to do with solid and gas phases, or is it not the same at all?

Brandon Sanderson

It is not quite where you're going, but I like the way you're thinking.

Questioner

So then what's the reason that they can't travel to the Spiritual Realm?

Brandon Sanderson

The Spiritual Realm is not a place.

Oathbringer release party ()
#7028 Copy

Questioner

What was your opinion of the Blackthorn?

Brandon Sanderson

What about it? What do you mean?

Questioner

Like, in general, people call him a monster, when I ask, ask around. I think he's a badass.

Brandon Sanderson

He totally was a badass. He was also not morally centered.

Firefight Chicago signing ()
#7033 Copy

Questioner

And are there parts-- Are the cosmere novels chronological so far? So when you eventually go back to Warbreaker the effects of Vasher being on Roshar...

Brandon Sanderson

Oh, no, they are not all going to be chronological. Most of them have been chronological so far, but we are getting to the point where they're stopping to be because like Way of Kings was before Alloy but now we've gone back and done Words of Radiance which is a jump backward and then we are going to be jumping to the next Alloy which is a jump forward. I'm pretty sure that's how it goes.

Warbreaker Annotations ()
#7034 Copy

Brandon Sanderson

The Guard Approaches, and His Clothing Becomes Brighter

This is an essential part of the magic system. When you get close to someone's aura, their clothing—and everything else about them—brightens in color slightly. It's important to show it in this prologue.

Unfortunately, it also shouldn't be there. You see, Vasher should be smart enough to hide his Breath in his clothing, as the book later shows is quite easy to do. He shouldn't have left himself holding any Breath. It's suspicious. If those guards had noticed his aura—or if someone working in the prison had been of the First Heightening—Vasher would have been spotted. It's such an easy fix that he should have thought of it.

The problem is, I felt I needed to establish the way the magic works from the beginning. Having to explain why Vasher didn't make the clothing glow would have been awkward and confusing at this point in the book. So I left this as it is.

However, being who I am, I developed a background for why Vasher did it this way. He left his Breath in, and thought that maybe it would be noticed—but if it was, he knew that the guards would lock him in a cell much closer to Vahr. That would be convenient, as it would ensure that he was much closer to his quarry. Of course, in such a cell, he wouldn't be able to Awaken anything and escape. However, he'd planned for that too. He set a little straw figure outside the prison the night before, with specific Commands instructing it to search through the cells and find him, delivering a set of lock picks.

It was risky—but either way he did it would be risky. He couldn't know for certain that the guards would take him to the area he needed to be in, and even if he had hidden his Breath in his clothing, some prisons have rules in place requiring each prisoner to be stripped, just in case they've done just that. Fortunately, these guards were particularly lazy. Anyway, Vasher's contingency plan wasn't needed, as the guards didn't end up noticing his Breath.

Bands of Mourning release party ()
#7036 Copy

Questioner

Is there a comparable way-- like you can become a Misting by burning an alloy of lerasium and some other metal--

Brandon Sanderson

Yes.

Questioner

Is there a comparable way of becoming a Ferring?

Brandon Sanderson

Uh… *carefully* Comparable within certain limits of the definition of that word, then yes.

Questioner

Just meaning, is there some in-world way--

Brandon Sanderson

There is some in-world procedure yes.

The Great American Read: Other Worlds with Brandon Sanderson ()
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Questioner

How long did it take you to figure out how to kill your characters without really ticking off your readers?

Brandon Sanderson

Well. I think it still does tick them off. But my thing is, if I make sure that somebody has a satisfying resolution, even if they don't get to see it, usually people are satisfied then. So, if what the character wanted finds satisfying resolution eventually, that is where I go.

Supanova 2017 - Sydney ()
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Brandon Sanderson (paraphrased)

Teaching has really helped me be more defined as a writer. Writing is done very often by instinct, and I've discovered a lot about my writing style and process by putting it into lectures and words. That especially helps when the writing is hard. When it's easy you just go with it, but when it's hard I can really pinpoint what's going on.

Stormlight Three Update #4 ()
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yahasgaruna

You know, I seem to recall that one of your original pitches for The Way of Kings was that it's the story of a man on whom the fate of the world lies, except unlike the Dragon Reborn, who goes slowly mad, this guy is already mad. I always assumed (or maybe you'd said it explicitly?) that this was Taln (the original Herald). Has that characterization changed? Or am I remembering something that never happened?

Brandon Sanderson

If I said something like that, I was talking about Taln.

Arcanum Unbounded release party ()
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Questioner

Do the Shards know each others' weaknesses? Like the metal blindness or anything?

Brandon Sanderson

They are not aware of every specific, but they know generalities.

Questioner

So they know that they do have weaknesses.

Brandon Sanderson

Yeah.

Questioner

So would Odium have taken advantage of Honor's weakness to Splinter him?

Brandon Sanderson

You could say that, yeah.

Barnes and Noble Book Club Q&A ()
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Dare2bu

How difficult was it to come up with new magic systems considering the wealth of fantasy out there with already established magic systems(that seems to just get re-used in different formats by various other authors)? Do you have more systems to be used in future novels? If so how do you go about envisioning them and creating the rules in the first place?

Brandon Sanderson

I've got a few very nifty ones reserved for the future. Don't worry; I'm not nearly out of ideas yet. And I'm constantly having new ones I don't have time to use.

There IS a lot of fantasy out there. And yet, I think there's a great deal of room left for exploration in magic. The frontiers of imagination are still rough-and-tumble, unexplored places, particularly in this genre. It seems that a lot of fantasy sticks very close to the same kinds of magic systems.

One of the things I've come to believe is that limitations are more important than powers in many cases. By not limiting themselves in what their characters can do, authors often don't have to really explore the extent of the powers they've created. If you are always handing your characters new powers, then they'll use the new and best—kind of like giving your teen a new car every year, rather than forcing them to test the limits of what that old junker will do. Often, those old cars will surprise you. Same thing for the magic. When you're constrained, as a writer, by the limits of the magic, it forces you to be more creative. And that can lead to better storytelling and a more fleshed out magic.

Now, don't take this as a condemnation of other books. As writers, we all choose different things to focus on in our stories, and we all try different things. Jordan's ability to use viewpoint, Martin's use of character, Pratchett's use of wit—these are things that far outshine anything I've been able to manage in my works so far.

But I do think that there is a great deal of unexplored ground still left to map out in some of these areas. (Specifically magic and setting.) A great magic system for me is one that has good limitations that force the characters to be creative, uses good visuals to make the scenes more engaging while written, and has ties to the culture of the world and the motivations of the viewpoint characters.

#SandersonChat Twitter Q&A with Audible.com ()
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David Charleston

Will you ever do any more in the Reckoners' world after Calamity? Both [Megan Tarash] and I hope you will.

Megan Tarash

Leave the man alone, Knees. He's answering the fans' questions, not yours.

David Charleston

How do we win? That's my question.

Brandon Sanderson

I'll be releasing a little instructional manual on this in a few weeks called Calamity. :)

David Charleston

Come on. That answer was about as helpful as a dryer full of water balloons.

Megan Tarash

(I'm only teasing. Please don't kill me in the next book. Please.)

Firefight Chicago signing ()
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Questioner

Do you set out to write a specific-- like a teen book or an adult book? Or are they just--

Brandon Sanderson

I usually do set out these days. Originally I was not as cognizant of it, but I do think keeping audience in mind is an important attribute of writing. The thing is when you are doing a teen book it's not about writing down it's about dealing with issues, like it's the type of conflicts that really make something a teen book in my opinion. And those conflicts can transcend into adult books but-- I don't know it's just there's a feel for it.

Barnes and Noble Book Club Q&A ()
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TaurusRW

Which is your favorite Pratchett novel and why?

Brandon Sanderson

The Truth is my favorite. As a writer, and one who likes to explore the nature of the truth in his works, a novel that deals with someone trying to publish a newspaper in a fantasy world mixed philosophy and laughs in the way only Pratchett can. However, Guards Guards is the book where I suggest people new to Pratchett start. (I suggest avoiding the Colour of Magic as your first experience, even though it's technically the first book in the series. They are all stand alone novels, really, and Guards Guards can be seen as the beginning of the best sub-series within the series.)