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Brotherwise Games

The Mistborn Deckbuilding Game (and it's possible that will be the final name; the Star Wars deckbuilding game is just called "The Star Wars Deckbuilding Game," so we might end up doing the same), that's a really exciting project, as well.

The game is essentially themed around being a mistborn in training and contending with rival mistborn, and really getting straight into Mistborn duels and battles, while still having some of the intrigue that's a big part of Mistborn books and a big part of the non-physical metals.

Cosmere.es

I think the image you shared was Vin. Is it like you are going to be playing the characters themselves? Or are you going to be playing other mistborns, or...?

Brotherwise Games

The setup is that you are playing one of the named characters. So you're playing as Vin or Kelsier. Or Shan Elarial, an Inquisitor, or Zane is another playable character.

Cosmere.es

Can you be a kandra?

Brotherwise Games

There is a kandra card, but that would be kind of an ally. Same with a lot of the mistings, and things like that. Within the boundaries of a deckbuilding game like this, everybody's gotta have a similar level of capability. I can see us doing a feruchemy expansion in the future, but right now a keeper is just one card.

Everybody's a mistborn, everybody's got access to the eight core metals, and then over the course of the game you can gain access to atium, which has really big effects, often game-winning effects.

Cosmere.es

So we are in Era One, the first books, maybe the first? The Final Empire?

Brotherwise Games

Yeah. The first couple of books, I'd say, is the general time frame here.

If this game does really well, we could always expand into future eras. There's other ways we could adapt the system to handle Era Two stuff or later Era One stuff, but we're starting with what we think are some of the most iconic and recognizable aspects of... being a mistborn, jumping around rooftops, throwing coins at each other, getting into fights, going to balls, convincing people to do things. All those classic aspects that you think of in Mistborn.

Thadamin

Do Shards need to be based on the same planet to create the interactions that made Feruchemy possible?

If the Parshendi are not originally from Odium and are referred to as the Ancient Ones by spren, then would that make the original Parshendi, bonded to the Splinters that existed before Honor and Cultivation arrived, the Dawnsingers?

Brandon Sanderson

RAFO.

Questioner

With Allomancy is of Preservation, and you have Hemalurgy, which is of Ruin. Is Feruchemy a joint effort between the two? Or is it a third party?

Brandon Sanderson

Joint effort.

Chaos (paraphrased)

In the future when atium is rare again and we have a good Table of Allomantic Metals, which metal steals Allomantic Temporal powers?

Brandon Sanderson (paraphrased)

It will be on the table when Brandon brings them out. Feruchemy is the next poster to come out. Until then RAFO.

Brandon Sanderson

Chapter Twelve

The group investigates the railroad tracks and canal

So, let's talk about the realities of speed bubbles. I did research on this, and got different answers from people on what really should happen if you could slow time like this. One of the issues is that light doesn't change speeds based on this sort of issue, so there was discussion of what things would look like inside looking out or outside looking in. It seems likely that there'd be some sort of red shift, and also that things might grow more dim inside a speed bubble. This is all really very theoretical, however, and so, in the end, I decided that there was enough disagreement among scientists with whom I spoke that it wouldn't be glaringly irregular if I just had the shimmer at the borders and stayed away from dealing with speed of light issues.

There's a much larger issue dealing with slowed time that rarely gets addressed by this type of fiction. I considered using it, and it's this: conservation of energy. Inside the speed bubble, Wax and Wayne are moving far more quickly, and therefore have a ton of kinetic energy compared to those outside of it. And so, a coin tossed from inside the bubble going outside would suddenly move with a proportional increase in speed (proportional to how much slower things were outside).

In essence, speed bubble = railgun.

This is dangerous for narrative reasons. I've often said that the limitations of a power are more interesting than the powers themselves. (It's Sanderson’s Second Law of Magics: Limitations > Powers.) One of the reasons for removing Mistborn and Full Feruchemists from the setting was so that we could focus in on the usefulness of the individual powers in Allomancy and Feruchemy. That falls by the wayside if any of the individual powers become too strong on their own.

I didn't want Wayne to be able to slow time, then sit inside his bubble and leisurely pick off enemies one at a time. And so, I had to place strong limitations on the speed bubbles. (Much stronger limitations than on other aspects of Allomancy. Pushing and Pulling, for example, have their limitations based in solid science. With speed bubbles, I eventually decided that solid science made them way too powerful. So I had to change things.) Therefore, the rules became: No shooting/throwing things out of speed bubbles, no moving speed bubbles, and a required couple second cool-down between creating different speed bubbles. The first rule broke required objects to be deflected when leaving the bubble and that we have the bubble absorb excess kinetic energy when something leaves it.

Disappointing for the scientists, I know, but it makes for a stronger story.

Brandon Sanderson

Chapter Seventeen

The Mists Form

In writing this book, I had to nail down a few worldbuilding issues I'd been contemplating even before the first trilogy ended. What would happen to the mists, for instance, once Sazed took over and became Harmony?

The mists, obviously, are a big part of the series. It didn't make sense—either narratively or worldbuilding-wise—to lose them completely. However, they'd been created as an effect of Preservation trying to use his essence to fight against Ruin's destruction of the world. So . . . wouldn't they go away?

I decided that Sazed would still send them. They're part of the nature of the world now. To acknowledge what had happened, they wouldn't come every night any longer. But they would come. They were changed in that they are no longer simply the raw power of Preservation; they're now a part of Harmony—so they no longer pull away from Hemalurgy in the same way as they used to. They still have the odd effect of being able to power Allomancy. (And Feruchemy as well—if one knows how to do it.)

The mists are, in part, the raw power of creation. And when one is favored of Harmony, the mists have a greater effect than they might otherwise have. We'll see more of this later.

Lindel (paraphrased)

There's that trick with Feruchemy that lets you make metalminds that others can tap. Could you do something similar with Self-Awakening?

Brandon Sanderson (paraphrased)

Oh yeah, there are all sorts of tricks that you can do. You could use other peoples Breaths, make it seem like you don't have any Breath-

Lindel (paraphrased)

Awaken an object so that others could access its Breaths?

Brandon Sanderson (paraphrased)

Yes.

Questioner

Mistborn, the broadsheet hints that there's a continent or whatever on the other side of the Mistborn planet. Would that also be connected to Allomancy and Feruchemy and all that?

Brandon Sanderson

Yes, it will be. The Southern Continent does have interactions with the three Metallic Arts, but they use them in very different ways.

Questioner

In terms of discussing Identity, I know that in Emperor's Soul, they talk about Identity, and the Parshendi talk about losing their Identity, and then I was just rereading Bands of Mourning, and one of the kandra talks about how the spikes are their Identity. Are all of those things connected somehow or are they different forms of Identity?

Brandon Sanderson

They are connected, although the Parshendi losing their identity is a little more metaphorical. But yeah, the idea of these things-- Identity is an innate attribute in the cosmere that is related to your soul, your spirit, and it is one of the things that Hemalurgy can fiddle with and Feruchemy can fiddle with. It's kind of important to how the [Metallic] Arts play out, but it's important to all the magics...

Identity is involved in why you can't use another person's metalminds, right, that kind of thing. And those are all related. The Parshendi is more metaphorical. 

Questioner

I wondered because it's always capitalized, in the book.

Brandon Sanderson

Yep, and it's done intentionally. Peter always asks, "Are you sure this one is capitalized?" "Yeah."

ZealousidealBid3493

The way storing weight works in Feruchemy annoys me to no end, because regular laws of physics just don't work. Sazed once jumps from a height then reduces his weight to be light as a feather, but the energy should, in theory, stay the same, so his speed should increase to account for it, hence smashing into the ground at a massive speed. This is just one of the issues, there are many more like the one you present.

That being said, I just thought about storing of weight as storing energy, in a sense, so that would fix the kinetic energy issue.

Peter Ahlstrom

It depends on where in his jump he starts storing the weight. I’ll have to look at the scene. We worked on making this consistent for the Era 2 leatherbounds, but did not do it for the Era 1 leatherbounds.

Brandon Sanderson

Chapter Thirty-Eight - Part Three

My one disappointment with this chapter is that I had to end up making it look like I was breaking my own rules. The Allomancy-Feruchemy-Hemalurgy triad is one of the most complex magic systems I've ever devised. The interplay between the three systems, mixed into the mythology of the setting (which involves the mists at a foundational level) makes for some very complicated rules. I try to explain them as simply as possible–simple, basic rules are necessary for most sequences to work.

Yet, the depth of complexity leads to some things that are confusing at first glance. I wasn't planning on having Vin draw upon the mists in this book–I was going to save it for later–but the initial version of this chapter (which had Vin simply grabbing the bracelets off the Lord Ruler’s arms with her hands) lacked the proper drama or impact. So, I moved up my timetable, and gave her access to some abilities she wasn't going to get until the next book.

A lot of the "Rules" of Allomancy are, in my mind, like our basic rules of physicist. They make simple sense, and can be explained easily. However, they only apply when generalities–or large-scale events–are explained. When you get down to the really advanced physics, traditional Newtonian Laws start to break apart.

The same is true for Allomancy. The vast majority of Allomancers aren't powerful enough to look beyond the basics. For them, simple rules like "You can't Push on metals inside of someone's body" apply. It's much easier to tell someone that, as opposed to "People's bodies interfere with Allomancy, making it much harder to affect metals inside of them–so hard, in fact, that only some people you'll never meet can Push on metals inside of people's bodies."

It is a matter of degree of power. Vin, for reasons I'll explain eventually, has access to far more Allomantic power than regular people. The Lord Ruler is the same way, though for different reasons. And so, he can affect metals that are blocked by blood. Vin has to draw upon another, external source of power in order to produce the same effect, but it is possible for her.

Narratively, I worry that this looks too much like I'm breaking my own rules. However, I had to balance drama with effect in this chapter, and eventually decided that I could make it work. I've established throughout the book that there are flaws in the commonly-perceived laws of Allomancy. There are metals nobody knows about. You can pierce copperclouds. In fact, one of the unwritten laws of Allomancy is that it isn't understood as well as everyone seems to think.

Argent

You mention... No you didn't mention Arthur Clarke. The guy with the "Any sufficiently advanced technology is distinguishable from magic" ...In, at least, one of the Mistborn trilogies you are probably going to have to deal with the distinction between magic and technology. So can you talk a little about how you are going to address that?

Brandon Sanderson

So yeah, addressing the-- This is a really good question, thank you. So Clarke's Law says that "Any sufficiently advanced technology is indistinguishable from magic". Right? And this is kind of a science fiction truism that we use in writing. It's a really cool concept when you think about it. But he asks "Well we're pushing the Mistborn trilogy more and more towards science fiction--"

For those who don't know, I pitched the Mistborn trilogy to my editor, long ago--this was 2003 when I pitched it to him-- I pitched it as a trilogy of trilogies. An epic fantasy trilogy that then after the epic fantasy trilogy we would jump hundreds of years and do an urban fantasy trilogy in a more modern setting, where all of the events of the epic fantasy trilogy became the foundation of religion and superstition and even culture to a modern society. What if our heritage were something like The Lord of the Rings? And then I was going to write a science fiction trilogy where... magic became the means by which space travel is possible. So there is, built-in to Allomancy, Feruchemy, and Hemalurgy, FTL-capability. *audience mutters* *nervously* It's not there yet don't worry. *laughter*

Argent

Somebody found the rabbit-hole.

Brandon Sanderson

That's all RAFO's. I'm not answering any of that.

So I did Alloy-era, by the way, as a stop-gap between the epic fantasy and the modern because I wanted something smaller-- The modern trilogy is going to be very thick books, and I wanted something to balance Stormlight while I was doing the first five Stormlight...

So he's asking how I'm going to deal with this whole collision... between science and magic. So there's a-- I don't know if corollary is the right term. Probably not, but there's a version of Clarke's Law which you inverse. And you say "Any sufficiently understood magic is indistinguishable from science". In the cosmere the magic is science. What I would call-- say is science fantasy because we've added to the Laws of Thermodynamics. We have this other thing called Investiture, which is what powers all the magic. Which is the souls of the things they call gods, their substance. And you can change matter or energy into Investiture and back. And so we've got a third circle in the old Laws of Thermodynamics and so because of that it's science fantasy. I would still call this fantasy because science fiction is where they go "We're going to take the Laws of Thermodynamics and try to explain what we can do using them" I'm like "No, we're just going to add to them, right?" But yeah that's where we're going. There will be a collision of that but it's really going to be-- To them it's indistinguishable, once you get far enough along, that it really is science.

Cheyenne Sedai

I'm really curious about Boatload of Mummies because Brandon did mention on his updates that you'd worked on it for NaNoWriMo for the past couple of years which is really cool. And the title is incredible. I don't know if that's gonna be the final title, but that's what it's always been referred to. How have you been doing with that?

Isaac Stewart

Thanks for asking us. It's a project that I love. So I finished it. Finished a draft in September of last year. It's rough. It's a really rough draft. There's a lot of things that I'm still working through. I'm trying to narrow down the shape of the plot in a way because there's a little bit of--it wasn't inspired necessarily by these things, but it was after the fact that I realized, "Oh, it's part this, part that." It's sort of begins King Kong, if you imagined getting people on a boat. And then it continues as Death on the Nile. Then you get to a portion on an island. And then it ends The Mummy. And throw in a healthy dose of Venom. So it's like, "Okay, am I doing too much here?" And that's kind of where I'm at. You know, is this even a thing? Have I thrown too much in? Is this too much of a storyline? And i don't think it is. It really is in the end kind of a Raiders of the Lost Arc sort of story. You could pull out those some of those same elements and say, "Raiders of the Lost Arc starts out King Kong." But the basic plot line is there. There's going to be scenes in the current draft that are basically finished. I don't think they're going to change too much from the version that it is right now to the end.

Will it be called Boatload of Mummies? Probably not. I can't see that as a title of a Cosmere book, right? But we can affectionately call it Boatload of Mummies as long as we want. The working title is Book of Nails. And whether there's a series title or not, we'll have to figure that out if it's a story that people want to continue learning about.

But let me tell you Nicki Savage is so much fun to write. Don't expect exactly what you get from the broadsheets because she is writing to a particular audience, and has learned some skills from Allomancer Jack--though I do think Allomancer Jack's stories might be closer to the truth than Nicki's are.

You will see parallels between this story and some of the elements that are in the broadsheets. But she's basically: if you can imagine a Mary Poppins. who is incredibly interested in the supernatural, and is not afraid to beat up people. That's basically your character right there. And she's just, she's a load of fun. A boatload of fun.

Cheyenne Sedai

I imagine from what you've said that you still wouldn't be ready to give us what could eventually function as a back of the book blurb?

Isaac Stewart

During the first NaNoWriMo that I worked on it we had to come up with our elevator pitch on that, and I wrote the Readers Digest, TV Guide version of it, and it was "A woman with a strange, magical power journeys to an island to find a mythical book that might raise the dead." Something like that.

This particular book is interesting because... How do I pitch this when it's a spin off of a different series. It's a spin-off from Mistborn, technically. But it's not a Mistborn book. You can't pitch that to somebody who doesn't know Mistborn. And that's been some of the fun in trying to figure this out is "How do I tell a different story here, but then have to reintroduce how Allomancy works? But now in this era, we know about Allomancy, we know about Feruchemy, we know about Hemalurgy. We have crossovers from other worlds. How do you write this book without confusing somebody entirely without... "There's like 50 magic systems in here, and I don't understand." And that then goes into the pitch. How do you pitch this book? People who know the Cosmere, you just say it's set on Scadrial, but it's not really a Misborn book. It's just hard to encapsulate and someday I'll figure it out.

Questioner

When planning multiple eras in Mistborn, did you know, for example, all the metals and magic when you published The Final Empire? Or did you leave open areas that you hinted at so that you could later explore and fill in the magic?

Brandon Sanderson

Final Empire is an excellent example, because it established what my model became. I wrote Final Empire, having an idea, but not have the entire nin-book sequence plotted. Not even the three-book sequence. I wrote that one and said, "Let's just write the book and see if it works." This is generally what I like to, rather than planning out the whole series. The exception to this was Stormlight, which needed the entire series planned out first. But with Mistborn, I was able to write the first book having ideas of what I wanted to do, but just make that book right. And then I sat down and said, "All right. The first book worked. I have the characters where they work. Now let's build the series." And when I did that, I went into a lot more depth on the metals.

But I did still leave... I knew, basically, what the other metals were gonna do, but I didn't have the mechanics down. Because I wasn't sure if it was gonna work. Playing with time, and all the stuff in Feruchemy where I'm playing with Connection and things like that, these were all kind of fundamentals of the cosmere that I wasn't 100% sure how I wanted to play out. So I basically kinda did the "best of both worlds." I left those holes knowing what they were probably going to be. But I was very careful not to give too much about them in the original trilogy, just in case what I wanted to do didn't end up working.

And that's worked out pretty well. I did manage to finish writing books two and three of Mistborn before I released the first one, so I could make sure that the continuity on the narrative really worked. Still, there are some things that I would change. I was much younger as a writer back then. I think some of the stuff in the third book, though it clicks together, it doesn't click together quite as well as I wanted to. Ending of the first book, I've talked about before. But I'm pleased with that process. Though every author has to use a different method, I do suggest trying that one. It's worked very well both for Mistborn and for Skyward. Worked a little worse in Reckoners, to be honest. Because the first book, I did not deal with any multi-dimension stuff, but I built it in after. Wrote the first book, went back, made sure the first book worked, then I wrote book two and three. And I was never quite satisfied with how the interdimensionality worked in that series. I think the magic system ended up cutting a few too many corners. So, in that case, doing it from the get-go from book one, instead of writing book one and then building it, might have worked better. Book one remains the strongest of the Steelheart series, I feel, because of that reason.

Regardless, it's been an effective method. It worked very worked Mistborn. It worked very well for Mistborn Era 2. And it has worked really well in Skyward so far.

Spoolofwhool

What does it mean for an object to be considered "Invested"?

Brandon Sanderson

Uh, that is a matter of some discussion among scientists. Usually it means, to most of them, like a-- so, let me see if I can explain this-- So all things are built from Investiture.

Spoolofwhool

Right.

Brandon Sanderson

Right? Um, when they're using "Invested" they're talking about kind of like saturating a solution, in that-- yes, it's built out of this material, but you are-- there is more in it than-- like, it's a little bit like supersaturation, but not quite. Because it can s-- yeah, anyway.

Spoolofwhool

So getting, like, more Investiture in the spiritweb or in Cognitive than normal?

Brandon Sanderson

Yeah, more than just the creation of it. Like there is lingering Investiture that could be drawn out. Or more stuffed in. It's--

Spoolofwhool

But there are limits, right?

Brandon Sanderson

There are limits. We kind of run into that in Feruchemy a little bit, and things like that. But yes.

Questioner

The people on Scadrial have innate Investiture from Preservation. If someone from another planet, say Roshar, were to get Allomancy, from Hemalurgy or Feruchemy, would that person have to have Stormlight as well as the metal in order to do their--

Brandon Sanderson

No, good question. They would just need the metal if you were Hemalurgically getting the ability. Remember, Hemalurgy is basically ripping off a piece of someone else's soul and stapling it to yours. Short circuiting the soul, so to speak... All the pieces of the soul you would need, it is giving you. It has dangerous ramifications, but you wouldn't need Stormlight also.

coltonx9

If you use chromium with Feruchemy, would that mean misfortune to your opponents? If you were playing Monopoly and you needed them to roll like a four to...

Brandon Sanderson

*Hands RAFO card*

Questioner

I was wondering with Emperor's Soul-- it's in the same world as Elantris.

Brandon Sanderson

Yes.

Questioner

But it's a completely different magic system.

Brandon Sanderson

Yeah.

Questioner

Do you ever see The Emperor's Soul, like, that magic system in further Elantris books?

Brandon Sanderson

Yeah, you will see more of that. Elantris-- So what Elantris is very-- is interesting-- is Sel, the planet that is, that each region has basically a way of accessing the magic, and they're all, in my mind, programming languages. And you use different things to program, and call functions basically. And some people etch into bone, some people draw in runes, some people make the soulstamps. You can do it through a tai chi-like thing in one of world-- in one of the lands. So it's like a-- region-based for reasons that cosmere magic experts I think have figured out by now.

Questioner

Well it's like there were two deities, I think, Invested in that planet?

Brandon Sanderson

Yep... The reason is-- and we have announced it-- the reason it is is, so on Sel-- somebody killed the two deities there, right? And then stuffed their corpses, which are just huge magic reservoirs, just *inaudible*. So all their power stuffed up into what we call the Cognitive Realm, the realm of the mind, which is location dependent. So all the magic is getting filtered through that, it does weird things to it, it makes it region-locked. So yeah.

Questioner

Is it the only world that has many different ways that magic is--

Brandon Sanderson

Well a lot of them have different ways. For instance, for-- on Scadrial we've got Feruchemy, and Allomancy, and things like that. So most worlds have different interpretations, and things like that. Sel's the only one you've seen where it's region dependent.

Comatose

So here's my last question. If there ARE people on the other side of the world, did Vin kill them all by placing the sun on their side, or do they have they're own Ruin/Preservation battle going on over there as well? Do they also have allomancy feruchemy and hemalurgy?

Brandon Sanderson

No, they're not dead. Yes, Rashek was aware of them. In fact, he placed them there as a reserve. I knew he wanted a 'control' group of people in case his changes to genetics ended with the race being in serious trouble. All I'll say is that he found a way other than changing them genetically to help them survive in the world he created. And since they were created by Ruin and Preservation, they have the seeds of the Three Metallic Arts in them—though without anyone among them having burned Lerasium, Allomancers would have been very rare in their population and full Mistborn unheard of.

Questioner

Can you steal someone else's infused Breath with a similar method to the Feruchemy loophole?

Brandon Sanderson

Potentially.

Brandon Sanderson

Part One Wrap-Up

Setting the Scene

Like always, part one is a little slow. I'm working on my style, trying to get the pacing better in the first third of my novels. However, one feature of my style is the setup, followed by fast-paced endings. I don't want to lose that; I just want to make sure every part of a given book is fun to read.

There are a lot of good things happening here, but also a lot of establishment. How Allomancy and Feruchemy work, what has happened to the characters in the year between books—the setup for the conflicts of this novel. Things start to pick up in the next section, and we add our final viewpoint: Spook.

Overall, I'm pleased with part one and the way it sets the scene of the book. The world is ending. People everywhere are in trouble. Elend, Vin, and the team have no idea how to fight it—they're just doing their best at guessing.

theFinisher4Ever

Was the Lord Ruler using Feruchemy + Allomancy to Soothe all of the people around him? Or was he, as I like to think, flaring for so long that he became a Soother Savant?

Brandon Sanderson

He lived long enough and used his metals enough (particularly Soothing) to become nearly a savant in every area, if not a full savant.

Questioner

Why do you have to make so many of your terms and names in your books so confusing? I'm going to be using Mistborn as an example: Feruchemy, Hemalurgy--

Brandon Sanderson

I think they're cool. Part of the answer is I look for the way languages are built. I try to do things in the way that it's going to feel natural but also foreign, and that is really tough. Like, it's going to feel alien, it comes from a different world, but it's natural to do and remember, and it is also based on the world.

If you think Mistborn is hard, read Elantris. All of those names are based on some linguistics that, I realized as I wrote the book, this is one is even tougher. So sometimes I'm looking for things that are more familiar and less strange, sometimes I'm looking for things that are more strange. At the end of the day it's just whatever I think sounds cool.

EHyde

As Lift's spren refers to the Nightwatcher as Mother, right...

Brandon Sanderson

He definitely calls somebody a mother. The implication in the text is that it's the Nightwatcher.

EHyde

Certainly, so I'm just going to run with that right now. So the question that I'm asking is, is surgebinding in general a melding of Honor and Odium, a la feruchemy being in some sense not directly derivative of Ruin and Preservation?

Brandon Sanderson

It is...Honor and Cultivation is what you mean?

EHyde

Yes.

Brandon Sanderson

There are spren of all three Shards, and those spren can work within the bounds of the magic that has already been set up on Roshar.

EHyde

What Shard are Cryptics associated with?

Brandon Sanderson

RAFO.

fletchershair

Now that Nightblood is on Roshar, can it use Stormlight the same way is would use Breaths?

Brandon Sanderson

I'll just tell you "yes." I was gonna RAFO that, but I think everyone's figured that out by now.

fletchershair

A friend wants to know exactly how you can go between types of Investiture. You've said that you can before.

Brandon Sanderson

It just depends on the Investiture. Some are much easier to use than others. Like, running Aons with other Investiture, very hard. Just the nature of the magic makes it very hard. But, Nightblood? He'll feed on whatever he can get. So, it's really easy to fuel Nightblood.

KChan

Does Feruchemy have anything to do with that? Converting into Investiture?

Brandon Sanderson

Not gonna say.

Isaac Stewart

Thought I'd just get this out into the world since I hadn't yet: The Feruchemical symbol for Harmony.

ArgentSun

Ah, so I am not the only one who thought they looked like fangs

Isaac Stewart

I was looking to the Feruchemical symbols for lerasium and atium for inspiration. Thus the sort of fang-like projections. :) This is starting to look very Decepticons to me...

QuestReadyMD

So cool. The symmetry is perfect. I also love that you can see elements of the symbols of lerasium and atium in it.

Isaac Stewart

That's exactly what I was going for. Glad you saw those symbols in there!

ArgentSun

Hey, you say Harmony do you mean harmonium? As far as we know, we only have symbols for metals, not Shards

Isaac Stewart

The symbol for Scadrial (at least among the Cosmere-aware) is also the symbol for Harmony but will probably also be used for Harmonium. It was a mashup of the other god metal symbols. It was natural to make a symbol to fill this void in the Feruchemical symbols as well.

Joe Sanders

Was this on purpose or is it an accident? I can see both the symbol of the Chalice and symbol of the phallus in this, is this a sign of him being an Eunuch?

Isaac Stewart

Totally on accident!

Giffyglyph

Rare to see symmetry in Feruchemy glyphs; does that reflect Harmony's "balanced" nature? Or perhaps an implicit connection to Roshar's glyphs...?

Isaac Stewart

Harmony's symbol was symmetrical and balanced in its Allomantic form, so I decided to carry that over in its Feruchemical form. No relationship to Roshar's glyphs. :)

Brandon Sanderson

Chapter Thirty-Five

How Hemalurgy Works

The epigraphs to this chapter and the ones around it talk about Hemalurgy. I'm feeling that by now, you've figured out what it does. You use a spike on an Allomancer or a Feruchemist, killing them and charging that spike with power. Then you drive that spike into someone else, and they gain that same power. (Though they get a little bit less than the person who died. In some cases, if the spike sits outside of a body for a long time, it can lose a lot of its potency.)

Though this mechanism doesn't add any new powers to the world, I really like the way it works. With Allomancy and Feruchemy, we already have a lot of different magic powers to keep track of. I wanted something from Hemalurgy that wouldn't simply add to the list of abilities, but would instead fit with the feel and the nature of the magic. Something to balance Allomancy, in which a lot of power can be obtained without much direct cost to the Allomancer.

Hence, Hemalurgy. In a way, it has the most potency of all the powers, for with it you can make anyone an Allomancer or a Feruchemist. You can steal single powers from the other two arts, then mix them in a person as you wish. It adds a different element to the world—a way to obtain more power, a way for a common man to become like Vin or Kelsier, but at a terrible price. It works perfectly with who I wanted Ruin to be and what I wanted the conflict of these books to become. What is the cost of power?

Cause and effect, action and reaction.

Pagerunner

Bronze Allomancy and tones. Normally you can only hear Allomancy--they haven't figured to use Feruchemy. Is that because they need to learn to listen on a different pure tone?

Brandon Sanderson

Not necessarily, but I like the way you're theorizing.

Questioner

I'm trying to understand the relationship between Hemalurgy and the Shard Ruin. Most of the Invested Arts involve inputs of energy of the Shardic Investiture that corresponds to it. That doesn't seem to be the case for Feruchemy and Hemalurgy. So I'm wondering what the relationship is between the corresponding Shards and those two Metallic Arts.

Brandon Sanderson

There's a whole lot going on here, and I'm not sure how much I can get into right here. But one of the basic concepts I built for the cosmere, way back when, was that a lot of the different magics would be showing up in different systems. And there are certain underpinning fundamental rules. And this is why you'll see Lightweaving working the same way across three different magic systems; I think you've seen it in three different ones so far. Elsecalling's gonna work the same way. Hemalurgy is a thing that is, like, part of the nature of the cosmere, that the Shard simply knew and was able to tell people how to do

So is it of that Shard? Well, yes, because you would have to be following that Shard's Intent in order to use it. But it could be discovered on other planets, as well.

Questioner

And independent of Ruin's presence, really, except for as Ruin affects the cosmere as a whole?

Brandon Sanderson

Yes. Exactly. You are correct.

Questioner

Talk about your process of writing; and also about how you creatively approach it.

Brandon Sanderson

Every writer has a different process. There’s as many ways to do this as there are writers in the world. For me, my creative process is that I’m always searching for the ideas that I can connect into a larger story. I feel that a book is more than just one idea. A good book is a collection of ideas; usually a good idea for each character—something that forms the core of their conflict—several good ideas for the setting: something that’s going to drive the economy, something that’s going to drive (for me the magic) the setting—that sort of thing—and then several good plot ideas. These all bounce around in my head—I’ll grab them randomly.

An example of one of these was for Mistborn: For Mistborn, one of the original seeds was, I was watching the Harry Potter movies that had come out, and I was thinking about Lord of the Rings, which I had just reread, and I was thinking, you know, I like the hero’s journey: young, plucky protagonist goes, collects a band of unlikely followers, face the Dark Lord… and I thought “yeah, but those Dark Lords always get, just like, a terrible, raw end of the deal. They’re always beat by some dufusy kid or thing like that,” and I thought “I want to write a book where the Dark Lord wins.”

But that was kind of a downer of a book, as I considered it, a little bit, you know, “you read this book, and then at the end the hero loses,” that’s kind of a downer. So I stuck that in the back of my mind saying “I want to do something with that idea, but it’s going to take me a little while to figure out exactly what I want to do with that idea.” And then I was watching one of my favorite movies from a long time ago—both of these ideas come from movies, many of them don’t but these two did—Sneakers, if any of you have seen it, just a, like an amazingly awesome heist story, and I thought “ya’ know, I haven’t seen a heist story done in fantasy in forever,” little did I know that Scott Lynch was going to release one, like, one year later [The Lies of Locke Lamora].

But nobody had done one, and so I said “I want to do a fantasy heist story.” The two ideas combined together in my head. Alright: world where the Dark Lord won, a hero failed; thousands of years later, a gang of thieves decided to rip the Dark Lord off and kind of try to over thrown him their way, you know, making themselves-- by making themselves rich.

And those ideas combined together. And so a story grows in my mind like little atoms bouncing together and forming a molecule: they’ll stick to each other and make something different. Those two ideas combine to make a better idea, in my opinion, together. And then character ideas I’d been working on stuck to that, and then magic systems I’d actually been working on separately. Allomancy and Feruchemy, two of the magic systems in Mistborn, were actually designed for different worlds, and then I combined them together and they worked really well together, with the metals being a common theme.

I did all of that, and when it comes down to write a book I sit down and I put this all on a page, and then I start filling in holes by brainstorming. “What would go well here, what would go well here, I need more here” [accompanying gestures indicate different “here’s”]. And I fill out my outline that way, and I fill out my “World Guide,” as I call it. I actually just got—the wonderful folks of Camtasia (it’s a software that records screens) sent me a copy of their software so that I can record a short story, and I’ll go—I’ll do the outline, and then I’ll do the story, and then I’ll post it on my website and you can see exactly, you know, step-by-step what happens. Just don’t make too much fun of me when I spell things wrong.

It’s really weird when you’ve got, like, that screen capture going on, you know people are gonna’ be watching this, and you can’t spell a word, and it’s like “I don’t want to go look it up, I can get this right,” it’s like, the writerly version of the guy who refuses to go get directions. So I like try a word like seventeen different ways, and like “Gehhhh okay,” and then Google tells me in like ten seconds. Anyway, that’s your answer and I hope that works for you. Thanks for asking.

Questioner

I know Hemalurgy [has to go to mix and match powers], would it be possible to use Feruchemy for Connection to hack into multiple Knights Radiant, kind of act as a Squire to more than one at the same time.

Brandon Sanderson

Great question! I think you could make this work. I think it would take a little bit of legwork, but I think what you're wanting to do could indeed work. More likely in that case though, you could probably be a Squire to multiple Orders. *Hesitantly* Yeah...I think that would work, but I don't think it's the easiest way to do what you want to do. I think there are easier ways.

Death Magnetic

I'd first like to say that this series was fantastic. I was exceptionally pleased with how you tied everything together in this final book of the trilogy.

(1) This series has the best world-building, magic system, and over-arching plot of any epic fantasy I have ever read. I think George R.R. Martin is still the master of creating memorable characters, developing them, and having them interact with each other. Other authors, like Hobb and Rothfuss, are better at evincing emotion. You are an amazing writer yourself.

That being said, I have a couple suggestions for you.

(2) The first contradicts itself, so take it for what it is. I would suggest that you write how you feel the story should be written. Getting inspiration from someone is one thing, but changing your work because some people want a happy ending or dark ending takes away from the purity of writing. The part you added in at the end where Sazed let Spook know Vin and Elend were happy in the afterlife really stuck me like a thorn. I think it was apparent how happy they were together in life and how necessary their sacrifices were. That would have been enough for me.

(3) My other suggestion is more of a plea really. Please don't extend this series just to capitalize on it. If you really feel there is more story to be told, then tell it. I, for one, thought the ending would have been perfect if allomancy, hemalurgy, and feruchemy would have faded from existence as their corresponding gods did. It would have been rather romantic to have people start over with a new "normal" world.

Congratulations again on completing a masterful work!

Brandon Sanderson

1. You humble me. I don't think I've NEARLY the skill for characters that Mr. Martin does, and that's not just an attempt at modesty. I hope to be there some day, however.

2. This is a tricky one. I didn't change the worldbuilding or the cosmology of the story in order to fit what people wanted, but I feel strongly about using writing groups and test readers to see if my intention in a book has been achieved. I show things to alpha readers to see what is confusing or bothersome to them, then decide if that's really something I want to be confusing or bothersome.

In my mind, the presence of a powerful being such as Sazed, mixed with some direct reaching from beyond the grave by a certain crew leader, indicated that there WAS an afterlife. However, test readers didn't get it, so I tweaked the story to make it more obvious. Perhaps I should have left it as is, but I liked both ways, and decided upon the one I liked the most in the context of reader responses.

I do plan to always tell the stories from my heart, and not change them because of how I think the reactions will be. But I do think it's important to know what those reactions are ahead of time and decide if they are what I want or not.

3. We are on the same page on this one. You can read other posts on the thread to see what kind of thoughts I might have for more Mistborn books, but I don't know if/when I will write them. It depends on the story and how excited I am to tell it.

Brandon Sanderson (paraphrased)

Feruchemy is about multipliers. The more the Lord Ruler aged, the less "multiplier" he could store in his metalmind. And the more he aged the more he would need to Compound to stay alive. There could exist an upper bound to the amount of time the Lord Ruler could survive off this trick.

zas678

Can you detect Feruchemy with bronze Allomancy?

Brandon Sanderson

It is actually possible but it's very difficult. There's a tweak that you need to do to make it work and I haven't talked about that yet. They do not know how to do it… on Scadrial. But you can theoretically detect all kinds of active Investiture. Investiture that's being used. Kinetic Investiture would be the way to call it.

Questioner

What inspired you to write that series [Mistborn]? It's amazing.

Brandon Sanderson

Oh good question, what inspired me to write Mistborn… A couple of things have to come together for me to write a book. Usually it is not one idea. Usually one idea is kind of the sparking point but then I file it in the back of my brain and wait until other ideas stick to it and work in really cool ways. Mistborn is a conglomeration of several things. First off it was watching-- I guess it was reading-- reading Harry Potter and being like "Wow these Dark Lords sure get a tough time of it. They're always beaten by these dopey kids." Right? *laughter* Like Sauron, there's this little furry-footed British dude who's like-- destroys your whole empire or things like this. And I was like "These poor guys, what if we had a book where the Dark Lord won? Where-- What if Frodo got to the end and the Dark Lord was like 'Oh thanks for bringing my ring back.' and then killed him and took over the world." It was really, I'm a fan of The Wheel of Time and thinking what if Rand got to the end of The Wheel of Time and the Dark One is like "Okay, I'm all powerful, you're not, end." And he won. Oh the Pattern just broke.

As an aside for Wheel of Time fans, I actually wrote that scenes for my own catharsis. I actually wrote a scene, I never let anyone else see it, where Rand lost *laughter* and it's actually like this dramatic moment and he's like "I could just destroy the world right now" And I just wrote "And so he did, The end." *laughter* I had a good laugh over it and then deleted it.

So, what if the Dark Lord won, but I figured that would be a downer of a story so I filed that in the back of my head and it melded with my love of heist stories. You'll notice Steelheart is also a heist story. It's one of my favorite archetypes, the gang who all have their individual talents and they get together to do cool things like-- I think one of my favorite movies in recent times was actually Inception which was a heist story using people's brains. So cool, such a great concept. But one of my classic favorite movies is Sneakers, if you haven't seen that. It's so good! So that genre made me want to write a heist novel in a fantasy world so I developed that independently. Allomancy and Feruchemy were developed independently as cool magic systems, that eventually started interacting in interesting ways. And then Kelsier was the other kind of linchpin, him as a character, wanting to tell this story about a guy who had been an upper-class thief, a con-man who then got motivation to go "No I'm going to do something good with my life. I'm going to change the world. It's kind of hard to explain.

Questioner (paraphrased)

What happened to Hoid after he met Kelsier at the Well?

Brandon Sanderson (paraphrased)

He went to figure out Feruchemy. When Vin found him beaten up, it was because he got more involved than he should have.

Questioner

Nicrosil Feruchemy stores Investiture. Would a Nicrosil Compounder be able to gain Investiture up to the power of a Shard by infinitely Compounding?

Brandon Sanderson

I talk a lot about that in an upcoming Mistborn book. So that’s a RAFO. The reading is coming. I will explain what it does.

Brandon Sanderson

The Mechanism of Hemalurgy

The Blessings and the workings of Hemalurgy gave me some trouble as I designed the second and third books of this series. On one hand, I liked the way Hemalurgy worked by stealing powers from Allomancers or Feruchemists and giving them to other people. However, if I was going to limit myself to sixteen metals and be able to steal both Allomancy and Feruchemy, that meant I needed a mechanism to determine which power got stolen. If, for instance, you drove a pewter spike into a person who was both an Allomancer and a Feruchemist, then how would that spike know which power to suck out and grant to the one who would gain it?

As I was toying with how this would work, I realized that I needed to work the kandra and the koloss into this as well. Only, it was ridiculous to assume that the Lord Ruler would kill Allomancers to make koloss. There weren't enough Allomancers, for one thing—plus it would be foolish to lose the power of an Allomancer to gain an inferior tool in a koloss.

So that meant koloss had to be made out of regular people, not Allomancers or Feruchemists. Suddenly I had another set of abilities that Hemalurgy had to be able to steal—the basic pieces of Preservation inside the souls of all men.

Hence the decision that where the spike was placed in the receiver, and how it was used to kill a person, influenced how the power was shaped. Now a pewter spike could steal any of a number of powers, based on how it was used. And regular people could be used instead of Allomancers—however, when that happened, the receiver was twisted much more than if an Allomantically charged spike or a Feruchemically charged spike was used.

My rationale for this is that if the spike is pulling out the pure power of Preservation—part of the power of all creation—and twisting it, it would change the body of the recipient greatly. Twisting them through use of the twisted power.

Kurkistan

How exactly does Hemalurgic decay work for Feruchemy? Is it like a leaky tube or something, or…?

Brandon Sanderson

Yeah… yeah.

Kurkistan

So they try to store 10 units of health and only 9 gets through, or…?

Brandon Sanderson

Hemalurgic decay meaning someone who has been spiked is less powerful? That Hemalurgic decay, or the Hemalurgic decay when a Hemalurgic spike is left outside of blood?

Kurkistan

Less powerful. So like the Inquisitors are less powerful Feruchemists so they had to spend longer storing: so why did they have to spend longer storing?

Brandon Sanderson

Yeah they lose a little bit, it’s a leaky… You’re there, exactly. It just doesn’t quite… it’s not as efficient: it’s an efficiency thing.

Brandon Sanderson

Chapter Thirty-Seven - Part Two

Sazed's doings here are our first real glimpse of Feruchemy in action. It's a fun magic system–you'll see a lot more of it in book two.

Darxbane

In an annotation from book one, it is mentioned that The Lord Ruler needed all three magic systems in order to do what he did. I always assumed that it meant his Hemalurgy enhanced his Allomancy. Did Marsh get a double power, or is the Feruchemy-Allomancy combo enough? (a sidebar to this question is whether or not stacking abilities is possible through Hemalurgy)

Brandon Sanderson

He used Hemalurgy to pull off his most dramatic effects. Marsh didn't need them, but it makes things much easier.

GreedyAlgorithm

Brandon, I'd like to see a timeline of when you fleshed out the parts of the cosmology we know about. I'd imagine Allomancy came before you fit it into the bigger picture, right? What was your method, come up with a cool image of hammering spikes through a living being, figure out how to integrate that into a larger picture, and then think about the implications of your new cosmology? Or what?

Brandon Sanderson

Boy, this is a hard one to ask because it's been such a LONG process. There were bits of all of this popping around in my head almost twenty years ago, so it's going to be hard to define where what fit into place when.

Allomancy and Feruchemy were originally planned separately. I linked them together into this book when I realized that the 'focus' items that could store attributes could be metal, and therefore work wonderfully with the Mistborn book I was planning.

Hemalurgy came from the image of Inquisitors first, then developed as a need to integrate it in with the other two in a way that evoked the power of "Ruin" rather than the power of Preservation. I figured that Ruin would steal, and it was a great way to add a third magic without having to overload people with a whole new set of powers. The process of writing this series, since I did all three books together, was an interesting one, and I made a lot of connections as I went. Some of the latest things on the timeline were figuring out how to fit atium and the Preservation nuggets into the already built framework. But I don't know if I can give you an exact list. Partially because there would just be too many spoilers in it.

Questioner

So in Scadrial we know that Allomancy is end-positive, and Hemalurgy end-negative, and Feruchemy is neutral, right? Is there such a concept on Sel, with the magics?

Brandon Sanderson

All of the magics on Sel, every one of them, is end-positive.

Questioner

Okay. And what fuel-- well, it's not a fuel. What focuses it? It's-- no, not that too.

Brandon Sanderson

They all draw power from the Dor. None of it's coming from the people. That's what this refers to, right?

HazelCharm47

Let's say we have a hypothetical situation with Miles Hundredlives. In this scenario, he is wearing a gold metalmind filled to the brim with stored healing power. He is then spiked with a cadmium spike and loses his gold allomancy.

Now, if I recall from various WoBs, he would be able to heal using the gold metalmind and regain his gold allomancy. I could be misremembering and he cannot heal it, but I believe he would be able to since it is part of his Identity.

However, one question I have never seen the answer to is this: what happens to the ability in the spike? Is the allomantic ability still contained in the spike, leading to a duplicate? Or is the spike's ability lost? Or maybe I have this whole thing wrong and Miles could never have regained the ability in the first place.

If the ability duplicates (which I doubt), that could lead to some crazy things. Also, this applies to any Twinborn with gold Feruchemy, I just thought Miles was a good example I guess :)

Brandon Sanderson

I'd like to see the exact WoB's here to make sure I'm being consistent, as I don't know that I confirmed you could regain lost powers--only that you could heal from hemalurgic soul damage. Most likely, what you'd end up with is a person who has been healed and can remove the spike from their body without damage, and without needing it to hold their soul together--but who has lost the ability in the spike.

Regardless, though, what you want here (the mass production of spikes charged and even blanked) is possible with the right levels of investiture. It's an energy, like things in our world. The difficulty is finding out how to 1) get enough investiture and 2) key it to the right people and/or magic.

Hope that's a little more clear.

That said, a lot of times people just ask me if something is possible--and a lot of things are possible, but just very difficult. And with the right boost of investiture, in the right circumstances, it WOULD be possible to regrow lost (to spikes) powers. It's just highly unlikely.

I'm not sure if the questions people are asking me are ones I've qualified, or not, in these instances. Also, this is all something I'm playing with still behind the scenes as we enter the modern age of Mistborn.

HazelCharm47

As requested, here are the WoBs I believe are related. They might be obsolete, however. And I assume things will get changed a lot before Era 4, but hey, it's fun to ask anyways :)

WoB #1:

https://wob.coppermind.net/events/331/#e9434

This one states that as long as Miles still has his Identity, he would be able to use his Feruchemical metalminds after being spiked and would be able to heal.

WoB #2:

https://wob.coppermind.net/events/102/#e983

This one says that Miles would be able to heal his soul using Feruchemical healing and regain his gold Allomancy (assuming he survives the spiking). I think this is the most essential one!

WoB #3:

https://wob.coppermind.net/events/76/#e6335

This one is only somewhat related - implies that the Feruchemical and Allomantic powers are spiritually part of him.

WoB #4:

https://wob.coppermind.net/events/7/#e6435

Also tangentially related - damage to the soul from Hemalurgy can be healed (Although this might just be a Hoid thing). I guess the question could be expanded to include non-Feruchemical healing as a way to repair the soul after being spiked.

Brandon Sanderson

Well, I don't think any of those are specifically inaccurate. I just didn't quite understand what people were trying to get out of me. A lot of times, I don't know quite what people are trying to get out of me. I can see now they're trying to figure out.

I see now, and I appreciate you putting this all together for me so I can see what the fans are trying to figure out. So the answer is a cautious yes. The problem here is that he'd need to compound a TON of healing first--but yes, it would work. You could theoretically turn someone like Miles into an invested spike factory.

If he didn't have enough healing stored, though, he'd end up with a healed soul but a gap (like a scar on his soul) where his spiked-out abilities were. That could theoretically be healed with application of more investiture, depending on things like how he views himself, and if you could get the right type of investiture.

Chaos

Would the Three Metallic Arts operate in other worlds, or are they direct results of Ruin and Preservation and thus only operate in Scadrial?

Brandon Sanderson

To use Feruchemy or Allomancy in almost every case, one must have the right spiritual and genetic codes, imprinted upon people during the creation of Scadrial by Ati and Leras. To use Hemalurgy, one must first have someone with these right spiritual and genetic codes, then take the power from them. Other people on other worlds are not going to simply discover the Three Metallic Arts by accident.

Brandon Sanderson

Chapter Six

I've spoken before on my creative process. I build books out of good ideas, often developed in isolation until I find the right place for them. (Allomancy and Feruchemy were originally developed separately, for separate books.) When a book doesn't work, the ideas get broken apart and bounce around in my head some more until I find another place to try them out.

Bridge Four—and the plateau runs—were originally part of Dragonsteel. Dalinar was too, so that's not all that surprising, I guess. However, Bridge Four is unique here in that when I decided to move them from Dragonsteel to The Way of Kings, I had already completed both books and felt pretty good about them. They are both important sequences in the Adonalsium Saga, and lifting Bridge Four from Dragonsteel meant taking away its most dynamic, powerful plot structure.

That decision was not easy to make. The problem is, both books were fundamentally flawed. Oh, they were both good, they just weren't great—and I felt I needed to be doing great in this point of my career. (Hopefully during every point of it.) The Way of Kings had an awesome setting and some great characters, but no focal plot sequence that really punched someone in the gut. Dragonsteel had wonderful ideas, but they never really came together.

In the end, I took the best part of the book that otherwise didn't work and put it into the book that needed a little extra oomph. The moment of decision came when Ben McSweeney, who was doing concept art on the book, sent me a concept he'd done that looked shockingly like the Shattered Plains. (Which, remember, were not even on that planet at that point.) I realized that they would fit the worldbuilding of The Way of Kings better than they ever did Dragonsteel, and that I could put greatshell monsters in them.

So, I ripped apart a book I love to make a (hopefully) better book. Rock came along to Roshar for the ride (he was an original member of Bridge Four in Dragonsteel). I added Teft, who had been left languishing for a decade or so after Mythwalker became Warbreaker and he didn't make the jump. Bridge Four seemed like a great home for him.

[Assistant Peter's note: Teft is mostly the same character as Hine from Mythwalker, but also has a character aspect from Voko in that book.]

TheOneKEA (paraphrased)

I also referenced the recent Q&A and this post, and speculated that the reason why the original poster thought Wax's sister was a duralumin ferring was because of Wax's comment that he did not feel any strong emotions as a result of her death. I told Brandon that the poster must have thought that she was deliberately suppressing her Connection with Wax by using Feruchemy. I said that I didn't need a yes or no answer from him.

Brandon Sanderson (paraphrased)

He replied that he would neither confirm nor deny my statement and would only agree that it was very interesting.

Windrunner

Why does Scadrial, which has two Shards, only have three manifestations of investiture, (Allomancy, Feruchemy, and Hemalurgy) but Sel, also with two Shards, has five manifestations of investiture (AonDor, Dakhor, ChayShan, Forgery, and Bloodsealing)?

Brandon Sanderson

Sel's magics are much more regionalized than Scadrial's. Each area has its own manifestation, but they're all actually the same magic. So really there is one magic on Sel--much as Windrunning and Lightweaving on Roshar are kind of different magics, but also kind of the same.

Seonid

Aether of Night, aethers also show up in Liar of Partinel...

Brandon Sanderson

Yeah, that was...

Seonid

Was that cannibalized...

Brandon Sanderson

That was a cannibalization, it's an attempt at repurposing and I didn't like it so it probably won't go forward that way but it was an attempt because it worked so well to mash Allomancy and Feruchemy into the same system and I didn't like how it went but...

Blainethetrain

Is the access to Allomancy and Feruchemy granted via Hemalurgy heritable?

Brandon Sanderson

No. Good question.