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DragonCon 2016 ()
#203 Copy

Questioner

I don't really read much, but-- *laughter* I listen to all of the audio books of all your books... And one thing I really respect that you do is you're very punk rock about how you approach things. Like "Three [prologues], yeah why not?" It actually reminds me a lot of Final Fantasy, like when that came onto the scene it was just "Dang, these guys are doing everything. The best, the newest, the freshest thing." And I was actually curious, have you ever actually played Final Fantasy, where you inspired by it? Especially because the swords are HUGE like in Final Fantasy.

Brandon Sanderson

I will admit, there's a bit of me saying "Man, what would it take to make giant swords realistic?" *laughter*  Like I actually-- No, this is real. Like fantasy art, and particularly Japanese fantasy art, has these oversized weapons that's completely unrealistic. But that's a challenge to me.

I actually played-- Like I have Final Fantasy cred. *laughter* I played One, on the original Nintendo, right? When it was released. And I have actually played them all. Ten is my favorite. As an aside, what I loved about Ten was-- The voice acting really helped, but I loved that-- Like Ten is what taught me that you don't have to have an angsty, depressed character. Angsty, depressed characters are awesome but sometimes you can have a hero who's not angsty and depressed and it works out alright. But I would call myself deeply influenced by that, certaintly.

JordanCon 2016 ()
#204 Copy

Questioner 1

So, it's been established when Syl transformed for Kaladin that a living Blade can become any weapon, right?

Brandon Sanderson

Yes, based on the perception of the wielder.

Questioner 1

Right. So, why is it that there are only dead swords?

Brandon Sanderson

That's a good question that will be answered in the future.

Questioner 2

Could they make a lightsaber?

Brandon Sanderson

Could they make a lightsaber? W-- They could make metal weapons of a similar style to that, so no, we're not talking lightsabers because… Creating plasma is not something that we're looking at.

Moderator

But like a bow, for example?

Brandon Sanderson

They could create, probably--Well, let's RAFO that one, I'll show you what's going to be happening.

Rhythm of War Preview Q&As ()
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Nanotyrann

Kaladin's new occupation raised a discussion about the use of shardscalpels against tumors in Daniel's Discord, can you clarify what happens with a tumor when it is stabbed with a shard?

Brandon Sanderson

With training, it could be made to cut out a tumor--but that wouldn't be the natural result.

Cosmere surgery stuff is going to be...odd, at least on the magical side. How the person views themselves and the disease could influence things in interesting ways.

Oathbringer Chicago signing ()
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Questioner

Can I ask you real quick: Where Warbreaker falls in Stormlight Achive?

Brandon Sanderson

Warbreaker is before Stormlight Archive. Vasher, before Warbreaker, had been to Roshar.

Questioner

Okay, that's what I needed to know. Nightblood.

Brandon Sanderson

Nightblood was patterned off of things that Vasher and the others saw on Roshar.

Oathbringer release party ()
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Ethour

Would a Shardfork be effective in combat?

Brandon Sanderson

...Depends on who has it. I think-- There were war tridents that were used, historically, but I'm gonna say that, on average, a sword's a better choice. But, I mean-- Lift isn't hot on hurting people, even when she's fighting them, so it's kind of a weird thing.

/r/books AMA 2015 ()
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Deathbyfire222

Hi Brandon! My friend and I are putting together a Dungeons and Dragons campaign based in Roshar, and were toying with the idea of players being Shardbearers. Unfortunately, only a few of the stances (i.e. Windstance, Smokestance) are mentioned in the books.

Have you given thought to what the rest of the stances are, and the qualities they emulate in combat? What are they?

Brandon Sanderson

Going into the Stances in depth is going to be tough for me as I am answering on mobile. But yes, I have thought about them all. They should all appear in the books eventually.

Calamity release party ()
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Questioner

Could a Forger, like, reforge a Shardplate to look differently?

Brandon Sanderson

So here's the thing... Um, yes, *but*... Anything that is Invested is-- resists all of the forms of Investiture. And the level of Investiture in it determines how hard it is. Forging is one of these things that-- It's very hard to reforge things that are Invested. Not impossible though. So yes, *but*... Do you see what I'm saying? There's that-- there's a pretty significant "but" on that one.

Words of Radiance Philadelphia signing ()
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macros

Based on what we know currently about ten heartbeats, why does Szeth require ten heartbeats to bring forth his Honorblade?

Brandon Sanderson

Perception is a very important part of how these things all work, and remember the Honorblades work differently from everything else. Everything was based upon them. Why don't you read and find out what's going on there, but remember that the characters's perception is very important.

macros

So then that's why at one point Shallan requires ten heartbeats and now she doesn't?

Brandon Sanderson

Right, it's the exact same reason that Kaladin's forehead wounds don't heal. Because he views himself as having those somewhere deep inside of him and he can't heal until that gets away. And it works for the same reason why in Warbreaker when you bring something to life, your intention rather than really what you say is what matters. It's all about perception.

Salt Lake City signing ()
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Questioner

Why does the Shardbearer-- when they are dueling with Adolin and Renarin-- Why does the Shardbearer freak out when Kaladin grabs the sword? The <Shardbearer> like... He screams, and he's like, "I didn't kill you", and ran away.

Brandon Sanderson

Yes.

Questioner

Why does he do that?

Brandon Sanderson

Because when Kaladin was there, and they were touching it, they actually heard the spren that was inside of it. Right? Because when an--

Questioner

So it wasn't Syl that he heard, it was the sword.

Brandon Sanderson

It was the sword's spren... that Kaladin was touching it. When the Knight Radiant touches it-- You can see when other Knights Radiant pick up swords, they can hear the screaming.

Words of Radiance Philadelphia signing ()
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Questioner

We were wondering about the stances and I was wondering if you could match them?

*unfolds image*

Brandon Sanderson

I would have you email it to us, because Ben McSweeney made the final call as he drew these, on which one was which. While I had notes on each of them, he matched the stances to them, and so it would be really easy for me to get them wrong.

Oathbringer release party ()
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Brandon Sanderson

I have it cutting right now, but I don't know if I can have it actually completely cut because we slide it through the rock and things like that, right? So it's gotta be that, like, atomizing a little bit into Investiture or something like that. Because I use it in a way that they just-- but there's not really friction on it, so mathematically I'd probably have to say that something is vanishing... I don't want it to but I probably have to.

Questioner

Yeah, I was just sitting there, thinking about Dalinar getting that trench. That would be difficult.

Brandon Sanderson

RAFO. RAFO for you, sir.

Oathbringer release party ()
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Questioner

So, a Radiant's blade. When it takes other forms, does it take on any different properties? So, like, if Kaladin beat someone with the butt of his Sylspear, would it still do something in regards to the soul?

Brandon Sanderson

Would he still hit the soul? That is theoretically possible to make happen. It requires a lot of work. That is theoretically possible.

Arcanum Unbounded Hoboken signing ()
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yulerule (Paraphrased)

I also asked about the connection between the spren and Surgebinder, such that the spren turns into what the Surgebinder wants. Like in Edgedancer, [Wyndle] turns into a bar of metal and into a Shardfork. Wyndle himself isn't "in tune" with Lift, so his turning into something that she needs with no prior warning...

Brandon Sanderson

Yeah, they actually mix. When the bonding is happening, what's happening is that the gaps in the souls are being filled with the spren's <essence>. And they are actually melding into one 

yulerule

*inaudible*

Brandon Sanderson

And they are actually melding into one individual *inaudible*.

yulerule

<And the minds are separate?>

Brandon Sanderson

Yeah, mhm.

Barnes and Noble Book Club Q&A ()
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MarlonRand

Is there any information about Way of Kings that you can give us at this time?

Brandon Sanderson

I've wanted to do a long epic for a while. I guess that's what comes from reading Jordan and the others while growing up. And so, way back in the late 90's—when I was experimenting with my style—I started working on ideas for a longer form series. I knew the real trick for me would be to do it in a way that it didn't feel stale after just a few books; there needed to be enough to the world, the magic, and the plot arcs that I (and hopefully readers) would keep interested in the series for such a long time.

What it gives me (the thing that I want in doing a longer epic) is the chance to grow characters across a larger number of books. Dig into their pasts, explore what makes them think the way they do, in ways that even a trilogy cannot. In Kings, I don't want to do a longer 'saga' style series, with each book having a new set of characters. I want this to be one overarching story.

One of the things that has itched at me for long time in my fantasy reading is the sense of loss that so many fantasy series have. I'm not complaining, mind you—I love these books. But it seems like a theme in a large number of fantasy books is the disappearance of magic and wonder from the world. In Tolkien, the Elves are leaving. In Jordan, technology is growing and perhaps beginning an age where it will overshadow magic. It's very present in Brooks, where the fantasy world is becoming our world. Even Eddings seemed to have it, with a sense that sorcerers are less common, and with things like the only Dragons dying, the gods leaving.

I've wanted to do a series, then, where the magic isn't going away—it's coming back. Where the world is becoming a more wondrous place. Where new races aren't vanishing, they're being discovered.

Obviously, I'm not the first to approach a fantasy this way. Maybe I'm reading too much into the other books, seeing something that isn't there. But the return of magic is one of the main concepts that is driving me.

Well, that and enormous swords and magical power armor.

Oathbringer release party ()
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Questioner

Is there a limit to what the spren can become, like we've seen them become a blade or a spear or a shield, can they become, like-- I've heard hints of a bow and arrow. Can they become a sword and a shield or just one main thing?

Brandon Sanderson

Um, it is more expansive than people guess it is, but it is limited.

17th Shard Forum Q&A ()
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Zenith

Szeth mentions that Lashings don't work with shardplate (on?). Is there any way to get around this (As in, lashing with Shardplate on, or lashing people with Shardplate on), and, if so, does it have anything to do with the Knights Radiant and/or their Ideals?

Brandon Sanderson

This has to do with the nature of the magics in the cosmere. They interfere with one another. Something that contains a lot of power--we call it Investiture--resists the efforts of magic to influence it. A strong spirit can interfere as well.

Oathbringer release party ()
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Questioner

So, the Shardfork. A very versatile, Shard-whatever. Would it be possible to do, like, a Shardrock, or something, that would go in a catapult?

Brandon Sanderson

Yeah, it has more variety than people would think, but it isn't limitless, what they can become. But that would totally be possible.

Questioner

And what would a Shardrock do if it hits you?

Brandon Sanderson

Uh, bean them on the head and be really strong. If you can get into the spirit, if you can start getting past the skin and stuff, you can do some serious damage.

Leipzig Book Fair ()
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Questioner

And there's one last question if I may: I'm really into swords and such. I couldn't help but notice king Elhokar's Blade. It's just... All the others are ornamented, and they may have some glyphs, but it is the only one where it is explicitly it is told that there are ten fundamental glyphs on it which are the glyphs of the orders. I read some of the chapters from Dalinar from Unfettered II, and I know how he got it for Elhokar. Is there also some more backstory to this Blade?

Brandon Sanderson

There's a backstory to every Blade and every one of them is special, that's the problem. But I will be exploring the origins of some of the Blades. Eventually. Not a ton, but a little bit.

Questioner

As it is ornamented in such a way... Could it be related to a Bondsmith?

Brandon Sanderson

Bondsmiths didn't have Blades.

Questioner

All of them? It's just... Maybe it was just the Stormfather...

Brandon Sanderson

No. That's a really good guess. Really good guess. I'm gonna RAFO Bondsmiths because you gonna learn a lot about them in the next book because it's the Bondsmith's book. That's a really good theory, but it's not true. 

Questioner

But maybe there is at least something to it.

Brandon Sanderson

But there's a reason to it, why it has all the 10 orders.

Salt Lake City ComicCon 2017 ()
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Questioner

What inspired the sword stances in The Way of Kings? Windstance and stonestance--

Brandon Sanderson

Yeah, it was old-school, what they call-- the old books that you would see-- sword training guides. Where you would see a guy in a stance, and then go like this, and things. I just thought they were really interesting, and I developed the stances around that.

When Worlds Collide 2014 ()
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Jeremy (paraphrased)

Syl gives Kaladin the choice to have any number of weapons or a shield. Pattern can be equally a sword or a small knife. Are spren limited to being items of war or could they be put to other uses? Could the surge binders less geared toward battle use their spren to make ladders, rope, etc?

Brandon Sanderson (paraphrased)

No, this is not restricted to articles of war.

General Twitter 2012 ()
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SwiftxJustice

Quick question to help me settle a debate. Could Allomancy affect a Shardplate/blade?

Brandon Sanderson

No. Investiture interferes with most magics.

eridius

Wait, are Mistborn and Stormlight Archive somehow connected?

Brandon Sanderson

Multiple people from Mistborn appeared in The Way of Kings.

General Reddit 2017 ()
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airsicklowlanders

If someone shaves with a shardrazor is that shave their last shave?

Brandon Sanderson

No, not unless you cut down beneath the skin--so nicks maybe would be a problem...

Jimbyl

Would a living spren be able to choose whether or not they cut something? Like could Syl make herself cut nonliving objects without also harming living things? If that's possible, could that go even farther and make it so a radiant's blade could only harm specific targets?

I'm starting to think up a ridiculous scenario where a radiant cuts through an ally without harming them to get to an enemy.

Brandon Sanderson

As it stands, no, this is not possible. (Sorry.) It's possible the spren could dismiss in time, then reappear on the other side, and FAKE that they'd done this--but couldn't simply choose not to do damage while cutting someone.

Calamity Seattle signing ()
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Questioner

All right, gibberish. Hoid speaks gibberish. He says he cuts off words and splices them back together. Gibberish can be spliced to Shardblade. Which is interesting. Is a Shardblade a cut up concept, or a thought created by the original...

Brandon Sanderson

A Shardblade...

Questioner

Is a spren, but the original idea it was based off of. Is it a concept made real?

Brandon Sanderson

Yes, you could say that. They're really just pieces of Honor's soul.

Footnote: "Balderdash" is the anagram of Shardblade that Hoid uses.
YouTube Livestream 18 ()
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Brandon Sanderson

It is hard for me to keep in mind more than one big change for a book [while revising]. I can do it, but it's hard; it's a challenge. And fortunately, the way I write books is, generally I only have one big change per plot cycle or per viewpoint. Like, I can say, "For this viewpoint character, my big focus change for this is changing this part of who they are. This character needs to be more proactive." That's one of the ones that I had for the new Stormlight book, is there was a character that just wasn't proactive enough. And I'm like, "I need to change the way that they're viewing their life, and add a few scenes in appropriate places that up the character's proactivity."

That was separate from a different character, where I had approached some of the mental health things the wrong way, and early beta readers were able to point me the right direction on how to do it better. And that character, I didn't change structurally their plot; I changed their response to it, and then a few places where that response did require some major changes. But I could have them on mind: this revision, I'm doing this for this character.

And I had, like, three of those in my 4.0 draft. And for all the other characters, I could say, "In this, we are just focusing on tightening-normal-prose sort of cleaning." And that way, when I went to the 5.0, if there were things for those other characters, I could feel that I had already done the prose tightening for them, and I could get into some more of the problems they needed, and I was able to keep the big changes in my head for the other characters. And then, in the last draft, I was able to do the prose tightening on their viewpoints. And that worked really well for this specific book.

Brandon's Blog 2015 ()
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Brandon Sanderson

Elantris 10th Anniversary

First, in relation to Elantris, May is the 10th anniversary of its release, my first published book! In celebration, we've been putting together a 10th Anniversary Edition, which is coming out later this year. It will be in trade paperback form (the paperback format which is more the size of a hardcover), and I'm hoping I can get Tor to print at least a few hardcovers for those who want to get them.

We've packed this edition with some cool extras. It includes a new foreword by Dan Wells, a retrospective by myself, an Ars Arcanum appendix (as this was the only one of my Cosmere books not to have one), brand-new redone maps by Isaac Stewart, and a very short extra scene. In addition, as I mentioned, we've changed a few things.

Now, this is the dangerous thing I talked about above. We've seen in certain high-profile films that changes done by the creator many years later are controversial. It's a slippery path. Part of creating a work of art is learning when to let it alone—most writers I know could just keep tweaking something forever. The quote (often attributed to da Vinci) that says “Art is never finished, just abandoned” is quite a true statement.

However, Elantris needed some attention. When I wrote it, I didn't have access to a good cartographer who could make the continuity of my crazy map-based ideas for the story work out. I did my best, but it never quite clicked. The maps didn't match the story, and the conceptualization of the ending was always kind of vague because of this disconnect.

Well, I have Isaac now, along with Peter who is really, really good with the minutiae of this sort of plotting. We've made two kinds of sweeping changes, then, to the text:

Map Continuity: We've had to shift the locations of some buildings and events as we've figured out a scale for the maps and for the city. We've tweaked the ending; the events are the same, but where certain things happen has been changed to fit. (Over the years, many of you have asked me about this, and I've had to admit that we just got it wrong.) This shouldn't change the story in any significant way except that now it actually makes sense, but I thought you should know.

Language Changes: Peter has done a very, very thorough copyedit, and has made some stylistic changes to remove some of the quirks of my earlier prose. (Extraneous commas, for example.) Again, this shouldn't change the story in any significant way except to make it more readable.

YouTube Spoiler Stream 2 ()
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Ezio della Torre

Was Teft's death part of your plan from the book's inception or series's inception, or did you decide his fate while writing Rhythm of War?

Brandon Sanderson

Teft's fate was decided pretty early on, but these sorts of things I do leave wiggle room on. When you read Teft's first appearance—it's in Mythwalker, my ninth book that never got finished—his appearance in that book was built around this kind of character arc that eventually happened. This was baked into the original idea for Stormlight once I brought over Bridge Four and once I stuck Teft inBridge Four, from Mythwalker. But I do remain pretty flexible on these things. That is one that turned out working really well, and happening the way I'd intended for it to happen from the beginning.

But... I mean, if you've read Way of Kings Prime, you'll know that there was a point in the outlining process, and even in writing that book, where Dalinar killed Elhokar, rather than him being killed by Moash. So, you can see that these things do change, these things bounce around, but yes, the Moash betrayal and the him killing Teft was an original <incarnation> of Way of Kings. So the original 2010 version of Way of Kings, it was part of that outline.

There are things that have changed though, over the years. A big one's, of course, a lot of Adolin's arc is not in that. I go back to that one because Adolin was involved, but he was a much smaller character than he ended up being. And Adolin changing has caused all kinds of ripples through everything in large measure. For instance, all of the stuff with Maya was not in the original outline. This is stuff that I developed over time because I was not planning Adolin to have as big a role in the series as he ended up having. That's a good example of things I've changed over time. A lot of the Cosmere-aware stuff, I didn't know how much I would push on that, and it turns out I've pushed further than in the outlines I originally thought I would. Because when I was starting this, I still didn't know if people would jump onboard with this as much as they have.

[...]

Reading Way of Kings Prime is a great way to see how things have changed since. The big changes you will see there between 2002 and 2010... I guess I wrote the book in 2009, so... in those seven years, you can see a lot of the transformations that the book and the world and the series went through. It's kind of nice. Those of you who've read it recently can probably remember more about what's changed than I do. I come back to the big ones, like that book had Unmade spiked with crystalline spikes, in the basement of the version of Urithiru before I changed it to what it is now, and that is just no longer in the books, right. Unmade getting spiked and being freed by spikes to the wall is not a thing. I'm sticking them in gemstones now, right, instead of spiking them to walls. I felt like the whole Hemalurgy thing we've covered well enough. But that was in the 2002 version.

*Adam goes on a diatribe about how he'd like to see fanart of this*

It was ten spikes too.

Stormlight Three Update #5 ()
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RankWeis

I've been thinking about the Parshendi and I guess this is as good a place to ask as any - when the parshendi change, there's an obvious change in the physical realm, and there seems to be a change in the cognitive realm as well. Is there a change in the spiritual realm? I know we haven't dug much into it, but it seems like a change in the spiritual realm is very difficult or impossible - if you could change in the spiritual realm is it really the same 'thing' at the end of the process? Mostly I'm curious about the first question...the second question is more of a philosophical train of thought.

Brandon Sanderson

Things in the spiritual realm do change, but subtly. For instance, a person's spiritual component knows how old they are.

17th Shard Interview ()
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17th Shard

Why did you change the main character's name to "Kaladin" in the final draft?

Brandon Sanderson

Excellent question. I see you're stealing all of my annotation questions that I would ask myself. For those of you who don't know, the character's original name was Merin. The change was a very hard decision because the history of Way of Kings goes back so far. You know, I started writing about and working on Merin as a character in the year 2000, so he'd been around for almost a decade in my head as who he was.

A couple of things sparked the change. Number one, I'd never really been pleased with the name. I had been doggedly attached to it, despite the fact that all of my alpha readers on the original Way of Kings, Way of Kings Prime we'll call it now, said, "This sounds like a girl's name." I'm like, "Well…you know, sometimes in different cultures names sound like girls' names. I've recently discovered that Bilbo and Frodo's actual names are "Bilba" and "Froda". Those are their actual names; that's what they say in-world and in the appendices. Tolkien in one of his appendices said, "I english-ized them to make them sound more more masculine for the 'translation' of the Lord of the Rings books, but they would actually call themselves Bilba and Froda." So, anyway, Merin sounded a little bit feminine, but still I dug in my heels.

One of the concepts for the new Way of Kings is Kaladin's arc as a character. In Way of Kings Prime he makes a decision very early in the book, and in The Way of Kings I wanted to have him make the opposite decision. There's a big decision that comes to him and it's almost like these two books are branching paths from that moment in a lot of ways. And so it's going to be a very interesting process when I eventually let people read Way of Kings Prime, which I won't right now because it has spoilers for the rest of the series, but you can see how all the characters go in different directions from that moment and they also change slightly. It's like an alternate world version of the book you're reading.

So, point number two was that I started to feel he's changed so much as a person I can no longer think of him as the same character. Point number three was that, as I am now working on The Wheel of Time, having a character whose name sounded a lot like Perrin started to be problem to me. Particularly since in Way of Kings Prime Merin was not the main character but in this Way of Kings he is. Way of Kings Prime was much more evenly divided between the characters, but in the published book he gets essentially double the space, and so he becomes the main character. I felt I wanted the main character of this book to have a much stronger, perhaps a little more mythic name. I tried lots and lots of names before I eventually settled on "Kaladin".

17th Shard

Kaladin does sound like a much more powerful a name.

Brandon Sanderson

Yeah, it's a much better name. I'm very happy we did it, but we changed it on like the last draft, so it was very surprising to my editor and to my writing group when all of a sudden he changed to a different name.

General Reddit 2020 ()
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Brandon Sanderson

So, one thing I think I did wrong in the books was not having more allomancer guards and soldiers who were women. I don't think our same gender norms would be the case on Scadrial.

One of the [screenplay] revisions is this: Shan is no longer Elend's fiance, but his sister. Their father has left on business to the outer domninances, and so Shan is making a play to secure the heirship, trying to prove she is more bold and strong than her brother. This is what gives the team an opening, and why they're striking now with the heist, as in this version, House Venture maintains the city policing and has access to the atium stash.

The plan is to put a few Allomancers (including Ham) into the Venture house guard, and exploit Shan's desire to prove herself by creating chaos in the city that she'll think she needs to put down with decisive action. That will involve her pulling out the atium stash, which will in turn let the team know where to go to rob them.

It streamlines the book's story in some elegant ways to do this. Shan becomes the primary "mark" of the book, in many ways. It also lets me explain a little more succinctly what various members of the crew are doing in the background while we focus on Vin, who is to get close to Shan as a confidant--which is why she's sent to the parties. And why Shan being a brat to her isn't just annoying, it means a major part of the plan isn't yet in place.

It explains way better, in my opinion, why Shan would act against Elend. It's all clicking into place as I move pieces around. That said, I understand those who want a Television show. I could see going that way, perhaps.

Trouble is, nobody in streaming needs a big fantasy property. Anywhere I go right now, I'd be in a distant second or third place to Tolkien, WoT, Witcher, or Kingkiller. The offers I've gotten have been for a fraction of the budget of those shows--since everyone has already spent big money on their big fantasy show, and isn't really interested in another.

I'm confident feature is the place I want Mistborn; but even if I weren't, I'm not thrilled by the idea of being lost on Netflix as their "other" fantasy show.

Rapharasium

I don't know if I'm being negative, but these changes really worry and disappoint me. I really like Era 1 as it is, and all this change in the dynamics of society and the plot as too drastic.

Brandon Sanderson

This isn't negative; I understand this response, and think it's valid.

At the same time, I'm of the personal philosophy that a film should generally be a different beast than a book--a book can lean into the little intricacies of a story, while a film should be a bold but unified statement.

Nothing will happen to the books; those will remain the same. But if I want this film to work as a film, I believe I need to be willing to re-imagine parts of the story.

Mycroft_canner

With Elend having a sister does that mean you don’t need the Zane plot anymore?

Brandon Sanderson

That's from the second book--so it would be in the television show, and we'd likely still do it.

DataLoreHD

prove she is more bold and strong than her brother

Which brother?It certainly could not be Elend, right? Elend had no Allomancy powers (before he ate the lerasium in WoA), so Straff despised Elend and thought him too weak.And Zane was a bastard and also mad dog.If Shan was Straff's legitimate daughter, then her succession was already 100% secure. She wouldn't need to prove anything to anybody.

Brandon Sanderson

It will be Elend, but it's more that this is the first time that Shan gets to be on her own, leading by herself, and wants to show off for the Lord Ruler. Also, there's the question of whether the male heir--though inferior in this case--might get the nod for sexism reasons. I think it's going to work just fine, but I'll admit, it's getting a little rough to discuss all these details on a thread like this--I can't answer everyone's questions, I'm afraid. I just wanted to indicate the kinds of changes I'm looking at making.

Whatever I do will go through my standard "show it to tons of beta readers and get feedback" process, so I should be able to catch problems and fix them.

meh84f

The bit about atium is a bit confusing. The Ventures are going to have the Atium stash? Not the stash that we don’t find until the end I’m assuming? So it’ll be a stash but much smaller than expected?

Brandon Sanderson

So, I'm not sure I can explain it all in this, but one big change I wished I'd made from the start of Mistborn is making atium usable by all Allomancers. As I've gotten further in the cosmere, using a god metal as just for Mistborn has felt off.

So the lore change for the films will mean any Allomancer can use atium. This, in turn, lets House Venture have access to the LR's atium as a "Control the city" last resort. They keep a task force of allomancers for this purpose--which Ham can join, in anticipation of being able to steal it once Shan accesses it. (They don't know that House Venture is only given about a hundred beads of atium, not access to the full mythical cache, which will be reserved for the third movie.)

Makes the worldbuilding and storytelling more elegant, I've found, in the film. And it fits better with more "modern" cosmere fundamentals as have developed over the last decade. I think I'd make this change even if we moved to a television show and long form.

The Lord Ruler is still the "big bad" but Shan and the Inquisitors both get a little more screen time. (Actually, about the same as in the books--it's just that other parts are being trimmed, making them more front-and-center.)

Phantine

Based on that, you're also streamlining away the Sign of Sixteen if it gets a sequel? To be honest, that didn't really work for me in the novel anyway.

Brandon Sanderson

It's one of my least favorite parts of the trilogy. It (along with Vin drawing upon the mists in book one) are big changes I'm hoping to make to fix weaker sections of the continuity.

FAQFriday 2017 ()
#250 Copy
2017-04-21 - FAQFriday.jpg

Questioner

If you could make one change to the cosmere that is impossible to change now, what would it be?

Brandon Sanderson

Hmmm.... I gave this some thought all week, and had trouble deciding because the things I would change are more about individual books, and less about the cosmere as a whole. I don't know if I'd change anything about the big story--mostly because the things I would want to change would all take place in the Dragonsteel era, and that book isn't canonical anyway. Once I write it for real, I can change any of the things that I don't think are working.

As for the core of the cosmere...I might make some small tweaks to Allomancy. I have hever liked how the signal of sixteen worked in Hero of Ages. (for those not in the know, I talk about this in the annotations--I was looking for a sign that Preservation could send that Ruin wouldn't notice, along with help for mankind.) In the end, i think this ended up being a little clunky. Other things (like slatrification in sand mastery) are small enough I can change moving forward, but not Allomancy. So I might take another stap at that.

On the whole, though, I'm very pleased with how the larger cosmere story is playing out.