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YouTube Livestream 6 ()
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Questioner

Will Kaladin and Kelsier ever meet? Will they get along if they did meet? Even if they don't meet, I am fascinated by the possibilities a Mistborn and a Windrunner could create by working together.

Brandon Sanderson

Whether they'll actually meet or not is a RAFO. I do not think they would get along very well. It takes a very special kind of person to get along well with Kelsier. Though you will, I promise, see Windrunners and Allomancers interact. (Technically, you already have, because Hoid is an Allomancer, but that's not what you're asking about.) You will see large clashes between various different magic systems in the future of the cosmere.

Elantris Annotations ()
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Brandon Sanderson

Chapter Thirty-Three

Another short, but powerful, Hrathen chapter. This is the head of Hrathen's character climax for the first half of the book. He has been questioning his own faith ever since he first met Dilaf. It isn't that he questions the truthfulness of the Derethi religion–he just has become uncertain of his own place within it. I wanted this moment, when he's semi-consciously watching the eclipse, to be the moment where he finally decides upon an answer within himself.

This is a major turning-point for Hrathen. His part in the book pivots on this chapter, and the things he does later are greatly influenced by the decisions he makes here. I think the important realization he realizes here is that not every person's faith manifests in the same way. He's different from other people, and he worships differently. That doesn't make his faith inferior.

In fact, I think his faith is actually superior to Dilaf's. Hrathen has considered, weighed, and decided. That gives him more validity as a teacher, I think. In fact, he fits into the Derethi religion quite well–the entire Derethi idea was conceived as a logical movement.

Goodreads: Ask the Author Q&A ()
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Jesse

I love stories in any medium, and I would love to tell one myself. But, I don't think I have anything in particular to say that hasn't been done a thousand times before. I invariably come across some story that already parallels my ideas. What makes a story worth telling even when its like has been done before?

Brandon Sanderson

The answer is simple: YOU are what makes your story worth telling. Harry Potter wasn't an original story, and yet told very well, it became an excellent series.

My suggestion to you is to ask what unique passions or life experiences you have that aren't found in the average fantasy book. This genre still has a lot of room to grow. A person passionate about sports could write a very different fantasy novel from one passionate about lawn care—assuming they take what they know and love and make us, as readers, come to know and love it as well.

Good luck!

YouTube Livestream 39 ()
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SMG9000

I really enjoyed Arcanum Unbounded. Do you see yourself releasing a collection of short stories like that again? And have other authors approached you about writing a short story in the Cosmere? What other author would you enjoy seeing tackle a story in the Cosmere, and why?

Brandon Sanderson

I think an Arcanum Unbounded 2 is someday inevitable, but it depends on how many novellas I get around to writing, or short pieces. I think it is inevitable; we already have one in Dawnshard that would go in it, and we will have Horneater in a year or two, and maybe someday we will have the Lopen short story that could then fit in there. But for me to really want to do Arcanum Unbounded, I have to write some stories on other plants, like finish up the Sixth of the Dusk sequel, and stuff like that.

On the second question, there are people who are interested. Right now, the only person that is authorized to write in the Cosmere except me is Isaac. And he is working away on his first stab at a Cosmere story. I don't know what the length; we had talked about a novella. It seems like it's longer? It is. So he is working away at that. I haven't read any of it yet, I've just helped him outline, and things like that. So if that works, potentially there is a chance for more. The Skyward novellas have been very well received, and that makes me excited for the potential. I could see a short fiction collection that is just lots of different Cosmere things that different friends of mine have written.

But we'll see. I have no immediate plans; the only immediate plan for this is Isaac working on his story and me working on Horneater.

The Well of Ascension Annotations ()
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Brandon Sanderson

Chapter Four

Sazed was many people's favorite character in the first book. I knew pretty early on in the writing process of that book that Sazed would become a major force in the novel. In fact, he was one of the very first characters I outlined and built in my head. Who he is, and what he stands for, is quite integral to the plot arc of the entire series.

So, knowing that, you probably aren't surprised to see him become a major viewpoint character in this book. I loved writing his chapters. The way he sees the world–always trying to look from other people's viewpoints, always trying to understand others and give them the benefit of the doubt–makes him very dear to me. He is pleasant to write about, and his inner turmoil (we'll talk more about that later) is so much more painful because of how basically a nice person he is.

Stormlight Three Update #2 ()
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HarveyJYogscast

Something I've been wondering: are you intentionally alternating between male and female main characters through the whole series? Because I believe I remember reading that Eshonai will be book 4 and Szeth will be book 5.

Brandon Sanderson

Yes, I'm alternating intentionally. It's a pattern I don't feel slavish toward, so if the next book doesn't work for Eshonai but works for Szeth, I'll break the pattern. But the originally outline alternated through all ten.

NotOJebus

What happens if you write the next book for one, but then Book 5 doesn't work with the person you have left? Will you change the book so the flashbacks suit it or will you change the flashbacks to suit the book?

Brandon Sanderson

I'll deal with that when (if) it happens. I suspect either is possible, though I could also just decide to do a different character, if I feel it makes the story work the best.

Tel Aviv Signing ()
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Questioner

I admire your imagination and I wanted to know when you first thought about your first book. I meant what is the earliest book you thought of and what age?

Brandon Sanderson

I was fifteen or sixteen, and it was Dalinar, the character. So he eventually became Stormlight Archive, although back then it was a book called Dragonsteel.

Questioner

Was it similar?

Brandon Sanderson

No, just vaguely similar. It was about a man who was the brother of the king who had to take over when the king was assassinated, so that part is the same. But the personality changed a lot over the twenty years before thinking that and writing it.

State of the Sanderson 2018 ()
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Brandon Sanderson

Updates on Secondary Projects

The Original

I'm moving this novella (which I don't think I've mentioned before in a State of the Sanderson) into the Secondary Projects section. A while ago I had an idea for a story about a world where, if you committed a crime and went on the run for it, the government could create a clone of you (with your memories and personality) to hunt you down. After all, who better to hunt a criminal than a copy of that criminal? The copy would have strict controls in place so they could be killed by the government with the press of a button, but would be given the promise that they could take their Original's place if they succeeded in hunting them down and killing them.

Earlier this year, the idea developed into a full-fledged outline, which I wrote out during time when I needed a break from other things. It worked out well, and so you might see progress on this in future years. Right now, I like the idea of doing it as an audio original, perhaps with a coauthor who is more experienced in audio or voice acting. So watch for updates here.

Status: Outlined.

/r/books AMA 2015 ()
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theblackthorne

I find the Shin fascinating. Given their reputation for docility and Szeth's internal monologues, am I right in thinking that the Shin do not feel The Thrill?

If so, is this due to the protection of Cultivation or sheer distance from Nergaoul? And finally, is an awareness or fear of the Thrill the reason for the Shin societal disdain for soldiers or is it primarily to discourage use of the honour blades?

Brandon Sanderson

Distance is the big factor here, though there are cultural reasons for things as well. In addition, being very close to something tied to Honor reduces the effects of things like the Thrill. As for the Shin culture, you'll find a great deal in the next three books, so I'd rather not say much now.

Dragonsteel 2022 ()
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Questioner

If a Full Twinborn (regardless of natural or holding the Bands of Mourning) had access to unlimited Investiture, could they become the sun by infinitely increasing their gravity and heat?

Brotherwise Games

Infinite Investiture, you’re theorizing?

Questioner

Dalinar’s next to him.

Brandon Sanderson

Dalinar’s not gonna be able to provide enough. But in a thought experiment, sort of outside bounds of time and space… you are providing infinite Investiture, you are providing an infinite amount of healing, and you are having them create heat and weight? The problem is, you’re gonna need a whole lot of mass to turn into the sun. I mean, there is a way you can do this, but you’re gonna have to provide… Either the Investiture’s gonna have to become mass, or you’re gonna have to have them do it in the proximity of a whole bunch of mass to have to start causing that sort of fusion reaction where the different layers collapsing in toward the center, dense layers, that sort of thing. In the realm of complete hypothesis, then yes. But, of course, you an do that here with infinite energy and infinite mass, if you needed to, using mechanical means.

I guess the weird part of that question is: the person could retain consciousness through infinite healing, and that is the weird part and that is possible. Yeah.

Warbreaker Annotations ()
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Brandon Sanderson

Vivenna Reads Her Father's Letters to Lemex

So, is what Dedelin did wrong? I don't know. Again, I'm not here to give answers. He did what he felt he needed to do. Getting Lemex into the Court of Gods was an extremely important task. Without access to the assembly sessions, he had to rely upon paying people who could get in to take notes. Much better to get your spy in there himself. Unfortunately, the easiest, best, and least obtrusive way to do this was to get Lemex a pile of Breaths.

Now, I don't expect any readers to be shocked by what he did. The tone of the book presents Awakening as being far less inherently evil than Vivenna sees it. I'm afraid this is a bias I can't stamp out, since I myself see the power as being something other than evil. Neutral, as are most of my magic systems.

But I do think it's important to hold to your own personal code. Vivenna is rightly shocked about what her father did. But, then, perhaps this is a sign that she wouldn't have made as good a queen as she and her father assume she would have. While she's perfectly willing to sacrifice herself for Idris, she doesn't seem willing to live for Idris—meaning to stay behind and lead her people. She ran off. Beyond that, she would never have been able to make the decision her father did, buying Lemex Breaths.

Skyward Pre-Release AMA ()
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JKOustin

I was rereading W&W books recently and noticed something interesting.

In Shadows of Self, when Sazed/Harmony is talking with Wax, he feels warmth.

Wax felt a warmth, a fire, as if the inside of the carriage were heating to incredible temperatures

The voice vanished. The temperature returned to normal. Wax leaned back, sweating, feeling drained.

That makes me think about our favorite Bondsmith who experiences something familiar. Is it a coincidence? No, I don't mean Sazed specifically, but perhaps this happens when Shard (any Shard) tries to communicate with people? In the case of Dalinar it could be Cultivation or another big splinter of Honor.

Brandon Sanderson

This parallelism is intentional, but that's all I will say for now.

WorldCon 2013 /r/Fantasy Flash AMA ()
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Myke Cole

And so, you had this dream of being a writer, and you achieved it. You achieved it probably beyond your expectations. Is it what you expected? I mean, you're on tour all the time, you have deadlines barking at you. How do you like it?

Brandon Sanderson

Man, that's a good question. You know, I like meeting readers—that's fun. Being on tour, as much as I go, is not so much fun. And I think this is the first year where I said "yes" to too many things. I've just made too many appearances, and it's impacting the writing. Nobody tells you—that's why you make such an astute question. No one warns you that when you first break into this business—you know, you think, "Oh, I'm going to sell a book, and then I can go full time as a writer, and all my time will be writing."

But then, you break in and you realize the touring and stuff almost becomes like a second job to you. You become . . . I describe it like in Hollywood you have the writer who writes the script and sends it off, and then the director who directs the script, and then the actors who go out and do the publicity later on. And in writing you're all those people, plus the business person financing it all in the back end. And so you have to wear so many hats. It's bizarre, how many things you have to do.

That said, I really love doing signings. I just wish that I could manage that a little bit better. So we're trying to, starting next year. Just a few fewer cons, making the tours a little bit shorter—make sure that I'm not stretched so thin. And it came about partially because we released three books this year, and last year released zero, which is a really stupid idea of us. Right? You really would rather be releasing a book or two a year, instead of three in one year and none the year before. But that's how things played out.

Oathbringer release party ()
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Questioner

What did Lopen do to get on a bridge crew?

Brandon Sanderson

Lopen? Someone just thought he was annoying. Lopen, he's like the only person in Bridge Four who's, like, not a criminal. It's just like, "Oh, that stupid Herdazian, send him to a bridge crew, get him away." He's legitimately, like-- all of them have deep, dark, tragic pasts, but not The Lopen.

Questioner

Is he one of your friends?

Brandon Sanderson

No...

/r/books AMA 2015 ()
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mooglefrooglian

The man who calls himself Taln had his Blade swapped with another. Presumably, the people (or person) doing so thought he had an Honorblade.

Would the people who did the swap have known if Taln did not in fact actually have an Honorblade? Could they have been taking a chance and in fact ended up with a regular Shardblade?

Brandon Sanderson

This is possible. Assuming they knew just what they were trying to grab, they'd probably have figured it out very quickly.

YouTube Livestream 49 ()
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Readyfix7381

Would you ever consider using the medium of film or TV to tell a Cosmere story that's not based on a book already published, but you write the screenplay for instead?

Brandon Sanderson

Yes, I would consider that. As a fan of cinema and of the modern era of television (which is just very long movies, which I just love how that's become the thing that people do now), then I can absolutely see myself doing this. I want to get more experience with it before I would try that, but the original pitch for Dark One (that is a graphic novel, and which we are now writing as a novel) was written as... not scripts, but an outline for a television series. That's how I originally, just... I was starting to work on it, I'm like, "This works so much better this way, this way, this way." So I outlined it that way. So I've kind of done it before. It wasn't Cosmere, and it didn't ever get made, and it wasn't a script, but it was a step that direction. So, absolutely can see that.

And, you know, there's other things. For instance, I would like to make an Emperor's Soul movie, if the Cosmere ever takes off to the point that people are wanting something other than Mistborn and Stormlight. (Which, I totally understand why people want Mistborn and Stormlight first.) When they have done that and are like, "All right; what else do we have here?" I would like to do an Emperor's Soul. But I'm probably not gonna do Emperor's Soul as the same piece (and I've told people this before) where it is one person in a room the entire time. I would turn it into something that preserves the spirit of that, but is in a lot of different sets, a lot of different locations, with a larger cast, and turn it into something that feels cinemated. That's the one that I would adapt the heaviest, if I were doing that. There's thing like that that I would also like to do that are based on something, but basically I'd say, "What did I love about the piece I wrote? How can I make this for a new medium?" And I would start over with a new script.

General Reddit 2020 ()
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Ben McSweeney

There are days when my job is just... really much more fun than ought to be allowed. Isaac came up with all the ideas, but he let me go off on my own for Horneater White and the One-Armed Herdazian. I drew up the head for Chazmfiend and contributed "Sweet Scalespray" flavour, but I think RAFO Soda was all Isaac and Adam. It might be my favorite, too. That or the HW frontside, I had a good time painting that.

I posted a slightly nicer resolution on the Horneater White coaster last week when it was first revealed, but this is the first time folks are seeing the finished set. I did the "stained" versions for a giggle by using the same texture layers I had archived from Shallan's sealogged sketches. If y'all wants 'em, y'all can has 'em... but I feel we could also just print them clean and then have the fun of staining them honestly. Though I'd love it if the textured ones were like, 1/100 variant cards given away randomly at events or through the store, that'd be fun too.

I almost never get to indulge my weakness for alliterative copy. You know you want to TASTE the Four-Scream Fury of CHAZMFIEND!! Chase it with a fistful of Cremling Crisps, their satisfying salty crunch swears to satiate your sense of FLAVOUR!!!

It's like a birthday, every day. :)

The_Second_Best

There was one Brandon had a good laugh at on his stream, a Dalinar coaster with "What is the most important drink? The next one."

Is there any chance of you guys doing a coaster like that?

Amazing work BTW, really hope we hit the goal!

Brandon Sanderson

I love it as a joke, but I don't think we'd do a coaster because it might be a little tone deaf to twist the oaths of a former alcoholic to encourage the next drink. Normally, I'd have no problem with that, but there are some people who use Dalinar's words to keep them going in their own personal struggles with addiction.

Ad Astra 2017 ()
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Brandon Sanderson

I'll be reading to you from one of the interludes, which are interesting things to write.

So if you haven't read Stormlight-- Epic fantasy has this sort of problem, right? I love epic fantasy. I grew up reading epic fantasy. It's my first love of genres. And I have an advantage over some of the people writing epic fantasy in that, like you know, [George R. R. Martin and Robert Jordan], in that I've read [George Martin and Robert Jordan], and they don't have that advantage... Robert Jordan couldn't read Robert Jordan and necessarily had to write the stories, and I feel like at-- when I sat down to approach Stormlight Archive, which I kind of want to be my big epic, right? Hopefully I don't do anything bigger than this... *laughter* 520,000 words long. The writers in the crowd-- Yeah, 520 is pretty long. It's a quarter longer than Words of Radiance was. I am trimming it in my fifth revision. That's where I normally trim. So maybe we'll get it down to like 470 or 450 or something. But at 540... *inaudible* wants to go up. So I looked at these epic fantasy books that had come out before it-- series-- and I said, "What can I learn from them? How can I prevent myself from following in some of the same problems?" And I noticed that a lot of these big epic fantasies have this issue, kind of mid-series, where the side characters kind of take over the story, and the story deviates from its focus on to a side character focus for a while. It seems to happen very commonly. And as a writer my instincts said what's happening is the writer is wanting to show the expansiveness of the world, which is one of the big things we try to do in epic fantasy, right? They're trying to show the breadth of it, and they do this by adding characters from lots of different walks of life and different parts of the world. Which is a good instinct, right? It's gonna give you that sense of size and scale to the epic fantasy. But what happens is you kind of promise them these side stories will have their resolutions, and as you're pushing kind of towards the ending of your series you realize, "I need to tie in all these side characters." And so you end up with these books that are really focused on side characters, wrapping up their stories, and it feels like it creates a speed bump in the series. And so I said, "Well what can I do with like the format of my books that will mitigate this? Is there something I can do?" So I was kind of-- I'm a big fan of...

My thought was, I would write the books and I would find natural breakpoints inside of each book where it wouldn't feel like as much of a speed bump to kind of go off to somewhere else. Like, one of the problems with like some of these side stories would be like you're really into one of the main characters' stories and then it's like, "And then here's viewpoint from random person that you don't care about," right? Which you do care about! Some of the side characters in Wheel of Time were some of my favorite. But it's just that momentum you've got on the main characters, and then it feels like it's a break, we don't see them forever. So I try to find natural break points, that I would then insert completely random things from around the world, but I would only give myself, like, two of those per break and then I have to be done. And you know-- this forcing myself in this format with the interludes I felt like allowed-- would allow the reader to be able to know what's coming, so that, you know, if you can anticipate-- if you're like, "Alright, we have our break now. We can go to the side characters. Really enjoy them. Get to see the breadth of the world," And then we can come back to the main story and know that it's coming back very quickly. And also know that these side characters aren't going to take over the story. That there's only going to be this space for them. And you also kind of know-- for those -- I do know some people who read an entire Stormlight Archive book and then go back and read the interludes, as if they-- They're basically a short story collection in the world of Roshar. Now, skipping them is dangerous because I usually use the interludes for one important character. And each interlude has one really relevant character for each book. So in the first one, Szeth has interludes, right? And he's a very relevant character. And in this one-- well you'll see who it is in this one.

But I also like doing readings from the interludes because reading the interludes don't spoil the book nearly as much for those who haven't read the first ones, or things like that.

Calamity Seattle signing ()
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Questioner

In the event that.. so, say if you've got someone who went through a certain event, and it would have Snapped them. Take that person away from Scadrial, and move them to a different world. Would that still Snap them?

Brandon Sanderson

Remember that the Shards are mostly Spiritual Realm things. Space and time do not matter to them. Time does, space does not.

Oathbringer London signing ()
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Questioner

We know Ati chose how Ruin was interpreted, in that he was a card-cackling maniac. Could someone so differently interpret a Shard as to change its name to be something different? Could someone pick up the Shard of Ruin and think I'm the Shard of Change? Or could someone pick up the Shard of Honor and think--

Brandon Sanderson

*hesitantly* Yes. To an extent. The interpretation, what you call a thing-- I think it would be arguable either way in-world, regardless of what they call themselves. There are those who would say the core intent is still there and you can't shift it that far, and others would argue you can shift it far enough to change the definition to a synonym. You see evidence of someone claiming this in the books. I'm not gonna confirm or deny for you whether that is actually a thing or not.

Words of Radiance Chicago signing ()
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Dragon13

Have we seen any characters who is a part of multiple [secret] organizations, for example the Ghostbloods and the Sons of Honor?

Brandon Sanderson

Yes you have. *photo pause* I've a big cop out there, because you of know of one who is in the Ghostbloods and the Lightweavers. You give me opportunities, and I will answer truthfully.

Worldbuilders AMA ()
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AmbiguousPuzuma

In Chapter 19 of The Way of Kings, when Dalinar has a vision of fighting Voidbringers (maybe something else?) as a farmer, he says that he felt the Thrill in the vision. Does this mean that Nergaoul was active there, at the time that vision was "recorded" or was it Dalinar's viewing of the vision that was affected by the Thrill? Would the actual person whose perspective he was seeing have felt the Thrill if he had fought?

Brandon Sanderson

This is a great question, and one I've never been asked before. The answer is going to be a little vague.

First, Dalinar could have felt the Thrill from Nergaoul, and imported it into the vision.

Second, Nergaoul could have been active then, and the farmer could have felt it when he fought.

So both theories are valid. Which is it? I am going to hang back from answering this for now, as I am digging more into the Unmade in a future book.

Skype Q&A ()
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Calderis

Feruchemical aluminum stores and taps a marker that seems to suffuse all Investiture within a person, removing or strengthening Identity. Does Feruchemical duralumin work similarly? Does tapping connection while storing in a metalmind increase the connection of the Investiture stored?

Brandon Sanderson

RAFO. Mostly because I've got a main character who's going to be doing this, I'm not going to spoil the fun or lock myself down yet.

The Well of Ascension Annotations ()
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Brandon Sanderson

Breeze Viewpoint in the Warehouse with the Refugees.

Breeze didn't want to go with Elend to meet with Cett (for the dinner.) That isn't only because Breeze didn't want to see Cett, but because he wanted to go and help the refugees. (That chapter actually happens on a different day, so I brought him back to visit again so that I could show you him working with the people. In the Mistborn novels, unlike Elantris, I keep a strict chronological progression from chapter to chapter and scene to scene. So, if a chapter comes after another one, it's always later in time as well.)

I realize that I'm in danger of making all of my protagonists too good. Showing Breeze as being somewhat less cynical on the inside than he projects inches me toward this line. However, I LIKE people who are heroic. I try my best to make things rough on them, and to give them some quirks to keep them a little grey, but the honest truth is that I believe most people are good at heart. They WILL help others, if given the chance.

Plus, Breeze likes to study people, and this is a great place for him to do it. He can mix his focus in life with making other people feel better. Of course, there's also the fact that Kelsier himself manipulated Breeze and made a better man out of him. Put a person in charge of the weak and poor, give him the right motivation and direction, and I think that an many cases he'll come to love them. Even if that man is Breeze.

General Reddit 2016 ()
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bcGrimm

Did you write Wayne as a sociopath? Or just troubled?

Brandon Sanderson

As usual, I prefer not to interfere with theories that people are making, to confirm or deny them. I WILL say this, however.

The scenes where he interacts with Ranette and Allriandre are supposed to be uncomfortable, though I don't anticipate the average reader being able to pick out why. Anyone with any sort of experience with similar situations, however, will identify that something is deeply wrong with the way Wayne sees the world. His inability to understand boundaries, and his almost pathological need to PROVE that he's not a bad person any more, lead to him far, far overstepping. (His treatment of Steris is another example.)

Wayne is trying. This is all what makes him work for me as a real character, not as just a goofy sidekick, but you shouldn't just laugh it off and say, "Oh, that Wayne." He is deeply troubled, and isolation in the roughs--with someone who just kind of let him do his thing--did not help.

Goodreads: Ask the Author Q&A ()
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Tirithna

Does Shardplate have one general style as a pattern, or do different types exist (like European armour vs. Japanese armour), as the different kingdoms have different cultures?

Brandon Sanderson

Different types exist, but it's more along order lines than cultural ones. (That said, a person's culture could certainly influence their armor.)

Skyward Pre-Release AMA ()
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Oversleep

This is a follow-up on something I asked you in person last year. What is the bronzepulse of atium? They thought that it shares pattern with gold so I guess there would be some resemblance between those patterns? Also, did it Push or Pull, or something else even (like those uniform pulses Ruin's avatar set off)? Cause I can't help but wonder why did they not notice something very odd about it. And, well, what pulse would even atium alloys have?

Brandon Sanderson

RAFO

Orem Signing ()
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JoyBlu

Okay, A larkin and an aviar. Could you tell us how they're related - are they a bit similar? Other than that they both fly.

Brandon Sanderson

I would not call them terribly similar. A larkin is a specific type of creature that feeds off of Investiture. And there are some other things like that in the Cosmere. But aviar don't do that. Aviar have a symbiosis with an Invested entity. Aviar are more like, they're kind of weird because they fulfill both the role of a spren, but also the person that's bonding the spren. They're an intermediary.

JoyBlu

Okay. And larkins don't have feathers, right?

Brandon Sanderson

Larkins do not have feathers. They look like little... They look like wasps.

JoyBlu

Like wasps? That little?

Brandon Sanderson

No, not that size, but that's the look of them. They're in the picture in the front of Way of Kings, the magic map. If we have Way of Kings here... We can grab it for you. If you go to my website for the art for Way of Kings, look up "Way of Kings art archive" on my website. It's not the cover, it's on the magic, the double eye symbol of the Knights Radiant in the inside cover flap. There's a pair of larkin there.

Skyward Atlanta signing ()
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Questioner

I'm writing a fantasy book that's like D&D. Do you have any advice for me? I'm about 6000 words.

Brandon Sanderson

A lot of great science fiction and fantasy have come from roleplaying campaigns. Not just Dragonlance, but also the Malazan Book of the Fallen started as a roleplaying campaign. And you will find this happens time and time again. Do understand that the things that you guys experience in your roleplaying session that are really funny are probably not going to be funny on the page, because they're funny in the situation, so you have to work on making the characters all work on the page, not as they work in your-- together. Make sure everyone's on board for you lifting and borrowing the stuff for your story. And make sure you don't use any of the Wizards of the Coast trademark things. For instance, you can't use Beholder. That's a trademark thing. But you can use zombies, because zombies are in everything. So learn the difference there.

But just have fun with it. Your job right now, as a newer writer, is just to write and practice. And that practice will teach you how you want to approach your stories as you move forward. And the more you you do it, the better you'll get at it. And the more you'll know what you need in order to make it better. And that can start from anywhere. That can start from a D&D campaign. That can start from a silly song lyric you hear. It can start from fanfic. It doesn't matter where it starts. The chore you have is to practice it and learn what works on the page, as opposed to what works in person.

Shadows of Self Houston signing ()
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Questioner

Are there any actors that you would love to see in an adaptation of your work?

Brandon Sanderson

Wow, excellent. Are there any actors I would love to see in an adaptation of my work? Wow, you know, you toy with this in your head, but I usually only do it after I've written the book because-- and then it's kind of hard because I'm like this character is the person in my head, not a specific actor. But we've had to start doing it, where people come when they're making the films and they're like "Who do you see in this role", or something like this. And so I have come up with some of these things. For instance, the guys who have Mistborn keep talking about Sazed, and they kind of want to go Asian with Sazed, which I think would work just fine for the Terris, and they keep using Chow Yun Fat as someone they would look at. Which would be pretty cool. 

Legion I wrote with a few actors in mind, one of the few books I've done that, so if you've read that I actually cast Ivy, JC, and Tobias as three actors I like. You should read it and see if you can figure out who those three are, because I've said online and you can read that and say "I wonder", and then you just google it and they'll all be there. One of them is from Firefly, so-- I'll give you a hint, this character's initials have been the same in like five or six different movies, and they're the same initials I use for the character and the fact that he's playing a character with the same initials, and so I use those initials. But for the most part I don't really think on this too much, because you spend a lot of time thinking about it, like when someone first bought Mistborn I was like "Ooh who do we get to play Vin"? And now all those actors, they're all like ten years older than being able to play Vin now, so it's like what was the point in doing all that. So I'm just going to let something actually get to casting, and then hopefully they'll invite me in and I can give my feedback.

YouTube Livestream 58 ()
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Questioner

As Dragonsteel expands and you have other writers like Janci and Dan telling stories in your worlds, how do you manage the difference in approaches to writing?

Brandon Sanderson

Yeah, so this is something we're kind of finding our way through. You'll notice that I experimented with this a bunch with side projects before I decided to do some mainline projects. And I picked two of the writers that I'm very closest with and know the best. I don't anticipate going a lot further than that, right? I do like the idea of seeing what a few other writers can add to things like the Cosmere, but I don't want to turn into Forgotten Realms, where there's always a new book coming out by a new author. I do think that some places have done a  better job of this though. Like, Black Library tends to have a very good reputation with the authors that they invite in and cultivate a stable of authors rather than just, you never know who's going to be writing one. I know that I didn't necessarily like this in comics, when I read more comics, not knowing when an author on a book was gonna be fired or when you were not gonna start seeing the original creator anymore. You will never not be seeing me writing books.

How do I approach it differently? When I hand it to someone, like with Skyward, I do envision it as being Janci's now. That I am overseeing. These are now her stories. It's kind of like how I felt... Harriet told me when I took over the Wheel of Time, Harriet came to me and said, "You are the author now, Brandon. You need to follow your instances as a writer and do your best job. You do want to look at what Robert Jorden was going to do and you want to try and fulfill his vision too." But she was very clear with me, it's like, "You are the writer now." And that gave me a certain level of ownership that I feel I needed. And despite some things about what I did definitely being... You know, I'm not without criticism, and deserved criticism. I think that me taking over that series went better than the vast majority of this happening in the past. You can just look at that both in aggregate reviews, you can also look at that at sales, you can just kind of look at... Really trying not to blow my own horn, but I think Wheel of Time is the gold standard in sci-fi/fantasy for an author passing away and someone else taking over the series. And part of the reason, in fact, I would say one of the biggest reasons for that, was Harriet coming to me and saying, "You need to be the author. You need the freedom and flexibility to treat this like your own series. You're not writing this for someone as just a work-for-hire; get this, chop wood, be done. We are handing you the keys to the house." And then, of course, the fact that she was also the editor to keep me a little reigned in in the right places was a big key.

But I bring that same sort of feeling to the authors I'm working with, with: "I'm gonna be there. I'm gonna help you outline. I'm gonna help you worldbuild. I'm gonna give feedback on the drafts. I'm gonna do everything I can to make this really excellent." But when you read Dan's Cosmere book, it's Dan's Cosmere book; it's not Dan writing Brandon's Cosmere book. It's Dan writing Dan's Cosmere book with Brandon deeply involved and trying to help out. And I think this is gonna lead to just better books. I think it's gonna lead to much better books.

I remember when I went to Blizzard once. They had me in (they had Pat Rothfuss in a separate time), and one of the reasons they had me in is they're like, "We would like you to write this story for us." They wanted to investigate having me write books for them. And it was a wonderful experience, everyone there was great, but I very quickly could tell I was the wrong person for the project. Because they already knew the exact book they wanted. They had every bit of lore that they wanted in that nailed down. The level of flexibility that I could have in telling a story in the Warcraft world was just almost nil. (They were actually investigating people for Overwatch back when it was Overwatch, but they also talked about Warcraft stuff.) It was like, "You could tell this story. This is what happens in it: boom boom boom boom boom boom boom." And it's all just completely already done, they just need someone to put the words on the page. And that is not me. That's not a project I was the least bit interested in.

Adam Horne

Seems like a lot of movie experiences are built like that.

Brandon Sanderson

Yes, a lot of movie experiences are built like that, too. And because of that, I politely declined that opportunity. And I have learned (particularly in these kind of collaborations) that the best things that we came up with were things where I said, "Here is my world. Here's what makes it exciting. Here's what I love about the characters. What do you want to do in this world?" And together, developing something that really matches them. Particularly when I can kind of hand off characters that I have not spent a lot of time on or have them invent all new characters.

That's what you should expect with the collaborations I'm doing. Quality control, hopefully by Brandon, hopefully really great stories, but stories I could not have written, because just handing people my outlines hasn't really worked. The best example of that being White Sand the Graphic novel. Isaac has made that book great, by kind of taking some real ownership over it. The first stuff that we did (even before he did this latest revision that you guys can now get), it felt like my outline got really stiff when someone else played with it, and some of the stuff that makes reading a Brandon Sanderson book really fun and enjoyable didn't end up in there.

There's a long rambling answer to you; I hope that's relevant and helpful. But, that's the way I am approaching this.

Stormlight Three Update #4 ()
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ccstat

In Words of Radiance, Shallan draws a picture of someone destroying a statue. If attentive, could that person have been aware of being "observed" at the time?

Brandon Sanderson

I'm not exactly sure what you're asking. I need more detail of what you're trying to get at here.

NeedsAdjustment

I think he's asking if Shalash(???) could have (or did) felt Shallan observing her.

Brandon Sanderson

Looking at it again, I realize I'm asking for more clarity than they'd be able to provide. I do understand the question, but at the same time, my answers can can confirm or deny things that are (sometimes false) assumptions underpinning questions. So when we get into something like this, that has to do with mechanics I haven't explained very well yet, I get very hesitant about answering.

So...I'll probably just RAFO this one. For now. Though look for a scene involving Syl where something similar happens, as they are related.

ccstat

I was being more vague than necessary, specifically to avoid a "you're making assumptions" RAFO. I'll go ahead and detail my thinking then and let you respond as much or as little as you like. I recognize that I'm poking at mechanisms we don't understand yet, so RAFO is pretty likely.

I am working under the belief that Shallan's depiction of Ash is accurate and (likely) immediate. She could have visualized the scene in several ways: by having some portion of her aspect or of Pattern's travel there, by some connection-at-a-distance mechanism, or by "word-of-mouth" relay via (e.g.) spren.

As we've seen elsewhere, savvy and/or powerful people (like I assume the heralds to be) are able to notice when an aspect of someone pops up looking at them. Similarly, they could possibly notice a remote observer through the connection. In both cases, I presume that the degree to which the observer is present determines how noticable the event is. In contrast, the passive reporting through intermediaries in the third option would probably not trigger the sense of being watched. So my question boils down to whether Shallan is projecting part of herself, part of Pattern, or doing something else entirely. And in the back of my mind I'm wondering how much manipulation (or aggression) could take place at the other end of the connection.

If I understand correctly which scene you are referring to, where Kal was noticed, then you are saying that the two events share a mechanism which answers the original question, but still leaves me wondering about what is being projected across Roshar. (That you reference Syl is interesting.)

Here is a follow-up question, hoping that I haven't already talked myself into a corner or out of an answer: The clairvoyant drawings occur at a particularly verdant lait, with plenty of growth/death/circle-of-life happening. In a mechanistic sense, did this location help enable the clairvoyance?

Brandon Sanderson

I'll have to RAFO this, as I don't want to get into the mechanics right now.

FanX 2018 ()
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Questioner

Have you ever thought about making any of your books or ideas into movies or TVs?

Brandon Sanderson

I have tried. It's bigger than one person can do. So really, with movies and TV, you have to find someone you trust and hope they can get it done. But funding and things is so hard. We've had some decent scripts. We have a really good script for Snapshot, which is one of my shorts, right now. So far, I have no news on anything other than "We're working on it," but I would like to.

Elantris Annotations ()
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Brandon Sanderson

Chapter Forty-Nine - Part Two

So, in this chapter we get to have a nice look at the "mathematical" style to AonDor. To be honest, I'm not really a math person. I did well in my classes, but I never pursued the skill long enough to get deeply into theoretics. That's why there aren't any specifics in these chapters–I try to give enough to imply that AonDor works like mathematical proofs, but I don't include any specific ratios or equations.

My goal was to get across the "Feel" of the magic without actually having to get into number crunching–which is something at which Raoden's much better than I am. (Though, it's less numbers and more of an understudying of length, location, and combination.)

Manchester signing ()
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Questioner

I was reading the first book-- The Way of Kings, there is a scene-- no a Letter. Is that scene-- the person who is sending the Letter says that the Shards in Elantris are broken-- sorry they're, like, [Splintered], and they can’t be used again. How is that so, because if there was Adonalsium which Shattered and people took the Shards.

Brandon Sanderson

There are those who believe you could put the pieces back together and their are those who believe you can't, and shouldn't.

Questioner

You shouldn't put them back--

Brandon Sanderson

There are some who believe that.

Questioner

So will they be able to put it back together?

Brandon Sanderson

Well there are some who believe it is possible. *laughter*

Congratulations, you win a RAFO card!  RAFO is something Robert Jordan would say, that means Read And Find Out and I print out little cards so at least you get something. That means "I'm sorry I can't answer your question but I'm really not that sorry otherwise I would answer it"

Tor.com Q&A with Brandon Sanderson ()
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Maru Nui

What happens when you break a Hemalurgic spike or metalmind? What happens to that power?

Brandon Sanderson

Hemalurgic power can be split among multiple spikes and reforged, but remember that the longer a spike is outside of a person, the more the power is going to decay. Things like splitting it will decay it even further. Metalminds can also be broken and still be accessed

The Well of Ascension Annotations ()
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Brandon Sanderson

Elend Goes into the Koloss Camp

Elend does go overboard in this chapter. He realizes it, when fighting the koloss. He's let his adrenaline, and his desire to do something, make him a bit reckless. However, this first thing–going in to see Jastes–actually makes a lot of sense. First off, it gives us nice closure on the "Visit the enemy kings" plot sequence. (Elend Visited Straff, then Cett, in their strongholds. Now he does so for the final army.)

And, of the three army leaders, Jastes should have been the one most kind to Elend. The two are old friends. If you don't remember him, he was pretty much Elend's best friend in book one. He was the one who first discovered that Vin was not who she said (he had her followed) and was the main person Elend hung around with at the parties.

I wanted to show that good doesn't always win, particularly in the short term. The things Jastes tried to do are what Elend did. In both cases, they failed. The world wasn't ready for their brand of freedom yet.

Elend speaks the truth, however. A man's losses are what define his faith.

State of the Sanderson 2017 ()
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Brandon Sanderson

Movie/Television Updates

Mistborn and Stormlight Films

These rights are held by DMG Entertainment, and they've been very good at working with me and showing me things. They have scripts for both Mistborn and The Way of Kings, which they are actively trying to make happen in Hollywood.

One way they're approaching this is to do a Stormlight VR experience, which we've talked about before. This is less about making a video game, and more about making something to show off to studios to kind of immerse them in the setting of the books. As I determined early on, this is an interesting but weird world, and having visuals (like the art in the books themselves) helps a lot with bringing people around to understanding.

They do plan to release the VR experience to fans on Steam, for those with VR headsets. It's not intended to be a full game, as I said, more a demo of the Shattered Plains—you'll get to personally experience the Shattered Plains from the novels and interact with the characters and creatures that inhabit them. We'll do some posts on it in coming months as it gears up to be released, and I've invited the developers to do some guest posts on my blog.

Regardless of what happens on the film and television front here, at the very least you have that to look forward to!

/r/fantasy AMA 2011 ()
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WinespringBrother

Do soothing and rioting work on a telepathic or physiological level (or both)?

Brandon Sanderson

Primarily telepathic, though the body does respond physiologically. After the Soother is gone, the emotion remains for a time, so long as it was a natural emotion. Strong soothing/riotings against a person's nature can wear off quickly, and the body react (sometimes) with a strong opposite emotion in response. A very good Soother/Rioter can inspire emotions that begin telepathic only, but then have a response in the body, so the emotion gets more cemented.

Cosmere.es Interview ()
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Cosmere.es

I remember that you said that we will have like tops two Kickstarters a year, one for books, one for products. This will cover like the product one.

Brandon Sanderson

Yeah. Yeah. Plan is for next year for there just to be one and then the year after for there to be two. But the goal is tops two. Like this year we technically had three because there was the White Sand preorder campaign and we feel like that could get out of hand very quickly. Everybody who works with us might want to do a Kickstarter now because they've been so successful so we're kinda making this promise to make sure that we keep ourselves in line as well and I feel very good about having done that.

Cosmere.es

So if the product for 2024 is like maybe the RPG would the book be the art book for the story?

Brandon Sanderson

The book is more likely to be the Hoid Storybook Collection. So The Dog and the Dragon, Wandersail, and The Girl Who Looked Up done as picture books slash kinda coffee table books. That's more likely. The art book is a challenge because you know there's just so much that goes into that sort of thing—Isaac would have to be so deeply involved and it's whether he can find the time or not because he wants to be writing stories in his free time. We'll see, I do think we'll eventually get like an art book and an encyclopedia out but I'm a little more excited by the Hoid storybook personally.

Cosmere.es

And fully illustrated—they are going to look gorgeous.

Brandon Sanderson

Yeah. I really would like people to have like—my goal on those is like The Dog and the Dragon to be like a traditional children's book, Wandersail to be more like a giant illustrated coffee table book right—more targeted a little bit older, and The Girl Who Looked Up to be something in between.