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Words of Radiance Chicago signing ()
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Questioner

When you have written, did you ever write with other people in pairs? Or do you focus on writing solely as a...

Brandon Sanderson

Do I ever write with other people in pairs? I've tried it once, and it didn't work so well. So it's not something I'll probably do again. It works very well for some people, and it just didn't end up being something that worked really well for me.

Questioner

Was there something that caused it to fail?

Brandon Sanderson

No, there wasn't something specific that caused it to fail, other than the fact that I kind of like to be in control of my stories. And not being in control of my stories just didn't end up working out for me. It didn't save me any time, and it didn't save the other writer any time. It made both of us have to do more work.

General Reddit 2020 ()
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Ben McSweeney

It's a Larkin [on the back of the Stormlight-themed playing cards]. It's based on a design we worked up for the icon in the book and on the cover of the novella, but I worked out the anatomy the same as I do for all the other critters. Bear in mind, any artwork you're seeing at this time remains subject to change.

It's sorta like a wasp, but the wing profile and the flight dynamics (such as they be) are more like that of a hummingbird.

Skyward Seattle signing ()
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The Young Pyromancer

Theoretically, if the Dor-- ifSel became a Shard, would-- The biggest limiter on Shards is the Vessel's mind, would that be more limiting or less limiting?

Brandon Sanderson

...If the Dor were itself to become a Shard combining Devotion and Dominion, and were to pick up a Vessel? Because they're still Shards, they just don't have a Vessel.

The Young Pyromancer

So the land couldn't be Vessel?

Brandon Sanderson

The land itself? Of Arelon or of--

The Young Pyromancer

Of Sel.

Brandon Sanderson

The land of Sel would not count as a Vessel. You would say in terminology right now that Dominion and Devotion do not have Vessels in the same way that other Shards do.

YouTube Livestream 5 ()
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Joshua Gibson

Has becoming an Eagle Scout affected your career?

Brandon Sanderson

It's hard to say, because it's hard to say who I would be if I hadn't done things that I did back when I was a teenager. I do think that getting me outside, rather than always being inside, was good for me. Being a scout, and going on camp outs, and being familiar with that let me, when my friend Micah (who Captain Demoux is named after, Micah DeMoux) asked me in college if I wanted to go with him on photography trips (he's a fine art photographer), and he wanted someone to just go along with him and hold his equipment and stuff like that. And it involved camping, and things like that. And I was able to say "Yeah, sure. I can do that. I've done that." And it was just not outside the ordinary for me. And that is where I went to slot canyons and Goblin Valley in southern Utah and Zion's National Park. And the ecology of Roshar is deeply influenced by all those trips to southern Utah I took visiting all of the amazing landscape that we have here in Arches National Park and Bryce Canyon and Little Wild Horse and all of that stuff.

That's one thing I can point to, that maybe I would have said "no" if I just hadn't camped a bunch as a teenager.

Elantris Annotations ()
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Brandon Sanderson

Chapter Sixty-Two - Part Three

The Dakhor Monks

In the original write of the book, the Dakhor broke and ran before the Elantiran attack. My thought was that the Dakhor always been so much more powerful than their opponents that they didn't know what to do when faced with someone more powerful than they were. In a rewrite, however, I changed this. I'd spent too much time establishing that he Dakhor were fiercely loyal. I see them as fanatics–people who were either originally like Dilaf, or who became like him through their conditioning. They wouldn't break before a superior force–they'd attack it, even if it meant getting slaughtered.

This revision works far better for me–especially since I can have the scene where Dilaf wishes he could join them. Death is not something that scares a group like this.

Elantris Annotations ()
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Brandon Sanderson

Chapter Eighteen

This chapter went through some heavy edits. First off, I originally had Hrathen interrogate the Elantrian off-stage. At a suggestion from my editor, I put this in-scene, showing Hrathen talk to the Elantrian. The intention here was to give a little characterization to Hrathen by showing his logical approach to studying and interrogating his prisoner.

The other big change to this chapter came in the middle. As I was working on the later revisions, I realized–at Joshua's suggestion–that I really wanted something here in the early middle of the book that showed Hrathen sparring against Dilaf and winning. In certain sections of the book, Hrathen's character came off too weakly–and this was one of the chapters. Originally, I had Dilaf extinguish the torches of his own accord, then burn the Elantrian later, despite Hrathen's protests.

In the new version, I get to have Hrathen prove his competence by having him wrestle control of the crowd. He is the one who burns the Elantrian, which enhances the scene by letting Hrathen feel guilt for it. He comes off much stronger in this chapter than he did before.

Those of you who have read on realize how important this is to the plot, because from here out, Dilaf starts to get the better of Hrathen. I needed to reinforce Hrathen's strength at the beginning of the story, otherwise I feared that the scenes of Dilaf winning would make Hrathen seem too weak. Hopefully, things now feel like they are balanced–one gaining dominance for a time, then the other wrestling it away, and so on and so forth.

Boskone 54 ()
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Questioner

Why does Stormlight make things cold?

Brandon Sanderson

It’s not the Stormlight, it’s condensation because something is going directly from a gas into a solid. The coldness is caused by that, it’s not necessarily that the Stormlight is making things cold, but that the Shardblade is condensing.

Warbreaker Annotations ()
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Brandon Sanderson

Vivenna and Siri Reunite; Vasher Shows Off His Returned Breath

I believe that this is the first time in the book that Vivenna and Siri talk to each other. (Weird, eh?) I knew I couldn't make their reunion very effusive, since they're both Idrians, and Siri has learned to control herself. Plus, the situation is very tense. (And beyond that, despite Vivenna's coming to rescue her sister, the two were never terribly close. They were sisters, but separated by five years or so.)

This chapter focuses on other things, primarily the changes in the God King's personality and the revelations about Vasher. For the first, I hope they are plausible. Remember, the God King has grown a lot with Siri's help. Beyond that, he's been trained to look regal and act like a king, even if he's not had any practice talking like one. I think he works well here, projecting more confidence and nobility than he really feels, speaking in ways that don't make him sound too stupid, yet still betraying an innocence.

The bigger surprise is Vasher's revelation about his nature. I almost didn't put this in the book, instead intending to hint at it and save it for the second book. The reason for this is that I knew it would be confusing.

The big question is, if Vasher is Returned, why can he give away his Breaths and Awaken things without killing himself?

The answer is simple, in many ways, but I'm not sure if I have the groundwork for it properly laid in the book. (Which is why I hesitated in explaining it.) Remember when Denth said that Awakening was all or nothing? Well, he lied. (I think you've figured this out now.) A very skilled Awakener can give away only part of their Breath. It depends on their Command visualizations. So Vasher needs to always give away everything except for that one Returned Breath that keeps him alive. As long as he has that one Breath (which he's learned to suppress and hide), he can stay alive.

Words of Radiance Omaha signing ()
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Kythis

How did Pattern actually become a Shardblade even though he hadn't been fully pulled into the Physical Realm?

Brandon Sanderson

He had been pulled into the Physical Realm before when Shallan was younger, and she almost broke her bond.  And in so doing . . . 

Kythis

But he didn't go mad.

Brandon Sanderson

She didn't completely break the bond.  She didn't reject him completely.  But it was dangerous there for a while.  

Galley Table Podcast interview ()
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Phillip Carroll

I have a personal question of my own. I'm LDS as well. After attending this meeting on worldbuilding, the primary problem is my faith that Joseph Smith wrote the Book of Mormon, because he really had six years to work on it, and I think that he had the ability to put that book together himself...

Brandon Sanderson

You know, yeah, a lot of people talk about there's no way that he could have done it. Being a fantasy writer myself, I don't think it's outside the realm of possibility that he could have written it himself, and I think basing your testimony, in the church, based on a concept like that is the wrong way to go. It is the wrong way to go, basing your testimony on, "Well, it's obviously impossible that he wrote it, therefore it must be true..." That's actually a bad logical way to look at the church.

I look at the church through eyes of faith, and my testimony is based solely on the fact that I believe God has spoken to me. I ask him, I say, "Is this what you want me to do," and I felt that testimony; I felt that burning inside, and for me, you know what, honestly, it doesn't happen that often for me. It's not like, you know, some people, they go to church, and every time it's like...no. I can point to three distinct points in my life where I felt that testimony, and other times I felt a good comfort, but there are three things where I said it was, you know, knock me down, this is true, that....and it wasn't even necessarily focused on the church. One was that I should be a writer, and one that I should be marrying my wife. The other one is very personal, so I won't mention that one, but those two moments I felt a powerful, powerful presence, and it came down to one of two things for me: either this is confirmation bias, which I assume you know about—either it's confirmation bias or it's the truth, and because if there is a God, he's not going to let me have this moment thinking that there....that, you know, this isn't going to be a lie. Either God is real and I'm feeling these sorts of confirmation...it really became that dichotomy for me, feeling those two things.

And from there, I just try to do the best I can. This faith has worked very well for me; I have not received any necessarily, moments saying "don't do this." There are lots of things in any religion—LDS faith is not alone in this—there are lots of things in any religion that are going to raise some eyebrows. You say, look, there's some logical holes here, and it doesn't matter which religion you're talking about; there's gonna be those. And because I've had those moments, those are what I have based, fundamentally, my faith upon, and honestly, for me, it's a choice between atheistic humanism, which has some very valid points, and the faith that I have now, and I only...you know, it's very Cartesian. Descartes, you know, "I think, therefore I am." I have to rely on my senses and my emotions, and feeling what I felt, if I say, "That's just confirmation bias," for me that means that I can't really rely on my senses, and I don't really want to go that way. I want to rely on what I have felt, and you know, on a more lofty scale I think there's more to it than all of this, than just this world. I think there's gotta be.

And that's, you know...who knows? Maybe the secular humanistic approach is right, and I have no problem with the secular humanists; I don't think that there's this....you know, these are generally sincere people who are interested in finding truth, but you know what, I believe that I can follow the scientific method for my faith. I can say, "Is this true?" I can pray. I can feel a confirmation, and it's repeatable. It's, every time I've wanted it, I've felt it. That's enough for me to go forward in faith right now. So, that's my version of a comment to you. I don't mind if you post that—I really don't; it's okay—but you know, I think we just do the best we can, and we soldier forward.

Prague Signing ()
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Brandon Sanderson

The next were going to have all the Spren from Shadesmar like-

Paleo

All the Radiant spren.

Brandon Sanderson

All the Radiant spren, you know well nine of the Orders we're going to get all nine in. 

Isaac Stewart

We're going to do yeah, we talked about the tenth. 

Brandon Sanderson

Yeah, we're probably not going to do the tenth.

Isaac Stewart

We're going to have to wait until after the book is done to decide.

Brandon Sanderson

But they'll be nine of them at least. They're looking very cool, I'm very pleased with how those are. They're very like these natural history illustrations and so.

Isaac Stewart

They do look nice.

Starsight Release Party ()
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Questioner

When do you think Alcatraz... The next one... Do you have a release date for that?

Brandon Sanderson

I hope it's next year.

Do you have any idea?

Isaac Stewart

We're probably a year to a year and a half away. 

Brandon Sanderson

Yeah. We have to wait on the art. Whatever the art takes. Tor hasn't seen it yet either. We have just finished it and Janci wrote half and I wrote half and it turned out pretty well.

Mistborn: The Final Empire Annotations ()
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Brandon Sanderson

You know, I always talk about how I like happy endings. And yet, everyone always complains that I'm too brutal in places. Here is a good example.

Kelsier dies. Yes, he's really dead. Yet, his death isn't truly that sad to me. He accomplished a lot, and died facing down the Lord Ruler himself. It's not a sad death.

Honestly, you should have seen it coming. I worried about doing this, actually, since it seemed a little too expected. The mentor figure always ends up getting killed. I nearly didn't do it simply for that reason. However, I eventually decided that a good story is more important, sometimes, than avoiding the expected. Once in a while, you just have to do what feels right, even if that feeling leads you into areas that others have tread. Hopefully, I take it in my own direction. (See the next chapter.)

EuroCon 2016 ()
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Questioner

I would not like to say commonplace, but there are some prejudices of people when they read you, when they read your work, because of the religious elements, right? This can be a challenge, but there are three things that are absolutely important in your work. One is faith, the other one is moral, what you organize around faith, and then you always, always have the critical spirit that really fights against all of this, and that tries to find value. And this is very peculiar, because you were discussing very transcendental, very important things with this touch of spirituality, but there's always reason and a critical spirit underneath. I would like to know whether you could explore this farther?

Brandon Sanderson

Yes. It is something I have thought about a lot as well. I am a man of faith. I am religious. I am Latter-day Saint for those who don't know. And I am a man of science. I was a chemistry major originally in college, and I am a very big believer, at the same time, in skepticism and logic, and I have a somewhat more rational approach to my faith than perhaps many others do. But I'm not sure if even that is true, I just think that many people are not as vocal as some of those who are faithful, but determinedly ignorant, also.

I feel that, as a writer, one of my mandates is to express multiple viewpoints on topics, and try to work through them by having rational people, sympathetic people, on multiple sides of an argument. Few things bother me in fiction more than a cast of characters who all agree on some topic, except for one idiot who exists to be proven wrong. I don't think that's who we find truth. I think we find truth through disagreement by people who all have good arguments. When two people who disagree discuss an issue, and both listen to each other, both learn, and their understanding of the world expands. And because of my own inherent biases, by being religious, one of the things I seek very strongly to do is to make sure that the opposing opinion to what I believe is strongly represented by someone making the arguments that that side would make if they were writing the book. A falsehood or a weak belief can survive dumb challenges to it, but truth can survive good arguments against it, is what I believe. So you can see, I'm very fascinated by this topic, and the things that fascinate me come out in my books, but it is very important to me that my stories be about questions and not about answers, because of all of this, that questions lead to truth, and thinking you have answers don't go anywhere.

The Hero of Ages Annotations ()
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Brandon Sanderson

Yomen is one of my favorite characters in this book. In fact, I've liked all three main human villains—the Lord Ruler, Zane, and Yomen—from this series. All were intended to present an antagonist who, in some ways, wasn't as expected. You'll see much more of Yomen in the future, of course, but know that Slowswift isn't lying. Yomen is a good man—and a dedicated one. Perhaps too dedicated.

Elantris Annotations ()
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Brandon Sanderson

Yes, Dilaf manipulating the Dor is supposed to be a major "What the. . . ?" moment in this book. I'm sorry–I didn't really give you much foreshadowing on this one. There really wasn't an opportunity; this isn't the kind of thing that Dilaf would use very often, for fear of betraying his secrets.

I think it works, however, since this scene is actually supposed to be foreshadowing itself. You'll find out more about Dilaf, obviously, in the next chapter.

The Hero of Ages Annotations ()
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Brandon Sanderson

Chapter Thirty-Three

TenSoon Escapes

TenSoon's escape shocked the other kandra. They probably should have taken more precautions, but they thought they'd done all they needed to. The two soldiers with the Blessing of Presence should have been enough to keep him from running, and the blocked doorway out was—in the minds of the Seconds—a major obstacle. Mix that with the fact that TenSoon had shown no resistance, and had come to his fate willingly, and you have a group of Seconds who had a false sense of security.

Starsight Release Party ()
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Questioner

I was reading Starsight and then I remembered you wrote the novelette Defending Elysium a while ago.

Brandon Sanderson

I did.

Questioner

So when you wrote that, were you expecting to make a series based off it?

Brandon Sanderson

I had plans for where it would go with the series. It did not involve Spensa in them. It involved some of the evolutions that ended up in this book. Particularly early in my career, everything I wrote, I planned, if it was the thing that took off, where I would go with it if I were doing sequels. So I had a whole bunch of ideas but it's been 15, almost 20 years since I wrote that. So when I sat down to do Starsight, there were something that were from those original plans and some things that weren't.

Questioner

With Jason, he was blind and stuff?

Brandon Sanderson

Yeah.

Questioner

Is Spensa going to develop those powers?

Brandon Sanderson

So what I've been kind of doing is, I'm kind of taking a lot of the different powers that Jason had and I'm kind of moving them into specialties that different people could have. So you could theorize that someone could learn them all but more likely you're going to see people specializing.

Questioner

So, like her grandmother has like the sensing power.

Brandon Sanderson

Mhm. Just read the new book and see what happens there.

Arcanum Unbounded Chicago signing ()
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Argent

So, the Edgedancer's resonance, the Perk? I think you've called it resonance at some point, is that still accurate?

Brandon Sanderson

Yeah, that totally works. The powers affect each other in interesting ways.

Argent

Right.

Brandon Sanderson

Um, so the thing about it is, calling it a Perk, that like saying--

Argent

It's a side effect right?

Brandon Sanderson

It's less a side effect-- It's like, when the powers merge, they are always slightly different. For instance, Lightweaving from a Truthwatcher is different from-- Slightly. There will be things. So, you're gonna see that they all have access to the Surges, but in combinations, they act a little differently from one another.

Questioner

So is the Edgedancer's resonance something to do with communication? Because we see Lift--

Brandon Sanderson

Yeah, yeah we'll RAFO that.

DragonCon 2019 ()
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Questioner

How are you able to create so many worlds without them getting repetitive?

Brandon Sanderson

You know, I worry about that a lot. Repeating yourself is like an author's greatest fear. I don't know that there is anything specific I do to keep... other than being aware that that is a danger. I really like creating worlds and I really try to use a little bit of a different inspiration each time, and sometimes my outlines look a little too similar, so I just kinda don't write that book, if that makes sense. Really, what you're seeing is "I'll build four or five different planets or worlds or ideas and only write one of them" these days. Yeah, it is a real concern - it's not something that I even know if I have fixed yet.

Skyward Pre-Release AMA ()
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thegatorgirl00

Do you have a name for the Skyward universe that we can use on the Coppermind and in discussion beyond just calling it the Skyward universe?

Brandon Sanderson

I kind of think Skyward Universe is probably the best, for now. I'll ponder this.

thegatorgirl00

If you haven't considered it already, I'd like to bring the term Skyworld or Skyworlds to your attention.

Brandon Sanderson

Ha! That's not bad, though it could get a little confusing if I ever write one of the books I've been planning that literally take place in a world with no ground...

Ad Astra 2017 ()
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Questioner

What's your favorite word?

Brandon Sanderson

My favorite word? Rutabaga.

Questioner

Mega? Mega?

Brandon Sanderson

Rutabaga.

Questioner

Rutabaga?

Brandon Sanderson

Yep. It's in the Alcatraz books, so...

Questioner

Okay, yeah. I haven't gotten to those yet, but I will.

Brandon Sanderson

I just like the way rutabaga sounds.

Boskone 54 ()
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Ironeyes

What kind of qualities attract an inkspren?

Brandon Sanderson

Inkspren do not like how variable humans are. It’s a thing out of honor, and they like people who are logical and willing to think about their lives and not react as much by instinct.

They are looking more - the scholar is the perfect example, but a soldier who is very thoughtful and is not just rushing into battle could be chosen as well.

The AudioBookaneers interview ()
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Samuel Montgomery-Blinn

Last time we spoke, we were talking about the 45-hour audiobook for The Way of Kings. Each of the Mistborn books came in at 25-30 hours, but The Alloy of Law comes in at a tidy 9 discs. Did you set out to write a shorter book?

Brandon Sanderson

I knew I wanted to do more in the Mistborn world, and for a long time I played with writing a short story. The short story that I tried to write didn't work; I tossed it aside after maybe a thousand words, and began working on a different story. I can usually judge what the length of a story will be, and I knew this one would be longer, but I wasn't sure how long I would want it to be, or whether I should make it a full-blown novel. So I wrote what turned out to be three or four chapters' worth, and at that point I decided, it was a big enough story to can make a novel of it. I knew it wasn't going to be the same length as the original Mistborn books, but I felt okay with that, because for a long time I've been wanting to start writing some—I don't want to say shorter, but quicker, faster-paced stories; thrilleresque, maybe a little more pulpish. I just think of it as a fun book, that doesn't require quite as much of an investment of time and energy for the reader as something like The Way of Kings—which I love, but I want to be doing a variety of things. So writing a shorter book was intentional, but I kind of slipped into it.

Arcanum Unbounded release party ()
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Questioner

With Warbreaker and Stormlight Archive, Vasher and Zahel. How does that transition occur?

Brandon Sanderson

He went to Roshar because he knew ahead of time, that you could get Stormlight, and how easy it was. So he made his way there because he was tired of sucking people's souls to stay alive.

Questioner

How did he know?

Brandon Sanderson

He, as part of a group of scholars, stumbled upon the nature of worldhopping long ago.

Questioner

Could he be the same group of scholars as Jasnah?

Brandon Sanderson

No, it's a group of scholars on Nalthis who were studying magic, Investiture, and stumbled upon the means by which you transition into the Cognitive Realm. So, he actually had experience with Shardblades before, and that was part of how he built... well, he was part of it, but really...

Questioner

So, is Nightblood kind of like a Shardblade? Is a Shardblade?

Brandon Sanderson

Nightblood is an attempt to make a Shardblade using a different magic. And it turned out poorly.

Questioner

Speaking of Nightblood, how did that transition from Nalthis?

Brandon Sanderson

I have not answered that yet. Eventually, you will find out how they ended up on Roshar.

ICon 2019 ()
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Brandon Sanderson

One time, at GenCon, they were doing the Mistborn RPG and they had me play. So I <drew up> my character as a very mysterious individual and so... I played as Hoid in the RPG.

ICon 2019 ()
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Questioner

Can there be an Allomancer who's allergic to their metal?

Brandon Sanderson

Yes. I have a lot of allergies myself, so I sympathize with you.

It's like being an Alethi highlady who is left-handed, or being an Allomancer who's allergic to your metal, these are really painful things that the culture and society and magic system is not built well to deal with that highlight certain problems that people do have. And it totally can happen, and it sucks.

White Sand vol.1 release party ()
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Questioner

Will we get more information like that about planets and stuff like that in the Ars.. *interrupted* ?

Brandon Sanderson

The Arcanum Unbound[ed] is... Yes, the cosmere collection. There will be little essays from Khriss on each of the planets. There will be stuff like that. You're going to have to wait until the science in-world approaches more of our science before I can get into some of the things you would want to know specifically. But, I mean, we are starting to get to an era where they can talk intelligently about these things. So yes, but it's-- Arcanum Unbound[ed] is kind of weird because I had to pick a date for her to be writing these essays, and the date that she wrote the essays is before some of the stories. For instance, Sixth of the Dusk, right? And so for that planet she's just like, "Hey, here's this place that something weird might be happening with. We don't know a lot about it, but it's got this one weird attribute that we're studying." The story hasn't happened yet. So you get a little bit of that. It's not all from the far future, when like Sixth of the Dusk is happening, because otherwise there would be way too many spoilers for what's coming in the future. So yes, there will be lots of cool little tidbits. The essays are meant for people who ask questions like that, and like this one, but I'm not answering everything.

Skyward Pre-Release AMA ()
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thegatorgirl00

You've changed so many lives, including mine, with your stories, and so is there anything we as a community can do for you in return?

Brandon Sanderson

As for what you can do for me in return, I'm not sure. I mean...I already get to write books for a living, which is the thing I wanted most in life.

Shadows of Self Newcastle UK signing ()
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Questioner

I wondered if there's a bit of you in all the characters... and it's characters where they don't have bits of you that you get stuck with writing them, and how you overcome that?

Brandon Sanderson

Yeah, getting stuck. So characters are the hard one for me to talk about because I plan my worlds in great detail before I start writing, in most cases, and I plan my plots in moderate detail. I plot backward, I start with what I want to have happen for a plot cycle; not necessarily the last scene, but, you know, something like this character learns to use the magic, and I've got the scene where it shows that this is working, and then I list a bunch of bullet points underneath. That's my-- And so if you look at my outline, it's like goal, bullet points, goal, bullet points, goal, bullet points-- that's my whole outline.

My characters, I figure out who they are when the book starts, but I do not outline them in great detail. The reason for this is we find that writers tend to fall into two general camps. We have what we call outline writers, and discover writers. Now, discovery writers, George RR Martin calls them gardeners, they like to discover their story as they go. Stephen King says you never start with an ending in mind because otherwise it ruins the book, he just goes and see what happens. They tend to write character really well. In fact if you're reading a good and you go "Wow these characters all feel really vivid and alive", that's probably a discovery writer. If you're-- On the other hand outliners, or architects as George RR Martin calls them, tend to plan everything out ahead of time and because of this they tend to have spectacular plots. If you've got somebody who's got a great plot, it's a page-turner, the great twist at the ending-- that's most likely going to be an architect, but the flaw of this is they tend to have weaker characters; and the flaw over here is they tend to have weaker plots. Terrible endings are a horrible kind of habit of the discovery writer. 

Over time I've really tried to kind of mitigate this by letting myself discovery-write my characters to kind of get some more of that living character status, which means I have to have a flowing outline where, once I've started writing my way into the character I will then have to rebuild the outline periodically to match the person they're becoming, which sometimes rips apart that outline quite a bit. The other thing that it requires me to do is I often have to kind of cast characters in a role. Vin is a great example of this, where I actually tried Vin three different times--I posted one of these on my website--with a different personality each time until I got one that would fit the story that I'm telling, and who she was, and I went from there.

And so it's really hard for me to pick out what I do with characters, but if my book is not working it's almost always that a character is not working for me. And this happened with Sazed in book 3 of Mistborn. I wrote this in the annotations, you can go and read it off that. Dalinar, in the original draft of The Way of Kings. When a character is not clicking 100% it is the biggest problem I run into with books, that takes a lot of drafting to figure out what to do. With Dalinar, if you're not familiar with what happened there, is I split him into two people. It always had his son Adolin, but Adolin had not been a viewpoint character, and the problem I was having with Dalinar was that I wanted to present a strong figure for the leader because people though he was going mad, but I also had to have him talk about this madness, and be really worried about it, and so he came on very weak, because everyone thought he was going mad, and he spent all of his time brooding about going mad. When I took the brooding out to his son, and had Dalinar be like "I'm not mad, something's going on, everyone thinks that I'm crazy, but I can deal with this", and had his son go "my dad, who I love, is going crazy", those two characters actually both became more alive, and worked better, than they had with the conflict of "I'm going crazy" being Dalinar's. So, it takes a lot of work to figure these things out sometimes.

Skype Q&A ()
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RenegadeShroom

Have any groups of singers ever had any nonbinary genders? That is to say, a fifth gender recognized by their culture, rather than malen and femalen, which seem to function as more of an extension of the gender binary than anything our culture would recognize as nonbinary.

Brandon Sanderson

Yes.

Elantris Annotations ()
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Brandon Sanderson

The Spirit of Elantris

So, this moment–where Raoden is nearly dead, looking down on the cities, and finally makes the connection–was one of the scenes that made me want to write this book. In each novel I write, I have some important scenes in my mind. They're like. . .focuses for the novel. They're the places I know I need to get, and they're usually very dynamic in my mind. In a way, I tell the rest of the story just so I can make my way to these moments.

This book had two main Moments for me. We haven't gotten to the second yet, but this is the first. I hope that you, the reader, arrived at the realization just as Raoden did. I've had a lot of trouble getting this balance right. Some readers figured out the secret early, while others (the larger group) didn't even understand what's going on in this chapter.

If it requires explanation, Raoden is thinking about Aon Rao. Then he notices that Elantris and the cities around it form a pattern–the exact pattern of Aon Rao. The cities form an Aon on the ground. At this moment, Raoden realizes why Elantris fell, and why the Elantrians went with it. If you haven't figured it out yet, I won't spoil it for you.

DrogaKrolow.pl interview ()
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DrogaKrolow

If you were to choose one of your own worlds to live in, which would that be?

Brandon Sanderson

It would definitely be… Does it have to be cosmere?

DrogaKrolow

No.

Brandon Sanderson

Because then I could go with one of the cool science-fiction ones and I could have-- Like, you know-- Live far away from where everyone is having war and live like in a futuristic society. I think that's kind of cheating. If I had to pick one of the cosmere worlds I would probably pick Scadrial because it's the closest to having the Internet and instant noodles.

The Hero of Ages Annotations ()
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Brandon Sanderson

Chapter Forty-Two

Marsh Visits Penrod in Luthadel

This chapter didn't exist in the initial draft of the book; I added it in revisions. I originally liked the idea of the characters happening upon Luthadel later in the book and having to piece together what happened to Penrod from the aftermath of his getting spiked.

Ultimately I decided to drop that in favor of showing this chapter in-scene. It was a tough choice, but knew I needed to show Marsh being active. I also had enough complaints from alpha readers about the lack of news from Luthadel that I realized showing this scene would work better. We are so attached to Luthadel as a city that it's hard not to know what's going on there. Plus, this choice allowed me to include some interesting things—such as talking about what Marsh and the other Inquisitors were doing with their time and showing another character getting spiked.

You may remember one of the spiking attempts on Elend earlier in this novel, right at the beginning. I flirted with putting more of these in, but decided that it would grow too obvious and too heavy-handed if I emphasized it that much. (The scene I toyed with included a madman unexpectedly rushing Elend with a spike.)

I think this is the last of the Marsh insert chapters, meaning others you read after this were in the first draft. You'll probably notice a larger gap before seeing him again. Marsh and TenSoon kind of get lost in this third quarter of the book, I'm afraid. We still see them, but it's infrequently enough that Spook/Sazed and Vin/Elend dominate.