Evelyn Basher
Have you ever written something you regret because it misrepresented your personal values in books?
Brandon Sanderson
An example of violence being over the line actually got cut. This comes from Oathbringer, and it's during one of Dalinar's flashback sequences. And there is a sequence where, to not give too many spoilers, he ends up trapped beneath an avalanche of stone. And I wrote a scene where he comes out, he is consumed by the Thrill, and he goes to town on the people who are trying to kill him in some really graphic ways. (For me. Like, nothing maybe compared to what George [Martin] will write. But for me.) Man, there were heads being crushed, and stuff like this. I wrote this, and it was the mindset I was getting into, being Dalinar. And I got done, and I actually didn't come back to it until I was in the writing group, and the writing group was like, "Woah. We know Dalinar was brutal, but Woah! Do we have to see all this?" And I thought, "Wow, no. We don't have to see all this. I'm gonna trim that down." I can still release it online, if people want to see it. We'll try to get Adam to get a deleted scene of that put up, if you really want to see Dalinar go to town on a bunch of people. But, in this case, I'm like, "This just felt wrong" when I was going back to it. I went over a line I didn't want to cross in the level of brutality in the book. And this is not to be a commentary on anyone else's lines. You may hear this and be like, "Oh man, I wish that were in the book." But the books are a representation of what I want them to be. So, that's an example of when I went over the line.
I do think the initial painting of Ash, in the front of Oathbringer, ended up... her clothing ended up being more transparent than I had realized when we were looking at the artwork. We asked a bunch of artists to paint, for the Heralds, basically the version of Sistine Chapel that might exist on Roshar, the ten Heralds represented instead of the prophets at the sides of the Sistine Chapel. And Dan Dos Santos is an amazing artist, and he painted an amazing picture of Ash, and I saw it, and Isaac's like, "Do you think this is a little too risque to put in the front of our book?" And I thought, "No, I don't think it is," because I was looking at the slit on her dress, and I'm like "Ah, it's fine." I wasn't realizing that he was saying, "Hey, this is transparent, and you can see kind of more than perhaps you might want to be seeing." And the book came out, and people were like, "Hey, why is there a naked woman in the front cover of your book?" Now, again, some of you may be saying, "Really? Brandon, that is super tame." And this all kind of depends on your own worldview, and things like that. I remember hearing a cool story once about speeding, where a comedian said, "Isn't it funny that anyone going slower than you is someone you're like, 'That's such a slow person! How come they can't just go the right speed? That person is terrible!' But anyone who passes you? You're like, 'That person's a maniac. Look at how fast they're going!' It doesn't really matter how fast you're going. You're still going to have this inclination that anyone going slower than you is obstructing the flow of traffic, and anyone going faster than you is a maniac that is going to cause bodily harm to everyone around them." Obviously, not 100% true. But it rang true with me. And I feel like that's how this sort of thing goes. And for me, Ash's outfit was too transparent. And we talked to Dan and said, "Can you just make the dress a little less transparent." And he's like, "Oh yeah, sure, absolutely." Had no problem with it. And in the second printing, the dress was where we would like it. Which still, to some people, is probably too transparent. And to other people, you're like, "You silly Mormon. Why do you even care about this?" But it is part of my moral compass, and so I want to release the books where I feel comfortable.