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Questioner

That spren that are of Odium, that are in the Everstorm - are there more of those and will they pair directly as opposites of the <Nahel spren>?

Brandon Sanderson

There are more of them. There is not an exact one-to-one correlation?

Paladin Brewer

If a person had the power of Mistborn and other powers like Surges, could he use duralumin to power the Surges?

Brandon Sanderson

This is possible.

Questioner

If a person who could use Stormlight went to the world of Mistborn, would they still have the same strength? Would the distance from the god depend on it?

Brandon Sanderson

The only one that the distance matters is Elantris because of the power being trapped in the Cognitive Realm makes distance important. The thing is, you would need to get Stormlight.

Questioner

Or like Mistborn, they would have the same type of strength?

Brandon Sanderson

It's a lot easier for Allomancers to move between planets than the others just because it's harder to get stormlight because it runs out. It's harder to get the sand unless you can find some kinetic investiture to recharge it. I would say the easiest to travel is Mistborn. Sandmaster is probably second easiest, then it gets a little hard from there. I guess, it depends, you can just carry the Breath with you. That works just fine. Getting new Breath, though... There's a lot of different variables going on there.

JD Thorne

Now I love [The Stormlight Archive] as much as the next person, but I see a hole that just gets under my skin no matter what!

Brandon Sanderson

?

JD Thorne

SKYEELS! They would have been discovered first and called Eels. It's always bugged me, unless you can offer a reason that is

Brandon Sanderson

The hound question is what you should be asking. Roshar has regular water eels, so skyeel isn't nearly as odd as axehound.

JD Thorne

Ahhh but that's my point exactly. shouldn't it be eels and water eels? Not skyeels and eels. Watereels discovered second.

Brandon Sanderson

The answers are there in the books. They will be made clear soon, but I suspect many have guessed already.

Brandon Sanderson

Nightblood Origins

I've been wanting to do a book with a talking sword for some time. Sentient objects are a favorite theme of mine from fantasy books I've read, and I think you'll probably see more of them in future books from me.

The magic sword is its own archetype in fantasy, even if there haven't been any good magic sword books among the big fantasy novels of recent years. Perhaps that's because Saberhagen and Moorcock did such a good job with their books in the past. I'm not sure. (I don't count appearances of magic swords like Callandor in the Wheel of Time. I mean books with major parts played by swords.)

Anyway, that's a tangent, and I'm certain that half the people reading this can think of examples and exceptions to what I just said. Either way, this is a theme I wanted to tackle, and the magic system of this world lent me the opportunity.

Nightblood is another favorite character of the readers. I think his personality works the best out of any non-viewpoint character I've ever written. He doesn't get that much dialogue in the book, but it is so distinctive that it just works.

u/khazroar

"Deadeyes can't make choices," Notum said. "They don't have the presence of mind for it. I know this personally; my own father is a dead eye, cared for in the fortress now."

Third listen of the book, and I only just clocked that. I was under the impression that every single honorspren at the time of the Recreance became a deadeye, and that all currently conscious one's were descended from those the Stormfather made later (aside from the Ancient Daughter). How in the world can Notum's father be a deadeye without him being one too?

Peter Ahlstrom

We became aware of this error sometime in the past year. Turns out Brandon momentarily confused Notum with the Reacher ship captain, who does have a deadeye father. The line will be changed eventually.

Questioner

So, you've mentioned-- you have an idea of how the Cosmere's going to go. The ending of the Cosmere, considering you have seven more Stormlight books to write and years to go, does the ending of the Cosmere hang over your head?

Brandon Sanderson

Does the ending of the Cosmere hang over my head 'cause I've got a ways to go-- Yeah, it's starting to loom a bit! You know, when I was in my twenties and thirties doing this, "Ah! I can write every story, I've got plenty of time!", but now that I'm in my forties I'm-- let's make sure we focus and keep going on this. So one of my goals has been to try to learn to write novellas so that the random ideas that pop in my head became novellas and not novels, because the way I work, I can't stay on one thing between books I find that it burns me out really fast if I don't have something new to work on, but if that new thing to work on can be a novella like one of the Legion books, or like Perfect State, or Snapshot or something like that and then I can jump back on the kind of mainline book I can reset myself quickly. And that why you see me practice that and things like that.

My goal is kind of closing things off faster than I open them. This is why Legion got finished this year, why Alcatraz will probably get finished next year. Those of you waiting for a Rithmatist sequel *sighs* eventually. I need to get those other two closed off first. For those of you waiting for Reckoners, I consider Reckoners to be done. If I eventually fix and release Apocalypse Guard, that might answer some of the questions you have about the end of that series. Elantris and Warbreaker are both part of the Cosmere arc, what I'll probably do is I'll write Stormlight 4 and 5 and the last Wax & Wayne book over the next few years-- five years, next five years probably. *laughter* And then I'll probably stop and do Mistborn Era 3, which is the 1980s Mistborn, and maybe some Elantris sequels. And then I'll come back and do Stormlight 6-10 which take place about 10 years in-world after Stormlight 5. Same characters, at least the ones that survive. *eruption of laughter* That might be all of them! No spoilers there. But Stormlight is ten books. The way Stormlight will go is Book 4 is Eshonai, Book 5 is Szeth, 6 is Lift, 7 is Renarin, 8 is Ash, 9 is Taln and 10 is Jasnah. That doesn't mean that the person survives, it means that it's a flashback sequence. *nervous laughter* Just keep that in mind. So if your sequel wasn't on that list then don't hold your breath.

Questioner

How did you come up with The Stormlight Archive's gem magic/technology?

Brandon Sanderson

One of the things to keep in mind is I that developed this book before Mistborn was published. I do wonder if sometimes people are going to say, "Oh, he did metals before, and now he's doing crystals." But the thoughts arose quite independently in my head. You may know that there is a unifying theory of magic for all of my worlds--a behind-the-scenes rationale. Like a lot of people believe there's unifying theory of physics, I have a unifying theory of magic that I try to work within in order to build my worlds. As an armchair scientist, believing in a unifying theory helps me. I'm always looking for interesting ways that magic can be transferred, and interesting ways that people can become users of magic. I don't want just to fall into expected methodologies. If you look at a lot of fantasy--and this is what I did in Mistborn so it's certainly not bad; or if it is, I'm part of the problem--a lot of magic is just something you're born with. You're born with this special power that is either genetic or placed upon you by fate, or something like that. In my books I want interesting and different ways of doing that. That's why in Warbreaker the magic is simply the ability to accumulate life force from other people, and anyone who does that becomes a practitioner of magic. 

In The Way of Kings, I was looking for some sort of reservoir. Essentially, I wanted magical batteries, because I wanted to take this series toward developing a magical technology. The first book only hints at this, in some of the art and some of the things that are happening. There's a point where one character's fireplace gets replaced with a magical device that creates heat. And he's kind of sad, thinking something like, "I liked my hearth, but now I can touch this and it creates heat, which is still a good thing." But we're seeing the advent of this age, and therefore I wanted something that would work with a more mystical magic inside of a person and that could also form the basis for a mechanical magic. That was one aspect of it. Another big aspect is that I always like to have a visual representation, something in my magic to show that it's not all just happening abstractly but that you can see happen. I loved the imagery of glowing gemstones. When I wrote Mistborn I used Burning metals--metabolizing metals--because it's a natural process and it's an easy connection to make. Even though it's odd in some ways, it's natural in other ways; metabolizing food is how we all get our energy. The idea of a glowing object, illuminated and full of light, is a natural connection for the mind to make: This is a power source; this is a source of natural energy. And since I was working with the highstorms, I wanted some way that you could trap the energy of the storm and use it. The gemstones were an outgrowth of that.

Questioner

Do you make a conscious effort to incorporate *inaudible* morals? Like not...

Brandon Sanderson

Um, yeah...

Questioner

I mean, more sexually.

Brandon Sanderson

Right, so, I personally don't like reading things that kind of are explicit themselves. I feel like I shouldn't force all of my characters to keep the same moral code, because that's not accurately representing the world. It's-- But at the same time, what I think is moral influences things. So it's like very conscious that--

Questioner

More like how you describe it.

Brandon Sanderson

Yeah. And also, you know, you go to some-- a place like Roshar, where it's based on oaths and things like this. That's playing into part of what I think is moral, right? So, yeah. But the same time we have people like Wayne, whose just like-- you know Wayne is not going to-- yeah, he's got very loose morals-- that's who he is. And if I didn't put people like that in my books there would be something wrong. But I don't feel like I have to be explicit, is the thing.

Cadmium (paraphrased)

Would a Connection medallion work for sign language?

Brandon Sanderson (paraphrased)

Yes.

Cadmium (paraphrased)

Would it make the person's fingers move or would spoken word be interpreted mentally as the appropriate sign? Would it overcome deafness?

Brandon Sanderson (paraphrased)

Ehhh... It would translate the communication. I can say that.

R'Shara

Callsigns. They seem to start with the same letter as the person's name. In world, is this a tradition or coincidence? (I know the irl reason was to help keep them straight).

Brandon Sanderson

I'd say this is tradition in world too, but not 100% strict.

Kirrin

Also, you should tell us what the last two metals are.

Brandon Sanderson

The last two metals are chromium and nicrosil. We'll reveal what they do on the Allomancy poster. Suffice it to say that in the next trilogy, the main protagonist would be a nicrosil Misting. And, to make a Robert Jordan-type comment, what those two metals do should become obvious to the serious student of Allomancy... (It has to do with the nature of the metal groupings.)

Happy Man

If I read the poster correctly, and have the correlations down, these metals are the external enhancement metals.

The simplest idea is that they do to another person what aluminum and duralumin do to the Allomancer burning them. If this is true, then chromium would destroy another Allomancer's metals (useful skill, that, especially in a group of Mistings fighting a Mistborn) while nicrosil would cause the target's metals that are currently burning to be burned in a brief, intense flash. This could be used either to enhance a group of Mistings or to seriously mess up an enemy Allomancer.

Peter Ahlstrom

The other metals do not have exact one-to-one power correlations like that, so it seems more likely to me that they would work differently. It could be like an area effect weakening or enhancing spell. You would want an enhancer in your party, and you wouldn't want to go up against a weakener.

Nicrosil is a rather more complicated alloy than the others. It's an interesting one to pick, rather than something simpler like nichrome (though I guess that's actually a brand name).

Brandon Sanderson

Nicely done.

Ookla is right, the others don't have 1/1 correlations. But I liked this concept far too much not to use it.

In a future book series, Mistborn will also have become things of legend. The bloodlines will have become diluted to the point that there are no Mistborn, only Mistings—however, the latter are far more common. In this environment, a nicrosil Misting could be invaluable both as an enhancer to your own team or a weapon to use against unsuspecting other Mistings.

Douglas

I take it either Spook did not have children or Sazed made him a reduced-strength Mistborn rather than giving him the full potency of the 9 originals and Elend?

Brandon Sanderson

Spook is a reduced power Mistborn.

Chaos

Very interesting about the nicrosil.

So, if there is no more atium, then that would mean in any future trilogy, there would only be 14 metals, right? Somehow, that doesn't seem right, but maybe that is because it irks me that one quartet to be left incomplete with the absence of atium.

Would it be possible for Sazed to create a replacement metal, by chance, or will the temporal quartet remain inherently empty? It doesn't seem like it's too far of a stretch for Sazed to make more metals: after all, the metal Elend ate was a fragment of Preservation, and now Sazed holds Preservation.

Brandon Sanderson

That's a RAFO, I'm afraid. Suffice it to say that what the characters think they understand about the metals, they don't QUITE get right. If you study the interaction between the temporal metals, you might notice an inconsistency in the way they work...

Peter Ahlstrom

Uh-huh. That was already noticed by theorizers in the forums here. Gold works like malatium and electrum works like atium. Yet they're on opposite corners of the metal square.

Brandon Sanderson

Ah. I wondered if that had been noticed.

Argent

I've been thinking about possession within the Cosmere - is it possible for beings (dead, alive, or inbetween) to possess other beings in the Cosmere? Allomantic control over spiked creatures, and the existence of the Lifeless are both close to the idea, but neither is quite what I've been trying to imagine. I think I am looking more into whether one being's cognitive (and/or spiritual) aspect can fully replace (temporarily or permanently) another's. I imagine the victim would natively fight this, similarly to how Rashek's spiritual aspect resisted his anti-aging trick, but... is such a thing possible?

Brandon Sanderson

This is possible. (There are places where you've already seen the process either begin, or work partially.)

Oversleep

Are you talking about Ruin/Harmony controlling Hemalurgic Constructs and Odium controlling Voidbringers... or is there something else?

Brandon Sanderson

You will see soon.

ReaderAt2046

What would happen if, right after someone died, they were made into a Lifeless, and then Endowment tried to Return that person?

Brandon Sanderson

Oooh...now that's a spicy one. Endowment's gift of a superpowered Breath would come down, strike the Lifeless, and all kinds of craziness would occur. You'd end up with a drab god, which would be hilarious.

CODA_451

If you could have a Lego set from your books, what would it be?

Adam Horne

I know what I would pick.

Brandon Sanderson

What would you pick?

Adam Horne

A chasmfiend, for sure. A really detailed Lego Technic chasmfiend would be awesome. 

Brandon Sanderson

Yeah, okay, you might have persuaded me. Mine went to the person who did all the cool Lego on Facebook. I just like the whole dioramas that they made, like, "here's this scene," and I thought those were very cool. Chasmfiend's a good choice. I would be curious to see how they would do Lego Shardplate though. How do you fit a little minifig in a Shardplate? I guess they have the, y'know...

Adam Horne

Paint?

Brandon Sanderson

No, it can't just be paint! It's got to be more like how they did the Hulkbuster Armor or something like that.

learhpa

If someone (with the appropriate knowledge of where to place the spikes to be successful) were to spike Rysn and try to steal the power of the Dawnshard, what would happen?

Brandon Sanderson

A very bad time, for the person attempting it. Dawnshards self-protect.

Bennet Alterman

If Dawnshards self-protect, what's the need for larkins and Sleepless?

Brandon Sanderson

They do self-protect. The larkins and Sleepless are there! You're assuming the larkins and Sleepless aren't there because of Dawnshard influence. Which is a false assumption.

Brandon Sanderson

I had a bit of trouble in this book devising personalities for all of the noblemen who would be hanging around Sarene. Some of them, such as Shuden, don't get very much screen time, and so it was a challenge to make them interesting and distinctive. In the end, however–after several drafts–I had their characters down so well that when my agent suggested cutting one of them, I just couldn't do it. So, perhaps there are a few too many names–but this is a political intrigue book. Lots of people to keep track of is a good thing.

Questioner

Is Marsh happy?

Brandon Sanderson

Marsh is Marsh's version of happy.

Questioner

I'm just worried about him.

Brandon Sanderson

...He has never been a happy person. But he's in a better place now than he's been in other times of his life.

There's a part of Marsh that really likes skulking around and being an incarnation of Death in peoples' minds. He's not really one, but you know what I mean? There's a part of him, the part that's related to his brother, that really digs that, even if he would never admit it.

WeiryWriter

Are you planning on using what you learned from writing Renarin and Steris to improve the characterization of Adien when you write Elantris 2?

Brandon Sanderson

Yes. Adien is one of my-- regrets is probably the wrong term. But I talked earlier about coming to terms with the fact that as you grow as a writer, there are certain things that you will have done less well then you can do them now. I consider Steris and Renarin my-- Again, apology's the wrong term. I tried very hard when I wrote Elantris. I was not the writer I am today, and I did not have access to the helpful readers who could point me-- you know, by writing Adien a little pop culture-y, the pop culture version of someone with autism, I was able to be told by people, "you know, this is kind of a stereotype." What Adien is does exist, but very rarely, and if you wanna have a more complete picture of it, you should read this resource or talk to this person. That's one of those areas that, here I thought I was being all forward thinking. And I did something that perpetuated a stereotype at the same time. That's not something I think you need to be embarrassed of, as a writer, as long as you're willing to listen and do better.

Questioner

One of the characters in this book replied with "I've got this," or "I got this." It seemed really modern, like colloquially modern.

Brandon Sanderson

I've got an answer for this. So here's the thing. I use Tolkien's philosophy on this, which is that you are reading the books in translation, and the person translating the English tries to use the closest English approximation to the same sentiment that would happen in the books.

And we try to move away from being too modern colloquial, and things like that, but the actual answer is they said something that's a similar saying in this, and people did talk colloquially even if they didn't have modern slang. Like, the name Tiffany is a medieval name, people don't know that. There's all these sorts of things that people did even back then. But we try to find something that is not going to kick people out. We are less worried about historical accuracy, and more about what's going to convey the right idea. So just kind of pretend that. Pretend that it's being translated by someone like me, Brandon Sanderson, who can read the original Alethi and be like, "Oh, they said something that means this. What's the modern equivalent?"

Jeanne

You write such wonderful, believable female heroines, who are your role models and influences?

Brandon Sanderson

Writing believable female heroines—I should probably back up and point out that I wasn't always good at this. In fact, in the first few books I wrote before ELANTRIS I was terrible at it. That disconcerted me because it was something I wanted to make a strength in my writing. This is partially due to the fact that so many of my favorite fantasy novels growing up, when I first discovered fantasy, were from female writers with really strong female protagonists. So there was a piece of my mind that said having strong female protagonists is a big part of fantasy. I don't know how common that viewpoint is, but because those were the people whose books I read—writers like Anne McCaffrey, Melanie Rawn, and Barbara Hambly—I wanted to be able to do that in my own fiction. Even beyond that you want every character you write to be believable, and it's been a habitual problem of men writing women and women writing men that we just can't quite get it right, so I knew it was going to be something I'd have to work hard at.

I took inspiration from women I know, starting with my mother, who graduated top of her class in accounting in an era where she was the only woman in her accounting program. She has always been a strong influence on me. I also have two younger sisters who were a lot of help, but there were several friends in particular who gave me direct assistance. Annie Gorringe (who was a good friend when I was an undergraduate—and still is) and Janci Patterson were people I sat down to interview and talk to in my quest to be able to write female characters who didn't suck. I would say specifically that Sarene from ELANTRIS has a lot of Annie in her, and Vin from MISTBORN has a lot of Janci in her. In WARBREAKER, Siri and Vivenna don't really have specific influences but are the result of so much time working at writing female characters that it's something I'm now comfortable with. (Their personalities arose out of what I wanted to do with their story, which was my take on the classic tale of sisters whose roles get reversed.) It's very gratifying to hear that readers like my female characters and that the time I spent learning to write them has paid off.

Glen Castergene

Where did you research addiction, and what made you put a character into your books who was battling addiction?

Brandon Sanderson

So, this character that was battling addiction actually started, first appearance was in Mythwalker, which is the book that became Warbreaker. It was my ninth novel. (During those days, for those who don't know, I wrote thirteen before I sold one.) This character really stuck with me; it was me trying to do something that is very different from my own personal experience, looking to try to make a character sympathetic who struggles with something that a lot of people struggle with in our world. And one of my goals in putting characters like this into my books is to try to help humanize, because we all have these issues we deal with, and we all have different things to our psychology, and some of them can be pretty difficult to deal with. Some mental illness can just be a real kick to the head. And I see a lot of fiction that does a poor job of humanizing people like this.

And this was a character that, when I wrote him, I didn't know what I was doing, but the character really connected with me. And so, I put the character back in, I added them to the Stormlight Archive, and then I started to do my research. You can read, in the acknowledgements, some of the people that have been very helpful in me understanding addiction to the point that I hope I can get it right in the stories. But it is really important to me. There was something about writing this character that made me understand addiction, and people who were dealing with addiction, in a way I hadn't before. And that's something that I love about writing.

The other thing is, I didn't want magic to become a panacea, to get rid of hard things in people's lives. That's kind of important to me, because I think it can be very dangerous to write, "Well, the way to get over this sort of thing is just to get some magical powers!" (Which, of course, doesn't work in real life, in the real world.) And I don't want to not give people who deal with things like this the escapism that some of us will get my being able to read a book about someone who has a magical cure to an affliction they're dealing with. That is part of why they read, is this ability to escape from our problems into a world where the problems become different, and perhaps more surmountable. I acknowledge that what I'm doing does make that difficult, but I feel like the humanizing of people who are, maybe, not psychonormative or who deal with serious issues like addiction is more important to me.

And the writing felt right. At the end of the day, there's all these reasons that we can give for why I do things, that are intellectual reasons. But at the end of the day, it just feels right. The characters I'm writing feel like themselves, and that's who they are. And to not write them well would be a betrayal of trying to tell this character's story.

Questioner

Is Hoid a dragon?

Brandon Sanderson

Oh I will give you a RAFO card. You're very good, Have you read Dragonsteel?

Questioner

I have not but--

Brandon Sanderson

Don't read it, it's bad.

Questioner

Okay then. I am just-- What? Okay then. That's awesome. We have some ideas but-- Hoid is amazing. I figured he was really old but it's cool knowing for sure that he's exceptionally old.

Brandon Sanderson

He is one of the oldest people in the cosmere, but he is not the oldest.

Questioner

Ahhh...

Brandon Sanderson

The person he is writing a letter to is indeed older than he is.

Questioner

How did the name Bridge Four [come about]?

Brandon Sanderson

So, I stole Bridge Four (there's an interesting story to it)... Dragonsteel was my seventh novel, and it's Hoid's origin story, and it takes place... the series is Hoid's origin story, though that book doesn't really get into it. We have a few viewpoints from him, but it's not really about him. And the idea was, I was gonna kind of lead into this epic fantasy, and then start talking about this mysterious character who was a big part of it. And the main character I decided to lead in with that was this person who got stuck in a bridge crew. It's not Kaladin, it's a very different character, but the idea of the bridge crews. Well, eventually, I took Dalinar out of... even before I was writing Dragonsteel, I pulled him out, set him for a different book. And eventually it became clear to me that I needed to pull the bridge crews out and move them to Roshar because they just worked better. I had this great idea for these bridge crews, but the world they're in just didn't match. And the chasms and things matched very well. So I moved them out and made them a part of Kaladin's story. What I'm getting at is, I came up with the bridge crews, like, twenty years ago, and I have no idea why I picked four, other than... I have no idea. Bridge Four has been Bridge Four to me for years. In fact, if you read Dragonsteel, you can still find Rock in Bridge Four from twenty years ago, acting kind of the same. And a few of the other characters are still there, as well.

EEroden

Can any invested person "skip" to other planets if they have enough investiture and the knowledge to do so? If not, is this ability specific to Nomad?

Brandon Sanderson

What's happening with Nomad is fairly individual to him, though based on Cosmere logical principles.

DrogaKrolow

The last one, a bit offtop, Me and Klaudia-- We dream about becoming a fantasy writer. I'm sure she's wondering too: how does it feel when your first book was published...

Brandon Sanderson

Man that's so hard to define. I'm a writer, I should be able to do this, but it was amazing. It's validation for having spent twenty years trying to learn how to do this. Maybe not twenty. Fifteen years trying to learn how to do this. At the same time, theoretically in some way it's also just a released breath. Okay it happened. It worked. But at the end, you write for yourself. I don't know if you guys have heard this story; I've told it before, but I had a really down point in my writing career before I got published. 

DrogaKrolow

Yes the four hundred-- uh, when you sold Elantris.

Brandon Sanderson

See, when I was trying to get published, everyone was telling me you need to be more like George RR Martin. They really did. They'd say that, and they would also say my books are too long. So they would tell me these two things. You need to be more like George Martin and your books are too long. They were all looking for Joe Abercrombie. That's who they wanted to find, right? They wanted short, brutal books. And Joe's a great writer, so there's nothing wrong with that, but that's not me. And I tried doing that. That's what Final Empire Prime and Mistborn Prime--unpublished novels--were. I took some of my ideas and I tried to write something more Joe Abercrombie-esque, even though Joe hadn't been published then. So it was just a short, sort of grimdark thing, and they were terrible. They were absolutely terrible. And so I sat back and I'm like, "Okay, nobody wants to read what I'm writing, but if I try to write what they say to write, it turns out to be a terrible book. Should I just give up?"

And I thought about that for a while and I eventually came to the decision: I'm not writing for them. I'm writing for me. That's the point. And if I die at age 90--let's say age 100 *laughter*--and I have 150 unpublished books in my closet, then I'm a success, because I kept writing, because that's what's important, was enjoying and loving that process. Even if I never got published, I wanted to be that person. And that's when I sat down and wrote The Way of Kings [Prime], which was my proverbial flipping the bird at the industry. I said, if you say my books are too long, I'm writing one twice as long. If you say my books are not George Martin enough, I'm going to go the complete opposite direction. High magic, high fantasy, all the awesome stuff. Knights in magical power armor. All of this stuff. And I wrote that book fully expecting no one would ever publish it. And that's when I got the call from an editor buying Elantris, which I'd written five years before at that point. It might have been four years, but you know. 

But when Elantris came out, I'd already made the decision that I'm a writer, no matter, I don't give up. I write for me. And so in some ways it was hugely relieving and thrilling. But in some ways the more important decision had already been made. I was a writer, and I didn't need that validation to be a writer. Because the only one that says whether or not I'm a writer is me. I get up every day and I do it.

Brandon Sanderson

Lightsong Meets Allmother

This was a tough scene to get right. The trick is, I knew by this point that I wanted Allmother to be one of those who disliked Lightsong. She thinks that he's a useless god, and she isn't one of those who saw hidden depth in him.

I also knew that I wanted to give a twist here by having Lightsong offer up his Commands and give himself a way out, so to speak. What he does here is rather honorable. He knows that Allmother is a clever woman and perhaps one of the only gods capable of going toe-to-toe with Blushweaver. By giving her his Commands, he does a good job of countering Blushweaver without having to resist her.

But he couldn't get away with it. He had to stay in the middle of it all, for the good of the story and for the good of him as a character. So the question became, "Why in the world would Allmother give him her Commands?"

The prophetic dreams came to my rescue a couple of times in this book. I know that they're cheating slightly, but since I've built them into the story, I might as well use them. Having her having dreamed of his arrival gives me the out for why she'd do something as crazy as give up her Commands. I think her visions, mixed with the knowledge that Calmseer trusted Lightsong, would be enough to push her over the edge.

Questioner

When you pictured Kelsier in the Mistborn Series, did you see him as a Christlike figure?

Brandon Sanderson

He sees himself that way, I do not.

Questioner

And the church that follows up after him, is that more like *inaudible*

Brandon Sanderson

It is hierarchical like some Christian churches are, but it is not meant to reference any specific church. I do not personally see Kelsier as... he has a more inflated opinion of himself than I think he should have.

Questioner

If the highstorms existed prior to the Shards' arrival, what's the relationship between the highstorms and the Stormfather?

Brandon Sanderson

Oh good question. I was wondering if someone was going to ask that… So, I'll tr-- Let me see… *sighs*

You know, I'm actually going to RAFO this one. *laughter* And let me tell you why, because I mean, I want to give you some reasons to be interested in the things that Dalinar will be talking about with the Stormfather. So this is a RAFO with an explicit promise that book 3-- These are things that are covered now that we have bonded the Stormfather to a person who can now ask some of these questions. I could totally just tell you now, but where's the fun in that? Read book three.

Nadine

You have created some fantastic, original and well thought out magical systems. Where did you get the inspiration for the metal-based system of the Mistborn series and the breath-based system of Warbreaker?

Brandon Sanderson

Thank you! During the early days of my career—before I got published—I found myself naturally creating a new magic system for each book I wrote. I'm not sure why I did this. I just found the process too involving, too interesting, to stop.

For Mistborn, I came to the book wanting several things. I wanted a great magic system that would enhance the graceful, martial-arts style fights. This was going to be a series of sneaking thieves, assassins, and night-time exploration. And so I developed the powers with a focus on that idea. What would make the thieving crew better at what they did? I based each power around an archetype of a thieving crew. The Thug, the Sneak, the Fast-talker, etc.

At the same time, I wanted to enhance the 'industrial revolution' feel of the novels through the magic system. I wanted something that felt like an industrial-age science, something that was a good hybrid of science and magic. I found myself drawn to Alchemy and its use of metals, then extrapolated from that to a way to release power locked inside of metal. Metabolism grew out of that. It felt natural. We metabolize food for energy; letting Allomancers metabolize metal had just the right blend of science and magic.

For Warbreaker, I was looking back a little further, shooting for a more Renaissance-era feel. And so, I extrapolated from the early beliefs that similarities created bonds. In other words, you could affect an object (in this case, bring an object to life) by creating a bond between it and yourself, letting it take on a semblance of your own life.

Moving beyond that was the idea of color as life. When a person dies, their color drains from them. The same happens when plants die. Vibrant color is a sign of life itself, and so I worked with this metaphor and the concept of Breath as life to develop the magic. In this case, I wanted magical powers that would work better 'in' society, meaning things that would enhance regular daily lives. Magical servants and soldiers, animated through arcane powers, worked better for this world than something more strictly fighting-based, like in Mistborn.

Questioner 1

Is Dalinar clean-shaven or does he wear a beard?

Brandon Sanderson

It depends on the day, and the time. Dalinar is clean-shaven through most of the books you have seen.

Questioner 1

That's what I thought but he thought not.

Questioner 2

The audiobook reader just gives me an impression of a wizened person with a well-kept beard.

Brandon Sanderson

Let's see if I've got... if I've got enough internet...

Questioner 2

I get the impression that Sadeas has a creepy mustache from the audiobook as well.

Brandon Sanderson

Beards are not in fashion in Alethkar right now.

Questioner 1

Which is why Kaladin shaves it off.

Brandon Sanderson

Let's see, Way of Kings, I've got the artwork I used as-- *shows secret canon drawing* So there is the concept art we used for Dalinar.

AllomancerSam

...When a Shard vessel dies and they've held the Shard for a thousand years, how much do they remember about what they've done?

Brandon Sanderson

Depends on the shard. Usually, everything or most everything. It is not implausible that there are Shards that don't want to remember certain things. They have a large and vast mental capacity for remembering things.

AllomancerSam

Would Ruin be one that would be more likely to want to forget?

Brandon Sanderson

I think all of them would have things they might want to forget. It depends on whose personality would be more likely to make that actually happen.

Link389

With Stormlight being in your mind 2 five book arcs, is there still a single "through-line" so to speak (aka, the Everstorm, A clash with Odium, or the like).

Brandon Sanderson

Yes.

Chris King

What are some characteristics of and how many other wordhoppers are there that we have seen excluding Hoid, Demoux, and Galladon.

Brandon Sanderson

You gave me really good wiggle room on that one. Obviously the other person with Galladon and Demoux.

Chris King

Right, the one from a future book.

Brandon Sanderson

His characteristics are-- What is he like? Some people have read his book so they know what he's like--

Chris King

Which book is he from?

Brandon Sanderson

He's from White Sand.

Chris King

Okay, that's one I have but have not gotten to.

Brandon Sanderson

It's only mediocre so don't worry about it. Let's see what other worldhoppers I want to give you clues about-- *long pause* There's a Terriswoman running around, if you keep your eyes open.

Chris King

I have to re-read it, everything.

Brandon Sanderson

Who else do I want to talk about-- Words of Radiance has a couple good ones, that will be pretty obvious.

LettersWords

The Fused only use nine of the Surges (they don't use Adhesion), and Raboniel describes Adhesion as "not a true Surge." Does this mean, in its original form on Ashyn, Surgebinding had no equivalent to Adhesion, and it was created by Honor later?

Brandon Sanderson

That is a valid way of theorizing, and I would encourage you to go that direction. Raboniel is biased. So take those two sentences as separate things. Do be aware she is very, very biased, but also your theorizing could bear fruit going that direction.

BipedSnowman

This is just a little thing I thought of that is kinda neat. Symmetry on Roshar is seen as holy, but the letter H can be used in place of another consonant without "spoiling" the symmetry.

Is this because of the spelling of the name Honor? If the H is a stand-in for the R, it makes the name symmetrical.

Dickferret

Where is the "h" thing mentioned?

BipedSnowman

I am copying this from somewhere else, but apparently WoR chapter 47. (I guess i tagged the post wrong, but it's just barely a spoiler anyway.)

""Bajerden? Nohadon? Must people have so many names?" "One is honorific," Shallan said. His original name wasn't considered symmetrical enough. Well, I guess it wasn't really symmetrical at all, so the ardents gave him a new one centuries ago." "But ... the new one isn't symmetrical either." "The 'h' sound can be for any letter," Shallan said absently. "We write it as the symmetrical letter, to make the word balance, but add a diacritical mark to indicate it sounds like an h so the word is easier to say." "That - One can't just pretend that a word is symmetrical when it isn't!" Shallan ignored his sputtering [...]"

pwnt1337

Is this similar to the many interpretations of the spelling and pronunciation of YHWH?

Brandon Sanderson

Hebrew, among a few other languages, is an inspiration for some languages in the cosmere. (One of them is Alethi.) That said, in this case it's more like how in some Asian countries, they would give honorific names to famous scholars or rulers after they pass away.

Questioner

You called Nightblood a miscrea-- a misformed Shardblade.

Brandon Sanderson

A Shardblade created with a different magic system.

Questioner

Is that an intentional creation or mimicry? Or--

Brandon Sanderson

Yes, that is intentional.

Moderator

Intentional on the part of the person who made Nightblood…

Brandon Sanderson

Mmhmm.

Questioner

Do you have any updates on the Dark One TV series?

Brandon Sanderson

It's got an interesting history. Dark One is one I've been working on for a long time, and I actually wrote out a big pitch for it when I pitched Apocalypse Guard to Random House, and I said, "Here's one of the other ideas I'm gonna write someday." They're like, "Woo. We'll keep this in our binder." And that binder made its way to their TV department, who read the pitch and was like, "We have to have this!" and came to me and said "Can we buy this?" I'm like, "Well, I haven't written the books yet." They're like, "We don't care. We want this pitch." And the pitch, the idea is that a young man in our world, a knight shows up to assassinate him, and he finds out that there's kind of a Narnia-esque fantasy world that his father visited when he was a kid and screwed up, and they are super mad. And they have prophecies that this kid is gonna be the next Dark One, and so they're gonna assassinate him before the whole epic-fantasy-thing can happen, and the Dark One tries to conquer the world. They're just gonna take him out first. And so it's kind of this twisting the story on its head idea. And it's a really fun pitch.

So they bought it from me. I expanded it to a 30-page outline, sent it to them. I can't tell you who they got, but they've got somebody very big attached to it, which I'm very excited about, someone who I was excited about that my assistant Peter just about fell over dead when he heard the person attached. And we should be flying out to do pitches to studios and places early part of next year. We wanted to be doing it now, but I have a book launch, and they want me there with them.

It's going really well. It's been a wonderful experience. I'm very hopeful with that, I think it will be a very interesting story if it happens.

Questioner

If someone—Vasher says that Nightblood would kill him, is that just because he has this one deific Breath? Would it kill an ordinary person, like a drab?

Brandon Sanderson

It would suck the Breath from anybody, and if they were unable to feed it he would feed on their soul.

Questioner

So they would die?

Brandon Sanderson

Yes. Anyone wielding Nightblood, he will suck their soul. If for too long, he will eventually—if you draw him—will suck your soul.

Questioner

It’s really heavily implied in the first Oathbringer letter that the Shards made a pact not to settle near each other. Given that a full half of the Shards ended up doing that, what is the cost for them breaking that oath? You implied earlier that there’s always a cost for Hoid, for taking his protections.

Brandon Sanderson

The wording of those things allows them to agree together, but it also gives them a little bit of power over one another, and you’ve seen the side effects of that on the planets where it’s happened. It has not gone well for any of them, if you kind of run the numbers on that. But the wording of it allows two, later on, to say, "Okay, we both agree." (If one said no and one said yes, then they were in trouble.) This should imply to you that Odium did get permission, as well.

Brandon Sanderson

Straff is generally everyone's least favorite character–though that's kind of what I expected. He's not insane; he’s just a terrible person. Those do, unfortunately, exist–given his power and upbringing, he’s not all that surprising in his bullyness.

I wanted to provide a range of villains for this series. The Lord Ruler was one type of villain–the untouchable god, distant and mysterious. Straff is another: the downright, simple bully with too much power and not enough wisdom. Zane is our third villain–sympathetic, edgy, and possibly more dangerous than either of the two.

matgopack

About your characters - they're always a lot of fun to read about, and varied. Do you have a method while coming up with them and their personalities/motivations that you use?

Brandon Sanderson

Character is the most difficult for me to pinpoint my process on because I do a lot of experimenting, trying different things, and searching for the right voice. The most important thing for me tends to be finding a way this person sees the world that I want to explore more in depth.

Chaos

Why does giving your Breath to another person not require color? Every other Command does.

Brandon Sanderson

I thought I answered this in the book. You use your own color. :)

Brandon Sanderson

So, that is the start of Yumi and the Nightmare Painter. Now the analysis.Where did this come from? Well, you can probably tell this is another Hoid story. I wanted, after I wrote Secret Project one, to try a different style of voice for Hoid. Project One has a modern fairytale vibe, like Princess Bride–and I like that. I think it turned out really well. I’m proud of it, and I’ll probably use that voice again sometime.

But I also wanted to have access to a different kind of voice for Hoid. (Or several different voices.) Part of the reason I’m doing all this is to figure out how I want to write Dragonsteel, his origin story, which will be first person. So I wanted to test out other narrative voices that Hoid might use in telling stories. For Secret Project three, I specifically wanted one where Hoid was using more of a traditional narrative style.

To explain it another way, I wanted him to tell a story that felt less fairytale and more dramatic. Yumi and the Nightmare Painter became that next exploration. I’m not sure it’s the voice he’ll use in Dragonsteel yet, but it’s much closer–and I love how this one worked for this specific story. It is, as I’ve said, my favorite of the four secret projects.

The original premise for this story came from a story I read long ago. Before I hired Peter Ahlstrom to be my assistant (now he’s my Editorial Director and VP of Editorial) he worked translating Manga. Before he did this professionally, he was doing fan editing on a manga site–and one of the manga he worked on was called Hikaru No Go.

Now, I’m not a big reader of Manga. I do try to do some dabbling in all kinds of media, so I’ve read some–but in general, I don’t consider myself well read in the manga field. But Peter was a good friend, and he was working on this, so I wanted to support him. I therefore started reading that manga–and I actually found the story to be fantastic. It’s a story about a young man who finds a possessed Go board, then an old master of the game rises as a ghost to teach him how to play.

I wondered what it would be like to be in the mind of that ghost, trying to teach someone new to do something that he loved so much (and were an expert in.) To give a mild spoiler for the next few chapters of Yumi, Painter is now going to be seen by everybody as her. Even though he sees himself as himself (he feels his body is his own) everyone else (other than Yumi) sees him as her. Yumi, in turn, has gone incorporeal. So…to find a way out of this mess..he needs to do her job in her world. She, in turn, is going to have to learn to do his job for him in his world, as they discover once they sleep, they jump to his world and she is seen as him.

This whole idea is that both of them are going to have to learn one another’s magic systems–and live one another’s lives–while trying to figure out what went wrong to put them in this state. I’ve seen this done before, kind of–but most stories do an actual body swap. I felt like I wanted to go another direction; Yumi and Painter aren’t experiencing one another’s bodies–just one another’s lives. (I feel the trope of “I’m in someone else’s body” has been done quite a bit in various ways before, and so I decided to try something else.)

That is my primary inspiration for this story. You might see little echoes of Your Name as well in this, as well as other similar stories. That’s intentional. Beyond that, another inspiration is Final Fantasy X, my favorite Final Fantasy. In fact, Yumi’s named slightly after Yuna, the main character of that. One of the things I loved about that game was the idea of fantastical jobs using magic. I’ve always wanted to dive into doing a story with some kind of fantastical job, or maybe two. Something cool (yet somehow still mundane) involving the sorts of work one could only do in a fantasy world.

Because it was originally inspired by a Manga, I decided to kind of use a little bit of Korean culture, a little bit of Japanese culture, mixed in with some other things.

Brandon Sanderson

So, one thing I think I did wrong in the books was not having more allomancer guards and soldiers who were women. I don't think our same gender norms would be the case on Scadrial.

One of the [screenplay] revisions is this: Shan is no longer Elend's fiance, but his sister. Their father has left on business to the outer domninances, and so Shan is making a play to secure the heirship, trying to prove she is more bold and strong than her brother. This is what gives the team an opening, and why they're striking now with the heist, as in this version, House Venture maintains the city policing and has access to the atium stash.

The plan is to put a few Allomancers (including Ham) into the Venture house guard, and exploit Shan's desire to prove herself by creating chaos in the city that she'll think she needs to put down with decisive action. That will involve her pulling out the atium stash, which will in turn let the team know where to go to rob them.

It streamlines the book's story in some elegant ways to do this. Shan becomes the primary "mark" of the book, in many ways. It also lets me explain a little more succinctly what various members of the crew are doing in the background while we focus on Vin, who is to get close to Shan as a confidant--which is why she's sent to the parties. And why Shan being a brat to her isn't just annoying, it means a major part of the plan isn't yet in place.

It explains way better, in my opinion, why Shan would act against Elend. It's all clicking into place as I move pieces around. That said, I understand those who want a Television show. I could see going that way, perhaps.

Trouble is, nobody in streaming needs a big fantasy property. Anywhere I go right now, I'd be in a distant second or third place to Tolkien, WoT, Witcher, or Kingkiller. The offers I've gotten have been for a fraction of the budget of those shows--since everyone has already spent big money on their big fantasy show, and isn't really interested in another.

I'm confident feature is the place I want Mistborn; but even if I weren't, I'm not thrilled by the idea of being lost on Netflix as their "other" fantasy show.

Rapharasium

I don't know if I'm being negative, but these changes really worry and disappoint me. I really like Era 1 as it is, and all this change in the dynamics of society and the plot as too drastic.

Brandon Sanderson

This isn't negative; I understand this response, and think it's valid.

At the same time, I'm of the personal philosophy that a film should generally be a different beast than a book--a book can lean into the little intricacies of a story, while a film should be a bold but unified statement.

Nothing will happen to the books; those will remain the same. But if I want this film to work as a film, I believe I need to be willing to re-imagine parts of the story.

Mycroft_canner

With Elend having a sister does that mean you don’t need the Zane plot anymore?

Brandon Sanderson

That's from the second book--so it would be in the television show, and we'd likely still do it.

DataLoreHD

prove she is more bold and strong than her brother

Which brother?It certainly could not be Elend, right? Elend had no Allomancy powers (before he ate the lerasium in WoA), so Straff despised Elend and thought him too weak.And Zane was a bastard and also mad dog.If Shan was Straff's legitimate daughter, then her succession was already 100% secure. She wouldn't need to prove anything to anybody.

Brandon Sanderson

It will be Elend, but it's more that this is the first time that Shan gets to be on her own, leading by herself, and wants to show off for the Lord Ruler. Also, there's the question of whether the male heir--though inferior in this case--might get the nod for sexism reasons. I think it's going to work just fine, but I'll admit, it's getting a little rough to discuss all these details on a thread like this--I can't answer everyone's questions, I'm afraid. I just wanted to indicate the kinds of changes I'm looking at making.

Whatever I do will go through my standard "show it to tons of beta readers and get feedback" process, so I should be able to catch problems and fix them.

meh84f

The bit about atium is a bit confusing. The Ventures are going to have the Atium stash? Not the stash that we don’t find until the end I’m assuming? So it’ll be a stash but much smaller than expected?

Brandon Sanderson

So, I'm not sure I can explain it all in this, but one big change I wished I'd made from the start of Mistborn is making atium usable by all Allomancers. As I've gotten further in the cosmere, using a god metal as just for Mistborn has felt off.

So the lore change for the films will mean any Allomancer can use atium. This, in turn, lets House Venture have access to the LR's atium as a "Control the city" last resort. They keep a task force of allomancers for this purpose--which Ham can join, in anticipation of being able to steal it once Shan accesses it. (They don't know that House Venture is only given about a hundred beads of atium, not access to the full mythical cache, which will be reserved for the third movie.)

Makes the worldbuilding and storytelling more elegant, I've found, in the film. And it fits better with more "modern" cosmere fundamentals as have developed over the last decade. I think I'd make this change even if we moved to a television show and long form.

The Lord Ruler is still the "big bad" but Shan and the Inquisitors both get a little more screen time. (Actually, about the same as in the books--it's just that other parts are being trimmed, making them more front-and-center.)

Phantine

Based on that, you're also streamlining away the Sign of Sixteen if it gets a sequel? To be honest, that didn't really work for me in the novel anyway.

Brandon Sanderson

It's one of my least favorite parts of the trilogy. It (along with Vin drawing upon the mists in book one) are big changes I'm hoping to make to fix weaker sections of the continuity.

Questioner

[The Stormlight Archive] Books 6-10, do you know the Order of the flashbacks?

Brandon Sanderson

I've not decided the order. I know whose they are but I haven't decide the order. 

Questioner

Lift?

Brandon Sanderson

Lift is one.

Questioner

[...] Taln?

Brandon Sanderson

Yes, Taln is one of them. The person who calls himself Taln.

Questioner

In [Shadows for Silence in the Forests of Hell], the Evil that destroyed the Homeland, was that Odium killing a Shard?

Brandon Sanderson

RAFO.

Bayin

How much research into philosophical work do you do before each book? And what inspired to use thesein particular: Kantian deontology for the Knights Radiant, consequentialism for the Alethi and Taravangian, and secular morality for Jasnah?

Brandon Sanderson

Why did I choose the ones that I did? I really like when stories are not just a conflict of personality; they are a conflict between ideologies and ways of viewing the world which are all valid ways of viewing the world. When I put Taravangian and Dalinar into conflict with each other, it's because they are both looking at life in a different way. And I'm kind of reaching to different philosophical bases for those. And I will butcher it if I try to use the actual terminologies, because I am not a philosophy major.

Why did I take what I did? They matched the characters. And they matched what I'm trying to explore, without trying to give you the answers; trying to explore theme in stories. And I just love doing that. It's what makes me excited about writing characters.

Brandon Sanderson

And by the way, we don't see Tonk Fah, Jewels, or Clod again in the book. They'll come back in the sequel. Without Denth's control, Tonks is off to start murdering and killing wantonly; by the next book, he'll have changed quite dramatically.

Jewels, on the other hand, is taking Arsteel (Clod) to his brother, who is a master of Lifeless Commands. (Yesteel invented ichor-alcohol.) She hopes to find a way to restore to Arsteel some of his memories and personality.

Questioner

What was your inspiration for kandra?

Brandon Sanderson

So, I knew that I wanted to do a shapeshifter, but I worried about the whole-- The first idea was that you take the bones of the person you killed, sort of thing. I worried that that would be too-- I wanted a limitation on that. So I'm like, "Well, what if they can't kill people? Why can't they kill?" and I kind of extrapolated from there. But the first idea was that idea of you can become someone if you can get their bones first.