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Ever had the Great American Cookie here?
Uh-huh.
I was thinking, what's your favorite cookie and where do you like to get it from?
You really want that instead of the end of book ten?
You know what, yeah, we can talk about that later.
Okay, okay. I'd say that my favorite cookie is an oatmeal scotchie followed very closely by a milk chocolate chip chunk with big milk chocolate chips and things in it.
Shardblades burn out the eyes of the victims, and deadeyes have their eyes scratched out in Shadesmar. Is the connection here purely thematic? Or are there actual Realmatic mechanics behind it?
There are, but they're pretty slight. I would lean more on the idea of the thematic, this more being a Roshar thing, with the eye color, the eyes being scratched out, Shardblades burning out the eyes. There are some Realmatic things behind this, but mostly it's me trying to connect a theme in this magic system.
As you might know (maybe, maybe not), Shardblades originally did cut flesh. I wrote the entire prologue with Szeth and them cutting flesh and... ooh, boy, was that bloody! These are books about war, but man, it was just so gory that I'm like, "I'm gonna back off on this. Let's have it burn out the eyes instead." And I liked it way better that way.
Oh, and no. I don't know what Camon's throat-rope is tied to. You did have a foreshadowing of this kind of execution earlier in the book. (Though, to be honest, I added that in during a rewrite. I didn't come up with particular method of killing someone until I got to this point in the book. It seemed to me that the Inquisitors wouldn't just kill Camon. They'd do something more drastic.)
Still don't see why The Reckoners can't be a part of the Cosmere. Especially with all that why down in the last book. Sooooooo shard like
I'll dig into it eventually, but there are good reasons why the powers don't fit the magic of the cosmere.
It's important to me that I don't go stuffing things into the cosmere willy-nilly. The stories that fit should go there, and contribute to the lore of the cosmere. The ones that don't should be able to have their own lore and mechanics.
You wanna know a cool story, guys? When I was just, like, fourteen, maybe twelve, we went to Jackson Hole and you [Brandon's dad] bought me my first ring. I don't wear a lot of jewelry, but you bought me a ring that had a big topaz in it. (Big for my age.) And when I started writing my very first book, I named a character Topaz. Which is still one of Hoid's aliases, that's where his first name came from, was the topaz that my father bought for me.
If any of you have read Dragonsteel (someday, I'll let everyone read it), that's why he's named Topaz in that. Well, he had a topaz, that's where he got it in-world. But name came from my father buying me a ring that was a really cool looking ring that I always kind of thought about and then named a character after.
People want to know if you still have the ring.
I do not still have the ring. I wish that I did. We had a rough time where we moved from Nebraska to Idaho, and a lot of things got lost. A lot of my items (I was not there, I was in Korea at the time) got carefully and delicately packed up my brother, who was very, very kind. But somewhere in that, the ring didn't make that transfer.
Do people in the cosmere, besides Nalthis, have Breaths?
No. To elaborate a little more, that's not to say they don't have a life force, because they do. But if someone not from Nalthis were to suddenly gain the ability to become an Awakener, they could not use what they have to Awaken something. That's not to say that they can't receive Breaths though.
where do you get your inspiration to create new worlds & characters?
Inspiriation comes from all over. Often things I see. Color magic in WRBRKR came from watching b/w movies.
The mist in mistborn came from driving through a foggy night at 70mph..
Sazed came from a Buddhist monk I met in Korea.
Sarene came from a friend, Annie, who complained that she was too tall and too smart for men to want to date.
If you want more, send me an email and ask for my “Ideas” essay. @PeterAhlstrom will send it to you.
How do you do the Bridge Four Salute?
It's very similar to the Wakanda salute. When they did that movie I'm like, "Oh no!" If we ever do get a live action thing, they'll probably have to do it differently. But I've always done it out in front. *Does the salute*
Like that.
A bit of a different question: I've been trying to write a fantasy story for a few months now, but I have a chronic procrastination tendency.
Yeah, so we kind of all do.
I've tried to write, but I think I've written about five lines so far. It's pretty ridiculous, I know. It's just very hard for me to do. Have you done something similar in the past, and/or do you know any writers that just have the utmost trouble with actually writing something? It's not about a writer's block, where you don't know what to write. It's more along the lines of a cringing feeling you get when you try to write. It just does not feel right even though you want to. Would love to hear from you.
Okay, this is perfect. This is a great question, okay? Here's the thing. You are in the unenviable position in that you know good writing, and you're trying to write right now. This is unenviable because when I started, I was stupid. I was a teenager, and I was not a very good reader or a very good writer. I had just discovered fantasy novels, and kind of found myself in them, and I started writing. And I had the sense of everything I did was awesome because I couldn't recognize good writing. I could, deep down, but I couldn't, you know . . . I thought everything I did was awesome. And that gave a sort of... I didn't get embarrassed by my writing. A lot of people do, especially if they have a better eye for editing and a better eye for writing.
What you've got to remember is writing is like any other art. You don't start off doing it the right way. It's more like playing the piano than you would think. And when you sit down to play the piano for the first few times, you're not going to be very good. You've got to push through, anyway. You've just got to write. Get a notebook, go outside, go away from the computer so you can't self edit, and sit down without any distractions and try writing longhand–that works for some people. But remember, you are not writing the perfect book, you are training yourself to write the perfect book. Just like an artist has to train himself to be an artist. Just like a baseball player has to train himself to hit the baseball. And in the future, you will get to the point that you will know how to swing at this baseball naturally. And you don't know that yet. Right now you're missing with every swing, and you recognize it. But you just have to put your dues in. You just have to work hard. And you have to be willing to suck at this long enough to get good at it. All right? And you can do it, you gotta go for it. Okay?
Does Aona equal Love or Compassion?
You have it, it's just a synonym there. You basically have it
Does Skai equal Devotion or Order?
You're not on there. But you are on on the first one [Aona].
Is it significant that Miles said that the "men of gold and red" would come and rule. Is there a connection between this and the "gold and red" cigar box that Miles keeps The Suit's comings and goings on?
This is all very significant.
Are those men of red and gold of any relation to the priests in the red and gold robes in Warbreaker?
I really have to RAFO this one. (Sorry.)
Does the person being pierced in order to charge a Hemalurgic spike have to die?
Not necessarily. A spike does require you to rip pieces of a soul from the victim, but that does not mean they must die. They would be a very different person afterwards though.
With the gemstones, we know that the hue seems to matter more than the rarity. Is that somehow tying in to the colors for Warbreaker, and how that stuff works?
Yes, that is tying in. Color will be a recurring theme, much as metal will be a recurring theme, as you see different magic systems work. In this case, the color has an affect on the spren and getting a spren trapped in it.
So just the color itself?
Yeah the color is the important part. When I was researching Stormlight, I determined that color had to be the point. Because a lot of the gemstones I'm using are molecularly identical.
So that was the best way to differentiate?
So this was the best way to differentiate. But I had already had this as part of the cosmere, that color and the way people perceive color and things like, that were part of it. But getting ten different gemstones that were molecularly different proved to be very difficult and not worth it. If you look, so many of them are just basically the same gemstone with a few impurities. Their crystalline structure is the same.
Does everyone meet the Nightwatcher when they die?
No.
Would it be correct to speak of Vyre and Moash like only one person? I mean, they actually look like different people.
They are one person, but his identity is a little wonky at times.
Does that mean Moash has dissociative tendencies similar to Shallan? Vyre mouthing off to the Fused is very different from Moash being dead inside in Oathbringer
No, this is more about whether he sees himself still as Moash and such. It will be more clear as the book progresses.
I just remembered that someone asked about the whole movie deal thing, and Brandon gave a more thorough explanation.
What happened is that DMG, which is a Chinese company, came to him first about The Emperor's Soul, because they wanted to make stuff that has more Asian characters. And they wanted to do it in Hollywood, because Hollywood's seriously lacking in representation of Asians. So he sold that to them first, and then they called him back a couple months later asking about the entire Cosmere. At that time, Mistborn was still optioned by another group, but Brandon sold all the other stuff, and they started on The Way of Kings right away. And then as soon as Mistborn became available they bought that up, so that they had the entire cosmere. And he said that The Way of Kings is ahead right now, but Mistborn will likely be first, because it'll be easier to produce and stuff.
Is this [wordplay] a happy accident? [Bridge Four, Life B4 Death.] Cause if not, that's pretty clever.
Happy accident.
Chapter Seventy-Nine
The Mists Chose Someone
There's a lot more going on behind the scenes than even the author of these epigraphs knows. Reasons why Vin was chosen, and why the power of Preservation needed a new mind to control it.
The author is right in that Preservation did need someone to control its power, and it did seek for a host in which to invest itself. It began this search with what mind it had left about sixteen years before the return of the power to the Well of Ascension, just as it began a search for a new host before the return of the power the previous time.
Unfortunately, just as Ruin took control and manipulated Alendi, he took control and manipulated Vin.
The Bulgarian cover for Rhythm of War is the result of a contest. Despite how great Michael Whelan's covers are, would you ever consider such a contest for an American Stormlight Archive edition? If not Stormlight, maybe any other series?
It would be very hard for me to not have a Michael Whelan cover (you guys know me and Michael Whelan stuff) for Stormlight Archive.
For anything else, I could imagine that happening. Thing about it is that, in a market as big as the United States, it seems like it would be a tougher sell, both to the marketing market. And to an extent, it's a little bit... not "insulting," but imagine being an artist who's worked their whole life, and then we're like, "Yeah, we're gonna open this to a contest to people, instead." Just doesn't work the same way. So, I would be hard-pressed to imagine that happening in the States. There are so many fantastic illustrators earning their livings doing these covers, that asking people to submit free covers?
It works in Bulgaria because they have a very small print run. They are a small country. They do a thousand copies of a lot of the things. And they engage the fan community, and I think it's wonderful, and I think it's delightful what they did. And I was fully approving it. But it just doesn't feel like the right thing to do here. Where we have a huge budget, right? Like, that's the difference. In Bulgaria, they can't pay very much for a cover. I mean, they don't pay me very much for the books. That's okay. But here, we have an actual art budget. And that's what employs professional artists, a lot of them; that's where they earn a living.
I've been wondering if we were going to leave the cosmere star cluster and see how things are beyond that, guess it's confirmed.
Starsight Release Party (Nov. 26, 2019)
"Tried to" is operative here.
What happens when you break a Hemalurgic spike or metalmind? What happens to that power?
Hemalurgic power can be split among multiple spikes and reforged, but remember that the longer a spike is outside of a person, the more the power is going to decay. Things like splitting it will decay it even further. Metalminds can also be broken and still be accessed
Did you intentionally make Kredik Shaw resemble hemalurgic spikes coming from Luthadel?
Yes, I did. The modern symbols of the metals (Spikes piercing skin) are also done intentionally.
All,
Let’s do a quick (okay, it’s me, so it won’t be quick) update to let everyone know what’s going on here at Dragonsteel Entertainment HQ. (Also known as me sitting on a chair in my bedroom while my eight-month-old son throws half-eaten graham crackers at me.)
Warning, this is another of my trademarked long and rambling blog posts. So, I’ve put in some arbitrary headings to help break things up and keep it focused. At the bottom, there’s a quick timeline of books I’m working on or plan to work on soon.
Can Parshendi bond with an honorspren? I mean, spren <inaudible>
They would have to choose, it's never happened before. On Roshar they would say it’s impossible. That doesn’t mean it actually is.
How do you envision Patter and Syl when they are in their Shardblade form.
We're going to do sketches eventually, mhmm.
Ok, cause I'm getting a tattoo at some point and i want to make it relatively accurate.
Send to Peter and to... well Peter can be in touch with him. Ben, who does a lot of the... Ben is the one that we have canonize the Shardblades, and so after i write a book he does a bunch of sketches for us of what I've describes and we kinda pick one, and i know we've picked one already, but I don't know. I cant draw it for you or anything but if you go to them they can give it to you.
How did you become interested in being a writer?
My start as a writer can be traced back to when I was fourteen years old. I was not a very distinguished student, so to speak: Bs and Cs in all my classes. I really didn't have any direction, either; there was nothing I really loved to do. I was also what they call a "reluctant reader". My reading skills were not fantastic, so when I tried reading Lord of the Rings for the first time, it was just completely over my head, and I assumed that all fantasy novels were boring. It was a teacher who handed me the very first fantasy novel I ever really finished reading. The book was called Dragonsbane by Barbara Hambly, and it had this gorgeous Michael Whelan cover on it which immediately caught my eye. I read the book and absolutely fell in love with it. I became an avid reader, mostly of fantasy novels, over the next couple of years. Soon I began to think, "You know, somebody out there is making a living at this, and it seems like it's something that I would really enjoy doing." That's when I found some purpose and direction.
There were certain influences in my life, my mother primarily, who convinced me that being a writer was hard to do, and she was right. It's one of these jobs where not everybody who tries it actually makes it. She convinced me to go into chemistry during college because I had done well in the sciences all throughout high school, thinking I could write in my spare time and have a real, solid job. It wasn't terrible advice; I'm just not sure it was the right advice for me at that time. I served a mission and during that time I was very, very pleased to be on another continent, away from chemistry. I really missed writing, though, because I'd been doing it for fun all through that freshman year before I left. I actually started my first novel when I was fifteen, but it didn't go anywhere. It was rather derivative and all those things that you expect from the majority of novels written by guys in high school. Knowing I could actually produce something, though, gave me some encouragement. Of course I didn't show it to anybody. I hid it behind the painting in my room because I didn't want anyone to see the pages I'd printed out and make fun of me.
When I got back from my mission, I thought, "You know what? I'm going to give it a try." It sounds kind of stupid, but like I said, there are people that get to do this for a living, and I decided that I was never going to be happy unless I gave it a shot. So I changed my major to English because I assumed that's what you did if you wanted to be a writer. I've since learned that that's not the only way to go about it, but it did work for me. It gave me a much better grounding in the classics. I was able to take some creative writing classes too, as a part of my required credits. I got a job working the graveyard shift at a hotel, which was great for my writing because I was there most weeknights from 11 pm until 7 am, and the only requirements that they put me to were, "Just don't fall asleep. Do whatever you want, just don't fall asleep. We need you awake in case there's an emergency or if anyone comes in." I ended up spending a lot of my time working on novels during those early morning hours, and that's how I was able to pay for school, attend it full-time, and still have time for writing. I did that for about five years until I eventually decided that I would go back for a master's degree. It was sort of a way to delay having to make the inevitable decision of what I was really going to do with my life. My backup career then became working as an English professor, partially because I do enjoy teaching, and I enjoy scholarship on the academic level. My parents were worried about me, though. They were afraid that I was going to end up begging for beans on the side of the road, or whatever it is that starving artists do. At least being able to tell them that I was getting a master's degree was helpful. It was also nice to be part of a community of writers and to be able to see what other people were creating.
Does the message that Dalinar continues to receive about "uniting them" refer to more than simply Roshar? Or is it...
That is a RAFO.
Where have we seen proto-Ghostbloods?
RAFO, but you guys are pretty close to figuring that out.
Please write something new and interesting about Nebrask?
It is not the only portal to the chalkling world.
So, a Radiant's blade. When it takes other forms, does it take on any different properties? So, like, if Kaladin beat someone with the butt of his Sylspear, would it still do something in regards to the soul?
Would he still hit the soul? That is theoretically possible to make happen. It requires a lot of work. That is theoretically possible.
I asked what Hoid's favorite flavor of instant noodles is.
At first I think he misheard me asking what his own favorite is ('spicy Korean ramen' apparently, though I don't remember the exact specifics) so I clarified. He said that Hoid is looking forward to instant noodles but they aren't Yolish and he knows about them via the same method that he knows where he needs to be in the cosmere.
Chapter Seventeen - Part Three
This conversation between Kelsier and Vin on the balcony is one of the most foundational scenes in the book, at least in regard to how Vin's character is going to progress. As I've mentioned, I'm often accused of being overly optimistic in the way I view the world. I'm probably guilty as charged, but I figure that most optimists I know tend to be pretty darn happy. Seems like a good life.
Anyway, I really do think it would be better on a person's psyche to just go ahead and trust those that are close to you. However, you run the risk of having to deal with what happened to Kelsier. Do you stop loving someone because they betray you? No, that's what makes it hurt. That's why breakups are tough, because you can't really change your feelings. You can only try and overwhelm them with bitterness instead.
The Lopen's cousins? Is there any significance to them, or are they just--
No, they're just, like, his cousins and his distant cousins. He just is somebody who knows everyone and is related to half the Herdazians around. There's no secret, they just really are.
When they show up, ever time, I'm like, there's gotta be something with these guys.
They're a tight-knit group, those Herdazians.
So a couple days ago you mentioned this person called Khriss. Has he actually appeared or been referenced in any. . .
She has appeared, and . . .
She. I guessed as much because one of the pictures said 'Dear Woman' toward the end of the book. So she has appeared or been referenced.
Well, she has appeared in. . . if you ask around about Khriss, she has appeared in unpublished books.
Is Khriss the author of some of those Ars [Arcana] perhaps?
Oh I don't know. That's very interesting.
This next one is from Paleo. They want to know what's your opinion on the term Cytoverse for the Skyward universe?
Oh, I like that.
They were hoping to have a dedicated term for it, and I thought that was a pretty good one.
I'll go with it. Thumbs up. Cytoverse I'm on board. Good job. I can totally buy that.
Chapter Thirty-Nine
I did this triad a little differently. You might notice that the Hrathen chapter starts off right where the Sarene chapter ends. Again, I eventually decided to be more loose with the triad system than I'd originally intended. It would have been to limiting to force all three chapters to happen during the exact same time. So, instead I have them all happen on the same day, usually overlapping, but not always.
Anyway, this chapter was a nice little place for Hrathen to feel proud of himself. You may have noticed that the chapters are speeding up–getting shorter, things happening faster–as the book progresses. This is an aspect of my style, and while it's not quite so noticeable in my new books (I've tried to even out my climaxes and surprised better during the last few years,) Elantris is an "Old School" Brandon novel. My books tend to push toward the endings quite dramatically, and you usually hit a place my friends affectionately call "The Brandon Avalanche." Generally, my books tend to go haywire in about the last ten percent, the pace increasing drastically, the viewpoints going wild.
That hasn't happened at this point in Elantris, but we're getting closer.
When are we going to see Ironeyes again?
He will probably make an appearance in The Lost Metal. I’m not sure he will be back from where he is in time.
I'm in <a MFA and> one of the things I'm interested in is writing multiple perspectives. So how do you go about that and make the characters sound distinctive?
I think really distinctive viewpoints is a big part of it, particularly in the third-limited. It's much easier in the first to distinguish them in some ways, though it's harder to keep track. But in third limited you want to make sure your viewpoints are really distinctive. I always ask myself the question, "How would they describe a cup of water?" Would they see that as if they are thirsty, or how would they describe that thing...
Third limited gets away with a sort of more general voice of the narrator a little bit, to kind of lean on that as long as the focus on descriptions and voice and thoughts of the characters.
Horneaters are capable [of drinking the Horneater White]. They actually are human-singer hybrids, like the Herdazians, but in a different line. And they have a different physiology. And they actually are not 100% human and are capable of eating and ingesting things that would kill a person.
Can singers?
Yes, singers can drink the Horneater White.
The "substance" who compose Shardworlds's Cognitive Realm has not yet a Canon name, Essence would be nice but it may be confusing with the Vorin's Essences therefore he have to make a better choice.
So in Oathbringer we start seeing cases of Shadesmar and worldhoppers. As the series progresses, are you going to kind of like gear it into more of like, world meeting world, like almost leading up to like Dragonsteel type events?
Right, that is kind of the goal.
Like long story goal.
It's not really... People imagine it being Avengers-ish. It's not really that. It's more like the way these worlds interact is the story that I want to tell. So they will slowly come mashing together.
I've been thinking for a while about the presentation of disability and chronic pain in Brandon's books and I reread a bunch of them recently and ended up with a lot of thoughts. I wrote a letter/email to Brandon trying to provide a little insight and I think it might be worth sharing here as well.
This is exactly the kind of feedback that is useful for writers to hear. I try to do the best I can, but I can always do better. I particularly like how you outlined some of the traps/tropes authors fall into, because those are exactly the things that are super helpful for me to read. (And similar lists have helped me a lot with my writing in other areas.)
I don't want to say much more than that, because I don't want to imply your perspective is invalid. (It most certainly is.) But I do want to mention that I pay a lot of attention this kind of issue, and there is a fine line to walk. Many things having to do with disability have a bit controversy surrounding them similar to the cochlear implant one--where the community itself can be very divided at what they want to happen, and what they want to see happen in fiction.
I consider it my job to listen, particularly to well-reasoned and passionate arguments like yours. But I do need to note that there are arguments on the other side that I do also listen to. And I personally--from all the many things I've read and the time I've spent pondering it--do not currently consider curing of physical aliments with magic to be inherently problematic. I DO consider it to be a difficult issue, and recognize your feelings, which are completely valid. If healing people of disability in the real world is difficult and full of touchy subjects, with a variety of opinions, then it certainly is valid to consider it so in fantasy!
My goal is always to try to depict the varieties of different human experience and opinions. And, indeed, one of my goals with Rysn is to specifically have a character to contrast someone like Lopen--who falls (as you have noted) on a different side of the argument.
But, to be honest, I don't even consider the healing of mental disabilities with magic to be inherently problematic. (Speed of Dark, an excellent science fiction novel, is about a cure for autism--and is done brilliantly.) I do run into a lot of people who really like that I don't let Stormlight heal most mental illness--but I'd say I've run into an equal number of people with depression who wish that I would let it do so, and have told me they'd take a cure for depression without hesitation if one gets invented. (Indeed, there are many who do a great deal to medically to try just this.)
What I would say is that I need to be careful not to present one idea as the only valid response to these sorts of things. You're absolutely right that there is a perspective I need to be careful not to invalidate, and tropes I can be harmful in perpetuating if I don't watch myself. (My sister in law has chronic fatigue, and yeah--the number of people who told her if she was just stronger-willed, she'd get past it, is huge.)
I will be very careful with the Rysn novella. (And we do these days try very hard to have specific readers who have disabilities like the ones I depict. It is my plan to do this here.) And I'll keep your post handy as I revise, as I think it will be helpful.
I would strongly urge you with Renarin in particular to not do some sort of "cure" storyline and to leave him as autistic. I feel that the story would be better off with that and would most probably do more good that way.
I have no intention of "curing" Renarin, as I agree with your points here--but I really appreciate you mentioning them. We are aligned on this idea. I used Speed of Dark as an example of how a theoretical cure could be used in a story in a non-problematic way. (In that story, a cure is invented, and the story is entirely about the ramifications of it--and the dangers. It is a highlight of why I think Science Fiction is important. Asking the question, "What if?" before something happens in real life gives us a lot of questions, ideas, and concerns to work on as a society in preparation for such events.)
That said, that is a book that specifically deals with this idea. My intention for the Stormlight Archive, and Renarin specifically, is to explore him as a character. Not to change him into someone else.
I was wondering if we'd see assistive devices using fabrials in future stormlight books? I think there might be a lot of in-world potential with fabrials in wheelchairs, prosthetics and other assistive devices as that technology progresses.
Dawnshard actually has Rysn looking at fabrials and wondering if those could be of use in the way you're indicating here. I think you'll be pleased with the result.
If a Shardblade was put through Wayne's eye, would he able to use his ability to heal the wound?
Yes, he should be able to heal that.
Can Nightblood be dismissed like a Rosharan blade?
He thinks you could.
How are you feeling about Dawnshard?
Dawnshard is just a lot of fun to write. How am I feeling about it? The structure's a little odd, so I'm not sure what alphas and betas will think of that. "Little odd" meaning it's about a trip to Aimia, but about half of it is the trip there, and half of it... it's kind of like what happened with, actually, the King Kong movie that Peter Jackson made, where there's as much stuff happening before you get to the place as actually on the place. So that's one thing that I'm... I'm not concerned about, but I'm wondering how people respond to.
I have to say, it's been a real pleasure to write it because Rysn and Lopen are not characters that I get to do a lot of viewpoints from. And if I had to do this from one of the main-line Stormlight characters, I think it wouldn't be nearly as fun, because I basically exhaust my excitement for writing about them during the books, where they are very involved, and it takes me eighteen months to recuperate and then to get back to it excited again. But I almost never get to write Lopen scenes, and we only get one Rysn scene per book, and they both have really interesting ways of seeing the world. (Lopen in particular. And he's a blast to write. Always keeps things fun and interesting.)
If a Shard were to divest itself from a planet, would the perpendicularity there disappear?
Normally the Shardpool would cease to exist, but there are circumstances that could prevent the Shardpool from disappearing.
I made certain to throw in lots of references to the Arelene Market. You'll find another one in this chapter. Obviously, the market itself is important. Since the Dakhor are going to pop out of the tents, readers need to understand that they're there.
If Raoden had had an erection when he was taken by the Shaod, would he keep it post-transformation?
Some functions of the body (like muscles + blood flow) don't get stopped :)
If someone on Scadrial were to get a tattoo, could they use the metal in the tattoo for the Metallic Arts?
Theoretically, yeah, that should work.
Chapter Eight - Part One
To be honest, I'm not certain if Kelsier's right. Making someone jump off a city wall as one of their very first Push/Pulling experiences seems a little extreme. Kelsier is, however, a somewhat extreme person. It's fortunate for him that Vin is both determined and a quick learner.
![this [wordplay]](https://external-preview.redd.it/l7DUhn1_-k8NfjYHbV2nboLDumzFcXFpZgry_dgL3M8.png?width=768&auto=webp&s=5c188cad5a2c9a887bb420c0556d0e5e08a260d1){kind=link}