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Can a spren turn into a wearable hat(conceptually, Syl’s dress being part of her body), or would the 4th ideal need to be sworn first?
This is possible with the magic at Kaldin's current ideal, but not at the current skill/understanding level of most current Radiants.
What do you feel is the main difference between writing sci fi and fantasy is? Did you learn things in writing Skyward that you feel will help you write Mistborn Era 4?
For me, it's a fine line, because I'm not writing Hard SF--but instead, a kind of hard fantasy. So my books tend to ride the line between SF/Fantasy anyway. And Skyward is straight up space opera, I'd say--most of the technology that we use in the books is fantastical anyway.
In SF, I feel I can lean on shared vocabulary a little more. This has been particularly handy in the novellas I've done, where we can use Earth as a reference point. Modern (and beyond modern) communication, and expectations of character education, also play a big part in changing how I approach the stories.
In some ways, it comes down to different storytelling traditions, and what they each afford you. Again, though, it would be different if I were writing hard SF.
Is anyone gonna use a wormhole to worldhop?
Oh, there you go, there's a RAFO. Yeah, yeah, okay, we got one for you right there.
Can Vasher draw Breath from a highstorm?
I will answer that eventually... You know what, yes he can. Not Breath though, he can draw Investiture the way he needs it.
The Lord Ruler does he <move on>?
Yes he does.
What would you say to someone who's considering writing, but just isn't sure.
Go for it. It's good for you. You don't have to become a professional writer for writing to be good for you, any more than you have to go for the NBA to have basketball, playing one night a week, be good for you. It will be good for your brain, you will enjoy it. I say, just set aside a little time every week and write. And maybe it'll turn out that you have a real passion for it, and that you're really talented at it, and it will end up becoming a career. But even if it doesn't, writing a book just for you and for your friends... like, my first books, nobody but my friends read. And that's okay. Jane Austen's first books, she wrote them for her sisters. So, it's totally all right, just go for it. If you need any help on how to start, watch my university lectures. Or go to Writing Excuses, my podcast, Season 10. We kind of step you through writing a book. Go for it.
You've started to put more of an emphasis on Identity, which is a cosmere concept. Why did you do that?
These are things that are gonna need to make sense to the reader by the time that we get to Era 3 and 4. And so I'm using Era 2 as a kind of, ease-you-in to this idea. And that Identity is a cosmere concept is very much tied to the way the magics work behind the scenes.
So when you read Era 1, when you read Stormlight, the first five-book arc, when you read Elantris, you read those books, you're looking at kind of just the effects of the magic. But the underlying principles are more being shown in Wabreaker and in Era 2, where I'm starting to try to get you to understand the fundamental principles that make the magic systems work. So when we get to Era 3 and we start to need that understanding to really extrapolate how the magic's working, you'll be there on the same page with me, is my hope.
In Sixth of the Dusk, it feels like it's a crossover...
That is true.
So is it a planet that we've seen before, or...
Yes. Well, you have seen the people they are calling the "Ones Above".
And you're not going to tell any more?
Nope.
When will we know?
Yeah, fifteen years maybe? Hopefully it won't take me that long, but I only just finished the outlines for Era 3 Mistborn, which is now what we're calling the 1980s, so I haven't even at the moment got the sketches of the sci-fi one, I don't have the outlines and things. So in other words, we aren't to the science fiction era; we're a ways off from that.
What are Oldbloods?
Oldbloods? Oldbloods are the, um... Lon-- Years ago, Alethkar was ruled by a different group of people. A different, like, dynasty. And it's been overturned, and it's been a long enough time that they're not really a threat. But to acknowledge them, and Oldblood-- they wear the tattoo. It means, "We are-- We used to rule this place." And so, it's just-- It's a lineage of people and a dynasty that used to be the kings of Alethkar.
I just had a question about writing, specifically regarding your laws on magic. Your first law states that the ability to solve problems using magic is directly proportional to the reader's knowledge of said magic. My question comes kind of as the opposite. What is your opinion on the ability of the author to create problems using magic? Does the reader need to know a lot about the magic system for you to be able to have the "villain" use it to create problems for the protagonists? Or can you create problems with this magic without the reader knowing a lot about it?
One thing to remember about my laws is that they're laws I devised for myself--laws I find make my writing stronger. I think they hold very well in general, but there are no "rules" for fiction. There are as many ways to do things as there are people doing them. However, like most things, I DO have an opinion. :)
Magic causing problems in the story is a great thing--as more conflict generally makes for a stronger story. Obviously, this isn't a 100% correlation, but it's a good rule of thumb. Using the magic as a kind of "human vs. nature" style plot is a great idea, and I've used it to great advantage myself. One could say that in Elantris, the magic (which is broken) is a primary antagonist of the story.
There are a few things to be aware of. First, avoid what my friend and colleague Bryce Moore dubbed "Deus Ex Wrench." Yes, that doesn't quite work. But the idea is this: Just like solving problems out of nowhere, with unforeshadowed powers or advantages, can be unsatisfying, sometimes just having problems happen out of nowhere in a story can be unsatisfying.
If a dam breaks, risking flooding the city, it's much stronger if we know the dam is there--if the characters have walked along it, or if something similar happened somewhere else in the story in parallel. Likewise, having the magic create problems unexpectedly, if handled without some measure of foreshadowing, could be unsatisfying. (For example, if the One Ring suddenly started--three quarters of the way through the series--melting your friends if they crossed their eyes.)
Just as I think you can create a great magic system that doesn't have explicit rules, I think you can have the magic be a huge problem in the books if the reader/characters don't understand it. Doing so in this case is probably going to be about making sure that the major conflict is not FIXING the magic, but overcoming it.
For example, if the magic in your world--when used--causes rainfall that floods and kills crops, one story (the explicit rules story) would be about finding out why, and learning to use the magic safely. But another story would be about surviving a terrible flood, and another about hunting down and stopping the people who use the magic. All three can use the magic as a huge conflict, but only one would probably need deep explanation of the magic system in order to have a satisfying resolution.
So if I'm a Surgebinder, I have my own Cognitive entity with me. Can I go off-world with that and will everything continue to work in exactly the same way? Because we've seen Cognitive entities that don't--
So taking a Cognitive entity off-world is hard. So, Surgebinding, if you can find out how to make it happen, remember, the Investiture is keyed to Connection. This is why Kelsier is-- Oh, sorry, spoilers! When a certain somebody *laughter* had trouble getting off Scadrial, because he basically was a spren by that point so--*laughter* ...So, yeah Surgebinding would work off planet, but you'd have to get the spren off-planet first. That's hard to do. Cosmere-wide it's not hard hard but it is-- You'd have to know some stuff. You could learn how.
Lightsong Sneaks into Mercystar's Palace
Here's the other big place where I cheated just a tad and added Lightsong's dreams of the tunnels and the moon as a reason to get him into the right place at the right time. I added this in a later draft; originally, this was one of my big personal problems with the book: the fact that Lightsong got into just the right place at just the right time. It was just too coincidental, and it always bugged me.
I wasn't paying attention to the tools I'd given myself (as I think I mentioned earlier). If I'm going to go to all this trouble to build a magic system that uses prophecy as a major component of its religion, then I might as well use a few of those prophecies as small plot points. I didn't want them to solve any major problems, but letting Lightsong dream of where he has to be brings nice closure to the entire "What's in those tunnels?" plot while at the same time playing into his quest to determine if he really is a god or not.
Can you tell us the intent of Bavadin's Shard?
The intent of Bavadin's Shard? No. But good question.
What happened to Hoid after he met Kelsier at the Well?
He went to figure out Feruchemy. When Vin found him beaten up, it was because he got more involved than he should have.
Who gave the Lord Ruler the name "Sliver of Infinity?" Because he's kind of secretive about his past, and that seems like a very descriptive nickname.
"Sliver" is a cosmere term used by Arcanists, and it would've come from there. They knew what he was, even if a lot of people on the world did not.
So they sort of spread the...?
Yes, it just entered the... people talking about it and it eventually spread, and things like that.
Chapter Nineteen
What do mockingbirds have to do with that, anyway?
To make it clear, I actually like To Kill a Mockingbird. However, it was one of the books that people gave me when I was younger that was wrong for me at the time. It’s good to read classics, and it’s good to read outside of the genres you usually prefer. If you like fantasy a lot, try a historical or a mystery once in a while–I think you’ll be surprised.
The problem with To Kill a Mockingbird isn’t that it’s a bad book–it’s that I was given it, then told it was the type of book I should love because of blah blah blah. When I actually read it, I did like it–but I felt insulted that I was told I had to like it. And I like a lot of my favorite fantasy novels about ten or twenty times more than To Kill a Mockingbird–and I think they’re better written, too. So there.
Do you have a favorite character that you've created or one that you've tended to favor over another?
Do I have a favorite character? No, that's again, you know, the thing. I will say Dalinar is my oldest character, followed by Hoid. Those two have been around since I was 15 and so, there is some favoritism for them, perhaps, just in longevity sense.
Can you tell us anything about Elend's mother; her name, the house she was born into, that kind of thing?
I could, but I don't have the notes handy and it's been a long time. So that one's a "if you can catch me when I have the notes open", then yes, but it is very important to him, not relevant to the overarching story terribly much.
Breeze Viewpoint Continues. After speaking with Elend, he visits Clubs.
The friendship between Clubs and Breeze came mostly because I wanted to give Clubs just a little more screen time. I also liked the irony of the pairing—the Soother and the only man on the crew who is completely immune to him. It makes for a nice juxtaposition.
It is good to note that Allrianne did, in fact, seduce Breeze—and not the other way around. She's a girl who knows what she wants and how to get it. You'll see a viewpoint or two from her later on.
Clubs lies here in this scene, by the way. He says that "Money" is the reason he joined with Kelsier. He says it so quickly and naturally that even Breeze buys it. But, if you remember the scene in the first book when he joined, you'll know his real motivation. He wanted to spit in the Lord Ruler's face. He knew he was going to get caught and killed eventually, and he wanted to do it in a dramatic way.
Thing is, his team actually won. Go figure.
I started reading Elantris. The question is... Okay, I remember they were saying, the Elantrians, "Oh my gosh, we're hurt!" You know the hurt doesn't go away. But when they said <the Hoed who wander>, like when people get burned, like an Elantrian, does their soul sort of hang around the air as a spirit of sheer pain, I remember that. Was that just a theory, or...?
That's just a theory. Good question. Yeah, no.
Okay, thank God. That was really horrible.
Nope, nope, no. They will use... In Secret History you see what happens. That happens on all of the worlds. Even <with an Elantrian>.
Does Nightblood contain any atium?
No.
I didn't originally intend for Hrathen to have a seon. However, as I was working on this chapter, I realized how much sense it made. It lends a bit of hypocrisy to the Derethi religion, and I found that I liked that a great deal. The seon also allowed me to move more quickly with Hrathen's plans. I couldn't have made the storyline nearly as compact if Hrathen didn't have access to a seon.
What role will the chasmfiends play?
So there's a bunch of different roles for the chasmfiends that are all minor but-- For instance, I don't think anyone's made this connection, thunderclasts have chasmfiend-- it's part of the in-world inspiration for thunderclasts. And really chasmfiends exist in part to show off the symbiotic relationship between certain spren and certain creatures on Roshar. So when people who read the first book who know a little about physics can be like "Uhh, Mr. Sanderson" and I'm like "Well, look at these things that are flowing around this thing when it dies." It's an introduction of gemhearts and things like this. And the ability of certain creatures on Roshar to hold Investiture permanently, as Szeth says, rather than it seeping away like it does to humans.
We were kind of joking about it that in the original Mistborn trilogy Kelsier, you notice that he--we kind of had a little joke about it that every once in a while he’d raise his eyebrow, and we were like “How many eyebrow raises did you count this time?” And in the Secret History, we were both kind of like “Did you notice any?” and there weren’t any. And I was just a tiny bit disappointed that he didn’t get a--
So what happens is--
We were just curious if you got some kind of feedback that told you to stop that...
No, writers start to notice what their tells are, and so your tells will shift. If you go look through the Mistborn books another one is “maladroitly”, I use that one all the time. And all that happens is the copyeditor notices them and starts bracketing them over the course of “Oh I use this too much” I don’t usually mean to cut them all, there should have been one or two. And it just meant they got bracketed and I was “Oh this one isn’t appropriate” and I just took a bunch of them out.
There's one little mentioned that Iadon's first wife is the one that's *unintelligible*. Is there ever-- is that ever important again?
Um, not specifically.
In the reading you did today, at the very end [Gurv] was saying “I have an order from someone.” Is that someone part of some secret society? Because there’s a bunch of secret societies.
Well, that is definitely going to be a big RAFO, because I haven’t even released the book yet. Let’s not spoil books that aren’t even out yet from readings I did. But I rarely put in an interlude that doesn’t have some tangential relationship, even if it’s just some stuff like letting you know who the Aimians are or things like that.
Were any of the original Shardholders related? We know that Honor and Cultivation were romantically involved, but were any of them brother and sister or child/parent?
There was at least one relationship of that style.
Meaning
Aon Ehe represents the primal force of Fire. A complex Aon with only basic symmetry, its form has often been likened to wisps of tickling fire burning out from a central coal.
While the many poets in history seem to have preferred the overall symmetry of an Aon like Aon Omi or Aon Rao, not a few preferred Aon Ehe for its distinctive look and feel. (Much like Aon Shao, this Aon breaks with traditional Aon form in appearance.) For this reason, and because of the destructive yet vital power of fire, the Poet Lenehe of the fifth century named Aon Ehe “The most inspiring of all Aons, a symbol for those with a creative heart and an unhindered mind.”
Recently, this Aon–easily recognizable, even to the uneducated–has become synonymous with ‘Danger,’ and is used as a warning. In many cases, in fact, it is printed on warnings which have nothing at all to do with fire. One might find it upon an unsteady bridge or a wood hiding dangerous wolves just as easily as one might find it referencing actual flames.
History And Use
All Aons exist independent of humankind, their symbols inherently tied to their meaning, but few have distinct origin stories explaining how the Aon was first discovered. Some modern scholars scoff at such tales, but Aon Ehe’s origin myth is well known among the common people and believed by most.
The story tells of the first princess of Arelon. This was some years after the founding of Arelon following the migration of the Aonic people from other lands. Elantris, of course, had already existed as a city when that migration occurred, and had been discovered empty. While some people assumed it haunted, Proud King Rhashm (later renamed Raoshem) determined to conquer the fears of his people and set up a kingdom centered on Elantris.
The transformation of the first Elantrians happened beginning several decades later. Princess Elashe–the first of Raoshem’s line to be chosen as an Elantrian–claimed to have seen the pattern of this Aon inscribed on a coal in her hearth the day after she underwent the transformation. Whether or not this story is true, a coal or rock written with Aon Ehe on it is considered good luck and a ward against winter spirits. (Though this kind of superstition is frowned upon by the Korathi priests.)
Other uses of Ehe are plentiful. It is one of the primal elements, and is often used in scientific writings. It is a ward and warning against danger. It is used on signs in conjunction with other Aons to mean warm food or warm beds available. Some artists and poets choose it as their symbol, both to hint at the dangerous nature of artistry and to speak of the passion of artistry.
Naming and Usage in ELANTRIS
Aon Ehe is often mispronounced as “E-hay.” Though scholars of Aonic insist that the proper term, “E-Hee” is more accurate, the former is slowly being acknowledged as an acceptable pronunciation as well. It is infrequently used in names during modern days, as the meaning ‘Danger’ is seen as unfavorable. However, historically, it was a favorite Aon for poets and artists (who often took new names for themselves when entering into their maturity as an artist, a tradition by which they removed themselves from their old body of work and indicated that they were beginning anew.)
Some famous examples of names from Aon Ehe include the poet Ehen, the artist Ehelan, and Mehen the philosopher.
AonDor
Aon Ehe is one of the most spectacular, useful, and awe inspiring of base Aons when used by an Elantrian. There are many Aons which have destructive or powerful effects, but none are as strong without modification as Aon Ehe.
Drawn simply, the Aon creates a column of flame, acting as a direct and primal conduit to the Dor itself. The diameter of the column depends on the size of the Aon drawn, and the direction the column is launched depends on the direction the Aon is facing. Often, this Aon is drawn on the floor so that a column of pure fire can be launched up into the air. The column is brief–only lasting a few seconds–but incredibly powerful.
With some enhancement modifiers, this Aon can be made to last longer. The pre-Reod AonDor scholars crafted lamps with flames that continued to burn no matter which way they were turned. They would even continue to burn beneath water. This Aon can be used in warfare, if necessary, though Aon Daa is generally a better weapon.
As a modifier, Aon Ehe can be used to create a ward that sets off other Aon chains. It provides one of the more useful tools in an AonDor practitioner’s repertoire, though the difficulty in drawing it can make it difficult to use for the less talented.
I'm on my second read and as interested as I am in the big questions the little ones catch me just as much. Shallan questions how do skyeels stay in the air? They arent spren and dont have obvious wings. So, how do they stay up there? BS has created a trap of describing ecology a lot and now I think Im going to want to know about the natural world as much as the people in it.
You guys have mostly figured it out; lighter than air gas, gliding fin/wings, undulating action combined with expulsion for propulsion/ballast. The "luckspren" that follow them around aren't inconsequential, however.
Though in retrospect, it probably takes more than an hour or two to fill up the sacs once again.
We try to think of semi-reasonable pseudoscientific reasons for as much of the flora and fauna as possible, if only to hold the internal logic together. So there are reasons for how/why Chulls grow big boulders on their backs, reasons for how and why plants interact with storms to spread their seeds or migrate to better ground, reasons for why the axehound's head is shaped as it is, and so forth. There's very little Brandon creates that doesn't come with some logical basis behind it, even if it's never made explicit in the text.
I’ve read the books several times and still can’t imagine what grass not in Shinovar is like.
it looks like a tall, terrestrial grass, shades of green to gold depending on the variety and life cycle... grass which suddenly whips down into the ground whenever anyone gets too close (probably sensing ground vibrations).
The actual plant is a sort of shallowly burrowed seed pod with room enough inside to hold moisture and for the long leaf to coil up... any excess leaf will get trimmed by exposure. Pretty sure it tops out around 3 feet, but if it grows longer some critter will eat it. Seeds emerge from the leaf tip to be either consumed and then redeposited in faeces, or blown away and redeposited by the winds.
Who's your favorite character that you've ever created?
Who's my favorite character that I've ever created? They're all like my children, and so I can't say who my favorite is. It's usually-- I use Robert Jordan's answer to this, which was, "The one I'm writing right now." And today I was writing... uhp, that's a spoiler. *crowd laughs*
Is writing a full book with no magic system easier harder when compared to the freedom (and limitations) involved in traditional fantasy? (I haven't read the spoilers, so if there is a magic system, ignore this question :-)
Science in a book like Skyward tends to be its own type of magic--even the Legion books (taking place as the closest to our own world) really have a brand of magic, done my way. So I suspect I'd work this sort of thing into a story no matter what. I do tend to try to do a different tone or style in different genres.
Why does Ruin's voice constantly tell Vin not to trust Kel or Elend? Especially when she trusted their advice? Weren't the 'good guys' enablers of his plan?
It's also generally useful. Her having solid, stable relationships makes her harder to control. Even when he expects all of them to work towards his goals, if he needs to break them up, or get them to keep secrets from each other, it'll be easier if their alliance is tenuous.
Remember, Vin did a lot of trusting in that final book. She delayed the attack on Fadrex City by convincing Elend, just with a look, to play along with her as she tried to fool Ruin into thinking she had the atium.
This is on target.
I've seen you comment on other Cosmere-based conceptual discussions and fan art around reddit. How much does fandom influence your ideas of how things should look?
When a fan really nails it, I think it can most certainly have an influence.
That being said, I firmly believe that the text comes first and foremost... I can't illustrate something that conflicts with Brandon's descriptions and expect it to be taken as canon, and a fan can render the most beautiful art imaginable but it won't stick in my head if they contradict the text.
How can I get on the waiting list for the leatherbound of The Way of Kings. Because, I know, when it comes out...
I don't think we're gonna be doing the waiting list for leatherbound Way of Kings.
So I'll just have to keep up on it? Keep looking at the website?
Yeah. We'll try to make sure that we get enough of them, maybe order a few extra of that one.
I really love the female protagonist in the Way of Kings series. I was wondering where you pull your inspiration for a woman like Jasnah?
So, my mother graduated first in her class in accounting in a year where she was the only woman in most of her accounting classes. So, I draw of inspiration from my mother. But, also good authors I've read. Anne McCaffrey, I would recommend. Melanie Rawn. Some of these people who were my introduction to fantasy were also very good at writing characters and taught me a lot.
When you kill characters, how do you make them dramatic?
There are lots of different philosophies on this. Certain authors do it certain ways. It depends on the emotion you're going for. Usually, it depends on if it's a tragedy or not. A tragedy is, they don't fulfill the character arc that they're promised. They make wrong decisions at the wrong moment. And you, the reader, are left disappointed in them. And the opposite, like a heroic story, they make the decision. It might have consequences, so you're left sad, but also thrilled. And it depends on which emotion you want. And some writers prefer a method where they want you to never know who's safe and who isn't. And those writers will often kill a character in the middle of a plot arc, out of nowhere. And those are three different ways. I am way more likely to use the first two. A character who makes the wrong decision, and then dies because of it, as a tragedy. Or a character who makes a hard decision, fulfills their character arc, and may not make it anyway, still can feel very uplifting despite the loss.
In the fifth book of the Alcatraz series, you wrote a whole section where there's mixed-in punctuation and capitalization.
Yes.
Do you do that specifically to annoy the reader?
Oh yeah! Oh yeah! In the Alcatraz books every book I try to do specific things to annoy the reader just because it's so much fun. So, yeah, there's in-- the fourth book has chapters all quotes from Shakespeare.
That wasn't annoying!
Yeah, yeah. And every line of dialogue is a Shakespeare quote. And so-- And there's one in the fifth book that's all onomatopoeia. Like they only-- it only speaks-- yeah. And they are weird books. I don't know why I wrote books for twelve year olds that use Shakespeare quotes, but I-- they just had to be written.
And Hoid was a visitor at it [the Shattering] but he wasn’t partaking in on it.
That is what the implication is. For sure.
Why don't Daysiders have darker skin?
It's just how genetics on Taldain have played out. They should be darker-skinned, but there's always some randomness to genetics, so this is just how they played out in this case.
My crazy theory is that Nazh was Isasik Shulin...
Yeah, he is not. Good question. Nazh is Isaac’s character, he designed him and came up with him. I said "I need somebody to be getting these" and the character is all him, doesn’t necessarily look like him. He doesn't actually look like him. But Nazh, he owns. He just credited that, and I knew people would look at that be like "What's going on here?" But it wasn't meant to be anything, just this is Isaac's character and if he ever-- He wants to write some stories in the cosmere, he might write about Nazh.
When you drew the soul stamp symbol, did you draw what looked cool, then adapt a map to it (if one exists), or draw a map first, then make the stamp?
It's been long enough ago that I can't remember which came first on that one. There is a map, however, and I have used it in creating soul stamps. (We probably won't see the map until Brandon returns to Sel, however.)
It's National Novel Writing Month. Do you have any advice for amateur writers jumping into this endeavor?
Yeah, NaNoWriMo. I did this for many years before I got published. I was already writing, my friends were all doing it, so I'm like, "Yeah, I'll keep going and, then I won't tell you guys my word count because then you'll feel bad." *laughter* We always had, like, a race board posted on a website, that just posted what the daily count was supposed to be. I often doubled it. So, I was like this even back then. I would say, for you, to-- Number one, don't let the word count goal intimidate you. If you don't get 50,000-- the whole goal is just to get you out of your writing comfort zone. So, for you, 25,000 is where you're going, and you actually still do that, that's fine. 50,000 isn't a novel anyway, they just say it is. I mean it is technically a novel, but I mean, how many novels are 50,000 words? There's not very many. A lot of middle grade is around 50,000 words. I would just go for it. The other thing is, have a daily habit of when you're going to write, and try to make that sacrosanct and get into this habit of, I'm writing for these two hours. And kind of unplug during those two hours and write during those two hours. Worry less about what your word count is you're hitting. Do try to not self-edit. That's the biggest thing that's gonna to help you. If you're not going back and revising and revising and revising, and you're pushing forward-- the goal is to teach yourself to finish something and to push forward and turn off your internal editor.
I was reading the first book-- The Way of Kings, there is a scene-- no a Letter. Is that scene-- the person who is sending the Letter says that the Shards in Elantris are broken-- sorry they're, like, [Splintered], and they can’t be used again. How is that so, because if there was Adonalsium which Shattered and people took the Shards.
There are those who believe you could put the pieces back together and their are those who believe you can't, and shouldn't.
You shouldn't put them back--
There are some who believe that.
So will they be able to put it back together?
Well there are some who believe it is possible. *laughter*
Congratulations, you win a RAFO card! RAFO is something Robert Jordan would say, that means Read And Find Out and I print out little cards so at least you get something. That means "I'm sorry I can't answer your question but I'm really not that sorry otherwise I would answer it"
Do you think when the Alcatraz series is done, you can make a short story where they have a Smedry family reunion?
Ooh, what a great idea. I'll have to think about that. I like that idea a lot. If I write it, you can take credit for it, if I forget to credit you.
How many spren would it take to make a Shardtrebuchet?
A Shardtrebuchet? Oh, trebuchet memes. But it could be done with one spren if it were the right spren.
They Discover That the Rubbing Has Been Ripped
The missing piece of the rubbing is supposed to seem very random, and very strange, to readers. Sazed, unfortunately, gets distracted from it here very quickly. This will return later. You should be asking yourself about that missing line and thinking of earlier in the book, where Tindwyl has some problems with that very same line. Something is wrong with it.
Did you get the idea for the Parshendi from *inaudible* in Heart of Darkness?
I did not.
Have you read it?
But I have.
*inaudible*
Yeah, it totally is. So maybe-- maybe it's in the back of my head.
Given a situation where they have perfect knowledge of Hemalurgy--everything is known. Is it possible they could use a Shard-scalpel and spike to carefully...
To excise without killing somebody? The real damage is to the soul...
I'm imagining taking out toxic sort of things.
You've seen Vasher do something similar, so it's not off books that that's possible.
Are all the kinds of intelligent spren seen in the Shadesmar chapters capable of forming Nahel bonds?
RAFO.
