EHyde
You said that a person can have more than one Shardblade--can they be dual-wielded?
Brandon Sanderson
Someone did exactly this in the original draft of Way of Kings, back in 2002.
Found 1954 entries in 0.099 seconds.
You said that a person can have more than one Shardblade--can they be dual-wielded?
Someone did exactly this in the original draft of Way of Kings, back in 2002.
Chapter Twenty-Eight
Elend and Vin discuss his loss of the throne
Elend is going to be tested. That's one of the things I wanted to do with this book. In my previous two novels–Elantris and Mistborn–I gave the heroes relatively easy times. Or, well. . .maybe not easy. However, the fact remains that when they stayed true to their ideals, the things they tried tended to be successful.
I want to show that ideals can be a hindrance. That isn't a reason not to have them, but it is an aspect of trying to do the things Elend is. There are a lot of people out there who will take advantage of a person who tries to do the right thing, and that can make doing the right thing the more difficult choice a lot of the time.
I also like how Elend is progressing as a leader, but I made certain to give a throwback to the old Elend in this chapter so that you'd know he was still there. Vin's observations about this point are quite accurate.
Kelsier's Snapping
Why didn't Kelsier Snap before he went to the Pits? I don't have an answer for you, not even in spoilers. He did live a hard life and it is odd that he wouldn't have Snapped until that moment when he saw his wife beaten to death.
They say that the more powerful a person is, the more trauma it takes to get them to Snap and the more dangerous that Snapping is.
Kiin doesn't take orders, here. Another interesting little character trait, but it shouldn't be too surprising. Kiin's personality all along has indicated how little he regards the titles and authority of other men.
Lightsong Inspects the Murder Scene Again
The interesting thing about this scene is that it reveals almost nothing about what happened. At least, it doesn't reveal anything to the readers.
However, it reveals a whole lot about Lightsong as a character. I waited until he'd been established before starting to bring up questions like the ones in this chapter, where I begin to dig deeply into who he was before he died. In a way, he's not investigating the murder so much as he is investigating himself—and that's why the scene works, even though we know the information about the murders he reveals. (Though we don't know who that second person was. Unless you read the spoiler above, of course.)
At the end of Alloy of Law, when...
Spoiler! Talk circumloqutically, talk around it.
When that person said that thing at the end of the book, will that lead to future ideas of books?
Things in the Alloy of Law are foreshadowing things that will happen in the modern day Mistborn trilogy.
Harry Potter is a really interesting example because it tends to be, in a given book, pretty hard; and then across the entire continuity it lets itself be soft. And so, what you end up having is a given book is really tight with the use of magic, though again... I don't know if you want to get into this, but when we talk about a hard magic system, there are many things we mean, and I think as a writer it's good to separate out internal logic versus external logic. If you want a hard magic system... Lee likes the external logic to really work, meaning you're asking where is the power coming from, how does it realistically affect the economics, how can I explain to someone outside the system how this magic is actually working, how does it not break the laws of thermodynamics.
And internal logic means that it's consistent. And so for instance, you can look at a lot of superheroes as a good example. Some superheroes do not try external logic. They just say "This person has this power, and it works this way." The further they've gotten along, the more external logic they try to add. "Oh it's the X-gene" or it's, you know, "You get the power from the sun" or things like that. That is a very different thing from the internal logic of a story, where you say, "This character has this power, it works like this. And It always works this way. We don't explain how realistic it is, but we are consistent." Two very different things. Both very important to think about for your story, but you can have a story with only internal consistency, and Harry Potter is pretty good at this. She doesn't tell us "Oh, where does the power for magic come from, and what are the laws of things," no, but it can be very consistent, particularly within a given book. Internal logic.
If a person used Hemalurgy with an Invested spike on another planet, could Harmony feel/control them?
This is theoretically possible, but it depends on if there’s a Shard in attendance on that planet and what kind of interference there would be. So, yeah, possible.
What's the deal with Hoid and instant noodles?
...He likes his ramen, right? Like any sane person, he likes his instant noodles. Nothing more than that.
...Has he ever had instant noodles?
Yeah, he's had instant noodles before. They have them on Taldain, yeah.
In your previous fantasy series, you had one main character or plotline, with only a few secondary characters and subplots. But here in The Way of Kings, you expand this to three main plotlines and dozens of secondary characters. Was this division of the book into three main protagonists rather than just a single "lead" something that you had intended from the first draft, or did this story division develop over time and many drafts?
With how long this book has been around, it's hard to say what was in the first draft and what wasn't. If we look at The Way of Kings Prime—the book I wrote back in 2003, then tossed aside and rewrote to create this book—I did have quite a strong multi-character focus. It's always been something I wanted to do. I actually scaled back a little bit for this draft. In the previous version I used six main characters; there was another character who has not yet appeared in the new version, and Jasnah was a main character with as many viewpoints as the others. It was too distracting, too much to juggle. So I pulled back a little bit. But to me, this series is not about one person. That's just how I conceived it from the start, and that's what I want to do with it. That will continue.
The makeup of Bridge Four is nearly perfect: a cook, a surgeon, a sergeant, a scholar, two Hoid-touched individuals, etc. How much effect on the composition of Bridge Four did Cultivation have?
Not a ton. They got lucky. Granted, understand a few things that are gonna explain some of this. The Hoid-touched is, there's certainly something going on there with Sigzil. But having a cook and a sergeant, if you actually run the numbers, a lot of military people are going to be trained in a variety of jobs. The chances that you end up with someone experienced as an armorer, some experience with cooking-- granted, Rock wasn't in the military before, but you know. That you have a person that has done leadership on an NCO level, and things like this. These are things that would have existed on other bridge crews as well. The coincidence is not as big a one, Sigzil's the big coincidence.
People were asking who's the other after Sig, is that something you want to...?
Kaladin. If you want to count Kaladin, as someone who has drawn Hoid's attention and he is watching. The real first interaction is the Wandersail one, but Hoid had his eye on Kaladin. You pay attention when people start to form Nahel bonds around you and you're trying to figure out how they work.
It would be an honor to even have a passing mention in any of your works....
My real name is Lyndsey, I'm about 5'4", 29 years old, pretty plain looking really, brown hair/eyes, not fat but not skinny either (about average in most respects). Huge tomboy though...
Got it. Be aware, it will be a good while before the second book is out--next year sometime, if we're lucky, spring 2013 if the writing takes more time than expected. Look for someone who has a name like yours, and who looks like you.
My background is twenty years of military, and as I've been reading your Way of Kings, I've found that your insight into what it like to be a member of the service, all the mental trials including post-traumatic stress disorder is all very well thought-out and I'm curious how you came across that knowledge.
Lots of interviews and lots of reading on forums. People who post their hearts and souls on-- if you find the right forums, where people are among like-minded individuals, you can watch like a fly-on-the-wall and see what people are saying and how they are feeling. Because I strive for authenticity, that's what I-- whenever someone is feeling I want it to be authentic, and the more far removed from my own experience the better it is, if that makes sense to me, to get it into my books. So I try very hard for that.
In fact I'm going to be suggesting to the Veterans' Administration to use the series for treatment for PTSD. There are literally some things in there I've never seen anyone actually understand or get before. Some of my military friends have just been in absolute tears after reading your book.
That is an honor to hear.
If you created a Forgery where someone was killed, would that person stay dead or would they wake up when the stamp wore off?
Umm ok. So you, in order to kill them, would have to Forge them to death, right. You can't just like-- for instance, if you rewrote this table so for whatever reason it believed that I was dead, it wouldn't affect me at all, it would only affect the table, because if you rewrote the table to believe it had been carved a certain way and I was the carver, I wouldn't remember doing that. So the Forgery affects only the item. If you stuck a stamp on me that forged me to be dead, I think that would probably be-- Depends on what you do to me, but it could go either way.
It would have to be be believable wouldn't it?
Yeah it would have to be believable, but it could go either way. Depending on how you created it, and what was going on. It's a good question.
I did not come up with it!
Yeah, it is a good question... That could create some interesting paradoxes also.
Did you get to choose Innistrad as the setting, or was that something that was already part of the planeswalker WotC had in mind that your character got merged into?
I got to choose. I had built Davriel most of the way when they said, "Hey, we've got this blank slate planeswalker in our files. Do you want to make this your character?" It worked perfectly, as it let me fill out the lore for this person and have them work as part of the larger narrative.
Slowswift Talks about Cett and Yomen
Yes, Cett is a poet. I threw in this little tidbit to give a hint of his background and personality. I find it appropriate that despite his frequent condemnation of Elend's methods, Cett himself was something of a scholar (though, more of an artist) before leaping into politics himself.
Can we have Design's recipe for ramen noodles down to the exact grains of salt and herbs used?
Well we'll have to ask the person who's making the cosmere cookbook some day to figure that out because yes she does like to count the grains of salt. It's the sort of thing you do when you're a Cryptic.
Did Hoid give her the recipe or did she make it up herself? Who taste tested it?
She made it up herself, and she tried it on poor unfortunate people that were offered free food.
Spook Survives, but Breeze Is in Charge
Also, Spook lives! More on this later, and why I decided to let him survive. As another side note, I'm not sure if Breeze is a good person to put in charge or not. He certainly enjoys the position, and is a natural at ordering people about. However, he may enjoy it a little too much. He's not self-reflective like Elend, nor is he a man of action like Kelsier. He just loves sitting around and being adored while he tells everyone what to do.
Since [Robert Jordan] obviously is one of your heroes, what kind of influence has he had on The Way of Kings?
You know, it's so hard to pick out my influences in different ways. I mean, Robert Jordan's had a huge influence on me. I was looking back at my very first book that I wrote back when I was nineteen, and I read the beginning and I realized (I'd never realized this before) I started with a wind scene. I don't know if you know this, in Wheel of Time, all of the books start with this omniscient perspective of the wind. I did that. And I said, "My goodness, I didn't even think..." You can call it an homage, but it really was unintentionally ripping him off. And I started, I had three or four pages of just the wind blowing through and looking at things in the exact same way. And I never realized that until I looked back at that.
I was deeply influenced by Robert Jordan's use of viewpoint perspective. I think that's the thing I've learned most from him that you can see distinctly in my fiction nowadays is how deeply he was in viewpoint. When you read Aviendha, she is so different from when you read Mat that it's night and day. And that's something that I hope that I learned from him, that I wanted to learn from him, so that when you read Dalinar, Dalinar feels very different from Kaladin who feels very different from Shallan because they all see the world in a different way. Use of the third person limited is just... he was wonderful at that.
So, if a person claims a new set of Shardplate, and there's a difference in size between the new wielder and the previous wielder, does it adjust to the size of the new wielder?
It does... And there are things they can do to size it and things like that. But it slowly changes over time, like a Blade sometimes does under certain circumstances.
When a darkeyed person obtains a Shardblade. Does their new eye color reflect the specific type of blade they bonded?
Yes.
Chapter Twelve
Lightsong Hears Petitions
The concept of petitions—and the gods being able to heal someone one time—grew out of my desire to have something about them that was miraculous. Something obvious, something more than just an ability to make vague prophecies. Their Breath auras are amazing, true, but an Awakener with a lot of Breath can replicate that.
I took the idea of being able to die in order to heal from an idea discarded from Elantris. If you look at the deleted scenes (Caution: Spoilers for the ending of Elantris), you can read about how there was originally a subplot to the story where the Seons (the floating balls of light) could expend the Aon at their center and create a miraculous event one time. However, doing so would kill them. I eventually ended up not using this plot structure in the final draft, and so I cut all references to this ability from the book. I felt that it was too contrived in that novel.
I've always thought it was interesting conceptually, however, so I developed it into this book as an aspect of Returned that makes them different. They can create one miracle—and in this world, that one miracle has to be a healing. They can expend their divine Breath to heal someone.
This created another problem for readers, however. It became very difficult in the book to explain to them that a Returned could still Awaken things—but not by using the Breath granted to them by their Return. In other words, if a Returned gained a hundred extra Breaths, they could use them just like anyone else's. But if they give away the Breath they start with, it kills them.
Every person starts with a Breath. Well, Returned start with one too—a divine Breath that can be given away to heal someone else's Breath that is weakening and dying. That's what these petitioners are asking for.
But regular Breaths, they can give those away. They just have to be tricky about it.
Okay, so I think the question everybody wants to ask you all the time is, what are you working on right now?
What am I working on right now. Well--
*assorted cheers of Stormlight and other title*
This isn't a vote. *laughter*
Yes, I think they say that because they all know-- they watch the progress bars on the website. Which I actually put there early in my career, before I was-- As Dan, my friend Dan, Dan Wells-- he says "You used to be Brandon Sanderson. Now you're BRANDON SANDERSON." So before I was BRANDON SANDERSON I put those bars on the website because I was a Wheel of Time fan. And it helps so much to know how far along a book is, if you're waiting for it. I know not all authors work that way, so don't go harass other authors who do that. Some-- I have some friends who, y'know, if they-- The more they talk about the book to people, the harder it is for them to write. And so they get very closemouthed and quiet. And I am not that way, I am a very open person, so posting that up there gives me some kind of accountability in some ways. Like, alright the fans get to know what's going on--
So I'm working on the third Stormlight book. *cheers and applause* That is currently 330 thousand words long. *cheers* Which, for comparison, the original Way of Kings was around 300 thousand and Words of Radiance was around 400. And so-- And it's only three-quarters the way done... *laughter* So I've prepared the publisher that they have to go through this again. Maybe I'll be able to get the future books in the series a little shorter. But this one is going to be a big one. Which I know you guys are so sad about. *laughter* I anticipate it being published about one year after I hit 100% on the first draft. So if you watch that progress bar, right when that ticks to 100, you're looking at about a one year period. I've been doing really well, momentum's being really good lately. And so I'm expecting that to be October, but just watch as that goes. It will slowly tick up. It's not ticking up right now because I'm actually doing revisions for Part 3 of the book. Which I'm doing the revisions as I write the book this time to get my editior-- Who's bipolar-- I give him the cha- parts when he's manic, so he revises them, and that let's us get through the periods where he's not manic. And he's manic right now, so I'm going to send him a part and be like "Okay Moshe, time to work on this." You just have to learn how to work the business this way when you've got an editor like Moshe. Book's going really well. This will have, most likely, Dalinar's flashback sequence in it, and I will be reading one of those at my reading tomorrow. *cheers*
Which I like to read from those, because they take place before the first book so it's not a huge spoiler for people who haven't finished, like, Words of Radiance, or anything like that yet. Because it takes place before the series, but they're also very self-contained sequences. They read very well.
I'm really curious about how the Allomancy would be represented in a Mistborn adaptation. While you're writing the screenplay, have you already planned something? And is the screenplay still a project? Because your progress bar has been removed, and I got kind of confused.
Yeah, I took the screenplay off of the progress bar because I'm not actively writing it right now because I have the [Dawnshard] novella to do. I thought I might be getting into it in July, but it doesn't look like I will. All the progress on the screenplay so far that you see is me writing the treatment, not the actual screenplay. And the treatment is, like, a big fancy outline for a screenplay. And in the treatment, what I have right now is that we represent Allomancy with: steelpushing and ironpulling, the thing that the Allomancer is pushing on is going to flash blue on the screen and you'll see a little line from them to the thing. You won't see all of the lines, most likely. There might be a scene where we show it all once or twice, but mostly it's like, "Allomancer, line to the blue thing, and then zip, off they go." This is gonna really depend on things like people who actually know how to do effects on film telling me if it's going to work or not, but it sounds good so far.
Burning pewter, I'm using the same sort of blue feeling. With that, I'm sending a ripple of blue lines, almost more like little lightning or veins, up the person's arms or body, wherever they're increasing their strength, so to speak. (I mean, it does it for all of you, but visually, to draw attention like that.)
The one that's still iffy is emotional Allomancy. Which, in the treatment right now, I say: when someone's been affected by emotional Allomancy, we show their eyes flash blue for just a second. The trick is, this can't be diegetic, it can't be something that's actually happening in-world, because it would be too much of a tell that someone is having emotional Allomancy. So I don't know if it is okay to go with something that's just a symbol for the viewer to know that it's happening, or if that is just too confusing and people will be like, "Why didn't he see that her eyes flashed blue?" or things like that.
My plan is still to write the first draft of the screenplay, but to work with an established screenwriter thereafter to make it actually good. And this'll depend on the established screenwriter that I work with and who ends up being the director on the project, right? Like, there's a lot of people that we're talking to that would be interested. And it also depends on if it ends up live action or animated. Animation is not off the table, even though I really would like to do live action just because I think that our chances of doing Stormlight live action are much lower, and our chances of doing something animated are much higher, just because Stormlight's got so many weird things going on with the spren and the storyline being such that it is.
A lot of things are up in the air with all of this. The only thing I've decided right now is that I'm tired of optioning it and then waiting to see what happens and then maybe getting a screenplay that's okay or maybe not getting a screenplay at all. Basically, from now on, whoever I work with has to be working more closely with me. I think that I have achieved prominence enough in my field that I can just say no to people more easily and not have to roll the dice quite so much. So we'll see if that works out or not.
If Vin were alive, would she recognize the Sovereign's facial features?
I'll RAFO that. Do you mean the statue or the actual...Did you mean the statue?
I think we mean the actual Sovereign.
You mean if they met the person that the statue...I'll RAFO both of them. But someone making a statue...like if you met Homer, would he look like his statue? Is a different question also. But I'll RAFO that. But there will be answers forthcoming.
At what point when you were writing it [Tress] did you know that you were going to release it?
I wasn't sure. I wrote it; I didn't know I was gonna do any others, at this point. All I knew is: I had this really great idea, I wanted to practice Hoid's voice, and I wanted to make a gift for my wife. So I did it, not knowing that there would be any others or anything to it. And not knowing if I would release it in ten years or the next year.
I had an instinct that I would eventually release it, but only if Emily wanted to. This was a gift for her; I told her, "You can keep this forever and never have it be released, if that's what you would like. Or you can have it as one copy that you only lend to your friends that is bound in one single volume." And she didn't want to do any of those. She did want to share it. But I had no idea when I was writing it.
It was Secret Project Four that I'm like, "No, this is something I want to do." That was when I'm thinking, "Maybe I'll do a Kickstarter, or something like that." And Secret Project Four, then, was written for the fans, rather than... One and Three are basically the real gifts to my wife. One and Three are ones that are written specifically because of things she said, for her as a person. Two was written a little more for me, even though I gave it to her as a gift, because it's just like, "I wanna do this goofy thing. It's just a thing I wanna do."
And then Four was written for the fans. Four was, I'm like, "If I'm gonna do a year of Sanderson, I want to have one of the books be a legitimate moving forward of the Cosmere involving some things that they will want to know about," because it's setting up important stuff for later on. I thought a long time about that one. The others were kind of just like, "This is what I feel like writing right now." And that one was, "I want to have a large piece to the puzzle, rather than a small piece to the puzzle." And so Four is for you. And Four is the one that I think is, in that regard, the least general interest. That one, I worry a little bit; it does stand on its own, but it's the only one I worry about, if you haven't read any of my other books, picking up, being like, "What is this?" The rest of them, I feel like you can just pick up and it's a great introduction work. Four, I'm not as certain on.
So besides Sja-anat, Cultivation, and El, does anyone know about the new Odium?
I think that most of the Shards will be quickly finding out, if that makes sense. Like, this is a thing that they would know. Pretty quickly.
I had a question about what it means to swear the Ideal of Law. Several fans have told me it means to define the law, in the Nixon, "when the president does it, that means it is not illegal," sort of way. I interpret it as becoming the embodiment of the law such that they can't willingly violate any law without breaking their oaths.
Do either of these interpretations hit the mark? Nale seems to follow the law more so than most and that doesn't just seem like a personal preference.
I would say that both of these interpretations could work for a given Skybreaker, which is why there is disagreement among the order itself. Perception is a big part of the oaths.
I wouldn't want to squish this discussion by offering too much on one side or the other, as this is exactly where I want the conversation to be going right now.
As your characters have evolved and grown, as we've seen in different books-- We've also seen, like with your character Wayne, kind of the sense of humor inside of the characters changed, and with him we've kind of seen this-- I guess, uh, kind of more seedy and base sense of humor with him, which in some ways made him more lovable and more of a favorite sense of humor. But like with kids, I've kind of been like-- worried a little bit.
Yeah Wayne is…
--with the age level and I'm wondering if we're going to see more characters like that grow in as we're looking at Mistborn Era 2 and 3 coming out, and if so, do I need to be more concerned, or is it really gonna be, or is it… what methods, do we need some rating system.
*amused* Rating system… *laughter*
*audio obscured*
Yeah, I would say that this is more, "I write the character that fits the situation" rather than any sort of an evolution on my part of this, so… I don't know. I will… really, I would leave that to other people. This is kind of one of those weird things where, like, I will both get on the same day, sometimes, e-mails from someone who's like "how can you be so crude in your books, I thought your books were supposed to be family-friendly" followed by "why won't you address adult topics in your books *laughter* why do they all feel so children-esque, child-esque", and I would assume that those are the types of e-mails that everyone gets, even George RR Martin. *laughter* "When are you gonna get to some real adult themes, George?" I'm sure there's someone who's sent that e-mail to him. Um, yeah, I write the books, you know, I have… I'm certainly not as interested as some authors in digging into the more... quote-unquote "explicit content", but at some points there are characters like Wayne where I'm like, "you know, I need to write this character who they would be", and I can have them dance around the worlds-- words to obstinate *laughs* that was not an intentional slip! Dance around the words to obfuscate things and stuff like that, but if I don't let Wayne say some of the things he wants to say, then I'm not being true to that character in the same way I wouldn't be being true to Dalinar if I didn't let him, you know, be the strictly "I follow the rules" type person that he's become, because both of those types of people exist in the world.
Um, your specific question on Era 3 of Mistborn, um, is… I don't anticipate a Wayne-like character, but who knows? Right, Era 3 right now is kind-of focused on two Terris people, the main character and her brother, and she's a computer programmer in the early days of computer programming, and--
Fortran.
Yeah, like a Fortran programmer or something like that… And, you know, it's going to be-- Her story will be a little bit more geek-culture-ish and things like that. You'll have very fun with the artwork in those, let's just say that.
I can't promise you one way or the other what I'm going to do, so I think what you're-- what you should be doing is reading them yourself and then deciding for yourself with whom you will share the books.
Chapter Fifty-Eight - Part Two
Spook in Ruin's Power
In this chapter, we show Spook almost completely under Ruin's power. This is the ultimate culmination of everything that the force has been working toward with Spook.
Ruin knows how to play off the lusts of mankind. Lust makes sense to Ruin, as he has lusts himself. He needs to destroy. It's part of who he is and what makes him function. It's the driving force of the power upon which his consciousness feeds to remain alive.
Things that don't have to do with lust, yet are still human emotions, are more difficult for him to remember and empathize with.
Most of my alpha readers thought by this point of the book that I would make Spook's storyline a tragedy—that he would snap here and become a villain. I won't rule out my doing something like that in a novel, as I think it would be very compelling. I don't know how many readers thought I would do that here. However, it wouldn't work in this story. The problem is, if I showed this entire plotline just to end with Spook destroying the city, I think the sections would ultimately feel unfulfilling because they wouldn't be connected to the rest of the book.
If this were a middle novel, and not the end of a trilogy, I would have been much more inclined to show a tragedy like this. Then it could have effects on the next books, and the pages the reader had invested would mean something to the overall story. As it stands, I was always intending for Spook to be redeemed. Partially because I think that's who he is—he let Ruin urge him toward getting carried away, but he's still a solidly good person. Also, I have a fondness for him since the first book. I couldn't let him end that way.
Can one person speak the oaths of more than one order of the Knights Radiant?
That is a RAFO. It is theoretically possible, but we'll RAFO anything else about that.
If you have a child that can't stop making up/writing stories and never wants to sleep at night, what is the best way to encourage them without letting them be nocturnal? (Child in question is about 13.)
Well...I'm maybe not a great person to ask, because I was nocturnal myself. So I don't have experience at forcing the kid to go to bed--I stayed up myself, doing exactly this. It's not a great thing, because it can have implications for school work and the like. But I never figured it out myself. I STILL go to bed at around 4:00am. In high school, I stayed up late and took a nap every day, which I wouldn't recommend. But making sure they have time each day to write--like piano lessons, but for stories--might be a way to channel that energy and perhaps make sure they get some done each day, and are more relaxed, as they feel the story is progressing. This helps me a lot.
Your battle systems are both complex and innovative. In writing these scenes, was a significant amount of research necessary, and did you encounter any difficulties when writing the sequences?
It depends on what I was trying for in the various different books. For instance, in Mistborn, I wanted the battle sequences to be very personal. One-on-one, allomantic fights, or one-on-small group.
As a novelist, feel that I need to approach action sequences differently from how movies approach them. In a film you can watch Jackie Chan going through this marvelous fifteen-minute blow-by-blow fight, but I think that in fiction the same thing written out descriptively would get very boring. I can't compete with movies in that regard. So I try to make my action sequences character-driven and problem-solving-driven, as well as how the magic system works. I look at what resources the character has, what they are trying to achieve, who they are and how that influences their actions.
For The Way of Kings it was a little bit different in that I was trying to do large-scale warfare, and in that case I needed to look to historical accounts and research and read up on how actual battles played out. Something that gave me a bit of leeway was setting the battles in scenery like the Shattered Plains. One of the reasons I did that is because it's fantastical scenery that couldn't exist in our world, at least not in the same way, and it therefore allows me to exercise my fantasy worldbuilder muscles as well as my historical warfare muscles, such as they are. Putting all of that together let me create scenes that are hopefully unlike anything others have written or that my readers have read.
Chapter Fifty
Vin Tries to Defeat the Sedative
That's our dear, impulsive Vin. Drinking the drugged wine before five minutes had passed. Elend would have stewed in the cavern for days before making that same decision.
I went back and forth on how difficult it might be to open those cans. I figured it wouldn't be too difficult for an Allomancer with pewter. However, what about a regular person—which is what Vin would become once her pewter ran out? I wouldn't want to try opening a sealed can without some kind of tool. Maybe slamming one against the ground enough would crack it and let her suck the juices out.
Either way, I think she made the right decision here. She knows that Yomen is, at least, a reasonable man. Besides, hanging out in that cave listening to Ruin laugh at her wasn't particularly good for her sanity.
First is Nightblood's mention of Yesteel. I believe this is the first mention of him in the book. If you've been paying attention, you probably realized that there was one person missing out of the Five Scholars. Vasher, Denth, Arsteel, Shashara . . . and this guy. You'll see him in the sequel. (And yes, he's much better at sneaking than Vasher or Vivenna.)
I know you have an immense amount of your own work lined up but have you given any thought to revisiting The Wheel of Time?
So question is any thoughts of revisiting The Wheel of Time, ok. So, Robert Jordan was very uncomfortable with the idea of people writing in his universe. To the point that, if you read interviews with him, people would ask "So what happens if you die?" and he would say "I will order my hard drives to be bulldozed into a landfill and never accessed". He changed his mind at the end, partially because of the prodding on his wife who wanted to see it finished, and he said "I do want you to find somebody". But for those of us who know how uncomfortable he was with the idea, I just--
From the beginning when I sat down with Harriet in 2007 or 2008 when we were talking about this, I'm like "I don't know that it's right to do any more books" and she said "Yes, I agree with you". So we presented a united front, because the publisher wants more books. They always want more books. The publisher's job is to get more books right, and both of us together just said this should not happen, because of Robert Jordan's wishes. And beyond that, he didn't leave any notes, right, for other things. I mean Robert Jordan was one of these discovery writers who didn't outline a lot. What he did is he had touchstone moments through the series he knew he was going to get to and he would write towards those. When I was given the outline for the ending, the "outline", what it was was the scenes he'd already written, and Q&A's with his assistants where they asked him what's going to happen with this person, and then a few of those touchstones written as a paragraph. This is what's going to happen to this character, this is what's going to happen to this character. There was no, like, A-B-C, no outline or anything like that, and it was very free-form.
Anything else we would have to do, like he left two lines about what he was going to do for the sequel trilogy. It would have to be so much me that I don't think it would be appropriate. Now I can't speak for Harriet and the estate. Maybe they will change their mind on that. Certainly stranger things have happened, and if they do, I will support them and say go for it, but I probably wouldn't write them myself, just because I don't think it would be appropriate.
Ishar, when fighting Dalinar, showed similar powers to Hemalurgy (stealing the Nahel Bond). Could an unchained Bondsmith steal other stuff from a person? Strength, Breaths, ability to use Allomancy, etc.
Among those are things that they could steal.
Is it fair to say that when one of those power sources become vacant a person, or something with--
Something can-- naturally will pick it up, yes.
Chapter Forty-Seven
Calmseer
Calmseer was indeed a spectacularly good Returned—the last of the old guard, so to speak. She Returned, in fact, in order to save the life of her daughter. She of course forgot this once she got back.
She did complain about not being able to do enough for people, though she had that personality even before Returning. She was the self-sacrificing type who took care of those around her and always had a kindly attitude. She died from an illness she caught while caring for the sick family who lived next door to her. (They'd lost their father to the same illness, and while all eventually recovered, Calmseer herself came down with their disease and passed away from it.)
She didn't give up her Breath because of what Lightsong assumes, that she felt so guilty for not being able to do more for people. Instead, she saw her daughter come through the petitions line. The woman was brought by her husband, who felt he had no other option. His wife had the same disease Calmseer had. She remembered, at that moment, why she had come back—indeed, she remembered her entire life (that's common for Returned the moment before they give up their Breath)—and gave away her life to heal her daughter.
Let's say we have a hypothetical situation with Miles Hundredlives. In this scenario, he is wearing a gold metalmind filled to the brim with stored healing power. He is then spiked with a cadmium spike and loses his gold allomancy.
Now, if I recall from various WoBs, he would be able to heal using the gold metalmind and regain his gold allomancy. I could be misremembering and he cannot heal it, but I believe he would be able to since it is part of his Identity.
However, one question I have never seen the answer to is this: what happens to the ability in the spike? Is the allomantic ability still contained in the spike, leading to a duplicate? Or is the spike's ability lost? Or maybe I have this whole thing wrong and Miles could never have regained the ability in the first place.
If the ability duplicates (which I doubt), that could lead to some crazy things. Also, this applies to any Twinborn with gold Feruchemy, I just thought Miles was a good example I guess :)
I'd like to see the exact WoB's here to make sure I'm being consistent, as I don't know that I confirmed you could regain lost powers--only that you could heal from hemalurgic soul damage. Most likely, what you'd end up with is a person who has been healed and can remove the spike from their body without damage, and without needing it to hold their soul together--but who has lost the ability in the spike.
Regardless, though, what you want here (the mass production of spikes charged and even blanked) is possible with the right levels of investiture. It's an energy, like things in our world. The difficulty is finding out how to 1) get enough investiture and 2) key it to the right people and/or magic.
Hope that's a little more clear.
That said, a lot of times people just ask me if something is possible--and a lot of things are possible, but just very difficult. And with the right boost of investiture, in the right circumstances, it WOULD be possible to regrow lost (to spikes) powers. It's just highly unlikely.
I'm not sure if the questions people are asking me are ones I've qualified, or not, in these instances. Also, this is all something I'm playing with still behind the scenes as we enter the modern age of Mistborn.
As requested, here are the WoBs I believe are related. They might be obsolete, however. And I assume things will get changed a lot before Era 4, but hey, it's fun to ask anyways :)
WoB #1:
https://wob.coppermind.net/events/331/#e9434
This one states that as long as Miles still has his Identity, he would be able to use his Feruchemical metalminds after being spiked and would be able to heal.
WoB #2:
https://wob.coppermind.net/events/102/#e983
This one says that Miles would be able to heal his soul using Feruchemical healing and regain his gold Allomancy (assuming he survives the spiking). I think this is the most essential one!
WoB #3:
https://wob.coppermind.net/events/76/#e6335
This one is only somewhat related - implies that the Feruchemical and Allomantic powers are spiritually part of him.
WoB #4:
https://wob.coppermind.net/events/7/#e6435
Also tangentially related - damage to the soul from Hemalurgy can be healed (Although this might just be a Hoid thing). I guess the question could be expanded to include non-Feruchemical healing as a way to repair the soul after being spiked.
Well, I don't think any of those are specifically inaccurate. I just didn't quite understand what people were trying to get out of me. A lot of times, I don't know quite what people are trying to get out of me. I can see now they're trying to figure out.
I see now, and I appreciate you putting this all together for me so I can see what the fans are trying to figure out. So the answer is a cautious yes. The problem here is that he'd need to compound a TON of healing first--but yes, it would work. You could theoretically turn someone like Miles into an invested spike factory.
If he didn't have enough healing stored, though, he'd end up with a healed soul but a gap (like a scar on his soul) where his spiked-out abilities were. That could theoretically be healed with application of more investiture, depending on things like how he views himself, and if you could get the right type of investiture.
I have a copy of your Dragonsteel master thesis, I haven't read it though. And I was wondering, how you've grown as an author, do you like people to read that or would you rather they wait until you do the better version?
I-- I'm-- That one I don't really like people reading that much because it has an inferior version of Bridge Four that I don't want people to meet. Does that make sense? Like the Bridge Four team--
...And when you re-write it it will be better?
Well Bridge Four won't even be in that book anymore I moved them to Roshar. So you go back and you find the version of Rock that is not quite the right version and you'll find-- Teft is basically the same dude but a lot of the other ones have changed and morphed and they basically won't feel right anymore, if that makes any sense. Feel free to read it, don't feel bad reading it but that's the part that I'm not--
Is that the only part you are worried about? And the rest you are like "It's not my best writing" but--
The rest is not my best writing but whatever. But the Bridge Four stuff, I'm like I did it so much better that it's not even going back and seeing it in rough sketches, it's like if da Vinci had painted a Mona Lisa that was ugly and a different person? You don't want it cemented in their mind that that is what the piece of art is. The rest of it I don't mind so much, I mean the main character his conflict will change dramatically because I pulled that out and gave it to another character in the books. So basically the only thing remaining that is still going to be canon is Hoid and his story, the story what's going with him there is still stuff he would have done...
Chapter Twenty-Nine
Vin and OreSeur Talk while Vin waits to see if Zane will Come Find her on the City Wall
I hope I'm not overdoing the parallels between Vin and the Logbook author, the previous person who thought that they might be the Hero of Ages. Some readers, in the original draft, thought her supposition (in the next chapter) that she was the Hero to be too much. They wondered where she got the idea.
I'm not trying to imply that Vin is or isn't the Hero. I'm just trying to show Vin's thought process. That's a tough line to walk in these chapters. As a writer, I want the narrative to be deeply inside someone's viewpoint, and therefore show who that character is and how they view the world. However, I don't want that narrative to indicate–certainly–that what the character thinks is actually true.
Is there going to be a magic system for every Shard?
Uh, yes, whether there'll be books? We get into a problem here... is... what is a magic system, right?
So for instance like, would you count all of Surgebinding as one magic system, or is it ten magic systems, right? Is Windrunning a separate magic system from Skybreaking. Right, and is it the Surges? Is it that? What do you call a magic system? Is the system of fabrials a magic system, or is it a subset of what's happening on Roshar? And in that case, it's like I delineated it pretty strongly in Mistborn, but in Stormlight, it's like... kind of Surgebinding is kind of Honor and Cultivation, right? And so is there a magic system for each of them or not?
So the answer is yes and no, in that every one of the Shards will inspire really interesting magic systems. But is there a one to one? What do you call a magic system? And beyond that, will I have time to write books about all of these, I don't know. You could even look at Sel. Sel has how many magic systems, is it one? Is it lots? Is Forging a different magic system from AonDor, or is it two aspects of the same magic system and so... It's tricky.
There are a few points in this chapter that really and truly sum up Vin's character for me. The first point comes in her asking Kelsier if Marsh beat him often. The fact that Vin wouldn't even consider the fact that two siblings could get along without some form of beating or dominerance speaks a lot about the life she's led.
She's not a bad person, however. Kelsier gets it right–she isn't herself bad, she just assumes that everyone else is. In my opinion, the amount of good left in her despite what she's gone through is a powerful testament to her character. And, finally, some of that starts to come out in this chapter. It might be a little early for her to begin changing–it's only been a few days–but I wanted to leave a few hints in this chapter, since we're going to have a big time jump here pretty soon.
The first hint is that she really is starting to want to become part of the team. She feels sad when she thinks she won't get to act the part of Renoux's heir. In addition–and, for Vin, I meant this to be something very telling–she left food behind. That's a great moment in the chapter for me.
Quick question about an obscure (mentioned once) name in my copy of Way of Kings: Nelda is one of the people that died on Kaladin (wok 67), is this maybe the same person as Nalma?
Yep, it's supposed to be fixed
Is there a connection between Sak's talent and Allomantic electrum? If so, what is it?
Yes. Reading a person's spiritual connections and possibilities. Similar powers, as is atium.
Why didn't Dalinar get the powers of a Stoneward when he bonded Taln's [Honorblade]?
Some readers have already figured this out, so I don't think I'm engaging in too large a spoiler to dig into this one here.
There are several oddities going on here. The most important one relevant to this question is the Blade in question. If you compare the descriptions of the sword described in the epilogue of The Way of Kings to the one that traveled with the madman (allegedly Taln, the Herald) to the Shattered Plains, you'll find they are different.
The one that the characters obtained in Words of Radiance is NOT an Honorblade. It's an ordinary Shardblade (as ordinary as one of those can be called.) I'm not going to say specifically what happened to the Blade Taln arrived with at Kholinar, but I will say that it IS a different weapon from the one in Words of Radiance.
The other issue here is the somewhat lesser question of whether this character is actually Taln, the Herald, or not. Some characters in-world don't believe that it is, though his viewpoint in Words of Radiance strongly implies otherwise. This isn't specifically relevant to the conversation for reasons I'll talk about below--but it is tangentially related. Because in the cosmere, Intent is important to many of the types of magic. It's theoretically possible to hold an Honorblade and not realize what its powers are, and therefore be unable to access them.
As an aside, this character was actually the primary protagonist of the version of The Way of Kings I wrote in 2002. A man who woke up, with lingering memories of madness, and claimed to be a Herald when nobody believed him--as he couldn't manifest any powers, seemed to have lost his sword, and lore said the Heralds weren't coming back anyway.
When I wrote the new version of The Way of Kings in 2009 or so, one goal was to focus the storyline. I'd included so many characters in the 2002 version that none of them progressed very far in their arcs, creating a strong setting and interesting characters--but a bad book. During the new version, I decided that this character would be moved to the later books, and I'd explore him there.
In the 2002 version, the text was very dodgy on whether or not Taln was a Herald. Confronting the fact that he might be crazy was a major arc and theme of the book--however, as I've worked on the new version, I've realized that it would be dangerous to be too vague on this. Stringing people along with the question for a book or two is one thing, waiting until book six or eight to do a character's arc, and leaving the question of whether they're a Herald or not all that time, seemed unfair.
So the text is going to be making manifest fairly quickly who this person is. You'll have confirmations long before we dig into his viewpoint in the later books.
So, a recap:
1) The swords WERE swapped somehow.
2) Someone could hold an Honorblade and not realize they had access to powers.
3) This character may or may not actually be a Herald--but the text is going to make the answer clear, and I'm not trying to trick you.
Can you tell me about the mechanics of Nightblood's revulsion vs. compulsion magic?
What do you want to know?
Is it like Rioting? Like in--
Yes, Rioting is a good parallel to that.
Is agency being taken away?
I wouldn't say agency is taken away but it depends on how you view Rioting, right? If you are enhancing someone's emotions-- Here is the question for you. If someone is feeling depressed, is their agency being taken away? And this is a question that our society has a really bad answer to, right? So if you are being Rioted, strict-line I would say no, your agency isn't being taken away, but you are certainly under the influence of another force which is taking certain emotions you might have and emphasizing them a great deal.
So is it the same kind of push that makes a virtuous person want to vomit?
Virtuous might be the wrong way to put it. But yes, that sort of thing is related. It's related to Nightblood and it's related to how he was created and all of those sorts of things.
Could Rysn "use" her Command power and change change the nature of a Shard (e.g. make Odium not evil)
Can the Dawnshards be combined a la Ruin and Preservation?
And on a scale of power who would win: someone welding a Shard of Adolnasium or a Dawnshard? Does it depend of the SoA?
Nikli referred to Adonalsium as "it" and not "him" or "her". Was Adonalsium a being or a general force?
RAFOs all around!
Brandon, if you don't mind, I always wanted to ask this:
If Dalinar knew the story of Adonalsium (well, I hope he will, eventually) would he be like -- Yes, this is the true God I'm looking for, or more like -- if Adonalsium died then he was never a God (same what he thinks about Honor)?
I, like others, also root for Dalinar gaining knowledge about the greater cosmere. Our man deserves it.
To answer this, I'd probably have to give more Dragonsteel spoilers than I want to give.
That's fair. Thank you, Brandon.
I have not read Dragonsteel (if we are talking about that old version of the book). Hope you will dig into these things in the future novels, especially with Dalinar :)
I promise that answers to questions like these are very much on my mind, and are things I do plan to eventually address in one way or another.