Advanced Search

Search in date range:

Search results:

Found 14294 entries in 0.329 seconds.

/r/books AMA 2015 ()
#6151 Copy

thecountofchocula

My question is was the change to the use of modern English phrases in The Stormlight Archives deliberate or am I reading too much into it?

Brandon Sanderson

In regards to my books, I use Tolkien's own explanation, which was to pretend that the book you're reading is in translation--everything has been taken by myself from native dialects, and translated it to English. When I make a pun, they probably didn't say those exact words--they said something in Alethi that made a pun, and I put an appropriate one in the same place. Likewise, some of their idioms just don't translate, so I use a modern idiom that means something similar for effect.

General Reddit 2019 ()
#6152 Copy

mikkomikk

It just stores wakefulness right? I don't think it gives you the actual benefits of a good night's sleep. So after an extended period of bronze Compounding, your body will start deteriorating and eventually die.

Brandon Sanderson

Bronze Compounding will indeed let you never have to sleep. /u/mikkomikk as a good theory, as I haven't really talked about this, and that might be the way to theorize without more info--but it was designed to let people go without sleep, and does give benefits of a good night's sleep.

ElTigreChang1

Alternatively, could you compound copper for a supernatural sleeping aid? or would that just lead to accidentally sleeping for 16 hours

Brandon Sanderson

Copper? I don't see that working, I'm afraid. Did you mean bronze?

You could fill bronze to sleep. (This is actually the very first power for Mistborn I imagined, back in highschool. Wishing, as an insomniac, I could sleep when I wanted to and be rested when I wanted to.)

Warbreaker Annotations ()
#6155 Copy

Brandon Sanderson

Susebron and Siri Chat

This first scene with the two of them chatting is one I'd been looking forward to writing since the beginning. Siri's scenes become much more interesting to me now that she has someone to talk to. Plus, their relationship is—in my opinion—the most natural romantic relationship I've ever written. I'm not sure why that is. They just seem to naturally fall for one another in a way that seems smoother to me than Sarene/Raoden or Vin/Elend.

17th Shard Forum Q&A ()
#6157 Copy

Stroniax

Is there a way to harvest BioChromatic Breath from a planet, if it holds any? (If a person dies, and their body turns to dusty he dust of the earth, then doesn't [Nalthis] therefore hold thousands, if not millions, of BioChromatic Breaths?)

Brandon Sanderson

Possible. It would be the same thing as harvesting the nature of Preservation or Ruin, which--on Scadrial--took the form of nuggets of metal.

Firefight release party ()
#6158 Copy

Questioner

Where did the idea to split The Way of Kings and to make it take place in multiple places come from?

Brandon Sanderson

The Way of Kings taking place with the different timelines? So Way of Kings I wrote, the very first version of it--in its contemporary form, I wrote the first book about Dalinar when I was a teenager--but the very first book called The Way of Kings I wrote in 2002 and I tried to cram way too much into that book. The big failing of that book was I tried to do everyone's story at once. And so when I re-wrote it in 2009, or whenever it was, I decided I would take the characters and spread them out across the 10 book series and I would focus on a certain set of them early on and then transition into other ones. But in order to maintain some of the complexity I like in my books, particularly big epic fantasies, I added in the flashback sequence, one per character per book as a means to adding some depth and complexity but using it to build up a character you already knew, rather than doing someone completely different. And so this kind of allowed me to tell the story the way I wanted to, by doing-- That did mean I still had to have two separate timelines because I needed to do Shallan and I needed to do Kaladin, 'cause I knew they were going to be important, interacting together for the next few books. Which did put me in two different places but that was much better than the six different places the original had. And it's just because I like complexity, I like a book that everything comes together at once.

West Jordan signing ()
#6159 Copy

Questioner

People are going crazy wondering if there are telegraphs and telephones in Alloy of Law. Are there? And if not, why?

Brandon Sanderson

There are not yet. And the reason why is because they haven’t needed them yet. Necessity is the, what the fuel of invention?

Audience Member

The mother of invention

Brandon Sanderson

Yes, the mother of invention, and they have messengers who run, Coinshots who are very fast. They also basically don’t need to go outside the City, and haven’t for a long time. They’re close, but they haven’t invented them yet for the same reason that they have very poor navigation techniques. Why do you need to ship anything or sail anywhere when you have some idyllic paradise to live in? And you have allomancers, who in some ways are preventing from achieving that next level, because a Coinshot can get it there really fast, and so you’re only waiting a few minutes for them to come back with your message, so it can actually stifle a little bit of technology by having a not-quite-as-good magical solution.

Children of the Nameless Reddit AMA ()
#6160 Copy

diffyqgirl

Is the writing process for writing a novella different from writing a novel?

Brandon Sanderson

It is, but they are similar arts. I think of novellas like short novels, rather than long short stories--so I tend to plot and pace them in similar ways to novels. That said, I tend to narrow my focus to one day, and don't muck around as much with flashbacks. I try to keep the narrative tight on one sequence of events.

Skyward San Diego signing ()
#6164 Copy

Questioner

I want to write books... Do you have any trouble with trying to figure out what you want your main character's name to be?

Brandon Sanderson

Names... I will tell you this. You're probably stressing too hard about the name, because usually if you just pick one and start writing, you will grow to see that character by that name, and they'll be come entwined, and you won't stress about it anymore. That happens most of the time, if you just settle on one.

If you're writing Sci Fi/Fantasy, there are a couple of things you can do. If you want a really easy sort of Sci Fi/Fantasy hack, assign sort of a linguistic structure to a bunch of different countries in your world, and be like, "All of these are going to have Ancient Babylonian sounding names." And then you can go kind of look at that language and build some names out of that. That's an easy way to do it.

But really, I would not stress this. Just name the characters, start writing. If it feels wrong to you after you've written for a while, swap something else in, see if that works, and write for a while. Usually the person will grow to match the name, and then name will become synonymous with them in your head, to the point that it can be really hard to change their names later on when you decide, as I've sometimes decided, "Wow, this name doesn't fit the naming paradigm for this culture; I'll change their name." And then I just keep calling them the wrong name when I talk about them.

General Reddit 2019 ()
#6167 Copy

gurgelblaster

As a follow-up: I've been curious for a while (since discovering The Truth about Taimandred, really) about how often RAFO means "This is a mystery I'm unwilling to divulge before the book is out" versus "I haven't decided yet" versus "I've decided, but I might change my mind", in rough proportions?

Also, any other categories of RAFO that you feel does not at all fit into the above?

Brandon Sanderson

Hm. I'd say that category number one is the largest. Category three is also very common. There aren't a lot of category twos, but it does happen. I think that for RJ, those weightings were different, as he was more of a discovery writer than I am. (As I consider...the #3 you mention might be bigger than #1.)

One very big one for me is that I often don't want to roll out things I have decided because that will lead people to ask questions about things I am still making up my mind on. Or it will lead them to figure out things that I'd still rather use as a major plot point in a future book.

psychomanexe

Do you ever worry that you might run across a fan extrapolation on a theory that sounds really good, so you might be tempted to either borrow it, or maybe force yourself to go in a different direction?

I could see it causing the same problems that giving prescriptive advice to a discovery writer halfway through the book might.

Brandon Sanderson

It isn't something I worry about terribly, for the reason you point out. That said, GRRM (who is more of a discovery writer) has talked about how he doesn't worry about it too much either.

I think in both cases, it's about trusting your instincts as a writer--but also, being flexible. Sometimes, I DO let myself be influenced by things my readers say. This is part of the alpha and beta reading process, as often times, you'll be seeding things by instinct into a story that you don't fully solidify until someone comments on it.

So I don't worry about this; I just try to tell the best story I can.

Isaac Stewart r/Stormlight_Archive AMA ()
#6168 Copy

simon_thekillerewok

How's the Nicki Savage story going?

Isaac Stewart

Thanks for asking about this! The Nicki Savage story has been plotted and planned and is almost ready to be written. It was derailed for the time being, however, by Taldain needing a little love.

Argent

Are you going to tie that to the events of any of the existing Mistborn (or Cosmere?) stories, or will it be like the Allomancer Jak ones, where it exists in isolation?

Isaac Stewart

The Nicki Savage story I've got currently planned deals with Nicki in the real world as opposed to her serialized persona. While it's not in the main sequence of novels, it is not as isolated as the Allomancer Jak stories.

ICon 2019 ()
#6171 Copy

Questioner

I just wanted to know what you think about writer's notebooks and do you have one?

Brandon Sanderson

Yeah, mine's... I have two, I have a little... whatever they call them... the little leatherbound ones that I put in my pocket. That's if I'm working on a specific book. If I'm not in the outlining stage on a specific book, which I'm not right now because I'm writing prose on something. At that point, it's just my phone and I email cool ideas I have to myself to put in my file. It used to be called "Cool things that need to be used some time", but it was just too weird a title, so now it's just called "Working ideas".

West Jordan signing ()
#6174 Copy

Questioner

I've heard rumors of a Mistborn movie. Is that true?

Brandon Sanderson

The Mistborn movie, is not even up to handshakes now. We do have a Vin chosen, but it’s not official yet, so I can’t say who it is.

Questioner

I've heard rumors. Will you confirm or deny this?

Brandon Sanderson

What rumor?

Questioner

Lindsey Lohan?

*Wild laughter*

Brandon Sanderson

Yeah, I can deny that one. *Continued Laughter* It's not Paris Hilton's dog either.

Yeah, basically it’s where it’s been at for a while, which is we’re at a good version of the screenplay, we’re trying now to get people to look at it in Hollywood.

Warbreaker Annotations ()
#6175 Copy

Brandon Sanderson

Vivenna Hides Her Breath in a Shawl

This has been possible from the beginning, and if Denth had truly been on her side, he would have admitted that there's a way she could get rid of her Breaths. What she would need to do is Awaken something with a one-Breath Command. There are some. They don't do much, but you can Awaken a very tiny scrap of cloth tied into the shape of a person with a very simple Command. That takes one Breath.

Next, you put the rest of your Breath into another object. Then you get that one Breath back and go hunting for a Drab to give it to. Then you take the rest of your Breath back from the object. From there, you can repeat the process if you want to. Vivenna could get rid of the Breaths one by one.

Of course, Denth didn't want that to happen. He was coveting those Breaths. What he said was intended to sound like an innocent mistake. Many people unfamiliar with Awakening would make that mistake, so if Vivenna learned the truth later, he wouldn't look suspicious.

Sofia signing ()
#6179 Copy

Kiril

You're very meticulous about your magic systems. Aren't you afraid sometimes that this takes away the sense of wonder? For example in The Way of Kings, it's more wonderous, in my opinion, than in Mistborn. So, how do you manage this?

Brandon Sanderson

This is an excellent question. It's actually something I think about a lot, and tomorrow my lecture ('cause they asked me to do a lecture) will be a little bit about this idea. So, if you're interested in writing, you can come to the lecture. But balance between a sense of wonder and a sense of understanding of the magic, that's a difficult balance. And I don't think there's a right way to do it. I think a lot of great books sometimes use both. For instance, I don't know if you've read Name of the Wind, but Pat Rothfuss uses both a hard magic system and a soft magic system. The Naming, which is very soft, and the Sympathy, which is very hard. Hard is a term for very rule-based, so we explain it a lot. The more you explain, the less sense of wonder you have. But the more you explain, the more you can also use the magic to solve all kinds of cool problems and create sort of an intellectual enjoyment. And so it's a different distinction between wonder and this sort of intellectual problem-solving sense, and I tend to go this direction a little bit. I think fantasy naturally has a bunch of wonder to it in the settings and the world, so I think that they balance each other naturally when I push a little bit in this direction. But it is a trade-off. It is something that I wonder about.

Skyward Houston signing ()
#6180 Copy

Questioner

What's Kaladin's last name?

Brandon Sanderson

Kaladin doesn't have a last name because, in Alethkar, your last name is your House name. He is vacillating on what his House name would be, everyone just calls him Kaladin Stormblessed. There's a realistic expectation that if he wanted to be a Kholin, he could be a Kholin, if he wanted to adopt that as his own House name instead of having a different one.

But right now he's just called Kaladin Stormblessed.

General Reddit 2018 ()
#6181 Copy

kastorslump

[An image of all of Brandon's progress bars at 100%] well i guess that's it then, no more books ever

Brandon Sanderson

I've actually been doing a number of small things, as opposed to one big one, like /u/pm_me_your_ide guessed. Basically, I'm trying to clear my desk of small projects in preparation for launching into Stormlight 4 in January.

These little things involved a final draft of Secret Project (which I can't announce yet--but you'll know about it soon.) Working on an audio-original novella I've been writing with a friend. Signing large mountains of books for holiday orders. Tinkering with Apocalypse Guard, which I still hope to release some day. Filling out the Skyward 3 outline. None of these really deserved a progress bar, as none of them took more than a week or so.

I will post details in the State of the Sanderson in three weeks or so.

Children of the Nameless Reddit AMA ()
#6182 Copy

mbue

I understand that your novella will stand very well on its own, but I'm sure there will be references to existing lore. Could you point out any existing MtG novels that would particularly increase our understanding and enjoyment of some details in yours?

Brandon Sanderson

Davriel is partially a contrast to Liliana, a main-line character who also has had dealings with demons (but has done it much differently...) and who is a necromancer (exactly of the sort Davriel would hate.) I think reading about her might make for a fun contrast. She's heavily involved in the previous Innistrad story, which you might enjoy if you liked this one. You can find it on Wizards site: https://magic.wizards.com/en/content/shadows-over-innistrad-story

Planet Comicon ()
#6183 (not searchable) Copy

Brandon Sanderson

...vastness of space. Compared to that infinite dark blackness, both planets and starships alike seemed equally insignificant. Meaningless. Except, of course, for the fact that those insignificant starships were doing their best to kill me.

I dodged, spinning my ship and cutting my boosters mid-turn. Once I'd flipped around, I immediately slammed on the booster again, swerving in the other direction in an attempt to lose the three ships tailing me. Fighting in space is way different from fighting in atmosphere. For one thing, your wings are useless. No air means no airflow. No lift, no drag. In space, you don't really fly. You just don't fall.

I executed another spinning boost, heading back toward the main firefight. Unfortunately, maneuvers that had been impressive down in atmosphere were commonplace up here. Fighting in a vacuum these past six months provided a whole new set of skills to master.

"Spensa," a lively masculine voice said from my console. "You remember how you told me to warn you if you were being extra irrational?"

"No," I said with a grunt, dodging to the right. <A destructor> blast from behind swept right over the dome of my cockpit. "I don't believe I said anything of the sort."

"You said-"

"Can we talk about this later?" I dodged again. Scud, those drones were getting better at dogfighting. Or was I losing my touch?

"Technically, it was later right after you spoke," continued the talkative voice. My ship's AI, M-Bot. "But human beings don't actually use that word to mean 'any time chronologically after this moment.' They use it to mean 'some time after now that is more convenient to me.'"

The Krell drones swarmed around us, trying to cut off my escape back toward the main body of the battlefield. "And you think this is a more convenient time?" I demanded.

"Well, why wouldn't it be?"

"Because we're in combat."

"Well, I would think that a life-and-death situation is exactly when you'd like to know if you're being extra irrational."

I could remember with some measure of fondness the days when my starship hadn't talked back to me. That'd been before I'd BLANK, BLANK, BLANK, BLANK, BLANK.

"Spensa," M-Bot said, "You're supposed to be leading these drones back toward the others, remember?" It had been "BLANK, BLANK, BLANK, BLANK, BLANK.

The Krell knew what I was and hated me. The drones tended to target me specifically, and we could use that. We should use that. In today's pre-battle briefing, I'd swayed the rest of the pilots to reluctantly go with my bold plan. I was to get a little out of formation, tempt the enemy drones to swarm me, then lead them back to the rest of the team. My friends could eliminate the drones while they were distracted, focused on me. It was a good plan, and I'd make use of it... eventually. Now, though, I wanted to test something.

I hit my overburn, accelerating away from the enemy ships. M-Bot was faster and more maneuverable than they were, though part of his big advantage had always been his ability to maneuver at high speed in air without ripping himself apart. Out here in vacuum, that wasn't a factor, and the enemy drones did a better job of keeping up. They swarmed after me as I dove toward the planet Detritus. My homeworld was protected by layers of ancient metal platforms, like shells, with gun placements all along them. We were beyond the farthest shell, out in space. After BLANK BLANK BLANK IN THE LAST BOOK, we had started gaining control of those platforms and their guns. Eventually, that shelled gun emplacement should protect our planet from incursions. For now, though, most of those defensive platforms were still autonomous, and could be as dangerous for us as they were for the enemy. The Krell ships swarmed behind me, eager to cut me off from the rest of the battlefield, where my friends were engaging the rest of the drones in a massive brawl. As usual, the Krell ships would seek to isolate me, overwhelm me. That tactic made one fatal assumption. That if I were alone, I'd be less dangerous.

"We're not gonna turn back around and follow the plan, are we?" M-Bot asked. "You're gonna try and fight them on your own?" I didn't respond. "Jorgen is gonna be angry," M-Bot said. "By the way, those drones are trying to chase you along a specific heading, which I'm outlining on your monitor. My analysis projects that they plan an ambush.

"Thanks," I said.

"Just trying to keep you from getting me blown up," M-Bot said. "By the way, if you do get us killed, be forewarned that I intend to haunt you."

"Haunt me? You're a robot. And besides, I'd be dead, too, right?"

"Uh, my robotic ghost would haunt your fleshy one."

"How would that even work?"

"Spensa, ghosts aren't real," he said in an exasperated tone. "Why are you worrying about things like that instead of flying? Honestly, humans get distracted so easily."

I spotted the ambush. A small group of Krell drones had placed themselves by a large chunk of metal floating just out of range of the gun emplacements. As I drew close, the ambushing drones emerged and rocketed toward me. I was ready, though. I let my arms relax, let my subconscious mind take over. I sank into myself, entering a kind of trance where I listened, just not with my ears. <Remote drones weren't flying for the Krell> in most situations. They were an expendable way to suppress the humans of Detritus. However, the enormous distances involved in the space battle forced the Krell to rely on instantaneous faster-than-light communication to control their drones. I suspected the pilots were far away. But even if they were on the Krell station, hung out in space near Detritus, the lag rate in communications from here to there would make drones too slow to react in battle, so FTL was necessary. That exposed one major flaw. I could hear their orders.

For some reason I didn't understand, I could listen to the place where FTL communication happened. I called it "Nowhere," another dimension where our rules of physics didn't apply. I could hear into the place, occasionally see into it. Then, <THAT HAPPENED LAST BOOK>. I let my instincts take over, and set my ship in a complex sequence of dodges. My battle-trained reflexes melded with my innate ability to hear the drones' orders. They maneuvered my ship without specific conscious instructions on my part. This ability had been passed down my family line. My ancestor used it to move ancient starfleets around the galaxy. Now, I used to to stay alive.

I reacted before the Krell did, responding to their orders. Somehow, I processed them even faster than the drones could. By the time they attacked, I was already weaving through the destructor blast. I darted among them, then activated my IMP, bringing down the shields of everyone nearby. In my state of focused concentration, I didn't care that the IMP took down my shield, too. It didn't matter.

I launched my light lance, and the rope of energy speared one of the enemy ships, connecting it to my own. I used the difference in our momentums to spin us both around, which put me in position behind the pack of defenseless ships. Blossoms of light and sparks broke the void as I destroyed two of the drones. The remaining Krell scattered like... like villagers before a wolf in one of Gran Gran's stories. The ambush turned chaotic as I picked a pair of ships and gunned for them with destructors, blasting one away as part of my mind tracked the orders being given to the others.

"I never fail to be amazed when you do that," M-Bot said quietly. "You're interpreting data faster than my projections. You seem almost... inhuman."

I gritted my teeth, bracing, and spun my ship, boosting after a straggling Krell drone.

"I mean that as a compliment, by the way," M-Bot said. "Not that there's anything wrong with humans. I find their frail, emotionally unstable, irrational natures quite endearing."

I destroyed that drone and bathed my hull in the light of his fiery demise. I dodged right between the shots of two others. Those Krell drones didn't have pilots on board. A part of me felt sorry for them as they tried to fight back against me. An unstoppable, unknowable force that did not play by the rules that *inaudible* everything else they knew.

"Likely," M-Bot continued, "I regard humans as I do only because I'm programmed to do so. But hey, that's no different from the instinct programming a mother bird to love the twisted, featherless abomination she spawned, right?"

Inhuman. I wove and dodged, firing and destroying. I wasn't perfect. I had overcompensated, and many of my shots missed. But I had a distinct edge. The Krell obviously needed to watch for people like me. Their ships were always on the hunt for humans who flew too well, or responded too quickly. They had tried THAT'S IT FOR A MINUTE, PREVIOUS BOOK.

All this raised a singular, daunting question. What was I?

"I would feel a lot more comfortable," M-Bot said, "if you find a chance to reignite our shield."

"No time," I said. "We need a good thirty seconds without flight control for that."

I had another chance to break toward the main battle, to follow through with the plan we'd outlined. Instead, I spun and hit the overburn, blasting back toward the enemy ships. My grav caps absorbed a large percentage of the g-forces and kept me from suffering too much whiplash. But I still felt pressure flatten me against my sheet, make my skin pull back and my body feel heavy. Under extreme g-forces, I felt like I'd aged a hundred years in a second.

I pushed through and fired at the remaining Krell drones. I strained my strange skills to their limits. The Krell destructor shot grazed the dome of my canopy, so bright it left an afterimage in my eyes.

"Spensa," M-Bot said. "*inaudible* I know you said to keep them distracted, but-"

"Keep them distracted."

"Resigned sigh."

I looped us after an enemy ship. "Did you just say the words 'resigned sigh'?"

"I find human non-linguistic communication to be too easily misinterpreted," he said, "so I'm experimenting with ways to make them more explicit."

"Doesn't that defeat the purpose?"

"Definitely not. Dismissive eye roll."

Destructors flared around me, but I blasted two more drones. As I did, I saw something appear, reflected in the canopy of my cockpit. A handfull of piercing white lights, like eyes, watching me. When I used my abilities too much, something looked at me from Nowhere and saw me. I didn't know what they were. I just called them the Eyes. But I could feel a burning hatred from them, and anger. Somehow, this was all connected. My ability to see into the Nowhere. The Eyes that watched me from that place.

I HAVE TO DO A BIG EDIT HERE, FOR STUFF FROM LAST BOOK.

The Eyes continued to appear, reflected in the canopy, as if it were revealing something that watched me from behind my seat. White lights, but stars, but somehow more aware. Dozens of malevolent glowing dots. And entering their realm, even slightly, they became visible to me. Those Eyes unnerved me. How could I both be fascinated by these powers I had, yet be terrified of them at the same time? It felt like the call of the void you got when standing at the edge of a large cliff in the caverns, knowing you could just throw yourself off into the darkness. One step further...

"Spensa!" M-Bot said. "New ship arriving."

I pulled out of my trance, and the Eyes vanished. M-Bot used the console to highlight what he'd spotted. A new starfighter, almost invisible against the black sky, emerged from where the others had been hiding. Sleek, it was shaped like a disk, and painted the same black as space. It was smaller than normal Krell ships, but it had a larger canopy. These new black ships had only started appearing in the last eight months, in the days leading up to EVENTS AT THE END OF THE LAST BOOK. I couldn't hear the commands the new ship received, because none were being sent to it. Black ships like this one were not remote control. Instead, they carried real alien pilots, usually an enemy ace, the best of their force.

The battle had just gotten more interesting.

Idaho Falls signing ()
#6184 Copy

Questioner

What was your... like, with The Rithmatist, cause that's my favorite story, I love the plot. What inspired it?

Brandon Sanderson

Muggle at Hogwarts. Kid who goes to magic school who does not have any powers.

Boskone 54 ()
#6185 Copy

Questioner

So with Soulforging, are you able to Soulforge yourself so that you die?

Brandon Sanderson

Uh, can you Soulforge yourself to death? So, Soulforging that requires large state changes of Investiture and/or inputs of Investiture are very difficult. However, killing yourself is not that hard, but basically you could - so, Soulforging yourself so that you are already dead would a little bit harder, but Soulforging yourself would be, yeah.

Questioner

<background noise> and be able to check in the afterlife and then return--

Brandon Sanderson

No, because transfer of Investiture to and from the Beyond or even into the Cognitive Realm is going to require more investiture than a Forger pulls through, you can Forge yourself to death.

Questioner

So I can kill myself but I can’t come back.

Brandon Sanderson

Yes. That would be one of those things where you kill yourself, your soul passes to the Beyond, your body when the Forgery is broken comes back, and just dead.

The Way of Kings Annotations ()
#6187 Copy

Brandon Sanderson

Introduction

Welcome to the annotations, being written at long last.

Normally, I do annotations for a book while going over the copyedit. That all started to change in 2009 when my time got very short due to finishing the Wheel of Time novels. I also started handing the duty of "Go over the copyedit and see if they are changing anything I don't like" to Peter.

That left no chance for the TWOK annotations. I told myself I'd need to re-read the book before starting the sequel (Wheel of Time work was going to keep me from getting to it for a few years) so I'd do the annotations then.

Well, here I am, in late summer 2012. The Wheel of Time is done and I feel an urgent need to get the sequel to TWOK written. I'm sitting down to read it in depth as I tweak my outline, so I thought I'd try writing out some annotations for you all. We'll see if I manage to get through the entire thing.

As always, if you're reading the novel for the first time, I will try not to spoil anything coming up in the book. If I do have comments that spoil later surprises, I'll hide them using the spoiler function. If you're reading an annotation for a given chapter, I will assume you've read that chapter and everything leading up to it.

I'm not going to edit these annotations (no time) or do any revisions whatsoever. (Peter might do a proofread, but that's it.) So I'm going to make some mistakes, and the writing is going to be rough at places. Take this for what it is: me sitting down and having a conversation about the book, giving a behind-the-scenes look. Extra facts I throw out in the annotations can be considered canon, but understand that I'm writing quickly and might make mistakes.

Brandon Sanderson

August–November 2012

Warbreaker Annotations ()
#6188 Copy

Brandon Sanderson

Chapter Eight

Siri Wakes Up Untouched, Then Explores the Palace

These Siri chapters presented a little bit of a problem to me in that I generally focus my writing around conversations. A given chapter will have some action and description, but usually the series of scenes revolves around important discussions between characters.

But in the palace during the Jubilation, Siri has almost nobody to talk to. She just doesn't have anything to do. A note to aspiring writers: A character not having anything to do is bad. You want action, motion, and conflict in your stories. That's what keeps them moving and interesting.

But in this case, Siri's lack of direction was necessary to make the plot work. In these chapters, Siri is just reacting—trying to stay afloat in a world very different from her own. So I had to focus on other ways to make the scenes interesting.

A lot of times, in writing, needs like this end up defining aspects of the books. I hadn't intended the palace to work as it did—with each room being modular, any of them able to transform into any type of room. I intended to give Siri her own set of chambers, as might be expected in a situation like this.

But when I reached this point in the book, the chapter was looking dull, and I knew I needed some little twist to the palace to make it original enough to hold Siri's—and the reader's—attention here. It's a very small thing, but I think that one change added a lot to the chapter, and therefore the book.

Skyward Atlanta signing ()
#6193 Copy

Questioner

Is there any connection or coincidence to the Krell in Skyward, versus the Krell from Forbidden Planet?

Brandon Sanderson

Yes... Forbidden Planet is one of my favorite movies. Perhaps my favorite classic science fiction movie. I really dig any sort of Shakespearean interpretation in another medium. So I named the Krell after the Krell from Forbidden Planet.

Firefight San Diego signing ()
#6194 Copy

Leinton (paraphrased)

Of all the published shardworlds, which one is your favorite to write and which would you want to live on.

Brandon Sanderson (paraphrased)

One he wants to live on would definitely be Scadrial, because they have running water and electricity. Favorite to write is Roshar. He would not want to live on any of them though because they don't have internet or delivery pizza. (He later stated that delivery pizza would likely be a thing Scadrial would get, but that it would not be delivered via Coinshots because they were too expensive)

Orem Signing ()
#6195 Copy

JoyBlu's Friend

Many of my questions have to do with the Dalinar-Adolin relationship because I love families and I find this particular relationship very strained. I wish to know stuff like what Dalinar really feels for Adolin, as I find he treats him more like a tool than a son. Or whether or not we've seen the end of the Adolin murdered Sadeas narrative arc, as no character really had the time to react to it yet.

Brandon Sanderson

You have not seen the end of that arc. Dalinar loves his son but has trouble treating anyone as anything other than tools.

JoyBlu's Friend

What are Brandon's thoughts on the relationship? I'd also die to hear Brandon speak about what to expect for Adolin within book 4 in terms of length, scope—

Brandon Sanderson

RAFO! RAFO!

JoyBlu's Friend

—as I just wished to give Brandon comment on the fact that some readers were disappointed with the outcome of this narrative arc.

Brandon Sanderson

RAFO, RAFO.

General Reddit 2018 ()
#6199 Copy

Brandon Sanderson

I've had to hide this news for a long time. It was almost one year ago that the Dark One outline finally snapped together for me at long last. We had interest almost immediately from Fremantle, and I've done multiple flights to LA to chat with them about it. I think this one might finally be the real deal when it comes to a Sanderson adaptation--which is amusing, considering we don't have any books for Dark One yet. But if this goes forward, I'll be sure to write some.

Aurimus_

I'm a big fan of this multimedia approach, but I'm wondering what inspired it. Was it your idea or Fremantle's? Is this an experiment for other properties in the future at all? A lot of us on the 17th Shard discord have discussed the sheer size of Stormlight, for example, and worry about DMG either going the Hobbit route (hours upon hours of content for a single book, which'll really rack up even by the time we reach OB), or missing out on a ton of content. If Dark One pans out well, would you use this multimedia approach for Stormlight? (I'm a big fan of the idea of a Black Mirror style show for the interludes, but straight up separating them from the rest of the books would take a lot away, especially with characters such as Szeth and Venli)

Brandon Sanderson

With Dark One, I've pounded myself against the idea for years. Finally, I sat down with it and said, "What if I were going to design this for a television show or graphic novel first?" Using Stranger Things and the recent Westworld reboot as guides, I dug into a parallel narrative--half in our world, half in another world. A kind of dark "portal fantasy" story.

It came out as an eight episode outline that I really liked, with a solid outline for two prequel novels about the previous generation. (Characters still important in the episode outline.) With this in hand, I took it to Hollywood and said, "If you guys are interested in doing the episodes, I'm interested in writing these books--and we can intertwine them in a (hopefully) very cool way."

Fremantle was on board immediately. (They'd been intrigued by Dark One from a one-page outline they'd seen, back before I did this new treatment.)

Warning: I can't say how much of my original outline will end up in the show; I've never written for a television show before, and the showrunner will know better than I will what will or won't work. But (theoretically) the graphic novels will follow the outline pretty closely.

If this works, will I apply it to the Cosmere? That's the goal. I do like the idea of getting some experience with TV/Film through non-cosmere projects, particularly as we see how things shake out these next few years in regards to TV/film distribution.

cusoman

Brandon, I'm curious how you see the same scenario playing out with Cosmere material considering the material already exists and the opportunity for the same intertwining wouldn't be quite the same. Unless of course you go back and interweave new stories with the already completed books?

Very excited to see what comes of this venture! I've loved the concept from the moment you first mentioned it and I can't think of a better way to see it come alive than how you're doing it here.

Brandon Sanderson

I can't really say at this point. There are just too many variables. There are a lot of ways these things could be approached, however.