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I was wondering why you chose to only mention worlds we already know about? If you were okay with readers being in the dark on these things, why not mention places we don’t understand yet in order to keep everyone in the dark? As it stands, it just rewards super fans at this point (which increases the pressure to go read everything).

Brandon Sanderson

I do mention things you don't know about, quite often. It's either that there isn't context, so people don't latch onto them, or people ask me a lot about what they mean.

Brandon Sanderson (paraphrased)

There was a point when the Heralds didn't need to draw Stormlight from gems, although the Stormlight-in-gems predates Honor's arrival.

There was a following conversation about this topic, about how a lot of the elements were there before Honor arrived, but he co-opted them. So, Stormlight were there, but there are big differences now.

Brandon Sanderson

Chapter Forty-Nine - Part Two

So, in this chapter we get to have a nice look at the "mathematical" style to AonDor. To be honest, I'm not really a math person. I did well in my classes, but I never pursued the skill long enough to get deeply into theoretics. That's why there aren't any specifics in these chapters–I try to give enough to imply that AonDor works like mathematical proofs, but I don't include any specific ratios or equations.

My goal was to get across the "Feel" of the magic without actually having to get into number crunching–which is something at which Raoden's much better than I am. (Though, it's less numbers and more of an understudying of length, location, and combination.)

Brandon Sanderson

Chapter Eighty-One - Part Two

Charging Them Is Madness

Vin probably should have figured out what Elend was doing, being kind of a god now and all. (Or at least she has a fraction of a god inside of her.) However, remember a few things.

She doesn't know that many of Elend's troops have been turned into Allomancers. She's also been very distracted lately. On top of that, the man she loves is charging two hundred thousand koloss. Even if she'd connected that he'd be burning atium, her opinion would still have been that he couldn't fight that many and survive.

In the end, she was right. So her concern was warranted.

Questioner

How does it feel being one of the primary fantasy authors with jealousy of your peers, even those who have written longer than you, because of your efficiency and your worldbuilding? 

Brandon Sanderson

It feels really weird. It feels really weird. It feels really great. We just got the sales numbers in for the third book, and they're pretty crazy. 

Argent

You doing OK? 

Brandon Sanderson

I'm doing okay. We tripled the second book. *crowd woos* That was already #1 on the New York Times. Now that was #1 in, like, a January or a Febuary or something like that. We don't know if we'll even beat Lee Child or not tomorrow, but it's looking pretty good. It's pretty crazy. 

Tristan Gilmore

This is perhaps more of a Writing Excuses question, but at what point in the story do you intentionally finish "building up" and transition to reveals and answering the intrigue you've established? Or do these need to be intertwined to keep the novel from being a constant uphill/downhill of interest?

Brandon Sanderson

In answer to your second question first: yes, it is good to stagger these a bit. This is something I didn't understand as well when I was brand new into writing, in some of my early - particularly unpublished - books. The "Brandon avalanche" which people talk about that comes at the end of a book where all the threads are finally coming together and stuff, was just way too much in these early books, and what happened is you couldn't follow all the threads or give them time to actually have impact, because always another one was happening. And it ended up having kind of boring situations leading to too much excitement that you couldn't actually take time to reflect on anything that was happening. So staggering your reveals is a really good thing to practice. Even if you want to have an avalanche at the end like I have, staggering some of that, having some character climaxes happen at different parts, in different points in the story, just a really good idea.

But where do you start doing it? That's kind of the definition for me... like that transition... that moment act 2 into act 3, the moment right after where things have just turned south, is the moment where I start trying to have those reveals in most books. But again, I'm trying to stagger them, I'm trying to have mini-reveals. Particularly in a big epic fantasy, you want lots of ups and downs.

Christopher Paolini

Will we ever get anything from Wit’s point of view? Maybe an interlude?

Brandon Sanderson

Each book has an epilogue from Wit’s point of view. You will eventually get his backstory. That’s a three-book series that I’m planning after the Stormlight Archive narrative is done, so I’ve gotta keep moving! I actually think it would be fun some time to write a novel of him telling a story.

Brandon Sanderson

Chapter Forty-Nine - Part Two

The Canal Genius

Lord Fedre, the infamous nobleman mentioned here for his research in canals, is none other than my editor, Moshe. He got several cameos in relation to canals, as he was the one who suggested the use of them way back in book one as a way to enhance the feel of the series and give it the right technological level.

Questioner

What was the metal that Hoid gave Vivenna and her crew to use the fabrial?

Brandon Sanderson

You're asking, what metal it was that let them use the fabrial without the screamers detecting them? So, should be aluminum. I don't think there's anything sneaky about that. The only thing that I've had to change is, I wanted the sheathes that they use with Shardblades to be aluminum, and Peter tells me I just can't do that. It's not in continuity. So we have to have some sort of aluminum... alloy, or something like that. I'm not sure exactly what I wrote that broke the continuity on that, but he is certain that those can't be aluminum. So, those aren't aluminum, but it was aluminum around that. And Hoid's bag has an aluminum lining, too.

Questioner

You said earlier that Rhythm of War includes a key sequence that you have envisioned for years. How does it feel to have captured the sequence? And are you personally happy with the result?

Brandon Sanderson

Feels great to finally write that sequence. And now that the beta reads are in, I can say the sequence works. Really, really pleased. Really happy that it came together. There were other things that needed to change, but that one worked. There almost have been no edits or revisions to that whole sequence through all the drafts. I've been planning it for so long. It's one of those things that I wrote, and it was as I imagined it, and it came together. And you will be able to read it in Part Five of Rhythm of War.

Questioner (paraphrased)

Second - most difficult character interaction he's ever written.

Brandon Sanderson (paraphrased)

Mat and someone else from WoT, didn't catch it because it's a bit noisy but apparently they're both liars.

Questioner (paraphrased)

Do you have a story arc for the whole cosmere?

Brandon Sanderson (paraphrased)

Yes. I do. The original plot outline was 36 books.

Questioner

How big are the beads from Shadesmar?

Brandon Sanderson

...Bean-size, not as big as spheres.

Questioner

Spheres are the size of your thumbnail, right?

Brandon Sanderson

Spheres are a little bigger than that. They're like a big marble. Not quite as big as a shooter.

Questioner

Now, do things actually move unpredictable at the edge [of a speed bubble] or do they refract out? Is it just that geometry is hard?

Brandon Sanderson

No, I have a level of unpredictability, I mean we're Chaos Theory. The idea being, you could predict if you had a perfect closed system and things like this, but it's unfeasible for most technology and minds to be able to predict.

Brandon Sanderson

This was the first novel I wrote knowing for certain that it would be published. That was an odd experience for me, after having written some thirteen novels without ever knowing if I'd make it as a novelist or not.

So, in a way, this is my celebration novel. And, as part of that celebration, I wanted to include cameo nods to some of the people who helped me over the years. We get to see characters named after my friends and alpha readers, the people who encouraged me to keep trying to get published–my first fans, in a sense.

So, a lot of the names of side characters come from friends. Stace Blanches, mentioned in the last chapter, is Stacy Whitman, an editor at Wizards of the Coast. House Tekiel was named after Krista Olson, a friend and former writing group member. (Her brother Ben is my former roommate.) Ahlstrom square was named after my friend Peter Ahlstrom, who is an editor over at Tokyopop. There are over a dozen of these in the book–I can't mention them all.

I do, however, want to point out Charlie–or, as he's called in the book, Lord Entrone. I've never actually met Charlie, but he's hung out on the timewastersguide message board for the last three or four years. He was my first British reader. I figured I'd commemorate that by having his dead body get dumped over a wall by Kelsier.

Spook is actually based directly on someone I know, but I'll get to that later.

Questioner

How many spren does it take to form a full suit of Shardplate?

Brandon Sanderson

That's making assumptions that we're gonna RAFO. Nice try!

Questioner

*Inaudible* How long will we have to wait for Arcanum 2?

Brandon Sanderson

A long time, I'm afraid. I don't want to write it until I have Stormlight 10 done, so it's a long ways off.

Questioner

*Inaudible*.

Brandon Sanderson

You will. And you'll definitely get some bits and pieces.

Drew (paraphrased)

Does the Expanse of the Broken Sky refer to Taldain?

Brandon Sanderson (paraphrased)

RAFO.

WeiryWriter

As of Era 2 is the nature of Vin's noble heritage (i.e. her father was a Tekiel before joining the Steel Ministry) known and if so, has House Tekiel tried to capitalize on that fact?

Brandon Sanderson

Yes, + yes.

Brandon Sanderson

Stoneward

I will be there when I'm needed

Stoneward oaths focus on team dynamics, on learning to work with others, and on being there for those who need them. They put the interests of others before their own, and will not bend their Ideals for the sake of convenience.

Stonewards are the infantry and ground troops of the Radiants and are renowned as their finest soldiers. (A title that, on occasion, the Windrunners dispute.) They tend to attract those who are most interested in warfare, prowess with weapons, or athletics of any sort. They like a challenge, and in times of peace are seen engaging in (and running) various sporting events of both a military and non-military nature. Many enjoy the outdoors, and you’ll find exploration enthusiasts among them, as well as those who just like the fresh air. They tend to be known for their can-do attitudes and for taking on enormous projects (sometimes more than they can handle). However, most agree that the primary attribute of the Stonewards is their dependability. Though sometimes gregarious, they are never flighty. If a Stoneward is your friend, they will be there for you, and that is a core tenet of their Order—to be there when they are needed. Another key attribute is their ability to take a difficult situation with few resources and make something better of it. Though not known as inventors or creators, they are good at improvising solutions to problems in the moment.

Augustine Soto

When one of your books gets a live-action adaptation, will you make a cameo? If so, which character would you like to be?

Brandon Sanderson

My goal is to cameo in all of my adaptations as a person who dies in a different way in each movie. Or something terrible happens to them. I love this idea because I kill characters in the books, so this is, like, revenge of a sort. Basically, I get to be the Kenny for all the Cosmere films. You'll have to be watching out and see. When you see Brandon, and then a wall will fall on me. Or a koloss will throw me to be feasted upon by the others. Or I'll get tossed off a wall. Or anything like that, that's what we want to do.

Peter Jackson did that to himself, right? In Return of the King. He gets shot with an arrow.

I want you to be able to spot me. And then watch me die.

Questioner

My question is in regards to the relation of time between Mirandus and our world. Is there a significant difference in the flow of time between the two? Notably, is the time passing faster in Mirandus, making multiple Dark Ones appear within a single human’s lifetime in our world?

Brandon Sanderson

I’ve been cagey on this in the outline, allowing for it to exist. The original outline doesn’t explicitly say it. I have given this leeway to the graphic novel writers. And I honestly can’t tell you how much they’ve leaned into that yet or not. We’ll have to start seeing people bounce back and forth before we learn if there’s much time dilation. But the way that I had worked it in the outline is that it wouldn’t be required. Basically, the Narrative needed a Dark One at this point, and a Destined One. So there are reasons why it’s a little faster this time. But I didn’t really intend for there to be time dilation.

We’ll see. I did leave room that they could use it. I don’t feel like they’re using it, but I haven’t asked them explicitly, and that’s kind of there for them if they need it. Basically, keeping all of the timelines straight on something like this can be really a big challenge. Like, you ought to ask Karen sometime, getting the timeline straight for a single Stormlight book, with all the flashbacks and things like that that are happening. Super big challenge. So writing some wiggle room into that felt like the right move for this one.

Mrrobot112

Is it possible to know which characters will be getting viewpoints after Part 1?

Brandon Sanderson

All the main characters get viewpoints, though there aren't a lot of them for Szeth or Jasnah. (Technically, she isn't a main character of this sequence--but she has a couple viewpoints here and there regardless.) The structure is a little more like Book One, with one "A" plot that runs the entire book (in book one, it was Kaladin in Bridge Four) and two "B" plots that each are in half of the book.

In this book, parts 2 and 4 are one of those B plots and parts 3 and 5 are the other one. (In book one, the first B plot was Shallan and the second was Dalinar/Adolin.) Like the previous books there are two "C" plots. One being a flashback sequence for one of the characters (in this case two) and one being a sequence of interludes.

Venli's flashbacks are weighted toward the back half of the book, as it felt better to have them in quicker succession, since she's sharing them with Eshonai.

The A/B/C breakdown doesn't start happening until after Part One in this book, though. So I'd say wait until you get the book. Anyone you don't see in Part Two will be in Part Three (and a group of people in Part Two won't be in Part Three.)

I do this deliberately to keep the number of viewpoints down per section, as it helps with the complexity a little. Epic fantasy tends to have a problem of viewpoint sprawl, which has made problems with the pacing. This kind of structure is how I combat that in the Stormlight Archive.

That doesn't mean characters don't have a part in the story, even if they aren't getting viewpoints. For example, Dalinar is in multiple chapters in Part One, though he doesn't get viewpoints in this part.

Glamdring804

Since this is a front half book, can I assume that this doesn't include Ash and Taln?

Brandon Sanderson

That is correct. No Ash/Taln viewpoints in this book, though they do appear in the text briefly.

ascraz

Do we have any view points from moash as well? I really enjoy the character.

Brandon Sanderson

There is at least one Moash Viewpoint in the book.

Brandon Sanderson

Map

The map for this book was done by the awesome Shawn Boyles.

For this book, I wanted something with an illustrated feel to it. The Mistborn maps were supposed to look realistic and gritty—like maps from London during the nineteenth century. I wanted twisting, cramped streets and a sense of overcrowding.

For Warbreaker I wanted a very different feel. I wanted a picture that looked hand drawn, something a little exaggerated and intentionally less accurate. Like a picture you might see hanging on someone's wall, vaguely showing the size, shape, and relative locations of important things in the city.

I picked Shawn because of his style. He has a very colorful, very round and smooth style, and I thought that would translate very well to a map of the city. Ironically, the first map he gave me looked very detailed and intricate, much like the Mistborn maps. He was trying way too hard, I feel—imitating the style of the previous books.

I asked him for something that was more natural to his style, something that was a profile view rather than an overhead view and had stylized houses. The second draft came back nearly perfect; I was very excited. The only problem with that one was that it wasn't big enough. (It was about half the size of the final product and didn't have the upper portion of the map where the city curves around the bay.)

One more draft, however, and we were finished. He did the artwork by hand on a large piece of cardstock, then scanned it and filled in details on the computer. I love the finished product. I wish we could have done colored end pages using it.

Questioner

Could an Elantrian just write an Aon above Nightblood and then use it forever?

Brandon Sanderson

Use it forever? No. 

Questioner

Forever is pushing it.

Brandon Sanderson

No, no, I mean, Nightblood would destroy an Aon pretty quickly. It would pull power through it--

Questioner

It would be like trying to put too much power through a small--

Brandon Sanderson

Yeah, it would just rip it up to shreds. You'd get a little use out of it. He would eat the very structure of it, if that makes any sense.

Calderis

Does the nicrosil portion of the medallions function identitically to how a Soulbearer Ferring would use Nicrosil? 

Brandon Sanderson

Not exactly. The medallion is a little more restrictive, for one thing.

Brandon Sanderson

So, this is what I wanted to have in chapter one (see the last annotation.) Reading it again, I can see–yet again–why that was a bad instinct. It's much better here, in chapter two. I still feel that it's a tad long. I cut it down significantly (if you can believe that.) I worry that pacing wise, we spend too long in a fight for this early in the book. However, some of the things I get across in this battle are invaluable for the rest of the story. I introduce the Watcher, and I get rid of Vin's atium–thereby compounding the large danger of the kingdom being at war with the more personal danger of Vin being stalked while she's exposed without any atium.

We'll get to a third level of danger–that of something threatening the entire world–later on.

Brandon Sanderson

If we were in Sarene's viewpoint here, we'd probably see her thinking about the time this very thing happened to her–at her wedding.

I think her speech makes some good points. However, I think the people of the city have also been through so much lately that they're ready to accept anything. The combination of moving speech and unresponsive crowd is what let them get away with making Raoden king. Honestly, so many people have been popping in and out of Elantris lately that I suspect the people of the city are beginning to lose their edge of fear. They know that the Shaod isn't contagious, and they now know that many Elantrians aren't dangerous. The would see the illusion drop, and finally make the connection between Raoden and the Elantiran Spirit that helped them distribute food.

In this case, hope overcomes fear.

Argent

What perspective is this constellation map seen/drawn from? Somebody from an earlier signing in this tour said they spoke with you about this, and you mentioned Silverlight, but not exactly... I got the impression that your reply wasn't transcribed verbatim  Can you address the perspective issue here? We now know that Silverlight is in the Cognitive Realm (where the stars don't necessarily match their physical arrangement, if they are visible at all), so if you worried about accidentally revealing that earlier, it's no longer an issue.

Isaac Stewart

The map was created to reside in Silverlight and represents a partial view of the night sky from a point we have not yet revealed. So, no, this is not a view of the night sky from Silverlight. This is a mural painted for a patron whose travels have taken them far far afield.

Jeremy (paraphrased)

When Honor speaks of his inability to see the future, he likens it to a shattering window. Is this related to the fact that in the not-too-distant future, he himself will be splintered? Or is it more a matter of Intent; e.g., Cultivation (and Preservation?) is geared toward future development, whereas Honor is geared toward current behavior.

Brandon Sanderson (paraphrased)

This is not related to his impending Splintering, it is a matter of differing Intents.

Brandon Sanderson

Chapter Nine

One odd thing I've heard—and noticed—about new writers as opposed to more experienced writers is that the more experienced ones tend to make their books last longer. Many first books take place in a matter of days, or perhaps weeks. Yet, books by more accomplished writers tend to span months or years.

It might just be coincidence relating to books I've read. I mean, there doesn't seem to be any reason it would be true. Yet, it certainly holds for myself. My first books happened very quickly—even Elantris, which was my sixth, happened in only the space of two months. Yet, in Mistborn, I let more time pass between sections and chapters.

I think, perhaps, newer authors are intimidated by plotting over such a longer stretch of time. Or, perhaps, it's just something unconscious.

Either way, we've jumped in time—something necessary for this book, considering the amount that needs to be done in order for the job to get pulled off. This was one of my first clues that I couldn't do a straight-up heist novel with Mistborn. The book covers too much time, and too much has to happen before the ending can occur. I just didn't feel that most of what the crew would be doing would be interesting to a reader, and I wanted to focus too much on Vin's character growth to let me focus on the "heist" of stealing the atium.

Questioner

So, I noticed in the books that they like to paint their Shardplate, most of them do, with one notable exception. The Shardplate isn't dismissed, so I imagine, when it's broken, they have to repaint it after they've regrown it?

Brandon Sanderson

Yeah.

Questioner

So, if I painted a Shardblade and then dismissed it, would I have used paint in the shape of a Shard to sell?

Brandon Sanderson

Uh-- it would come back without the paint.

Questioner

So, the paint would go away with it, but not come back?

Brandon Sanderson

I've never been asked this before, let me think about it. I think the paint would get left behind.

Questioner

So I would have used paint in the shape of a Shard?

Brandon Sanderson

Yeah, you would, yeah.

Questioner

So, you could mold a Shard?

Brandon Sanderson

You could mold a Shard, yeah, you could totally do that. Yeah... I haven't been asked that before but that's my answer right now, because-- yeah.

Questioner

If the books contradict then the books contradict.

Brandon Sanderson

Yeah but I don't think they will. So yeah, you can-- I mean, it could come up.

firstRainbowRose

Anywho, I was going to ask what type of clothing you were thinking of with Elantris and Warbreaker?

Brandon Sanderson

Elantris: Renaissance Europe

Warbreaker: Early Mediterranean.

Extesian

Insert Cultivation's Vessel's name here. 

Brandon Sanderson

RAFO

Questioner

Did whoever wrote the The Way of Kings, have access or exposure to BioChromatic Breath? There was a scene in Chapter 26, it could just be speaking of candles and breath. But the way you wrote it made me think that there was some connection.

Brandon Sanderson

There has been longstanding travel between those two planets.

Brandon Sanderson

You understand the lies the Librarians are teaching.

Grandpa’s explanation for why Alcatraz was left to grow up in America is mostly true. As far as Grandpa knows, it’s completely true. The Free Kingdoms do need more people who understand the way that the Hushlands work.

I took the way that Grandpa and the others don’t understand America from my time in Korea. Even the most fluent Koreans I met still had an accent, and the Americans who lived there never quite understood the way that Korean culture works. It’s all too different. Not a reason not to try, of course, but I think that the exaggerations in this book aren’t as much of an exaggeration as you might think.

Anyway, there are other things going on, of course. Having Alcatraz grow up in America was a decision Attica and Shasta made together, and both had various reasons for wanting it to happen.

Either way, I think–personally–that the Sheldons have been much better parents to Alcatraz than his biological parents ever were or will be.

Questioner

I don't think Marsh would get along too well with Hoid, but are they ever going to hang out?

Brandon Sanderson

*pause* Are they ever going to hang out?

Questioner

Are they ever going to meet?

Brandon Sanderson

Are they ever going to meet. It is likely that if they both survive for many more books that they would, but I can't promise it.

Nadine

I found this on a blog posted July 2008. Does it have any relationship to reality?

...No matter your race, nationality, gender, sexual orientation or belief system, you will find something to love in The Way of Kings. There were pirates, ninjas, monkeys, fireworks, grand journeys, infidels dragged through streets by dragons and a fair amount of buckles swashed. There were ladies romanced, men romanced, sheep romanced and one scene where even two mice get it on. And if you can forgive an inordinate amount of abuse aimed at Canadians, this just may be the book for you. Be forewarned, however, if you can't abide graphic depictions of sexual content that would make Laurell K. Hamilton blush and cover her naughty bits, you might want to skip this book...

...The way Brandon Sanderson breathes life into this story is inspirational. The characters, the storyline, the magic—seemingly woven (as only Brandon can) from sheer nothingness. One of my favorite parts of the book is where the Wizard Ooflar divides one rather simple system of magic into five complex subsets, each with its own arcane history and labyrinthine steps. Who would have thought the apprentice Pemberly could put an entire village to sleep by tapping out a quadrille in her clogs? Although it would seem implausible, somehow his magical system works, especially the dance-off. I also enjoyed the ten-day feast in section two, chapter 85. I don't know if I'll ever forget the scene in which we see King Horag the Midleth eating live grunthyean orbs. (gag) I loved this book and can't wait for the sequel...

Brandon Sanderson

Ha. These are some of the amusing fake reviews for Kings that readers have been posting on Amazon. For some reason, Amazon put up a page for this book years and years ago, when I got my first contract. Somehow, they heard I was working on a book called The Way of Kings, and jumped the gun in adding a page for it, even though I was still working on the book. (I've been planning, writing, and wrestling with this story for some ten years now.)

Anyway, readers noticed the page and began having fun with it. None of them have read the book, but that hasn't stopped them from reviewing it. There are even pictures of it, including photoshops of me holding a fake book. Look for it on Amazon. It's rather amusing.

R'Shara

Is the vision that Dalinar of the Recreance; is that how it actually happened?

Brandon Sanderson

You can assume that even though it was a recreation, that it is accurate.

Kogiopsis (paraphrased)

Anything you can tell us about santhids?

Brandon Sanderson (paraphrased)

They're one of a few Rosharan animals with a degree of sentience. It's easier on Roshar for this to happen.

Kayla (paraphrased)

Because of Cultivation?

Brandon Sanderson (paraphrased)

Yes.

Also, santhids aren't based on anything in particular on Earth.

Brandon Sanderson

Chapter Twenty-Four - Part Two

In case you hadn't figured it out, Kelsier's wish to send Breeze off to the army has to do with his hidden plan. He wants to turn these people all into leaders, and so he's giving them the opportunity to take turns being generals.

Questioner

If people from Scadrial were to colonize, like, Nalthis, and not intermarry with the people there, would their children continue to have the Scadrial Investiture, or would they have the Nalthis Investiture? In the sense that, is it genetic, or is it planetary?

Brandon Sanderson

Scadrial is more genetic.

Questioner

Than Nalthis, where they have the Breaths?

Brandon Sanderson

Yes.

Questioner

So, would their children continue to--

Brandon Sanderson

Their children would continue, for a while, to have Scadrian Investiture.

Questioner

For a while. Could you say, like, how many generations?

Brandon Sanderson

I cannot.

Dalinarium

Radiants are bound to Roshar because of spren, but does it apply to Dalinar's ability to open the perpendicularity? If we assume that's not a Bondsmith ability, but somehow a Shard power can Dalinar open Honor's perpendicularity on another planet?

donethemath

I don't think Dalinar's ability will have any impact on him being more likely to leave. Opening the perpendicularity creates a path from the Physical Realm to the Cognitive and Spiritual Realm, but it doesn't change the person's location. Going through the perpendicularity doesn't get someone further away from Roshar.

Brandon Sanderson

This is correct.

Dalinarium

If Dalinar ascended as Honor (assuming reuniting Honor is ppssible), would this new Shard tied to Roshar like certain Shard from Mistborn, or he will be able to leave Roshar?

Brandon Sanderson

It really depends on the circumstances. Most likely he could leave.

yulerule

*Written:* If an Allomancer Worldhopper really wanted to hack the magic system and knew what they were doing, could they get their hands on some tanavastium, rayseium, or egdlium? Basically make god metals from the other Shards?

Brandon Sanderson

*Reading question:* If an Allomancer worldhopper really wanted to hack the magic system.. *mumble*

Uh, yes. This is possible.

*Writes:* Yes.

Brandon Sanderson

Okay, now, I know you're going to laugh at me here. However, I suppose you deserve to know the whole story of this book. After all, I told you about the whole "Adonis" thing.

Well, the thing is, the first version of the book included about two pages of poetry from Wyrn the King. I think every prose writer goes through a stage where we think, for some reason, that we have a talent for poetry. It's doubly bad in fantasy, where we've all read Tolkien, and felt like adding poems, songs, and the like to our stories.

The thing is, most of us aren't very good at it. Wyrn the King was a narrative alliterative poem patterned after Beowulf, and it was TERRIBLE. I might be masochistic enough to post it in the "deleted scenes" section of the website. I'm honestly not sure yet. (Actually, I wrote the poem as a college assignment. I wiggled out of doing something research-oriented by somehow convincing my teacher that I deserved to do a creative project instead. When I finished, I felt a little bit obliged to stick it in my current book, as I'd told my teacher I would. Sorry, Dr. Thursby, but. . .uh. . .it didn't make the final cut.)

Anyway, there was a point behind sticking the poem in the text, even if I completely overshadowed it by including so many lines of poetry. This section is really all we get in the book itself about Fjorden's past. As I've explained in the annotations, Fjorden switched to Shu-Dereth to do its conquering, relying on religion rather than armies. When they did so, they went back and rewrote many of their great classics. (Orwell would be proud of them.)

This is actually based on some events in our world. Some scholars think that Beowulf underwent similar revision, the monks who copied and translated it adding Christian symbolism to the text. After all, no great artist could possibly have been a true pagan. Everyone knows that Aristotle was a Christian–and he died before Christ was even born!

Brandon Sanderson

Chapter Seventy-Five

The Second Generation Seizes Control

This chapter is another indication of my attempt to space out the climaxes in my books. We've had the big Vin fight with the Inquisitors; now I'm going to back off from things just a tad so that the reader has time to catch his or her breath. That isn't to say that the next few chapters aren't going to be more quickly paced than ones from the middle of the book; I just hope that they're not quite as breakneck as similar chapters from Elantris or some of my other books with overwhelming endings.

I had fun with these sections because I was able to make good on some tensions and interactions that were going on since the first TenSoon chapters. TenSoon himself isn't here, but we are paid off for the time we spent with him getting to know the kandra in the Homeland, as now their interactions with Sazed directly affect the major conflicts in the series.

Some readers worried that the revolt of the Seconds here was a little out of nowhere. I read through again, just in case, and this is one of those situations where I disagreed with the alpha readers. I believe I've fully established that the Seconds enjoy being in charge, and have somewhat let their power go to their heads. We've rarely seen them offer to the Firsts the same reverence they demand from everyone else. Beyond that, they were just embarrassed in front of the kandra people, and the Firsts began to speak of requiring the mass suicide of the entire race.

If that wouldn't encourage a group of aristocrats to revolt, I don't know what would. The Seconds control the police force in the tunnels, and are the ones who truly rule the kandra. It makes sense to me that they'd do what they just did. You know, if I were in their place, I'd probably do the exact same thing. What the Firsts are talking about is very discomforting, and something that should make anyone—whatever their level of faith—sit down and question whether their beliefs really should require such a sacrifice.

Adam Horne

They want to know who your favorite character of Brandon's is.

Emily Sanderson

Oh, favorite character of Brandon's.

Brandon Sanderson

Stick. *laughter*

Emily Sanderson

No, I really like Lift. I'm enjoying Jasnah quite a bit.

Brandon Sanderson

Yeah, you don't get a lot of Jasnah in these early books though, unfortunately. There's a couple Jasnah viewpoints in the new book [Stormlight 4], so that's good. You'll get a little Jasnah, but you really aren't going to get a lot of Jasnah for a while.

Emily Sanderson

I kind of think... It's hard because it's like whichever one I happen to be reading at the time is my favorite. 

Brandon Sanderson

That's what Robert Jordan said, when someone asked him who his favorite character was, is, "Whoever I'm writing right now."

Emily Sanderson

It's kind of true though. Whoever I'm reading right now, I'm like, "Oh, I love this character." I read a Kaladin chapter and I'm like, "I love Kaladin." Then I read a Dalinar chapter.

Adam Horne

Did you say who your least favorite character was?

Emily Sanderson

My least favorite character? Can I choose Padan Fain?

Brandon Sanderson

Padan Fain, Padan Fain.

Emily Sanderson

He's not technically one of your characters.

Brandon Sanderson

He's very hateable. He's pretty despicable.

Emily Sanderson

Moash is pretty despicable, but I don't know that he's my least favorite.

Questioner

Do the Purelakers get pruney feet because of the water? If not, is it because they have special feet or does it have to do with the magic fish?

Brandon Sanderson

They have adapted over time and they do not have magic feet. They have special feet, but they have adapted over time to the situation. Now, let's make the note that most natural selection does not work on the timescale of the cosmere and so there probably have to be some magical foundations for this. The fact that everyone on Roshar is Invested with a bit of Investiture more than average is going to push people over time in a way. Kind of the rationale I give myself on this is because Intent and these sorts of things are so important cosmerelogically that we get evolution on a faster scale in most of the cosmere. And so you can see this just by adaptations that have happened since the history of Roshar itself and the arrival of humans on Roshar and things like that.

Questioner

Is the reason Dalinar rejects the Thrill because he has a connection to Honor through his visions from the Stormfather?

Brandon Sanderson

…Is the reason that Dalinar rejects the Thrill because he has a connection to the Stormfather through his visions?

Questioner

Yes.

Brandon Sanderson

The answer is yes, this is parti-- this is in play. Though you could say the two of them have a si-- The reason he has a connection to the Stormfather also influences the reason that he rejects the Thrill, so it may be more correlation than causation, but there's at least a little causation as well.

Questioner

If Taravangian made the Diagram, and telling the future is of the Voidbringers, is that a bad sign?

Brandon Sanderson

It depends on if you're speaking culturally or actual magically.

Questioner

Magically, I guess.

Brandon Sanderson

Because he would claim to you that he did it all with strength of mind and no magical influence other than enhanced mind. That's what he would tell you. And so in that case it would not be—culturally they'd look very weirdly at it, but spiritually he would say it's not of the Voidbringers.