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Are gemstones the focus of Surgebinding?
Define how you mean focus in this conversation.
The definition you gave me of focus a few years ago was... You said that the Commands were the focus for Awakening, you said and Aons were focuss for AonDor, and metals are the focus for the Metallic Arts... and you haven't given us a proper definition.
RAFO.
In Shadesmar, the solid and liquid phases are inverted. So, in the Spiritual Realm, is it something to do with solid and gas phases, or is it not the same at all?
It is not quite where you're going, but I like the way you're thinking.
So then what's the reason that they can't travel to the Spiritual Realm?
The Spiritual Realm is not a place.
At what point in making the Rithmatist magic system did the concept of the beauty of the drawings come in?
The beauty of the drawings is related to the idea of your perception influencing magic, which is a Cosmere rule. Giving things a mental order, the Cognitive aspect of it, it’s the same way that in Warbreaker, when you give an order to something you’ve Awakened with the magic, the way you perceive that order directly influences how it plays it out. I built this in because, number one, it’s better for philosophy if the answers aren’t, in some of these things, [internal?] answers where the author has said, “Truth is capital T Truth”, where the characters’ perceptions of truth allows for different people to believe different things and both be arguably right. Also because I wanted all the magic in the Cosmere to have some root in the Cognitive Realm. The idea of the magic there is, there’s a Spiritual thing which is kind of unknowable, kind of eternal, kind of all-places-one, there’s a Cognitive aspect, which is how you perceive it influences it, and then there’s the Physical world. The chalklings were built that way, how beautiful you perceive it as being, or the beings involved in this perceive it as being, will influence how well it works.
In the books, in Rithmatist, you state that the better drawn a shape is, or a creation is, that makes it more powerful. Would that mean that if you drew a cube, would that be more powerful than a square?
The complexity of it, and how people perceive, you could make an argument that there’s some people who would be like, “The perfect cube is so hard to draw that that is inspiring”, but the average people, if you said, ”Who’s going to win this battle: this cool knight that I drew, or this cube?”, they’d say the cool knight. So that sort of general perception plays a lot into how it works.
When Nightblood created, was Endowment involved in any way more than normal?
Good question, you qualified that the right way! I would say yes, but maybe not to the extent you're thinking.
Normal being using Endowment's Investiture to Awaken. There's something special.
I would say, there is something special.
I wanted to ask about the Returned and the Fused. I haven't gotten all the way through [Oathbringer]... With the Spiritual Realm, is it very similar for how they don't return, versus the Returned coming back and the Fused staying?
Yeah, there is a similarity there, for sure.
Is it related at all... So, a thunderclast. Is it similar to Awakening?
Kinda, but a little further out. You'll figure out-- that one's explained pretty well in [Oathbringer].
I know that there's three sorts of forms that magic presents itself in, the liquid and the solid and air. What would Breath be?
Breath is definitely like mist, it is in the form of the air.
And is Stormlight the same?
Stormlight is the same.
I love, love Brandon Sanderson but I feel like every time he needs a "magic word" he just takes two regular words and jams them together.
Dreamshard, Shardblade, Shardplate, Lightweaving, Mistborn, Coinshot, Pewterarm, Coppercloud, Surgebinder, Soulcaster, etc etc etc
Sorry u/Mistborn I still love you
It's done intentionally. Let's look at our options.
I can create all-out fantasy words for terms like this. (Lait or crem from Stormlight are examples.) Problem is, the more you do this, the more you pile a difficult linguistics on top of a reader. The more words like this they have to learn, the more difficult it is to get into a story. If you were doing it, perhaps you'd go this direction. I feel that overloading on these terms is dangerous. Already, the main reason new readers put down my books is that they feel overwhelmed by the worldbuilding.
So we have the second option. Use a latin, germatic, or greek root and create a word that FEELS right, has some mental connection for the reader, but which isn't a real word. Allomancy/Feruchemy/Hemalurgy. Veristitalian. To a lesser extent, Elantris.
This so called "Harry Potter Spells" method gives some familiarity to the naming, makes them stick a little better in people's heads, which makes the books a little easier to get into. But they're also distracting to some readers who say, "Wait. There's no Latin in this world, so where did Latin root words come from?" And for others (particularly in translation) those roots mean nothing, and so these all end up lumped into the first group.
The final method is the pure Germanic method--creating compound words. It works in English very well because of our Germanic roots--and is one of the main ways (other than turning nouns into verbs or the other direction) that we create new words. Supermarket. Masterpiece. Newspaper. Thunderstorm. Footprint. Firework. Heartbeat. Yourself. None of those look odd to you because they are words that are "meant" to go together in your head.
I use some of batch one, some of batch two, but I do favor batch three--it does what I want it to. Works in the language, has an "otherworld" feel but is also very quickly understood by someone new to the series. There are arguments for all three methods, however.
You can also just go the route of using an English word despite it clearly not being accurate.
"He tied a ribbon around his horse's third antennae, and patted its chitinous flank."
Agreed. Re-contextualizing English words can work too--I find it particularly useful to do what I mentioned above. Take a verb and make it a noun or vice versa. Or use a verb in a way that you normally don't. (Awakeners or Lashings are examples from my work, though Spice from Dune is one of the grand-daddy examples of this. As it is for a lot of fantastical linguistics.)
How would an Awakened with Breath piece of cloth react if it got hit with a Shardblade?
A Shardblade would probably be able to cut it, but it depends on how much Breath we're talking about.
So if it had enough, it might be able to block it
Yes.
I love the Hoid scavenger hunts that have been going on. What does he-- what powers does he have, what magic has used *inaudible*?
If you watch in these books, he has used on screen so far three of the different magics.
And have we seen those three-- do we know what those three are?
You know at least two of them. Very deep clues-- very more obvious clues are in this book [WoR].
And I haven't gotten to yet-- you can see where I am.
Yeah; watch where he and Kaladin have some interactions. If you watch carefully you will see something in what he mentions. You've already seen him and Shallan, that scene in one of her flashbacks.
I was almost-- I was reading that scene like "that has to be..."
Yeah, in that scene he uses one if you watch.
By the way, if "Awakeners" were something different back then, what did you call Vasher? Or was he just "some guy from another world, I'll explain his magic later".
The latter. There are hints he has a mysterious past, but not much more.
The Sliding Scale of Allomantic Potential
Noblemen, despite what Spook says in this chapter, are not immune to the mistsickness. The rumor Spook is referencing does have merit, however. You see, since the mists are Snapping people and awakening the Allomantic potential within them, it will affect far fewer noblemen than skaa. Why? Because a lot of the noblemen have already Snapped. They were beaten as children to bring out the powers.
However, that won't stop all of them from being affected by the mistsickness, because the mistsickness is also awakening Allomantic potential that would otherwise be too subtle to be brought out. Pretend there's a sliding scale of Allomantic potential. 100% means you're an Allomancer—in this series, only two people have hit 100%—Vin and Elend. Buried within a lot of people, however, is enough of a touch of Preservation's power to hit, say, 50% on the relative scale of Allomantic power. These people, when beaten and made to pass through something traumatic, awaken to their Allomantic abilities.
There are a lot of people out there, however, with something more like 20% to 30%. These are the people the mists are Snapping—since the mists are, themselves, partially the power of Preservation, they can touch people and increase their Allomantic potential slightly and then bring it to the forefront.
Chapter Thirty-Eight
Preservation's Power
All right, so maybe I lied about there only being three magic systems in this book. It comes down to how you term the powers of Preservation and Ruin, who kind of blanket the entire system. There are a lot of things going on here, and—well, the truth is I don't want to mention all of them, for fear of spoiling future books. However, I'll give you a few rules to apply.
First, to these forces, energy and mass are the same thing. So, their power can take physical shape—as Preservation's did in the bead of metal Elend ate. Second, there is a bit of Preservation inside of all the people—and it's this that allows the people to perform Allomancy. It needs to be awakened and stirred to be of use, but when it is, a proper metal can draw forth more of Preservation's power. It's like the metal attunes the bit within the person, allowing it to act as a catalyst to grab more power.
Allomancy is not fueled by metal; it is fueled by Preservation. The metal is the means by which a person can access that fuel, however. If there were another way to access it, then the metal wouldn't be needed.
Preservation's touch on people differs. Some have more, some have less. This doesn't make them better or worse people—indeed, some most touched by Preservation have been among the worst people in the world. As Ruin later points out, there is a difference between being evil and being destructive.
Regardless, if a person can get more Preservation into them, they become better Allomancers. Hence Elend becoming a Mistborn. Like all people, he had the potential within him—it was just too small of a potential to be awakened through normal means. That little jolt of Preservation's body, however, expanded and awakened his Allomancy.
As a tidbit, that was a side effect of what that bead of metal did. It wasn't the main purpose of the bead, and if another Allomancer were to burn it, it would do something else.
What would happen if Allomancer was also an Awakener and Awakened metal he'd burn?
If he did that, he’d get Allomantic power and also get back the Breaths used in Awakening the metal.
Vasher Fights the Soldiers and Finally Pulls Nightblood
In my annotations, I've often talked about focus scenes. These are the scenes of a book that I imagine cinematically before I sit down and write the novel. They're part of what drives me to want to work on that book in particular, and I need a few really good ones before I'll write a book.
This was one of the primary focus scenes for this book. I had this in mind before I developed a lot of the rest of the story. I'm glad that I was able to write to a point where I was able to use it. Vasher, Awakening a rope to save himself, then fighting alongside Awakened sets of clothing. Then finally, at long last, drawing Nightblood. You probably knew that had to happen in this book. I certainly built up to it long enough.
I originally imagined the pulling of Nightblood from a body a little like a dark "sword in the stone" moment. I don't think that quite made the transition to the final book, but hopefully the image of a black sword leaking smoke is visually potent for you. I ended the scene in my head with Vasher standing amid those puffs of black smoke that used to be bodies, Nightblood at his side, feeding off of him with pulsing black veins.
Vivenna and Vasher Talk about What to Do
One of the biggest revisions to the ending was what to do with the D'Denir. When first drafting the book, I wasn't 100% sure on what Awakening could and couldn't do. I figured that Vasher could have Commands that would Awaken statues, and I wrote the ending that way.
Unfortunately, through revising and developing the story, this ended up not being viable. I was also disappointed in how poorly telegraphed the use of the statues ultimately ended up being. So in revisions, I switched it to make them Lifeless created from bones, something special that Vasher came up with during the Manywar. I then added the concept of Kalad's Phantoms as a mystery in the book, so that readers would be expecting that army to show up by the end. I think this mitigates the surprise somewhat. (Though not completely; see below.)
Is the act of taking up a shard parallel to the act of Awakening? In broad strokes awakening gives a piece of a soul for power along with a purpose or compulsion. So, say, when someone takes up Ruin, are they operating on the same principle, taking a fragment of Adolnasium's 'soul' along with the command "ruin things"?
You could make this parallel, and argue it to many of the cosmere-aware scholars in the books, and they'd find themselves nodding.
Naming Vasher
Vasher's name has interesting origins. I first began toying with the ideas that became Warbreaker back in 2005. I was hanging out with my then girlfriend (not Emily, but Heather, the girl I dated before I met Emily). We were up at Heather's family's cabin in Island Park, Idaho, and I had just met her father for the first time. His name was Vance.
The name intrigued me. Yes, I'd heard it before, but for some reason at that moment it struck me. Later that day, sitting on the dock of the lake, I pulled out my notebook and began to play around with ideas for a story. I tweaked the name to Vancer, but that just didn't sound right, though I used it for a while. The next incarnation was Vasher. [Editor's note: Brandon had earlier used the name Vasher in 2003 for a different character in the draft of another novel, but he had completely forgotten that by the time he wrote this annotation.]
I began doing some preliminary prose writing, plugging in a magic system I'd been working on. (I'll talk more later about how I came up with Awakening.) It became a story about a guy who was thrown into prison, then used his Awakening magic to get out of it. (Along with the help of his longtime sidekick, whose name escapes me right now.)
It wasn't very long. I'll have to dig it out sometime—it's only handwritten and wasn't something I ever intended to publish. Just a quick character sketch. It did have the first line, however, of what eventually became this book: "Why does it always have to end up with me getting thrown into prison?"
How does liquid metal interact with allomancy? (e.g. mercury)
Right, right. I’ve always imagined it working like a ferrofluid in a magnetic field. You can pull and push on it, but it’s going to be weird and goopy. I haven’t had reason to push and pull on mercury yet, or any of the other liquid metals.
Chapter Twelve
Lightsong Hears Petitions
The concept of petitions—and the gods being able to heal someone one time—grew out of my desire to have something about them that was miraculous. Something obvious, something more than just an ability to make vague prophecies. Their Breath auras are amazing, true, but an Awakener with a lot of Breath can replicate that.
I took the idea of being able to die in order to heal from an idea discarded from Elantris. If you look at the deleted scenes (Caution: Spoilers for the ending of Elantris), you can read about how there was originally a subplot to the story where the Seons (the floating balls of light) could expend the Aon at their center and create a miraculous event one time. However, doing so would kill them. I eventually ended up not using this plot structure in the final draft, and so I cut all references to this ability from the book. I felt that it was too contrived in that novel.
I've always thought it was interesting conceptually, however, so I developed it into this book as an aspect of Returned that makes them different. They can create one miracle—and in this world, that one miracle has to be a healing. They can expend their divine Breath to heal someone.
This created another problem for readers, however. It became very difficult in the book to explain to them that a Returned could still Awaken things—but not by using the Breath granted to them by their Return. In other words, if a Returned gained a hundred extra Breaths, they could use them just like anyone else's. But if they give away the Breath they start with, it kills them.
Every person starts with a Breath. Well, Returned start with one too—a divine Breath that can be given away to heal someone else's Breath that is weakening and dying. That's what these petitioners are asking for.
But regular Breaths, they can give those away. They just have to be tricky about it.
Mab the Cook
If it sounds to you like Mab knows a lot about Awakening and Hallandren, then you've picked up on something. Mab actually used to live in T'Telir. (She was born in Idris, but ran away during her teens.) During her twenties, she was a courtesan of some repute in the city. She had some fairly high-profile clients—so she was more than just a poor, street-corner prostitute. She fell in love with one of the men, however, and he convinced her to give him her Breath. Then he left her.
As a Drab, she had much more trouble finding work. She'd lost a bit of her sparkle, and whatever she'd used to capture the hearts of men, she'd lost that too. She ended up as a madam, running a much poorer whorehouse, using her old contacts and reputation to get clients.
As soon as she made enough, she bought another Breath and returned to Idris, where she got a job in the king's kitchens. To this day, she bears a lot of ill will toward the Hallandren upper crust, and Awakeners in particular.
In this scene, there are some small hints of what it was like during the Manywar—with people Awakening ropes to toss boulders and things like that. It was a pretty dramatic conflict, the first one where Lifeless and Awakeners were put to a great deal of use in battle.
Life Sense as Part of the Magic
The ability of the Heightenings and Breath to give people an added dose of life sense was part of my attempts to make Awakening, as a magic system, feel more visceral and real. Allomancy is a great magic system, but I wanted a different feel here. In Allomancy, the powers granted are more like superpowers; with Awakening, I wanted something that felt . . . well, closer to what people already do.
Perfect pitch and perfect color recognition are two things that I think resonate this way; the ability to bring inanimate objects to life may seem wildly superpowerish, but I think it's a part of our own superstition and mythology—or at least the superstition and mythology of our past. Life from things inanimate, like spontaneous generation, was long assumed as something real. Witches were often thought to be able to bring sticks or bundles of cloth to life.
I think that there's still a lot of superstition in our modern world regarding how it feels to have someone watching you. We are more aware of our surroundings, sometimes, than we realize. I think we attribute a supernatural connection to some of these things. Who knows? Maybe there is one. I don't know, perhaps I've got a bit of it myself.
Enhancing this and making it part of the magic was a way to get the visceral feel I was looking for. It also plays off the idea that by giving up your Breath, you give up part of your life. The fact that Drabs can't be noticed by life sense allows me to show that they have taken one more step toward being objects themselves.
BioChroma. It turns objects into living things, but turns living things into objects as well.
The God King Approaches Siri in Bed
Siri wonders why the God King wears black, rather than white—which his BioChroma would distort. The answer is simple. To Awakeners, black is a symbol of power. It's a fuel, a color that can be used for Awakening. White, however, is useless. So to wear white would be foolish, except in certain cases where the priests want to prove how powerful the God King is by letting him dynamically bend the light. So while he occasionally appears in white, his everyday attire is black.
His ability to bend light into the prismatic colors, by the way, was added about halfway through the first draft. I wanted a stronger visual indication of someone who had reached the top Heightenings, and I like the imagery associated with it.
Prologue - Part Three
Vasher Awakens the Cloak
He doesn't end up using it. A lot of people point this out. Him not needing it was intentional. I know it raises a question in the prologue, and seems kind of useless, but it's there to give some added depth to the scene and the magic. Plus, it was just a smart thing to do. Awakening the cloak to protect him was a precaution—one that didn't end up being needed, but one of the things that annoys me about books is when every single thing the heroes do ends up being important, useful, or even a hindrance. Sometimes you pack yourself a lunch, but then just don't end up needing it.
Hey, Brandon, is there any chance you could tell us something about Nightblood? I'd definitely love to know more about it/him/her.
Also, I recently went through the Warbreaker annotations and found the part where you mentioned that had Lightsong not done what he did, the Hallandren would have been destroyed by the Idris in another Manywar, with the latter having obtained Awakened blades from Yesteel.
Did Yesteel gain the ability to create Awakened swords from Shashara's own research, or did he discover it independently?
These are questions that I intend to answer in future books, I'm afraid. So RAFO. (sorry.)
Chapter Thirty-Three
Vivenna and the Mercenaries Wait in the Safe House after the Lifeless Attack on the Slumlords
Why does Jewels bother sewing up Clod? Why fix Lifeless at all? Denth's answer is a fairly good one, but it could use some more explanation.
You see, when one makes a Lifeless, the reason the Breath stays and won't come back is because the body of a recently deceased person is too "sticky" for Breaths. One Breath attaches to it, and because the body so clearly remembers being alive, it can use that Breath to power it. (Assuming you have the right Commands and can picture them correctly in your head when you make the Lifeless.)
However, the more the Lifeless is damaged, the less like the shape of a living person it is, and the more difficult it is for the Breath to keep that body going. Powering a body with only one Breath is hard—it requires the body to work mostly on its own. When you power a cloak or something like that, the Breaths need to provide a lot of energy, since there's no real muscles to use or skeletal structure to rely on.
So the more wounded a Lifeless becomes, the less well its Breath can keep it going. Eventually you'll need to stick a second Breath into it, then a third, all the way up until that Lifeless is nothing more than a bunch of bones you've Awakened. At that point, you might as well be using sticks or cloth.
Can I ask you about the body of a Shard in the Physical Realm? About the different states of matter. What determines the state of matter that they are in? Because I've been reading the bits very carefully, and I haven't noticed much in terms of temperature difference.
The idea for me working on this was that they transcend-- They permeate everything, right? They permeate all life on all the Realms. And that there are manifestations of them that leak out, and it's kind of like they make-- they appear there in the various states but-- When you say that you've got the gas, you've got the liquid, you've got the solid: but you've also got inside of you, and inside of that plant, and like-- they're everywhere. And so what determines it? In my head it's just like when some of that power permeates, some of it distills, just like water. There's some water in the air, there's some that freezes: that's temperature. But it's not always temperature whether it's in the air, or whether it's falling. Imagine a Spiritual version of humidity, that is influenced by what's happening on the Spiritual Realm and the Cognitive, and that's what you'll get.
Can we expect to see a fight between a Windrunner, an Awakener, and an Allomancer in one of the Stormlight books?
I've said before that it's unlikely that the Stormlight books will ever delve strongly into the connections between worlds. There will be some cool things happening for the cosmere-literate, but this series isn't focused on those concepts. I want it to maintain its plot cohesion for those who aren't aware of all of the behind-the-scenes stories.
Epilogue to Book Two should excite you, though.
The Tunnels
The tunnels become a focus for Lightsong, though the truth is that they're not as important to the case as he thinks they are. Yes, there are things to be learned from them. Bluefingers has sequestered a large group of mercenaries down in a secure chamber under there. He's also begun using Pahn Kahl Awakeners (yes, there are some) to Break some of the Lifeless. The tunnels are central to his plot of getting into the God King's palace at the end of the book and securing it.
But Lightsong doesn't know any of this, and doesn't figure out most of it during the course of the book. (It's left for the reader to infer.) Lightsong's fixation with the tunnels is driven partially by the visions he's been seeing at night, which include the tunnels and his discovery of Blushweaver being captured. He's made a subconscious connection.
Hoid has never drawn his sword on Roshar, which looks similar to Nightblood. Is Hoid's sword also Awakened?
That is a RAFO, I'm afraid!
Vasher Kills
As I said, he has a temper. He tends to lose it when he fights. He's not a berserker or anything like that; he simply lets his passion get in the way when he's in battle. It makes him worse at fighting, particularly when dueling. It also makes him a lot more dangerous sometimes.
Vivenna looking back at him, his hand on Nightblood's hilt, slowly pulling it forth as the bodies lie around on the ground is one of my favorite scenes in the book.
This is how Vasher lost his Breath before, by the way. If you recall, he began the book with barely enough to Awaken in weak ways. He remembers having much more Breath. Beyond feeding on one Breath a week, slowly eating away his supply, he drew Nightblood a few months back. That drained away his Breath and left him with only a few remaining. As for who he killed that time . . . I'm going to hold off on saying, just in case I decide to incorporate it into a future book.
Can you give away a Divine Breath to another human? If so would they have the same powers as a Returned or would they just 'store' it like an inanimate object that Breath is stored in when not Awakened? Does a human require a 'crack' in their spirit web to receive a divine Breath?
So, a Divine Breath-- you're kind of going along the wrong direction on that line of reasoning. Divine Breaths cannot be transferred. When they are used they immediately become kinetic Investiture and are activated. This manifests normally as healing the person, both body, mind, and soul, but you can't give it up, transfer it in the same way you can regular Breaths.
In the Death Rattle, "In the storm I awaken, falling, spinning, grieving," have we seen it on screen?
Not yet.
So in Mistborn, you have to be 'snapped' to awaken Allomantic abilities. Similarly in Stormlight, you have to be 'broken' to release Surgebinding powers.
Are there any connections between these two requirements? Does it have anything to do with the 3 realms?
Yes and yes.
A little history on the tunnel complex. It was begun many years ago by some gods who wanted to have a secret way to get between each other's palaces. They had to get funds for that, however, and so the God King's steward before Bluefingers (who was also Pahn Kahl) heard of it and was intrigued. Even back then, plans were being laid. He realized that a secret way to get in and out of the Court of Gods would be very useful, so he began to hint to the priests he knew that they might want tunnels themselves. They were very useful in arranging clandestine meetings of the political type, and so some priests got their god to agree to tunnels. They didn't realize that they were playing into the Pahn Kahl steward's plans.
Bluefingers continued this work, carefully diverting funds from the projects secretly, then using the digging to mask digging in other places as well. Few priests paid attention to the workers down there, and within several decades, the workers could enter and leave even without passing through the court above. The priests liked having secret ways to enter the court themselves, though most had safety features—like the grate at Mercystar's place—installed. They saw no danger in the tunnels; they've always been too confident of their safety in T'Telir. They didn't realize the extent to which Bluefingers would eventually be able to manipulate the tunnels to bring in mercenaries and Pahn Kahl Awakeners to slowly begin breaking the Lifeless soldiers.
Someone tries to Awaken a carrot, and eats it. What happens to the Investiture?
The Investiture will be released into the Spiritual Realm like most Investiture that is destroyed.
First, just please tell me anything about Nightblood--the book or the Type IV Awakened object. Or Warbreaker--the book or the Type II...
All right. My current plot for the book Nightblood. It's really minor, but it involves Darro entering the cosmere officially. He is a character from Aether of Night... He's a side character in that that I've always wanted to work into this main continuity, the real continuity, so he's coming.
After finishing Oathbringer I started a reread of Warbreaker and noticed something.
Page 427 of Warbreaker:
Susebron: "Didn't you eat before you came to my chambers?"
Siri: "I did, but growing that much hair is draining. It always leaves me hungry."
Sounds similar to our favorite Edgedancer, but I thought she was supposed to be one of a kind on the whole getting Investiture through food? I'm assuming the Royal Locks have something to do with Investiture.
FWIW, i asked this question in my Warbreaker book and got RAFO
So in war beaker Siri is able to convert food directly into hair growth through the Royal Locks, we know that the Royal Locks are somehow related to investiture, so my question is, can Siri/Viv convert food into investiture to use in Awakening (or Surgebinding or any other uses of magic in the cosmere) similar to Lift and her awesomeness.
As far as I know, you were the first to catch on to this. (Or at least ask about it) so that should be a very proud RAFO. There is something here, but it's not as deep as you might assume.
Was Nightblood black before being awakened by Shashara?
No.
So were the Dawncities, the ones based on cymatic patterns, created using a supercharged combinations of the Surges of Cohesion and Illumination? Using Cohesion to make the ground liquid and using Illumination to create the frequency.
You are theorizing in the right direction.
Vasher uses Awakening in a very interesting way, off-stage, to modify the memories of the girl he rescues. Can Hemalurgy do the same thing if used carefully?
*long pause* No, I don't really think that it can. Nobody has asked that before, but just looking at the way the magics work, I don't think that is something that Hemalurgy is capable of doing.
Nightblood and Vasher Interact as He Sneaks into the God King's Palace
Note that Nightblood is capable of more change than Vasher assumes. Vasher has a bit of a blind spot when it comes to Nightblood. He makes assumptions he wouldn't make regarding other people or elements of Awakening. It's hard for him to regard the sword without bias. If you want to know more about this, read the sequel. (Er, if I ever write it.) Which is tentatively named Nightblood.
In the spirit of my obsession with Nalthis (please Nalthis novella please) - We know you can store Breath in highly Invested things without Awakening them. Can you store Breath in aluminum?
I'll RAFO Breath and aluminum for now.
I saw an interview of you talking about Way of Kings before it came out/before I read it. In the interview you mentioned the ten knights and each book will focus/be about one of the knights. After reading book one I can honestly say, I have no idea which Knight was supposed to be in book one. Is this by design? Or did I miss the point?
I'm not sure what the question means. Do you mean the Heralds? Or the ten orders of the Knights Radiant? The symbol stamped into the front of the first hardcover represents the Windrunners because of Kaladin's awakening as a Windrunner. Also because of Szeth, but mostly because of Kaladin.
Would a lifeless Koloss still be super strong?
You see, what is happening to create a koloss is a human soul is taken, sliced up, and sutured back together--with the spikes being the "stitches" that holds it all together. That's a problem, since the various forms of investiture don't play very well together. In Awakening, you're basically giving something a counterfeit soul. (But without the skill or knowledge of something like an Essence Mark.)
This means that in investing the corpse of the koloss, you have troubles. It's going to want to snap back to the original human shape and strength. If you COULD overcome this, then yes, it would be stronger.
Vasher and Denth's Climax
I wanted to offer Denth the chance for redemption here, though there was no way he was going to let himself take it. His response is honest. He doesn't feel he deserves it. He has done terrible things; to wipe away the memory of them would be cheating. Better to just get it over with.
There's a very good chance that after killing Vasher, Denth would have walked over, picked up Nightblood, and let the sword drain his life away. He wouldn't have been able to live with the guilt.
But that doesn't happen. When I first designed this magic system, I added to it the idea that taking a lot of Breath shocks you and sends you into a small seizure of pleasure. This is lifted from the magic system in Mythwalker, the story from which I drew Siri and Vivenna. I added the component to Awakening not only because it fit, but because I liked giving one more little nod to Mythwalker.
However, the moment I began writing it, I knew that this twist of giving someone Breath, then killing them, would be an awesome way to pull a reversal with the magic. So I built into the story the entire arc of Vasher beating Arsteel mysteriously, and Denth wanting to duel him to prove that he couldn't win a duel.
Denth was right. Vasher cheated.
Has anyone other than the Five Scholars and Vasher Awakened Steel?
*photo pause* Not that Vasher knows about. And if he doesn't know about it, then there is a decent chance [that it never happened].
What command would you have to give to an Awakened object like Nightblood in order for it to not go insane?
I am going to RAFO that about Nightblood, but - is Nightblood insane? It just has no concept of... It was commanded to do something it was not equipped to judge. I would not call Nightblood insane. I would say that you have commanded something with no concept of morality to make moral decisions, and that's very confusing to him.
Could an awakened sentient object (e.g Nightblood) bond a spren?
Technically but the specific circumstances you would need are so bizarre, in practice no.
Vasher Explains the Different Kinds of BioChromatic Entities
This is a scene I'd been waiting to write for almost the entire book. Not just because I wanted to get into the scientific rules for Awakening, but because I wanted to pull a good reversal for Vasher. When he begins talking like this, I hope that the reader responds like Vivenna: Who is this guy?
A lot of readers, my editor included, resisted the term BioChroma. They wanted me to simply use Breath, as they thought BioChroma was just too scientific sounding. I like this concept, however. I want people to read the book and think it sounds scientific. My novels, my magic systems, have a kind of "hard magic" sense to them. I want there to be an edge of science to them, a feeling that people are studying them and trying to learn about them using the scientific method.
Vasher's explanations here are dead on. He's got a lot of good information, and he has a handle on what he doesn't understand. That alone should be a big clue about who he is. The fact that he never has to trim his beard is another one.
