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Skyward San Francisco signing ()
#151 Copy

Questioner

When are you going to tell us about your Secret Project?

Brandon Sanderson

Well, I have an NDA that I have signed, which says I will not tell people what it is. So, because of that, I'm staying just far away from it. I have said before, I'm letting them announce it when they want to announce it. It will be announced probably, and released, before the end of the year, is my expectation. I can't say anything else. Even if you guessed right what it was, I would have to say, "I don't know." Or "That sounds like it would be fun." But I will have to imply that I don't have any idea what you're talking about, even if you guess right.

Children of the Nameless Reddit AMA ()
#152 Copy

huriel19

It's clear that Davriel is a Dimir aligned character but I find Tacenda a little bit harder to read (my closest assumption it's Boros). If she would be printed in a future which color combinations would she have?

Brandon Sanderson

I'd make Tacenda G-W-R. Green for her belief in fate, and for the power of the Entity. Red for her passion and music. White for her belief in, and protection of, her community.

The Hero of Ages Annotations ()
#153 Copy

Brandon Sanderson

"Then you have doomed us all."

We can finally explain the Lord Ruler's final quote, given at the end of book one and then quoted again in this chapter. "You don't know what you've done," he said. "You've doomed yourselves." (Or, at least, something like that. I hate it when I misquote myself, but it happens a lot.)

He knew that the power would soon return to the Well, and he'd been planning how to resist Ruin. Yet he knew that Ruin would try something—something to stop him, to destroy him. The Lord Ruler wasn't expecting it to come in the form of a rebellion to overthrow his empire and kill him, but he was expecting something.

And so, as he lay dying, he realized what had happened. He knew that Ruin must have orchestrated it—the timing was too perfect. He knew what was coming, and that it would probably mean the end of the world.

Doomed indeed. Another nice connection back to previous books here with Vin's quoting of that.

DragonCon 2019 ()
#154 Copy

Questioner

I know that normally Davriel, when he steals a spell, he can only hold it for a short period of time.

Brandon Sanderson

As long as he doesn't use it, he can hold it longer. The first time he uses it, it starts to fade.

Questioner

OK, because he may have stolen a particularly powerful spell from a certain...

Brandon Sanderson

An Elderspell. Yeah, it won't be a couple days. He can hold onto those for longer.

Children of the Nameless Reddit AMA ()
#156 Copy

Aurimus_

As a worldbuilder, I love digging into worlds I wouldn't experience otherwise - DnD setting guides, wikis and the like. From the chapter released on io9 already, and what I've seen on various reddits discussing your novella, it feels like MtG has a massive world behind it too (someone described MtG as very similar to the Cosmere?)

First off, will your novella be suitable for someone like me who has never actually dug into the MtG lore before? And secondly, where would you say a Cosmere fan should begin digging into the lore here? What are your favorite worldbuilding elements? Have any inspired elements in your stories? (Cosmere or otherwise)

Brandon Sanderson

Yes, this novella will be suitable for someone who knows nothing about the lore. I wrote it expecting most wouldn't know anything about it.

If you want to dig into MTG lore, the various MTG wikis talk a lot about the world and lore--but you could do worse than just reading the other stories on Wizard's website, as a lot of them are well done.

My favorite MTG worldbuilding elements tend to be their visual worldbuilding--they have a lot of artists, and much of what they come up with is beautiful. It's a lot of fun to just go to Gatherer (the website with all the archive of cards) and pick a Set (like Innistrad) and read the flavor text at the bottom of the cards. (They are quotes or things in-world. Not every card has them, but much do.) That, with the art style, can tell you an entire story on its own.

I've been playing MTG since I was in high school, so I'd say my writing was probably influenced by it a lot--but I don't know if I can name any specifics.

Children of the Nameless Reddit AMA ()
#157 Copy

drostandfound

Is the similarity between an entity and a Shard intentional? They both are objects of great power that allow their holders to move between planes and try to twist the holders personality.

Brandon Sanderson

Yes, this is intentional. When Notch designed a card, I liked that he had a nod to his own creation in it. I wanted to bring something that would have a "Brandon Sanderson Lore" feeling to MTG, kind of in the same way.

Tor.com Q&A with Brandon Sanderson ()
#158 Copy

Locke219

Can Returned have children? If so, who was the first Returned to do so?

Brandon Sanderson

I'm going to have to RAFO that one because it's a big RAFO question for the world. In-world, it is believed both that they cannot and that they can. Mythology speaks of it happening, yet many Returned by their own experiment have not been able to have children.

Footnote: Brandon does confirm in the annotations for Warbreaker that it is possible for Returned to have children, but there are certain requirements that are not currently known.
Hero of Ages Q&A - Time Waster's Guide ()
#159 Copy

Tyran Amiros

What happened to Kwaan? I was half expecting to see him amongst the kandra First Generation.

Brandon Sanderson

Kwaan went into hiding, and he was eventually discovered and executed by Rashek. He wasn't among the First Generation, though he would have been if he hadn't turned against Rashek. Rashek kept the plate, however, just as he kept Alendi's logbook. Partially because even then, Rashek was going a little mad, but partially because of the reminders about his old life they contained.

Vegasdev

I'm assuming you meant Alendi hunted him down because he turned against Alendi. Or did Kwaan also turn against Rashek?

Brandon Sanderson

No, I meant that he turned against Rashek. Remember, the members of the First Generation were offered immortality in exchange for their Hemalurgy. They had to make this choice for all of the world's Feruchemists. Because his uncle had been the one who gave Rashek the chance to become the Lord Ruler in the first place, Rashek blessed him and included him in the decision. (Speaking directly into his mind along with the others during Rashek's moment of ascension.)

Kwaan was the only one who turned down this offer, calling it a betrayal of who they were as a people. Rashek could have just made him one anyway, but in a moment of anger, he tried to destroy Kwaan—which he couldn't do, not with Preservation's power. As the other Feruchemists changed, Kwaan remained the same. Rashek eventually hunted him down and killed him.

General Reddit 2018 ()
#160 Copy

Leveros

So as I was rereading Mistborn, I realized something that I hadn't deemed important before. Assuming that Rashek doled out the original Allomancy beads to create the first Mistborn, who did he give them to? Obviously, he couldn't give them to his fellow packmen because then they would have the same compounding abilities as him. Additionally, it stands to reason that he would not have given the beads to any of Alendi's entourage because of his deep-seated hatred for all things Khlenni. All in all, I'm just confused about the actual origins of the noble houses.

Brandon Sanderson

I actually intended to dig into this in the video game--which happened several hundred years after the event, but which would talk about the origins of the houses and things like that. It's possible we'll still do this some day.

Phantine

Did you end up doing a lot of writing for the game before it got cancelled?

Depending on how much there is, it seems like handing it to Crafty for them to make a RPG module could make sense.

Brandon Sanderson

No, I didn't--but I had a lot of ideas.

My current goal is to hand it over to Ben (who does a lot of the artwork for Stormlight Archive) and see if we can turn it into a graphic novel. (Note that we wouldn't start on this until White Sand is done, though, as I don't want to have TOO many projects in the works at once.)

Tor.com The Way of Kings Re-Read Interview ()
#161 Copy

Isilel

Does military service raise one's nahn/dahn?

Let's say somebody from a very low nahn, who is basically a serf, right? I mean, they don't have the freedom of movement. So, what if a man like that rises to a sergeant and serves 25 years with distinction, does he go back to being a serf when/if he retires from the military? Would he be required to return to his village/town of origin? Can something like this be properly controlled, even? I mean, do they check traveling people's papers?

Brandon Sanderson

There's a lot of parts to this. Rising within nahns and dahns happens more easily in Roshar than rising in social status did in most societies that had similar things in our world—for instance India, or even England. To an extent, it is very easy to buy yourself up a rank. What you've got to remember is the very high ranks are harder to attain. By nature, the children of someone of a very high rank sometimes are shuffled down to a lower rank—until they hit a stable rank. There are certain ranks that are stable in that the children born to parents of that rank always have that rank at as well. Your example of the soldier who serves with distinction could very easily be granted a rank up. In fact, it would be very rare for a soldier to not get a level of promotion if they were a very low rank—to not be ranked up immediately. The social structure pushes people toward these stable ranks. For the serf level, if you're able to escape your life of serfdom and go to a city, often getting a job and that sort of thing does require some measure of paperwork listing where you're from and the like. But if you were a serf who was educated, that would be pretty easy to fake. What's keeping most people as serfs is the fact that breaking out of it is hard, and there are much fewer of those ranks than you might assume. The right of travel is kind of an assumed thing. To be lower ranked than that, something has to have gone wrong for your ancestors and that sort of thing. There are many fewer people of that rank than there are of the slightly higher ranks that have the right of travel. It's a natural check and balance against the nobility built into the system. There are a lot of things going on here. Movement between ranks is not as hard as you might expect.

Isilel

Ditto with the lighteyes—does exemplary service raise one's dahn?

Brandon Sanderson

It's much harder for a lighteyes, but the king and the highprinces can raise someone's dahn if they want to. But it is much harder. In the lower dahns, you can buy yourself up in rank. Or you can be appointed. For instance, if you're appointed as a citylord, that is going to convey a certain dahn, and you could jump two or three dahns just by getting that appointment. Now, if you serve poorly, if a lot of the people who have the right of travel leave—which this doesn't happen very often—if your town gets smaller and you're left with this struggling city, you would be demoted a dahn, most likely. If a lot of the citizens got up and left, that would be a sign. They could take away your set status by leaving. That’s something that’s built into the right of travel. So these things happen.

Isilel

If parents have different nahns/dahn's, how is child’s position calculated? For instance, if Shallan had married 10-dahner Kabsal, what dahn would their children belong to?

Brandon Sanderson

The highest dahn determines the dahn of the child, though that may not match the dahn of the highest parent. For instance, there are certain dahns that aren't conveyed to anyone except for your direct heir. The other children are a rank below. I believe that third dahn is one of the stable ranks. If you're the king, you're first dahn. Your kid inherits. If you have another kid who doesn't marry a highprince, and is not a highprince, then they're going to be third dahn, not second, because that's the stable rank that they would slip down to, along with highlords and the children of highprinces.

Isilel

Or, and another thing—what happens if a lighteyed child is born to darkeyes or even slaves? Which should happen often enough, given that male nobles seem rather promiscuous. Anyway, are such people automatically of tenth dahn?

Brandon Sanderson

The situation is very much taken into account in these sorts of cases. Normally—if there is such a thing as normal with this—one question that's going to come up is are they heterochromatic. Because you can end up with one eye of each color, both eyes light, or both eyes dark. That's going to influence it a lot, what happens here. Do you have any heirs? Was your child born lighteyed? This sort of thing is treated the same way that a lot of societies treated illegitimate children. The question of, do I need this person as an heir? Are they born darkeyed? Can I shuffle them off somewhere? Set them up, declare them to be this certain rank. Are you high enough rank to do that? Are you tenth dahn yourself? What happens with all of these things? There's no single answer to that. The most common thing that's probably going to happen is that they are born heterochromatic. Then you're in this weird place where you're probably declared to be tenth dahn, but you may have way more power and authority than that if one parent is of a very high dahn, just as a bastard child in a royal line would be treated in our world.

YouTube Livestream 3 ()
#162 Copy

Brandon Sanderson

The publisher who's doing Isaac [Stewart]'s Monsters Don't Wear Underpants book came to use and said, "Hey, we really like this story in Oathbringer of The Girl Who Looked Up." And they said, "We think this would make a nice children's book." And Isaac knows way more about children's books than I do. And he suggested it needs some revisions to actually work as a children's book. And I suggested some revisions. And he's like, "These probably aren't actually going to work for the children's book." And he suggested some revisions which did work. And so I just said, "Isaac, you just take it over." So it's going to be co-authored by us. The first thing that's, like, officially co-authored. (Except we did get the Nicki Savage story.)

Theoretically, we will sometime... still years away. But we'll have a picture book of The Girl Who Looked Up that takes my writing from the book, Isaac adapts it so it works as a children's book, and then art directs hiring out to get the artwork done. So that will be the first thing you can actually buy from the both of us.

Isaac Stewart

Probably, yeah. I think we're looking (and it may have been in the State of the Sanderson) some time in 2021. It really depends on when the art and when the writing comes together. But we're in the middle of that process right now.

Brandon Sanderson

I've warned Isaac that Book Four has a really good one that'll work pretty well, as well.

Hero of Ages Q&A - Time Waster's Guide ()
#163 Copy

Tyran Amiros

How/why did you decide to go with Sazed as the epigraph author? I'll admit I was absolutely positive it was going to be Rashek, if only because of the parallelism (ancient story in epigraphs/modern story in text).

Brandon Sanderson

I chose Sazed because I felt that Rashek would have just been too obvious. I wanted this book to look toward the future, particularly with the ending. The epigraphs have been a fun and unique part of these books, and I wanted to make sure the ones in the third book were as good as the ones in the first two books. Also, there's a theme—there's always a secret in the epigraphs. In the first one, it's that Rashek was really the Lord Ruler. In the second book, it was the textual changes hinting that Ruin was manipulating the prophecies. In the third book, I wanted to have an equally surprising reveal to the epigraphs, and knew that it had to be something different from the other two. Hence Sazed. (Plus, I really wanted to dig into answering some world questions that I felt couldn't be answered by anyone other than Sazed.)

Arched Doorway Interview ()
#164 Copy

Rebecca Lovatt

I'm going to skip asking you to tell us about yourself, I think you're already fairly well known. But are there any stories about yourself that readers wouldn't know?

Brandon Sanderson

Oh, I'm sure there are tons of stories about myself. The one my dad told at my wedding is a fun one. My parents, like any normal people, will occasionally let certain words slip through their lips around their children that they probably don't want their children repeating. I was 4 or 5 and I had learned to say, from my father, certain expletives. And I walked around saying them all the time. So my parents had to sit me down and say, "Ok we don't say these words because they are bad words." So I said, "All right, I got it."

I'm a Mormon, and in the LDS church children are assigned to talk in their own meeting. Your talk is like 30 seconds when you're a 5-year-old, and you're just supposed to get up and say, "I like Jesus," and that's the end. But I decided I would talk about these words, with nobody knowing, even my parents. So I got up in front of all the little primary kids and I said, "We don't say 'oh rust' because it's a bad word." And then I proceeded to talk about all the bad words I knew-to the other kids. That was my talk.

So there you go, Brandon swore from the pulpit in Mormon church when he was a kid.

Rebecca Lovatt

Well done, corrupting the youth.

New York Signing ()
#165 Copy

Brandon Sanderson

When I was a teenager, I volunteered at a library. And I remember... We didn't have the YA section back then. At least it hadn't hit Nebraska yet. Maybe the fancy places like New York had one, but we didn't. And I remember working there, and when they got the Anne McCaffrey books, they had me go shelve them in the children's section. I'm like, "Anne McCaffrey is not a children's author. Anne McCaffrey is real science fiction! Not even fantasy, it's science fiction!" And I was all uppity about it. The reason the librarian said was, "This is what the teenagers want to read. And this is where they go."

And I love, despite kind of sounding maybe down on it a little bit earlier, I love the idea of the YA section. The whole idea for the YA section is to create a safe haven for the teen readers, or those who didn't want to go in the children's section, but at the same time might be intimidated by the big, thick books in the adult fantasy and epic section or some of the other adult sections. You've got this kind of nice safe haven where, I think if I would have had that as a teen reader, it would have been a bit easier for me to get into reading.

Someone handed me Tolkien when I was very young. And Tolkien... I was a reluctant reader. I didn't read a lot when I was a kid, unlike a lot of writers. And Tolkien just scared me. I started reading him, and I just couldn't do it. It was too above me. It's fantastic, I've since read it, but it just scared me off. And a lot of writing scared me off. And if I'd had this sort of thing, where people could have instead said, "Here is the Maze Runner. Here is Eragon. Here is something that is exciting and fun, but also a little bit challenging" to get me reading, I think it would have worked a lot better for me.

Alcatraz Annotations ()
#166 Copy

Brandon Sanderson

Chapter Six

Kindly pretend that you own a mousetrap factory

This mousetrap example is exactly the sort of thing I can do in a children’s book that I haven’t ever been able to make work in an adult book. I’m not sure why it feels so good in this format, while doesn’t quite fly in an adult book. Maybe it’s because when you write humor for the adult sf/f market, it seems like you can only do humor. You can’t have a hybrid story like this. Pratchett comes the closest, and I think his novels are legitimately good stories with good humor in the mix. But everyone else who writes humor seems to get dismissed as “just” humor. Their books don’t get much attention.

Here, however, I could–I thought–make a book work with good worldbuilding (if a little funny at times) and powerful characters who have actual character arcs in a book that is–essentially–a comedy. I think it’s because in the children’s field, books don’t need to be classified by genre. They already have a genre. They’re children’s books.

Either way, the humor in this book just works very well for me. It’s absurdist with a hint of satire, and it left me free to play with the form of the novel as well as the content.

General Reddit 2017 ()
#167 Copy

Shagomir

Here's the best I can do at what each of the dahns includes, without spoilers. Stuff in italics is unconfirmed but is reasonable to guess based on the information we have from the books and Brandon.

  • 1st Dahn: The King and the King's direct heir.
  • 2nd Dahn: Highprinces, their direct heirs, and the King's direct heir*.
  • 3rd Dahn: Generals?, Highlords, and the non-inheriting children of 1st and 2nd dahn lighteyes.
  • 4th Dahn: Battalionlords, Citylords, Shardbearers, and other mid-ranked nobles.
  • 5th Dahn: Companylords?, along with lower-ranked nobles.
  • 6th Dahn: Captainlords, along with the lowest-ranked nobles and landholders?
  • 7th Dahn: Lower-ranking landless officers, along with higher-ranking (or very wealthy) landless lighteyes?
  • 8th Dahn: Soldiers, along with high-ranking (or moderately wealthy) landless lighteyes?
  • 9th Dahn: Landless lighteyes with some wealth, like merchants and master craftsmen.
  • 10th Dahn: "Tenners", essentially any lighteyes who has to work for a living.

Brandon Sanderson

I'm very impressed by this list. You did a great job. Note that only the king is first Dahn under the Alethi system, however. His heir is second, until crowned. Sixth Dahn, as you've identified, is the "landed" cutoff--if you have land, even a little, you're at least Sixth Dahn.

If you were of a specific dahn (say, seventh) but were elevated by something unusual (say, you got appointed to an appointment that would raise you above this) your children will often be elevated to a rank just beneath you. So, for instance, if a tenner got a shard, he'd immediately be elevated to fourth, and his family would likely be elevated to fifth.

The only thing I'd offer a warning on is that sometimes, people shortcut "Captainlord" to just "Captain" which drives Peter crazy, and so it can be hard to pick out rank from title.

Oudeis16

That's interesting... so, is the dahn system new since Alethkar was unified? Or was it modified once they got a king? Or was it always this way, and there just used to not be someone at the 1st Dahn?

Brandon Sanderson

Kings existed in other places, and had existed in Alethkar before. (Dahn is a Vorin cultural ideal, not just Alethi.) So the system is not new, but for many years, the Alethi refused to accept a king. (Following the division of the kingdom among the Sunmaker's sons.)

Oudeis16

Oooooooh... fascinating. So, this implies that before Gavilar unified Alethkar, King Taravangian and the King of Jah Keved would both have been First Dahn, while the highest-ranked ten people in Alethkar were only Second Dahn. Interesting. In the interests of adding a few more names to the list of "known people of the First Dahn" on the Coppermind, would you be willing to confirm if King Taravangian (let's say at the start of the Way of Kings to avoid spoilers) was First Dahn?

Brandon Sanderson

Traditionally, the monarchs of city-states (like Kharbranth, Bavland, and at some points Silnasen) do not claim the first dahn. There have been leaders of New Natanan who have, same with Herdaz. Depends on how much they want to aggravate the Alethi.

Unification era, there'd be two people of the first dahn: The queen of Thaylenah and the king of Jah Keved. Non-vorin monarchs in the west would be treated like first dahn, sometimes, depending on the situation.

Oudeis16

Did we know that Thaylenah is currently ruled by a Queen, or is this a small tidbit you have just given us?

Brandon Sanderson

I'm not sure if I've mentioned it or not, honestly. Queen Fen. You'll get to meet her soon. Note that Thaylenah is kind of a plutocracy, with merchant councils holding a lot of power, which changes its dynamic a little when compared to Alethi or Jah Keved.

Shagomir

I see you may have sneakily included an explanation for the 4th/5th dahn thing I noticed in a certain father-daughter duo. I promise not to read too much into it....

Brandon Sanderson

Note that getting a Shardblade isn't the only reason someone could be elevated, and isn't the only reason why children might not be the same dahn as their parent. Most of it has to do with titles, and who inherits, and that sort of thing. The answer is probably more boring than you're hoping.

xland44

Not sure if this is entering RAFO territory, but are highprince candidates (that is, people who can be elevated to highprince status if the post is empty) only people from the 3rd dahn? Or can a 4th dahn also be elevated to highprince, for example?

Brandon Sanderson

Highprince is a tricky one, as the definition of "highprince" is a person who can convince others to call him by the title. I guess that's the same for all of them, but as highprinces tend to be near the top of the pecking order, it's more about military than anything else.

Gavilar was 4th dahn before becoming highprince, for example. His branch of the Kholin family wasn't considered a prime contender for the highprince throne--until he took it for himself.

Enasor

His branch of the Kholin family? Does this imply there are other branches of the Kholin family? Meaning, there are other Kholins elsewhere?

Brandon Sanderson

Well, not as many as there once were...

uchoo786

So if I'm understanding this correctly, before Gavilar's branch of the Kholin family started their conquest of Alethkar they conquered Kholinar?

Brandon Sanderson

Yup. (There's some minor mention of this in Book Three, I believe.)

Oathbringer release party ()
#168 Copy

Questioner

If people from Scadrial were to colonize, like, Nalthis, and not intermarry with the people there, would their children continue to have the Scadrial Investiture, or would they have the Nalthis Investiture? In the sense that, is it genetic, or is it planetary?

Brandon Sanderson

Scadrial is more genetic.

Questioner

Than Nalthis, where they have the Breaths?

Brandon Sanderson

Yes.

Questioner

So, would their children continue to--

Brandon Sanderson

Their children would continue, for a while, to have Scadrian Investiture.

Questioner

For a while. Could you say, like, how many generations?

Brandon Sanderson

I cannot.

The Hope of Elantris Annotations ()
#169 Copy

Brandon Sanderson

Holes in the Story

In any novel, there are decisions you make regarding what to put in and what to leave out. A lot of authors talk about the "iceberg" theory—that for any good book, there's a lot of story and worldbuilding beneath the surface that the author knows, but the reader never discovers. These things give weight and a foundation for the story you do see, allowing it to feel more real and more engaging because the author has thought through so much of what isn't stated.

In Elantris, there are a couple of these holes. Places where I knew what was happening offscreen, but decided that I couldn't talk about it in the book. In this novel, there were generally two reasons for these holes. One was if I couldn't get a viewpoint character into the right location at the right time; the chapter triad format earned me a lot of things, but also constrained me sometimes. At the end of the book, however, the triad system fell apart on purpose, and so I could show random other viewpoints. In the case of what was happening with the children in Elantris, however, I decided that there was already too much happening during the climax, and these sections were the ones that had to be cut.

So I knew what was going on inside Elantris when the attack by the Dakhor came. In the back of my mind, I also knew that the children were saved and protected by Dashe and Ashe the seon, kept from being slaughtered in the attack. I didn't want them to fall like the others; Karata had worked so hard to protect them, and letting the children not have to suffer through the slaughter at New Elantris was my gift to her. A kind of compensation for her own sacrifice at the end of the novel.

Elantris Annotations ()
#171 Copy

Brandon Sanderson

The scene where the children talk about art is one I nearly cut from the book on a couple of different occasions. I worry that this is one of the scenes that contributes overly-much to the "Kiin's family is out of place" feeling that people occasionally get. In addition, I worry that I made Kaise too intelligent here. Three things make me retain the scene. First, I think it's kind of amusing. The second is a spoiler, so I won't say much on it—just let it suffice that I wanted to give Kaise and Daorn some good characterization.

For you spoiler readers, those two would be the main characters of any sequel I wrote to Elantris. I'd set the book about ten years after the ending of this one.

The third reason for retaining the scene is because I put it in, in the first place, quite intentionally. Kaise, and to a lesser extent Daorn, are a small reaction against Ender's Game. When I read that book, and some of Scott's other works (which, by the way, I think are all brilliant) I got to wondering if children who were as smart as his really would act the way they do in his books. Not to disagree with one of the greatest sf minds of our time, but I wanted to take a different spin on the "clever child" idea. So, I presented these children as being extremely intelligent, but also extremely immature with that intelligence. I'm not convinced that IQ brings maturity with it, and think there's only so much "adult" you can have in a kid. So, I put in Kaise and Daorn to let me play with this idea a little bit in Elantris.

TWG Posts ()
#172 Copy

Brandon Sanderson

Folks,

I've turned my full attention back to this book, and have done a heavy rewrite of Chapter One, which helped me pound out who Midius is (in my mind at least.)  You can see the effect your comments had.  Here's the new version.  As always, comments are welcome!

Brandon Sanderson

All, here's an experimental change I'm considering for the Theus chapters (and note the new Midius chapter at the bottom of the previous page.) I think this may soften the brutality somewhat, even though it's all still there. It will make for a drastic change in feel for the king as a character, but I'm very tempted to do this instead. Reactions?

NEW CHAPTER TWO BEGINNING

It’s a bad day to kill, Theusa thought. Too cloudy. A man should be able to see the sun when he dies, feel the warmth on his skin one last time.

She marched down the dusty path, crops to her right and left, guards behind her. The men of her personal guard wore woolen cloaks over bronze breastplates. Bronze. So expensive. What farming supplies could she have traded for instead of the valuable metal armor?

And yet, she really had no choice. The armor meant something. Strength. Power. She needed to show both.

Several of the soldiers pulled their cloaks tight against the morning’s spring chill. Theusa herself wore a woolen dress and shawl, the copper crown on her head the only real indication of her station. King. It had been twenty-some years since anyone had dared question her right to that title. In the open, at least.

Her breath puffed in front of her, and she pulled her shawl close. I’m getting old, she thought with annoyance.

Behind her towered the grand city state of Partinel, circled entirely--lake and all--by a rough stone wall reaching some fifteen feet high. The wall had been commissioned, then finished, by Yornes the grand, her father-in-law. She’d married his son, Didarion, in her twenty-third year of life.

Didarion been a short time later. That had been almost thirty years ago, now.

Old indeed, Theusa thought, passing out of the ring of crops. Partinel’s trune ring was one of the largest in the Cluster, but it still provided a relatively small area in which to grow food. They grew right up to the edge of the city wall in a full circle around the city. Running in a loop around them was a narrow, earthen road. Beyond that, a wide patch of carefully-watched and cultivated walnut trees ran around the city. Her people cut down one group of trees every year and planted a new patch. It was a good system, giving them both hardwood for trade and nuts for food. In the Cluster, no land could be wasted.

Because beyond the trees, the land became white. The walnuts stands marked the border, the edge of Partinel’s trune ring and the beginning of fainlands.

Theusa could see the fain forest through a patch of walnut saplings. She paused, looking out at the hostile, bleached landscape. Bone white trees, with colorless undergrowth twisting and creeping around the trunks. White leaves fluttered in the breeze, sometimes passing into the trune ring, dusted with a prickly white fungus.

Skullmoss, the herald of all fain life. Her soldiers and workers gathered the leaves anyway and burned them, though it wasn’t really nessissary. Though eating something fain--animal or plant--was deadly to a human, simple interaction with it was not. Besides, fain life, even the skullmoss, could not live inside of a trune ring.

That’s how it had always been. White trees beyond the border, trune life within. People could go out into the fainlands--there was no real danger, for skullmoss couldn’t corrupt a living creature. Some brave cities even used fain trees for lumber, though Theusa had never dared.

She shivered, turning away from the fain forest and turning to where a group of soldiers--with leather vests and skirts--stood guarding a few huddled people. The prisoners included one man, his wife, and two children. All knelt in the dirt, wearing linen smocks tied with sashes.

The father looked up as Theusa approached, and his eyes widened. Her reputation preceded her. The Bear of Partinel, some called her: a stocky, square-faced woman with graying hair. Theusa walked up to the kneeling father, then bent down on one knee, regarding the man.

The peasant had a face covered in dirt, but his sandaled feet were a dusty white. Skullmoss. Theusa avoided touching the dust, though it should be unable to infect anything within a trune ring. She studied the man for a time, reading the pain and fear in his face. He lowered his eyes beneath the scruitiny.

“Everyone has a place, young man,” she finally said.

The outsider glanced back up.

“The people of this city,” Theusa continued, “they belong here. They work these crops, hauling water from the stormsea to the troughs. Their fathers bled to build and defend that wall. They were born here. They will die here. They are mine.”

“I can work, lady,” the man whispered. “I can grow food, build walls, and fight.”

Theusa shook her head. “That’s not your place, I’m afraid. Our men wait upon drawn lots for the right to work the fields and gain a little extra for their families. There is no room for you. You know this.”

“Please,” the man said. He tried to move forward, but one of the soldiers had his hand on the man’s shoulder, holding him down.

Theusa stood. Jend, faithful as always, waited at the head of her soldiers. He handed Theusa a small sack. She judged the weight, feeling the kernels of grain through the canvas, then tossed it to the ground before the outsider. The man looked confused.

“Take it,” Theusa said. “Go find a spot of ground that the fainlands have relinquished, try to live there as a chance cropper.”

“The moss is everywhere lately,” the man said. “If clearings open up, they are gone before the next season begins.”

“Then boil the grain and use it to sustain you as you find your way to Rens,” Theusa said. “They take in outsiders. I don’t care. Just take the sack and go.”

The man reached out a careful hand, accepting the grain. His family watched, silent, yet obviously confused. This was the Bear of Partinel? A woman who would give free grain to those who tried to sneak into her city? What of the rumors?

“Thank you, lady,” the man whispered.

Theusa nodded, then looked to Jend. “Kill the woman.”

“Wha--” the outsider got halfway through the word before Jend unsheathed his bronze gladius and rammed it into the stomach of the kneeling outsider woman. She gasped in shock, and her husband screamed, trying to get to her. The guards held him firmly as Jend pulled the sword free, then he cut at the woman’s neck. The weapon got lodged in the vertebrae, and it took him three hacks to get the head free. Even so, the execution was over in just a few heartbeats.

The outsider continued to scream. Theusa stooped down again--just out of the man’s reach--blood trickling across the packed earth in front of her. One of the guards slapped the outsider, interrupting his yells.

“I am sorry to do this,” Theusa said. “Though I doubt you care how I feel. You must understand, however. Everyone has a place. The people of this city, they are mine--and my place is to look after them.”

The outsider hissed curses at her. His children--the boy a young teen, the girl perhaps a few years younger--were sobbing at the sight of their mother’s death.

“You knew the penalty for trying to sneak into my city,” Theusa said softly. “Everyone does. Try it again, and my men will find the rest of your family--wherever you’ve left them--and kill them.”

Then, she stood, leaving the screaming peasant behind to yell himself ragged. Theusa’s personal guards moved behind her as she returned to the corridor through the wheat, Jend cleaning his gladius and sheathing it. Over the tops of the green spring plants, Theusa could see a man waiting for her before the city.

(Edit, cleaned up language.)

Brandon Sanderson

Thanks for the comments, folks.  A new version has been uploaded, mostly making minor tweaks as suggested by db.  Some good points, and the prose needed streamlining.

Dawn:

For some reason, this just feels less brutal to me.  Theusa's language is softer than Theus's had been, and I think more reasonable.  Still brutal, yet somehow it works better for me.  That might just be because I've seen (and written) too many characters that feel like Theus, and changing the character to a female (who's a bit older, and who is arguably the legitimate ruler of the city) makes them feel a lot more exciting to write. 

Gruff, Gritty, Male solder king: Feels overdone.

Gruff, gritty, grandmother king: Not so much.

I know it's more about how well the character is done, and less about whether it's been done before or not.  However, excitement on my part seems to make for a better story over-all.  So, I'm wondering if this character will be more exciting for me this way, or just much more trouble.  (I'll have to think of what to do for the next Theus chapter, for instance.  I really liked the fight there, and I can't really put Theusa in the same role.)

Brandon Sanderson

DavidB

There are, unfortunately, reasons why I have to start the book where I did.  I can't get into it without major spoilers.  You are perfectly right about this chapter lacking a hook, which is why I decided from the get-go that I'd need to start with a scene from the middle of the book, then jump back. 

So, this chapter should be considered the SECOND, and not the one that introduces Midius's character. 

My goal is to try some new things with this book.  Who knows if it will work, but they will present narrative challenges for me, because even when we flash back, we're starting in the middle of a story, with Hoid already dead.

Brandon Sanderson

I'll admit, I'm really torn on this one.  I can't quite decide which way to go.  The thing is, I've been thinking about the characters so much that they're both--Theus and Theusa--now formed in my head.  I know their motivations and their feelings, but I can only use one of them.  

With Theus I gain the ability to have he, himself fight.  I can show him with his family, which could really round out his character.  Yet, I worry that he's too similar to other characters I've written.  (Cett and Straff both come to mind from the Mistborn trilogy, though neither of them are as rounded, as well as Iadon from Elantris.  I've done a lot of brutal rulers.)   

With Thesua, I lose the two things I mentioned above.  I couldn't soften her by showing a spouse and children, and while she'd still have a daughter, I don't see the child being as much of an influence on reader opinion.  And, there would be less action in the book by a slight amount as Theusa will not be a warrior, and will have to rely on Jend to do her combat.   

However, I gain a tad of originality.  (How many tyrant grandmother city-state rulers are there in fiction?  Have to be fewer than men like Theus.)  I also gain some subtlety--Theusa's rule would be much more tenuous, because of her gender, and there would be a lot of politics working against her.   

Both would play off of Yunmi very well, if for different reasons.  Midius's interactions lean slightly toward me liking Theus, but not a huge amount.   

I keep going back and forth on this one.  So, I'll put off the decision until tomorrow and write a Yunmi chapter instead.  Huzzah!

Brandon Sanderson

After much playing with the plot and wrangling, I've decided to go with the male version of the character.  The new Midius chapter is here to stay, however.

I'll just have to do the old grandma tyrant king in some other book. 

FAQFriday 2017 ()
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Questioner

Do your children sometimes inspire your writing?

Brandon Sanderson

Having children has certainly been a big help in understanding the way that younger people think.  I spend a lot of time reading with them, and seeing what engages them in other books.  This has been an excellent help to me in my writing.

So far, I haven't taken any of their specific ideas–but they're still a little young.  They do offer suggestions, but they tend to be things like, "You need a big orange dinosaur that builds itself a robot suit to fight ninjas."

On second thought, that's a pretty cool idea, isn't it?

JordanCon 2016 ()
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Questioner

This became a question, I thought this had been answered, but kandra can't produce kandra children.

Brandon Sanderson

Well, yes they can. You get them some spikes.

Questioner

Can the kandra produce human children with consumed parts?

Brandon Sanderson

You know, I saw a big thread about this on Reddit and chose not to participate, despite being asked to.

Questioner

I thought she said that you did, so…

Brandon Sanderson

I gave vague and unuseful answers, and so I'm going to give the same to you. RAFO.

General Reddit 2014 ()
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bartonar

So, I started reading Mistborn not longer after finishing [Wheel of Time]...

Why does it seem so intentional that they're a parallel? That Mistborn is set in a 4th age a cycle in either direction from Randland? Well, more the close of the 4th, beginning of the 5th, as the influence of the Dragon/HoA is ending. The Deepness is basically exactly the Dark One, what the Hero of Ages had to go through reminds me very much of Rand's tribulations, hell, his diary could have been written by Rand himself. And what did Rashek do after killing off The Hero of Ages? He became Nae'blis and quickly established unquestioned rule over the world as God-Emperor.

Even how the Deepness attacked the Hero, trying to convince him he was insane, filling him with doubt that he could possibly succeed, or rule, it totally fits how the Dark One tries to break his foes rather than simply destroy them outright.

Brandon Sanderson

Mistborn was inspired by my love of the classic fantasy stories from my youth, Wheel of Time at their forefront. The original idea was for a Shannara-esque fantasy epic where the heroes lost at the end, but I decided (for many reasons) this wouldn't be fun to read or write. The idea simmered for a year or two until I realized it would an awesome backstory for the heist story/epic fantasy mashup I'd been developing.

And so, I worked to make Rashek's story as resonate with classic fantasy epics as I could. I wanted that resonance so that I could play with the tropes of epic fantasy.

Remember, Wheel of Time was a huge influence upon me as a youth and a writer. I knew I couldn't just write ANOTHER farmboy saves the world story, as I felt those had been done (and done well.) I wanted something that had one foot in this, however, and one foot in a more contemporary style of plotting and worldbuilding.

So everything you're noticing is indeed intentional. Mistborn is my vision of a world where Rand gave in. (Or where Frodo kept the ring, etc.) I wrote the trilogy primarily in 2004-2006, ending one year before I was chosen to finish the Wheel of Time, which makes the parallels even more interesting.

/r/fantasy AMA 2013 ()
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victoriansouffle

You've mentioned Spook being a bit of a 'stud' before, because I get oddly curious about this, how many children did he have?

A pretty weird question I know, but he does have a LOT of descendants

Brandon Sanderson

Spook has a lot of descendants, it's true. He had over a dozen children.

Boskone 54 ()
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Questioner

At this point, a lot of your work has been optioned. I was wondering if you would be interested in some of it being a serious animated tv show? Maybe that might also work for Wheel of Time.

Brandon Sanderson

I would be totally on board except for one thing, that there is no market for it worldwide. There are markets in very small places, but so far every animated in the US and in large parts of the world as well has either been something like The Simpsons, which is comedy, which can work for adults and they’ll watch that, or it’s been child-focused with some hidden depth of themes like the Last Airbender, which is the quintessential example. If I could get a television show on one of my books as good as that, I’d love it, but nobody’s going to finance it, because there’s no audience for it unless it’s a children’s show. And there’s nothing wrong with being a children’s show, this is what Pixar has figured out how to do, it makes movies that everyone will love. But anytime someone even tries to make a teen focused one, it’s a huge disaster. Treasure Planet was an example of this, which is famous in Hollywood for being a disaster, even though it’s a fun movie. Until US audiences grow up in their treatment of animation, it’s not a realistic thing, because the cost-to-earnings… I can’t just say, okay guys, spend 50 millions dollars on this, I know it’ll only make 5, but it’ll be really cool. Maybe if your aunt is an executive at Netflix, you could tell her, and they could be on the forefront of this, but until then, we are looking at Netflix-style, complete season, Stranger Things-type stuff, or traditional feature film.

Boskone 54 ()
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Questioner

In our legal system, when you die in debt, your heirs don’t inherit your debt. Whatever assets you have go to pay off, and then your heirs are free. I take it in this universe that this isn’t the case? Or is it just that someone’s going to break the widow’s legs if she doesn’t pay?

Brandon Sanderson

I had the wife assume the debt of the couple in this.

Questioner

He had borrowed the money in both of their names?

Brandon Sanderson

In this legal system, that counts. You are liable.

Questioner

So she inherits his debts?

Brandon Sanderson

Yeah. But I would argue that the brother wouldn’t, if there were a brother, but the couple would.

Questioner

And if she died, would Joel inherit the debt?

Brandon Sanderson

I would say probably not, that he would probably not, but I would have to look at it specifically in the situation. If the wife or the husband inherit from the other, then there’s a decent chance they might make the child, there are cultures through history that the children have been. I’m going to say yes, I’m going to say he would. If the wife is inheriting his debt, it’s so much easier a leap to say that children also do. So I’m going to say yes. I hadn’t thought about it specifically.

General Reddit 2019 ()
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KingKaliYuga

Children of the Nameless sequel, when?

Brandon Sanderson

Sequel someday. But not until after I've caught up on Stormlight and Mistborn.

KingKaliYuga

Catch up as in finish or catch up as in get up to date on release windows? Cause I can't spend like 10 years waiting to see what happened to that girl after she disappeared, even if I get some radical Stormlight books while I wait

Brandon Sanderson

I put off writing Wax and Wayne 4 to do Children of the Nameless, and so I need to make sure I've finished that at the very least--and it has to come after Stormlight 4.

Skyward Anchorage signing ()
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Questioner

Are any of your characters influenced or inspired by your immediate family, like your wife or kids? And if so, which ones?

Brandon Sanderson

My wife has asked me not to put her in a book. And so I haven't.

My children have inspired a number of characters, but they change so quickly. Steelheart is dedicated to Dallin from when he was, like, a two year old or whatever. And now he's an eight year old, and he's a very different guy. So basing characters on my kids is less basing them on a person and more on the experience of being a father and having young kids. Like, hero of The Rithmatist is named Joel. My first son is named Joel. That's not a coincidence. But when The Rithmatist came out, he was really little, and it's not like that character could be based on his personality at all, because he was crawling and eating his fingers at that age.

My good friends, particularly during the years when I was trying to break in, they have inspired a lot of characters. Sarene from Elantris is based on a friend of mind named Annie. A lot of Bridge Four, particularly the second string Bridge Four members. (Because I don't want them to have to worry that I'm gonna use them in a major way. It's more like they're getting cameos.) Skar is based on a friend of mine, Leyten is based on a friend of mine, Peet is based on a friend of mine, a bunch of the people from Bridge Four that aren't the ones that the main story is about, those are all my friends from college who were supporting me when I was writing these books.

As a writer, using someone in a book is less about basing a character on them, usually for me, and more about finding some interesting tidbit about their personality that I find fascinating that I spiral off into a new character whose seed was a little tiny aspect of somebody I know. Just like every character-- People ask me who my favorite character is. I don't have one. I don't have a favorite book either, they're all like my children. But every character is based a little bit on something I do and something that's very different from me. And I take those two seeds, and I intermix them, and build a character around it.

Warbreaker Annotations ()
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Brandon Sanderson

Notice how he grows in size here when he isn't paying attention. That's his Returned nature beginning to manifest, much like Vivenna's hair reacts to her emotions, because of the moment of great passion from him during the fight.

In this chapter, we also get the first hints that children and animals like Vasher. That's another hint about his nature—though a very, very subtle one, since I haven't talked about how animals and children all like Returned. They can sense the divine Breath within him, and it comforts them.

Berlin signing ()
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Questioner

I wondered if an Inquisitor had children, if they would inherit stronger Inquisitor abilities, or if they would just inherit the lesser lines from being a Seeker, for example?

Brandon Sanderson

Excellent question. I don't think I've ever been asked this before... The way Hemalurgy works, if you're not aware, you are taking someone else's soul, and you are basically nailing it to your soul... That won't affect the children. So you will have the weaker lines.

They have tried that. Unfortunately.

The Well of Ascension Annotations ()
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Brandon Sanderson

Forty-One

Sazed and Tindwyl discuss Alendi and the Lord Ruler

I added this run-down of who everyone is in the past just to help you keep them all straight. There aren't really that many people involved, but since we only hear of them via logbooks and notes, I think they might be hard to keep straight.

I like the depth of history this story-within-a-story gives us. I realize that some of you may not find it interesting, but–well–there are parts of every book that every one of us don't find as interesting. On the other hand, I know that a lot of you DO like these parts, since you email me frequently and ask if I'll do a Mistborn prequel dealing with Alendi and Rashek.

These sections are here for those of you who want to REALLY understand what is going on in the Final Empire. The weight of history that caused the characters to end up in the situation they did. In addition, one of my main motivations in writing this series was in the idea I had for Alendi, Rashek, and Kwaan. I didn't think they deserved their own book, and to be honest, I'm not convinced that the prequel should be written. (Despite your requests.) The story works better as an accent to this main story, I think. If I ever were to do a prequel (and generally I'm not fond of them) I would rather tell Kelsier's story training with his master Gemmel and finding the Eleventh Metal.

YouTube Spoiler Stream 6 ()
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Parshendi of Rhuidean

Do dragons always go through their early life in human form? Or would being a Sho Del also be possible for a young dragon?

Brandon Sanderson

The way I have it right now (which, we’ll give this as a Word of Brandon that could change, because I haven’t written Dragonsteel yet), it’s a human form. I imagined dragons like amphibians, that they have part of their lifecycle… the Yolish dragons, they mate in human form, they bear children in human form, raise children mostly in human form, but their dragon form is equally part of their identity.

Waterstones Cytonic Release Party ()
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Christian

In Skyward, there was some of the most unique alien designs I have, at least, read. I don't think anyone else has done a smell that's sapient. It was just so unique. And I loved it because, after I read about the figments, then I would smell something in real life, and it just starts to infect your world. And especially with the Diones and the whole birthing process and kind of testing out having a child, it's just so unique. I wanted to ask if you have any stories about how you came up with any of the races in Skyward.

Brandon Sanderson

Sure. The Diones came from the weird idea... Like a lot of things, it's just like, "What if you could audition for having different children? What if you could pick which one's personality's gonna fit in your family really well?" I audition characters. Like Spensa (we are gonna release these with the collection of the novellas), I did three different versions of Skyward before I settled on, I think, the fourth one for how her personality was going to work. And that's not uncommon for me, just be casting different characters. And as I cast those different characters, I'm like, "What if you could do that for your family?" That's obviously horrible; as authors, we are horrible people, we think of things like this, and we probably shouldn't. But the whole point of sci-fi/fantasy is to be able to ask those what-ifs, to deal with a society built around this sort of idea. So I run with it and hope that people understand that I'm not actually saying you should be able to boot your children out if they don't match your personality. It's more like, "Hey, what if this existed?"

On a more serious note, that's kind of what science fiction is about. Let's do a dry run on what would happen if we had this experience with an alien race. We've gotta think about these things. Not necessarily the weird stuff I come up with, but what happens when we meet an alien race, and they're like this or like that? How do we treat them? All of these sorts of things are worth exploring, I think.

With Starsight (and we have a little bit more of this in Cytonic), I just, again, wanted to expand the world and kind of kick Spensa in the face with how different the universe is compared to what she was expecting. So I forced myself to stretch a little bit extra on some of the alien races, where I might not have in another context. But I just wanted her and you to be like, "Oh wow. This is not as simple as I was expecting it to be." And anytime you can reinforce that with something as simple as adding a character who acts very different, that's the sort of thing I want to do.

Hero of Ages Q&A - Time Waster's Guide ()
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Vegasdev

Alendi's "Piercings of the Hero"?

Brandon Sanderson

This is part of the manipulation Ruin did during the classical era on Scadrial, before the coming of the Lord Ruler. Piercings, and Hemalurgy, were part of the world before the coming of Allomancy in its modern form. Then, they were seen as a means of communicating with deity—which, indeed, they were. Ruin manipulated this to make sure any Hero of Ages who came would be under his influence. The reference is included mostly to indicate that yes, Alendi was under Ruin's influence. He ignored Rashek, though. (At least, right up to the moment when everything went 'wrong' for Ruin, when Rashek killed his chosen Hero of Ages.)

/r/books AMA 2015 ()
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awakenedtassel

My wife really wants to know whether Vasher has had children, or wants to have children. It would mean a lot to her to find out from you!

Brandon Sanderson

Vasher doesn't have kids, but he really does want them. Or, at least, he has wanted them at most points in his life.

Shadows of Self release party ()
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Questioner

Something personal for you, with all of your success, you talk about having a group over near Dubai. What do you do to keep your head to fit in this room?

Brandon Sanderson

What do I do to keep my head to fit in this room. How do I keep my ego in check? Yeah. Changing diapers helps. *laughter* Last one is potty-training though so that won't last much longer. What else? Well having my children be like-- I say I write books and they go "Daddy writes books. I write books too" and then go and write one "You should use this one". They're very-- So children and family are very useful for that.

On the other thing that helps, number 1 you assume my ego wasn't enormous to start with, which it kind of was, if you talk to my friends. But really the nice thing is being a writer is not like being a movie star or a musician. What people love-- And granted they are very appreciative of me. But what they love are the characters in the books, they bond with the books. And that gives me this kind of layer where we are both like, the reader and me, are both participants in this, where we can put our arms around the other's shoulders and go "Look at that". Because the reader imagines in their head, I kind of get it 90% there and the reader does the rest. And so you guys are like part of it, right? And this just creates a nice relationship and keeps me grounded I think. But then again maybe I was never grounded so--

YouTube Spoiler Stream 2 ()
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Alexa Smith

Has a Shard's Vessel had a child after Ascension? If so, have we seen them? Will one become important to the Stormlight Archive plot?

Brandon Sanderson

Do you consider all of the people on Scadrial to be children of Preservation? I would count them all as children of Preservation and Ruin, I mean they created them together. I don't know what other way you can interpret that, because the first ones of them would've had no other parents. 

So, yes to that, but it's not what you're asking. Otherwise, RAFO.

EuroCon 2016 ()
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Questioner

I'm very interested about the laws of magic. You wrote so many books, but I think that history will specially remember you because of 2.5 words, right? "Limitations are a bigger sign than powers," right? So, limitations must be bigger than powers, and I think it's a wonderful, amazing second law of magic, and it actually should be applied to the fantasy genre as a whole, because therefore we could avoid 90% of all the garbage that is out there if we really applied this second law of magic. However, you don't apply it to all your works. For example, your work for young adults, you don't apply that law that much, so I'm wondering why it is not a universal law, but rather a law that in some things, like for children or young adults, you don't apply so much?

Brandon Sanderson

That is interesting. I actually take exception to several things here. The first is, I don't believe that 90% of things are crap, or that there is a lot of terrible fiction. I take exception to when people say that about our genre or about any genre. Books that get published and are written are loved by somebody. Maybe that's just the author and the editor--once in a while--but usually there is a strong fanbase, and just because one person doesn't like it doesn't mean it lacks value.

Questioner

Sturgeon's Law?

Brandon Sanderson

I don't believe in Sturgeon's Law.

Questioner

No?

Brandon Sanderson

I think it's complete bunk.

Questioner

Okay?

Brandon Sanderson

In fact, Sturgeon did not believe in Sturgeon's Law, if you asked him. He did not believe in it, I do not believe in it. I think by perpetuating Sturgeon's Law, which is that 90% of everything is crap, what we are doing is we are buying into people outside of science fiction and fantasy pointing at us and trying to make us feel bad about our genre. This is not to say that you can't criticize, you definitely can, and there is a very important place for critics, looking at books and at the genre. But once, I thought about Sturgeon's Law, and I actually tried to decide if critics actually hated 90% of everything. And so I went to Rotten Tomatoes, and I picked the harshest critics I could find, and every one of them liked seven out of ten of these movies they saw.

So, while I think certain things can be pointed at, and say, "This is poorly done, because it is failing to achieve it's goals," we should not look at something that's achieving a different goal from what we think it should achieve, and call it crap because of that. If you can see, this is a point of a bit of interest to me. If someone points at, for instance, a lot of people in the genre disliked Eragon the book, I've referenced the movie earlier. But, is it bad for the millions of children who read that, and it brought them to fantasy and became the foundation for why they love our genre?

Questioner

Compared with the movie, it's not bad, right?

Brandon Sanderson

*laughs* Yeah. So, going back to your original question, though, my primary YA work is The Rithmatist, which is a story about a boy with no magic at a magic school, and is inherently a story about having no power, and having limitations. If you are referencing, instead, Alcatraz, my other series, it's about a boy whose magic power is breaking things, and he has no control over it. So, this is a story about a child who is in foster care, who has no control over his life, and his lack of control of his magic is a metaphor for his lack of control over his life. But Sanderson's Second Law is about finding the conflict. Making characters powerful can be a problem, but it doesn't have to be. For instance, Superman is usually held up as a character who is considered too powerful. But if you look at the best stories involving Superman, the story is always about what he can't do. He can fly, he can shoot lasers from his eyes, he can lift giant boulders, but he can't make a woman love him. This is what I mean by limitations being more important than the powers. A Superman story can be very interesting, but his powers can often be irrelevant.

Oathbringer release party ()
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Questioner

By and large, I love your characters. I really dislike Eshonai. Really dislike her. Is there a character that you really dislike writing? Or, if you don't dislike them, is it hard to find their voice.

Brandon Sanderson

Cadsuane. Sorry, Wheel of Time fans, but Cadsuane, you're not my real mom. Moiraine is my real mom. I tried to do my best with Cadsuane that I could. So, I would say-- of my own characters, they're all like my children, and I love my children all equally. *gives Joel a side hug* The same thing with my characters. When I'm writing someone, they're my favorite. I wouldn't say so, but on The Wheel of Time, definitely. Cadsuane, she can go eat a brick.

Shadows of Self Newcastle UK signing ()
#196 Copy

Questioner

What is your favorite book that you've written?

Brandon Sanderson

My favorite book that I've written? I can't pick a favorite. It's like trying to pick a favorite child. 

Questioner

You always have a favorite child though...

Brandon Sanderson

Yeah *laughter*, no favorite children, I just skyped with my children and they showed me their Halloween costumes, it's the cutest thing ever, but the littlest one, he's two, he's a Minion and he's so cute as a Minion, because he can barely talk as it is... and then the middle one is a skeleton and he just said "it's so scary dad, it's so scary, you're going to be so scared" and then he puts it on and I have to pretend to be scared. He scares himself looking at the mirror. And the seven year old's in karate now so he bought a ninja outfit and he thinks he's a real ninja because he's learning karate.

State of the Sanderson 2020 ()
#197 Copy

Brandon Sanderson

PART NINE: TRANSLATION UPDATES

This year I did something I’d been considering for a while—I asked some of my larger overseas publishers if they wanted to include any updates in the State of the Sanderson. I had a few of them get back, and hopefully we’ll grow this section in future years.

As a quick aside, I wanted to mention that we’re working to have a broader availability of my Gollancz hardcovers be more easily available in places like the UK and India. Hopefully more on this in the coming months.

For now, here are a few updates.

Germany

Two of my German publishers sent us a list of recent and upcoming publications.

From Heyne:

  • Edgedancer / Die Tänzerin am Abgrund: 11 November 2019
  • Children of the Nameless / Die Kinder des Namenlosen: 13 April 2020
  • Oathbringer Vol. 2 / Splitter der Macht: 11 January 2021 (paperback)
  • Rhythm of War Vol. 1 / Der Rhythmus des Krieges: 15 February 2021
  • Rhythm of War Vol. 2 / Der Turm Der Lichter: 24 May 2021

From Droemer:

  • Skyward / Der Ruf der Sterne: 1 July 2021 (ebook) & 2 August 2021 (paperback)

Poland

Zysk, my YA publisher in Poland, enthusiastically got back to us first with news, follwed by MAG and IUVI. All of my Polish publishers have been awesome, so I hope you’ll support them.

One of the things I asked these publishers was how people could order the books internationally, if they wanted copies. Zysk has links for those who want to grab the books, though unfortunately this is a place that only ships to Europe. Eventually, I’d like to have links in this section for those around the world who want to order copies, but we’ll start here.

From Zysk

  1. Skyward (published 2nd of April 2019) and Starsight (published 14th of April 2020)Audio editions of The Skyward Series & The Reckoners Series are available via Storytel.
  2. Zysk plans to publish book #3 in The Skyward Series: “Nowhere”, publication dates to be determined once they receive material.
  3. Polish bookstores which deliver internationally (to Europe)

From MAG

Here is their upcoming lineup for 2021:

  • Rhythm of War Vol. 1: March
  • White Sand Vol. 3: March
  • Dawnshard: March
  • Rhythm of War Vol. 2: June
  • Children of the Nameless: June
  • All available 10th Anniversary Editions: Between March and October

From IUVI

The whole Acatraz vs. the Evil Librarians series (vol. 1–5) are available to Polish readers.

  1. Piasek Raszida
  2. Kości Skryby
  3. Rycerze Krystalii
  4. Zakon Rozbitej Soczewki
  5. Mroczny Talent

Audio editions of of Alcatraz Versus the Evil Librarians Series are available via Storytel.

If you enjoy reading reviews for translated works, here are a few reviews you can check out.

France

From Livre de Poche

At Le Livre de Poche, we are thrilled to work with Brandon Sanderson and Dragonsteel Entertainment to present his novels to French readers worldwide.In 2020 we published simultaneously in paper and digital formats the Omnibus editions of Legion : The Many Lives of Stephen Leeds (Légion : les nombreuses vies de Stephen Leeds) in May, and most recently – last November – the first installment of Skyward (Vers les étoiles) in trade.

2021 will be a very busy and exciting year for Brandon’s French fans. In January, the two-volume mass market editions of Oathbringer (Justicière) will be available alongside the first part of the highly anticipated Rhythm of War (Rythme de Guerre) in trade. The second part of Rhythm of War should be published in May 2021.

Finally, the second installment of the Skyward series, Starsight, will come out in trade in September, alongside the mass market edition of Skyward (Vers les étoiles).

French versions of Brandon Sanderson’s books are available worldwide in online bookstores such as Place des Libraires, Mollat, Décitre, Furets du Nord, Dialogues, and Cultura, or online retailers like Fnac.com, Amazon, Rakuten, Momox, and many others, but don’t forget to ask your local bookseller if they can get it for you!

You will find all the many ways to get Brandon’s books in French on our website.

En français

Au Livre de Poche, nous sommes ravis de travailler avec Brandon Sanderson et Dragonsteel entertainment pour proposer ses romans aux lecteurs francophones du monde entier.

En 2020 nous avons publié simultanément en papier et en numérique la version intégrale de Légion : les nombreuses vies de Stephen Leeds en mai et, plus récemment, en novembre dernier, le premier tome en grand format de la série Skyward, Vers les étoiles.

2021 sera une année intense et passionnante pour les lecteurs francophones de Brandon Sanderson. En janvier, l’édition de poche de Justicière (volumes 1 et 2) paraîtra aux côtés de la très attendue première partie de Rythme de Guerre. La seconde partie de Rythme de Guerre paraîtra en mai 2021. Enfin le deuxième tome de la série Skyward, Starsight (titre français à venir) sortira début septembre, en même temps que la parution en poche de Skyward, Vers les étoiles.

Les versions françaises des ouvrages de Brandon Sanderson sont disponibles à la commande dans le monde entier sur les librairies en ligne telles que Place des libraires, Mollat, Décitre, Furets du Nord, Dialogues, Cultura ou sur les plateformes de vente en ligne comme Fnac.com, Amazon, Rakuten, Momox et bien d’autres, mais n’oubliez pas de demander à votre libraire s’il peut vous les commander!

Vous trouverez toutes les manières de vous procurer les ouvrages de Brandon en français sur notre site.

A few reviews from my French-translated books.

Italy

From Mondadori (my new publisher there, who we’re very happy to be with)

Here in Italy, we published the translation of Rhythm of War the same day as the American release. It was a remarkable feat for which we have to thank Gabriele Giorgi, Sanderson’s inexhaustible and heroic Italian translator, who committed to the cause with the usual abnegation and legendary painstaking accuracy.

2021 will be a year full of Sandersonian releases: we are working on a three-volumes collection of the graphic novel White Sand, which will come out in the first semester, while in the second semester we are planning the release of Arcanum Unbounded, as well as an illustrated edition of Mistborn: The Final Empire, on the heels of the leatherbound American edition. Surprise releases are also not entirely out of the question, although the whole 2021 schedule is still quite fluid in light of the ongoing COVID-19 emergency, which might cause some delays in the second-semester releases in order to adapt to the shifts in exogenous factors and market conditions.

Spain

From Ediciones B

We have just released Rhythm of War in trade on 19 November on a simultaneous launch with the US edition. The first print run of the book in Spain was 14.000 copies and we have already reprinted three times in less than a month. (Now we have a total of 30.000 copies printed since publication.)

The book started very strong in GFK, and reached number 7 of the general trade list of GFK for week 47 and also number 7 of the trade fiction list, with 4.977 copies sold during the first week.

It also reached number 2 of top 100 of FNAC on the first week of sale, and has been top 1 of November sales in Gigamesh bookstore. It has also been in the top 100 of Amazon Spain during two weeks.

Before publication, Gigamesh has sold 700 copies in preorder of their limited edition.

We plan to publish Dawnshard in the summer and our Mistborn 1–3 illustrated edition during the second half of the year. We also plan to publish Skyward 3, depending on the final release date of the US edition and the translation timing.

Alcatraz Annotations ()
#198 Copy

Brandon Sanderson

Interrogation And Torture

“Foolish, foolish Alcatraz” is a nod to Jeff Smith’s Bone. Give it a read, if you haven’t.

Also of note is Sing’s comment when Alcatraz is talking to Ms. Fletcher. Sing notes that Alcatraz is a little bit snide. That quip, for some reason, has been a favorite of readers ever since the first draft. I’m not completely sure why. Yes, it’s fun, but it seems to have gotten undue attention as a laugher. Sometimes you just can’t judge what will work for people and what won’t–or what will work really, really well.

And since I’m talking about little things here, let me mention Grandpa Smedry. Of course he shows up late, after Alcatraz gets tortured.

I worried that having the main character get tortured like this might be too graphic for a children’s book–but then I remembered some of the things I’ve read in children’s books lately. It seems to me that you shouldn’t pull punches because of the audience. There are words I change to make the vocabulary work for the age group, and some types of humor don’t work as well, but I don’t like talking down to anyone, even babies who can’t speak yet. Successful novels are ones that treat their readers with respect, regardless of age.

Alcatraz needed to go through this (and I know, it’s not really that graphic). It’s what the story needed. Heroes do get themselves into trouble. If standing up for people were easy, what would be the point of bravery?

Skyward Atlanta signing ()
#199 Copy

Questioner

Which character arc has been your favorite to write?

Brandon Sanderson

I usually don't pick favorites. Because all characters in all the books are like my children. But I will say it was extraordinarily satisfying to write Rand's arc, that I did in Gathering Storm. That was a true delight as a long-time fan of the series. So probably that one.

Shadows of Self Chicago signing ()
#200 Copy

Questioner

[In Forging], if you rewrite the history of an item, and it took effect permanently, would there ever be a potential to have a butterfly effect, out beyond the history of the item, that might directly affect something somewhere else in the world?

Brandon Sanderson

It would be very very hard for that to ever happen, because it's like spliced DNA or something like that. It's not real. It's a forgery. Nothing else considers it, that it did that. The only tricky bit would be if you have children, and you've rewritten yourself in an interesting way that’s actually changed your DNA, that... might have ramifications.