Advanced Search

BelugaCavity

Have you had a favorite theory a fan presented to you that was wrong?

Brandon Sanderson

Man, I read a lot of these. I don't remember a lot of them. They happen on Reddit, where I'm like, "That's really cool. It does not fit with the worldbuilding I am building at all." Most of the ones that are really cool are ones that just couldn't work because of the fundamental underpinnings of the cosmere.

People who theorize about my books... I like to feel that I put enough foreshadowing in my books that it makes, for those who are really paying attention... it does mean you can guess it. So the surprises are not as dramatic. But I like that. And so a lot of theories I read are right. Because I've signposted them. And you guys have three years between books in the Stormlight Archive to guess on these things.

I read a lot more right theories than you might expect. But I do read a lot of wrong ones, as well.

Sorana (paraphrased)

Would a spike charge if I threw it at someone with the intention to spike something out of him and hit the right bindpoint?

Brandon Sanderson (paraphrased)

Yes.

Sorana (paraphrased)

So spike darts are a thing.

Brandon Sanderson (paraphrased)

Yes, and spike guns are a thing as well.

Questioner

Will there be a major part in the story for the Sleepless?

Brandon Sanderson

Yes, but much later on.

Questioner

What means later on?

Brandon Sanderson

Well, they have a major role in the science fiction Mistborn trilogy, but that's pretty far off. So they will be very important very much later on.

Chris King

How and when are you planning on releasing Sixth of the Dusk, the cosmere short story you wrote for Writing Excuses?

Brandon Sanderson

Once the entire Writing Excuses team have finished their stories. If you're not familiar we did this thing were each brainstormed a story on air and then we went and wrote them and now we are doing revisions on them. Well, Mary went and I wrote ours, Dan and Howard didn't write theirs... but they're catching up... Once they are all done, we will release them together in an anthology. We will do, the workshopping episodes that we did, we workshopped each others stories, and you'll be able to on Writing Excuses read the rough draft, because that will be included in the anthology, listen to the episode where we workshop it and then read the final draft, which will be in the anthology and get the whole— see what we changed and things like that.

Questioner

Will Kelsier reunite with the crew in the Beyond?

Brandon Sanderson

Well, I don't talk about the Beyond. I would like to think that he would. But I don't talk about what happens there, even Sazed doesn't know what happens there. So, if you want to imagine it, then yes, but he would have to get there first.

Dirigible

In Secret History, we see orbs of Connection that Kelsier uses, and it draws lines between him and other objects. If Vin were to, in the Well of Ascension era, use that orb and also pull the mists in, would she be able to steelpush or ironpull on non-metal objects?

Brandon Sanderson

There are ways to steelpush on non-metal objects, but that's not the method.

Dirigible

Atium alloy?

Brandon Sanderson

What do you mean by atium alloy?

Dirigible

Atium-steel alloy, or atium-iron?

Brandon Sanderson

Hmm, we're straying into RAFO territory. Let's just say that it is possible.

PrncRny (paraphrased)

Is an Snapped Allomancer more likely to pass on the Allomantic ability than an UnSnapped one?

Brandon Sanderson (paraphrased)

Not necessarily.

PrncRny (paraphrased)

I asked if it was pure genetics, then.

Brandon Sanderson (paraphrased)

He initially said yes, then appended that with "not just genetics. there's a Spiritual aspect to it as well."

Isaac Stewart

Art director Isaac here with an art reveal today. Recently Brandon, Kara, and Adam have been discussing publicity for Rhythm of War, and one thing that Tor has asked for is a simplified symbol to represent the Stormlight Archive on certain marketing materials.

Now, to be clear, we love the original Stormlight Archive symbol, and we are in no way abandoning or replacing it. Many readers have bought shirts and decals or have even gotten tattoos of it. We are using it in The Way of Kings leatherbound and will continue to use it as a chapter icon in Rhythm of War and future Stormlight books. So rest assured that we are not retiring this tried and true iconic symbol.

However, the symbol is complex, and it doesn’t read well at small sizes, so at Tor’s request, we’ve sought a simplified design. During this search, it occurred to Brandon and me that eventually we’ll need simplified symbols for all of the Cosmere worlds—symbols that will need to be easily recognizable from far distances—basically, space-era versions of our current symbols.

So, after hundreds of drawings and thumbnails, we’re unveiling to you now the space-era symbol for the Stormlight Archive.

We’ve built this on the skeleton of the original symbol, preserving the relationship between the sword, circle, and main focal point. Instead of extra swords, we have rays of light. Instead of the complex double-eye of the Almighty, we’ve chosen the burst of light from the original Cosmere symbol.

Going forward, we will actively use both this symbol and the original in promoting the Stormlight Archive, and eventually you can expect space-age versions of many of the current Cosmere planetary symbols.

Questioner (Paraphrased)

In the acknowledgements of Firefight you promised that if you ever became an Epic you would go after your alpha, beta, and gamma readers last. What would their best defense be, i.e what would your weakness be?

Brandon Sanderson

Mac'n'cheese? Well, No 'cause I like mac'n'cheese too much. Fish sticks. It would be fish sticks.

Questioner

I thought you disliked fish sticks.

Brandon Sanderson

Exactly. That's why they'd be my weakness.

Brandon Sanderson

Kelsier's Bones

I don't know if I mentioned it previously in the annotations, but I originally had TenSoon leave Kelsier's bones in Luthadel, burying them again following his appearance to Wellen and the other guard. My alpha readers, however, were very disappointed in this. They saw Kelsier's bones as a very important artifact, and they wanted to see more from them. So, I added the scene where the people in the warehouse saw TenSoon and he gave them advice, then I had him bring the bones with him.

However, I wasn't sure what to do with them. I'd already written the book at this point, and was just revising. I realized there wouldn't be another chance to make use of the bones. But I figured the readers were right, and TenSoon should bring them just in case.

Where the bones are at the end of the book is something of a mystery. They made it back to the kandra Homeland, I'll say that. However, what happened to them then . . . well, you will have to see.

Argent

You mention... No you didn't mention Arthur Clarke. The guy with the "Any sufficiently advanced technology is distinguishable from magic" ...In, at least, one of the Mistborn trilogies you are probably going to have to deal with the distinction between magic and technology. So can you talk a little about how you are going to address that?

Brandon Sanderson

So yeah, addressing the-- This is a really good question, thank you. So Clarke's Law says that "Any sufficiently advanced technology is indistinguishable from magic". Right? And this is kind of a science fiction truism that we use in writing. It's a really cool concept when you think about it. But he asks "Well we're pushing the Mistborn trilogy more and more towards science fiction--"

For those who don't know, I pitched the Mistborn trilogy to my editor, long ago--this was 2003 when I pitched it to him-- I pitched it as a trilogy of trilogies. An epic fantasy trilogy that then after the epic fantasy trilogy we would jump hundreds of years and do an urban fantasy trilogy in a more modern setting, where all of the events of the epic fantasy trilogy became the foundation of religion and superstition and even culture to a modern society. What if our heritage were something like The Lord of the Rings? And then I was going to write a science fiction trilogy where... magic became the means by which space travel is possible. So there is, built-in to Allomancy, Feruchemy, and Hemalurgy, FTL-capability. *audience mutters* *nervously* It's not there yet don't worry. *laughter*

Argent

Somebody found the rabbit-hole.

Brandon Sanderson

That's all RAFO's. I'm not answering any of that.

So I did Alloy-era, by the way, as a stop-gap between the epic fantasy and the modern because I wanted something smaller-- The modern trilogy is going to be very thick books, and I wanted something to balance Stormlight while I was doing the first five Stormlight...

So he's asking how I'm going to deal with this whole collision... between science and magic. So there's a-- I don't know if corollary is the right term. Probably not, but there's a version of Clarke's Law which you inverse. And you say "Any sufficiently understood magic is indistinguishable from science". In the cosmere the magic is science. What I would call-- say is science fantasy because we've added to the Laws of Thermodynamics. We have this other thing called Investiture, which is what powers all the magic. Which is the souls of the things they call gods, their substance. And you can change matter or energy into Investiture and back. And so we've got a third circle in the old Laws of Thermodynamics and so because of that it's science fantasy. I would still call this fantasy because science fiction is where they go "We're going to take the Laws of Thermodynamics and try to explain what we can do using them" I'm like "No, we're just going to add to them, right?" But yeah that's where we're going. There will be a collision of that but it's really going to be-- To them it's indistinguishable, once you get far enough along, that it really is science.

Kurkistan

<Gives text of original conversation with Brandon>

To restate the scenario in more understandable terms (phase 2 is to use diagrams, if it comes to it and I still don't manage to get it across):

Say Cory the cork-thrower is standing besides a train track. Cory is facing North and the train is running from West to East. Cory tosses a cork North up over a passing train. Normally, this cork would go over the train and land on the ground directly opposite Cory to the North.

From the frame of reference of Cory and his cork, the train is moving West->East. From the frame of reference of the train, the train isn't moving at all and the cork is moving both South->North and East->West (i.e., Northwest). So if we were to draw a line describing the cork's movement, Cory's line would have the cork moving South->North over a moving train. The train's line would have the cork travelling Southeast->Northwest as it described a diagonal across the train.

If there's a bubble on the train, that's where things get complicated. When the bubble hits the cork, does the train's frame of reference "take over" so far as it's direction of travel goes? So far as the train is concerned, nothing really changes: the cork is still describing that same diagonal, just more quickly/slowly. But so far as Cory and his cork are concerned, all the sudden the cork is moving laterally (East->West) corresponding to the train's frame of reference. The question, then, is where the cork lands when all's said and done: does it still land directly North of Cory after it passes over the train, or does it land a bit to the West or East as well?

-----

My thoughts/model on this would be that it also lands West/East. If the bubble was a bendalloy bubble, then the corks diagonal passage would be accelerated, meaning that it pops out of the bubble off to the West of where it would have otherwise. A cadmium bubble would still move the cork to the West according to its frame of reference, but because of how slow the bubble itself is in motion the cork would still end up East of Cory.

Peter Ahlstrom

The bubble's frame of reference would take over while it's inside. But you also need to include the fact that bubbles deflect things. The cork would be deflected both when it enters and when it leaves the bubble. So you can't completely predict the path it will take.

Kurkistan

<At this point the conversation kept on for a bit as things grew... complicated. We misunderstood one another [which I take the blame for] on several crucial fronts and ended up talking past one another. Long story short is that I'd been implicitly assuming absolute relativity of reference frames in the cork-bubble system—so while both types of bubble would drag the cork along for a bit, that dragging would also be offset (to varying degrees based on bubble type/compression) by lateral movement of the cork within the bubble. This is wrong.>

Peter Ahlstrom

If the train is moving east, and he throws the cork over the train, a bubble that slows the cork down will mean the cork ends up east of him.

If the train is moving east, and he throws the cork over the train, a bubble that speeds the cork up will mean the cork ends up on the other side of the train faster than it would have with no bubble. It doesn't move west.

If the speed bubble only very slightly increases the flow of time, then the cork could even end up slightly east of him, depending on the speed of the train.

So depending on the speed or slowness of the bubble, and the speed of the train, the cork will either end up exactly where the thrower expects it to, but more quickly, slightly east of where he expects, but more quickly, or quite a bit east of where he expects, more slowly. The cork doesn't move west.

In fact, I think it's safe to assume that the train is always moving to the east faster than the thrower is throwing the cork to the north. In that case, both types of bubbles will always end up pushing the cork at least somewhat to the east.

Let's do the math here.

Say the bubble is 10 feet in diameter and the cork toss hits the bubble right in the center. He tossed the cork at 5mph. The bubble is 2x speed. That means the cork goes 10 mph across the train (measuring from the frame of reference of the tosser). The train is moving at 50 mph. The cork crosses the train in 0.682 seconds. In that time the train moves 50 feet to the east. So the cork ends up 50 feet to the east of where the tosser expected it to.

If the bubble is 100x speed, the cork goes 500mph across the train, and in that time the train moves 1 foot. The cork ends up 1 foot to the east of where the tosser expected it to, but much faster than he expected.

If the bubble is 1/2 speed, then the cork goes 2.5 mph across the train. The cork crosses the train in 2.727 seconds. In that time the train goes 200 feet to the east. The cork ends up 200 feet to the east of where the tosser thought it would end up.

If the bubble is 1/100 speed, then the cork goes 0.05 mph across the train. The train moves 1.9 miles in the time it takes the cork to cross the train. The tosser has no idea where it ends up, but he watches it hovering over the train as the train goes off into the distance.

...

As far as the cork is concerned, it can't tell the difference whether it's moving through a stationary bubble or a (laterally) moving bubble. From the cork's point of view it moves in a straight line either way.

Kurkistan

<Some doodles got involved at one point or another, and it was also confirmed that the path of the cork (barring refraction) would stay the same once it left the bubble, still going directly north>

Bremen

Theory: Imperial KKell power is the power to control the other KKell powers.

While considering the no relatives problem and what happened if the emperor died with no heir I thought "well the priests could just adopt someone into the imperial family like they tried with kkeris". This naturally led to the question, "Where do the priests get the power to adopt/unadopt people." With the logical conclusion that it is the imperial kkell power. Either the priests take a kkell oath or they adopt themselves into the imperial family.

Peter Ahlstrom

That is actually correct as far as I know, but it never comes out in the chapters that were written. Though there may have been more than that.

Questioner

Have you ever considered doing a pronunciation guide for your characters?

Brandon Sanderson

I should do that, shouldn’t I?

Questioner

It would help so much...

Brandon Sanderson

The thing about that is I’m kind of of the philosophy that however you do it in your head is the right version in your version of the story.  Because the characters won’t look the same to everyone.  Everyone imagines them differently, might as well say the names differently...

Questioner

So in the first book, there's a chapter where you have some scientists talking about spren, and they seem to be describing <superposition> and science.  I was wondering, does that actually play into the books?

Brandon Sanderson

It does, but it's just really behind the scenes.  This is just helping you understand the nature of spren and kind of their relationship to sub-atomic particles and quantum theory and things like this.  There are relationships there, but it's even one or two steps further than what you see in actual Quantum Physics, Right?  

Questioner

Will it play in more?

Brandon Sanderson

It will.  In this book, you get even a discussion of the theory on spren that should relate right back to that.

Questioner

Oh good!  I can't wait.

Brandon Sanderson

Watch for stuff that Jasnah says about Spren and things like this.  It does relate.  But this is all kind of world-building stuff.  It's not part of the main story.  It's fun for scientists.  

Stephanie Akroyd

What critical steps would you take to facilitate a believable descent-into-madness type character arc?

Brandon Sanderson

It depends on how accurate you want to be with your psychology. This is one of those areas that I have made a special area of expertise, where I would say I'm still not an expert, but I'm better than the 10% knowledge I am in a lot of other things. And one of the things about psychology, you even heard me earlier saying Taln was wondering whether he was a crazy man or not: we talk about psychology in ways that can be very harmful or hurtful to people who are dealing with it. And you can just go read about people with Dissociative Identity Disorder and how they feel about how they're represented in media. (I'll give you a hint. It makes them really depressed how some of things things are represented in media.) And those of us who write novels, we are definitely fueling this, right?

And you can see, if you've read the Stormlight Archive, I go both directions. I have what I hope are very accurate and realistic depictions of mental health, and I have the Fused and the Heralds, who are using more a magical sort of pop culture version of: their minds are just degrading. They don't actually have a legitimate psychological psychosis or anything like that.

And you're gonna have to ask yourself: which direction do you want to go? I'm not gonna sit here and sit on a high horse and tell you you're just being harmful if you're just showing a descent into madness, because that can be really fun. The Shining is a great movie. And I don't think The Shining is necessarily harmful; it was done really well. But if you do things poorly, it can be very harmful. So I would say to you, number one, take some concern for that, and kind of ask yourself how you're going to approach that.

Otherwise, one of the things I would keep in mind is that the best books that do this for me are ones where I don't catch on at first, either. And that's part of the fun of this type of story. Whether it be a Lovecraft story, or whether it be The Shining. As you are going through, you are through this character's eyes. You are experiencing the world as they experience. And you are going to believe what's written on the page is true, and that the character is trustworthy, until it becomes evident it isn't. And that moment can be really cool. And keep in mind that that's one of the big reveals that you're gonna have for your story. And try to decide where that breaking point is gonna be. And make sure that that one works. If you can make that one work and then earn it, you're gonna have, I think, a stronger story.

/u/AAKS_

My understanding is that Brandon thinks it is a plothole that lerasium can be burned by Scadrian (regardless of if they are Mistings/Mistborn) but atium can't.

His solution is to retcon the Pits to naturally produce an atium/electrum alloy, presumably by the design of Preservation. Therefore we don't know what pure atium looks like or does when used in any magic.

Peter Ahlstrom

We do know what it does. It’s on the Allomancy poster, and the effect appeared one time at the end of Hero of Ages.

LewsTherinTelescope

Interesting. Do you know if he had already conceived the retcon by the time the poster was written, or if that line about pure atium just turned out to fit really well retroactively?

Peter Ahlstrom

The retcon is way older than a lot of people assume.

LewsTherinTelescope

Does this mean he had it in mind by the time Hero of Ages released (since the first public version of the poster dates to 2008), or just that it's old but not sure exactly how old?

Peter Ahlstrom

Remember that what's in the books is filtered through the understanding of the characters. So even if Brandon planned it from the beginning, if the characters didn't know about it, it's not going to come out in the book.

And see this thread reply from 2009.

Brandon Sanderson

Acknowledgements

A lot of people helped me with this book. As you may or may not realize, I posted drafts of the novel online as I was writing it. It was a rather nerve-racking experience in many ways. My goal was to show the process of writing a novel as it happened. As such, I would finish a chapter, spellcheck it, then post it. (Though sometimes I held it for a while, as I eventually wanted to get to posting one chapter a week, and I'd often write two or three a week.)

Why did I do this? Well, for a number of reasons. First off, I'd never seen anyone do it before. I'd seen serialized novels, of course, and I'd seen people post their complete novels once the book was out in stores. I'd never seen anyone post, chapter by chapter, the rough draft of a book that they already had a contract for. This was less serializing a novel and more showing the process. As I finished a new draft, I would post that so that people could compare and see how I tweaked my manuscripts.

I also wanted a free novel on my website so that people could give my work a chance without having to pay for it. I figured that if they liked it, they'd try out my other books (and probably even buy Warbreaker when it came out). And if they didn't like it, then at least they hadn't spent any money on it.

The third reason I posted it this way was that I wanted to see what kind of community and feedback I could get for a book while it was being posted, then use that kind of like a writing group. Now, I tend to write fairly clean rough drafts. They're far from perfect, but since I like to outline a lot, I generally know where I'm going with a book when I write it. However, a great deal still changes in drafting, and many of the people who posted comments on my blog had an influence on the novel. Not really in changing the plot or the characters—it's more that their questions and concerns would inspire me to explain something better or develop an aspect of the story more.

I tried to get everyone on the list who helped out in a moderate or significant way. However, I'm sure I missed some people. If you're one of those who gave me a lot of comments during the early months when I was posting the rough draft, and I forgot you in the acknowledgments, drop me an e-mail so I can at least get you added to the electronic version.

Sparkle Hearts

The Girl That Looked Up. Is that a real story that happened in Roshar? Or just a metaphor?

Brandon Sanderson

So, Hoid heard it from someone. He did not make it up.

Sparkle Hearts

Because I think Shallan told the story...

Brandon Sanderson

Well, he told the story, too- He knew the story, she knew the story... What you're asking is if it's actually historical?

Sparkle Hearts

Yes. Did it happen?

Brandon Sanderson

I'll give you a RAFO. Because there's actually a little bit to it that I can't talk about. That probably tells you more than I even should already...

There are some weird things about that story, particularly the version that Hoid is involved in.

...Shallan tells half the story, and then later on, Hoid comes, and the story happens again differently. But there are weird things when Hoid is involved in the story that are relevant.

Brandon Sanderson

Part Three: Updates on Primary Projects

Stormlight

Book Five (now called just Wind and Truth) is basically done in rough draft form. I’m writing this update on the 2nd of December, and I assume by the time this goes live on my birthday that I’ll be very, very close—if not done already.

I do want to warn you that Horneater (the novella about Rock) will not be part of the Words of Radiance crowdfunding campaign. Why not? Well, I’ve realized that I would like to be able to write that sometime in the next couple of years when I’m missing Roshar, and want to jump back to tell a story there.

I don’t know when this will be though. It will likely be between one of the upcoming Mistborn Era Three novels. So…we’ll see. But I don’t want to offer it to you in the campaign since I don’t know when I’ll be writing it. (Sorry.)

Once I finish Wind and Truth, the Stormlight Archive novels will go on hiatus as I write the next few projects listed.

Mistborn

Era Two is finished as of last year, and my next mainline Cosmere project after Wind and Truth is Era Three, along with the long-awaited Elantris sequels.

I expect to start Ghostbloods (the name of the Era Three series) on January 1st, 2025. Half of next year will be revisions on Stormlight, and the rest I’ll spend catching up on things (like doing a White Sand prose novel update) that I’ve let languish a little too much lately.

Cytoverse

Skyward is done! Please, if you haven’t picked up a copy of Defiant, consider doing so. This has been my best received, best selling, and best reviewed non-Cosmere work. I’m extremely pleased with how it turned out.

Janci is taking the reins for a sequel series we’re calling Skyward Legacy. And so I’m going to let her put a section in here talking about it!

Janci Patterson

Janci here! By the time you’re reading this, I should have turned in the first draft of the first book in the Skyward Legacy trilogy. I’m working on the end of the climax now, and I’m thrilled with how it’s turning out. I’m very happy with the book, and am looking forward to revising it over the next few months to get it into publishable shape.

The series begins a few months after the ending of Defiant. The working title of book one is Blightfall (this is not the final title, so don’t be surprised if it changes!), and the book follows Skyward Flight, now a special forces unit, from the perspectives of Sadie and Arturo. The humans of Detritus are no longer prisoners or rebels, but full citizens ready to take their place on the galactic stage. Skyward Flight’s first responsibility is to help the DDF Diplomatic Corps make contact with other humans in the old Superiority human preserves—and what they find there may pose a new threat to their alliances, their galactic reputation, and the future of humanity itself.

My intention for this series is for it to be all the things you love about Skyward while continuing the stories of many familiar characters. I hope you’ll give it read when book one comes out!

Brandon Sanderson

The Four Secret Projects

I thought I’d put this here to interrupt any questions. I do intend all four of the Secret Projects to be standalone stories! You might see these characters again, but for now let’s just allow them to be something currently rare in the fantasy/sf world: books meant to be read on their own, and enjoyed without sequels.

Brandon Sanderson

You can read Aether of Night. I gave that to 17th Shard to give away to people. You can read the e-book of that.

White Sand and Aether of Night are readable books. They both have big problems. Aether of Night has the problem that it feels like two different books. There's like, a romantic comedy happening at the same time as a dire war and invasion by dark forces, and the two books don't really work well together. It's like a Shakespearean mistaken identity romantic comedy going on opposite that.

White Sand just has the problem that it's about thirty percent too long, overwritten for what the plot actually is. We fixed that when making it a graphic novel, but some people like the prose version instead, so you can get that and read it. White Sand is canon to the Cosmere with the tweaks made to the graphic novel. I don't ever intend to rewrite White Sand, though I do intend to someday have other things happening on that world. So that one is canon. Aether of Night is not, even though there's a Shardpool and a Shard in it. The events that are happening in that book are not canon. Aethers are - you've seen them pop up here and there. But the actual events of the story aren't.

Questioner

So we know some Orders are of-- Radiant are of Honor and Cultivation, right? So Jasnah is more logical and is definitely kind of, you know, set in stone about her ways. But Shallan, she's got a lot of personal growth and I know-- So I'm wondering is Shallan like one of the Orders that is of Cultivation?

Brandon Sanderson

In their-- They would theorize that's more Cultivation than Honor.

Brandon Sanderson

The graphic novel we are working on right now is White Sand, which is one of my early unpublished novels. We felt we could adapt that to take the poorly written stuff out and leave the awesome stuff.

Rebecca Lovatt

Do you have any updates for the progress of that?

Brandon Sanderson

Yeah, it's going really well. We just got a sample of the cover art for the first volume. I think they are collecting 6 chapters in a book, and there will be 18 chapters total. So three volumes, and I think we are almost done with the first six. One of the things that I told them is that I really want to be far along in this project before we release anything. Because The Wheel of Time fans got burned on their comic.

I think that there have been enough instances of things like that, so I want to be able to produce something complete and say, "Look, we've got this much of it done and this much more to do. We've at least got the first 6 chapters, a complete book you can read."

Rebecca Lovatt

Or it's like, we've got all this and it's only six months to the last one, it's not 2, 3, maybe 4 years.

Adontis

I've always wondered, how do you determine where the line between "Word of Brandon" and "Read and Find Out" is? Has it ever caused issues where you've said something, but later that thing changed when it went into a book making your first statement now false?

Thanks so much for writing as much as you do, I'm looking forward to all your upcoming books, keep up the great work!

Brandon Sanderson

Boy, this one is an art, not a science.

I've several times said something that I later decided to change in a book. I've always got this idea in the back of my head that the books are canon, and things I say at signing aren't 100% canon. This is part because of a habit I have of falling back on things I decided years ago, then revised in notes after I realized they didn't work. My off-the-cuff instinct is still to go with what I had in my head for years, even when it's no longer canon.

An example of this are Shardblades. In the first draft of TWoK in 2002, I had the mechanics of the weapons work in a specific way. (If you wanted to steal one from someone, you knock off the bonding gemstone, and it breaks the bond.) I later decided it was more dramatic if you couldn't steal a Shardblade that way--you had to kill the person or force them to relinquish the bond. It worked far better.

But in Oathbringer, Peter had to remind me of that change, as I just kind of nonchalantly wrote into a scene a comment about knocking off a gemstone to steal a Shardblade. These things leak back in, as you might expect for a series I've been working on for some twenty years now--with lore being revised all along.

So...short answer...yes, I've contradicted myself a number of times. I try very, very hard to let the books be the canon however. So you can default to them.

As for what I answer and what I RAFO...it depends on how much I want to reveal at the moment, if I'm trying to preserve specific surprises, or if I just want people to focus on other things at the moment. Like I said, art and not science.

damenleeturks

In WoR, Navani muses to Dalinar about how the gemstones in the Blades could be the focus that allows the bond with the Blade to exist. If this theory is correct, it would follow that someone could damage that gemstone and thus be able to steal the Blade with it then having no intact bonding mechanism, right?

I guess I'm having trouble seeing how the example you describe isn't possible.

Peter Ahlstrom

The gemstone is needed to create the bond and operate the bond's functions. If you remove the gemstone, the person the sword is bonded to can't summon it or dismiss it to mist. But neither can anyone else. If they eventually pop another gemstone in and try to bond it themselves, they will fail, and the original person can then resummon their Blade. The bond is with the dead spren of the Blade, not with the gemstone. The stone facilitates the bond.

So, you can haul around a de-gemstoned Blade with you all the time and successfully steal it that way. But this makes it very easy to steal back. You'd have to kill the holder of the bond in order to rebond it. Which is no different from usual.

And in general, if you can get close enough to a Shardbearer to steal their Blade, you are also close enough to kill them anyway.

Phantine

So that scene where Dalinar crushes the gemstone and hands the Shardblade over, he's also doing some sort of mystical de-bonding?

Or is it just 'if you WANT to give it up, you gave it up'?

Peter Ahlstrom

Yes, if you want to give it up, you gave it up.

Phantine

If nobody is currently bonded to it, does the attuning still take a week?

Otherwise it seems weird people would figure out putting a gemstone in hilt lets you summon it, since nothing would happen without a week of bonding time.

ricree

Not that weird. One of the books (WoK, I think) mentions that many years passed before the gemstone bonding was discovered. Shardblades were still really valuable, though, and even more vulnerable to theft, so it makes sense that people would have kept them close at hand long enough for the bonding process.

Other than that, all you need is someone to accidentally decorate the blade correctly, which is something that took a long time to happen, but was probably bound to happen eventually considering how key infused gemstones are to the world.

Peter Ahlstrom

Well said.

Questioner

She wanted me to ask, has Zahel ever had any other well known identity *inaudible* on Roshar?

Brandon Sanderson

RAFO...

Questioner

*inaudible* if he's one of the Heralds then her guess is Ishar.

Brandon Sanderson

RAFO.

Questioner

Question about Elantris real quick. In your [Arcanum] Unbound[ed], they show up. Is this post or pre Elantris. Because they're so well organized in that one.

Brandon Sanderson

So, that is post Elantris. But, the Ire weathered the [Reod].

Questioner

Oh they come back. And they remember everything.

Brandon Sanderson

They were not on Sel when the [Reod] happened.

SandersonLover1

There is some confusion on the Coppermind on whether Sixthface is the name of the world (I seem to recall it was named ‘the cube’) or just one of the Faces of the world?

Furthermore, can you tell us something we don’t know about any of the Faces?

Brandon Sanderson

Ha. Not often I get questions about that particular story.

It's so unfinished that I haven't established, even for myself, all of the terminology.

SandersonLover1

So, do you have any plans to finish it one day?

Brandon Sanderson

It depends on a lot of factors. One is if there is interest for something a tad more ridiculous from readers. While it's not as off the wall as Alcatraz, that story is quite weird with a particularly specific kind of humor. If the Alcatraz re-releases do well, then perhaps there is room for something akin to them.

Adam Horne

I see people in the chat wanting you to elaborate a little bit more on Dalinar killing Elhokar.

Brandon Sanderson

If you haven't read Way of Kings Prime, one of the things that was interesting to me.. So if you go way back to Dragonsteel... this is Dragonsteel Pre-Prime, the version of Dragonsteel that I started when I was in high school.

The central premise for Dalinar's character, who... he was in that book, was the person who was caught between his duty to his family and his duty to his country. So his brother dies and the new king... in the original, the one I did when I was a teen, I wasn't as good with these things back then. The new king was a baby, and so Dalinar's in that book kind of thing was how much do I take control as regent of this country and how much am I disenfranchising my nephew.

That was less interesting than what I ended up doing in Way of Kings Prime, which is where I realized this is a way better conflict, if the nephew of Dalinar takes the throne and is a really bad king, just dreadful, and bad for everybody and then Dalinar's trapped between deciding how much he loves his family and is going to follow them and deciding how much he loves his country. And I put those two in conflict quite a bit through the course of the story until finally Dalinar duels and kills Elhokar.

In that book they all have different names. Dalinar's is close, it's the same name but spelled differently, I believe. I don't even know what Elhokar's name is in that book. It might it might be Elhokar. The chat can tell us, but it's Elhokar. It's the same character.

That was like heart wrenching and traumatic for Dalinar to have to go through that. And why did I not go that direction when I wrote the actual version of the book? It's a... it's a better book—I feel—if Dalinar has to continue to live with this thing, and if he legitimately, like, loves his nephew, and his nephew is trying. That makes the conflict just so much more heart wrenching, because in Way of Kings Prime—it's been a long time, guys. It has been 20 years since I have even really looked at that version of the book, but in that [version] I made it justifiable. I had to.

Because if you're going to have a main character do something like that, readers have to dislike the person, right? And they've gotta be—I feel—on Dalinar side, unless we wanted a different arc, you could totally write a different arc for that, but in that version you get to the sense where  Elhokar has brought this upon himself, and I tweaked that by making him try harder, but just kind of be bad at it, which just led to a better arc, and it let me do things in future books where kind of Dalinar is... against his desires... he is seizing control of the throne, right. He is becoming the monarch and has become the monarch despite him claiming that he's not going to. It's just a better character treatment. You can point to a lot of flaws in Dalinar, but a big one is he is bad at delegation and he is bad at letting other people do things poorly when he thinks he could do them well. And even though he says he's not doing this, he slowly grabs power through the first three books until he's completely in control and Elhokar's been sidelined. And that's a flaw in Dalinar. 

But it's also... if you were living in that kingdom, you are glad it happened, right? So you don't want Elhokar necessarily being in control, and it's supposed to... I feel like it just leads to better long term storytelling, the way that I did it in the finished version. But we still get the "Dalinar beats the tar out of Elhokar" scene in the in the first book so that you can get some of that still in the published version.

Steenan

Awakeners are useless in space. Awakened objects can't propel themselves where there is no air and can't produce air or food from nothing. Elantrians have another problem. Their power is very flexible, but tied to a location; they can't take it with themselves when they travel. Or, at least, they can't do it in a way explained well enough to extrapolate.

Oudeis16

Actually I wonder about this. There is one scene where Vivenna Awakens Tonk Fah's cloak to attack Denth, and it drags Tonk Fah across the room. How? I mean, in theory, sure, we can speculate that it might have moved in a series of sweeps and jerks like swimming to force his momentum, perhaps it grabbed his legs, maybe it pushed off against the wall, maybe it even made a big scoop and sailed there on wind resistance... but the paragraph makes it seem possible that the cloak was somehow able to simply will itself along, strongly enough to drag Tonk Fah behind.

It does seem out of keeping with what Awakening is and can do, so I tend to think that at most it's just a typo (should I page u/PeterAhlstrom? I think they're working on a re-release and looking for continuity errors) but, if this is how it works, then once you're in space, Commanding a handkerchief to "go to Scadrial" might be enough to generate propulsion.

Peter Ahlstrom

There's no error in that scene, and it also doesn't directly contradict Steenan's statement.

Chaos

Have you seen the boombox?

Brandon Sanderson

The boombox?

Chaos

In White Sand volume 1, when Kenton wakes up, there's definitely a boombox in the background, it's really funny. In the middle of the desert. I'll find it for you.

Brandon Sanderson

Really?

Chaos

There's also a ceiling fan and horse in volume 2.

Brandon Sanderson

Huh. Really? Why is there a boombox?

Chaos

...Isaac talked about it at JordanCon... He approved the line work, but the colorist thought it looked like a boombox, and the didn't have enough time to--

Brandon Sanderson

*upon seeing the panel in question* Wow, it does look like a-- not a radio, it looks more like a sound deck... It makes me wanna-- See, I don't think anyone during White Sand continuity would be far enough along, otherwise that could be a cool cosmere thing, yeah.

Well, there you are. There's a boombox. That's not canon.

Questioner

If you could have dinner with three characters from books (not just yours), who would you dine with, and why? Plus what would you be eating?

Brandon Sanderson

Hmm... Let me answer this as one from a classic, one from a sf/f book not my own, and one from a book that is my own. Otherwise the question is too big for me to get a real answer to, as there are so many.

Well, my favorite character from a classic is Jean Valjean. I don't know what we'd eat, but I'd avoid ordering bread...

My favorite character from a fantasy book not my own is probably Perrin from The Wheel of Time, though that's a half-cheat, as I worked on the series. So it would either be him or, if I had to pick another, maybe Sam Vimes from Discworld. We'd avoid sausages in a bun.

From my own books, I don't know if I can pick a favorite, as they're all my children. So maybe I'll just tie it to who would be the most fun to go to dinner with. Kelsier would be too dangerous--you never know who is going to show up and try to kill him. Probably Shallan, as I feel she'd have the most interesting conversation. We wouldn't order men's food because I'm too much of a wimp, and it would probably be way too spicy.

Questioner

How does an object in the Cognitive Realm view itself if there are competing viewpoints of it? Like if two kids view a toy as their toy, how does the toy view itself?

Brandon Sanderson

There is going to be often, things are going to be in a position of change. And usually it will have one thing. You will say, "What am I?" "I'm Brandon's toy." Then a little later it might be you say "What are you?" "Well, I'm Brandon and Joel's toy." And then at some point it might just become "Joel's toy." There's-- It's kind of the "When does a pile become a heap?" and that sort of philosophical question. At what point do you transition between one and the other? It happens, but it's fuzzy and it's vague. And it also influences what you can do to it and how to change it and things like that. Like a rock viewing itself as a rock changing into sand, there's some fluidity there.

Questioner

The concept of bridge warfare and the life of a bridgeman was one of the most horrific things I've ever heard of. Was that inspired by something specific or...? 

Brandon Sanderson

So, there's a couple of inspirations. One is some of the first-hand accounts of World War One I read, where tactics changed so dramatically that people were being thrown into battle not understanding that this was just terrible tactics, you know, charging machine guns, that's, turns out, bad idea in a lot of situations. And the other half of it is being inspired by actual siege warfare.

One of the things I like to do in my books is, I like to have fantastical versions of things that happen in our world, right? And this gives me a way I can look at history. I can read the accounts of, you know, what it's like to run a ladder, change it to suit my own desires and kind of have a bit more expertise where I can say, "In this situation, this is what they're doing." It allows people who know their medieval history to say, "Oh, that's cool," but also, at the same time, suspend their disbelief, right. Like, if you're a medieval historian and you're reading about actual siege warfare, I have to get it really right, or I'm gonna kick you out of the story. But if, instead, they're running bridges, it allows a lot of the mystique for medieval historians to say, "Oh, this is a different tactic, so we can't say one hundred percent what people would've done in that situation. I can enjoy the story too." And as long as I get enough right, that does that.

So you see me doing that sort of thing quite a bit. Otherwise, I do try to get the things that I do right--as right as I can--but I was just visiting some nice fellows who were showing me their sword fighting in Plate. And you'll see, Shardplate is another thing like this. Actual historical plate combat... I wanted to have Shardplate divorced from that a little bit for the same sort of reasons, right? Number one, it allows me to have the kind of epic fights the way I want to have them, it allows me to draw out the fights. And you'll notice if you watch a lot of historical people reenacting fights, the Shardplate fights will look a lot more like people sparring nowadays and not actually trying to kill each other. And that's intentional, because I can watch a lot of those online, right. I can go to conventions like this and see people doing that. You can't see first-hand two people in plate actually trying to kill each other. And if I can make the fight realistically have a good reason why it would feel like a bout, you know, with Shardplate and things like that, instead of what you'd try to do in a normal plate battle is shove a dagger under someone's armpit, right? Well, that doesn't work in Shardplate, so what do you want to do? You wanna hit them in the same place a couple times. Feels a lot more like a sparring duel in our world, and it just allows me to have this line between realism and theatricality that I really like, and allows people who know a little bit about it to be able to like, "Oh, that feels real, but I can also enjoy it." You see me doing that sort of thing a lot.

That's more than you asked, but that's occupational hazard, going on and on and on and on.

JavaPython_

What tips would you have for a beginner sketch artist/free hand drawer? How can I improve my illustrations? (I'm left handed, don't know if that'll make a difference or not.) I'm not horrible, I just tend to make large mistakes and since I prefer pen and pencil drawings (in a LOT of colors of ink) I can't really fix it.

Ben McSweeney

Being a lefty shouldn't hold you back, I've known plenty of excellent animators and illustrators who work sinister. Biggest hassle I know of is setting up your desktop workspace with hotkeys and all, everything is biased for dexters.

Gosh, tips... well, practice is the big one, but I know that sounds glib. I think it's true, though, that in order to be successful as an illustrator you need to love the process more than the project or the results... it's as much about doing the thing as seeing and being the thing. Rewards and results are fleeting, but the job is forever. So, you know, it's part of the process to review your work, identify your weaknesses, and seek active solutions.

I can't emphasize the value of rough layout and structural sketch lines enough... I never go straight to the finish lines, I need those buildup sketches in order to know where the finish inks will go. Even more so when working with real media, where you can't Undo your way out. If you're not applying the classic rules of structural composition, that might go a long way towards helping improve your stuff. My go-to was red pencil, but you can do a lot with a 4H or even an HB with a light hand.

If you're already doing that, then I'm not sure what to suggest... keep practicing, I guess?

wicktacular

questioner's paraphrase, delete after transcription review: Based on the bit during the open Q&A about Odium splintering Dominion and Devotion and shoving their power into the Cognitive, and that blocking off the Spiritual, which makes Sel's magic so location (or Identity of location) based - if a Shardbearer traveled to Sel, could they still summon their Shardblade?

Transcription:

So from what you said about Odium sticking Devotion and Dominion in the Cognitive, if they *inaudible* Shardblade, well Shardbearer, and travelled to Sel would they *inaudible*?

Brandon Sanderson

Uh... what-- I'm going to RAFO that. I've never asked me that before. I guess I haven't really explained that whole thing before to people.

Sporkify

This is more towards the whole physics stuff, but is Feruchemy really balanced? If it gives diminishing returns, wouldn't this end up as a net loss of power?

Brandon Sanderson

It doesn't diminish. Or, well, it does—but only if you compound it. You get 1 for 1 back, but compounding the power requires an expenditure of the power itself. For instance, if you are weak for one hour, you can gain the lost strength for one hour. But that's not really that much strength. After all, you probably weren't as weak as zero people during that time. So if you want to be as strong as two men, you couldn't do it for a full hour. You'd have to spend some energy to compound, then spend the compounded energy itself.

In more mathematical terms, let's say you spend one hour at 50% strength. You could then spend one hour at 150% strength, or perhaps 25 min at 200% strength, or maybe 10min at 250% strength. Each increment is harder, and therefore 'strains' you more and burns your energy more quickly. And since most Feruchemists don't store at 50% strength, but instead at something like 80% strength (it feels like much more when they do it, but you can't really push the body to that much forced weakness without risking death) you can burn through a few day's strength in a very short time if you aren't careful.

Paleo

The people in the Central Dominance speak a sort of French accent. Is that still the case in the Wax&Wayne era?

Brandon Sanderson

It has mostly changed. I mean there are still some French regions, but there are some Germanic regions also and things. It is no longer just the same positioning, it's more kind of, well, like your family heritage and things like that.

Brandon Sanderson

The other big thing that I want to talk about is Moonbreaker. So for years, I’ve been teasing a project I called Soulburner. You can go back many years in the State of the Sanderson posts and find me talking about this thing. This is a video game I originally started, then pitched to Unknown Worlds, who made Subnautica. They came to me and said, “Hey, would you be interested in developing a world for us to do a game in?” Their pitch was really cool. It’s better than a miniatures game. It’s like a digital version of a miniatures game. I’ll be talking a lot about Moonbreaker in the coming weeks. I’m really excited about it. I loved Subnautica, and so when Unknown Worlds came to me I was excited for the opportunity. This is the first time I have designed the setting for a video game. I wrote all of the worldbuilding guides and came up with the characters and character guides. Dan Wells has been writing audio dramas about these characters. So it’s going to be really cool. The game—I’m not even sure what their timeline is for releasing the game but now we can at least talk about it!

Movie/Television Updates

Bonus Mention: The Wheel of Time

As The Wheel of Time does not belong to me, I like to be careful about what I do and say with it. I don't want to overstep my bounds. But for those who haven't been paying attention, this series has progressed into a full-blown green light at Amazon Studios—with actual episodes being written and filming soon starting.

I don't know what role, if any, I'll have in this. Like I said, I like to be respectful of Team Jordan. It's not my place to try to muscle in and pretend I'm in charge. At the same time, I do think I could offer something to the production, and the showrunner (who is quite sharp) has reached out to me multiple times for conversations about the adaptation. I'm impressed with everything I see, and hope to at the very least be able to pop over to the set when filming happens and grab some photos for you all.

For most of my own properties, I'd say to not hold your breath. I think they'll happen eventually, but you shouldn't start to get hyped up until Step Five happens for something. Well, we're past Step Five with the Wheel of Time, and you can officially begin to feel hyped. It's actually happening, and it looks great so far.

senigmatic1

I've got a more hypothethical question.

Iron stores weight. Pewter stores strength.

What if you both make yourself very light and very strong***? Maybe even throw in burning pewter as well; how does it all work together?

Maybe I should throw this over to askscience..

Brandon Sanderson

I have some ideas, and have done some research, but I'm not ready to comment on this yet. I plan to use it in a future book.

But if you do come up with some info from askscience, I'd love to see it.

Brandon Sanderson

PART NINE: TRANSLATION UPDATES

This year I did something I’d been considering for a while—I asked some of my larger overseas publishers if they wanted to include any updates in the State of the Sanderson. I had a few of them get back, and hopefully we’ll grow this section in future years.

As a quick aside, I wanted to mention that we’re working to have a broader availability of my Gollancz hardcovers be more easily available in places like the UK and India. Hopefully more on this in the coming months.

For now, here are a few updates.

Germany

Two of my German publishers sent us a list of recent and upcoming publications.

From Heyne:

• Edgedancer / Die Tänzerin am Abgrund: 11 November 2019
• Children of the Nameless / Die Kinder des Namenlosen: 13 April 2020
• Oathbringer Vol. 2 / Splitter der Macht: 11 January 2021 (paperback)
• Rhythm of War Vol. 1 / Der Rhythmus des Krieges: 15 February 2021
• Rhythm of War Vol. 2 / Der Turm Der Lichter: 24 May 2021

From Droemer:

• Skyward / Der Ruf der Sterne: 1 July 2021 (ebook) & 2 August 2021 (paperback)

Poland

Zysk, my YA publisher in Poland, enthusiastically got back to us first with news, follwed by MAG and IUVI. All of my Polish publishers have been awesome, so I hope you’ll support them.

One of the things I asked these publishers was how people could order the books internationally, if they wanted copies. Zysk has links for those who want to grab the books, though unfortunately this is a place that only ships to Europe. Eventually, I’d like to have links in this section for those around the world who want to order copies, but we’ll start here.

From Zysk

1. Skyward (published 2nd of April 2019) and Starsight (published 14th of April 2020)Audio editions of The Skyward Series & The Reckoners Series are available via Storytel.
2. Zysk plans to publish book #3 in The Skyward Series: “Nowhere”, publication dates to be determined once they receive material.
3. Polish bookstores which deliver internationally (to Europe)
   • Empik
   • Czytam

From MAG

Here is their upcoming lineup for 2021:

• Rhythm of War Vol. 1: March
• White Sand Vol. 3: March
• Dawnshard: March
• Rhythm of War Vol. 2: June
• Children of the Nameless: June
• All available 10th Anniversary Editions: Between March and October

From IUVI

The whole Acatraz vs. the Evil Librarians series (vol. 1–5) are available to Polish readers.

1. Piasek Raszida
2. Kości Skryby
3. Rycerze Krystalii
4. Zakon Rozbitej Soczewki
5. Mroczny Talent

Audio editions of of Alcatraz Versus the Evil Librarians Series are available via Storytel.

If you enjoy reading reviews for translated works, here are a few reviews you can check out.

• Skyward by Nerd Heim
• Starsight by Nerd Heim
• Starsight by Katedra

France

From Livre de Poche

At Le Livre de Poche, we are thrilled to work with Brandon Sanderson and Dragonsteel Entertainment to present his novels to French readers worldwide.In 2020 we published simultaneously in paper and digital formats the Omnibus editions of Legion : The Many Lives of Stephen Leeds (Légion : les nombreuses vies de Stephen Leeds) in May, and most recently – last November – the first installment of Skyward (Vers les étoiles) in trade.

2021 will be a very busy and exciting year for Brandon’s French fans. In January, the two-volume mass market editions of Oathbringer (Justicière) will be available alongside the first part of the highly anticipated Rhythm of War (Rythme de Guerre) in trade. The second part of Rhythm of War should be published in May 2021.

Finally, the second installment of the Skyward series, Starsight, will come out in trade in September, alongside the mass market edition of Skyward (Vers les étoiles).

French versions of Brandon Sanderson’s books are available worldwide in online bookstores such as Place des Libraires, Mollat, Décitre, Furets du Nord, Dialogues, and Cultura, or online retailers like Fnac.com, Amazon, Rakuten, Momox, and many others, but don’t forget to ask your local bookseller if they can get it for you!

You will find all the many ways to get Brandon’s books in French on our website.

En français

Au Livre de Poche, nous sommes ravis de travailler avec Brandon Sanderson et Dragonsteel entertainment pour proposer ses romans aux lecteurs francophones du monde entier.

En 2020 nous avons publié simultanément en papier et en numérique la version intégrale de Légion : les nombreuses vies de Stephen Leeds en mai et, plus récemment, en novembre dernier, le premier tome en grand format de la série Skyward, Vers les étoiles.

2021 sera une année intense et passionnante pour les lecteurs francophones de Brandon Sanderson. En janvier, l’édition de poche de Justicière (volumes 1 et 2) paraîtra aux côtés de la très attendue première partie de Rythme de Guerre. La seconde partie de Rythme de Guerre paraîtra en mai 2021. Enfin le deuxième tome de la série Skyward, Starsight (titre français à venir) sortira début septembre, en même temps que la parution en poche de Skyward, Vers les étoiles.

Les versions françaises des ouvrages de Brandon Sanderson sont disponibles à la commande dans le monde entier sur les librairies en ligne telles que Place des libraires, Mollat, Décitre, Furets du Nord, Dialogues, Cultura ou sur les plateformes de vente en ligne comme Fnac.com, Amazon, Rakuten, Momox et bien d’autres, mais n’oubliez pas de demander à votre libraire s’il peut vous les commander!

Vous trouverez toutes les manières de vous procurer les ouvrages de Brandon en français sur notre site.

A few reviews from my French-translated books.

• HuffingtonPost.fr
• LePoint.fr
• rtl.fr
• Hachette.fr

Italy

From Mondadori (my new publisher there, who we’re very happy to be with)

Here in Italy, we published the translation of Rhythm of War the same day as the American release. It was a remarkable feat for which we have to thank Gabriele Giorgi, Sanderson’s inexhaustible and heroic Italian translator, who committed to the cause with the usual abnegation and legendary painstaking accuracy.

2021 will be a year full of Sandersonian releases: we are working on a three-volumes collection of the graphic novel White Sand, which will come out in the first semester, while in the second semester we are planning the release of Arcanum Unbounded, as well as an illustrated edition of Mistborn: The Final Empire, on the heels of the leatherbound American edition. Surprise releases are also not entirely out of the question, although the whole 2021 schedule is still quite fluid in light of the ongoing COVID-19 emergency, which might cause some delays in the second-semester releases in order to adapt to the shifts in exogenous factors and market conditions.

Spain

From Ediciones B

We have just released Rhythm of War in trade on 19 November on a simultaneous launch with the US edition. The first print run of the book in Spain was 14.000 copies and we have already reprinted three times in less than a month. (Now we have a total of 30.000 copies printed since publication.)

The book started very strong in GFK, and reached number 7 of the general trade list of GFK for week 47 and also number 7 of the trade fiction list, with 4.977 copies sold during the first week.

It also reached number 2 of top 100 of FNAC on the first week of sale, and has been top 1 of November sales in Gigamesh bookstore. It has also been in the top 100 of Amazon Spain during two weeks.

Before publication, Gigamesh has sold 700 copies in preorder of their limited edition.

We plan to publish Dawnshard in the summer and our Mistborn 1–3 illustrated edition during the second half of the year. We also plan to publish Skyward 3, depending on the final release date of the US edition and the translation timing.

deadmatt666

With the mainstream success of animated series like Arcane, would ever reconsider anyone of your Cosmere IPs to be animated instead of live action?

Brandon Sanderson

I would consider it. The more popular animation becomes for the general public, the more likely I am to consider it. Now, if I am able to get some live-action adaptations, then the chances that I do animated go way up. But it's unfortunate; I wish it weren't the case, but you can go look at the numbers of Into the Spiderverse versus these other Spiderman films and see who went to them. I think Into the Spiderverse is amazing; it's probably my favorite Spiderman film. I think it is incredible. But the unfortunate and annoying truth is that many fewer people will go to it because it's animated.

You might legitimately say, "Well, don't you just want something to be awesome? Let's focus on making something awesome." And that's a pretty good argument. But I feel like I'm not in the realm right now where I want to just have one thing be cool and then leave pop-culture consciousness. If I'm going to get the whole Cosmere made, I need to hit big. Otherwise, we're going to get a couple of seasons and then be done. Because even good things on a lot of the premium cable streaming services right now get a couple of seasons, and then they're done and that is it. If I want to see everything get made, which I would like to see, I'm going to have to hit bigger than leading with animation can get me right now. That could change, that could absolutely change, but that's where my mindset is. 

Questioner (paraphrased)

How deep are you going into Shadesmar in Words of Radiance?

Brandon Sanderson (paraphrased)

Not terribly deep in Words of Radiance. We're going to have to wait until Jasnah or Shallan are exploring it more.

Questioner

In all the Cosmere books, on all their worlds, the only thing <brazenly> different about the ecosystems than Earth are the things affected by magic. So, in one of the books, you mentioned, like, a dolphin. Why is everything the same?

Brandon Sanderson

So, there's an in-world answer and an out-of-world answer. The out-of-world answer is that every book has something we call a learning curve, so that is what makes it harder to get into the book. And learning curves, usually, if they're written well, have great payoffs, but also act like a brick wall when getting into your book. And so certain books, I have designed to have shallower learning curves, so you can focus on learning all these new characters, and the situations, and the political situation, but not have to learn entirely new terminology for the setting.

In-world, most of these worlds were created by people or... who came from an original world. For instance, there was a planet that the gods from Scadrial (the planet of Mistborn), they came from this world, and they created what they had seen there. So the animal life there, they just created in their own world, because that was what they had a pattern for.

So in-world, there's a reason, they're all connected. But you'll notice that some of the ones with the steeper learning curve are the ones that have the weirder world, and Way of Kings has the steepest.

Questioner

On Roshar, the only area that isn't affected by the Highstorms, Shinovar, is basically like Earth, where everything else has changed.

Brandon Sanderson

That gives us a little bit of a frame of reference to contrast things with. There's some in-world things about that you'll learn eventually, but it gets us some ways for you to be like, "Oh. The grass looks like this because it is so different from the grass that this girl is pointing out. It's grass like ours." It's very helpful for establishing a conversation topic.

ccstat

Can a Seeker, standing outside a Coppercloud, that is between them and another Allomancer, can he sense the person standing on the other side of the Coppercloud?

Brandon Sanderson

Yes, but he might get some interference.

Ben McSweeney

Would you sense the cloud itself, like "Hey, there's a cloud between me and what I'm looking at"?

Brandon Sanderson

If you know what you're doing, you might be able to say something is interfering, but you wouldn't be able to determine what. There are multiple things that could cause that, for instance-- Most of them are only-- That they would be able to-- Yeah, there are multiple things that could cause that. Like, for instance--

Ben McSweeney

Big buildings?

Brandon Sanderson

Well, aluminum.

Questioner

One of my favorite things about the cosmere is the mixture of science with magic. I was theorizing on ways you could do the space travel with spaceships between planets. My theory is that you could... we know ways that you could store Investiture in things, we know ways you can shield that as well. I was thinking if you put, like, a super-Invested object at the front of your ship and opened it up, you're basically creating a perpendicularity, put the whole ship into the Cognitive Realm?

Brandon Sanderson

Very interesting theory. RAFO.

I really like that you can theorize along these lines. Not to say too much, but people have been able to figure out how I'm going to do it, because the fundamentals of the magic are there. And that just tickles me. It makes me excited.

Questioner

All of these steel plates in the caverns, before chromium was well known, how did they not get rusted?

Brandon Sanderson

I actually thought about this. I kind of imagine some of them rusted, but at the same time I've read about-- What was my answer to this? I have an answer. I can't remember what my answer is, so I'm going to RAFO that. Send it to me and I'll try to look it up. I had an answer to this. They were... using some sort of thing to keep it from rusting.

Questioner

So there were people in the Steel Ministry keeping it clean?

Brandon Sanderson

I don't think that was my answer. I thought that I had them plating it somehow, but I'm not sure. I mean we're talking ten years ago now when I wrote this. I think I had them plating it somehow, because I needed them to last longer. You can just write that one as a RAFO, but it's a RAFO that Brandon can't remember. It happens sometimes. It's one of those things Peter asked me when we were working on the books and I'm like, "Oh, we'd better have an answer for this," but now I don't remember what it is.

Khyrindor

You've said that Returned count as Cognitive shadows "stapled" back into their bodies, and that the Heralds are at least similar. Would I be right in assuming that Elantrians could be considered as Cognitive Shadows as well, or am I barking up the wrong tree?

Brandon Sanderson

Elantrians are something different. They don't actually "die" to be created.

Recognize that the term Cognitive Shadow is an in-cosmere theory, which I'm not going to comment on as the creator of the setting. The theory is this:

Investiture seeks sapience. It looks for someone to control it or, in some instances, spontaneously adopts personality.

A mind (Cognitive aspect of a person) can become infused with Investiture. This acts a little like minerals with petrified wood, replacing the mind and personality with investiture.

When the actual person dies, this investiture imprint remains behind. A copy of the soul, but not the actual soul.

Others disagree with this, and think the soul itself persists. Still others reject the theory in its entirety.

linkhyrule5

Huh.

... Kandra are almost literally stapled to their bodies with Hemalurgy - would they count as such, to the in-setting scholars?

Brandon Sanderson

No, they wouldn't. They are beings who have had their souls twisted by Hemalurgy--the soul never left, it's just been messed up. Someone else who has a soul stapled to a body with Hemalurgy would count though.

Brandon Sanderson

Chapter Sixty-Five

Ham Says Not to Attack

And, what is this? A climax for Ham?

Hammond lovers, your faith has paid off. This is the best I could give him, but it seems to me like it works. All through the series, I've had him question and debate, and he rarely comes to any conclusions on moral issues.

But, here, he gives Elend advice at the exact right moment. And it's the right advice. Now, by saying that, I don't mean to say that attacking the city was the wrong thing to do. It was just the wrong thing for Elend to do.

He's a protector, not a conqueror. Taking a city for its own good would have destroyed him, as it violates his basic life principles. He should have turned around as he did, and karma—or, well, the author—rewards him for it.

Ben McSweeney

Peter, are there no Misting hazekillers? If not, is there a proper term for noble Mistings trained to fight Allomancers?

Peter Ahlstrom

Well, I thought for sure there was a scene where one of the hazekillers turned out to be a Coinshot, but now I can't find it. Maybe that was in an earlier draft of one of the books...

Anyway, there's no term for that—it's just Allomancer. All Allomancers (trilogy era) are trained to fight unless they're the mental ones.